Posts Tagged ‘B3 Organ’

Bernard Purdie on the fatback drums – FATHEAD Pocket Funk HAMMOND PURDIE Youtube

March 5, 2013

*WATCH THE VIDEO HERE: Bernard Purdie on the fatback drums – FATHEAD Pocket Funk HAMMOND PURDIE Youtube

http://archive.org/details/JonHammondFATHEADPocketFunkHAMMONDPURDIE

The late great tenor saxophonist David Fathead Newman getting down on Jon Hammond composition “Pocket Funk”
Jon Hammond at the B3 Organ, explosive funk solo from Bernard Purdie

Youtube http://youtu.be/4YaChOk6K2Q

Rick Bear Pretty!
Yesterday at 12:22pm

Masao Ohnuki Absolutely great!
Yesterday at 5:22pm

Bernard Purdie Hey….. I am still around.
8 hours ago

Jon Hammond Right on Bernard! The caption says: “The late great tenor saxophonist David Fathead Newman getting down on Jon Hammond composition “Pocket Funk”
Jon Hammond at the B3 Organ, explosive funk solo from Bernard Purdie “The Hit Maker”. – Jon *rest in peace David Fathead – that was a great gig – JH
8 hours ago

Jon Hammond *note: el-gig clip here: http://youtu.be/4YaChOk6K2Q Jon

FATHEAD Pocket Funk HAMMOND PURDIE

Thierry Mathelin
Works at Paris, France

Greg Christopher
Teaneck High School

Rick Bear
Georgia Tech

Renaud Louis-servais
Guitariste/compositeur endorsé at Tom Anderson Guitarworks

Daniel Rogue
Le Lude, Pays De La Loire, France

George Petersen
San Francisco State University

Paul Nowinski
Works at Freelance Musician

Jon Paris
New York, New York

Jay Dittamo
Frank Zappa School of Music

Kendra Yarbrough Snipes
C.E.O. at Coram Deo Management Consulting Group, LLC

Josh Oh
Frenchie at H.A.M. Industries subsidiary of F.M.U

Massimo Casati

Allen Ganious
School of Hard Knocks, The University of Life

Rick Pasek
Berklee College of Music

Clint Bahr
New York, New York

Masao Ohnuki
Hosei University

Ted Stilles
Montclair High School

Yusuke Nishimura
Setagaya-ku, Tokyo, Japan

Dick Backbeat Baars
Amsterdamse Grafische School

Neal Grover
Kingston, New York

Bob Cabo
West Milford High School

Mag Nifused
Kiel, Germany

Nashira Priester
Mills College

Marty Bound
Works at George Jackson Academy

Evens Colas
Owner at Paradise Sound Arts, LLC

Chris Remediani
Vocalist/Guitarist at The 70′s Project

Tj Esposito
Point Pleasant Boro High School

Glen Miller
Indiana State University

Maria Molino Giannetta
Licensed Massage Therapist at Self Employed Business Owner

Tommy McIntyre
Saint Bernards College

Ivan Chavez
New Rochelle, New York

Nabil Gowdey
Queens College, City University of New York

Stephen Boykin
Los Angeles, California

Stanton Davis
Works at Ocean County College

David J Moore
Drummer/Singer/Guitarist at David Moore Music at Self Employed and Loving It!

Edward Pampani
Hillsborough, New Jersey

Kevin M. Hogan
MSF Certified RiderCoach at Rider Education of Nj

Maurizio Li Mandri

Doug Meola
Owner-Operator at Doug Meola – Drum Lessons

Mike Moon Reuben

VintageDrums Bcn
Works at Vintage Drums BCN

Vic Lakervic
California State University, Los Angeles

Toby Williams

Respond to Friend Request
Rob Wolfenden

Fern Ellis
North Miami Beach, Florida

Christopher Pritchard
New Windsor, New York

Alex Sitnikov
Drummer at Drummer

Paul Hollands
Multimedia artist/Percussionist/Sentient @ at ‎รђฬเzz ภคtเ๏ภ, ภא.‎

Paul Lewis
Hartford, Connecticut

Marziano Francesco Valentino Fontana
Works at How to re-head Marieantoinette

Angelo G. Musto
Kew Gardens

Carole Pellatt
Works at Carole PELLATT/Freelance Guitarist/www.carolepellatt.com

Scott Moss
Kinnelon, New Jersey

Moon Kon Choe
Brooklyn, New York

Terry Loftus
American Conservatory of Music in Chicago

Jimi D’Andrea

Rick Such
Carmel, Indiana

Robert Higgins
Asbury Park High School

Alphonso Velour

Darryl Aquilina
Hackensack High School

Frank Derrick
Works at Palm Beach Pops

Bart Spits
Works at Diverse Muziek

Telmo Fernandez

Daniel Hall

Jack McKeever
Works at The Maid’s Room

Celia Thompson
Staten Island, New York

Siegmar Grünberg
Dozent für Drums at Musikschule Schnelsen

Robert Zachary
Owner/CEO/COO at BZ Productions

Edward Wall
Lambertville, New Jersey

Michael Davis

Michael Grammar
Houston, Texas

Nicky Gebhard
Mönchengladbach, Germany

Cheryl Stewart
Certified Nursing Assistant at Shasta view

Daya Sankar
Zamorin’s Guruvayurappan College

Stevan Vivod
Indjija

Decco Takano
Meijo University

Kazuo Ohtsuji
関西大学

Daniel Cordaro
Cypress College

Marcel Vaillant
ROC Ter AA Helmond

Neil Levine
Jersey City, New Jersey

Mario Staiano
Works at Musician/dj wusb 90.1 fm stony brook ny wusb.fm on the web)

Jacquou le Croquant

Yoshi Kagami
Works at Professional Musician

Clyde Prox
Yucaipa, California

Seth Zowader

Eric Mirell

Johnny G Reo
School of Hard Knocks

Bill Wolf
New York, New York

Jackie Muckenfuss
Columbia, South Carolina

Keith Oneill
Montreal, Quebec

Rich Thiel
Section Manager at Information Technology Professional

Joanne Ruocco

Linda Magnifico-Levy

Don Hahn
Henderson, Nevada

Bobby Cattrano
State University of New York at Farmingdale

Steven DeLano Adamson
Los Angeles, California

Ginger Bianco
The University of Hard Knocks

Herbert Collins Jr.
Works at Paymer & Phillips

Kenny Wilkins
Musician, Photographer, Wildlife at Self Employed and Loving It!

Blip TV http://blip.tv/jon-hammond/zanzibar-david-fathead-newman-bernard-purdie-jon-hammond-play-pocket-funk-3721532

Limousine all the from The Bronx home to Manhattan after a fantastic Italian dinner courtesy of Sal Gallina – R.I.P.
Sal Gallina, sadly I just saw his obit – inventor of the Yamaha WX7 MIDI Wind Controller, rest in peace Sal – Jon Hammond

http://www.patchmanmusic.com/SalGallina.html
Update 10/22/07: We are very sorry to report that our friend and inspiration Sal Gallina passed away October 4th, 2007.
SAL GALLINA – “MUSIC WAS MY LIFE”

Sal Gallina, born Salvatore Angelo Gallina on June 20, 1951, formally of The Bronx, NY, died peacefully after a long illness on October 4, 2007. He resided at 146 Pine Circle, Bennington, VT 05201.

Sal graduated from the New York High School of Music and Art, the Manhattan School of Music, Julliard, and the American College of Forensic Examiners. Sal was an extremely intelligent man who loved music and was known worldwide for his innovative style of music. He was brilliant, both musically and electronically. One of his inventions- the Yamaha WX7 MIDI Wind Controller- is used in the music industry today. It is on display at the Smithsonian Museum in Washington, D.C. Click here to learn more about wind controllers. He also loved the outdoors, exotic and classic cars, anything electronic such as remote control airplanes and loved to target shoot, especially with pellet guns.

He leaves behind his grieving family – his parents Justo and Marie (Saia) Gallina of Bennington, VT, his brother Angelo Gallina of Bennington, VT, his sister Fran Artale of Wappingers Falls, NY and his niece Dyanna Artale of Wappingers Falls, NY

This is the train track just before the spot in the famous scene from Dirty Harry, 1971; Clint Eastwood jumped from the train trestle on Sir Francis Drake Blvd in Larkspur CA – he was looking West for the jump on top of the school bus. – unfortunately it was torn down in August 2003 after being damaged by a truck two months earlier. – Jon Hammond

*Note: See the bird in my photo, I just noticed it – JH — in Larkspur, CA

Jon Hammond You can actually wee part of Greenbrae Boardwalk there in the photo, and the Egret bird must have come from the adjacent Marsh Conservation Area between there and San Quentin Prison in Greenbrae / Larkspur area. I noticed some of the floating houses on Greenbrae Boardwalk are going for high buck these days! There’s one up for sale there now for $500,000 bucks! Jon Hammond *not sure what the plumbing deal is there, right next to the nature preserve with the floaters – http://en.wikipedia.org/wiki/Triangle_Marsh

Jon Hammond http://escholarship.org/uc/item/1z8616hb#page-8 Tidal marsh restoration at Triangle marsh, Marin County

Author:
Morton, Chuck, Office of Biological Sciences and Permits, California Department of Transportation;
Galloway, Michael, Office of Biological Sciences and Permits, California Department of Transportation

Publication Date :
08-29-2005 – *highly interesting! – JH

AFN Profile TV Show special movie “Sound Cops” – I’m wearing a rare Suzuki guitars hat – so mad I lost it on the U-Bahn train, but it lives on in broadcast history folks! Jon Hammond Youtube http://youtu.be/ttx6l87Gtow

Musician Jon Hammond on AFN Europe TV Show PROFILE, Musikmesse Special. Jon worked together with AFN’s SSgt Albert Viera and SSG Terry Anderson to create this special entitled “Sound Cops” with very entertaining cameo appearances by Joe Berger (guitar) Michael Michael Falkenstein (Hammond organ with Jon) and the 2 Sound Polizei ‘Noise Control’ guys “Lorenzo” and his partner, busted for Electric Guitar Rocking!
You will find this story very enjoyable! Special thanks to AFN Europe and Musikmesse Frankfurt — with Michael Falkenstein

Conversations Show with Harold Channer & Jon Hammond MNN TV
http://youtu.be/Qe5kXLgd69k

Harold Hudson Channer – Host “Conversations With Harold Hudson Channer”

Jon Hammond

Excerpt from ‘Conversations Show’, Harold Channer with guest TV/Radio Host & Producer Jon Hammond on MNN TV in New York City. Hear Harold and Jon discuss Public Access Television and play a clip from Jon’s very first broadcast on MCTV Channel C ‘The Jon Hammond Show’ with original music and graphics from BackBeat Productions that aired for first time Feb. 2, 1984…

Beautiful looking Candy Apple Red Ford Sedan in concours condition (surpasses ‘mint’ condition) – Jon Hammond

Vivian Imperiale: Now that’s a car.

Back on the move – this is the pilot’s case that flew with me on the Air France Concorde Jet on my very first trip to Europe at Mach II Supersonic Speed – the trip from JFK to Paris CDG took 3 hours and 26 minutes, and changed my life – now I’m supersonic…and so is the pilot’s case folks! – Jon Hammond

Radio France Inter Concert in Paris with the late great funky drummer George Brown – R.I.P. George
Youtube http://youtu.be/PLPQkW0WFTc
Paris France — Onstage camera of Jon Hammond captures this live radio concert Maison de Radio France Studio Charles Trenet Jazz vivant producteur délégué : André Francis
circa 28th March 1996

Big honor to be on MNN TV with main man Harold Channer on Harold’s program “Conversations with Harold Channer”
Part 2 Youtube http://youtu.be/BNpxGW8PPQg 3,364

Part 2 of Conversations with Harold Channer and Jon Hammond “The Global Village”…music as the Universal Language, music without words is the best way to effect global change, Jon’s theory in action with a clip from Moscow Russia concert together with Russian tenor sax star Igor Butman, drummer Eduard Zizak and Jon at the organ doing the classic Jazz Ballad “Easy Living” from the John Coltrane and Johnny Hartman ‘Ballads’ album. And wrap up conversation with Broadcaster, Philosopher Producer and World Traveler Harold Hudson Channer http://channer.tv/ on Manhattan Neighborhood Network — at MNN

James Brown Godfather of Soul visits his Godson Michael last time

James Brown Godfather of Soul comes to visit his actual Godson of Soul Michael Falkenstein one last time in a convoy of white limousines – 40 never before seen pictures – rest in peace Godfather of Soul James Brown – Jon Hammond
*original music from Michael and Jon Hammond HammondCast Show – Congratulations 30th year Hammond Organ Germany Studio pictorial James Brown Visiting his God Son Michael Falkenstein – incredible must see and hear:
James Brown the Godfather of Soul and his God Son Michael Falkenstein at the Hammond organ with original music soundtrack from Jon Hammond radio program HammondCast – musical selections:
Time With You
Six Year Itch
Get Back In The Groove
Watermelon Man
Late Rent / HammondCast Outro

Blip TV http://blip.tv/jon-hammond/40-never-before-seen-james-brown-photos-with-his-god-son-michael-falkenstein-5409486

R.I.P. Godfather of Soul James Brown – here in Hammond Organ Germany Studios with his actual God Son Michael Falkenstein, amazing but true. enjoy, Jon Hammond

Tribute to 9/11 “Get Back In The Groove” in Newessbar Hamischa

Youtube http://youtu.be/b13jUY8WR_A

Hamburg Germany — Tribute to 9/11 “Get Back In The Groove” in Newessbar Hamischa by the Fabrik in Hamburg Altona – Featuring
Lutz Büchner tenor saxophone
Heinz Lichius drums
Joe Berger guitar
Jon Hammond Sk1 organ & bass
http://www.jonhammondband.com/ — with Jon Hammond Band at Newessbar.

P.Mauriat Saxophones in the new Sam Ash 34th Street location,

main man John Keim has Hammond organs new and used in stock, all accessories go see him in Keyboard Department he’ll take care of you


Ron Metz
Weehawken, New Jersey

Justin Williams
Freelance Musician at Justin Williams

Branko Stojkovic
Works at Jefferies & Company

Richard Day Gore
Senior Editor at LaChance Publishing

Peter Lorber

Cheryl Yakey
Chicago, Illinois

Helen A. Cunning
Seton Hall University

Rick Noble

Beth Nelson Cliff
Works at MIT Sloan Executive Education

Patrick McLellan
Instructor at Musician Aid Society of New York

Jeff Clark
Chief cook and bottle washer at Clark Trucking

Jim McDaniel
Educational Consultant at Educational Options, LLC

Ines Garcia Keim
Works at United

Rik Mercaldi
Guitarist/Owner at The Strumming Monkey

- main man Rudy Lawless drums with Jon Hammond at 802


– and Jon says, look in the April issue of Downbeat Magazine for the P.Mauriat NAMM Jam with Jon on the organ and some of the great P.Mauriat saxophone and trumpet artists – here with Frank Alkyer Downbeat Editor at Atlanta JEN Jazz Education Network 4th annual event recently

– JH — with P Mauriat HQ at Sam Ash 333 W.34th St. New York NY
Martin Zapata
UNSJ

Felix J. Ortiz Addarich
Dr. Rafael Lopez Landron School

Luis Flavio Feitosa

Evix Charker

Tayrone Mandelli
Universidade São Judas Tadeu

Maria Teresa Gonzalez Villamayor

Neemias Neeb
E.E. Ana Lins

Go For The Sound! – and Don’t Forget Your Hat folks! P.Mauriat Saxophones (and trumpets) action Youtube http://youtu.be/0C9HEsN5JGc Look for it in April Downbeat Magazine Post NAMM Coverage – with Alex Mingmann Hsieh – Jon Hammond

Jon Hammond at Sk1 Hammond organ – Greg Osby alto sax – Photo by Larry Gay of West Coast Live Radio Program

Winter NAMM Show 2013 Sunday Blues Session P.Mauriat Stand – Saxophones Trumpet Jon Hammond at Organ

http://hammondcast.over-blog.com/article-local-802-monday-night-jazz-session-not-happening-tonight-due-to-presidents-day-holiday-jon-hammond-115464790.html

Jon Hammond at B-3 Organ Yoshi’s Jazz Club Oakland CA

Jon and Bon – Bonnie Raitt

Bernard Purdie, I’m Still Here, Explosive Funk, Jon Hammond, David Fathead Newman, Drums, B3 organ, Local 802, Musicians Union, Zanzibar, NAMM Show, Sunday Blues Session, Yoshi’s Oakland

Mitsubishi Diamond Vision Screen Times Square Jon’s Journal February 2 2013

February 2, 2013

Mitsubishi Diamond Vision Screen Times Square – 47th and Broadway by TKTS

This photo must have been around Christmas because I can see the Christmas tree – The Jon Hammond Show – 47th and Broadway (across from TKTS) on the giant Mitsubishi Diamond Vision first large outdoor TV Screen in Times Square – it showed 80 times a day for 1.5 years, as you can see this was before there were even numbers on the dial for cable TV in Manhattan, I was on Channel C and D and also Channel J, still on (28th year) but now there are numbers on the dial, many more channels these days folks – JH — at Times Square NYC

*WATCH THE VIDEO HERE: The Jon Hammond Show Chicago Special

MCTV – Manhattan Cable TV

http://archive.org/details/VintageEpisodeOfTheJonHammondShowChicagoSpecial

Blip TV http://blip.tv/jon-hammond/vintage-episode-of-the-jon-hammond-show-chicago-special-6398291

Now in 28th year on Cable Access TV – The Jon Hammond Show, this particular episode is known as the Chicago Special which includes one song from Tim Cain I played Hammond organ on called I Saw You with some vocal help by Bill Champlin recorded by rjm productions, then to Chicago Summer NAMM Show where I personally filmed the very first performance of the late great bassist John Entwistle with band Rat Race Choir which happened at The Vic Theatre June 29, 1987, (same night) followed by Leslie West with T.M. Stevens bass, watch Leslie’s face when smoke machine goes! Then a little bit of Bag End Party at Park West with Joe Berger, T.M. Stevens, Tal Bergman and Theodus Rogers. And of course JH Show Theme Song “Late Rent” – enjoy folks, this one is a classic! Jon Hammond http://www.HammondCast.com *Note: Joe Berger personally introduced his friend John Entwistle to Rat Race Choir band, John came all the way from London on Joe’s recommendation – JH cable tv, namm show, john entwistle, vic theatre, bag end, chicago special 3145 North Sheffield Avenue

Bernard Purdie wearing his African shirt on the gig with me at Mikell’s – you can see my lucky Hammond flag on the wall next to Art Blakey – Jon Hammond

Jon Hammond and The Late Rent Session Men with Bernard Purdie at Mikell’s 760 Columbus Avenue at 97th – here I am at my mint condition (then) 1959 B3 organ – Bernard Purdie is playing his salmon pink Sonor SIgnature drum kit
Blip TV http://blip.tv/jon-hammond/bernard-purdie-dedication-to-his-kids-late-rent-closer-at-mikell-s-6350855
Flashback to August 1989 – Studio drummer Bernard Purdie takes the microphone on last set at Mikell’s with Jon Hammond and The Late Rent Session Men band to dedicate the performance to his children Phyllis and Anthony. Theme song for the long-running cable TV program The Jon Hammond Show “Late Rent” original composition with Jon Hammond at his 1959 B3 organ Bernard Purdie drums Chuggy Carter percussion Alex Foster alto saxophone Barry Finnerty guitar *Note: This historic clip is photographic proof that the actual location of Mikell’s was 760 Columbus Avenue at 97th and not 808 Columbus as the current Whole Foods near the old location claims, highly interesting! This is some of the rare surviving footage from Mikell’s, in the house that night all night long was Hugh Masekela, Cornell Dupree and many musicians as Mikell’s was the traditional hang for all New York Studio Musicians until it’s closing. http://en.wikipedia.org/wiki/Mikell’s As seen on The Jon Hammond Show cable TV program now in 28th year Camera: Joe Berger

R.I.P. Mayor Ed Koch – here we are doing the missing kids milk carton press conference under the Mitsubishi Diamond Vision screen by the TKTS on 47th and Broadway Times Square here with his former Police Commissioner Ben Ward at 47th St. and Broadway at the big Mitsubishi Diamond Vision Screen – the first large outdoor TV screen – 80 times a day for 1.5 years my cable access TV program clips appeared on the screen, and we produced the Missing Kids Milk Cartons and New Years Eve Countdown for 2 years consecutively

*Note: Ed did the whole press conference using a Bull Horn with a remote mic (see coil cord) – not the greatest audio but he made himself heard – JH

Happy 100th Birthday Grand Central Terminal!
As you can see I took this photo when the Pan Am Building loomed in the background – now it is called MetLife Building

http://www.panamair.org/History/building.htm
“The Pan Am building at the foot of Park Avenue towered over the middle of Manhattan. It was finished in 1963 and was the largest commercial office building in the world.
Atop this sky scrapper in 1963 NY Airways began offering helicopter service between Manhattan and New York’s three major airports.
The building was later sold to Metropolitan life insurance”
Grand Central Terminal Wiki:
http://en.wikipedia.org/wiki/Grand_Central_Terminal
Grand Central Terminal (GCT)—colloquially called Grand Central Station, or shortened to simply Grand Central—is a commuter rail terminal station at 42nd Street and Park Avenue in Midtown Manhattan in New York City, United States.

*WATCH THE VIDEO HERE: Ed Koch as seen on The Jon Hammond Show

Downloaded 80 times

Ed Koch at Diamond Vision Press Conference Times Square – Jon Hammond circa 1985 – Rest In Peace Ed Koch

http://archive.org/details/JonHammondMayorEDKOCHonHammondCastDiamondVisionNY

An incredible Press Conference with NY Mayor ED KOCH as seen on The Jon Hammond Show HammondCast in Times Square NYC on Mitsubishi DiamondVision!
Jon made a deal with Mitsubishi to have his TV show with Video by LORI on the big DiamondVision Times Sq. screen (First big-screen outdoor TV!) for 1 and half years, 80-times-a-day including the famous New Years Countdown seen on Dick Clark’s ABC Broadcast 2 consecutive years *with commentary by Jon Hammond..AND a cameo appearance in the crowd with Nikon! *Info: http://www.HammondCast.com this is a must-see!

Ed Koch on Jon Hammond Show Blip TV http://blip.tv/jon-hammond/mayor-ed-koch-on-hammondcast-diamondvision-nyc-110296

Jon Hammond at and on the Mitsubishi Diamond Vision Screen 47th and Broadway Times Square NYC *here with Lazy Larry

Ed’s Obit NY TIMES http://www.nytimes.com/2013/02/02/nyregion/edward-i-koch-ex-mayor-of-new-york-dies.html?pagewanted=all&_r=0

EDWARD I. KOCH, 1924-2013
Edward Koch, Former Mayor of New York, Dies

Former New York City Mayor Edward I. Koch, on the subway in 1981, was known for his candor, as when he offered no excuses for litter or crime, but said, “It stinks.” More Photos »
By ROBERT D. McFADDEN
Published: February 1, 2013
Edward I. Koch, the master showman of City Hall, who parlayed shrewd political instincts and plenty of chutzpah into three tumultuous terms as mayor of New York with all the tenacity, zest and combativeness that personified his city of golden dreams, died Friday morning at age 88.

Mr. Koch’s spokesman, George Arzt, said the former mayor died at 2 a.m. from congestive heart failure. He was being treated at New York-Presbyterian Columbia Hospital.

Mr. Koch had experienced coronary and other medical problems since leaving office in 1989. But he had been in relatively good health despite — or perhaps because of — his whirlwind life as a television judge, radio talk-show host, author, law partner, newspaper columnist, movie reviewer, professor, commercial pitchman and political gadfly.

Ebullient, flitting from broadcast studios to luncheon meetings and speaking engagements, popping up at show openings and news conferences, wherever the microphones were live and the cameras rolling, Mr. Koch, in his life after politics, seemed for all the world like the old campaigner, running flat out.

Only his bouts of illness slowed Mr. Koch down, most recently forcing him to miss the premiere of “Koch,” a documentary biographical film that opens on Friday in theaters nationwide.

Mayor Michael R. Bloomberg praised Mr. Koch as “an irrepressible icon, our most charismatic cheerleader and champion,” calling him “a great mayor, a great man, and a great friend.”

Mr. Koch’s 12-year mayoralty encompassed the fiscal austerity of the late 1970s and the racial conflicts and municipal corruption scandals of the 1980s, an era of almost continuous discord that found Mr. Koch at the vortex of a maelstrom day after day.

But out among the people or facing a news media circus in the Blue Room at City Hall, he was a feisty, slippery egoist who could not be pinned down by questioners and who could outtalk anybody in the authentic voice of New York: as opinionated as a Flatbush cabby, as loud as the scrums on 42nd Street, as pugnacious as a West Side reform Democrat mother.

“I’m the sort of person who will never get ulcers,” the mayor — eyebrows devilishly up, grinning wickedly at his own wit — enlightened the reporters at his $475 rent-controlled apartment in Greenwich Village on Inauguration Day in 1978. “Why? Because I say exactly what I think. I’m the sort of person who might give other people ulcers.”

His political odyssey took him from independent-minded liberal to pragmatic conservative, from street-corner hustings with a little band of reform Democrats in Greenwich Village to the pinnacle of power as New York City’s 105th mayor from Jan. 1, 1978, to Dec. 31, 1989. Along the way, he ousted the Tammany boss Carmine G. De Sapio and served two years as a councilman and nine more in Congress representing, with distinction, the East Side of Manhattan.

