Posts Tagged ‘Music’

Duo Session last night with great Richard Clements piano Jon Hammond at Organ 802 bandstand

February 26, 2013

Duo Session last night with great Richard Clements piano Jon Hammond at Organ 802 bandstand

Like magic every time – Richard Clements and Jon Hammond last night

Rudy Lawless (drums) and Jon Hammond

Bob Cunningham bass and Rich on congas

Mike Camoia tenor sax and Bob Cunningham bass

Rich on congas and Greg Bandy drums

Jon Hammond at 802 bandstand

*WATCH THE VIDEO HERE: Joe Franklin Jon Hammond Movie

http://archive.org/details/Jon_Hammond_Show_Podcast_HammondCast_wJOE_FRANKLIN

Manhattan by Night — Apple Store Fifth Avenue, the 24 hour store that never sleeps in the City that never sleeps – photo by the organ player that never sleeps

- Jon Hammond
*cleaning the computers, from all the people touching them with their germ fingers all day long – must be disinfected, especially with Flu Epidemic in progress! – JH — at Apple Store – Fifth Avenue

Manhattan by Night — Apple Store Fifth Avenue – Jon Hammond

http://www.apple.com/retail/fifthavenue/
Apple Store
Fifth Avenue
767 Fifth Avenue
New York, NY 10153
Store hours:
24/7, 365 days a year
Today, January 13, 2013
9:30 a.m. – 11:00 a.m.
Getting Started with a Mac
Got a new Mac? Thinking about getting one? Learn how easy it is to use a Mac at this workshop. We’ll show you the basics of setting up your… Read more
Workshop is full1 1:00 a.m. – 12:00 p.m.
Getting Started with iCloud
iCloud is a service from Apple that stores your music, photos, apps, and documents—and then wirelessly pushes them to all your devices so yo… Read more
Workshop is full1 2:00 p.m. – 1:00 p.m.
Daily Productivity
At this workshop, we’ll show you how to get and stay organized every day using built-in applications on your Mac. Learn how easy it is to ma… Read more
Workshop is full 1:00 p.m. – 2:00 p.m.
Getting Started with iPad
See why iPad is the best way to surf the web, check emails, read books and more. Discover iOS 6, the foundation of iPad, with its easy-to-us… Read more
Workshop is full2:00 p.m. – 3:00 p.m.
Going Further with iPad
You’ve mastered the basics of iPad and you’re ready for more. Hear about some of the top features of iOS 6, as well as the benefits of using… Read more
Workshop is full3:00 p.m. – 4:00 p.m.
Getting Started with iMovie for Mac
With iMovie on a Mac, you can turn your home videos into your all-time favorite films. At this workshop, we’ll show you the basics of import… Read more
Workshop is full — at Apple Store – Fifth Avenue

The Mannequin on the Right in image 1 is trying to copy Jon Hammond’s original tailor made jacket, made for me by my friend William Hu the famous Designer Tailor in Shanghai – image 2, Hammond wearing jacket with Bonnie

- cool jacket!

Manhattan by Night — Louis Vuitton Store Window du jour – Jon Hammond
Louis’ Yelp:
http://www.yelp.com/biz/louis-vuitton-new-york-2
and relaxation wear are made with soft, luxurious… read more »
44 reviews for Louis Vuitton

Elite ’13
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154 reviews
Tet W.
Portland, OR
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12/29/2012
Such a beautiful store with all the handbags, shoes, clothing you really can’t get unless you’re in Orange County. My friend and I came in to looking at all the beautiful items including purses, shoes, clothing…you name it. They also had a pair or shades the actually looked great which I haven’t had much luck in the past. This is the ultimate store for all Louis Vuitton items. If you see it in a catalog, most likely they’ll have it here.

One big issue is getting the attention of the sales associates. There are many tourist who gobble up many if not all the sales associates so you do need to flag them down if you want service. Customers are fairly aggressive with making themselves known, so you will need to do your part and somewhat be aggressive with getting service. As long as you are patient yet persistent, you will get their attention. Also it helps to look the part and dress well.

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Review from John H.

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269 reviews
John H.
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Chicago, IL
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12/12/2012 1 Check-in Here
Came in, could not get anyone to check us out and left. Must have been my after shave. Went back later and got what we needed, but whats up with that? The subway at 5th and 60th is a jog away.

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Review from Yukio S.

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Yukio S.
Rye, NY
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11/20/2012
Wonderful products don’t need good service. Management of the company is very smart to know that. This particular shop is designed to serve foreign tourists. You need to beg for a sales person to deal with you and have to make a line to pay.

HORRIBLE SHOPPING EXPERIENCE.

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Review from Sonya F.

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13 reviews
Sonya F.
First impressions are everything…
Brooklyn, NY
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5/14/2012
Horrible customer service and snotty sales associates.

It’s not like I’d ever spend money on an ugly canvas bag with monogram letters all over it. My friend had bought a $1500 LV bag then decided the bag she bought was a bit large. She wanted to exchange it 2 days later and the manager told her no because the bag had some imaginary scratches on it.

I looked hard and didn’t see a thing. I know my friend had not wore the bag at all because she was staying at my house from out of town. She barely even touched the damn bag. The manager offered her no other accommodations. It’s not like she wanted to even return it for her money back, she just wanted a different bag.

I don’t understand how a company can be a so called luxury brand and it can’t even provide basic retail service. Screw them and their silly canvas bags.

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Review from Catherine F.

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Catherine F.
New York, NY
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6/14/2012
If you call in: the service is exceptional. They’re really great to talk to and try to be very helpful, and sometimes they are (it’s not their problem what I’m looking for is never in stock!) – but they’re always very pleasant, very professional conversations.

In person: that store is a ring of hell. The customer service is non-existent, especially in comparison to other LV stores/boutiques in the city where they bend over backwards to help you in any way they can. (Seriously – why go to this flagship, unless you’re a tourist looking for the ‘LV experience’ when you can go seven blocks down to Saks which has SUPERIOR service?) Today the guy told me there is one of what I was looking for at Saks, so I call Saks on the walk, and they didn’t have it — she asked if he called other locations, I say that he hadn’t, she was shocked and made phone calls for me, knowing full well I wouldn’t be buying it from her (or Saks) if another store had it in stock. That is true customer service.

Otherwise, the store is pretty, but the merchandise numbers seem low… and it is crawling with tourists, which comes with the territory.

Manhattan by Night — Louis Vuitton Store at the power corner of 57th Street and Fifth Avenue – Jon Hammond

Louis Vuitton Wiki
http://en.wikipedia.org/wiki/Louis_Vuitton
Louis Vuitton Malletier, commonly referred to as Louis Vuitton (/ˈluːiː vwiːˈtɒn/; French: [lwi vɥi'tɔ̃]), or shortened to LV, is a French fashion house founded in 1854 by Louis Vuitton. The label’s LV monogram appears on most of its products, ranging from luxury trunks and leather goods to ready-to-wear, shoes, watches, jewelry, accessories, sunglasses, and books. Louis Vuitton is one of the world’s leading international fashion houses; it sells its products through standalone boutiques, lease departments in high-end department stores, and through the e-commerce section of its website.[3][4] For six consecutive years (2006–2012) Louis Vuitton has been named the world’s most valuable luxury brand. Its 2012 valuation is 25.9 billion USD.
Division of holding company (LVMH)
Industry Retail
Founded 1854
Founder(s) Lois Vuitton
Headquarters Paris, France
Key people yves carcelle[1] (Chairman & CEO)
Marc Jacobs (Artistic Director)
Kim Jones (lead designer of menswear)
Products Luxury goods
Revenue €2.5 billion (2011)[2]
Parent LVMH
Website louisvuitton.com
Founding to World War II
See also: Louis Vuitton (designer)
The Louis Vuitton label was founded by Vuitton in 1854 on Rue Neuve des Capucines in Paris, France.[6] Louis Vuitton had observed that the HJ Cave Osilite[7] trunk could be easily stacked and in 1858, Vuitton introduced his flat-bottom trunks with trianon canvas, making them lightweight and airtight.[6] Before the introduction of Vuitton’s trunks, rounded-top trunks were used, generally to promote water run off, and thus could not be stacked. It was Vuitton’s gray Trianon canvas flat trunk that allowed the ability to stack with ease for voyages. Many other luggagemakers imitated LV’s style and design.[4]
File:Famille-Vuitton. 1888.jpg
In the courtyard of the Vuitton workshops in Asnières, Paris, c. 1888, Louis, Georges and Gaston L. Vuitton (seated on a Bed trunk)
In 1867, the company participated in the universal exhibition in Paris.[6] To protect against the duplication of his look, Vuitton changed the Trianon design to a beige and brown stripes design in 1876.[4] By 1885, the company opened its first store in London on Oxford Street.[6] Soon thereafter, due to the continuing imitation of his look, in 1888, Vuitton created the Damier Canvas pattern, which bore a logo that reads “marque L. Vuitton déposée”, which translates into “L. Vuitton registered trademark”. In 1892, Louis Vuitton died, and the company’s management passed to his son.[4][6]

Advert for Louis Vuitton luggage, 1898.
After the death of his father, Georges Vuitton began a campaign to build the company into a worldwide corporation, exhibiting the company’s products at the Chicago World’s Fair in 1893. In 1896, the company launched the signature Monogram Canvas and made the worldwide patents on it.[4][6] Its graphic symbols, including quatrefoils and flowers (as well as the LV monogram), were based on the trend of using Japanese and Oriental designs in the late Victorian era. The patents later proved to be successful in stopping counterfeiting. In this same year, Georges traveled to the United States, where he toured cities such as New York, Philadelphia, and Chicago, selling Vuitton products. In 1901, the Louis Vuitton Company introduced the Steamer Bag, a smaller piece of luggage designed to be kept inside Vuitton luggage trunks.
By 1913, the Louis Vuitton Building opened on the Champs-Elysees. It was the largest travel-goods store in the world at the time. Stores also opened in New York, Bombay, Washington, London, Alexandria, and Buenos Aires as World War I began. Afterwards, in 1930, the Keepall bag was introduced. During 1932, LV introduced the Noé bag. This bag was originally made for champagne vintners to transport bottles. Soon thereafter, the Louis Vuitton Speedy bag was introduced (both are still manufactured today).[6] In 1936 Georges Vuitton died, and his son, Gaston-Louis Vuitton, assumed control of the company.[6]
During World War II, Louis Vuitton collaborated with the Nazis during the German occupation of France. The French book Louis Vuitton, A French Saga, authored by French journalist Stephanie Bonvicini and published by Paris-based Editions Fayard[8] tells how members of the Vuitton family actively aided the puppet government led by Marshal Philippe Pétain and increased their wealth from their business affairs with the Germans. The family set up a factory dedicated to producing artifacts glorifying Pétain, including more than 2,500 busts.
Caroline Babulle, a spokeswoman for the publisher, Fayard, said: “They have not contested anything in the book, but they are trying to bury it by pretending it doesn’t exist.”[9] Responding to the book’s release in 2004, a spokesman for LVMH said: “This is ancient history. The book covers a period when it was family-run and long before it became part of LVMH. We are diverse, tolerant and all the things a modern company should be.”[9] An LVMH spokesman told the satirical magazine Le Canard Enchainé: “We don’t deny the facts, but regrettably the author has exaggerated the Vichy episode. We haven’t put any pressure on anyone. If the journalists want to censor themselves, then that suits us fine.” That publication was the only French periodical to mention the book, LVMH is the country’s biggest advertiser in the press.[9]
[edit]1945 through 2000
See also: Louis Vuitton Cup, America’s Cup, and LVMH