With his trademark — “How’m I doin?” — Mr. Koch stood at subway entrances on countless mornings wringing the hands and votes of constituents, who elected him 21 times in 26 years, with only three defeats: a forgettable 1962 State Assembly race; a memorable 1982 primary in a race for governor won by Mario M. Cuomo; and a last Koch hurrah, a Democratic primary in 1989 won by David N. Dinkins, who would be his one-term successor…

Re-discovered recordings with Lou Colombo: HammondCast 202 Pt 2 Spotlight on Lou Colombo KYOU Radio

http://www.berklee.edu/news/re-discovered-recordings-lou-colombo-hammondcast-202-pt-2-spotlight-lou-colombo-kyou-radio

Lou Colombo Band with Jon Hammond circa 1976

Lou Colombo with Jon Hammond Feb. 2012 just a few days before his tragic fatal auto accident

Jon Hammond
Image 1 of 1
http://hammondcast.podomatic.com/entry/2011-02-23T03_07_43-08_00

Mr. and Mrs. Lee Berk founder of Berklee College of Music were in the house and Tip O’Neill Speaker of The House on a big Saturday night at the Wychmere Harbor Club in Harwich Port Cape Cod MA:
MP3 AUDIO: http://ia700404.us.archive.org/26/items/JonHammondHammondCast202KYOURadio/HammondCast202.mp3 HammondCast 202 KYOU Radio special edition with part 2 of recording from Wychmere Harbor Club when Jon played B3 organ on the Lou Colombo Band, the house band at Wychmere Harbor Club in Harwich Port Cape Cod MA. First backing up a feature dance duo with cha cha and then Emily waltz, Saturday Night Fever followed by the chaser ‘California Here I Come’, then Summertime, Hello Dolly medley, Bossa nova medley Watch What Happens in to Wave and then a cooking “In The Mood” taking it home with Jon’s “Lydia’s Tune” and some of Sidewinder © http://www.HammondCast.com http://www.archive.org/details/JonHammondHammondCast202KYOURadio

Jon Hammond at Macworld/iWorld expo today in San Francisco CA – good to see my friends from Sennheiser there! Some highly interesting things at the show

- JH — at Macworld iWorld – Moscone Center

*WATCH THE VIDEO HERE: NAMM Jam at P.Mauriat Stand with Jon Hammond at the organ and horns

Spontaneous NAMM Jam Session at P.Mauriat Saxophones and Trumpets stand with some great players – Jon Hammond at the Sk1 Hammond organ with many great players including Hoai Phuong Nguyen, Alejandro Chiabrando, Juan Alzate, Keyan Williams, Tim Green, Willie Bradley, Jason Palmer, Eddie Baccus Jr., Adam MacBlane – sorry if I missed anybody folks! JH – Special thanks to Alex Mingmann Hsieh, Agnieszka Obrebska – P.Mauriat, Jim Wischmeyer Bag End Speakers http://bagend.com
Hammond Suzuki USA and the very kind NAMM Sound Police – see you next year 2014 NAMM and Frankfurt Musikmesse – JH
http://www.HammondCast.com
P.Mauriat http://www.pmauriatmusic.com

http://archive.org/details/JonHammondNAMMJamatP.MauriatStandwithJonHammondattheorganandhorns

Yao Shake (謝瑤) and Jon Hammond

Hoai Phuong Nguyen (Hoai Phuong)and Jon Hammond

Youtube http://youtu.be/0C9HEsN5JGc

Saxsbigfan 14 hours ago
wow… so excellent performance !!  Go! Go! Go! Go for the sound!
Reply ·

Tsai Susan 14 hours ago
It was so exciting to see your play at the NAMM with P Mauriat artists. The live performance was thrilled and joyful. Thank you, Jon. Without you, the NAMM would be less fun!
Reply ·

A MH 14 hours ago
Definitely, Jon deserves to have a big hugs and applauses…,whatsoever..
Jon’s LIVE performance at PM’s booth before ending NAMM ,which has been sparked a great highlights and memories to everybody, although ,it’s only a whirlwind of 30 minutes jam sessions, but that’s one of our historic treasure ,also to NAMM.
We feel proudly to say “thanks you, Jon! those music makes people crazy and joyful time until the last minutes at NAMM, Jan. 27.2013
Go for the sound!! see you in 2014
Reply ·

A MH 14 hours ago
Definitely, Jon deserves to have a big hugs and applauses…,whatsoever..
Jon’s LIVE performance at PM’s booth before ending NAMM ,which has been sparked a great highlights and memories to everybody, although ,it’s only a whirlwind of 30 minutes jam sessions, but that’s one of our historic treasure ,also to NAMM.
We feel proudly to say “thanks you, Jon! those music makes people crazy and joyful time until the last minutes at NAMM, Jan. 27.2013
Go for the sound!!
Reply ·

Tsai Susan 14 hours ago
I was so excited to see your play at the NAMM with P Mauriat artists. It was live and thrilled. Thank you, Jon. Without you, the NAMM will be less fun!

Agnieszka Obrebska Thank you Jon. It was an amazing pleasure for all of us from PM and our visitors and artists to host you and listen to your music at P. Mauriat booth. Hope you had a good time with us as well! Take care and see you soon somewhere around the world!

Hoai Phuong Nguyen Oh Thank you Jon Hammond so much for tagging me this video. I had a great time. Can’t wait till next time to play with you again.

Alex Mingmann Hsieh Jon Hammond is NAMM’s treasure, let us go ahead to celebrate big year with big show in the upcoming FMS, 2013
14 hours ago ·

Hoai Phuong Nguyen Thank you Mr. Hsieh for letting us try those saxophones out.
14 hours ago ·

Alex Mingmann Hsieh you are most welcome!! go for the sound!!see you at NAMM,2014

Blip TV http://blip.tv/jon-hammond/namm-jam-at-p-mauriat-stand-with-jon-hammond-at-the-organ-and-horns-6518179

With Greg Osby, Juan Alzate, Jon Hammond and Alejandro Chiabrando at Anaheim Convention Center

Jon Hammond’s setup with Hammond Sk1 organ and Bag End Powered Speakers

2 Hats Talking – Alex Hsieh CEO Albest P.Mauriat Saxophones and Jon Hammond in Clarion Hotel Party

*WATCH THE VIDEO HERE: NAMM Hammond Summit Show Late Rent Jon Hammond Band in Hilton Anaheim

http://archive.org/details/JonHammondNAMMHammondSummitShowLateRentJonHammondBandinHiltonAnaheim/

Very special performance on first ever Hammond night in Hilton Hotel Lobby at Winter NAMM 2013 presented by Hammond Suzuki USA “Sound Soul Summit”
“The Ultimate All-Star Jam” MC Scott May introduces Jon Hammond Band to play their theme song “Late Rent” after a very cool pre-show party Meet and Greet with a who’s who of Hammond organists.
Donny Baldwin drums (from Jefferson Starship & Lydia Pense & Cold Blood),
Alex Budman tenor saxophone
Joe Berger guitar
Jon Hammond New B-3 Portable organ
Sound mix by Denny Mack
Special thanks Hammond Suzuki USA and Suzuki Musical Instruments Team
NAMM = National Association of Music Merchants
http://www.jonhammondband.com

NAMM Hilton Sound Soul Summit Jon Hammond Band Late Rent Jazz Funk Soul Blues

Youtube http://youtu.be/BOqqIxm_F30

Vimeo http://vimeo.com/58479347

NAMM Hammond Summit Show Late Rent Jon Hammond Band in Hilton Anaheim from Jon Hammond on Vimeo.

Master of Ceremonies Scott May announcing our band Jon Hammond Band Friday Night January 25th at 2013 Winter NAMM Show Hammond Organ Performance on very special event “The Sound, The Soul, The Summit!”

MC’d by Scott May of Hammond Suzuki USA – Joe Berger guitar, Alex Budman tenor saxophone, Donny Baldwin drums, Jon Hammond at the NEW B3 Portable Organ Hilton Stage East *as seen on The Jon Hammond Show MNN TV — with Scott May at Hilton Anaheim

NAMM Hilton Sound Soul Summit Jon Hammond Band Late Rent Jazz Funk Soul Blues

P.Mauriat, Saxophones, Trumpets, NAMM Jam, Jon Hammond, Hoai Phuong Nguyen, Alex Mingmann Hsieh, Anaheim, Musikmesse, Agnieszka Obrebska, Musicians Union, Local 802

Ed Koch, Dies, R.I.P. Seen on Jon Hammond Show, Diamond Vision, Lou Colombo, Re-discovered audio, Suzuki, Sound Soul Summit, NAMM, Anaheim, Soft News

Mitsubishi Diamond Vision, Times Square, Jon Hammond Show, Ed Koch, Milk Cartons, Missing Kids, Cable Access, MCTV, Jazz, New York, B3 Organ, Local 802, Musicians Union

Ed Koch Dies R.I.P. Jon’s Journal February 1 2013

February 1, 2013

*WATCH THE VIDEO HERE: Ed Koch as seen on The Jon Hammond Show

Downloaded 80 times

Ed Koch at Diamond Vision Press Conference Times Square – Jon Hammond circa 1985 – Rest In Peace Ed Koch

http://archive.org/details/JonHammondMayorEDKOCHonHammondCastDiamondVisionNY

An incredible Press Conference with NY Mayor ED KOCH as seen on The Jon Hammond Show HammondCast in Times Square NYC on Mitsubishi DiamondVision!
Jon made a deal with Mitsubishi to have his TV show with Video by LORI on the big DiamondVision Times Sq. screen (First big-screen outdoor TV!) for 1 and half years, 80-times-a-day including the famous New Years Countdown seen on Dick Clark’s ABC Broadcast 2 consecutive years *with commentary by Jon Hammond..AND a cameo appearance in the crowd with Nikon! *Info: http://www.HammondCast.com this is a must-see!

Ed Koch on Jon Hammond Show Blip TV http://blip.tv/jon-hammond/mayor-ed-koch-on-hammondcast-diamondvision-nyc-110296

Jon Hammond at and on the Mitsubishi Diamond Vision Screen 47th and Broadway Times Square NYC *here with Lazy Larry

Ed’s Obit NY TIMES http://www.nytimes.com/2013/02/02/nyregion/edward-i-koch-ex-mayor-of-new-york-dies.html?pagewanted=all&_r=0

EDWARD I. KOCH, 1924-2013
Edward Koch, Former Mayor of New York, Dies

Former New York City Mayor Edward I. Koch, on the subway in 1981, was known for his candor, as when he offered no excuses for litter or crime, but said, “It stinks.” More Photos »
By ROBERT D. McFADDEN
Published: February 1, 2013
Edward I. Koch, the master showman of City Hall, who parlayed shrewd political instincts and plenty of chutzpah into three tumultuous terms as mayor of New York with all the tenacity, zest and combativeness that personified his city of golden dreams, died Friday morning at age 88.

Mr. Koch’s spokesman, George Arzt, said the former mayor died at 2 a.m. from congestive heart failure. He was being treated at New York-Presbyterian Columbia Hospital.

Mr. Koch had experienced coronary and other medical problems since leaving office in 1989. But he had been in relatively good health despite — or perhaps because of — his whirlwind life as a television judge, radio talk-show host, author, law partner, newspaper columnist, movie reviewer, professor, commercial pitchman and political gadfly.

Ebullient, flitting from broadcast studios to luncheon meetings and speaking engagements, popping up at show openings and news conferences, wherever the microphones were live and the cameras rolling, Mr. Koch, in his life after politics, seemed for all the world like the old campaigner, running flat out.

Only his bouts of illness slowed Mr. Koch down, most recently forcing him to miss the premiere of “Koch,” a documentary biographical film that opens on Friday in theaters nationwide.

Mayor Michael R. Bloomberg praised Mr. Koch as “an irrepressible icon, our most charismatic cheerleader and champion,” calling him “a great mayor, a great man, and a great friend.”

Mr. Koch’s 12-year mayoralty encompassed the fiscal austerity of the late 1970s and the racial conflicts and municipal corruption scandals of the 1980s, an era of almost continuous discord that found Mr. Koch at the vortex of a maelstrom day after day.

But out among the people or facing a news media circus in the Blue Room at City Hall, he was a feisty, slippery egoist who could not be pinned down by questioners and who could outtalk anybody in the authentic voice of New York: as opinionated as a Flatbush cabby, as loud as the scrums on 42nd Street, as pugnacious as a West Side reform Democrat mother.

“I’m the sort of person who will never get ulcers,” the mayor — eyebrows devilishly up, grinning wickedly at his own wit — enlightened the reporters at his $475 rent-controlled apartment in Greenwich Village on Inauguration Day in 1978. “Why? Because I say exactly what I think. I’m the sort of person who might give other people ulcers.”

His political odyssey took him from independent-minded liberal to pragmatic conservative, from street-corner hustings with a little band of reform Democrats in Greenwich Village to the pinnacle of power as New York City’s 105th mayor from Jan. 1, 1978, to Dec. 31, 1989. Along the way, he ousted the Tammany boss Carmine G. De Sapio and served two years as a councilman and nine more in Congress representing, with distinction, the East Side of Manhattan.

With his trademark — “How’m I doin?” — Mr. Koch stood at subway entrances on countless mornings wringing the hands and votes of constituents, who elected him 21 times in 26 years, with only three defeats: a forgettable 1962 State Assembly race; a memorable 1982 primary in a race for governor won by Mario M. Cuomo; and a last Koch hurrah, a Democratic primary in 1989 won by David N. Dinkins, who would be his one-term successor…

Re-discovered recordings with Lou Colombo: HammondCast 202 Pt 2 Spotlight on Lou Colombo KYOU Radio

http://www.berklee.edu/news/re-discovered-recordings-lou-colombo-hammondcast-202-pt-2-spotlight-lou-colombo-kyou-radio

Lou Colombo Band with Jon Hammond circa 1976

Lou Colombo with Jon Hammond Feb. 2012 just a few days before his tragic fatal auto accident

Jon Hammond
Image 1 of 1
http://hammondcast.podomatic.com/entry/2011-02-23T03_07_43-08_00

Mr. and Mrs. Lee Berk founder of Berklee College of Music were in the house and Tip O’Neill Speaker of The House on a big Saturday night at the Wychmere Harbor Club in Harwich Port Cape Cod MA:
MP3 AUDIO: http://ia700404.us.archive.org/26/items/JonHammondHammondCast202KYOURadio/HammondCast202.mp3 HammondCast 202 KYOU Radio special edition with part 2 of recording from Wychmere Harbor Club when Jon played B3 organ on the Lou Colombo Band, the house band at Wychmere Harbor Club in Harwich Port Cape Cod MA. First backing up a feature dance duo with cha cha and then Emily waltz, Saturday Night Fever followed by the chaser ‘California Here I Come’, then Summertime, Hello Dolly medley, Bossa nova medley Watch What Happens in to Wave and then a cooking “In The Mood” taking it home with Jon’s “Lydia’s Tune” and some of Sidewinder © http://www.HammondCast.com http://www.archive.org/details/JonHammondHammondCast202KYOURadio

Jon Hammond at Macworld/iWorld expo today in San Francisco CA – good to see my friends from Sennheiser there! Some highly interesting things at the show

- JH — at Macworld iWorld – Moscone Center

*WATCH THE VIDEO HERE: NAMM Jam at P.Mauriat Stand with Jon Hammond at the organ and horns

Spontaneous NAMM Jam Session at P.Mauriat Saxophones and Trumpets stand with some great players – Jon Hammond at the Sk1 Hammond organ with many great players including Hoai Phuong Nguyen, Alejandro Chiabrando, Juan Alzate, Keyan Williams, Tim Green, Willie Bradley, Jason Palmer, Eddie Baccus Jr., Adam MacBlane – sorry if I missed anybody folks! JH – Special thanks to Alex Mingmann Hsieh, Agnieszka Obrebska – P.Mauriat, Jim Wischmeyer Bag End Speakers http://bagend.com
Hammond Suzuki USA and the very kind NAMM Sound Police – see you next year 2014 NAMM and Frankfurt Musikmesse – JH
http://www.HammondCast.com
P.Mauriat http://www.pmauriatmusic.com

http://archive.org/details/JonHammondNAMMJamatP.MauriatStandwithJonHammondattheorganandhorns

Yao Shake (謝瑤) and Jon Hammond

Hoai Phuong Nguyen (Hoai Phuong)and Jon Hammond

Youtube http://youtu.be/0C9HEsN5JGc

Saxsbigfan 14 hours ago
wow… so excellent performance !!  Go! Go! Go! Go for the sound!
Reply ·

Tsai Susan 14 hours ago
It was so exciting to see your play at the NAMM with P Mauriat artists. The live performance was thrilled and joyful. Thank you, Jon. Without you, the NAMM would be less fun!
Reply ·

A MH 14 hours ago
Definitely, Jon deserves to have a big hugs and applauses…,whatsoever..
Jon’s LIVE performance at PM’s booth before ending NAMM ,which has been sparked a great highlights and memories to everybody, although ,it’s only a whirlwind of 30 minutes jam sessions, but that’s one of our historic treasure ,also to NAMM.
We feel proudly to say “thanks you, Jon! those music makes people crazy and joyful time until the last minutes at NAMM, Jan. 27.2013
Go for the sound!! see you in 2014
Reply ·

A MH 14 hours ago
Definitely, Jon deserves to have a big hugs and applauses…,whatsoever..
Jon’s LIVE performance at PM’s booth before ending NAMM ,which has been sparked a great highlights and memories to everybody, although ,it’s only a whirlwind of 30 minutes jam sessions, but that’s one of our historic treasure ,also to NAMM.
We feel proudly to say “thanks you, Jon! those music makes people crazy and joyful time until the last minutes at NAMM, Jan. 27.2013
Go for the sound!!
Reply ·

Tsai Susan 14 hours ago
I was so excited to see your play at the NAMM with P Mauriat artists. It was live and thrilled. Thank you, Jon. Without you, the NAMM will be less fun!

Agnieszka Obrebska Thank you Jon. It was an amazing pleasure for all of us from PM and our visitors and artists to host you and listen to your music at P. Mauriat booth. Hope you had a good time with us as well! Take care and see you soon somewhere around the world!

Hoai Phuong Nguyen Oh Thank you Jon Hammond so much for tagging me this video. I had a great time. Can’t wait till next time to play with you again.

Alex Mingmann Hsieh Jon Hammond is NAMM’s treasure, let us go ahead to celebrate big year with big show in the upcoming FMS, 2013
14 hours ago ·

Hoai Phuong Nguyen Thank you Mr. Hsieh for letting us try those saxophones out.
14 hours ago ·

Alex Mingmann Hsieh you are most welcome!! go for the sound!!see you at NAMM,2014

Blip TV http://blip.tv/jon-hammond/namm-jam-at-p-mauriat-stand-with-jon-hammond-at-the-organ-and-horns-6518179

With Greg Osby, Juan Alzate, Jon Hammond and Alejandro Chiabrando at Anaheim Convention Center

Jon Hammond’s setup with Hammond Sk1 organ and Bag End Powered Speakers

2 Hats Talking – Alex Hsieh CEO Albest P.Mauriat Saxophones and Jon Hammond in Clarion Hotel Party

*WATCH THE VIDEO HERE: NAMM Hammond Summit Show Late Rent Jon Hammond Band in Hilton Anaheim

http://archive.org/details/JonHammondNAMMHammondSummitShowLateRentJonHammondBandinHiltonAnaheim/

Very special performance on first ever Hammond night in Hilton Hotel Lobby at Winter NAMM 2013 presented by Hammond Suzuki USA “Sound Soul Summit”
“The Ultimate All-Star Jam” MC Scott May introduces Jon Hammond Band to play their theme song “Late Rent” after a very cool pre-show party Meet and Greet with a who’s who of Hammond organists.
Donny Baldwin drums (from Jefferson Starship & Lydia Pense & Cold Blood),
Alex Budman tenor saxophone
Joe Berger guitar
Jon Hammond New B-3 Portable organ
Sound mix by Denny Mack
Special thanks Hammond Suzuki USA and Suzuki Musical Instruments Team
NAMM = National Association of Music Merchants
http://www.jonhammondband.com

NAMM Hilton Sound Soul Summit Jon Hammond Band Late Rent Jazz Funk Soul Blues

Youtube http://youtu.be/BOqqIxm_F30

Vimeo http://vimeo.com/58479347

NAMM Hammond Summit Show Late Rent Jon Hammond Band in Hilton Anaheim from Jon Hammond on Vimeo.

Master of Ceremonies Scott May announcing our band Jon Hammond Band Friday Night January 25th at 2013 Winter NAMM Show Hammond Organ Performance on very special event “The Sound, The Soul, The Summit!”

MC’d by Scott May of Hammond Suzuki USA – Joe Berger guitar, Alex Budman tenor saxophone, Donny Baldwin drums, Jon Hammond at the NEW B3 Portable Organ Hilton Stage East *as seen on The Jon Hammond Show MNN TV — with Scott May at Hilton Anaheim

NAMM Hilton Sound Soul Summit Jon Hammond Band Late Rent Jazz Funk Soul Blues

P.Mauriat, Saxophones, Trumpets, NAMM Jam, Jon Hammond, Hoai Phuong Nguyen, Alex Mingmann Hsieh, Anaheim, Musikmesse, Agnieszka Obrebska, Musicians Union, Local 802

Ed Koch, Dies, R.I.P. Seen on Jon Hammond Show, Diamond Vision, Lou Colombo, Re-discovered audio, Suzuki, Sound Soul Summit, NAMM, Anaheim, B3 organ, Local 802, Musicians Union, Jazz, Blues, Soft News

STUDIO FILM Recording Session Jon’s Journal December 26 2012

December 26, 2012

*WATCH THE VIDEO HERE: STUDIO FILM Recording Session White Onions

Downloaded 226 times – Actual Take Used on the Record

http://archive.org/details/JonHammondSTUDIO_RecordingofWhiteOnions_2

STUDIO: This film takes you inside the actual recording session of “White Onions” from Jon Hammond “Late Rent” album in QUAD Studios NYC Sept. 7, 1989. With legendary studio drummer Bernard Purdie, Alex Foster sax, Chuggy Carter perc., Barry Finnerty guitar, Jon Hammond at B3 organ with Joe Berger at the audio board. Catch Jon Hammond’s daily radio show ‘HammondCast Early Edition’ on KYOU Radio

*WATCH THE VIDEO HERE: R.I.P. Cornell Dupree aka ‘Mr. 2500′ (records)! Jon Hammond at Mikell’s

73,479

Cornell Dupree guitar here with Jon Hammond and The Late Rent Session Men at Mikell’s 880 Columbus Avenue New York NY 10025

Jon Hammond at his 1959 B3 organ Bernard Purdie drums Leslie J. “Chuggy” Carter percussion – Mikell’s circa 1989



R.I.P. Cornell Dupree aka ‘Mr. 1500′ (records)!
Jon Hammond – my 1959 B3 organ, Bernard Purdie drums, Chuggy Carter percussion at Mikell’s NYC http://www.jonhammondband.com/ circa 1989 Mikell’s http://en.wikipedia.org/wiki/Mikell’s 97th and Columbus
808 Columbus Avenue, New York NY 10025
Run by Mike Mikell and Pat Mikell, from 1969 to 1991 it was a regular venue for New York’s top studio and session musicians who would turn up for jam sessions with major soul, funk and jazz artists visiting the city.[1]
Among the performers and bands associated with Mikell’s are Stuff, the alliance of studio musicians that played almost weekly at Mikell’s in the 1970s.
In early 1980, the club served for rehearsals for Art Blakey and the Jazz Messengers Big Band, which included Wynton Marsalis, and which would result in the live album Art Blakey and the Jazz Messengers Big Band – Live at Montreux and North Sea (1980).[2] Other artists appearing at the club in the 1980s included Milt Jackson, Ray Brown, Cedar Walton and Mickey Roker (June 1983[3]), Paquito D’Rivera (January 1984[4]).
[edit]Live albums recorded at Mikell’s


John Tropea – Live at Mikell’s New York – Recorded live in 1980, released 1994.
Art Blakey and Jazz Messengers – New York Scene – May 1984[
*Note: Now it is called WHOLE FOODS
http://www.columbiaspectator.com/2010/09/30/whole-foods-concerts-locals-recall-jazz-roots


At Whole Foods concerts, locals recall jazz roots
Whole Foods Market, located at 97th Street and Columbus Avenue, is partnering with the Jazz Foundation of America to bring weekly concerts to the store.
By Sonalee Rau
Published September 30, 2010
This fall, the best place to find free jazz will be your local Whole Foods.


Whole Foods Market, located at 97th Street and Columbus Avenue, is partnering with the Jazz Foundation of America to bring weekly concerts to the store, as part of the foundation’s Jazz Legend Fall Series. Every Friday through Oct. 29, from 5:00 to 7:00, organizers hope to transform the supermarket into a music hall.


This particular Whole Foods has roots in the blues—it stands around the same site that neighborhood mainstay Mikell’s Jazz Club did between 1969 and 1991.


“We really wanted to connect historically with the long-term residents in the community, as well as with the new residents who would be moving in,” said Whole Foods Marketing Team Leader Kimberly Robison, who is coordinating the Jazz Legend Series.


Many of the musicians featured in the 10-week series once played at Mikell’s Jazz Club. “Whitney Houston was discovered there, Wynton Marsalis. … Various great musicians performed at that location,” Robison said. “One of my friends, he had moved away to Chicago and when he came back, Mikell’s was closed—and he started crying because it meant that much to him in his personal life. It was a community place and such a historic club.”


Last Friday’s concert featured saxophonist Eric Wyatt as part of a quartet that included bass, drums, and piano. The musicians played in the store’s cafeteria, and the event had a strong neighborhood turnout.


“We’ve had a great turnout and a warm reception, and this has become a way in which to tell the story of the neighborhood,” she said.


The Jazz Foundation of America has played a major role in the sponsorship of the series and provides support to jazz musicians—particularly aging artists, according to Robison.


More than just an escape from the produce aisle, patrons said the concerts serve as something of an oasis in a neighborhood that has changed dramatically over the past few decades. Smaller family-owned establishments have made way for the large stores that occupy the Columbus Square area today.


Upper West Side resident Lynn Hilaire remembered Mikell’s fondly as a popular destination for jazz aficionados. “It was a great spot, they had great jazz, they really had great people there. And it’s sort of legendary in the neighborhood.”


Hilaire said that the development of this neighborhood has its positive and negative aspects. While she enjoys having easy access to shopping, it has come at a price. “I had a view of Central Park for 37 years. Now I have [a view of] the people who live in the building in front of my living room window,” she said.


Other Whole Foods customers agreed that the face of the neighborhood has undergone remarkable change over the years. “It was a tennis court over there! Back in the seventies,” said concert-goer Barbara Johnson, gesturing to a space across the street from the grocery store.


“Some days it looks like 34th Street,” added local resident Dolores Zecca.


Sabella Curry, a regular at the Friday evening events who said she’d been coming since last year, used to frequent Mikell’s while it was still open. She shared Hilaire’s sentiments about the development of Columbus Square, but said the Jazz Legend Series is “the greatest.”


“Everybody have something to do on Friday that’s free, meeting and talking with other people. It’s good for us senior citizens,” she said.


 — with Jon Hammond BandJon Hammond Organ Group and Leslie J. Carter at Mikell’s Jazz Club 97th and Columbus New York City.

Mikell’s, Jazz Club, 880 Columbus Avenue, Whole Foods, Cornell Dupree, Bernard Purdie, Shuffle, Blues, Local 802, Musicians Union

*WATCH THE VIDEO HERE: James and Wes Bitter End Blues Jon Hammond Band Late Show Showcase

http://www.archive.org/details/JamesAndWesBitterEndBluesJonHammondBand

http://www.youtube.com/watch?v=UThzX4hJLGg

Jon Hammond Band Late Set Showcase at The Bitter End Cafe kicking it off with James and Wes featuring Todd Anderson tenor saxophone, Joe Berger guitar, Ray Grappone drums, Jon Hammond at the new Hammond Sk1 organ as seen on Cable TV! The Jon Hammond Show is in it’s 28th year – original musicians from the recording sessions which happened in 1983 in Intergalactic Studios the same studio where John Lennon did his last recordings.
Jon Hammond is now playing the incredible New Hammond Sk1 organ designed by Jon’s friends at Suzuki Musical Instruments in Hamamatsu Japan. Swinging Funky Jazz and Blues. All 4 members of The Jon Hammond Band are members of Local 802 Musicians Union American Federation of Musicians New York City, congratulations Local 802 on 90th Birthday! *Note: This performance was streamed live on the world wide web, special thanks to John Acer and Clifford Schwartz of NuMuBu in Montreal Canada for the broadcast report. http://www.jonhammondband.com/

Jon Hammond Band Local 802 Musicians Union Sk1 Organ Suzuki Musical Instruments Swinging Jazz Blues — with Jon Hammond Band, Jon Hammond Organ Group, Joe Berger and Todd Anderson at The Bitter End.
Category:
Music

James and Wes, Jon Hammond Band, Local 802, Musicians Union, Sk1 Organ, Suzuki Musical Instruments, Blues, Jazz, Bitter End Cafe

Jon Hammond – The FINGERS are The SINGERS!

As Seen On Cable TV! The Jon Hammond Show

Hear Jon Hammond playing the Incredible NEW Sk1 Hammond Organ

Ray Grappone drums, Joe Berger guitar, Todd Anderson tenor saxophone, Jon Hammond Sk1 Organ and Bass

http://vimeo.com/33383386

James and Wes Bitter End Blues Jon Hammond Band from Jon Hammond on Vimeo.

http://blip.tv/file/get/JonHammond-JamesAndWesBitterEndBluesJonHammondBand195.mp4

*WATCH THE VIDEO HERE: Sk1 Late Rent Jon Hammond Band Live At The Bitter End

http://www.archive.org/details/Sk1LateRentJonHammondBandLiveAtTheBitterEnd

http://www.youtube.com/watch?v=sEKdzmlhvXI

Jon Hammond Band playing Jon’s composition Late Rent the theme song of his long-running cable TV show The Jon Hammond Show live at The Bitter End club in Greenwich Village New York. Special late show with some of the original musicians from the recording which happened in 1983 in Intergalactic Studios the same studio where John Lennon did his last recordings. On tenor saxophone Todd Anderson who was Jon’s Arranging and Composition teacher in 1973 at Berklee College of Music, Ray Grappone drums who played on the Sidewinder track from Late Rent album first release as heard on WNEW AM 1130 Al Jazzbo Collins radio program, Joe Berger guitar, long-time co-producer engineer guitarist and Jon Hammond playing the incredible New Hammond Sk1 organ designed by Jon’s friends at Suzuki Musical Instruments in Hamamatsu Japan. Swinging Funky Jazz and Blues. All 4 members of The Jon Hammond Band are members of Local 802 Musicians Union American Federation of Musicians New York City, congratulations 802 on 90th Birthday! *Note: This performance was streamed live on the world wide web, special thanks to John Acer and Clifford Schwartz of NuMuBu in Montreal Canada for the broadcast report. http://www.jonhammondband.com
Special thanks Vicki Bell aka Vicki B. in the house! Catch Vicki Bell and Ray Grappone with Alexis P. Suter Band

http://blip.tv/jon-hammond/sk1-late-rent-jon-hammond-band-live-at-the-bitter-end-5799901

Joe Berger guitar

Ray Grappone drums

Todd Anderson tenor saxophone

Jon Hammond Sk1 Hammond organ and bass

http://vimeo.com/33263523

http://ireport.cnn.com/docs/DOC-713516

Jon Hammond and Joe Berger aka Ham-Berger outside The Bitter End club 147 Bleecker Street

Jon Hammond and Joe Berger with Lloyd Schwartz of Tech 21 outside The Bitter End

*Note: All 4 Musicians in Jon Hammond Band are members of Local 802 Musicians Union New York
Ray, Joe, Todd, Jon

Joe Berger and Jon Hammond with Bernard Purdie at Local 802 90th Birthday Bash Gala at Roseland Ballroom on W.52nd St.

Jon Hammond and Joe Berger with Local 802 guitarist John Tropea

Jon Hammond with Paul Shaffer – 2 Hammond organists members of Local 802 Musicians Union – catch Paul Shaffer nightly on
CBS Late Show with David Letterman Paul Shaffer is leader of leader of the CBS Orchestra for the Late Show with David Letterman (1993–present) http://en.wikipedia.org/wiki/Paul_Shaffer

photo by Joe Barbaccia

Page 49 Village Voice Sat Dec 3rd The Bitter End Jon Hammond Band Special Late Show

New York — THE JON HAMMOND BAND
Dec. 3rd at The Bitter End
Special Late Show 1AM-3AM
Joe Berger guitar
Todd Anderson tenor sax
Ray Grappone drums
Jon Hammond Sk1 Hammond Organ
Swingin’ Funky Jazz and Blues as Heard On The Jon Hammond Show
MCTV MNN TV and HammondCast CBS Radio

73,479, Cornell Dupree, Mikell’s, Jon Hammond, Bernard Purdie, Local 802, Musicians Union, Jazz, Funky, Blues, B3 organ, Sk1, Studio Recording, White Onions

HammondCast 29 Jon’s Journal December 8 2012

December 8, 2012

*LISTEN TO THE AUDIO HERE: HammondCast 29

Downloaded 466 times

http://archive.org/details/JonHammondHammondCast29

HammondCast 29
HammondCast 29 (JON HAMMOND) Jon Hammond HammondCast 29, Jon Hammond tells the story of meeting an actual ZIMMERMANN at the bar of his friend’s new club UPTOWN NIGHTCLUB in Oakland CA. Zimmerman men are a centuries-old tradition in Germany of Carpenter Apprentices who walk around for one year fixing people’s roofs, and there he was at Uptown Nightclub! It is said that it’s very good luck to see a Zimmermann! Music from Michael Maier-Falkenstein’s cd “Hammond Explosion” original compositions: “Cry Until it Feels Good”, “Time with You” and Jon’s song “Six Year Itch”. Also a feature of Oakland drummer Ronnie Smith Jr. on “Thing in C Minor” + songs from Jon’s new album NDR SESSIONS Projekt…

San Francisco California — Jon Hammond at the B3 organ with James Preston drums – Boom Boom Room Fillmore St. & Geary Avenue across the street from the Fillmore Auditorium

Jon Hammond & Band at BOOM BOOM ROOM Aug. 14
Outside concerts:
http://community-4.webtv.net/laterent/JONHAMMOND/
Sept. 29-Boedeckker Park, Tenderloin SF
Oct. 5-Yerba Buena Garden-SF
Sept. 13- in San Jose Airport Southwest Airlines Boarding Area
Oct. 10-Manhattan Plaza, New York City
Oct. 31-Halloween Party, Laguna Honda Hospital
Nov. 30-Boom Boom Room w/ James Brown’s drummer Erik Hargrove
Dec. 5- Opera Plaza, S.F.
Dec. 8- Laguna Honda Hospital
Dec. 9-11 OLYMPIC VOYAGER
Dec. 25- HHRC Club
Jan. 8-11- Westin Rio Resort Puerto Rico
March 7-11- Frankfurt Musikmesse 2001
March 9 & 10th- Jazzkeller Hofheim 15 jahr Jubilee Party!
*Note: Special Thanks to the musicians…Erik Hargrove of James Brown Soul Generals, Kevin Mauder, Tyrone Starks, Christian Muenchinger, Steven King, Tony Horowitz, Lee Oskar (WAR), and especially main man Robert Hutya of Mozarteum Orchestra Salzburg and brother Otmar Hutya for helping to make the shows at Musikmesse 2001 a big success!! **And Marco Galeazzi, Donatella and the Excelsior CEMEX team…Special Grazzia!! FRITZ Magazine-Manuel Schreiner, Joachim “Jo-Jo” Tucksen and Jazzkeller Hofheim team, Yucel “ALI” Atiker-Frankfurt, Jennifer Frizzell United Airlines, Scott Cooper-Universal Video Studios, Joe Berger-B.E.A.M. Audio.
March 19th, 2001 Manhattan Plaza (my own birthday party with special friends!)
June 23 & 24th, Shoreline Ampitheatre-New Orleans by the Bay Food and Music Festival
March 2002- Musikmesse 2002 (16 year JUBILEE!)
*March 2002…Return to the Jazzkeller Hofheim! BIG PARTY!!
April 28th, 2001-Laguna Honda Hospital, 2 hour walkaround the wards with accordion
April 30th, John Lee Hooker’s BOOM BOOM ROOM in San Francisco
June 2-Laguna Honda Hospital, Clarendon Building
June 9th 2001, Opening ceremonies for Emeryville California CITY HALL!
June 9th pm-Fairmont Hotel, grand piano
June 10th-Hotel Pierre, San Francisco
June 15th-Laguna Honda Hospital, Clarendon Building
*note! June 23 and 24th Shoreline Show with Bonnie Raitt and The Funky Meters!
July 1-Boom Boom Room, S.F.
July 10-Manhattan Plaza
July 13-NDR Radio Broadcast Hamburg Germany
July 17th-NOON TIME SHOW outside at 1275 Market St. San Francisco!
August 25th-solo accordion at Laguna Honda Hospital, Clarendon Building
August 29th-*NOTE! This show canceled NOON TIME SHOW outside at 525 Market St. San Francisco…don’t go.
Sept. 20th: Taping: The Jon Hammond Show-big band arrangements of music of Led Zeppelin conducted by trumpeter Bill Warfield at Local 802 hall on W. 48th St. Manhattan
**tune in on Time/Warner MNN TV!
Sept. 30-Oct. 8th Hamburg Germany
Oct. 27th-Laguna Honda Hospital Psych Ward, solo accordion in wards
Oct. 27th-clubdate SF
Nov. 3rd-Laguna Honda Hospitals, “doubles” 4 hours of continuous accordion music in the wards
Nov. 5th-12th, recording sessions New York City
Nov. 18th-Boom Boom Room, S.F.
Dec. 12-Opera Plaza private holiday party
Dec. 14-private christmas party Alfred Hitchcock bldg.
Dec. 15-doubles in Laguna Honda Hospital
Dec. 19-SF County Women’s Jail “Pod E” Women’s Jail Facility
Dec. 21-Laguna Honda Hospital
Dec. 27-Kwaanza Celebration with Ronnie Smith-drums at Laguna Honda Hospital
Dec. 31-New Years party with Larry Schneider San Francisco
HAPPY NEW YEAR 2002!
Jan. 17 and 18 Jon Hammond at NAMM Anaheim!
Jan. 19-solo accordion Laguna Honda Hospital
Jan. 26-solo accordion in locked wards Laguna Honda Hospital
Jan. 27-doubles in Laguna Honda Hospital
Feb. 4th-Jury Duty New York City!
March 1st-Smiley’s Schooner Saloon and Hotel, Bolinas CA with Barry Finnerty guitar
March 4th-Jon Hammond Funk Explosion at Boom Boom Room SF
March 14-Cafe KLEMM-Frankfurt
March 15 + 16th-Jazzkeller Hofheim (Germany)
March 30-solo show in Psychiatric Ward of Laguna Honda Hospital SF
April 8-American Legion Post Building, 248 132nd St. Harlem NYC
April 11-Cobb’s Corner-S.F.
April 13-doubles at Lagua Honda Hospital
April 25-Laguna Honda Hospital
May 4-Laguna Honda Hospital
May 10-Chicago-Green Mill + Chicago Brauhaus
May 12-New York-American Legion Post 132nd St. Harlem
May 18-Solo Piano FOUR SEASONS HOTEL S.F.
May 19-Doubles: Laguna Honda Hospital S.F.
June 1 – Doubles: Laguna Honda Hospital, solo on Casio MZ2000
June 6 – Bruno’s Nightclub and Restaurant S.F.,, trio on Hammond B3 organ
June 7 – Bruno’s – trio gig and Police Sound Check pursuant to S.F. Police Commision Hearing
June 12- solo piano at Bruno’s Nightclub
June 14- organ trio at Bruno’s Nightclub SF.
June 22 and 23-SHORELINE AMPITHEATRE-the 14th annual NEW ORLEANS BY THE BAY FOOD AND MUSIC FESTIVAL..opening show for Taj Mahal and Delbert McClinton!
July 6- American Legion Post, Harlem NYC 132nd St.
July 9- Recording session with Joe Berger NYC
July 13- wedding in Nevada City CA
July 19- Laguna Honda Hospital SF
July 25- East Park Apartments’ “Tony” the maintenance man’s retirement luncheon S.F.
July 25- Bruno’s Nightclub S.F. – organ trio
Aug. 17- Wedding gig Central Park NYC
Aug. 24- doubles accordion gig at Laguna Honda Hospital
Aug. 25- Cotati Accordion Festival
Aug. 27- Jon Hammond Trio at Bruno’s SF
Sept. 6- session with guitarist Bill Wurtzel NYC
Sept. 9- production meeting with Bernard Purdie
Sept. 11- 9/11 United Airlines / Amercian Airlines Memorial Tribute to the Heroes in Washington Square Park NYC
Sept. 19- 2 hour accordion concert Times Square Subway sation
Sept. 22- recording session with Ronnie Smith and Alex Budman in Local 6 hall San Frandcisco
Sept. 28th- Doubles accordion gig in Clarnedon Hall, Laguna Honda Hospital S.F.
October 16-19 MUSIC CHINA Shanghai China!
Oct. 16th evening, Jon will perform at the Shanghai Grand Theatre- Opening Night Reception of Music China with FangLin the phenomenal 14 year old accordion champion of China!
While in Shanghai Mr. Hammond is a guest of the Renaissance Yangtze Shanghai Hotel: (0086).21-627.50000
Oct. 28- Laguna Honda Hospital, “doubles” solo
Oct. 29- Recording at Local 6 hall SF
Oct. 29- Bruno’s SF with Ronnie Smith/Alex Budman *spcl. guests: Michael Rinta & Joe Rodriguez
Nov. 5/6- recording new record- Unique Studios Times Square NYC w/Alex Budman, Ronnie Smith and Joe Berger at the controls.
Nov. 16- taping for TV: “Alice in Wonderland” show with Igor & Ilona Kisil and Company at the world-famous Odessa Nightclub in Brighton Beach Brooklyn
Nov. 23- Osaka Japan-Rug Time w/ Midori Ono
Nov. 27- Photo Shoot for cover: “Hammond’s Bolero” Brennan’s and train track Berkeley CA
Nov. 30- Doubles Laguna Honda Hospital- SF
Dec. 3, 4, 5- Studio sessions w/Joe Berger- NYC
Dec. 10- Opera Plaza Christmas event- S.F.
Dec. 16- SF County Jail #8, “Pod E”
Dec. 21- Doubles Laguna Honda Hospital- S.F.
Dec. 25th – Christmas show Laguna Honda Hospital
Dec. 30 – Session with saxophonist Don Pender and drummer Bob Ramirez at Local 6 Union Hall
HAPPY NEW YEARS
Jan. 16- NAMM Anaheim
Jan. 21- Frankfurt Germany
Jan. 22/23 NDR Radio Hamburg
Jan. 24- Hamburg Germany- Birdland Jazz Club with Lutz Buchner- tenor sax, Heinz Lichius- drums
*note: Birdland gig was packed!! **Hamburger Abendblatt newspaper wrote:
Ob Doors-Liebhaber oder Baseball Freak: Sie alle lieben die SCHWEINEORGEL besser bekannt als Hammondorgel Ein Meister am Erzdamon der Musikinstrumente ist nomen est omen – Jon Hammond. Der Tastengott und TV – Pionier ist zurzeit mit Lutz Buchner, Ed Harris, und Heinz Lichius unterwegs, um Groove-Jazz mit maximaler Ausdrucskraft zum Besten zu geben. Am 24.1. (21Uhr) macht Jon Hammond Station im Birdland (Gartnerstrasse 122). Eintritt 9 Euro

Feb. 1 – Laguna Honda Hospital solo show
Feb. 14 – Happy Valentine’s Day everybody! My cd just went on sale at NYC’s oldest record store: COLONY RECORDS ! Broadway & W. 49th St.
Feb. 15 – American Legion Post, 248 132nd St. Harlem NY with trumpetist Sheldon “The Big Dipper” Sweeper!
Feb. 28 – Live on radio KPOO 89.5FM with JJ!
March 1 – 4pm-Tower Records SF (Columbus & Bay St.) in-store party/concert with food and special guests! To promote new cd HAMMOND’S BOLERO with Jon Hammond Trio live
March 5-9 Musikmesse Frankfurt Germany
March 7th/8th-Jazzkeller Hofheim (near Frankfurt) Musikmesse party/concert with Harry Petersen-sax (HR Radio Band) and Heinz Lichius-drums (NDR Radio Band) *plus special guest LEE OSKAR
March 17th-Radio appearance on Pete Fallico’s DOODLIN’ LOUNGE show at KUSP FM: http://www.KUSP.org streaming worldwide!
March 29th-doubles Laguna Honda Hospital SF
*Note: Canceled due to War: April 3-20th nightly show aboard world’s fastest cruise ship Royal Olympia Explorer Ft. Lauderdale to Portugal, Casablanca, Tunisia, Venice, Piraeus Greece
April 20th- Easter Jazz Brunch at ROTH’S STEAKHOUSE W. 93rd & Coumbus New York City with Bill Wurtzel-guitar 12noon-4pm
April 28th, 8.30pm-Release Party/Concert with Joe Berger and band at Le Bar Bat NYC on W. 57th St.
May 3, 2.30pm – release party/concert with Alan Hall-drums and Alex Budman-tenorsax at RASPUTIN RECORDS on Telegraph Ave. Berkeley. Free Fantastic Food! and 1 hour concert!
May 10- Laguna Honda Hospital, doubles
May 22-Pumpkins, Brooklyn NY in trio with Clarence “Tootsie” Bean-drums, Bill Saxton-sax, Jon on XB-2
June 7-Irish Cultural Center with Jimi James 45th and Sloat San Francisco
June 8-Laguna Honda Hospital
June 9th at 3pm Pacific Time – live in-studios of KCSM radio with program director Jesse Chuy Varela! listen worldwide on stream! *click wwwKCSM.org
June 21/22- First time in Moscow Russia! with incredible tenor saxophonist Igor Butman and Eduard Zizak-drums! – Le Club Moscow
Hammond’s Bolero now on WBGO Rotation Playlist!
June 27- WBGO visit with Gary Walker
June 29- Special guest at WBGO Members Party
June 30- 9:30pm East Coast time: worldwide streaming broadcast of The Jon Hammond Show tv show! channel 56 at http://www.MNN.org
July 8- Crossroads in Garwood NJ, WBGO’s Stan Meyers hosting
July 19- Jazz Brunch 12-4PM: Roth’s Westside Steakhouse NYC with Bill Wurtzel-guitar, Rudy Lawless-drums
July 22- Roth’s Westside Steakhouse NY with guitarist Bill Wurtzel
July 31- recording session w/Larry Newcomb-gtr. at Local 802 hall
Aug. 6- Private Party Opera Plaza San Francisco
Aug. 7- Virgin Megastore SF (Market/Stockton) in-store party/concert at 1PM with Ronnie Smith Jr.-dums, Marc Baum-tenor sax, jh-Hammond org.
Aug. 8, 9, 10, 16- Laguna Honda Hospital
Aug. 15- Radio interview taping with Louie Bellson at Jazz Nouveau San Francisco
Sept. 6- American Legion Post, Harlem NYC 248, 132nd St. NY with Sheldon “Big Dipper” Sweeper-trumpet and special guests
Sept. 8/9- Eddie Money Portland Maine
Sept. 18- Guest of Jazz At Lincoln Center “Moscow Nights” concert with Igor Butman Bigband together with Wynton Marsalis’ Lincoln Center Jazz Orchestra, Alice Tully Hall
Sept. 25th, CANCELED: 12Noon-1:30PM San Francisco Opera Plaza Fountain
Sept. 27/28- Laguna Honda Hospital
Oct. 2/4th- Laguna Honda Hospital
Oct. 9- Featured on Voice Of America Radio (VOA) “Border Crossings Show”!
Oct. 15-18th- Music China Shanghai China
Oct. 17 & 18th- Portman Ritz Carlton Hotel Shanghai with drummer Danny Woody! saxophone tba
Oct. 25th- Duo with Marc Baum- Fairmont Hotel Venetian Room SF for Lowell High School Sports Foundation
Oct. 28/29th- 2 nights with Eddie Money! at Iron Door Saloon, Groveland California
Oct. 29th- Solo at Hole #1 tee-off of Eddie Money Celebrity Golf Tournament, Pine Mountain Lake benefit for Tioga High School *Condolences to the Barsotti Family on the tragic death of Bettike Barsotti, she and surviving husband Peter are proprietors of Iron Door Saloon.
Oct. 31-campaign work for relection of SF District Attorney Terence Hallinan, 724 Van Ness SF
Nov. 1- Solo show at Laguna Honda Hospital
Nov. 6- Cancelonie
Nov. 15- Jazz Factory- Louisville Kentucky
Nov. 19-23- Castelfidardo Italy Excelsior tour
Dec. 4- Post Net one year anniversary party-Vallejo CA
Dec. 9- SF County Jail #8 women’s facility
Dec. 10th- Private party Opera Plaza San Francisco
Dec. 11th- Laguna Honda Hospital
Dec. 13th- secure psych ward gig
Dec. 18-25- sessions in New York City
Dec. 24th- Roth’s Westside Steakhouse Christmas Eve Show! 93rd & Columbus New York City
Dec. 31- New Years at Hotel Charlotte Groveland CA
Jan. 7- Live KPOO 89.5 “Blues w/Noel Show”, 9-11AM…worldwide at http://www.KPOO.com !
Jan. 8- Laguna Honda Hospital main building 7PM
Jan. 15-18th- NAMM Show Anaheim Calfornia
Jan. 21-25- IAJE Hilton Hotel New York City
Feb. 2- 20th Anniversary of The Jon Hammond Show! which has run uninterrupted for 20 years. Cocktail reception at Roth’s Steakhouse
Feb. 4- Trio with Bill Wurtzel and Rudy Lawless 6-10PM
Feb. 5 & 6- Guest of James Brown Band at BB King’s NY
Feb. 11th- Press Conference: Laurie Anderson “New Sound…New York”
Feb. 12th- Session: Pumpkins Brooklyn, NY with Clarence “Tootsie” Bean, George Braith, Greg Lewis
Feb. 18- Berklee College of Music workshop
Feb. 20- Guest of Sons of Champlin, McNear’s Mystic Theatre, Petaluma CA
Feb. 21- Laughing Duck Winery, Ukiah CA
Feb. 22- Laguna Honda Hospital
Feb. 22- Hilton Hotel Reno Nevada
Feb. 23- Penn Valley, CA
Feb. 23- Jon Hammond Show TV: Jazz Factory special from Louisville KY
Feb. 28- Laguna Honda Hospital
March 11- Guest Appearance with drummer Tootsie Bean at Pumpkins, Brooklyn NY *Carol Sudhalter-saxes
March 12- Photo Session with Sheldon “Big Dipper” Sweeper and Dido the drummer at St. Nick’s Pub, 149th St. Harlem
March 22- Roth’s Westside Steakhouse with guitarist Bill Wurtzel 6-10PM
March 25 & 28- Laguna Honda Hospital
March 31-April 4th- Musikmesse Frankfurt Germany
April 2/3- Jazzkeller Hofheim Musikmesse Party!
*with: Heinz Lichius-drums, Kevin Mauder-tenor sax, Joe Berger-guitar
Mini-tour in North Germany *with: Heinz cLichius-drums, Gabriel Coburger-tenor sax, Joe Berger-guitar, Jon Hammond-organ
April 5- Blue Montag: Ham-Berger Band in Harburg at Schnulze!
April 7- Blue Moon Bar, Bremen Germany
April 9- Birdland Hamburg Ham-Berger Band! with Heinz Lichius, tenor sax: Gabriel Coburger
April 16- Laguna Honda Hospital San Francisco
April 29- WBGO 25 Year Anniversary Celebration participation http://www.WBGO.org
May 3- Guest with Jon Paris at BB King’s New York City
May 6- Special Guest of Cirque Du Soleil Musicians at opening night Alegria at Randall’s Island NY
May 14- Special Guest of Eddie Money at Northern Lights Albany/Clifton Park NY
May 24- The Jon Hammond Show TV First-Ever All-Digital Broadcast!
May 19, 21, 22, 24, 25, 26-WBGO studios fund drive
June 5&6- Millennium Theatre Brooklyn: Filming Igor Butman Bigband & Larisa Dolina for Jon Hammond TV Show
June 8- Birdland NYC: Filming Igor Butman Bigband & Larisa Dolina for Jon Hammond TV Show
June 24- Hipbone Records’ studio session
July 9- Rondure Music Club, 24 Prince St. (Soho) New York City, duo with saxophonist Tim Armacost
July 17 & 18- Concerts in Moscow-CANCELED-Le Club with Igor Butman & Eduard Zizak
July 24 & 25th- Laguna Honda Hospital
July 28- KPOO Radio broadcast on “Blues With Noel Show” 10AM-2PM
July 29&30th- Jon Hammond Quartet at Grant & Green in North Beach San Francisco
Aug. 5- Laguna Honda Hospital SF
Aug. 7- Laguna Honda Hospital SF
Aug. 13- Duo with saxophonist Tim Armacost at Rondure Music Club/Restaurant NY http://www.rondurenyc.com http://www.timarmacost.com
Aug. 21- Jazzkeller Frankfurt returning after many years! with Kevin Mauder-tenor sax Joe Berger live DVD filming, join the party!
Aug. 27- Schnulze, Harburg-Hamburg Germany
Sept. 4- 19 Broadway Fairfax Cal. JH Band
Sept. 19- Jazz Ambassadors Tour adjudicating-Canceled
Sept. 17,18, 20,21, 22- WBGO 6AM
Sept. 22- receiving first Sidekick II unit
Oct. 2- Postponed: Accordion sub: Fiddler On The Roof on Broadway NYC
Oct. 8- Guest of Joe Berger/David Marx, Huckapoo debut concert at Town Hall http://www.huckapoo.com
Oct. 12- Laguna Honda Hospital SF Cal.
Oct. 15- Laguna Honda Hospital
Oct. 17- Fly to Shanghai China
Oct. 19- Play at Ritz Carlton Hotel Shanghai with Danny Woody and shows at Music China through Oct. 23rd
Oct. 28th- AES Berklee College of Music Alumni Night
Oct. 30- Laguna Honda Hospital SF
Oct. 31- Fly to New York
Nov. 2nd- DON’T FORGET TO VOTE…For Kerry!
Nov.3rd- VOA Radio 15:00 UTC
Nov. 6- Cleopatra’s Needle NY Jon Hammond Quartet with Matt Smith-guitar & Tootsie Bean-drums & Brett Ryan-alto sax
Nov. 13- Tunica Miracle Tour with Larry Liddell, Tunica Mississippi
Nov. 14- WROX 1450 AM Blues radio appearance, Home of the Blues! Clarksdale Mississippi http://www.wroxblues.com
Nov. 14- Guest at Aretha Franklin concert-Horeshoe Casino, Bluesville Robinsonville/Tunica MS *Special thanks: Larry Liddell Tunica Miracle!
Nov. 22- Jon Hammond Show TV Show broadcast from Cleopatra’s Needle Club
Nov. 25- Happy Thanksgiving! Turkey dinner on United Airlines flight
Nov. 27&28th- Laguna Honda Hospital
Dec. 6- Jon Hammond Trio live in SF County Jail #8, 4th year!
Dec. 7- Laguna Honda Hospital
Dec. 8- Live for 1 hour at 1PM on KCSM 91.1 Jazz Radio with Chris Cortez
Dec. 11- Laguna Honda Hospital
Dec. 12- Guest at Bobby Blue Bland concert, Diamond Hall SF Sunday Blues & Jazz Club
Dec. 15- *note: Canceled, harpist hired: Private party: Opera Plaza SF
Dec. 17- Laguna Honda Hospital Christmas Party
Dec. 20- Microsoft’s *new MSN TV2 & Jon Hammond go online, streaming worldwide at the speed of light!
Dec. 31/Jan. 1-Happpy New Years 2005! Times Square NY
European tour support by Hammond Deutschland, Michael Maier Falkenstein:
Jan 1- New Years Eve in Times Square NY!
Jan. 3- Ruth’s Chris Steakhouse San Francisco
Jan. 5-8 IAJE Convention Long Beach CA
Jan. 6- ASCAP/IAJE Commissions Gil Evans Fellowship, Terrace Theatre
Jan. 7- NEA Jazz Masters Awards
Jan. 9- Laguna Honda Hospital
Jan. 10-14- Macworld San Francisco
Jan. 11- Meeting with Apple’s Steve Jobs !
Jan. 18- Laguna Honda Hospital
Jan. 18 James Brown show, House of Blues Anaheim CA CANCELED
Jan. 20-23 NAMM Anaheim CA
Jan. 29- Laguna Honda Hospital
Jan. 31- Local 6 Union Meeting
Feb. 2- 21st year anniversary of Jon Hammond Show TV Show! Beginning 22nd year.
Feb. 6- Laguna Honda Hospital
Feb. 9- Laguna Honda Hospital
Feb. 11- Laguna Honda Hospital
Feb. 12- Laguna Honda Hospital
March 12- EDITH PIAF CAFE-Paris France!
March 14- ONE WAY CAFE- Paris France!-Canceled! (by me)
March 17-funeral- Suisun Valley CA
March 18- Laguna Honda Hospital SF CA
March 28- Flying to Germany! Arrive Hamburg 3/29
Mar. 31- Multimedia with Michael August ILLUSTRATORP at VILLON in Hamburg by Hauptbahnhof!
April 1 & 2- Hamburg Germany/NDR Radio
April 5- Jazzkeller Frankfurt : Musikmesse 2005 Party! JON HAMMOND BAND
April 6-9- Frankfurt Musikmesse
April 15- Cleopatra’s Needle Club-NYC Tax Day Party!
April 27-CANCELED! Promoter is out of there!
Smith’s Restaurant Bar-NYC 44th St.
May 28- Laguna Honda Hospital
May 29- Laguna Honda Hospital
June 4- Guest-Aretha Franklin Gospelfest
June 4- late night: Guest- Igor & Illonka Kissil at Odessa in Brighton Beach Brooklyn
June 5- WBGO Volunteers Party
June 7- Southwest Airlines BWI Interview
June 25- Laguna Honda Hospital
June 27- Laguna Honda Hospital
July 4- Laguna Honda Hospital (doubles)
July 4- Guest- Shoreline Amitheatre 4th of July San Francisco Symphony Orchestra & Fireworks! produced by Mick Brigden
July 6- Laguna Honda Hospital
July 9- Laguna Honda Hospital
July 23- Berklee College of Music Alum Songwriters Workshop
July 27- Nursing Home show-NYC
Aug. 27- Laguna Honda Hospital
Aug. 28- Laguna Honda Hospital
Sept. 5- Laguna Honda Hospital
Sept. 6- Laguna Honda Hospital
Sept. 16- Cleopatra’s Needle NYC
Sept. 22- Nursing Home show-NYC
Oct. 18- Music China Warm Up Party-Shanghai Ritz-Carlton
Dec. 2-4 NDR Radio Studio 1 Hamburg Germany
Dec. 8- Nursing home show NYC —