Louis Vuitton store in Nicosia, Cyprus
During this period, Louis Vuitton incorporated its leather into most of its products, ranging from small purses and wallets to larger pieces of luggage. In order to broaden its line, the company revamped its signature Monogram Canvas in 1959[6] to make it more supple, allowing it to be used for purses, bags, and wallets. It is believed that in the 1920s, counterfeiting returned as a greater issue to continue on into the 21st century.[4] In 1966, the Papillon was launched (a cylindrical bag that is still popular today). By 1977 with annual revenue up to 70 million Francs ($14.27 million US$).[10] A year later, the label opened its first stores in Japan: in Tokyo and Osaka. In 1983, the company joined with America’s Cup to form the Louis Vuitton Cup, a preliminary competition (known as an eliminatory regatta) for the yacht race. Louis Vuitton later expanded its presence in Asia with the opening of a store in Taipei, Taiwan in 1983 and Seoul, South Korea in 1984. In the following year, 1985, the Epi leather line was introduced.[6]
1987 saw the creation of LVMH.[6] Moët et Chandon and Hennessy, leading manufacturers of champagne and cognac, merged respectively with Louis Vuitton to form the luxury goods conglomerate. Profits for 1988 were reported to have been up by 49% more than in 1987. By 1989, Louis Vuitton came to operate 130 stores worldwide.[6] Entering the 1990s, Yves Carcelle was named president of LV, and in 1992, his brand opened its first Chinese location at the Palace Hotel in Beijing. Further products became introduced such as the Taiga leather line in 1993, and the literature collection of Voyager Avec… in 1994. In 1996, the celebration of the Centennial of the Monogram Canvas was held in seven cities worldwide.[6]
In 1997, Louis Vuitton made Marc Jacobs its Artistic Director.[11] In March of the following year, he designed and introduced the company’s first “prêt-à-porter” line of clothing for men and women. Also in this year products introduced included the Monogram Vernis line, the LV scrapbooks, and the Louis Vuitton City Guide.[6]
The last events in the 20th century were the release of the mini monogram line in 1999, the opening of the first store in Africa in Marrakech, Morocco in 2000, and finally the auction at the International Film Festival in Venice, Italy, where the vanity case “amfAR” designed by Sharon Stone was sold with the proceeds going to The Foundation for AIDS Research (also in 2000).[6]
[edit]2001 to present day

The store on Manhattan’s Fifth Avenue.

A Louis Vuitton boutique in the Galleria Vittorio Emanuele II, in Milan, Italy.
By 2001, Stephen Sprouse, in collaboration with Marc Jacobs, designed a limited-edition line of Vuitton bags[6] that featured graffiti written over the monogram pattern. The graffiti read Louis Vuitton and, on certain bags, the name of the bag (such as Keepall and Speedy). Certain pieces, which featured the graffiti without the Monogram Canvas background, were only available on Louis Vuitton’s V.I.P. customer list. Jacobs also created the charm bracelet, the first ever piece of jewelry from LV, within the same year.[6]
In 2002, the Tambour watch collection was introduced.[6] During this year, the LV building in Tokyo’s Ginza district was opened, and the brand collaborated with Bob Wilson[disambiguation needed] for its Christmas windows sceneography. In 2003, Takashi Murakami,[6] in collaboration with Marc Jacobs, masterminded the new Monogram Multicolore canvas range of handbags and accessories. This range included the monograms of the standard Monogram Canvas, but in 33 different colors on either a white or black background. (The classic canvas features gold monograms on a brown background.) Murakami also created the Cherry Blossom pattern, in which smiling cartoon faces in the middle of pink and yellow flowers were sporadically placed atop the Monogram Canvas. This pattern appeared on a limited number of pieces. The production of this limited-edition run was discontinued in June 2003. Within 2003, the stores in Moscow, Russia and in New Delhi, India were opened, the Utah and Suhali leather lines were released, and the 20th anniversary of the LV Cup was held.[6]

Louis Vuitton situated on the famous Champs-Elysées.

Manhattan by Night — Snow Flake Star Light over Louis Vuitton Store

at the power corner of 57th St. and Fifth Avenue – Jon Hammond

Manhattan by Night — Bulgari Store on Fifth Avenue – Jon Hammond
Bulgari Wiki http://en.wikipedia.org/wiki/Bulgari
Privately held società per azioni
Industry Luxury goods
Founded 1884
Founder(s) Sotirios Voulgaris
Headquarters Rome, Italy
Key people Paolo Bulgari (Chairman), Francesco Trapani (CEO)
Products Watches, jewellery, accessories, fragrances, cosmetics
Revenue €1.069 billion (2010)[1]
Operating income €85.3 million (2010)[1]
Profit €38.0 million (2010)[1]
Total assets €1.490 billion (end 2010)[1]
Total equity €934.0 million (end 2010)[1]
Owner(s) LVMH
Employees 3,815 (end 2010)[1]
Website bulgari.com

Bulgari (Italian pronunciation: [ˈbulɡari]) is an Italian jeweler and luxury goods retailer of Greek descent, which has been owned by the French firm LVMH since October 2011. The trademark is usually written BVLGARI in the classical Latin alphabet (where V = English U), and is derived from the surname of the company’s Greek founder, Sotirios Voulgaris (Greek: Σωτήριος Βούλγαρης, Greek pronunciation: [soˈtirjos ˈvulɣaris], Italian: Sotirio Bulgari, 1857–1932). Although the company made a name for itself with jewelry, today it is a recognized luxury brand that markets several product lines including watches, handbags, fragrances, accessories, and hotels.
Sotirios Voulgaris began his career as a jeweller in his home village Paramythia[2] (Epirus, Ottoman Empire), where his first store can still be seen. In 1877, he left for Corfu and then Naples. In 1881 he finally moved to Rome, where in 1884 he founded his company and opened his second shop in via Sistina.
The current flagship store in via dei Condotti was opened in 1905 by Bulgari with the help of his two sons, Costantino (1889–1973) and Giorgio (1890–1966). The store quickly became a place where the world’s rich and famous came for the unique, high quality jewelry designs combining Greek and Roman art.

A Bulgari shop in Baku
During the Second World War, Costantino Bulgari and his wife, Laura Bulgari, hid three Jewish women in their own Roman home. They were strangers to them; the Bulgaris opened their doors out of outrage for the raid of the Roman ghetto in October 1943. For their generous action, on 31 December 2003, they were awarded the title of Righteous among the Nations at Yad Vashem in Jerusalem.[3]
After Giorgio’s death in 1966, his son Gianni led the company as co-chief executive with his cousin Marina.[4] As chairman and CEO of Bulgari in the early 1970s, Gianni initiated the internationalization of the company by opening shops in New York, Geneva, Monte-Carlo and Paris. In the late 1970s, Gianni led a complete overhaul of the company, establishing a new watch business and focusing on product design.[5] In 1985, Gianni resigned as CEO and in 1987, he left the family business after selling his one-third stake in the company to his brothers Nicola and Paolo.[6]
On 6 March 2011 French luxury group LVMH Moet Hennessy Louis Vuitton SA announced that it was acquiring Bulgari SpA in an all-share deal for €4.3 billion ($6.01 billion), higher than LVMH had offered for any other company.[7] Under the deal, the Bulgari family sold their 50.4 per cent controlling stake in exchange for 3 per cent of LVMH, thereby becoming the second-biggest family shareholder behind the Arnaults in LVMH.[8] The takeover doubled the size of LVMH’s watches and jewelry unit, which at the time of the acquisition included Tag Heuer timepieces and De Beers diamond necklaces. The acquisition concluded on 4 October 2011 as Bulgari was delisted from the Borsa Italiana.
[edit]International expansion

Bulgari opened its first international locations in New York City, Paris, Geneva and Monte Carlo in the 1970s. For many years the company maintained a showroom in New York’s The Pierre Hotel. Today Bulgari has more than 290 stores worldwide.[9]
In 1984, Sotirio’s grandsons Paolo and Nicola Bulgari were named Chairman and Vice-Chairman of the company and nephew Francesco Trapani was named CEO. Trapani’s goal to diversify the company was started in the early 1990s with the release of the Bulgari perfume line. Under his tenure the company has established itself as a luxury goods brand recognized throughout the world.
In 1995, the company was listed on the Borsa Italiana. The company has seen 150% revenue growth between 1997 and 2003. Currently outside investors hold about 45% of the company’s stock.
In the beginning of 2001, Marriott International formed a joint venture with Bulgari Spa to launch a new luxury hotel brand, Bulgari Hotels & Resorts. Luxury Group, the Luxury Division of Marriott operates Bulgari Hotels & Resorts as well as the Ritz-Carlton Hotel Company. Bulgari opened its first hotel in Milan in 2004, and a second in Bali in 2006. In 2011, Bulgari Bali has been chosen by the readers of Smart Travel Asia magazine as number-2 of top places to stay in Asia.[10] Bulgari is the supplier of luxury goods used in guest suites and public areas aboard the ships of the Italian cruise company Silversea.
[edit]Designs

Bulgari jewelry design is distinctive and often imitated (and counterfeited). In the 1970s, many of the more expensive Bulgari pieces (such as necklaces, bracelets and earrings) were characterized by instantly recognizable, bold, architectural designs combining large and weighty gold links with interlocking steel. Bulgari is also famous for colored stones, especially sapphires mixed in unique formats. Genuine Bulgari watches have a unique serial number that is registered with the company.
[edit]Boutiques

The Judge – Milt Hinton R.I.P. playing as David “Panama” Francis looks on at the drums, here May 7, 1990 – Milt was the original Slap Bassist – unbelievable style and personality, and a damn great photographer also – Panama, Panama Francis the great – these two gentlemen of Jazz are greatly missed folks! – Jon Hammond

Milt’s Wiki
http://en.wikipedia.org/wiki/Milt_Hinton
Milton John “Milt” Hinton (June 23, 1910 – December 19, 2000), “the dean of jazz bass players,” was an American jazz double bassist and photographer. He was nicknamed “The Judge”
Hinton was born in Vicksburg, Mississippi, where he resided until age eleven when he moved to Chicago, Illinois. He attended Wendell Phillips High School and Crane Junior College. While attending these schools, he learned first to play the violin, and later bass horn, tuba, cello and the double bass. As a young violinist out of school, he found gainful employment as a bassist. He later recounted in interviews, released in 1990 on Old Man Time, how this prompted him to switch to double bass.
In the late 1920s and early 1930s, he worked as a freelance musician in Chicago. During this time, he worked with famous jazz musicians such as Jabbo Smith, Eddie South, and Art Tatum. In 1936, he joined a band led by Cab Calloway. Members of this band included Chu Berry, Cozy Cole, Dizzy Gillespie, Illinois Jacquet, Jonah Jones, Ike Quebec, Ben Webster, and Danny Barker.
Hinton possessed a formidable technique and was equally adept at bowing, pizzicato, and “slapping,” a technique for which he became famous while playing with the big band of Cab Calloway from 1936 to 1951.[1] Unusually for a double bass player, Hinton was frequently given the spotlight by Calloway, taking virtuose bass solos in tunes like “Pluckin’ the Bass.”
Hinton played a rare Gofriller Double Bass during his latter career. The bass was in pieces in a cellar in Italy and a musical agent arranged the purchase from the family for Hinton. Hinton in his autobiography “Bass Line” described the tone as magnificent and said it was one of the reasons for his long success in the New York recording studios in the 1950s, and 1960s.
He later became a television staff musician, working regularly on shows by Jackie Gleason and later Dick Cavett.[1] His work can be heard on the Branford Marsalis album Trio Jeepy.
Hinton twice received awards from the National Endowment for the Arts for his work as a jazz educator: a music fellowship in 1977 and an NEA Jazz Master award in 1993.[2]
According to a search of The Jazz Discography, Hinton is the most-recorded jazz musician of all time, having appeared on 1,174 recording sessions.[3][4]
Also a fine photographer, Hinton documented many of the great jazz musicians via photographs he took over the course of his career.[5] Hinton was one of the best friends of jazz trumpeter Louis Armstrong.[citation needed]
Hinton died in Queens, New York City, New York at age 90.

Birth name Milton John Hilton
Born June 23, 1910
Vicksburg, Mississippi, United States
Died December 19, 2000 (aged 90)
Queens, New York, United States
Genres Traditional Jazz. Swing, Pop Music
Occupations Double bassist, Photographer
Instruments Double bass
Years active 80 years
Labels Various
Associated acts Jabbo Smith, Zutty Singleton, Art Tatum, Eddie South, Cab Calloway, Count Basie, Louis Armstrong, Dizzy Gillespie, Lionel Hampton, Benny Goodman, Clark Terry, Hank Jones, Branford Marsalis

Panama Francis Wiki
http://en.wikipedia.org/wiki/Panama_Francis
David “Panama” Francis (December 21, 1918, Miami, Florida – November 13, 2001, Orlando, Florida) was an American swing jazz drummer.
He began performing at the age of eight, and booked his first night club at the age of thirteen. His career took off after he moved to New York City in 1938. Early collaborations included Tab Smith, Billy Hick’s Sizzling Six, the Roy Eldridge Orchestra, and six years with Lucky Millinder’s Orchestra at Harlem’s Savoy Ballroom.
Panama Francis spent five years recording and touring with Cab Calloway. He also played with Duke Ellington, Tommy Dorsey, Ray Conniff, and Sy Oliver, becoming a highly successful studio drummer. He recorded with John Lee Hooker, Eubie Blake, Ella Fitzgerald, Illinois Jacquet, Ray Charles, Mahalia Jackson and Big Joe Turner. As rhythm and blues and rock and roll went mainstream Francis became even more sought after. He drummed on the Elvis Presley demos, and he is featured on hits by the Four Seasons (“Big Girls Don’t Cry” and “Walk Like a Man”), the Platters (“Only You”, “The Great Pretender”, “Smoke Gets in Your Eyes” and “My Prayer”), Bobby Darin (“Splish Splash”), Neil Sedaka (“Calendar Girl”), and Dion (“The Wanderer”).
He drummed on “Prisoner of Love” for James Brown, “What a Difference a Day Makes” for Dinah Washington, “Drown in My Own Tears” for Ray Charles, and “Jim Dandy” for LaVern Baker. Many music reference books indicate that he also played drums on Bill Haley & His Comets’ 1954 version of “Shake, Rattle and Roll”, but producer Milt Gabler denied this; Francis is also believed to have played drums for at least one other Haley recording session in the mid-1960s. In 1979, Panama Francis reestablished the Savoy Sultans touring, recording several Grammy-nominated albums, and keeping residence at New York’s prestigious Rainbow Room through the mid-1980s. He appeared in several films with Cab Calloway: Angel Heart, Lady Sings the Blues, The Learning Tree.
Francis received a Pioneer Award from the Rhythm and Blues Foundation in 1993 and was also inducted into the Smithsonian National Museum of American History. His drum sticks are on display at the Rock and Roll Hall of Fame.
— with Milt Hinton and Panama Francis at The New School for Jazz and Contemporary Music

Earle Warren – alto saxophone, Earle Ronald Warren, playing on May 7, 1990 in honor of Cab Calloway “Beacons In Jazz” Awards Concert – Jon Hammond

Earle’s Wiki http://en.wikipedia.org/wiki/Earle_Warren
Earle Warren (July 1, 1914 – June 4, 1994) was an alto saxophonist and occasional singer with Count Basie.
He was born in Springfield, Ohio.
Warren played 1st (Lead) Alto Saxophone in the Basie orchestra throughout its formative years and its heyday, from 1937 to the end of the 1940s. After the break-up of Basie’s 1940s band, in 1949, he worked with former Basie trumpeter, Buck Clayton.
Earle Warren also played some rock´n roll, working for Alan Freed in Alan Freed’s Christmas Jubilee, December 1959, which was the very last big Alan Freed show before the payola scandal put an end to the legendary Freed’s career. He also appeared in the 1970s jazz film of Count Basie and his band, Born to Swing.
In his later years, Warren performed often at the West End jazz club at 116th and Broadway in New York City, helming a band called The Countsmen, which also featured fellow former Basie-ite Dicky Wells on trombone and Peck Morrison on bass. He lived part of the time in Switzerland where he fathered a child in a May/September romance.
*Discography:
With Milt Jackson
Big Bags (Riverside, 1962)
With Teri Thornton
Devil May Care (Riverside, 1961)
With Milt Buckner
Send Me Softly (Capitol Records T938, 1957)
— with Earle Warren at The New School for Jazz and Contemporary Music.

The late great trumpet player Bobby Johnson from Erskine Hawkins and his Orchestra who played at the legendary Savoy Ballroom New York in the 40′s, playing as Bill Cosby looks on, May 7, 1990

- Beacons in Jazz Concert honoring Cab Calloway – Jon Hammond — with Bill Cosby, Bill Cosby and Bill Cosby at The New School for Jazz and Contemporary Music.

The great jazz musician personality Tumpet / Flugel Horn player Clark Terry playing on the 1990 Beacons in Jazz Awards Concert honoring the late great Cab Calloway – Clark has had some serious health challenges recently. The last time I saw him he told me, “Hammond, you know what they call ‘The Golden Years’…the Golden Years Suck!” one of my all-time favorite people in Jazz folks! Jon Hammond

Clark Terry Wiki
http://en.wikipedia.org/wiki/Clark_Terry
Clark Terry (born December 14, 1920)[1] is an American swing and bop trumpeter, a pioneer of the flugelhorn in jazz, educator, NEA Jazz Masters inductee, and recipient of the 2010 Grammy Lifetime Achievement Award. Only four other trumpet players in history have ever received the Grammy Lifetime Achievement Award: Louis Armstrong (Clark’s old mentor), Miles Davis (whom Clark mentored), Dizzy Gillespie (who often described Clark as the greatest jazz trumpet player on earth) and Benny Carter. Clark Terry is one of the most prolific jazz musicians in history, having appeared on 905 known recording sessions, which makes him the most recorded trumpet player of all time. In comparison, Louis Armstrong performed on 620 sessions, Harry “Sweets” Edison on 563, and Dizzy Gillespie on 501.
He has played with Charlie Barnet (1947), Count Basie (1948–1951),[1] Duke Ellington (1951–1959)[1] and Quincy Jones (1960), and has recorded regularly both as a leader and sideman. In all, his career in jazz spans more than seventy years.
Terry was born in St. Louis, Missouri. He attended Vashon High School and began his professional career in the early 1940s playing, in local clubs. He served as a bandsman in the United States Navy during World War II.
Terry’s years with Basie and Ellington in the late 1940s and 1950s established him as a world-class jazz artist. Blending the St. Louis tone with contemporary styles, Terry’s sound influenced a generation. During this period, he took part in many of Ellington’s suites and acquired a reputation for his wide range of styles (from swing to hard bop), technical proficiency, and good humor. Terry exerted a positive influence on musicians like Miles Davis and Quincy Jones, both of whom acknowledge Clark’s influence during the early stages of their careers. Terry had informally taught Davis while they were still in St Louis.
After leaving Ellington, Clark’s international recognition soared when he accepted an offer from the National Broadcasting Company (NBC) to become its first African-American staff musician. He appeared for ten years on The Tonight Show as a member of The Tonight Show Band, first led by Skitch Henderson and later by Doc Severinsen, where his unique “mumbling” scat singing became famous when he scored a hit with “Mumbles.” A persistent rumor is that Terry was a candidate to lead the band, but for racial skittishness on the part of NBC.
Terry continued to play with musicians such as J. J. Johnson and Oscar Peterson,[2] and led a group with Bob Brookmeyer that achieved popularity in the early 1960s. In the 1970s, Terry concentrated increasingly on the flugelhorn, which he plays with a full, ringing tone. In addition to his studio work and teaching at jazz workshops, Terry toured regularly in the 1980s with small groups (including Peterson’s) and performed as the leader of his Big B-A-D Band (formed about 1970). After financial difficulties forced him to break up the Big B-A-D Band, he performed bands such as the Unifour Jazz Ensemble. His humor and command of jazz trumpet styles are apparent in his “dialogues” with himself, on different instruments or on the same instrument, muted and unmuted. He has occasionally performed solos on a trumpet or flugelhorn mouthpiece.
From the 1970s through the 1990s, Clark performed at Carnegie Hall, Town Hall, and Lincoln Center, toured with the Newport Jazz All Stars and Jazz at the Philharmonic, and he was featured with Skitch Henderson’s New York Pops Orchestra. In 1998, Terry recorded George Gershwin’s “Let’s Call the Whole Thing Off” for the Red Hot Organization’s compilation album Red Hot + Rhapsody, a tribute to George Gershwin, which raised money for various charities devoted to increasing AIDS awareness and fighting the disease. In 2001, he again recorded for the Red Hot Organization with artist Amel Larrieux for the compilation album Red Hot + Indigo, a tribute to Duke Ellington.
Prompted early in his career by Dr. Billy Taylor, Clark and Milt Hinton bought instruments for and gave instruction to young hopefuls which planted the seed that became Jazz Mobile in Harlem. This venture tugged at Clark’s greatest love: involving youth in the perpetuation of jazz. Between global performances, Clark continues to share wholeheartedly his jazz expertise and encourage students, including up-and-coming young jazz trumpeter, Josh Shpak. Since 2000, Clark has hosted Clark Terry Jazz Festivals on land and sea, held his own jazz camps, and appeared in more than fifty jazz festivals on six continents.
His career as both leader and sideman with more than three hundred recordings demonstrates that he is one of the most prolific luminaries in jazz. Clark composed more than two hundred jazz songs and performed for seven U.S. Presidents.
He also has several recordings with major groups including the London Symphony Orchestra, the Dutch Metropole Orchestra, the Duke Ellington Orchestra and the Chicago Jazz Orchestra, hundreds of high school and college ensembles, his own duos, trios, quartets, quintets, sextets, octets, and two big bands: Clark Terry’s Big Bad Band and Clark Terry’s Young Titans of Jazz, with the likes of Branford Marsalis, Conrad Herwig, Brad Leali, Stephen Guerra, Adam Schroeder, Frank Greene and Tony Lujan. The Clark Terry Archive at William Paterson University in Wayne, New Jersey, contains instruments, tour posters, awards, original copies of over 70 big band arrangements, recordings and other memorabilia.
Terry was a long-time resident of Bayside, Queens, and Corona, Queens, New York.[3] He and his wife, Gwen, later moved to Haworth, New Jersey.[4] They currently reside in Pine Bluff, Arkansas.[5]
Born December 14, 1920 (age 92)
St. Louis, Missouri, United States
Genres Jazz, swing, bebop, hard bop
Occupations Trumpeter, flugelhornist, composer
Instruments Trumpet, flugelhorn
Years active 1940s–present
Labels Prestige, Pablo, Candid, Mainstream, Impulse!
Associated acts Charlie Barnet, Count Basie, Duke Ellington, Quincy Jones, Bob Brookmeyer, Oscar Peterson, Oliver Nelson, Milt Jackson, Dizzy Gillespie, Eddie “Lockjaw” Davis, Yusef Lateef, Clifford Brown, Blue Mitchell, Lalo Schifrin, Billy Taylor, Charles Mingus, J.J. Johnson

Awards and honors

Over 250 awards, medals and honors, including:
The 2010 Grammy Lifetime Achievement Award, two Grammy certificates, three Grammy nominations
The National Endowment for the Arts Jazz Master Award in 1991
Sixteen honorary doctorates
Keys to several cities
Jazz Ambassador for U.S. State Department tours in the Middle East and Africa
A knighthood in Germany
Charles E. Lutton Man of Music Award, presented by Phi Mu Alpha Sinfonia Fraternity in 1985. Terry was awareded honorary membership in the Fraternity by the Beta Zeta Chapter at the College of Emporia in 1968. He was also made an honorary member of the Iota Phi chapter of Kappa Kappa Psi, National Honorary Band Fraternity in 2011.
The French Order of Arts and Letters (2000)
A life-sized wax figure for the Black World History Museum in St. Louis
Inducted into the St. Louis Walk of Fame (1996)[6]
NARAS Present’s Merit Award (2005)
Trumpeter of the Year by the Jazz Journalists Association (2005)
— with Clark Terry at The New School for Jazz and Contemporary Music.