San Francisco California — Jon Hammond: Nancy Pelosi is handing off the microphone that I had just handed her to Mayor Willie Brown after she spoke at Birthday Party for San Francisco District Attorney Terence Hallinan – Happy Birthday Terence! (Dec. 4th) – I was on the bandstand at my 1965 Hammond B3 organ with a quintet in the big room at Rasselas Jazz Club on Fillmore St. SF.”

- Nancy Pelosi
http://en.wikipedia.org/wiki/Nancy_Pelosi
Nancy Patricia D’Alesandro Pelosi ( /pəˈloʊsi/; born March 26, 1940) is the Minority Leader of the United States House of Representatives and served as the 60th Speaker of the United States House of Representatives from 2007 to 2011. She was the first woman to hold the office and to date is the highest-ranking female politician in American history.[1]
A member of the Democratic Party, Pelosi has represented California’s 8th congressional district, which consists of four-fifths of the city and county of San Francisco, since 1987. The district was numbered as the 5th during Pelosi’s first three terms in the House. She served as the House Minority Whip from 2002 to 2003, and was House Minority Leader from 2003 to 2007, holding the post during the 108th and 109th Congresses. Pelosi is the first woman, the first Californian and first Italian-American to lead a major party in Congress. After the Democrats took control of the House in 2007 and increased their majority in 2009, Pelosi was elected Speaker of the House for the 110th and 111th Congresses.
On November 17, 2010, Pelosi was elected as the Democratic Leader by House Democrats and therefore the Minority Leader in the Republican-controlled House for the 112th Congress.
House Minority Leader
Incumbent
Assumed office
January 3, 2011
Deputy Steny Hoyer
Preceded by John Boehner
In office
January 3, 2003 – January 3, 2007
Deputy Steny Hoyer
Preceded by Dick Gephardt
Succeeded by John Boehner
60th Speaker of the United States House of Representatives
In office
January 4, 2007 – January 3, 2011
President George W. Bush
Barack Obama
Preceded by Dennis Hastert
Succeeded by John Boehner
House Minority Whip
In office
January 15, 2002 – January 3, 2003
Leader Dick Gephardt
Preceded by David Bonior
Succeeded by Steny Hoyer
Member of the U.S. House of Representatives
from California’s 8th district
Incumbent
Assumed office
January 3, 1993
Preceded by Ron Dellums
Member of the U.S. House of Representatives
from California’s 5th district
In office
June 2, 1987 – January 3, 1993
Preceded by Sala Burton
Succeeded by Bob Matsui
Personal details
Born Nancy Patricia D’Alesandro
March 26, 1940 (age 72)
Baltimore, Maryland, U.S.
Political party Democratic Party
Spouse(s) Paul Pelosi (1963–present)
Children Nancy Corinne Pelosi
Christine Pelosi
Jacqueline Pelosi
Paul Pelosi
Alexandra Pelosi
Residence Cannon H.O.B. (Official)
San Francisco, California (Private)
Alma mater Trinity Washington University
Religion Roman Catholicism
Mayor Willie Brown http://en.wikipedia.org/wiki/Willie_Brown_(politician)
Willie Lewis Brown, Jr. (born March 20, 1934) is an American politician of the Democratic Party. He served over 30 years in the California State Assembly, spending 15 years as its Speaker, and afterward served as the 41st mayor of San Francisco, the first African American to do so. Under the current California term limits law, no Speaker of the California State Assembly will ever have a longer tenure than Brown’s.[1] The San Francisco Chronicle called Brown “one of San Francisco’s most notable mayors” that had “celebrity beyond the city’s boundaries.”[2]
Brown was born in Mineola, Texas and attended a segregated high school. He moved to San Francisco in 1951, attending San Francisco State, graduating in 1955 with a degree in liberal studies.[3] Brown earned a J.D. from University of California, Hastings College of the Law in 1958. He spent several years in private practice before gaining election in his second attempt to the California Assembly in 1964. Brown became the Democrats’ whip in 1969 and Speaker in 1980. He was known for his ability to manage people and maintain party discipline. According to The New York Times, Brown became one of the country’s most powerful state legislators.[4] His long tenure and powerful position were used as a focal point of California’s initiative campaign to limit the terms of state legislators, which passed in 1990. During the last of his three allowed post-initiative terms, Brown maintained control of the Assembly despite a slim Republican majority by gaining the vote of several Republicans. Near the end of his final term, Brown left the legislature to become mayor of San Francisco.
Brown served as San Francisco mayor from January 8, 1996 until January 8, 2004. His tenure as mayor is marked by a significant increase in real estate development, public works, city beautification, and other large-scale city projects. He presided over the “dot-com” era at a time when San Francisco’s economy was rapidly expanding. Brown presided over the city’s most diverse administration with more Asian Americans, women, Latinos, gays, and African Americans than his predecessors.[2] He increased San Francisco’s funding of MUNI by tens of millions of dollars. He ended San Francisco’s policy of punishing people for feeding the homeless.
The SF Board of Supervisors opposed Brown’s agenda and some of his initiatives, in particular office and housing development.[5] Brown was restricted by term limits from running for mayor and was succeeded by a political protege, fellow Democrat Gavin Newsom. After being “termed out” of the mayor’s office, Brown officially retired from politics, although he had often been associated with former California Governor Arnold Schwarzenegger, who served for seven years after the end of Brown’s Mayoral tenure.[6][7] and participates in fundraising and advising other politicians.
41st Mayor of San Francisco
In office
January 8, 1996 – January 8, 2004
Preceded by Frank Jordan
Succeeded by Gavin Newsom
58th Speaker of the
California State Assembly
In office
December 2, 1980 – June 5, 1995
Preceded by Leo McCarthy
Succeeded by Doris Allen
Member of the California State Assembly from District 13
In office
1992–1995
Member of the California State Assembly from District 17
In office
1974–1992
Member of the California State Assembly from District 18
In office
1965–1974
Personal details
Born Willie Lewis Brown, Jr.
March 20, 1934 (age 78)
Mineola, Texas
Political party Democratic
Spouse(s) Blanche Vitero, separated
Residence San Francisco, California
Profession Attorney
Religion Methodist
Military service
Service/branch National Guard
Brown was born in Mineola, a small segregated town in east Texas marked by racial tensions,[9] to Minnie Collins Boyd and Lewis Brown. Brown was the fourth of five children.[10] During Brown’s childhood, mob violence periodically erupted in Mineola, keeping African Americans from voting. His first job was as a shoeshine boy in a whites-only barber shop.[10] He later worked as a janitor, fry cook, and field hand.[11] He learned his work ethic at a young age from his grandmother.[10] He graduated from MacFarland High School, an all-Black school he later described as substandard, and left for San Francisco in August 1951 at the age of 17 to live with his uncle.
Brown originally wanted to attend Stanford University. His interviewer from Stanford also taught at San Francisco State and was surprised by Brown’s ambition. Brown did not meet the qualifications for San Francisco State, but the professor got him enrolled on probation.[10] Brown adjusted to college studies after working especially hard to catch up in his first semester.[12] He joined the Young Democrats and became friends with John L. Burton.[10] Brown originally wanted to be a math instructor but campus politics changed his ambitions. He became active in his church and the San Francisco NAACP. Brown worked as a doorman, janitor and shoe salesman to pay for college. Brown is a member of Alpha Phi Alpha fraternity.[12] He also joined the ROTC. Brown earned a bachelor’s degree in political science from San Francisco State College in 1955.[13] Brown later stated that his decision to go to law school was “more upon the avoidance of military service than anything else.” He quit the ROTC and joined the National Guard reserve where he was trained as a dental hygienist. Brown attended Hastings College of the Law where he also worked as a janitor to pay for law school. Brown befriended future San Francisco Mayor George Moscone for whom Brown would later manage a campaign.[12] Brown earned a J.D. in 1958 and was class president at Hastings.
In September 1958, Brown married Blanche Vitero, with whom he had three children, Susan, Robin, and Michael. He has four grandchildren, Besia, Matea, Mateo, and Lordes, and a step-granddaughter, Tyler. The couple separated in approximately 1976 but remain married. He has a daughter, Sydney Brown, by political fund raiser Carolyn Carpeneti.[14]
During the late 1950s and early 1960s, Brown was one of a few African Americans practicing law in San Francisco when he opened his own practice.[10] He practiced criminal defense law, representing pimps, prostitutes, and other clients that more prominent attorneys would not represent.[10] One early case was to defend Mario Savio on his first civil disobedience arrest. He quickly became involved in the civil rights movement, leading a well-orchestrated sit-in to protest housing discrimination after a local real estate office refused to work with him because of his race.[11] Brown helped organize the public protest and helped attract media coverage. His role in the protests gave him the notoriety to run for the Assembly.
Brown began his first run for the Assembly by having local African American ministers pass around a hat, collecting US$700.[10] He lost the election to the California State Assembly in 1962 by 600 votes before winning a second election in 1964.[15]
[edit]California State Assembly

Brown was one of four African Americans in the Assembly in 1964. He continued to be reelected to the Assembly until 1995. In the 1960s, Brown served as the Chair of the Legislative Representation Committee, a powerful Assembly position that helped Brown climb the Assembly ranks.[3] He became the Democrats’ Assembly whip in 1969.[3] Brown also served on the Assembly Ways and Means Committee.[15] In 1972, he delivered a speech at the Democratic National Convention. He lost his bid for the speakership in 1972. In 1975, Willie Brown authored and lobbied the successful passing of the Consenting Adult Sex Bill that legalized homosexuality in California, thus earning the strong and lasting support of San Francisco’s gay community. During the 1970s, Brown continued to expand his legal practice that was representing several major developers. He won the Speakership in 1980 with 28 Republican and 23 Democratic votes.
Brown was California’s first African American Speaker of the Assembly, and served in the office from 1981 to 1995. In 1990, Brown helped negotiate an end to a 64 day budget standoff. In 1994, Brown gained the vote of a few Republicans to maintain the Speakership when the Democrats lost control of the Assembly to the Republicans led by Jim Brulte. Brown regained control in 1995 by making a deal with Republican defectors Doris Allen and Brian Setencich, both of whom were elected Speaker by the Democratic minority.[16] During their tenures, Brown was the de facto Speaker.
Brown’s long service in the Assembly and political connections, his strong negotiation skills, and the Assembly’s tenure system for leadership appointments, combined to give Brown nearly complete control over the California Legislature by the time he became Assembly Speaker. According to The New York Times, Brown became one of the country’s most powerful state legislators.[4] He nicknamed himself the “Ayatollah of the Assembly”.[17]
Brown was extremely popular in his home of San Francisco, though less so in the rest of the state.[18] Nevertheless, he wielded great control over statewide legislative affairs and political appointments, making it difficult for his conservative opponents to assail his power. Partially to remove Brown from his leadership position, a state constitutional amendment initiative was proposed and passed by the electorate in 1990, imposing term limits on state legislators.[5][19] Brown became the focus of the initiative. Brown raised just under US$1 million to defeat the initiative.[20] The California Legislature challenged the law but it was upheld by the courts.[20][21] California Proposition 140 also cut the legislature’s staff budget by 30 percent, causing Brown to reduce legislative staff by at least 600.[20] After term limits forced Brown out of office, the Assembly re-structured its rules to give most of the powers formerly held by the Speaker to a leadership committee made up of senior members of both major parties.
Brown gained a reputation for knowing what was occurring in the state legislature at all times.[22] In 1992, he gave US$1.18 million to the Democratic Party to help with voter registration and several campaigns, some of which was from contributions from tobacco companies and insurance companies. As Speaker, he worked to defeat the Three Strikes Law. Critics have claimed Brown did not do enough to raise the legislature’s ethical standards or to protect the environment.[10] During his time in Sacramento, Brown estimates he raised close to US$75 million to help elect and reelect state Democrats.[23]
Brown lead efforts in the Assembly for state universities to divest from South Africa and to increase AIDS research funding. Brown helped attain state funds for San Francisco, including funding for public health and mental health funds. Brown held the 1992 state budget for 63 days until Governor Pete Wilson added another US$1.1 billion for public schools.[10]
Brown had a reputation in the Assembly for his ability to manage people. Brown attained the vote of Doris Allen by treating her with the respect she thought she deserved. Republican State Senator Ken Maddy of Fresno noted Brown’s ability to “size up the situation and create, sometimes on the spot, a winning strategy.” According to Hobson, “He was a brilliant day care operator. … He knew exactly how to hold the hand of his Assembly members. He dominated California politics like no other politician in the history of the state”.[10]
[edit]Peoples Temple investigation
Main article: Political Alliances of the People’s Temple
From 1975 to 1978, Brown supported the Peoples Temple, led by Jim Jones, while it was being investigated for alleged criminal wrongdoing. Brown attended the Temple perhaps a dozen times and served as master of ceremonies at a testimonial dinner for Jones where he stated in his introduction “[l]et me present to you a combination of Martin King, Angela Davis, Albert Einstein … Chairman Mao.”[24][25][26] Brown later said “If we knew then he was mad, clearly we wouldn’t have appeared with him.”[27]
[edit]Mayor of San Francisco

In 1995, Brown ran for Mayor of San Francisco. In his announcement speech, Brown said San Francisco needed a “resurrection” and that he would bring the “risk-taking leadership” the city needed.[23] Brown placed first in the first round of voting, but because no candidate received 50 percent of the vote, he ran against incumbent Frank Jordan in the December runoff. Brown gained the support of Supervisor Roberta Achtenberg who had placed third in the first round of voting. Brown campaigned on working to address poverty and problems with Muni. He called Jordan the “inept bumbler” and criticized his leadership. Jordan criticized Brown for his relations with special interests during his time in the State Assembly.[4] Brown easily defeated Jordan in the runoff.
Brown’s inaugural celebration included an open invitation party with 10,000 attendees and local restaurants providing 10,000 meals to the homeless.[2][28] President Bill Clinton called Brown to congratulate him, and the congratulations were broadcast to the crowd. He delivered his inaugural address without notes and led the orchestra in “Stars and Stripes Forever”. He arrived at the event in a horse-drawn carriage.[2] According to the New York Times, Brown was one of the nation’s few liberal big city mayors when he was elected in 1996.
In 1996, more than two thirds of San Franciscans approved of Brown’s job performance.[29] As mayor, Brown made several appearances on national talk shows.[2] Brown called for expansions to the San Francisco budget to provide for new employees and programs. In 1999, Brown proposed hiring 1,392 new city workers and proposed a second straight budget with a US$100 million surplus. He helped to oversee the settling of a two-day garbage strike in April 1997.[22] During Brown’s tenure, San Francisco’s budget increased to US$5.2 billion and the city added 4,000 new employees. Brown tried to develop a plan for universal health care, but there wasn’t enough in the budget to do so.[2] Brown put in long days as mayor, scheduling days of solid meetings and, at times, conducting two meetings at the same time.[22] Brown opened City Hall on Saturdays to answer questions.[17] He would later claim of his mayorship that he helped restore the city’s spirit and pride.[22]
Brown’s opponents in his 1999 mayoral reelection campaign were former Mayor Frank Jordan and Clint Reilly. They criticized Brown for spending the city’s US$ 1 billion in budget growth without addressing the city’s major problems and creating an environment in city hall of corruption and patronage.[22] Tom Ammiano was a late write-in candidate and he faced Brown in the runoff election. Brown won reelection by a 20 percent margin. He was supported by most major developers and business interests. Ammiano campaigned on a promise that he would raise the minimum wage to US$ 11 per hour and scrutinize corporate business taxes. Brown repeatedly claimed that Ammiano would raise taxes. President Clinton recorded a telephone message on Brown’s behalf. Brown’s campaign spent US$ 3.1 million to Ammiano’s US$ 300,000.[30] The 1999 mayoral race was the subject of the documentary See How They Run.[31]
[edit]Crime and public safety
Although scheduled on a flight to New York City the day of the September 11, 2001 attacks, Brown received an alert from his SFO security detail and cancelled. After learning of the attacks, he ordered the city to close schools and courts, concerned over the potential for terrorist attacks in the city, and recommended to representatives of the Bank of America Tower and Transamerica Pyramid that they should also close.[32]
In February 2003, Brown’s appointed Police Chief, Earl Sanders, and several top officials at the San Francisco Police Department were arrested for conspiring to obstruct the police investigation into an incident involving off-duty officers that was popularly called “Fajitagate”.[2]
[edit]Social policy
Brown ended San Francisco’s policy of punishing people for feeding the homeless. San Francisco continued to enforce its policy regarding the conduct of the homeless in public places.[33] In 1998, Brown supported forcibly removing homeless people from Golden Gate Park and police crackdowns on the homeless for drunkenness, urinating, defecating, or sleeping on the sidewalk. Brown introduced job training programs and a $11 million drug treatment program. San Francisco, then the United States’ 13th largest city, had the nation’s third largest homeless population at a peak of 16,000.[29] In November 1997, he requested nighttime helicopter searches in Golden Gate Park.[2] The Brown administration spent hundreds of millions of dollars creating new shelters, supportive housing, and drug treatment centers to address homelessness, but these measures did not end San Francisco’s problem with homelessness.[2]
In 1996, Brown approved the Equal Benefits Ordinance that required city contractors to provide domestic partner benefits to their employees.[2] In 1998, Brown wrote a letter to President Clinton urging him to halt a federal lawsuit aimed at closing medical marijuana clubs.[34]
[edit]Transportation
[edit]Mass Transit
One of Brown’s central campaign promises was his “100-Day Plan for Muni.”[22] Brown supported the “Peer Pressure” Bus Patrol program, which paid former gang members and troubled youth to patrol Muni buses. Brown claimed the program helped reduce crime.[35] He fired Muni chief Phil Adams and replaced him with his chief of staff Emilio Cruz. In 1998, Brown was Mayor during the summer of the Muni meltdown as Muni implemented the new ATC system and Brown promised riders there would be better times ahead. A voter approved initiative in the following year would help improve Muni services. Brown increased Muni’s budget by tens of millions of dollars over his tenure.[2] Brown later said he made a mistake in over promising with his 100-Day Plan.[22]
Brown helped mediate a settlement to the 1997 BART strike.[22]
During his first term as mayor, Brown quietly favored the demolition and abolition of the Transbay Terminal[36] to accommodate the redevelopment of the site for market-rate housing. Centrally located at First and Mission Streets near the Financial District and South Beach, the terminal originally served as the San Francisco terminus for the electric commuter trains of the East Bay Electric Lines, the Key System of streetcars and the Sacramento Northern railroads which ran on the lower deck of the San Francisco – Oakland Bay Bridge. Following the termination of streetcar service in 1958, the terminal has seen continuous service as a major bus facility for East Bay commuters; AC Transit buses transport riders from the terminal directly into neighborhoods throughout the inner East Bay. The terminal also serves passengers traveling to San Mateo County and the North Bay aboard SamTrans and Golden Gate Transit buses respectively, and to tourists arriving by bus motorcoach. Today, the terminal is being planned for redevelopment as a region wide mass transit hub maintaining the current bus services, but with a new tunnel that would extend the Caltrain commuter rail line from its current terminus at Fourth and Townsend Streets to the site. Once completed, Caltrain riders would no longer need to transfer to Muni in order to reach the downtown financial district. Additionally, the heavy rail portion of the terminal would be designed to accommodate the planned High Speed Rail lines to Los Angeles.
In 1998, The Berkeley, California-based Bicycle Civil Liberties Union, produced a two hour documentary film in the muckraker journalism tradition, “July 25th: The Secret is Out,” which gives evidence of Brown’s designs for the Transbay Terminal site.
[edit]Critical Mass
Since 1992, cyclists riding in San Francisco’s monthly Critical Mass bicycle rides had used the “corking” technique at street intersections to block rush-hour cross-traffic.[37][38][39][40] In 1997, Brown approved San Francisco Police Department Chief Fred Lau’s plan to conduct a crackdown on the rides,[41] calling them “a terrible demonstration of intolerance”.[42] and “an incredible display of arrogance.”[43] Brown said after arrests were made when a Critical Mass event became violent “I think we ought to confiscate their bicycles”[44] and that “a little jail time” would teach Critical Mass riders a lesson.[45] On the night of the July 25, 1997 ride 115 riders were arrested for unlawful assembly, jailed, and had their bicycles confiscated by the police.[46][47] By 2002, Brown and the city’s relations with Critical Mass had changed. On the 10th anniversary of Critical Mass on September 27, 2002, the city officially closed down four blocks to automobile traffic for the annual Car-Free Day Street Fair. Brown remarked concerning the event: “I’m delighted. A new tradition has been born in our city.”[48]
[edit]Urban planning and development
As San Francisco mayor, Brown was criticized for aggregating power, and for favoring certain business interests at the expense of the city as a whole. Supporters point to the many development projects completed or planned under his watch, including the restoration of City Hall and historic waterfront buildings; the setting in motion of one of the city’s largest ever mixed use development projects in Mission Bay, and the development of a second campus for the University of California, San Francisco. In contrast, critics objected to the construction of many live-work loft buildings in formerly working-class neighborhoods that they believed lead to gentrification and displacement of residents and light industry.[49]
Under Brown, San Francisco’s city hall was restored from damages sustained during the 1989 Loma Prieta earthquake. Brown insisted on restoring the light courts and having the dome gilded with more than US$ 400,000 in real gold. The Embarcadero was redeveloped and the Mission Bay Development project began. Brown also oversaw the approval of the Catellus Development Corp., US$ 100 million restoration of the century-old Ferry Building, new Main Library, the new Asian Art Museum, the new M. H. de Young Memorial Museum, the expansion of the Moscone Convention Center and San Francisco International Airport’s new international terminal.[2] Brown worked to restructure the Housing Authority.[22] Brown helped established an AFL-CIO housing trust to build affordable housing and he worked to increase the city’s share of federal and state grants. He oversaw declining crime rates and improvements in the city’s economy, finances, and credit ratings during his first term.[22]
Brown was known for his shrewd and strategic use of the details of the planning process to affect and facilitate development projects on his watch. In regards to a parking garage on Vallejo Street desired by North Beach and Chinatown merchants, Brown circumvented neighborhood resident opponents of the garage by ordering demolition of the site’s existing structure to commence on a Friday night and be done by Monday morning, when the group was certain to try to obtain a restraining order. “It was with the demolition permit I outsmarted them,” Brown recounts proudly, claiming that as the critics rushed toward court, “someone shouted out to them that the building had disappeared over the weekend. They’ve never recovered from that little maneuver.”[50]
During his time as Mayor, Brown hoped to build a new stadium for the San Francisco 49ers and worked with the 49ers to create a plan.[22] No new facility was built for the team during his tenure.[51] Brown worked with the San Francisco Giants to build a new stadium in the China Basin after previous stadium measures had failed on the ballot.[2] The stadium gained approval by San Francisco voters in 1996 and opened in 2000.[22]
Due to vacancies on the Board of Supervisors prior to 2000, Brown was able to appoint 8 of the 11 members of the board. Due to a change in San Francisco’s election laws that took effect in 2000, the board changed from at-large to district based elections, and all seats on the board were up for election. The voters elected a new group of supervisors that ran on changing the city’s development policy. Voters also passed a measure that weakened the mayor’s control over the Planning Commission and Board of Appeals. The new majority limited Brown’s power over the Elections Department, the Police Commission, and extending San Francisco International Airport’s runways into the bay to reduce flight delays.[2] In July 2001, the Board of Supervisors overrode Brown’s veto for the first time, creating legislation that created the new home ownership option of tenancies in common.
[edit]Favoritism and patronage criticisms, FBI investigations