Little Jimmy Scott takes the stage with the late great jazz pianist Red Richards at the piano – that’s Phil Schaap clapping – part of a documentary film I made of May 7, 1990 Beacons in Jazz Awards Ceremony and Concert honoring Cab Calloway – more to come, special thanks Arnie Lawrence R.I.P. – Jon Hammond

Red Richards Wiki
http://en.wikipedia.org/wiki/Red_Richards
Charles Coleridge “Red” Richards (October 19, 1912, New York City – March 12, 1998, Scarsdale, New York) was an American jazz pianist.
Richards began playing classical piano at age ten, and concentrated on jazz from age 16 after hearing Fats Waller. His first major professional gig was with Tab Smith at New York’s Savoy Ballroom from 1945 to 1949. following this he played with Bob Wilber (1950-51) and Sidney Bechet (1951). He toured Italy and France in 1953 with Mezz Mezzrow’s band alongside Buck Clayton and Big Chief Moore, also accompanying Frank Sinatra during his time in Italy. He played with Muggsy Spanier on and off from 1953 through the end of the decade, and with Fletcher Henderson in 1957-58. In 1958 he did some time as a solo performer in Columbus, Ohio, then played with Wild Bill Davison in 1958-59 and again in 1962.
In 1960 he formed Saints & Sinners with Vic Dickenson, playing with this ensemble until 1970. He joined Jazz drummer Chuck Slate and his band in 1971 and stayed with him most of the year. He recorded an album with Chuck called “Bix ‘N All That Jazz” Following this he did work with Eddie Condon (1975-77), then played with his own trio in 1977-78. He played with Panama Francis’s group, the Savoy Sultans, worldwide from 1979 through the 1980s. He recorded with Bill Coleman in 1980. He continued to tour almost up until the time of his death.

Little Jimmy Scott Wiki
http://en.wikipedia.org/wiki/Little_Jimmy_Scott
Jimmy Scott (born July 17, 1925, also known as “Little” Jimmy Scott) is an American jazz vocalist famous for his unusually high contralto voice, which is due to Kallmann’s syndrome, a very rare genetic condition. The condition stunted his growth at four feet eleven inches until, at age 37, he grew another 8 inches to the height of five feet seven inches. The condition prevented him from reaching puberty, leaving him with a high, undeveloped voice, hence his nickname “Little” Jimmy Scott.
Scott was born in Cleveland, Ohio to Authur and Justine Stanard Scott, the third in a family of ten. As a child Jimmy got his first singing experience by his mother’s side at the family piano, and later, in church choir. At thirteen, he was orphaned when his mother was killed by a drunk driver.[2]
He first rose to national prominence as “Little Jimmy Scott” in the Lionel Hampton Band when he sang lead on the late 1940s hit “Everybody’s Somebody’s Fool”, recorded in December 1949, and which became a top ten R&B hit in 1950.[2] Credit on the label, however, went to “Lionel Hampton and vocalists”, so the singer’s name did not appear on any of the songs. This omission of credit was not only a slight to Scott’s talent but a big blow to his career. A similar professional insult occurred several years later when his vocal on “Embraceable You” with Charlie Parker, on the album One Night in Birdland, was credited to female vocalist Chubby Newsome.[3]
Lionel Hampton gave him the stage name of “Little Jimmy Scott” because he looked so young, and was short and of slight build. However, it was his extraordinary phrasing and romantic feeling that made him a favorite singer of fellow artists such as Billie Holiday, Ray Charles, Frankie Valli, Dinah Washington, and Nancy Wilson.[4]
In 1963, it looked as though Scott’s luck had changed for the good. He was signed to Ray Charles’ Tangerine Records label, under the supervision of Charles himself, creating what is considered by many to be one of the great jazz vocal albums of all time, Falling in Love is Wonderful.[5]
Owing to obligations on a contract that Scott had signed earlier with Herman Lubinsky, the record was yanked from the shelves in a matter of days, while Jimmy was honeymooning. Forty years later this cult album became available to the public again. Scott disputes the “lifetime” contract; Lubinsky loaned Jimmy out to Syd Nathan at King Records for 45 recordings in 1957–58. Another album, The Source (1969), was not released until 2001.[6]
Scott’s career faded by the late 1960s and he returned to his native Cleveland to work as a hospital orderly, shipping clerk and as an elevator operator in a hotel.
[edit]Comeback and later work

Scott eventually resurfaced in 1991 when he sang at the funeral of his long-time friend Doc Pomus, an event that single-handedly sparked his career renaissance.[7] Afterwards Lou Reed recruited him to sing back-up on the track “Power and Glory” from his 1992 album Magic and Loss, which was inspired, to an extent, by Pomus’s death. Scott was seen on the series finale of David Lynch’s television series Twin Peaks, singing “Sycamore Trees”, a song with lyrics by Lynch and music by Angelo Badalamenti. Scott was featured on the soundtrack of the follow-up film, Twin Peaks: Fire Walk with Me.[8]
Also in attendance at Pomus’s funeral was Seymour Stein, founder and operator of Sire Records, who released Scott’s 1992 album All The Way, produced by Tommy Lipuma and featuring artists such as Kenny Barron, Ron Carter, and David “Fathead” Newman. Scott was nominated for a Grammy Award for this album.[9]
He followed this up with the album Dream in 1994, the jazz-gospel album Heaven in 1996 and an album of pop and rock interpretations entitled “Holding Back the Years” in 1998, notable for its version of Prince’s “Nothing Compares 2 U”.
In 1999, Scott’s early recordings on the Decca label were re-released on CD, as were all of his recordings with the Savoy Label between 1952 and 1975 in a three-disc box set. In 2000, Scott signed to the Milestone jazz label, and recorded four critically acclaimed albums, each produced by Todd Barkan, and featuring a variety of jazz artists, including Wynton Marsalis, Renee Rosnes, Bob Kindred, Eric Alexander, Lew Soloff, George Mraz, Lewis Nash, as well as Jimmy’s own touring and recording band “The Jazz Expressions”. He also released two live albums, both recorded in Japan, featuring the Jazz Expressions.
For some years a new album entitled I Remember You has been mentioned via various official channels, including Jimmy’s official website; however, any solid news on the album’s release date is yet to be revealed.
[edit]Legacy

Scott’s career has spanned sixty-five years. He has performed with Charlie Parker, Sarah Vaughan, Lester Young, Lionel Hampton, Charles Mingus, Fats Navarro, Quincy Jones, Bud Powell, Ray Charles, Wynton Marsalis, and Peter Cincotti. He has also performed with a host of musicians from other genres of music, such as David Byrne, Lou Reed, Flea, Michael Stipe, and Antony & The Johnsons. Scott performed at President Dwight Eisenhower’s (1953) and President Bill Clinton’s (1993) inaugurations, where he sang the same song, “Why Was I Born?”. Most recently Scott has appeared in live performances with Pink Martini, and continues to perform internationally at music festivals and at his own concerts.
In 2007, Scott received the 2007 NEA Jazz Master Award. Scott also received the Kennedy Center’s “Jazz In Our Time” Living Legend Award, and N.A.B.O.B.’s Pioneer Award in 2007. In September 2008 he did a “two-day video interview” at his Vegas home with the “Smithsonian Institute for the National Archives”. Scott and his wife Jeanie have been living in Las Vegas, Nevada since 2007, after living in Euclid, Ohio, for 10 years.[citation needed]
Little Jimmy Scott’s “If I Ever Lost You” can be heard in the opening credits of the HBO movie Lackawanna Blues. He was also mentioned on The Cosby Show, when Clair and Cliff Huxtable bet on the year in which “An Evening In Paradise” was recorded

Albums
Very Truly Yours (Savoy) (1955)
If You Only Knew (Savoy) (1956)
The Fabulous Songs Of Jimmy Scott (Savoy) 1960)
Falling In Love Is Wonderful (Tangerine) (1963) (Re-issue 2003)
The Source (Atlantic) (1969) (Re-issue 2001)
Can’t We Begin Again (Savoy) (1975)
Doesn’t Love Mean More (J’s Way) (1990)
Live In New Orleans (1951 Concert) (Fantasy) (1991)
All The Way (Sire) (1992)
Dream (Sire) (1994)
Heaven (Sire) (1996)
Holding Back The Years (Artists Only) (1998)
Mood Indigo (Milestone) (2000)
Over The Rainbow (Milestone) (2001)
Unchained Melody (Live Album) (Tokuma) (2001)
But Beautiful (Milestone) (2002)
Moonglow (Milestone) (2003)
All Of Me: Live In Tokyo (Venus) (2004)

[edit]Compilations
Lost And Found (Rhino) (1993)
Bravo Profiles: A Jazz Master (Bravo) (1993)
All Over Again (Savoy Jazz) (1995)
Everybody’s Somebody’s Fool (Universal) (1999)
The Savoy Years & More (Box Set) (Savoy Jazz) (1999)
Les Incontournables (Warner) (2000)
Timeless (Savoy Jazz) (2002)
Someone To Watch Over Me (2-Disc) (Warner) (2004)
The Essential Jimmy Scott (Metro) (2005)
Milestone Profiles: Jimmy Scott (Milestone) (2006)
[edit]Filmography

Twin Peaks – “Episode 29″ (1991)
Scotch & Milk (1998)
Chelsea Walls (2002)
Stormy Weather: The Music of Harold Arlen (2002) (TV)
Jimmy Scott: If You Only Knew (DVD) (2003)
Passion Play (2011)
Rising Above the Blues – The Story of Jimmy Scott (2012)
— with Little Jimmy Scott

Manhattan by Night — Jon Hammond standing waving in Times Square to the big screen, not too much action at this hour – JH
Times Square Wiki

http://en.wikipedia.org/wiki/Times_Square
Times Square is a major commercial intersection in Midtown Manhattan, New York City, at the junction of Broadway and Seventh Avenue and stretching from West 42nd to West 47th Streets. Times Square – iconified as “The Crossroads of the World”[1][2][3][4][5] and the “The Great White Way”[6][7][8] – is the brightly illuminated hub of the Broadway theater district,[9] one of the world’s busiest pedestrian intersections,[10] and a major center of the world’s entertainment industry.[11] According to Travel + Leisure magazine’s October 2011 survey, Times Square is the world’s most visited tourist attraction, bringing in over 39 million visitors annually.[12]
Formerly Longacre Square, Times Square was renamed in April 1904 after The New York Times moved its headquarters to the newly erected Times Building – now called One Times Square – site of the annual ball drop on New Year’s Eve.[13]
The northern triangle of Times Square is technically Duffy Square, dedicated in 1937 to Chaplain Francis P. Duffy of New York City’s “Fighting 69th” Infantry Regiment; a memorial to Duffy is located there, along with a statue of George M. Cohan, and the TKTS discount theatre tickets booth. The stepped red roof of the TKTS booth also provides seating for various events. The Duffy Statue and the square were listed on the National Register of Historic Places in 2001
Before and after the American Revolution, the area belonged to John Morin Scott, a general of the New York militia, in which he served under George Washington. Scott’s manor house was at what is currently 43rd Street, surrounded by countryside used for farming and breeding horses. In the first half of the 19th century it became one of the prized possessions of John Jacob Astor, who made a second fortune selling off lots to hotels and other real estate concerns as the city rapidly spread uptown.[15] By 1872 the area had become the center of New York’s carriage industry. The area not having previously been named, the city authorities called it Longacre Square after Long Acre in London, where the carriage trade in that city was centered.[16]
[edit]Early 20th century
In 1904, New York Times publisher Adolph S. Ochs moved the newspaper’s operations to a new skyscraper on 42nd Street at Longacre Square. Ochs persuaded Mayor George B. McClellan, Jr. to construct a subway station there, and the area was renamed “Times Square” on April 8, 1904. Just three weeks later, the first electrified advertisement appeared on the side of a bank at the corner of 46th Street and Broadway.[17]
The New York Times, according to Nolan, moved to more spacious offices west of the square in 1913. The old Times Building was later named the Allied Chemical Building. Now known simply as One Times Square, it is famed for the Times Square Ball drop on its roof every New Year’s Eve.
In 1913, the Lincoln Highway Association, headed by entrepreneur Carl G. Fisher, chose the intersection of 42nd Street and Broadway, at the southeast corner of Times Square, to be the Eastern Terminus of the Lincoln Highway, the first road across the United States, which originally spanned 3,389 miles (5,454 km) coast-to-coast through 13 states to its Western Terminus in Lincoln Park in San Francisco, California.[18][19]
As the growth in New York City continued, Times Square quickly became a cultural hub full of theaters, music halls, and upscale hotels.
Times Square quickly became New York’s agora, a place to gather to await great tidings and to celebrate them, whether a World Series or a presidential election
—James Traub, The Devil’s Playground: A Century of Pleasure and Profit in Times Square
Celebrities such as Irving Berlin, Fred Astaire, and Charlie Chaplin were closely associated with Times Square in the 1910s and 1920s. During this period, the area was nicknamed The Tenderloin[20] because it was supposedly the most desirable location in Manhattan. However, it was during this period that the area was besieged by crime and corruption, in the form of gambling and prostitution; one case that garnered huge attention was the arrest and subsequent execution of police officer Charles Becker.[21]
The general atmosphere changed with the onset of the Great Depression in the 1930s. Times Square acquired a reputation as a dangerous neighborhood in the following decades. From the 1960s to the early 1990s, the seediness of the area, especially due its go-go bars, sex shops, and adult theaters, became an infamous symbol of the city’s decline.[22]
[edit]1980s–present

Madame Tussauds Wax Museum and Ripley’s Believe It or Not! Odditorium are two of the newer attractions on the redeveloped 42nd Street.

Lights and advertising at the southern end of Times Square
In the 1980s, a commercial building boom began in the western parts of the Midtown as part of a long-term development plan developed under Mayors Ed Koch and David Dinkins. In the mid-1990s, Mayor Rudolph Giuliani (1994–2002) led an effort to “clean up” the area, increasing security, closing pornographic theaters, pressuring undesireables to relocate, and opening more tourist-friendly attractions and upscale establishments. Advocates of the remodeling claim that the neighborhood is safer and cleaner. Detractors have countered that the changes have homogenized or “Disneyfied” the character of Times Square and have unfairly targeted lower-income New Yorkers from nearby neighborhoods such as Hell’s Kitchen.[citation needed]
In 1990, the state of New York took possession of six of the nine historic theatres on 42nd Street, and the New 42nd Street non-profit organization was appointed to oversee their restoration and maintenance. The theatres underwent renovation for Broadway shows, conversion for commercial purposes, or demolition.
The theaters of Broadway and the huge number of animated neon and LED signs have long made them one of New York’s iconic images, and a symbol of the intensely urban aspects of Manhattan. Times Square is the only neighborhood with zoning ordinances requiring building owners to display illuminated signs.[23] The density of illuminated signs in Times Square now rivals that of Las Vegas. Officially, signs in Times Square are called “spectaculars”, and the largest of them are called “jumbotrons.”
Notable signage includes the Toshiba billboard directly under the NYE ball drop and the curved seven-story NASDAQ sign at the NASDAQ MarketSite at 4 Times Square on 43rd Street and the curved Coca-Cola sign located underneath another large LED display owned and operated by Samsung. Both the Coca-Cola sign and Samsung LED displays were built by LED display manufacturer Daktronics. Times Square’s first environmentally friendly billboard powered by wind and solar energy was first lit on December 4, 2008.[24]
In 1992, the Times Square Alliance (formerly the Times Square Business Improvement District, or “BID” for short), a coalition of city government and local businesses dedicated to improving the quality of commerce and cleanliness in the district, started operations in the area.[25] Times Square now boasts attractions such as ABC’s Times Square Studios, where Good Morning America is broadcast live, an elaborate Toys “Я” Us store, and competing Hershey’s and M&M’s stores across the street from each other, as well as restaurants such as Ruby Foo’s (serving Chinese food), the Bubba Gump Shrimp Company (seafood), Planet Hollywood Restaurant and Bar (a theme restaurant) and Carmine’s (Italian) along with a number of multiplex movie theaters. It has also attracted a number of large financial, publishing, and media firms to set up headquarters in the area. A larger presence of police has improved the safety of the area.

Times Square pedestrianized

The “Naked Cowboy” – who is not actually naked – is a fixture in Times Square.
In 2002, New York City’s mayor, Rudy Giuliani, gave the oath of office to the city’s next mayor, Michael Bloomberg, at Times Square after midnight on January 1 as part of the 2001–2002 New Year’s celebration. Approximately 500,000 revelers attended. Security was high following the September 11, 2001, terrorist attacks, with more than 7,000 New York City police officers on duty in the Square, twice the number for an ordinary year.[26]
From August 14, 2003 to August 15, 2003, the lights of Times Square went dark as a result of the 2003 Northeast blackout, which paralyzed most of the region and parts of Canada for over 24 hours. Power was finally restored to the area on the evening of Friday, August 15.
On the morning of March 6, 2008 a small bomb caused minor damage but no reported injuries.[27]
On February 26, 2009, Mayor Michael Bloomberg announced that traffic lanes along Broadway from 42nd Street to 47th Street would be de-mapped starting Memorial Day 2009 and transformed into pedestrian plazas until at least the end of the year as a trial. The same was done from 33rd to 35th Street. The goal was to ease traffic congestion throughout the Midtown grid. The results were to be closely monitored to determine if the project worked and should be extended.[28] Bloomberg also stated that he believed the street shutdown would make New York more livable by reducing pollution, cutting down on pedestrian accidents and helping traffic flow more smoothly.[29] The project was originally opposed by local businesses, who thought that closing the street to cars would hurt business.[30]
The original seats put out for pedestrians were inexpensive multicolored plastic lawn chairs, a source of amusement to many New Yorkers. They lasted from the onset of the plaza transformation until August 14, 2009, when they were ceremoniously bundled together in an installation christened “Now You See It, Now You Don’t” by the artist Jason Peters.[31] Although the plaza had mixed results on traffic in the area, injuries to motorists and pedestrians decreased, fewer pedestrians were walking in the road and the number of pedestrians in Times Square increased.[32] The plastic chairs were shortly replaced by sturdier metal furniture, and on February 11, 2010, Mayor Michael Bloomberg announced that the pedestrian plazas would become permanent.[33]
In February 2011, Times Square became smoke free as New York extended the outdoors smoking ban to the area. The measure fines any person smoking within the area a fee of $50.[34]
On May 1, 2010, Times Square was evacuated from 43rd to 46th Street following the discovery of a car bomb. It was found to be a failed bombing.[35]
[edit]New Year’s Eve celebrations

Manhattan by Night — Goofy and Mickey Mouse in Times Square – Jon Hammond
Goofy Wiki http://en.wikipedia.org/wiki/Goofy

Goofy is a funny animal cartoon character created in 1932 at Walt Disney Productions. Goofy is a tall, anthropomorphic dog, and typically wears a turtle neck and vest, with pants, shoes, white gloves, and a tall hat originally designed as a rumpled fedora. Goofy is a close friend of Mickey Mouse and Donald Duck and is one of Disney’s most popular characters. He is normally characterized as extremely clumsy and having little intelligence, yet this interpretation isn’t always definitive; occasionally Goofy is shown as intuitive and clever, albeit in his own unique, eccentric way.
Goofy debuted in animated cartoons, starting in 1932 with Mickey’s Revue. During the 1930s he was used extensively as part of a comedy trio with Mickey and Donald. Starting in 1939, Goofy was given his own series of shorts which were popular in the 1940s and early ’50s. He also co-starred in a short series with Donald. Four more Goofy shorts were produced in the 1960s after which Goofy was only seen in television and comics. He returned to theatrical animation in 1983 with Mickey’s Christmas Carol. His last theatrical appearance was How to Hook Up Your Home Theater in 2007. Goofy has also been featured in television, most extensively in Goof Troop (1992–1993), as well as House of Mouse (2001–2003) and Mickey Mouse Clubhouse (2006–present).
Originally known as Dippy Dawg, the character is more commonly known simply as “Goofy,” a name used in his short film series. In his 1950s persona, Goofy was called George Geef, or G. G. Geef, implying that “Goofy” was merely a nickname. In Goofy Gymnastics (1949) he fills out a coupon with the name James Boyd.[1] Sources from the Goof Troop continuity give the character’s full name as Goofy Goof, or G. G. Goof, likely a reference to the 1950s name. In many other sources, both animated and comics, the surname Goof continues to be used. In other 2000s-era comics the character’s full name has occasionally been given as Goofus D. Dawg.