Allegations of political patronage followed Brown from the State Legislature through his tenure as San Francisco mayor. Former Los Angeles County GOP Assemblyman Paul Horcher, who voted in 1994 to keep Brown as Speaker, was reassigned to head San Francisco’s solid waste management program. Brian Setencich also was appointed to a position by Brown.[22] Both were hired as special assistants after losing their assembly seats because of their support of Brown. Former San Francisco Supervisor Bill Maher was also hired as a special assistant after campaigning for Brown in his first mayoral race.[52] Brown is also criticized for favoritism to Ms. Carpeneti, the lobbyist with whom he had a child. In 1998 Brown arranged for Carpeneti to obtain a rent-free office in the city-owned Bill Graham Civic Auditorium. Between then and 2003, a period that spans the birth of their daughter, Carpeneti was paid an estimated $2.33 million by nonprofit groups and political committees controlled by then Mayor Brown and his friends.[14][53]
Brown increased the city’s special assistants payroll from US$15.6 to US$45.6 million between 1995 and 2001.[54] Between April 29, 2001 and May 3, 2001, San Francisco Chronicle reporters Lance Williams and Chuck Finnie released a 5 part story concerning Brown and his relations with city contractors, lobbyists, and city appointments and hires he had made during his tenure as Mayor. The report concluded that there was an appearance of favoritism and conflicts of interest in the awarding of city contracts and development deals, a perception that large contracts had an undue influence on city hall, and patronage with the hiring of campaign workers, contributors, legislative colleagues, and friends to government positions.[23]
The Federal Bureau of Investigation investigated Brown when he was Speaker. One investigation was a sting operation concerning a fake fish company attempting to bribe Brown; he was not charged with any criminal act. The FBI further investigated Brown from 1998 to 2003 over his appointees at the Airport Commission for potential conflicts of interests. Brown friend, contributor, and former law client, Charlie Walker was given a share of city contracts. He had served jail time in 1984 for violating laws concerning minority contracting. The FBI also investigated Brown’s approval of expansion of Sutro Tower and SFO. Scott Company, with one prominent Brown backer, was accused of using a phony minority front company to secure an airport construction project. Robert Nurisso was sentenced to house arrest. During Brown’s administration, there were two convictions of city officials tied to Brown. The FBI investigated Brown’s friend Charlie Walker, who won several city contracts. Walker had previously thrown several parties for Brown and was among his biggest fund raisers.[22] Brown reassigned Parking and Traffic chief Bill Maher to an airport job when his critics claimed Maher should have been fired.[22] Brown put his former girlfriend, Wendy Linka, on the city payroll.[2] Brown was known for his strong loyalty to his supporters.[citation needed]
[edit]Retinitis Pigmentosa

While serving as Assembly Speaker, Brown was diagnosed with retinitis pigmentosa (RP), a disease that presently has no cure and that would slowly steal his eyesight. RP is a hereditary disease that causes a continual loss of peripheral vision and often leads to total blindness. Brown’s two sisters were also diagnosed with RP. Brown remarked, “Having RP is a challenge, as Speaker of the Assembly it was very important that I recognize people in the halls of the Legislature. But I couldn’t see people unless they were right in front of me. I needed to have the security people give me notes to tell me who was in the room. Reading is also very difficult so I use larger print notes and memos. Living with RP means having to use more of your brain function—I listen more intently, I memorize vast amounts of information, and I have trained my computer to recognize numerous verbal commands.”[55] Brown has worked with the Foundation Fighting Blindness to raise awareness of the disease.
[edit]Aesthetic style

Brown has had an ostentatious sense of personal style from the beginning that he later parlayed into a political advantage. Even in high school he was fastidious about his appearance.[56] In office he became famous for British and Italian suits, sports cars, nightclubbing, and a collection of dressy hats.[57] He was once called “The Best Dressed Man in San Francisco” by Esquire magazine.[58]
In his 2008 autobiography, Basic Brown, he described his taste for US$6,000 Brioni suits and his search for the perfect chocolate Corvette to add to his car collection. In one chapter titled: “The Power of Clothes: Don’t Pull a Dukakis”, Brown explains that men should acquire a navy blazer for each season: one with “a hint of green” for springtime, another with more autumnal threading for the fall.[59] He further remarks, “You really shouldn’t try to get through a public day wearing just one thing. … Sometimes, I change clothes four times a day.”[60]
[edit]Brown in the media

As Mayor of San Francisco, Brown was often portrayed mockingly but affectionately by political cartoonists and columnists as a vain emperor, presiding in a robe and crown over the inconsequential kingdom of San Francisco.[61] He enjoyed the attention this brought to his personal life, disarming friends and critics with humor that directed attention away from the policy agendas he was pursuing.[62]
Brown’s flamboyant style made him so well known as the consummate politician that when an actor playing a party politician in 1990′s The Godfather Part III did not understand director Francis Ford Coppola’s instruction to model his character after Brown, Coppola fired the actor and hired Brown himself to play the role. Brown later appeared in 2000′s Just One Night as a judge. He also played himself in two Disney films, George of the Jungle and The Princess Diaries, and the 2003 Universal release Hulk as the mayor of San Francisco. He appeared as himself, alongside Geraldo Rivera, in an episode of Nash Bridges.
Brown was criticized in 1996 for his comments that 49ers backup quarterback Elvis Grbac was “an embarrassment to humankind.” He was criticized in 1997 for responding to Golden State Warriors player Latrell Sprewell choking his coach P. J. Carlesimo by saying, “his boss may have needed choking.”[22]
In 1998, Brown contacted the Japanese television cooking competition Iron Chef, suggesting San Franciscan Chef Ron Siegel to battle one of the Iron Chefs. Brown appeared on the telecast himself, enthusiastically promoting the Chef. Siegel won the battle, in a rare clean sweep against Iron Chef Hiroyuki Sakai.
Brown remained neutral throughout the 2008 presidential campaign. Brown has been working in recent years as a radio talk show host and as a pundit on local and national political television shows and is seen as attempting to build credibility by abstaining from endorsing candidates for office. “I’ve never been high on endorsements,” Brown said. “When you get one, all it does is keep the other guy from getting one. Really, what did getting John Kerry’s endorsement do to help Barack Obama?”[63]
After Mayorship

After leaving the mayor’s office, Brown considered running for the State Senate but ultimately declined.[64] From January 2006 through September 2006, Brown co-hosted a morning radio show with comedian Will Durst on a local San Francisco Air America Radio affiliate. He also makes a weekly podcast. Brown also established The Willie L. Brown, Jr. Institute on Politics & Public Service, an unaffiliated nonprofit organization at San Francisco State University.[5] The center trains students for careers in municipal, county and regional governments. The center will be one of the first to focus on local government in the country. Brown gave the center’s library a collection of his artifacts, videotapes and legislative papers from his forty years in public office. He is also planning to mentor students, teach a course on leadership, and recruit guest speakers.[5]
On February 5, 2008, Simon and Schuster released Brown’s hardcover auto-biography, Basic Brown: My Life and Our Times, with collaborator P. J. Corkery. The book release coincided with California’s Democratic Presidential Primary on the same day. On July 20, 2008, Brown began writing a column for the San Francisco Chronicle, a move that has drawn the ire of some Chronicle staffmembers and ethicists for the failure to disclose the multiple conflicts of interest Brown has.[65]
In 2009, Brown is defending general construction contractor Monica Ung, 49 of Alamo, California. Accused of flouting labor laws and defrauding immigrant construction workers of their wages from laboring on Oakland municipal construction projects, Ung was arraigned for dozens of felony fraud charges on 24 August 2009 in Alameda County Superior Court. Brown’s decision to defend Ung angered many in the East Bay’s labor community. — with Nancy Pelosi and Mayor Willie Brown at Rasselas Jazz Club SF CA

Jon Hammond and former Mayor of New York City the Honorable David Dinkins in San Francisco California – Mayor Dinkins was in town helping out SF DA Terence Hallinan’s re-election campaign

http://en.wikipedia.org/wiki/David_Dinkins
David Norman Dinkins (born July 10, 1927) is a former politician and Mayor of New York City from 1990 to 1993. He was the first and is, to date, the only African American to hold that office.
Dinkins was born in Trenton, New Jersey, and raised by his father, his parents having separated when he was six years old.[2] He moved to Harlem as a child but returned to Trenton and attended Trenton Central High School, where he graduated in 1945 in the top 10 percent of his class. After graduation, he attempted to enlist in the United States Marine Corps, but was told that a racial quota had been filled. He served in the Marine Corps from 1945 through 1946.[3][4]
Dinkins graduated magna cum laude from Howard University with a degree in mathematics. He later graduated from Brooklyn Law School.[4]
[edit]Political career

Dinkins rose through the Democratic Party organization in Harlem and became part of an influential group of African-American politicians that included Denny Farrell, Percy Sutton, Basil Paterson, and Charles Rangel; the latter three together with Dinkins were known as the “Gang of Four”.[5] As an investor, Dinkins was one of fifty African American investors who helped Percy Sutton found Inner City Broadcasting Corporation in 1971. He served briefly in the New York State Legislature.
Dinkins was named Deputy Mayor by Mayor Abraham D. Beame but was ultimately not appointed. He served as President of the Board of Elections from 1972 to 1973, and City Clerk from 1975 to 1985.[6] He was elected Manhattan Borough President in 1985 on his third run for that office. Dinkins was elected Mayor of New York City on November 7, 1989, defeating three-term incumbent Mayor Ed Koch and two others in the Democratic primary and Republican candidate Rudy Giuliani in the general election.
Dinkins was elected in the wake of a corruption scandal that involved several Democratic leaders in New York City. Mayor Koch, the presumptive Democratic nominee, was politically damaged by the corruption in his administration and his handling of racial issues, and among the candidates Dinkins was his greatest challenger.[7] Additionally, the fact that Dinkins is African-American helped him avoid criticism he was ignoring the black vote by campaigning to whites.[8] A large turnout of African-American voters was vital to his election and he campaigned throughout the city.[9][not in citation given]
In 1990, the Pittsburgh Post-Gazette reported that Dinkins was a member of the Democratic Socialists

Dinkins entered office pledging racial healing, and famously referred to New York City’s demographic diversity as a “gorgeous mosaic.”[11] Dinkins’s term was marked by polarizing events such as the boycott of Korean-owned groceries in Flatbush and the 1991 Crown Heights riot. When Lemrick Nelson was acquitted of killing Yankel Rosenbaum during the riot, Dinkins said “I have no doubt that in this case the criminal-justice system has operated fairly and openly.”[12]
Although rates of most crimes, including all categories of violent crime, made consecutive declines during the last 36 months of his four-year term, ending a 30-year upward spiral and initiating a trend of falling rates that continued beyond his term, Dinkins was hurt by the perception that crime was out of control during his administration.[13][14] Dinkins also initiated a hiring program that expanded the police department nearly 25%.[15]
[edit]1993 election

In 1993, Dinkins lost to Republican Rudy Giuliani, earning 48.3 percent of the vote, down from 51 percent in 1989.[16] Although he was a moderate with a substantial history of building coalitions and supporting Jewish causes,[17] one factor in his loss was his perceived indifference to the plight of the Jewish community during the Crown Heights riot.
During his final days in office, Dinkins made last-minute negotiations with the sanitation workers, presumably to preserve the public status of garbage removal. Incoming mayor Giuliani blamed Dinkins for a “cheap political trick” when Dinkins planned the resignation of Victor Gotbaum, Dinkins’ appointee on the Board of Education, thus guaranteeing his replacement six months in office.[18] Dinkins also signed a last minute 99-year lease with the USTA National Tennis Center, including strict limitations on flights in and out of neighboring LaGuardia Airport during the US Open.
A 2009 report in The New York Times looking back at the Dinkins administration suggested that its achievements were not as Giuliani stated, noting:
Significant accomplishments in lowering New York City’s crime rate and increasing the size of the New York Police Department, and the hiring of Raymond W. Kelly as police commissioner;
The cleanup and revitalization of Times Square, including persuading the Walt Disney Corporation to rehabilitate an old 42nd Street theater;
Major commitment to rehabilitation of dilapidated housing in northern Harlem, the South Bronx and Brooklyn despite significant budget constraints-—more housing rehabilitated in a single term than Mr. Giuliani did in two terms;
The USTA lease, which in its final form Mayor Michael Bloomberg called “the only good athletic sports stadium deal, not just in New York but in the country”;
Mental-health facility initiatives; and
Policies and actions that decreased the size of the city’s homeless shelter population to its lowest point in 20 years.[19]
[edit]Later career

Dinkins is a Professor in the Practice of Public Affairs at Columbia University’s School of International and Public Affairs.[20] Each year Columbia hosts the Annual David N. Dinkins Leadership and Public Policy Forum. In 2011 the 14th Annual Forum focused on Crisis in State Budgets, with keynote speaker U.S. Senator Kristen Gillibrand. Although he has not attempted a political comeback, he has remained somewhat active in politics, and his endorsement of various candidates, including Mark J. Green in the 2001 Mayoral race, was well-publicized. He supported Democrats Fernando Ferrer in the 2005 New York mayoral election and Bill Thompson in 2009.
In the campaign for the 2008 Democratic presidential nomination, Dinkins served as an elected delegate for Hillary Clinton from New York.[21]
[edit]Personal life

Dinkins is married to Joyce Dinkins (née Burrows); they have two children. The couple are members of the Church of the Intercession in New York City. Dinkins’ radio program “Dialogue with Dinkins” can be heard Saturday mornings on WLIB radio in New York City.[22]
Dinkins is a member of Alpha Phi Alpha and Sigma Pi Phi (“the Boule”), the oldest collegiate and first professional Greek-letter fraternities, respectively, established for African Americans.
[edit]Humanitarian causes

Dinkins sits on the Board of Directors of The Jazz Foundation of America.[23] Dinkins also sits on the Honorary Founders Board, having worked with the Jazz Foundation to save the homes and the lives of America’s elderly jazz and blues musicians, including musicians who survived Hurricane Katrina, since its inception.[24]
[edit]Citywide tickets on which Dinkins ran

[edit]1989 NYC Democratic ticket
Mayor: David Dinkins
City Council President: Andrew Stein
Comptroller: Elizabeth Holtzman
[edit]1993 NYC Democratic ticket
Mayor: David Dinkins
Public Advocate: Mark J. Green
Comptroller: Alan Hevesi

106th Mayor of New York City[1]
In office
January 1, 1990 – December 31, 1993
Preceded by Ed Koch
Succeeded by Rudy Giuliani
23rd Manhattan Borough President
In office
1986–1989
Preceded by Andrew Stein
Succeeded by Ruth Messinger
Member of the New York State Assembly from District 78
In office
1965–1967
Preceded by New District
Succeeded by Edward Stevenson
Personal details
Born David Norman Dinkins
July 10, 1927 (age 85)
Trenton, New Jersey
Political party Democratic
Spouse(s) Joyce Dinkins nee Burrows
Residence New York City
Alma mater Howard University
Religion Episcopalian
Military service
Service/branch United States Marine Corps
Years of service 1945-1946
Battles/wars World War II — with David Dinkins

Wishing a very happy & healthy birthday to my friend, the Honorable Terence Hallinan! *served as District Attorney San Francisco – here Jon Hammond and Terence Hallinan on the occasion of his birthday party, with music provided by Jon Hammond Band – Nancy Pelosi was there, Mayor Willie Brown was there, the whole Hallinan family clan, great party!

http://en.wikipedia.org/wiki/Terence_Hallinan
Terence Hallinan (born December 4, 1936) is an American attorney and politician from San Francisco, California. He is the second of six sons born to leftist attorney Vincent Hallinan and his wife Vivian. He currently works in private practice at the Law Chambers Building at 345 Franklin Street in San Francisco, (415) 863-1430.
Hallinan was educated at the London School of Economics, University of California, Berkeley, and University of California, Hastings College of the Law. He successfully contested the State Bar’s negative evaluation of his character, based on his engagement in civil disobedience in opposing racist discriminatory employment practices by certain San Francisco businesses in the 1960s, before the Supreme Court of California.[1]
As an attorney, he successfully argued to have the murder convictions of serial-killer Juan Corona overturned on appeal, and represented Corona in his retrial which resulted in 25 convictions for murder and a life sentence.[2]
He served on the San Francisco Board of Supervisors, losing his first bid for that office to Harvey Milk in 1977, and later was the district attorney of San Francisco for two terms. While serving as DA, he became a notable opponent of capital punishment. He also was a strong advocate on behalf of decriminalizing prostitution. In his tenure he supported medical marijuana and is now an advisor of NORML.[3]
District Attorney of San Francisco
In office
1996–2004
Preceded by Arlo Smith
Succeeded by Kamala Harris
Personal details
Born December 4, 1936 (age 76)
San Francisco, California, U.S.
Political party Democratic
Alma mater London School of Economics
University of California, Berkeley
University of California, Hastings College of the Law
Profession Lawyer — with Terence Hallinan

Paris France — Jon Hammond Trio at La Flèche d’Or
with the great tenor saxophonist Boris Blanchet and Amaury Blanchard drums – La Flèche d’Or is a club and concert venue in Paris’ edgy Gambetta/Bagnolet district whose tumultuous existence has only boosted its mystique. La Flèche d’Or, which has gained a solid reputation for its lineup of eclectic acts and talented DJs, reopened in November 2009 after a six-month shutdown. Neighbors had complained about the ruckus, leading the owners to shutter the venue in order to install soundproof walls. The club books the hottest acts in indie rock, experimental electro, edgy groove and funk, among other genres.
Housed in a building that formerly served as the Charonne train station, La Flèche d’Or retains an open, spacious and industrial feel. The name, which literally means “The Golden Arrow”, refers to the defunct train line that ran through the area in the 1920s and connected Paris to the north city of Calais.
Address: 102 bis rue de Bagnolet
Metro: Porte de Bagnolet or Gambetta (line 3) — with Jon Hammond Band and Jon Hammond Organ Group at La Flèche d’Or

Carnegie Hall — Venezuelan Brass Ensemble Concert 12-7-2012 – attended with birthday boy Joe Berger and friends – 5+ Stars to the Musicians…Bravo!!! Jon Hammond
http://www.carnegiehall.org/Calendar/2012/12/7/0800/PM/Venezuelan-Brass-Ensemble/
Venezuelan Brass Ensemble
Stern Auditorium / Perelman Stage
BLAZING BRASS MEETS BERNSTEIN’S MAMBO

The Venezuelan Brass Ensemble, drawn from the Simón Bolívar Symphony Orchestra, opens the Venezuelan celebration at Carnegie Hall with an evening of exuberant music making that features works from Latin America and beyond.

Con el Ensamble de Metales de Venezuela, cuyos integrantes fueron seleccionados de la Orquesta Sinfónica Simón Bolívar, comienza en el Carnegie Hall la celebración a Venezuela con una velada en la que destaca una creación musical exuberante de América Latina y más allá.

O Conjunto de Metais da Venezuela, da Orquesta Sinfónica Simón Bolívar, abre a celebração venezuelana no Carnegie Hall com uma noite de música exuberante que exibe trabalhos da América Latina e de outros lugares.
Performers
Venezuelan Brass Ensemble
Thomas Clamor, Conductor
Program
GIANCARLO CASTRO Grand Fanfare
BERNSTEIN Selections from Symphonic Dances from West Side Story
GIANCARLO CASTRO Llegada de un noble maestro
CALDERELLA AND SCARPINO Canaro en Paris (arr. José Carli)
ABREU Tico-Tico no fubá (arr. Jhon Iveson)
AGUIRRE Amalia (arr. Fernando Ruiz)
GIANCARLO CASTRO Walking Faster
FÉLIX MENDOZA Guerra de secciones
Bios
Venezuelan Brass Ensemble

The Venezuelan Brass Ensemble came into being in 2003 under the patronage of Dr. José Antonio Abreu and Thomas Clamor as part of the orchestral academic program of Venezuela’s El Sistema.

Across Venezuela, El Sistema currently involves 400,000 beneficiaries-75 percent of whom live below the poverty line-in a system that includes more than 1,550 music groups distributed among 286 academic centers. As a result of this work, numerous successful youth ensembles have emerged. Leading the way is the Simón Bolívar Symphony Orchestra of Venezuela (formerly Simón Bolívar Youth Orchestra of Venezuela), now one of the most famous and best orchestras in the world. Most of the musicians in the Venezuelan Brass Ensemble are also members the Simón Bolívar Symphony Orchestra.

With its mixture of a classical and South American repertoire, the musicians of the Venezuelan Brass Ensemble impressively show their diverse skills. The first international tour under the direction of Thomas Clamor in 2005 took the Venezuelan Brass Ensemble to Colombia, Peru, Ecuador, and Chile. In September 2005, the ensemble performed as part of the Simón Bolívar Youth Orchestra’s third major tour of Germany; its program complemented works by Byrd, Bernstein, and Gershwin with the first performance of the Grand Fanfare for brass instruments by ensemble member Giancarlo Castro.

In 2006, the Venezuelan Brass Ensemble released its first CD, We Got Rhythm, on EMI Classics. Since then, the ensemble has toured extensively, performing at many of the world’s greatest venues and festivals, including Royal Albert Hall as part of the BBC Proms, Beethovenfest Bonn, Schleswig-Holstein Musik Festival, Konzerthaus Berlin, Lucerne Festival, Royal Festival Hall, and Salzburg Festival.

Thomas Clamor

Thomas Clamor studied trumpet and percussion at the Hochschule für Musik Detmold. By the time he was 23, he became the youngest musician in the Berliner Philharmoniker. Mr. Clamor also performed as a soloist and chamber musician with various ensembles. He has since taken part in numerous recordings, and also performed on many television and radio programs.