Manhattan by Night — Minnie Mouse in Times Square – Jon Hammond

Minnie Wiki http://en.wikipedia.org/wiki/Minnie_Mouse
Minnie Mouse is a funny animal cartoon character created by Ub Iwerks and Walt Disney. The comic strip story “The Gleam” (published January 19-May 2, 1942) by Merrill De Maris and Floyd Gottfredson first gave her full name as “Minerva Mouse.” Minnie has since been a recurring alias for her. Minnie is currently voiced by actress Russi Taylor. Both Minnie and Mickey were first drawn in 1928 by Ub Iwerks.
The comic strip story “Mr. Slicker and the Egg Robbers” (published September 22 – December 26, 1930) introduced her father Marcus Mouse and her mother Margie Mouse, both farmers. The same story featured photographs of her grandparents Marshall Mouse and Matilda Mouse. Her best known relatives, however, remain her uncle Mortimer Mouse and her twin nieces, Millie and Melody Mouse, though most often a single niece, Melody, appears. In many appearances, Minnie is presented as the girlfriend of Mickey Mouse, a close friend of Daisy Duck,[3] Donald Duck’s wife (or girlfriend), and occasionally a friend to Clarabelle Cow. Minnie’s sister, Mandie Mouse was a recurring character early on.
First appearance Steamboat Willie (1928)[1][2]
Created by Walt Disney
Ub Iwerks
Voiced by Walt Disney (1928)
Marjorie Norton Ralston (1929)
Marcellite Garner (1930-1938)
Thelma Boardman (1941-1942)
Ruth Clifford (1944-1952)
Russi Taylor (1986-present)
Aliases Princess Minnie
Maestro Minnie
Minerva Mouse
Minnie the Mouse
Queen Minnie
Species Mouse
Gender Female
Family Marshall Mouse (paternal grandfather)
Marcus Mouse (father)
Significant other(s) Mickey Mouse

Manhattan by Night — Mickey Mouse in Times Square – Jon Hammond

Mickey Wiki http://en.wikipedia.org/wiki/Micky_Mouse
Mickey Mouse is a funny animal cartoon character created in 1928 by Walt Disney and Ub Iwerks at the Walt Disney Studios.[3] Mickey is an anthropomorphic mouse who typically wears red shorts, large yellow shoes, and white gloves. As the official mascot of The Walt Disney Company, Mickey is one of the most recognizable cartoon characters in the world.
Mickey first was seen in a single test screening (Plane Crazy). Mickey officially debuted in November 1928 in Steamboat Willie, one of the first sound cartoons. He went on to appear in over 130 films including The Band Concert (1935), Brave Little Tailor (1938), and Fantasia (1940). Mickey appeared primarily in short films, but also occasionally in feature-length films. Nine of Mickey’s cartoons were nominated for the Academy Award for Best Animated Short Film, one of which, Lend a Paw, won the award in 1942. In 1978, Mickey became the first cartoon character to have a star on the Hollywood Walk of Fame.
Beginning 1930, Mickey has also been featured extensively as a comic strip character. His self-titled newspaper strip, drawn primarily by Floyd Gottfredson, ran for 45 years. Mickey has also appeared in comic books and in television series such as The Mickey Mouse Club (1955–1996) and others. He also appears in other media such as video games as well as merchandising, and is a meetable character at the Disney parks.
Mickey typically appears alongside his girlfriend Minnie Mouse, his pet dog Pluto, his friends Horace Horsecollar, Donald Duck, and Goofy, and his nemesis Pete among others. (see Mickey Mouse universe) Originally characterized as a mischievous antihero, Mickey’s increasing popularity led to his being rebranded as an everyman, usually seen as an ever cheerful, yet shy role model. In 2009, Disney began to rebrand the character again by putting less emphasis on his pleasant, cheerful side and reintroducing the more mischievous and adventurous sides of his personality, beginning with the video game Epic Mickey
First appearance Steamboat Willie (1928)[1]
Created by Walt Disney
Ub Iwerks
Voiced by Walt Disney (1928–1947)
Jimmy MacDonald (1947–1977)
Wayne Allwine (1977–2009)[2]
Bret Iwan (2009–present)
Developed by Floyd Gottfredson
Fred Moore

Species Mouse
Gender Male
Family Mickey Mouse family
Significant other(s) Minnie Mouse
Pet dog Pluto

Martin W. Mueller center stage, surveys the situation just before kicking off the 4th Beacons in Jazz Awards Ceremony & Concert all-star gala honoring the late great Cab Calloway May 7, 1990 in the little theatre on 13th St.,

Mayor David N. Dinkins proclaimed May 7th as Cab Calloway Day in New York – and Cab was presented The Beacons in Jazz Award by jazz historian Phil Schaap – an incredible evening with concert including Jazz Survivors Band with Panama Francis, Milt Hinton, Eddie Barefield and more legends – then a large ensemble powered by the rhythm section of Bernard Purdie with Reggie Workman bass – horn section including the late great Arnie Lawrence, also Eddie Bert, Donald Byrd – many of these cats have passed on sadly, special appearance by Little Jimmy Heath conducting and playing soprano saxophone. Julian Junior Mance at the piano with Billy Harper on tenor sax – graduating saxophonist Walter Blanding Jr. played his old saxophone held together by rubber bands for the last time that night, as Cab Calloway personally presented him with a new Yamaha tenor saxophone which he immediately played “You’ve Changed” joined by the all-star band and Little Jimmy Scott vocals – Bill Cosby hosted the entire night and participated in the music with gusto – incredible historic evening that I personally documented – the project is now back in-progress 23 years later, Jon Hammond — with Martin W. Mueller at The New School for Jazz and Contemporary Music.

New York NY — My good friend Joe Franklin – King of Radio and TV – Production Assistant Needed, contact Mr. Hammond – Joe in his Midtown Manhattan Office affectionately known as “Memory Lane” – Jon Hammond

Youtube “Joe Franklin Up Late HammondCast KYOU Radio” http://youtu.be/NEWGszvpduU
Joe Franklin “King Of Nostalgia” Host of Radio & TV who’s guests have been entertainers like Bill Cosby to legends like Bing Crosby, Charlie Chaplin..
Joe Franklin Movie – http://youtu.be/jc0z0vV4APk
JOE FRANKLIN at Laugh Factory on HammondCast :
8,870
http://youtu.be/b_-mYcrxtTo
Radio & TV Broadcasting Legend JOE FRANKLIN in an appearance at NYC’s Laugh Factory Club at annual Thanksgiving Feed shot personally by Mr. Hammond. This is hilarious rare footage of Joe doing stand-up, a must see! *as seen on The Aristocrats (film)
Joe Franklin Wiki http://en.wikipedia.org/wiki/Joe_Franklin
Joe Franklin (born Joseph Fortgang on March 9, 1926) is an American radio and television personality. From New York City, Franklin is credited with hosting the first television talk show. The show began in 1951 on WJZ-TV (later WABC-TV) and moved to WOR-TV (later WWOR-TV) from 1962 to 1993.[1]
After retiring from the television show, Franklin concentrated on an overnight radio show, playing old records on WOR-AM on Saturday evenings. He currently interviews celebrities on the Bloomberg Radio Network.[2]
An author, Franklin has written 23 books, including Classics of the Silent Screen.[3] His 1995 autobiography Up Late with Joe Franklin[4] chronicles his long career and includes claims that he had dalliances with Marilyn Monroe, Jayne Mansfield, and that Veronica Lake “threw herself at me, but I always refrained.”[5] He has appeared as himself in countless films, notably Ghostbusters and Broadway Danny Rose.
Franklin’s show was often parodied by Billy Crystal during the 1984–1985 season of Saturday Night Live. Franklin was also a pioneer in promoting products such as Hoffman Beverages and Ginger Ale on the air.[1]
Known as “the king of nostalgia”, Franklin’s highly-rated television and radio shows, especially a cult favorite to cable television viewers and his long-running “Memory Lane” radio programs, focused on old-time show-business personalities.
Franklin has an encyclopedic knowledge of the music, musicians and singers, the Broadway stage shows, the films and entertainment stars of the first half of the 20th Century, and is an acknowledged authority on silent film.
He began his entertainment career at 16 as a record picker for Martin Block’s popular “Make Believe Ballroom” radio program.
Among Franklin’s own idols, as he frequently told viewers, were Al Jolson, whom he literally “followed around” as a teenager in New York, and Eddie Cantor, who eventually began buying jokes from the young Franklin and whose Carnegie Hall show Franklin later produced.
Franklin would delight his audience with trivia about the most obscure entertainers from past generations and equally unknown up-and-comers from the present. His guests ranged from novelty performers like Tiny Tim, and Morris Katz to popular entertainers like Bill Cosby and Captain Lou Albano to legends like Bing Crosby, Charlie Chaplin, John Wayne, Marilyn Monroe, Cary Grant, John Lennon and Yoko Ono, but also frequently included (sometimes on the same panel) unknown local New York punk bands, self-published authors, “tribute” impersonator lounge singers, and the like, giving the show a surreal atmosphere that was part of its appeal.
Many of today’s well known talents such as Woody Allen, Barbra Streisand and Julia Roberts got their first television exposure on The Joe Franklin Show. Others, notoriously shy of live interviews, made frequent appearances on Franklin’s programs: Frank Sinatra, for instance, appeared four times.
Joe would appear on the very first episode of This American Life giving host Ira Glass advice on how to have a successful show.
In addition to his TV Talk Show, Joe appeared regularly with Conan O’Brien. He’s also seen on “The David Letterman Show,” “Live With Regis And Kathy Lee,” and has been mentioned several times on the hit cartoon series “The Simpsons.”
Producer Richie Ornstein has worked side-by-side with Joe Franklin for decades and was a standard feature on Joe Franklin’s Show to interact with guests and to discuss trivia.
In 1999 Joe Franklin and Producer Steve Garrin partnered with Restaurant Mogul Dennis Riese to open “Joe Franklin’s Memory Lane Restaurant”. It continued to operate as Joe Franklin’s Comedy Club until February 2010. — with Joe Franklin and Joe Franklin at Times Square NYC

Tuxedoed (and bearded in those days) Julian “Junior” Mance – jazz pianist, this was on May 7, 1990 – Junior as a member of the Faculty of The New School for Jazz and Contemporary Music where he presided for about 30 years
*Note: Be sure to check out my 5-part Junior Mance Interview available on Youtube – JH: http://youtu.be/8_RtxDg1z_0

- played on the historic evening I documented at the request of the late great alto saxophonist Arnie Lawrence, also on-faculty and co-founder or The New School for Jazz and Contemporary Music – this was the evening Mayor David N. Dinkins proclaimed May 7th as Cab Calloway Day in New York – and Cab was presented The Beacons in Jazz Award by jazz historian Phil Schaap – an incredible evening with concert including Jazz Survivors Band with Panama Francis, Milt Hinton, Eddie Barefield and more legends – then a large ensemble powered by the rhythm section of Bernard Purdie with Reggie Workman bass – horn section including the late great Arnie Lawrence, also Eddie Bert, Donald Byrd – many of these cats have passed on sadly, special appearance by Little Jimmy Heath conducting and playing soprano saxophone. Julian Junior Mance at the piano with Billy Harper on tenor sax – graduating saxophonist Walter Blanding Jr. played his old saxophone held together by rubber bands for the last time that night, as Cab Calloway personally presented him with a new Yamaha tenor saxophone which he immediately played “You’ve Changed” joined by the all-star band and Little Jimmy Scott vocals – Bill Cosby hosted the entire night and participated in the music with gusto – incredible historic evening that I personally documented – the project is now back in-progress 23 years later, Jon Hammond *special thanks Martin W. Mueller – Exec. Director The New School for Jazz and Contemporary Music, Arnie Lawrence R.I.P.
*Junior Mance Wiki: http://en.wikipedia.org/wiki/Junior_Mance
Julian Clifford Mance, Jr. (known as Junior Mance, born 10 October 1928, Evanston, Illinois) is an American jazz pianist and composer.
Junior Mance began playing the piano at the age of five, but did not begin formal training until the age of eight. He started playing professionally during his early teens. He attended Roosevelt College in Chicago as a music major.
In 1947 Mance left Roosevelt College to join Gene Ammons’ band and began his recording career with Gene. He joined Lester Young in 1949 for almost two years, and rejoined Ammons several months in 1951 before being drafted into the U. S. Army. He served in the 36th Army Band at Fort Knox, Kentucky along with Julian “Cannonball” Adderley.
After his discharge from the Army in 1953, he became part of the house rhythm section at the Bee Hive Jazz Club in Chicago for a year, and accompanied musicians such as Charlie Parker, Coleman Hawkins, Eddie “Lockjaw” Davis, Sonny Stitt, and many others.
In 1954 Mance joined and toured with Dinah Washington. Among the numerous recordings he made with her, there are two that really stand out in his memory: Dinah Jams and Jam Session. They are two live albums also featuring Clifford Brown, Max Roach, Clark Terry, Maynard Ferguson, Herb Geller, Harold Land, Keter Betts, George Morrow, Richie Powell.
In 1956 he reunited with Cannonball Adderley, becoming a member of Cannonball’s first organized working band. The band did a series of recordings on Mercury Records.
Junior joined Dizzy Gillespie’s band in 1958, a period Junior considers one of the highlights of his career. Besides the joy and fun of playing with Dizzy, he remembers this period as a great learning experience in musicianship, showmanship, and just about everything related to the business of music.
In 1961 Junior decided to form his own trio, following the release of his first recording as a leader. (Junior, Verve Records) In between gigs with his trio, with bassist Ben Tucker and Bobby Thomas on drums, he played and recorded with the Eddie “Lockjaw” Davis/Johnny Griffin Quintet. With his trio he also accompanied singer Joe Williams in 1963/64.
In 1988 Junior became a member of the faculty at The New School for Jazz and Contemporary Music in New York City. He teaches classes in Blues, Ballads, and also private lessons.
During the 1990s Junior has been part of a very elite group called “100 Gold Fingers”. This is a group which tours Japan every other year, consisting of ten outstanding jazz pianists. On various tours the group has included people such as Hank Jones, John Lewis, Tommy Flanagan, Kenny Barron, Ray Bryant, Roger Kellaway, Gene Harris, Marian McPartland, Barry Harris, Toshiko Akiyoshi, Lynne Arriale, Cyrus Chestnut, Benny Green, Duke Jordan, Joanne Brackeen, Monty Alexander, Dave McKenna, Renee Rosnes, Mulgrew Miller, Harold Mabern as well as Junior and a rhythm section consisting of bassist Bob Cranshaw and either Alan Dawson or Grady Tate on drums.
On November 21, 1997, at Tampa, Florida, Junior was inducted into the International Jazz Hall of Fame, an honor Junior is extremely proud of, being in the elite company of many of his heroes, both past and present.
Mance made his solo piano debut at Lincoln Center at the Kaplan Penthouse on October 5–7 of 2000.
The Junior Mance Trio (Jackie Williams, Hide Tanaka, and guest vocalist José James) released their first CD, Live At Cafe Loup, in 2007. Junior is still very active in NYC, Japan, and all over the world. — with Junior Mance at The New School for Jazz and Contemporary Music