Mr. Clamor’s conducting and teaching activities have played important roles in his musical creativity. Beginning in 1987, he has enjoyed guest professorships at music schools throughout Germany, during which he led many international master classes. For 10 years, Mr. Clamor was a professor of chamber music at the Hochschule für Musik Hanns Eisler and later an honorary professor at the Shanghai Conservatory of Music.

Guest conducting engagements have taken Mr. Clamor to the most important European festivals, including the Beethovenfest Bonn, Salzburg, and BBC Proms. He has also conducted in New York, Chicago, Los Angeles, Buenos Aires, Santiago, Tokyo, Beijing, Rome, Madrid, and many other cities.

Mr. Clamor’s work with the Venezuelan Brass Ensemble is highly acclaimed by both audiences and critics alike. Internationally, he is considered to be one of the most successful specialists in the genre. Mr. Clamor is also the primary conductor of the Saxon Wind Philharmonic and art director of the German Brass Academy.
About the Program
The Venezuelan Brass Ensemble kicks off tonight’s concert with a high-energy fanfare written by one of the ensemble’s own trumpeters Giancarlo Castro. Opening with pealing trumpets, Grand Fanfare showcases all the instruments in the ensemble to generate an exuberant energy, as well as to paint dramatic vistas of the Venezuelan countryside. The ensemble also performs two other pieces by Castro: Llegada de un noble maestro and Walking Faster.

Following the brilliant opening are selections from Bernstein’s West Side Story. A musical retelling of Shakespeare’s Romeo and Juliet, this timeless tale of young love set against a background of spectacularly choreographed gang warfare in New York City has found a place at the core of popular culture. About three years after the show began its Broadway run, the composer revisited the score and extracted nine sections to create what he called the Symphonic Dances; the Venezuelan Brass Ensemble performs selections from this instrumental arrangement.

The program includes a bracing tango by musicians Juan Caldarella and Alejandro Scarpino. After having written this piece together in Buenos Aires, Caldarella and Scarpino were struggling to come up with a title. As the story goes, they saw the headlines of a local newspaper that praised the success of tango celebrity Francisco Canaro in Paris. Inspired by this headline, Caldarella rushed to inscribe the score with the title Canaro en Paris.

Tico-Tico no fubá is one of the most well-known songs from Venezuela’s neighbor, Brazil. Made famous when Brazilian film star Carmen Miranda sang and danced to the catchy tune in the 1947 movie Copacabana, Zequinha de Abreu’s song has since been featured in Disney film segments and even in Woody Allen’s Radio Days. With a name that means “sparrow on the cornmeal,” Tico-Tico no fubá is written in the signature Brazilian style called choro, featuring upbeat rhythms, virtuosic improvisation, and jaunty syncopation.

This is followed by the nationalistic joropo titled Amalia by Venezuelan composer Francisco de Paula Aguirre. With robust folk rhythms and lyrical melodies, joropo music is strongly identified with Venezuelan culture. Born in Caracas, Aguirre composed works that disseminated into Venezuelan popular culture; his piece Amalia is one of his most well-known works today.

A flamboyant piece by Venezuelan Brass Ensemble percussionist Félix Mendoza brings tonight’s program to a close. Opening with sweeping orchestration and dramatic fanfare, Guerra de secciones breaks out into intense drumming and aggressive brass lines. Bringing together a wealth of genres and overflowing with impressive energy, this flashy showstopper is a thrilling end to the evening.

Lead funding for Voices from Latin America is provided by grants from the Ford Foundation and The Andrew W. Mellon Foundation.

Sponsored, in part, by Bank of Tokyo-Mitsubishi UFJ and Mercantil Servicios Financieros.

Public support is provided by the National Endowment for the Arts and the Consulate General of Brazil in New York.
This performance is part of the The Originals Voices from Latin America – Students Voices from Latin America and Voices from Venezuela series. — at Carnegie Hall

Nancy Pelosi, Mayor Willie Brown, David Dinkins, Jon Hammond, B3 organ, Venezuelan Brass Ensemble, Carnegie Hall, Boom Boom Room, San Francisco, Local 6, Musicians Union

HammondCast 21 Jon’s Journal November 19 2012

November 19, 2012

*LISTEN TO THE AUDIO HERE: HammondCast 21

Downloaded 4,465 times

http://archive.org/details/HammondCast_21

HammondCast 21, broadcasting from San Francisco California, organist/composer & bandleader JON HAMMOND playing fresh new tracks from recent record date in NDR Radio Hamburg “NDR SESSIONS” with new breakout original composition: “Pay Phone Johnny”, and classics: “Our Day Will Come”, “Blues in the Night” and Hammond’s long-time theme song as intro/outro: “Late Rent”. Special thanks to musicians: LUTZ BUCHNER (saxophones), JOE GALLARDO (trombone), HEINZ LICHIUS (drums) and Co-Producer: KNUT BENZNER, and NDR Radio Engineer: RUDY GROSSER. This record date was recorded in the famous Studio 1 of NDR Radio in Hamburg Germany. Hammond talks about meeting Robin Williams and flying to New York City to attend IAJE Jazz Educators event. As heard on KYOU 1550 AM and on the internet http://www.HammondCast.com

Action shot last night – Dorado Schmitt and Django All-Stars – Jon Hammond

http://www.sfjazz.org/events/f12/dorado-schmitt

Dorado Schmitt guitar, violin, vocals
Franco Mehrstein guitar
Pierre Blanchard violin
Ludovic Beier accordion, accordina
Xavier Nikq bass

Pioneering Gypsy jazz guitarist Django Reinhardt lamented that he might be neglected by history, but today the ebulliently swinging “jazz manouche” sound he created with French violinist Stéphane Grappelli is more pervasive than ever. And no one has done more to ignite interest in the idiom than dazzling French guitarist and violinist Dorado Schmitt. Born to Gypsy parents near the German border in Lorraine, Schmitt was weaned on traditional Roma music and Gypsy jazz, but rebelled as a teenager by taking up electric guitar and emulating Jimi Hendrix and Carlos Santana. After a decade of leading his own trio, he was nearly killed in a car crash, and spent years in physical therapy to regain his unrivaled guitar prowess. By the mid-90s he was a leading figure on the international Gypsy jazz scene, where he continues to represent the art form at its highest level. He’s joined by a cast of fiercely swinging compatriots, including the brilliant jazz accordionist Ludovic Beier and violinist Pierre Blanchard, who was tapped by Grappelli himself as a worthy successor. SFJAZZ has presented Schmitt many times over the years and his performances are always among our most popular. — at Herbst Theatre

25 Year Musikmesse Warm Up Party – Jon Hammond Band
Composition by the great Czechoslovakian composer – Saul Salskovitch! 25 Year Musikmesse Warm Up Party – Jon Hammond Band

http://youtu.be/dmxnp6IUWuM

Jon Hammond’s annual Musikmesse Warm Up Party 25 Year Celebration Czechoslovakian Salsa Song in Jazzkeller Frankfurt with Jon Hammond Band and many special guests for this special special occasion on the night before Musikmesse begins. Special acknowledgement of Wilhelm P. “Charly” Hosenseidl R.I.P. who was the Director of Musikmesse years 1989-2008 now Directed by Wolfgang Luecke, special thanks to Messe Frankfurt Projekt and Presse Team
Jon Hammond Band:
Joe Berger guitar
Tony Lakatos tenor saxophone
Giovanni Gulino drums
Jon Hammond – XB-2 Hammond Organ – special thanks Hiromitsu Ono Chief Engineer Suzuki Musical Instruments designed my instrument which took me all around the world many times — at Jazzkeller

San Francisco CA — Ludovic Beier the great Accordionist after a brilliant performance,

here onstage at the Herbst Theatre – played beautifully last night in concert with Dorado Schmitt & the Django All-Stars *a favorite of Leonardo DiCaprio and Leonardo’s father George DiCaprio who attended the concert at the Herbst on a rainy night, the 5 touring French
master musicians really delivered the goods and pleased everyone with a wonderful encore! Jon Jon Hammond
ARTIST PERSONNEL
Dorado Schmitt guitar, violin, vocals
Pierre Blanchard violin
Franco Mehrstein guitar
Ludovic Beier accordion, accordina
Xavier Nikq bass
*Youtube interview with Ludovic and Jon a few years ago

LUDOVIC BEIER chromatic accordion virtuoso Jazz Musician from France is Jon’s guest here on HammondCast KYOURADIO. Interview
recorded in New York City while Ludovic was in town to play the annual “Django Birdland Festival” produced by Pat Phillips.

San Francisco CA — Ludovic Beier the great Accordionist after a brilliant performance, here onstage at the Herbst Theatre showing his very special instrument “Accordina”

played beautifully last night in concert with Dorado Schmitt & the Django All-Stars

*a favorite of Leonardo DiCaprio and Leonardo’s father George DiCaprio who attended the concert

*George DiCaprio holding Ludovic’s new cd
http://en.wikipedia.org/wiki/George_DiCaprio

George Paul DiCaprio (born in 1943) is an American comic book writer, editor, and major west coast underground comic book distributor.
DiCaprio was born in 1943 to an Italian American father, George Leon DiCaprio, and a German-born mother, Olga Anne Jacobs.[1][2] He met Irmelin Indenbirken, a German immigrant, in college; the two later married and moved to Los Angeles.[1] The couple had one son, American actor Leonardo DiCaprio, and divorced shortly after.
As a comic book author, DiCaprio is frequently associated with fellow underground comics artists Dori Seda, Robert Crumb, Rick Griffin, Gilbert Shelton, Victor Moscoso, Paul Mavrides and Harvey Pekar, and author Hubert Selby Jr.[3] He also helped publish the underground comic Yama Yama/Ugly Head by Robert Williams and S. Clay Wilson in 1981.

San Francisco City Hall — Jon Hammond Band special lunch time concert

- Organist Jon Hammond leading this date at his 1965 Hammond B3 organ with Harvey Wainapel tenor sax, Barry Finnerty guitar, Steve Campos flugelhorn, James Preston drums, Jon Hammond – B3 organ
Youtube http://youtu.be/V98fwDJSHWw
Presented by City Hall San Francisco & Local 6: JON HAMMOND Band on front lawn of the beautiful SF City Hall during lunch hour free concert. JON HAMMOND at the B3 Organ along with Harvey Wainapel tenor, Steve Campos flugel horn, Barry Finnerty gtr. & James Preston drms. of Sons of Champlin band playing JH Band original “Nu Funk” (Hip Hop Chitlins). *Note: Jon’s organ bench fell out of the truck on Polk St. (was recovered) One of Jon’s famous sayings: “It’s easier to find an Organ with no Bench than a Bench without an Organ”!

The Copy Center loves me because I gave them a lot of dough-re-me…and they make me nice high quality digital copies,

you could print money there on the big Canon color copiers it looks so good – yes we love each other, printing boy Jon Hammond

Ringwood Victoria Australia — Main Man Bernie Capicchiano (left) just introduced Jon Hammond (with mic on right)

at a special keynote presentation and live recording session at Bernies Music Land “Classic Hammond Sound…in a Suitcase!”™

Ringwood Victoria Australia — Live at Bernies with Michael Jordan drums and Jon Hammond at the organ

Amazon http://www.amazon.com/Live-At-Bernies-Jon-Hammond/dp/B003K7TMWM/ref=sr_1_1?ie=UTF8&qid=1353008792&sr=8-1&keywords=jon+hammond+live+bernies
Wonderful live recording of Hammond Organ with drums.This classic organ club format was at its zenith in the 50′s, 60′s and 70′s. Live at Bernies captures this unique feel and sound, with the internationally recognized hands of Jon Hammond and Michael Jordan providing expert renditions of many classic favorites. This crystal clear live recording sounds like you have an Organ Lounge in your living room! The performances are excellent and Jon displays his great experience and demonstrates the capabilities of the Digital New B3. The natural live feel is very refreshing.

Melbourne Australia — Award Winning Team Bernies Musicland / Musico at AMA Australian Music Association Gala

L to R: Craig Douglas, Josh Wayman, Lester Cheung, Michelle Capicchiano, Main Man Bernie Capicchiano, Jhonfil Roxas, (bottom L to R) Franz Wankadia, Tim Neal, Jon Hammond — with Josh Wayman, Lester Cheung, Tim Neal and Jhonfil Roxas at Melbourne Convention and Exhibition Centre

Business trip very powerful private jet — SFO Executive Terminal – Jon Hammond

London England — Power Shot: Tony Rossell (back to camera) of Heart Guitars/ASS/Turbosound Speakers,

Joe Berger and the late great bassist of The Who John Entwistle at British Music Fair 1987 – Jon Hammond — with Joe Berger and John Entwistle

The Late Great concert promoter impresario Bill Graham hanging out with various hipsters

- Jack Casady, Wavy Gravy – Jon Hammond — with Wavy Gravy, Bill Graham and Jack Casady

Jon’s Journal, Ludovic Beier, Dorado Schmitt, SF Jazz, Bill Graham, San Francisco City Hall, Jon Hammond, B3 organ, Local 6, Musicians Union, Jazz, Funky Blues

Bernard Purdie Dedication to his Kids Late Rent Closer at Mikell’s Jon’s Journal

September 15, 2012

*WATCH THE VIDEO HERE: Bernard Purdie Dedication to his Kids Late Rent Closer at Mikell’s

http://archive.org/details/BernardPurdieDedicationToHisKidsLateRentCloserAtMikells

Youtube: http://youtu.be/B5qGwUgEyvM

New York NY — Flashback to August 1989 – Studio drummer Bernard Purdie takes the microphone on last set at Mikell’s with Jon Hammond and The Late Rent Session Men band to dedicate the performance to his children Phyllis and Anthony. Theme song for the long-running cable TV program The Jon Hammond Show “Late Rent” original composition with
Jon Hammond at his 1959 B3 organ
Bernard Purdie drums
Chuggy Carter percussion
Alex Foster alto saxophone
Barry Finnerty guitar
*Note: This historic clip is photographic proof that the actual location of Mikell’s was 760 Columbus Avenue at 97th and not 808 Columbus as the current Whole Foods near the old location claims, highly interesting!
This is some of the rare surviving footage from Mikell’s, in the house that night all night long was Hugh Masekela, Cornell Dupree and many musicians as Mikell’s was the traditional hang for all New York Studio Musicians until it’s closing.
http://en.wikipedia.org/wiki/Mikell’s
As seen on The Jon Hammond Show cable TV program now in 28th year
Camera: Joe Berger
http://www.HammondCast.com

Blip TV http://blip.tv/jon-hammond/bernard-purdie-dedication-to-his-kids-late-rent-closer-at-mikell-s-6350855

Vimeo: http://vimeo.com/49363343

Bernard Purdie Dedication to his Kids Late Rent Closer at Mikell’s from Jon Hammond on Vimeo.

Mikell’s NYC 1989 Ballad One and Only Love Jon Hammond Alex Foster Bernard Purdie Chuggy Carter

*WATCH THE VIDEO HERE: Mikell’s NYC 1989 Ballad One and Only Love Jon Hammond Alex Foster Bernard Purdie Chuggy Carter

http://archive.org/details/MikellsNyc1989BalladOneAndOnlyLoveJonHammondAlexFosterBernard

Youtube http://youtu.be/fm831FDztTs

August 28, 1989 Jon Hammond at the B3 organ with Alex Foster tenor sax, Bernard Purdie drums and Chuggy
Carter percussion playing ballad My One and Only Love. Mikell’s was a very popular night spot for studio musicians
and jazz hipsters, located at 760 Columbus Avenue New York City on the corner of 97th St.
http://www.HammondCast.com
Camera: Joe Berger
http://en.wikipedia.org/wiki/Mikell%27s
You can actually see Pat Mikell coming through the door to back room on the first 2 images.
Mikell’s was a jazz club on the corner of 97th Street and Columbus Avenue, New York.
Run by Mike Mikell and Pat Mikell, from 1969 to 1991 it was a regular venue for New York’s top studio and session musicians, who would turn up for jam sessions with major soul, funk and jazz artists visiting the city.Paul Shaffer, bandleader for CBS’s Late Show with David Letterman, called Mikell’s “soul heaven”.
In early 1980, the club served for rehearsals for Art Blakey and the Jazz Messengers Big Band, which included Wynton Marsalis, and which would result in the live album Art Blakey and the Jazz Messengers Big Band – Live at Montreux and North Sea (1980).[3] Other artists appearing at the club in the 1980s included Milt Jackson, Ray Brown, Cedar Walton and Mickey Roker (June 1983),Paquito D’Rivera (January 1984).
Mikell’s closed in 1991

Mikell’s ballad b3 organ jon hammond bernard purdie drums alex foster saxophone studio musicians local 802

Vimeo http://vimeo.com/49496463

Mikell’s NYC 1989 Ballad One and Only Love Jon Hammond Alex Foster Bernard Purdie Chuggy Carter from Jon Hammond on Vimeo.

Blip TV http://blip.tv/jon-hammond/mikell-s-nyc-1989-ballad-one-and-only-love-jon-hammond-alex-foster-bernard-purdie-chuggy-carter-6354476

Mikell’s, ballad, b3 organ, jon hammond, bernard purdie, drums, alex foster, saxophone, studio musicians, local 802

Hip Hop Chitlins Shoreline Amphitheatre Jon’s Journal August 3, 2012

September 3, 2012

*WATCH THE VIDEO HERE: Hip Hop Chitlins Shoreline Amphitheatre Jon Hammond and The Late Rent Session Men

http://archive.org/details/JonHammondHipHopChitlinsandLateRentThemeSonginShorelineAmphitheatre

Youtube http://youtu.be/wQ20F_r2Xe8
Jon Hammond and The Late Rent Session Men playing original compositions
“Hip Hop Chitlins” and “Late Rent” Jon Hammond’s theme song in Shoreline Amphitheatre for the 12th annual New Orleans by The Bay Food and Music Festival produced by Bill Graham Presents. On the band with Jon are Larry Schneider tenor saxophone, Barry Finnerty guitar, James Preston drums
Jon Hammond at the B3 organ and bass
special thanks Mick Brigden
http://www.jonhammondband.com

Blip TV http://blip.tv/jon-hammond/hip-hop-chitlins-and-late-rent-theme-song-in-shoreline-amphitheatre-6324492

Hamburg St. Pauli Grosse Freiheit 4 — Painting of actual Jon Hammond Band gig in the notorious Regina Niteclub #4 -

http://de.wikipedia.org/wiki/Große_Freiheit
“Einen guten Teil ihrer Bekanntheit verdankt sie den in früheren Jahren dort zahlreich anzutreffenden Nachtclubs, wie dem Salambo, Safari, Colibri, Regina und anderen, die sich dadurch auszeichneten, dass sie nicht nur Striptease boten, sondern darüber hinaus auch den Geschlechtsakt teilweise in Kostümen auf der Bühne zeigten. Die meisten dieser Clubs sind inzwischen geschlossen.” painting by my good friend the great artist Michael August aka ILLUSTRATORP – JH

Berkeley CA — A young Jon Hammond circa 1969 at the Wurlitzer 140b electric piano – eventually traded in to Don Wehr, thanks for the good trade-in deal Don! JH *no problem buying beer with all that hair at the time!

Funkadelic! George Clinton and Jon Hammond

http://en.wikipedia.org/wiki/George_Clinton_(musician)
George Clinton (born July 22, 1941) is an American singer, songwriter, bandleader, and music producer and the principal architect of P-Funk. He was the mastermind of the bands Parliament and Funkadelic during the 1970s and early 1980s, and launched a solo career in 1981. He has been cited as one of the foremost innovators of funk music, along with James Brown and Sly Stone. Clinton was inducted into the Rock and Roll Hall of Fame in 1997 with fifteen other members of Parliament-Funkadelic.
Clinton was born in Kannapolis, North Carolina (allegedly in an outhouse), grew up in Plainfield, New Jersey, and currently resides in Tallahassee, Florida. During his teen years Clinton formed a doo wop group inspired by Frankie Lymon & the Teenagers called The Parliaments while straightening hair at a barber salon in Plainfield. For a period in the 1960s Clinton was a staff songwriter for Motown. Despite initial commercial failure (and one major hit single, “(I Wanna) Testify” in 1967), The Parliaments eventually found success under the names Parliament and Funkadelic in the seventies (see also P-Funk). These two bands combined the elements of musicians such as Jimi Hendrix, Sly and the Family Stone, Cream and James Brown while exploring different sounds, technology, and lyricism. Clinton and Parliament-Funkadelic dominated diverse music during the 1970s with over 40 R&B hit singles (including three number ones) and three platinum albums. Clinton’s efforts as a solo artist began in 1982. He is also a notable music producer working on almost all of the albums he performs on, as well as producing albums for Bootsy Collins and Red Hot Chili Peppers, among others.
[edit]1980s
Beginning in the early 1980s, Clinton recorded several nominal solo albums, although all of these records featured contributions from P-Funk’s core musicians. The primary reason for recording under his own name was legal difficulties, due to the complex copyright and trademark issues surrounding the name “Parliament” (primarily) and Polygram’s purchase of that group’s former label Casablanca Records.
In 1982, Clinton signed to Capitol Records under two names: his own (as a solo artist) and as the P-Funk All-Stars, releasing Computer Games under his own name that same year.[1] The single “Loopzilla” hit the Top 20 on the R&B charts, followed by “Atomic Dog”, which reached #1 R&B and #101 on the pop chart.[1] In the next four years, Clinton released three more studio albums (You Shouldn’t-Nuf Bit Fish, Some of My Best Jokes Are Friends and R&B Skeletons in the Closet) as well as a live album, Mothership Connection (Live from the Summit, Houston, Texas) and charting three singles in the R&B Top 30, “Nubian Nut”, “Last Dance”, and “Do Fries Go with That Shake?”. This period of Clinton’s career was marred by multiple legal problems (resulting in financial difficulties) due to complex royalty and copyright issues.
In 1985, he was recruited by the Red Hot Chili Peppers to produce their album Freaky Styley, because the band members were huge fans of George Clinton and funk in general. Clinton, in fact, wrote the vocals and lyrics to the title track which was originally intended by the band to be left as an instrumental piece. The album was not a commercial success at the time, but has since sold 500,000 copies after the Red Hot Chili Peppers became popular years later.

George Clinton performing in Holland.
Though Clinton’s popularity had waned by the mid 1980s, he experienced something of a resurgence in the early 1990s, as many rappers cited him as an influence and began sampling his songs. Alongside James Brown, George Clinton is considered to be one of the most sampled musicians ever. In 1989, Clinton released The Cinderella Theory on Paisley Park, Prince’s record label. This was followed by Hey Man, Smell My Finger in 1993. Clinton then signed with Sony 550 and released T.A.P.O.A.F.O.M. (The Awesome Power of a Fully Operational Mothership) in 1996, having reunited with several old members of Parliament and Funkadelic.
[edit]1990s to 2000s

George Clinton & Parliament Funkadelic performing at Waterfront Park, in Louisville, Kentucky, July 4, 2008
1994 saw Clinton contribute to several tracks on Primal Scream’s studio album Give Out But Don’t Give Up. In 1995 Clinton sang “Mind Games” on the John Lennon tribute Working Class Hero. In the 1990s, Clinton appeared in films such as Graffiti Bridge (1990), House Party (1990), PCU (1994), Good Burger (1997) and The Breaks (1999). In 1997 he appeared as himself in the Cartoon Network show Space Ghost Coast to Coast. Clinton also appeared as the voice of The Funktipus, the DJ of the Funk radio station Bounce FM in the 2004 video game, Grand Theft Auto: San Andreas, in which his song “Loopzilla” also appeared. Rapper Dr. Dre sampled most of his beats to create his G-Funk music era.
Displaying his influence on rap and hip hop, Clinton also worked with Tupac Shakur on the song “Can’t C Me” from the album All Eyez on Me; Ice Cube on the song and video for “Bop Gun (One Nation)” on the Lethal Injection album (which sampled Funkadelic’s earlier hit “One Nation Under A Groove”); Outkast on the song “Synthesizer” from the album Aquemini; Redman on the song “J.U.M.P.” from the album Malpractice; Souls of Mischief on “Mama Knows Best” from the album Trilogy: Conflict, Climax, Resolution; Killah Priest on “Come With me” from the album Priesthood, and the Wu Tang Clan on “Wolves” from the album 8 Diagrams.

George Clinton performing live in Texas.
Clinton founded a record label called The C Kunspyruhzy in 2005. He had a cameo appearance in the season-two premiere of the CBS television sitcom How I Met Your Mother, on September 18, 2006.
“You’re Thinking Right”, the theme song for The Tracey Ullman Show, was written by Clinton. He appeared on the intro to Snoop Dogg’s Tha Blue Carpet Treatment album, released in 2007. Clinton was also a judge for the 5th annual Independent Music Awards to support independent artists’ careers.[2]
On September 16, 2008, Clinton released a solo album, George Clinton and His Gangsters of Love on Shanachie Records. Largely a covers album, Gangsters features guest appearances from Sly Stone, El DeBarge, Red Hot Chili Peppers, RZA, Carlos Santana, gospel singer Kim Burrell and more.[3]
On September 10, 2009, George Clinton was awarded the Urban Icon Award from Broadcast Music Incorporated.[4] The ceremony featured former P-Funk associate Bootsy Collins, as well contemporary performers such as Big Boi from Outkast and Cee-Lo Green from Goodie Mob.
On February 1, 2010, Clinton’s son, George Clinton, Jr., was found dead in his Florida home. According to police, he had been dead for several days and died of natural causes.[5]
On May 20, 2010, George Clinton received a proclamation from Mayor Sharon Robinson-Briggs of Plainfield, New Jersey, the city in which he was raised, at a fundraiser for the Barack Obama Green Charter High School, which is focused creating leaders in sustainability for the 21st Century.
He performed alongside Parliament-Funkadelic at the 2011 Gathering of the Juggalos. — with George Clinton.

New York NY — Chicken Soup Time with main man Joe Franklin in his Times Square offices “Memory Lane”!
JOE FRANKLIN & JON HAMMOND Movie
http://youtu.be/-tHelMVWUJ0
- Jon Hammond *my CD’s are in there! Also a bottle of Pepto Bismol, Joe is in-between banquets here – JH
JOE FRANKLIN & JON HAMMOND Movie in Joe’s office “Memory Lane” where he keeps his extensive Historical Archives on 43rd St. in NYC. The phone was ringing off the hook like popcorn!
http://en.wikipedia.org/wiki/Joe_Franklin
Joe Franklin (born Joseph Fortgang on March 9, 1926) is an American radio and television personality. From New York City, Franklin is credited with hosting the first television talk show. The show began in 1951 on WJZ-TV (later WABC-TV) and moved to WOR-TV (later WWOR-TV) from 1962 to 1993.[1]

After retiring from the television show, Franklin concentrated on an overnight radio show, playing old records on WOR-AM on Saturday evenings. He currently interviews celebrities on the Bloomberg Radio Network.[2]
An author, Franklin has written 23 books, including Classics of the Silent Screen.[3] His 1995 autobiography Up Late with Joe Franklin[4] chronicles his long career and includes claims that he had dalliances with Marilyn Monroe, Jayne Mansfield, and that Veronica Lake “threw herself at me, but I always refrained.”[5] He has appeared as himself in countless films, notably Ghostbusters and Broadway Danny Rose.
Franklin’s show was often parodied by Billy Crystal during the 1984–1985 season of Saturday Night Live. Franklin was also a pioneer in promoting products such as Hoffman Beverages and Ginger Ale on the air.[1]
Known as “the king of nostalgia”, Franklin’s highly-rated television and radio shows, especially a cult favorite to cable television viewers and his long-running “Memory Lane” radio programs, focused on old-time show-business personalities.
Franklin has an encyclopedic knowledge of the music, musicians and singers, the Broadway stage shows, the films and entertainment stars of the first half of the 20th Century, and is an acknowledged authority on silent film.
He began his entertainment career at 16 as a record picker for Martin Block’s popular “Make Believe Ballroom” radio program.
Among Franklin’s own idols, as he frequently told viewers, were Al Jolson, whom he literally “followed around” as a teenager in New York, and Eddie Cantor, who eventually began buying jokes from the young Franklin and whose Carnegie Hall show Franklin later produced.
Franklin would delight his audience with trivia about the most obscure entertainers from past generations and equally unknown up-and-comers from the present. His guests ranged from novelty performers like Tiny Tim, and Morris Katz to popular entertainers like Bill Cosby and Captain Lou Albano to legends like Bing Crosby, Charlie Chaplin, John Wayne, Marilyn Monroe, Cary Grant, John Lennon and Yoko Ono, but also frequently included (sometimes on the same panel) unknown local New York punk bands, self-published authors, “tribute” impersonator lounge singers, and the like, giving the show a surreal atmosphere that was part of its appeal.
Many of today’s well known talents such as Woody Allen, Barbra Streisand and Julia Roberts got their first television exposure on The Joe Franklin Show. Others, notoriously shy of live interviews, made frequent appearances on Franklin’s programs: Frank Sinatra, for instance, appeared four times.
Joe would appear on the very first episode of This American Life giving host Ira Glass advice on how to have a sucessful show.
In addition to his TV Talk Show, Joe appeared regularly with Conan O’Brien. He’s also seen on “The David Letterman Show,” “Live With Regis And Kathy Lee,” and has been mentioned several times on the hit cartoon series “The Simpsons.”
Producer Richie Ornstein has worked side-by-side with Joe Franklin for decades and was a standard feature on Joe Franklin’s Show to interact with guests and to discuss trivia. — with Joe Franklin at Times Square NYC

Hollywood California — Rest In Peace Hal David ASCAP Songwriters Hall of Fame Chairman & CEO – here at ASCAP Expo – Jon Hammond 2010
http://www.ascap.com/playback/2010/08/Action/SHallofFame.aspx
May 25, 1921 – September 1, 2012

http://en.wikipedia.org/wiki/Hal_David
Harold Lane “Hal” David (May 25, 1921 – September 1, 2012) was an American lyricist. He grew up in Brooklyn, New York City. He was best known for his collaborations with composer Burt Bacharach and his association with Dionne Warwick.
David was born to a Jewish family in New York City, the son of Lina (née Goldberg) and Gedalier David, a deli owner.[1] He is credited with popular music lyrics, beginning in the 1940s with material written for bandleader Sammy Kaye and for Guy Lombardo. He worked with Morty Nevins of The Three Suns on four songs for the feature film Two Gals and a Guy (1951), starring Janis Paige and Robert Alda.
In 1957, David met composer Burt Bacharach at Famous Music in the Brill Building in New York. The two teamed up and wrote their first hit “The Story of My Life”, recorded by Marty Robbins in 1957. Later that year Perry Como had a hit with their “Magic Moments”. Subsequently, in the 1960s and early 1970s Bacharach and David wrote some of the most enduring songs in American popular music, many for Dionne Warwick but also for The Carpenters, Dusty Springfield, B. J. Thomas, Gene Pitney, Tom Jones, Jackie DeShannon and others.
Bacharach and David hits included “Raindrops Keep Fallin’ on My Head”, “This Guy’s in Love with You”, “I’ll Never Fall in Love Again”, “Do You Know the Way to San Jose”, “Walk On By”, “What the World Needs Now Is Love”, “I Say a Little Prayer”, “(There’s) Always Something There to Remind Me”, “One Less Bell to Answer”, and “Anyone Who Had a Heart”.
The duo’s film work includes the Oscar-nominated title songs for “What’s New Pussycat?” and “Alfie”, “The Look of Love”, from Casino Royale; and the Oscar-winning “Raindrops Keep Fallin’ on My Head” from Butch Cassidy and the Sundance Kid In addition, “Don’t Make Me Over”, “(They Long to Be) Close to You”, and “Walk On By” have been inducted into the Grammy Hall of Fame.
David and Bacharach were awarded the 2011 Gershwin Prize for Popular Song bestowed by the Library of Congress, the first time a songwriting team was given the honor. David was recuperating from a recent illness and was unable to attend the Washington D.C. presentation ceremony in May 2012.[2]
David’s work with other composers includes Willie Nelson and Julio Iglesias’s “To All the Girls I’ve Loved Before”, with Albert Hammond; Sarah Vaughan’s “Broken Hearted Melody”, with Sherman Edwards; the 1962 Joanie Sommers hit “Johnny Get Angry”. also with Edwards; and “We Have All the Time in the World”, written with John Barry and sung by Louis Armstrong for the 1969 James Bond film On Her Majesty’s Secret Service. With Paul Hampton, David co-wrote the country standard “Sea of Heartbreak”, a hit for Don Gibson and others.
David died in the morning hours of September 1, 2012, due to a stroke. He was 91.
Other achievements

1972: inducted into the Songwriters Hall of Fame.
1984: elected to the Nashville Songwriters Hall of Fame.
1991: received a Doctor of Music degree from Lincoln College, Illinois for his major contribution to American music.
May 2000: received an honorary doctorate of humane letters degree from Claremont Graduate University.
Founder of the Los Angeles Music Center.
Member of the board of governors of Cedars-Sinai Medical Center.
Member of the board of directors of ASCAP, having served as its president, and later worked on reform of intellectual property rights.
Served on the advisory board of the Society of Singers.
Member of the board of visitors of Claremont Graduate University in California.
Chairman of the board of the National Academy of Popular Music and its Songwriters Hall of Fame
2011: The Songwriters Hall of Fame presented him their newest award, the Visionary Leadership Award, for his decade of service.[5]
2011: Received a star on the Hollywood Walk of Fame. — with Hal David at Renaissance Hotel in Hollywood, California

New York NY — Jazz Blues Pianist Junior Mance and Jon Hammond – 5 part interview
Part 3 of 5 http://youtu.be/w2sqVBSIP3M

Pt 3 of 5 – Junior Mance jazz pianist extraordinaire on HammondCast KYOU Radio Jon Hammond hosting. Born 1928 Chicago IL, played with Gene Ammons, Cannonball Adderly, Dynah Washington, Dizzy Gillespie, Sonny Stitt, Charlie Parker, Lester Young and many others. Currently teaching at The New School for Jazz and Contemporary Music. Interview conducted at Cafe Loup New York City where Junior performs regularly and has recorded latest album. http://www.HammondCast.com/ — at Cafe Loup

San Francisco California — My Grandmother’s Chair brought to you by Jon Hammond
http://hammondcast.wordpress.com/2010/01/29/my-grandmothers-chair-brought-to-you-by-jon-hammond/
This is one of 4 kitchen chairs that belonged to my dear Grandma for many years. I used to sit my tuchas down on those chairs and enjoy her delicious soup and coffee cake she used to make for me. I have a lot of good memories in that chair, so when the back of it started getting a little shaky, but still firm on it’s legs my Mom decided it was time to finally say goodbye to this one, now there is only one of the original 4 left.

I decided to bring this chair to a good neighborhood, maybe someone will adopt the chair and take it in to their nice home, so here you can see it sitting for the last time, I sat on it for a wile and remembered the good times in the chair and there it is folks, my Grandmother’s Chair!
brought to you by Jon Hammond
*possible houses for my Grandma’s Chair: *see Link – JH — at Richmond District of San Francisco, CA

Hamamatsu Japan — Mr. Manji Suzuki President Founder of Suzuki Musical Instruments, designer manufacturers of the fine modern Hammond Organs I play today and the famous Suzuki Harmonicas and Suzuki Melodeons which have become a key product for schools and live performance – Jon Hammond

*WATCH THE VIDEO HERE:
http://ia700204.us.archive.org/10/items/JonHammondSuzukiWorldHeadquartersInHouseConcertJonHammondPt3of3/SuzukiHeadquarterPart3of3.m4v — in Hamamatsu-shi, Shizuoka

Frankfurt Germany — Jon Hammond taking care of business on the bandstand – photo by Joachim Hildebrand
Youtube http://youtu.be/opzqgNtyuH0
Annual Musikmesse Warm Up Party in Jazzkeller Frankfurt hosted by Jon Hammond Band

Tony Lakatos tenor sax
Jon Hammond XK-1 organ
Giovanni Gulino drums
Joe Berger guitar
Lydias Tune composed by Jon Hammond © JH INTL ASCAP — at Jazzkeller

jon hammond, b3 organ, shoreline amphitheatre, cable tv, program bernard purdie, funky jazz, blues, late rent, local 802, musicians union, hal david, ascap

San Francisco City Hall Concert Pocket Funk by Jon Hammond Band

August 31, 2012

*WATCH THE VIDEO HERE: San Francisco City Hall Concert Pocket Funk by Jon Hammond Band

http://archive.org/details/SanFranciscoCityHallConcertPocketFunkByJonHammondBand

Youtube http://youtu.be/jcH0VqdDvII

Jon Hammond Band performing in front of San Francisco City Hall original composition “Pocket Funk” with Jon Hammond at his 1965 B3 organ along
with Barry Finnerty guitar, James Preston (of Sons of Champlin Band) drums,
Harvey Wainapel tenor sax, Steve Campos trumpet / flugelhorn
As seen on The Jon Hammond Show cable TV program
http://www.jonhammondband.com
Category:
Music

Blip TV http://blip.tv/jon-hammond/san-francisco-city-hall-concert-pocket-funk-by-jon-hammond-band-6330089

Myspace http://www.myspace.com/video/vid/108956908

*WATCH THE VIDEO HERE: Pocket Funk Louisville Kentucky

http://archive.org/details/PocketFunkInLouisvilleKentucky

Youtube http://www.youtube.com/watch?v=olub20ZlmMI

Jon Hammond Band one night only in Louisville Kentucky
Jon’s tune “Pocket Funk” featuring drummer Ronnie Smith Jr. on this one
Alex Budman tenor sax
John Bishop guitar
Jon Hammond at the organ and bass
*From Jon’s album “Late Rent”
http://www.jonhammondband.com

ENCORES: Louisville Kentucky Jazz Factory – JON HAMMOND Band
Jazzin By Martin Z. Kasdan Jr.
Last year San Francisco-based organist Jon Hammond joined his buddy, Louisville guitarist John Bishop, for a night at the Jazz Factory. Hammond has just released Late Rent, on Ham-Berger-Friz Records, available at http://www.cityhallrecords.com/artist/HAMMOND,%20JON.htm if you can’t find it locally. In an e-mail to me, Hammond described this as “a record that took me 25 years to put together. The disc opens with “Late Rent,” a loping swinger and is followed by “Pocket Funk,” with a slightly Latin feel. “Late Rent” is reprised in a live take at the end of the CD. Lee Morgan’s funky “The Sidewinder” is the only cover tune on the album, although, as Hammond acknowledges in his liner notes, “White Onions” is “a bluesy Hammond/Finnerty composition reminiscent of `Green Onions.’”

In closing, happy holidaze to one and all. You can send greetings to me at mzkjr@yahoo.com

Blip TV http://blip.tv/jon-hammond/pocket-funk-in-louisville-kentucky-6309220

Pat Campbell · Friends with Joe Berger and 16 others
Tear it up Jon !!!!

Loretta Young-Watkins · 2 mutual friends
you go Ron!

http://vimeo.com/47701235

Pocket Funk in Louisville Kentucky from Jon Hammond on Vimeo.

New York NY — Window of Steinway Hall on W.57th Street
“Secrets of Steinway” pianos -
Jon Hammond
http://en.wikipedia.org/wiki/Steinway_Hall

Steinway Hall (German: Steinway-Haus) is the name of buildings housing concert halls, showrooms and sales departments for Steinway & Sons pianos. The first Steinway Hall was opened 1866 in New York City.[1] Today, Steinway Halls and Steinway-Häuser are located in world cities such as New York City, London, Berlin and Vienna. A flagship Steinway Hall is on 57th Street in Manhattan in New York City, near Carnegie Hall.

New York NY — Power Corner – Intersection of Central Park South and Fifth Avenue, across from The Plaza Hotel on one corner, Apple Store Fifth Avenue and CBS News Broadcast Center, The Sherry Netherland Hotel

and A LA VIEILLE RUSSIE where people actually buy FABERGE, Antique Jewelry, and Russian Art – Jon Hammond

La Vieille Russie is a New York antiques gallery specializing in European and American antique jewelry, and in Russian works of art. A family business since its establishment in Kiev in 1851, it has been in its present Fifth Avenue location at 781 Fifth Avenue at 59th Street, opposite the southeast corner of Central Park, since 1961. Featured are artworks by Carl Fabergé, created for members of the Romanov court and other wealthy patrons in turn-of-the-century Russia. A La Vieille Russie has bought and sold many of the Fabergé Imperial Easter Eggs…

With the onset of World War II, the gallery relocated from Paris to New York. Initially, it was one of the first tenants at Rockefeller Center in 1934, then moved to another Fifth Avenue location in 1941, and finally to its present location in 1961 on New York’s famed Fifth Avenue, at 59th Street opposite the south entrance of Central Park. — at The Plaza Hotel.

New York NY — 9 West 57th Street, the famous Solow Building – in 1985 this is where I was called to a meeting with then Sony President John O’Donnell in the Sony Corporate offices on the 43rd Floor where he offered me a 7 year contract for my cable TV show “The Jon Hammond Show” to be exclusive on Sony on the new Software Division. At the time the only acts signed to this division on Sony Label were Tina Turner, David Bowie and an experimental project called “Private Dances” – Jon Hammond

http://archive.org/details/JonHammondMNNTVTheJonHammondShow now on MNN TV – 28th year
*Note: Sony vacated the 43rd Floor and moved to the Sony Building. The view from the offices on 43rd Floor were stunning! – JH
http://en.wikipedia.org/wiki/9_West_57th_Street

The Solow Building, located at 9 West 57th Street, is a Manhattan skyscraper designed by Skidmore, Owings and Merrill’s Gordon Bunshaft and built in 1974. It is located just west of Fifth Avenue, sandwiched between the 57th and 58th Street, next to such prominent buildings as the Bergdorf Goodman department store and the Plaza Hotel. Consisting of 50 stories and 689 ft. (210 m), the building’s only competitor by height in the neighborhood is the GM Building, located one block north and east. Floors above the 23rd floor offer a virtually unobstructed view of northern Manhattan and a complete view of Central Park.
One of the notable aesthetic attributes of the building is the concave vertical slope of its north and south facades, on 57th and 58th Street. This is similar to another of Bunshaft’s creations, the W. R. Grace Building, which is no coincidence, as he had used the initial, rejected façade design for the Solow Building in his design for the Grace Building
The Solow Building features some of the most expensive rents in Manhattan. The Solow Building Company occupies a permanent lease of the top floor of the skyscraper. Well-known tenants include the U.S. Headquarters of the French Corporate and Investment Bank Natixis and private equity firms Kohlberg Kravis Roberts & Co. (42nd fl.), Apollo Management (43rd fl.), Silver Lake Partners (32nd fl.) and Highland Capital Management (38th fl.).
Several law firms and hedge funds occupy a majority of the remainder the space, including Och-Ziff Capital Management (39th fl.) and Highbridge Capital Management (27th fl.). The corporate offices of Chanel (44th fl.), MBNA (50th fl.) and Cendant (Cendant changed its name to Avis Budget Group in 2006) (37th fl.) are also located in the building.
Amenities

The building features an underground parking garage, currently available retail space on the north side bordering 58th Street, an underground space occupied by the Brasserie 8½ restaurant, a 2 floor trading floor on floors 2-3, a newsstand in the lobby, and 24 high-speed elevators subdivided into sets of floors.
[edit]Name Issues

In 1971, Avon Products, Inc. rented 21 floors, quickly expanding to occupy 25 floors, and the building was soon being referred to as “the Avon building” (a moniker that persists and can still cause confusion nearly 40 years later). In 1975, the building’s owner, Sheldon Solow, sued Avon for misappropriating the building’s trademark without compensation. Although Avon moved out of the building in 1997, in May 2005 the lawsuit finally went to trial and was subsequently dismissed two months later.[3]
[edit]In popular culture

“The Red 9″ in front of the Solow Building
The large red sculpture of the digit 9 in front of the building was included in the project as a response to the complaints that the building’s sloping reflecting walls revealed unappealing sides of the neighboring historic buildings that were previously obscured. The brightly colored sculpture was to distract the eyes of passersby from noticing these walls. This famous New York sculpture was designed by graphic artist Ivan Chermayeff.
The restaurant Brasserie 8½ was featured on the show Sex and the City.
Chandler Bing a character from the sitcom Friends worked in this building during the series.
Namesake of the Nine West shoe store chain.
In Superman, a jewel thief is apprehended by Superman while scaling the side of the building while wearing suction cups on his hands and knees[4].
Featured in the film Zoolander with a giant computer generated M, which served as Mugatu’s fashion headquarters.
In the film Cloverfield, the monster’s hand slides down the facade of the building when knocked down momentarily by a carpet bombing run.
In the film Lost in America, the final scene where Albert Brooks’ character David Howard meets advertising executive Brad (“This little town car…Will drive you away…”) occurs in front of this building.
Was featured in the film Bride Wars behind the “Plaza Hotel”. — at 9 West 57th.

New York NY — Artist Yayoi Kusama looking at the people looking at her in window of Louis Vuitton on Fifth Avenue and 57th St. today – Jon Hammond

http://www.yayoi-kusama.jp/e/information/index.html

(草間 彌生 or 草間 弥生, Kusama Yayoi, born March 22, 1929)
http://en.wikipedia.org/wiki/Yayoi_Kusama

s a Japanese artist and writer. Throughout her career she has worked in a wide variety of mediums, including painting, collage, sculpture, performance art and environmental installations, most of which exhibit her thematic interest in psychedelic colors, repetition and pattern. A precursor of the pop art, minimalist and feminist art movements, Kusama influenced contemporaries such as Andy Warhol and Claes Oldenburg.[1] Although largely forgotten after departing the New York art scene in the early 1970s, Kusama is now acknowledged as one of the most important living artists to come out of Japan, and an important voice of the avant-garde.
Born in Matsumoto, Nagano into an upper middle-class family of seedling merchants,[2] Kusama started creating art at an early age, going on to study Nihonga painting in Kyoto in 1948. Frustrated with this distinctly Japanese style, she became interested in the European and American avant-garde, staging several solo exhibitions of her paintings in Matsumoto and Tokyo during the 1950s. In 1957 she moved to the United States, settling down in New York City where she produced a series of paintings influenced by the abstract expressionist movement. Switching to sculpture and installation as her primary mediums, Kusama became a fixture of the New York avant-garde, having her works exhibited alongside the likes of Andy Warhol, Claes Oldenburg and George Segal during the early 1960s, where she became associated with the pop art movement. Embracing the rise of the hippie counterculture of the late 1960s, Kusama came to public attention after she organised a series of Body Festivals in which naked participants were painted with brightly colored polka dots.
In 1973, Kusama moved back to her native Japan, where she found the art scene far more conservative than that in New York. Becoming an art dealer, her business folded after several years, and after experiencing psychiatric problems, in 1977 she voluntarily admitted herself to a hospital, where she has spent the rest of her life. From here, she continued to produce artworks in a variety of mediums, as well as launching a literary career by publishing several novels, a poetry collection and an autobiography.
Kusama’s work is based in conceptual art and shows some attributes of feminism, minimalism, surrealism, Art Brut, pop art, and abstract expressionism, and is infused with autobiographical, psychological, and sexual content. Kusama is also a published novelist and poet, and has created notable work in film and fashion design. Major retrospectives of her work have been held at the Museum of Modern Art and Tate Modern, whilst in 2008 Christies New York sold a work by her for $5.1 million, a record for a living female artist
Born in Matsumoto, Nagano Prefecture as the fourth child in a prosperous and conservative family,[4] whose wealth was derived from the management of wholesale seed nurseries,[5] Kusama has experienced hallucinations and severe obsessive thoughts since childhood, often of a suicidal nature. She claims that as a small child she suffered severe physical abuse by her mother.[6] In 1948, she left home to enter senior class at Kyoto Municipal School of Arts and Crafts, where she studied Nihonga painting, a rigorous formal style developed during the Meiji period; she graduated the following year.[7] She hated the rigidities of the master-disciple system where students were supposed to imbibe tradition through the sensei. “When I think of my life in Kyoto,” she is quoted, “I feel like vomiting.”[8]
[edit]Early success in Japan: 1950–1956
By 1950, Kusama was depicting abstracted natural forms in watercolor, gouache and oil, primarily on paper. She began covering surfaces (walls, floors, canvases, and later, household objects and naked assistants) with the polka dots that would become a trademark of her work. The vast fields of polka dots, or “infinity nets,” as she called them, were taken directly from her hallucinations. The earliest recorded work in which she incorporated these dots was a drawing in 1939 at age 10, in which the image of a Japanese woman in a kimono, presumed to be the artist’s mother, is covered and obliterated by spots.[9] Her first series of large-scale, sometimes more than 30 ft-long canvas paintings,[10] Infinity Nets, were entirely covered in a sequence of nets and dots that alluded to hallucinatory visions. In the early 1960s Kusama began to cover items such as ladders, shoes and chairs with white phallic protrusions.[11] Despite the micromanaged intricacy of the drawings, she turned them out fast and in bulk, establishing a rhythm of productivity she still maintains. She established other habits too, like having herself routinely photographed with new work.[12]
Since 1963, Kusama has continued her series of Mirror/Infinity rooms. In these complex installations, purpose-built rooms lined with mirrored glass contain scores of neon coloured balls, hanging at various heights above the viewer. Standing inside on a small platform, light is repeatedly reflected off the mirrored surfaces to create the illusion of a never-ending space.[13]
[edit]New York City: 1957–1972
After living in Tokyo and France, Kusama left Japan at the age of 27 for the United States. In 1957 she moved to Seattle, where she stayed for a year[14] before moving on to New York City, following correspondence with Georgia O’Keeffe in which she became interested in joining the limelight in the city.[15] During her time in the U.S., she quickly established her reputation as a leader in the avant-garde movement. In 1961 she moved her studio into the same building as Donald Judd and sculptor Eva Hesse; Hesse became a close friend. During the following years, she was enormously productive, and by 1966, she was experimenting with room-size, freestanding installations that incorporated mirrors, lights, and piped-in music. She counted Judd and Joseph Cornell among her friends and supporters. However, she did not profit financially from her work. Around this time, Kusama was hospitalised regularly from overwork, and O’Keeffe convinced her own dealer Edith Herbert to purchase several works in order to help Kusama stave off financial hardship.[16]
Kusama organized outlandish happenings in conspicuous spots like Central Park and the Brooklyn Bridge, often involving nudity and designed to protest the Vietnam War. In one, she wrote an open letter to Richard Nixon offering to have sex with him if he would stop the Vietnam war.[17] Between 1967 and 1969 she concentrated on performances held with the maximum publicity, usually involving Kusama painting polka dots on her naked performers, as in the Grand Orgy to Awaken the Dead at the MOMA (1969), which took place at the Sculpture Garden of the Museum of Modern Art.[18] In 1968, Kusama presided over the happening Homosexual Wedding at the Church of Self-obliteration in 33 Walker Street in New York, and performed alongside Fleetwood Mac and Country Joe and the Fish at the Fillmore East, New York City.[19] She opened naked painting studios and a gay social club called the Kusama ’Omophile Kompany (kok).[20]
In 1966, Kusama first participated in the 33rd Venice Biennale. Her Narcissus Garden comprised hundreds of mirrored spheres outdoors in what she called a ‘kinetic carpet’. As soon as the piece was installed on a lawn outside the Italian pavilion, Kusama, dressed in a golden kimono,[21] began selling each individual sphere for 1,200 lire ($2), until the Biennale organisers put an end to her enterprise. Perhaps one of Kusama’s most notorious works, Narcissus Garden was as much about the promotion of the artist through the media as it was an opportunity to offer a critique of the mechanisation and commodification of the art market. Various versions of Narcissus Garden have been presented worldwide venues including Le Consortium, Dijon, 2000; Kunstverein Braunschweig, 2003; as part of the Whitney Biennial in Central Park, New York in 2004; and at the Jardin de Tuileries in Paris, 2010.[22]
During her time in New York, Kusama had a decade-long sexless relationship with the American artist Joseph Cornell, Kusama’s only recorded romantic attachment to date.
[edit]Return to Japan: 1973–present