Bernard “Pretty” Purdie tuxedoed at the drums

Josh Lief
Senior Assistant Attorney General and Section Chief at Office of the Attorney General – Commowealth of Virginia

Daniel Rogue
Le Lude, Pays De La Loire, France

Rick Sankey
Chicago Music

Ted Stilles
Montclair High School

Joe Berger
King at Self employed

Marc Perez

Teruo Goto
Works at Dirty old Musician.

Brian Banks
Malverne, New York

John Carlini
Berklee College of Music

James E. White
Largo, Florida

Eddie Bimonte
Owner at Eddie’s Pet Service

Mike S. Wartell
Photographer at Wartell Photography

Rainey Kato
Meguro-ku, Tokyo, Japan

Chris Foster
Land O’ Lakes, Florida

Robert Higgins
Asbury Park High School

Robbie Furlong
Holland Park High School

Scott Smith
Drummer at Playing Drums in Church

Bikki Johnson

Jeffrey Campbell
North Syracuse High School

RichmondMusic Page
Works at Richmond Music Center

Joanne Ruocco

Dean Kurtz
Fullerton College

Tony Santos

Paul Condon

Yutaka Sugiura

Jesse Kanner
CEO & Founder at Login Media

Toussaint Thompson
Facillitator at MDCPS

Martina Mummi

Alphonza Kee Sr Page II
Shaw University

Fedj Sylvanus
Live Sound Engineer at The palace

Giovanni de Liguori
Rolling Stones Sticky Fingers

Neal Grover
Kingston, New York

Tomoya Sugimori
Works at Nihon University 日本大学

Jeff Schneider

Oscar Vildosola
Mark Keppel High

Eliabe Acácio
Works at BRF Brasil Foods S/A ( Perdigão, Sadia, Batavo e Elegê )

Glyn Jones
University of Life

Jimi D’Andrea

Tim Watson
Works at Self Employed and Loving It!

Brian Knight

Arthur Regis
Trinity College Of Music, London

Robert McNamara
J.P. Stevens High School

Vinny Nicosia

Gene Zwicharowski
Superintendent Underground Div./ Drummer Pocket Ful of Soul at C.j.fucci construction

Decco Takano
Meijo University

Jack Bonacorso
Cardinal Spellman High School

Phil Bennett
Honolulu, Hawaii

Ajit Betageri
University of British Columbia

Paul Campanella Jr.
Las Vegas, Nevada

John Ratso Gerardi
CEO & Founder at Lenox Sound Recording Studio

Bobby Cattrano
State University of New York at Farmingdale

Cleve Warren
Oklahoma City University

Bruce Pollack
Part Time Drummer at Musician

Tim Adger

Aaron Comess
The New School for Jazz and Contemporary Music

Malcolm Lukens
L.A. Valley College

Gene Kelly
Co Owner at Kelly’s Gingernut Pub

Lorraine Imbriano Jackson

Bobpat Hern

Mike O’Keeffe

Robyn Curleighhead

Michael Anderson
Lawrenceville, New Jersey

Giannis Giannakopoulos

Sean Walker
University of the Arts

John Diss

Jody Cortez
Los Angeles Valley College

Andrei Bourtsev

Chris Remediani
Vocalist/Guitarist at The 70′s Project

Celia Thompson
Staten Island, New York

Yuko Doi
Artist at ボーグミュージック

Andy Urquhart
Wimborne, Dorset, United Kingdom

Seigo Sato
代表取締役社長 at 株式会社トーシン

Greg Dwinell
Works at Musician, Orange Sound, Audio Museum of Science Inc

Daniel Jacoubovitch

Fred Taylor
Worked nationwde as drummer/percussionist/arranger/producer/audio engineer at Self-employed drummer, composer, producer.

Bart Spits
Works at Diverse Muziek

Jack McKeever
Works at The Maid’s Room

– 4th Beacons in Jazz Awards Ceremony & Concert May 7, 1990 in the little theatre on 13th St., Mayor David N. Dinkins proclaimed May 7th as Cab Calloway Day in New York – and Cab was presented The Beacons in Jazz Award by jazz historian Phil Schaap – an incredible evening with concert including Jazz Survivors Band with Panama Francis, Milt Hinton, Eddie Barefield and more legends – then a large ensemble powered by the rhythm section of Bernard Purdie with Reggie Workman bass – horn section including the late great Arnie Lawrence, also Eddie Bert, Donald Byrd – many of these cats have passed on sadly, special appearance by Little Jimmy Heath conducting and playing soprano saxophone. Julian Junior Mance at the piano with Billy Harper on tenor sax – graduating saxophonist Walter Blanding Jr. played his old saxophone held together by rubber bands for the last time that night, as Cab Calloway personally presented him with a new Yamaha tenor saxophone which he immediately played “You’ve Changed” joined by the all-star band and Little Jimmy Scott vocals – Bill Cosby hosted the entire night and participated in the music with gusto – incredible historic evening that I personally documented – the project is now back in-progress 23 years later, Jon Hammond — with Bernard Purdie and Bernard Purdie at The New School for Jazz and Contemporary Music

New York NY — Martin W. Mueller Executive Director of The New School for Jazz and Contemporary Music program last night – 2 images with special jazz friends of mine also, first image with Howard Mandel – President of Jazz Journalists Association, Author, Producer/Host on NPR Radio & Professor at NYU –

2nd image, Martin with Jason Olaine – Jason is currently Director of Programming at JALC Jazz At Lincoln Center, he worked for a long time with Monterey Jazz Festival as General Manager and created a label there – before that he booked Yoshi’s in Oakland CA and gave me a nice gig at the old Yoshi’s on Claremont Ave. when I had just come back from living in Paris France back in 1994, good to see these cats at this very special VIP reception for the Jazz Journalists Association hosted by New School for Jazz and Contemporary Music at a place in the Village known as LPR Le Poisson Rouge 158 Bleecker Street in the heart of the Village, good party, thanks Martin! Jon Hammond — with Martin W. Mueller and Howard Mandel at (le) poisson rouge

VIP Dinner Reception May 7, 1990 for Cab Calloway at Garvin’s Restaurant in Greenwich Village Soho, L to R: Bill Cosby, Cab Calloway seated, Little Jimmy Scott, Joe Williams the famous singer who shot to fame with the Count Basie Orchestra

- this was just before joining a host of legendary musicians and the first graduating class of The New School for Jazz and Contemporary Music in the little theatre on 13th St., Mayor David N. Dinkins proclaimed May 7th as Cab Calloway Day in New York – and Cab was presented The Beacons in Jazz Award by jazz historian Phil Schaap – an incredible evening with concert including Jazz Survivors Band with Panama Francis, Milt Hinton, Eddie Barefield and more legends – then a large ensemble powered by the rhythm section of Bernard Purdie with Reggie Workman bass – horn section including the late great Arnie Lawrence, also Eddie Bert, Donald Byrd – many of these cats have passed on sadly, special appearance by Little Jimmy Heath conducting and playing soprano saxophone. Julian Junior Mance at the piano with Billy Harper on tenor sax – graduating saxophonist Walter Blanding Jr. played his old saxophone held together by rubber bands for the last time that night, as Cab Calloway personally presented him with a new Yamaha tenor saxophone which he immediately played “You’ve Changed” joined by the all-star band and Little Jimmy Scott vocals – Bill Cosby hosted the entire night and participated in the music with gusto – incredible historic evening that I personally documented – the project is now back in-progress 23 years later, Jon Hammond — with Bill Cosby, Bill Cosby, Cab Calloway, Little Jimmy Scott and Joe Williams

Beacons in Jazz, Cab Calloway, Bernard Purdie, Martin W. Mueller, Parsons New School, Jon Hammond, Bill Cosby, Mayor David Dinkins, Jazzkeller, Musikmesse, Local 802, Musicians Union

*WATCH THE VIDEO HERE: US Army Blues Pershing’s Own Precious Lord Take My Hand at JEN 2013 Atlanta

http://archive.org/details/JonHammondUSArmyBluesPershing_sOwnPreciousLordTakeMyHandatJEN2013AtlantaGA/

Youtube http://youtu.be/X3zD331SWi0

Atlanta GA — A very special performance by US Army Blues Pershing’s Own Jazz Band at the JEN Jazz Education Network Conference 2013. A wonderful arrangement by SFC Graham Breedlove – Trumpet Chair of this fine ensemble. You can actually see and read down SFC Graham Breedlove’s trumpet part online – for PDF of his music:
http://www.usarmyband.com/recording_notes/pdf/blues-something-old/precious-lord-score-and-parts/precious-lord-trumpet-1.pdf
Director Conductor: Chief Warrant Officer Four Gordon K. Kippola
video by Jon Hammond at evening concert Jazz Education Network Conference in the ballroom of Hyatt Regency Atlanta GA. Special thanks to these fine musicians and Mary Jo Papich
**Really great solos from SSG Victor Barranco trombone and SFC Graham Breedlove trumpet – JH
THE U.S. ARMY BLUES PERSONNEL ROSTER
CW4 Gordon K. Kippola, Seabeck, WA, DIRECTOR
The U.S. Army Blues