Yayoi Kusama’s Ascension of Polka Dots on the Trees at the Singapore Biennale 2006 on Orchard Road, Singapore.
In 1973, Kusama returned to Japan in ill health, where she began writing shockingly visceral and surrealistic novels, short stories, and poetry. Kusama checked herself into the Seiwa Hospital for the Mentally Ill and eventually took up permanent residence. She has been living at the hospital since, by choice. Her studio, where she has continued to produce work since the mid-1970s, is a short distance from the hospital in Shinjuku, Tokyo.[23] Kusama is often quoted as saying: “If it were not for art, I would have killed myself a long time ago.”[24] She continued to paint, but now in high-colored acrylics on canvas, on an amped-up scale.[25]
Yayoi Kusama said about her 1954 painting titled Flower (D.S.P.S),
One day I was looking at the red flower patterns of the tablecloth on a table, and when I looked up I saw the same pattern covering the ceiling, the windows and the walls, and finally all over the room, my body and the universe. I felt as if I had begun to self-obliterate, to revolve in the infinity of endless time and the absoluteness of space, and be reduced to nothingness. As I realized it was actually happening and not just in my imagination, I was frightened. I knew I had to run away lest I should be deprived of my life by the spell of the red flowers. I ran desperately up the stairs. The steps below me began to fall apart and I fell down the stairs straining my ankle.[citation needed]
Another quote of hers:
“…a polka-dot has the form of the sun, which is a symbol of the energy of the whole world and our living life, and also the form of the moon, which is calm. Round, soft, colorful, senseless and unknowing. Polka-dots become movement… Polka dots are a way to infinity.”[26]
Her organically abstract paintings of one or two colors (the Infinity Nets series), which she began upon arriving in New York, garnered comparisons to the work of Jackson Pollock, Mark Rothko, and Barnett Newman. When she left New York she was practically forgotten as an artist until the late 1980s and 1990s, when a number of retrospectives revived international interest.[27] Following the success of the Japanese pavilion at the Venice Biennale in 1993 – a dazzling mirrored room filled with small pumpkin sculptures in which she resided in color-coordinated magician’s attire – Kusama went on to produce a huge, yellow pumpkin sculpture covered with an optical pattern of black spots. The pumpkin came to represent for her a kind of alter-ego or self-portrait.[28] Kusama’s later installation I’m Here, but Nothing, (2000–2008) is a simply furnished room consisting of table and chairs, place settings and bottles, armchairs and rugs, however its walls are tattooed with hundreds of fluorescent polka dots glowing in the UV light. The result is an endless infinite space where the self and everything in the room is obliterated.[29] The multi-part floating work Guidepost to the New Space, a series of rounded “humps” in fire-engine red with white polka dots, was displayed in Pandanus Lake.
[edit]Works

[edit]Writing
In 1977, Kusama published a book of poems and paintings entitled 7. One year later, her first novel Manhattan Suicide Addict appeared. Between 1983 and 1990, she finished the novels The Hustler’s Grotto of Christopher Street (1983), The Burning of St Mark’s Church (1985), Between Heaven and Earth (1988), Woodstock Phallus Cutter (1988), Aching Chandelier (1989), Double Suicide at Sakuragazuka (1989), and Angels in Cape Cod (1990), alongside several issues of the magazine S&M Sniper in collaboration with photographer Nobuyoshi Araki.[30]
[edit]Film
In 1968, the film “Kusama’s Self-Obliteration” which Kusama produced and starred in won a prize at the Fourth International Experimental Film Competition in Belgium and the Second Maryland Film Festival and the second prize at the Ann Arbor Film Festival. In 1991, Kusama starred in the film Tokyo Decadence, written and directed by Ryu Murakami, and in 1993, she collaborated with British musician Peter Gabriel on an installation in Yokohama.[31]

Red Pumpkin (2006), Naoshima
[edit]Fashion
In 1968, Kusama established Kusama Fashion Company Ltd., and began selling avantgarde fashion in the “Kusama Corner” at Bloomingdales.[32] In 2009, Kusama designed a handbag-shaped cell phone called C-top, and My Doggie Ring-Ring, an accompanying dog-shaped holder, for a limited edition of Japan’s mobile communication giant KDDI Corporation’s “iida“ brand.[33] In 2011, Kusama created artwork for six limited-edition lipglosses from Lancôme.[34] That same year, she worked with Marc Jacobs (who visited her studio in Japan in 2006) on a line of Louis Vuitton products, including leather goods, ready-to-wear, accessories, shoes, watches, and jewelry.[35]
[edit]Commissions

Narcissus Garden (2009), Instituto Inhotim
To date, Kusama has completed several major outdoor sculptural commissions, mostly in the form of brightly hued monstrous plants and flowers, for public and private institutions including Pumpkin (1994) for the Fukuoka Municipal Museum of Art; The Visionary Flowers (2002) for the Matsumoto City Museum of Art; Tsumari in Bloom (2003) for Matsudai Station, Niigata; Tulipes de Shangri-La (2003) for Euralille in Lille, France; Pumpkin (2006) at Bunka-mura on Benesse Island of Naoshima; Hello, Anyang with Love (2007) for Pyeonghwa Park, Anyang; and The Hymn of Life: Tulips (2007) for the Beverly Gardens Park in Los Angeles.[36] In 1998, she realized a mural for the hallway of the Gare do Oriente subway station in Lisbon. Alongside these monumental works, she has produced smaller scale outdoor pieces including Key-Chan and Ryu-Chan, a pair of dotted dogs. All the outdoor works are cast in highly durable fiberglass-reinforced plastic, then painted in urethane to glossy perfection.[37]
In 2010, Kusama designed a Town Sneaker-model bus, which she titled Mizutama Ranbu (Wild Polka Dot Dance) and whose route travels through her home town of Matsumoto.[38] In 2011, she was commissioned to design the front cover of millions of pocket London Underground maps; the result is entitled Polka Dots Festival in London (2011). Coinciding with an exhibition of the artist’s work at the Whitney Museum of American Art in 2012, a 120-foot reproduction of Kusama’s painting Yellow Trees (1994) covered a condominium building under construction in New York’s Meatpacking District.[39] That same year, Kusama conceived her floor installation Thousands of Eyes as a commission for the new Queen Elizabeth II Courts of Law, Brisbane.[40]
[edit]Exhibitions

Repetitive Vision (1996) installation at Mattress Factory Art Museum in Pittsburgh, Pennsylvania
In 1959, Kusama had her first solo exhibition in New York at the Brata Gallery, an artist’s co-op. She showed a series of white net paintings which were enthusiastically reviewed by Donald Judd (both Judd and Frank Stella then acquired paintings from the show).[41] Kusama has since exhibited work with, among others, Claes Oldenburg, Andy Warhol, and Jasper Johns. Exhibiting alongside European artists including Lucio Fontana, Pol Bury, Otto Piene, and Gunther Uecker, in 1962 she was the only female artist to take part in the widely acclaimed ‘Nul’ (Zero) international group exhibition at the Stedelijk Museum in Amsterdam.[42] She represented Japan at the Venice Biennale in 1993, and in 1998–1999 a major retrospective exhibition of her work toured the U.S. and Japan. Major exhibitions of her work include Kitakyushu Municipal Museum of Art, Fukuoka, Japan (1987); Center for International Contemporary Arts, New York (1989); “Love Forever: Yayoi Kusama,1958–1969″, LACMA, 1998 (traveling to Museum of Modern Art, New York, Walker Art Center, Minneapolis and Museum of Contemporary Art, Tokyo), 1998–99; Le Consortium, Dijon, 2000 (traveled to Maison de la Culture du Japon, Paris; Kunsthallen Brandts, Odense, Denmark; Les Abattoirs, Toulouse; Kunsthalle Wien, Vienna; and Artsonje Center, Seoul, 2001–2003); “KUSAMATRIX”, Mori Art Museum, Tokyo, 2004 (traveling to Art Park Museum of Contemporary Art, Sapporo Art Park, Hokkaido); “Eternity – Modernity”, National Museum of Modern Art, Tokyo (touring Japan), 2004–2005; and “The Mirrored Years”, Museum Boijmans Van Beuningen, 2008 (traveling to Museum of Contemporary Art, Sydney, and City Gallery, Wellington, New Zealand, 2009). In August 2010, Kusama exhibited at the Aichi Triennale 2010 [1], Nagoya. Her works are exhibited inside the Aichi Arts Center, out of the center and Toyota car polka dot project. As of July 2011, several of Kusama’s most intimate works are on display at the Museo Reina Sofía in Madrid, Spain.
As part of FINA Festival 2007, Kusama created Guidepost to the New Space, a vibrant outdoor installation for Birrarung Marr beside the Yarra River in Melbourne. In 2009, the Guideposts were re-installed at Fairchild Tropical Botanic Garden, this time displayed as floating “humps” on a lake.[43]
An exhibition of Kusama’a work opened at the Tate Modern in London on February 9, 2012.[44] Described as ‘akin to being suspended in a beautiful cosmos gazing at infinite worlds, or like a tiny dot of fluoresecent plankton in an ocean of glowing microscopic life’,[45] the exhibition features work from Kusama’s entire career.
[edit]Collections

Kusama’s work is in the collections of leading museums throughout the world, including the Museum of Modern Art, New York; Los Angeles County Museum of Art, Los Angeles; Walker Art Center, Minneapolis; Tate Modern, London; Stedelijk Museum, Amsterdam; Centre Pompidou, Paris; and the National Museum of Modern Art, Tokyo.
[edit]Recognition

Yayoi Kusama’s retrospective exhibition at Tate Modern, London in early 2012.
Kusama has received numerous awards, including the Asahi Prize (2001); Ordre des Arts et des Lettres (2003); and the National Lifetime Achievement Awards, the Order of the Rising Sun (2006). In October 2006, Yayoi Kusama became the first Japanese woman to receive the Praemium Imperiale, one of Japan’s most prestigious prizes for internationally recognized artists.[46]
[edit]Art market

Kusama’s work has performed strongly at auction: top prices for her work are for paintings from the late 1950s and early 1960s. As of 2012, her work has the highest turnover of any living woman artist.[47] In November 2008, Christie’s New York sold a 1959 white “Infinity Net” painting formerly owned by Donald Judd,[48] No. 2, for $5.1 million, then a record for a living female artist.[49] In comparison, the highest price for a sculpture from her New York years is £72,500 ($147,687), fetched by the 1965 wool, pasta, paint and hanger assemblage Golden Macaroni Jacket at Sotheby’s London in October 2007. A 2006 acrylic on fiberglass-reinforced plastic pumpkin earned $264,000, the top price for one of her sculptures, also at Sotheby’s in 2007[50]
In the 1960s, Beatrice Perry’s Gres Gallery played an important role in establishing Kusama’s career in the United States. Ota Fine Arts, Kusama’s longtime Tokyo dealer, has worked with the artist since the 1980s.[51] Since 2007, Kusama is also represented by Gagosian Gallery and Victoria Miro Gallery; before moving to Gagosian, she had been with Robert Miller Gallery, New York.[52]
[edit]In popular culture

Superchunk, an American indie band, included a song called “Art Class (Song for Yayoi Kusama)” on its Here’s to Shutting Up album.
Yoko Ono cites Kusama as an influence.
The recently built Matsumoto Performing Art Center in her hometown Matsumoto, designed by Toyo Ito, has an entirely dotted façade, likely influenced by her works.[original research?]
She is mentioned in the lyrics of the Le Tigre song Hot Topic.
[edit]Bibliography

Yayoi Kusama, Infinity Net: The Autobiogrphy of Yayoi Kusama, 2011, English, Translated by Ralph McCarthy, University of Chicago Press, Chicago, Illinois, U.S.A., ISBN 978-0-226-46498-5.
Jo Applin, “Resisting Infinity”, Yayoi Kusama, exch. cat., Victoria Miro Gallery, London, 2008
Izumi Nakajima, “Yayoi Kusama between Abstraction and Pathology”. In: Griselda Pollock (ed.), Psychoanalysis and the Image. London: Routledge, 2006.
“Collection of Print Works: Yayoi Kusama, 1974–2004″, Japanese/English, Abe Corporation, Tokyo Japan.
“Eternity-Modernity: Yayoi Kusama”, 2005, English/Japanese, Bijutsu Shuppan-sha Ltd, Tokyo, Japan.
“Manhattan Suicide Addict: Yayoi Kusama”, 2005, French, Les Presses du Reel, Dijon, France.
“Kusamatrix”, 2004, English/Japanese, Kadokawa Shoten, Tokyo.
“Yayoi Kusama Furniture by graf: decorative mode no.3″, 2003, Seigensha Art Publishing, Inc, Kyoto, Japan.
“Yayoi Kusama”, 2003, German, Kunsthalle wien, Vienna, Austria.
“Infinity Nets”, 2002, Japanese, Sakuhinsha, Tokyo, Japan.
“Yayoi Kusama”, 2001, French, Les Press du Reel Janvier, Dijon, France.
“Yayoi Kusama”, 2000, English, Phaidon Press Ltd, London, UK.
“Love Forever: Yayoi Kusama, 1958–1968″, Los Angeles County Museum of Art 1998, Lynn Zelevansky, Laura Hoptman, Yayoi Kusama
“Violet Obsession”, 1998, English, Wandering Mind Books, Berkeley, California, U.S.A.
“Hustlers Grotto”, 1998, English, Wandering Mind Books, Berkeley, California, U.S.A.
J. F. Rodenbeck, “Yayoi Kusama: Surface, Stitch, Skin”. In: Catherine de Zegher (ed.), Inside the Visible. The Institute of Contemporary Art, Boston & MIT Press, 1996.
“Yayoi Kusama Print Works”, 1992, Abe Corporation, Tokyo, Japan.
“Yayoi Kusama: Driving Image”, 1986, Parco shuppan, Tokyo, Japan.
“A Book of Poems and Paintings”, 1977, Japan Edition Art, Tokyo, Japan.
Judy B. Cutler, “Narcissus, Narcosis, Neurosis: The Visions of Yayoi Kusama”. In: Hirsh, Jennie, and Wallace, Isabelle D., eds. Contemporary Art and Classical Myth. Farnham: Ashgate, 2011 — with Yayoi Kusama at Louis Vuitton NA.

pocket funk, louisville kentucky, organ jazz, jon hammond, yayoi kusama, loui vuitton, 9 west 57th street, La Vieille Russie, Radio TV Show

san francisco, city hall, pocket funk, b3 organ, late rent session men, jon hammond, local 6, musicians union, ascap, blues, jazz

Indigo Blues Jon Hammond Journal August 23, 2012

August 23, 2012

*WATCH THE VIDEO HERE: Indigo Blues

http://archive.org/details/JonHammondAndBernardPurdieTakingYouBackToYear1989IndigoBlues

Youtube http://youtu.be/sSP3k6XVYwE

As seen on the long-running NYC cable TV show The Jon Hammond Show -
Jon Hammond and The Late Rent Session Men December 12, 1989
In Indigo Blues Club which was partly owned by Miles Davis at the time.
Downstairs in The Hotel Edison 221 West 46th Street New York City
Here on Jon’s band kicking it off are
Alex Foster tenor saxophone
Jack Wilkins guitar
Bernard Purdie drums
Jon Hammond at the B3 Organ
Camera by Joe Berger
http://www.HammondCast.com
Category:
Music

Blip TV http://blip.tv/jon-hammond/jon-hammond-and-bernard-purdie-taking-you-back-to-year-1989-indigo-blues-6318645

indigo blues, late rent session men, bernard purdie, b3 organ, drums, miles davis, local 802 musicians union, hotel edison, cable tv show, jazz, 1989

Anaheim California — Serious NAMM Action with Jon Hammond and Joe Berger – standing L to R Jon Hammond,
Joe Berger and Lawrence “Larry” Gay Producer of West Coast Live Radio Program with serious camera – seated on couch Carroll Brothers Tambuzi “Tam” Carroll and Tom Carroll both trumpet players — with Joe Berger at The NAMM Show

New York NY — One of the greatest jazz guitarists – Tal Farlow onstage at Zanzibar and Grill playing his signature Tal Farlow model guitar made for him by Gibson Guitars circa year 1990 – 550 Third Avenue, between 36th and 37th Streets – Jon Hammond
http://en.wikipedia.org/wiki/Tal_Farlow
Talmage Holt Farlow (June 7, 1921 – July 25, 1998) was an American jazz guitarist. Nicknamed the “Octopus”, for his extremely large hands spread over the fretboard as if they were tentacles, he is considered one of the all-time great jazz guitarists. Where other similar players of his day combined rhythmic chords with linear melodies, Farlow preferred placing single notes together in clusters, varying between harmonically richened tones based on a startling new technique.

New York NY — King of TV & Radio Joe Franklin Living Legend of Broadcasting! Jon Hammond
Seen here in his office “Memory Lane” with Broadcast Tape Masters etc.
Youtube http://youtu.be/b_-mYcrxtTo
8,819
Radio & TV Broadcasting Legend JOE FRANKLIN in an appearance at NYC’s Laugh Factory Club at annual Thanksgiving Feed shot personally by Mr. Hammond. This is hilarious rare footage of Joe doing stand-up, a must see!
http://en.wikipedia.org/wiki/Joe_Franklin
Joe Franklin (born Joseph Fortgang on March 9, 1926) is an American radio and television personality. From New York City, Franklin is credited with hosting the first television talk show. The show began in 1951 on WJZ-TV (later WABC-TV) and moved to WOR-TV (later WWOR-TV) from 1962 to 1993.[1]
After retiring from the television show, Franklin concentrated on an overnight radio show, playing old records on WOR-AM on Saturday evenings. He currently interviews celebrities on the Bloomberg Radio Network.[2]
An author, Franklin has written 23 books, including Classics of the Silent Screen.[3] His 1995 autobiography Up Late with Joe Franklin[4] chronicles his long career and includes claims that he had dalliances with Marilyn Monroe, Jayne Mansfield, and that Veronica Lake “threw herself at me, but I always refrained.”[5] He has appeared as himself in countless films, notably Ghostbusters and Broadway Danny Rose.
Franklin’s show was often parodied by Billy Crystal during the 1984–1985 season of Saturday Night Live. Franklin was also a pioneer in promoting products such as Hoffman Beverages and Ginger Ale on the air.

Frankfurt Germany — Jon Hammond receives the awesome flowers from Musikmesse Projekt Team!
Flowers and Cake (Chocolate on Chocolate)
Youtube http://youtu.be/hozrJpHvV-4
Musikmesse Warm Up Party in Jazzkeller Frankfurt with Jon Hammond Band and special guests for this special occasion celebrating 25 years in Musikmesse. Special acknowledgement of Wilhelm P. “Charly” Hosenseidl R.I.P. who was the Director of Musikmesse years 1989-2008 now Directed by Wolfgang Luecke, special thanks to Messe Frankfurt Projekt and Presse Team!
Jon Hammond Band:
Joe Berger guitar
Tony Lakatos tenor saxophone
Giovanni Gulino drums
Jon Hammond – XB-2 Hammond Organ – special thanks Hiromitsu Ono Chief Engineer Suzuki Musical Instruments designed my instrument which took me all around the world many times
“Late Rent” Jon Hammond theme song for Jon Hammond Show MNNTV and HammondCast Show KYOU Radio San Francisco CBS Radio Network
Thanks Joe Lamond President CEO NAMM, TecAmp Jürgen Kunze and Thomas Eich – Puma Combo bass amp powering Jon Hammond’s organ
Dankeschoen to Yücel Atiker, Tino Pavlis, Poehl, Bernie Capicchiano, Michael Falkenstein Hammond Suzuki Deutschland, Peggy Behling, Christine Vogel Messe Frankfurt,
Saray Pastanesi Baeckerei & Konditorei for Chocolate on Chocolate
25 Years Musikmesse Celebration Cake — at Jazzkeller

North Beach San Francisco — Max Roach and tenor saxophonist Odean Pope circa 1981 at Keystone Korner club in SF. I shot this photo with my Nikon F3 just after I came back from my first trip to Paris, Jon Hammond
http://en.wikipedia.org/wiki/Max_Roach
Maxwell Lemuel “Max” Roach (January 10, 1924 – August 16, 2007) was an American jazz percussionist, drummer, and composer.
A pioneer of bebop, Roach went on to work in many other styles of music, and is generally considered alongside the most important drummers in history.[1][2] He worked with many famous jazz musicians, including Coleman Hawkins, Dizzy Gillespie, Charlie Parker, Miles Davis, Duke Ellington, Thelonious Monk, Charles Mingus, Billy Eckstine, Stan Getz, Sonny Rollins, Clifford Brown, Eric Dolphy and Booker Little.
Roach also led his own groups, and made numerous musical statements relating to the civil rights movement of African Americans.
Early life and career
Roach was born in the Township of Newland, Pasquotank County, North Carolina, which borders the southern edge of the Great Dismal Swamp, to Alphonse and Cressie Roach. Many confuse this with Newland Town in Avery County. Although Roach’s birth certificate lists his date of birth as January 10, 1924,[3] Roach has been quoted by Phil Schaap as having stated that his family believed he was born on January 8, 1925. Roach’s family moved to the Bedford-Stuyvesant neighborhood of Brooklyn, New York when he was 4 years old. He grew up in a musical home, his mother being a gospel singer. He started to play bugle in parade orchestras at a young age. At the age of 10, he was already playing drums in some gospel bands. As an eighteen year-old fresh out of Boys High School in Brooklyn, (1942) he was called to fill in for Sonny Greer, and play with the Duke Ellington Orchestra performing at the Paramount Theater.
In 1942, Roach started to go out in the jazz clubs of the 52nd Street and at 78th Street & Broadway for Georgie Jay’s Taproom (playing with schoolmate Cecil Payne).[4]
Roach’s most significant innovations came in the 1940s, when he and jazz drummer Kenny Clarke devised a new concept of musical time. By playing the beat-by-beat pulse of standard 4/4 time on the “ride” cymbal instead of on the thudding bass drum, Roach and Clarke developed a flexible, flowing rhythmic pattern that allowed soloists to play freely. The new approach also left space for the drummer to insert dramatic accents on the snare drum, “crash” cymbal and other components of the trap set.
By matching his rhythmic attack with a tune’s melody, Roach brought a newfound subtlety of expression to his instrument. He often shifted the dynamic emphasis from one part of his drum kit to another within a single phrase, creating a sense of tonal color and rhythmic surprise.[1] The idea was to shatter musical conventions and take full advantage of the drummer’s unique position. “In no other society”, Roach once observed, “do they have one person play with all four limbs.”[5]
While that approach is common today, when Clarke and Roach introduced the new style in the 1940s it was a revolutionary musical advance. “When Max Roach’s first records with Charlie Parker were released by Savoy in 1945,” jazz historian Burt Korall wrote in the Oxford Companion to Jazz, “drummers experienced awe and puzzlement and even fear.” One of those awed drummers, Stan Levey, summed up Roach’s importance: “I came to realize that, because of him, drumming no longer was just time, it was music.”[1]
He was one of the first drummers (along with Kenny Clarke) to play in the bebop style, and performed in bands led by Dizzy Gillespie, Charlie Parker, Thelonious Monk, Coleman Hawkins, Bud Powell, and Miles Davis. Roach played on many of Parker’s most important records, including the Savoy November 1945 session, a turning point in recorded jazz.

New York NY — Hanging out with 2 of my favorite jazz pianists extraordinaire – L to R Yovanne Pierre, Richard Clements, Jon Hammond at Local 802 Musicians Union Monday Night Jazz Session — with Yovanne Pierre at Associated Musicians of Greater New York, Local 802 AFM

Berkeley CA — My faithful 1965 Fender Band-Master amp head on the bench for a tuneup – Jon Hammond
http://www.flickr.com/photos/jonhammond/2834503143/
Jon Hammond’s rig at Leo’s: 1965 Fender Bandmaster amp head with Bag End S15X-D cabinet

Anaheim California — My Soul Brother for many years “Tachi” Waichiro Tachikawa arriving all the way from beautiful Hamamatsu Japan,
Jon Hammond
2012 Winter NAMM Show International Music Action — with Waichiro Tachikawa at The NAMM Show

Jon Hammond and Bernard Purdie — enjoy all the videos since 1989 folks!
http://www.youtube.com/results?client=safari&rls=en&q=jon+hammond+bernard+purdie&oe=UTF-8&um=1&ie=UTF-8&sa=N&tab=w1
SIDEWINDER-JON HAMMOND Band w/BERNARD PURDIE drums 1989
This outstanding 1989 film clip captures the excitement and up-close look at the very-first pairing up of organist JON HAMMOND’S combo www …
5 years ago | 35,528 views You +1′d this
by JonHammondBand
3:54
RIP Cornell Dupree aka ‘Mr. 2500′ (records)! Jon Hammond at Mikell’s
Jon Hammond RIP Cornell Dupree aka ‘Mr. 2500′ (records)! Jon Hammond – my 1959 B3 organ, Bernard Purdie drums, Chuggy Carter percussion at …
4 years ago | 72,716 views You +1′d this
by JonHammondBand

Anaheim California — Hammond Suzuki Leslie Sound -
Joe Berger – Leslie G37 Combo Amp Speaker
Koei Tanaka – Suzuki Chromatic Harmonica
Jon Hammond – Hammond Sk1
Youtube http://youtu.be/RvjqYJ6F0WU
Winter NAMM Show – Suzuki Harmonica artist KOEI TANAKA from Tokyo Japan http://www.tanakakoei.com/ with JOE BERGER aka The Berger-Meister on guitar through Leslie G37 guitar combo amp – Mercy Mercy Mercy! — with Joe Berger and Koei Tanaka at The NAMM Show


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