SAXOPHONE
SFC Antonio L. Orta, Guanica, PR
SFC Bill E. Linney, Buies Creek, NC
SFC Joseph D. Henson, Rock Hill, SC
MSG John W. DeSalme, Iowa City, IA *
MSG David T. Brown, Ballston Lake, NY
TRUMPET
SFC Mark A. Wood, Gainesville, FL
SFC Kenneth W. McGee, Stafford, VA
SFC Graham E. Breedlove, Lafayette, LA ‡‡
SGM Craig C. Fraedrich, Menomonee Falls, WI ††
MSG Kenneth R. Rittenhouse, Fairmont, WV *
TROMBONE
MSG Matthew F. Niess, Levittown, PA
MSG William L. Holmes, Philadelphia, PA *
SSG Victor Barranco, North Pole, AK
SFC Jeffrey J. Cortazzo, Palmerton, PA ‡‡
PIANO
SGM Anthony W. Nalker, Lewisburg, WV †
GUITAR
SGM James F. Roberts, Washington, DC ‡
BASS
SSG Regan Brough, Orem, UT
DRUMS
MSG Steve Fidyk, Wilkes-Barre, PA

Atlanta GA — CNN Center as seen from 60 floors up – Jon Hammond

http://en.wikipedia.org/wiki/CNN_Center
The CNN Center is the world headquarters of the Cable News Network (CNN). The main newsrooms and studios for several of CNN’s news channels are located in the building. The facility’s commercial office space is occupied entirely by CNN and its parent company, Turner Broadcasting System, a division of Time Warner. The CNN Center is located in Downtown Atlanta, Georgia, adjacent to Centennial Olympic Park.
The CNN Center opened in 1976 as the Omni Hotel, which was a development by Cousins Properties Inc. as that was unsuccessful until CNN moved its headquarters there in 1987 from its Midtown Atlanta site (old home of the Progressive Club on 1050 Techwood Drive and home to Turner Broadcasting System).[1] The facility originally offered office space to various business tenants, as well as consulates over the years. The main floor featured an indoor ice skating rink, as well as a small number of restaurants and a Gold Mine video arcade. More famously, Sid and Marty Krofft built an indoor amusement park called The World of Sid and Marty Krofft, inspired by the creations of the popular children’s television producers. The park was the first indoor theme park and opened in 1976, it closed within six months. The complex also featured a multi-screen movie theater. For years, the theater offered showings of Gone with the Wind, Ted Turner’s favorite movie. The theater was replaced during renovations to put in a new newsroom for CNN’s website operations. The ice skating rink was filled in and a mosaic map of the world replaced it (featuring brass markers indicating the locations of CNN bureaus around the world). When CNN networks moved in in 1987, CNN Headline News (now known as HLN) was the first network to broadcast a show from it at 3.00 ET with its program # 96,115. Their sister channel started live programming at 6.00 ET of that day.

Debris from tornado in front of CNN Center
On March 14, 2008, a EF-2 [2] tornado passed through downtown Atlanta, damaging the CNN Center and leaving water and dust in the upper floors. The ceiling of the atrium was also damaged, causing water to pour in and partially flood the food court. CNN’s library was damaged, although it is unknown at the moment how much of its archives were damaged.[3] Numerous injuries and widespread damage were reported overall. The Omni Hotel, attached to the CNN Center, was evacuated as a precaution, and more than 400 rooms had to be emptied of occupancy for two weeks.

Atlanta GA from 60 floors up – Atlanta is the official capital of Georgia and is a city of Skyscrapers – Jon Hammond from 60 floors above Atlanta

List of tallest buildings in Atlanta:
http://en.wikipedia.org/wiki/List_of_tallest_buildings_in_Atlanta
Atlanta, the capital and largest city of the U.S. state of Georgia, is home to 256 completed high-rises,[1] 37 of which stand taller than 400 feet (122 m). The majority of the city’s skyscrapers are clustered around Peachtree Street in the Downtown, Midtown, and Buckhead neighborhoods, with the suburban city of Sandy Springs also being the site of several skyscrapers. The tallest building in Atlanta is the 55-story Bank of America Plaza, which rises 1,023 feet (312 m) and was completed in 1992.[2] The Bank of America Plaza is also the tallest building in the United States outside of New York City and Chicago,[3] and the 9th-tallest building in the U.S. overall. The second-tallest building in Atlanta is SunTrust Plaza, which rises 871 feet (265 m).[4]
The history of skyscrapers in Atlanta began with the completion in 1892 of the Equitable Building.[5] The city later went through a major building boom that began in the 1980s and continued until the mid-1990s; the majority of the city’s skyscrapers, including its four tallest, have all been completed since 1985. Overall, Atlanta is the site of 15 completed buildings that are at least 492 feet (150 m) high. As of 2012, the skyline of Atlanta is ranked second in the Southeastern United States (behind Miami), seventh in the United States and 30th in the world with 56 buildings rising at least 330 feet (100 m) in height.[6] Of the 20 tallest buildings in Georgia, 18 are located in Atlanta;[7] the other two, Concourse Corporate Center V & VI are located in the neighboring city of Sandy Springs and stand as the tallest suburban buildings in the country.

NEA Jazz Master Dave Liebman burning it up with The University of Miami Frost Concert Jazz Band at 4th annual JEN Jazz Education Network Conference

- Atlanta GA – Jon Hammond

This is a priceless photo: Gary Campbell great tenor saxophonist, composer, bandleader, educator

http://www.garycampbelljazz.com/ receiving a visit from his teacher – Dr. David N. Baker http://www.davidbakermusic.org/ past president of IAJE, author, world renowned musician educator – at 4th annual JEN Jazz Education Network Conference Atlanta GA after Gary’s quartet concert which was superb! Jon Hammond — at Hyatt Regency Atlanta

Jon Hammond with Javon Jackson Donald Meade Jazz Historian, Joe Chambers, Martin W. Mueller Exec. Director New School Contemporary Jazz Program

- here at the 4th annual JEN Jazz Education Network Conference – Atlanta GA – wonderful stories at this table folks! JH — with Javon Jackson and Martin W. Mueller at Hyatt Regency Atlanta

Martin W. Mueller Executive Director of New School Contemporary Jazz Program with one of his outstanding Alums – saxophonist composer bandleader Alex Graham, now living in Nashville – Alex has done well for himself and has a beautiful family – smokin’ quartet performance today here in Atlanta GA at 4th annual JEN Jazz Education Network Conference – Alex is a Jupiter endorsee

- Jon Hammond — with Martin W. Mueller and Alex Graham at Hyatt Regency Atlanta

Benjamin Toman

Cynthia Cawthorne
Graceland University

Jessica McAuliffe Graham
Boston, Massachusetts

Dixie Thompson
Pensacola, Florida

Bob Hull
Attorney at Law at Lewitt Hackman

Andrew Nichols
Musician/Private Woodwinds Instructor at Myself

Kimberly Lotoszinski Turrell
East Lansing, Michigan

Valerie Porter
Homemaker at None :)

Bill Liebold

Monika Ryan

Steve Urick
Shizuoka-shi, Shizuoka, Japan

Leron Thomas
The New School for Jazz and Contemporary Music

George D. Goodman
Eastern Michigan University

Steven Oberndorf
Counsel at McKay Hochman Company, Inc.

Paul Jobin
Financial Advisor at MassMutual

Gene Perry
Northern Michigan University

Jon Hammond with the great Wycliffe Gordon playing his famous soprano trombone – incredible and super-soulful musician & vocalist / composer arranger folks! *Feature performer with US Army Blues “Pershing’s Own” Jazz Orchestra at 4th annual JEN Jazz Education Network Conference – Atlanta GA , bravo Wycliffe!!

- JH — with Wycliffe Gordon at Hyatt Regency Atlanta

Blues Brothers from Different Mothers – Tom Bones Malone and Jon Hammond at 4th annual JEN Jazz Education Network Conference – Atlanta GA *video of Tom’s concert to come..
Tom interview with Jon backstage Ed Sullivan Theatre:
Youtube http://youtu.be/bxLx2tXAAZw
Tom Bones Malone of Paul Shaffer and the CBS Orchestra Late Show with David Letterman on HammondCast Show KYOURADIO interview with Jon Hammond and Tom, covering his entire career including 10 years with Saturday Night Live as Musician and Music Director. Long time association with Gil Evans, Doc Severensen, featured in movie “Blues Brothers” and tours. Arranger, multi-instrumentalist speaking with Jon just prior to daily taping of Late Show in the Ed Sullivan Theater dressing rooms.

— with Tom Bones Malone and Tom ‘Bones’ Malone at Hyatt Regency Atlanta

*WATCH THE VIDEO HERE: Bob Cranshaw Interview with Jon Hammond at JEN 2013

http://archive.org/details/BobCranshawInterviewWithJonHammondAtJen2013

Youtube http://youtu.be/ckhvUE4Pis4

Bob Cranshaw the great Jazz bassist, recording artist, educator and Local 802 Jazz Consultant Executive Board Member here interviewed by Jon Hammond at the 2013 JEN Jazz Education Network Conference in Atlanta GA. Bob tells an incredible story about the recording date with Lee Morgan on the classic album The Sidewinder.
Bob Cranshaw Wiki http://en.wikipedia.org/wiki/Bob_Cranshaw
special thanks to Mary Jo Papich, Rick Condit – Jazz Education Network
http://www.HammondCast.com

Atlanta GA — Army Blues “Pershing’s Own” with Wycliffe Gordon – incredible smokin’ concert last night at 4th Annual JEN Jazz Education Network Conference 2013 – Jon Hammond

— with Wycliffe Gordon at Hyatt Regency Atlanta

2 of my favorite musician Bob’s: Bassist Bob Cranshaw and tenor saxophonist Bob Mintzer in Atlanta GA at the 4th annual JEN Jazz Education Network Conference

- Jon Hammond

Jon Hammond and Frank Alkyer at the very prestigious DownBeat Magazine Stand

at 4th annual JEN Jazz Education Network Conference – Atlanta GA
http://www.namm.org/nammu/presenters/frank-alkyer
Frank Alkyer is the publisher of DownBeat, Music Inc. and UpBeat Daily magazines–all produced by Maher Publications, a family-owned company based in Elmhurst, Ill. He joined the company as editorial director in 1989 and he was named associate publisher in 1992 and publisher in 2003.

Alkyer began his career as a newspaper reporter. In the early 1980s, he served as statehouse reporter for the Youngstown Vindicator in Youngstown, Ohio. He then served as a general assignment reporter for the Jersey Journal in Jersey City, New Jersey, where he covered everything from police and city hall to entertainment and business.

He is a founding board member of Jazz Alliance International and the Jazz Education Network as well as an advisory board member of the Thelonius Monk Institute of Jazz and the Litchfield Jazz Festival. He is also a member of American Society of Business Publication Editors.

He has proudly hosted Best In Show at NAMM since its inception in 2005.

Alkyer lives in the Chicago area with his wife and daughter. Every now and again, he still finds time to go into the basement and play a little guitar. He plans to get really good when he retires in about 30 years and has more time.

Teruo Goto
Works at Dirty old Musician

Elizabeth Levy
Works at 3rd satellite from our Sun

Joe Berger
King at Self employed

Gale Nudelman
Works at Gap

Lori Helfand
The Ohio State University

Andrew Hadro
Musician at Freelance

Gary Burton
Entertainment at ABC News Radio

Dalya Azaria

Katherine White
The Ohio State University

Pete Gamber
Educational Rep Southern California at Music & Arts

Sue Neely Hagedorn
Albion College

Mark J Williamson
Owner/ President at Williamson Music Co.

John Hasse
Curator of American Music at Smithsonian Institution, National Museum of American History

Tom Olsen
Marietta, Georgia

Yoichiro Hamahara
代表取締役 at 株式会社エス・ディ・アイ

Shari Giddens Helmer
Hod HaSharon

Katie Maher
Once upon a time at Maher Publications aka Down Beat

The great Brazilian bassist Nilson Matta thanking the owner of the beautiful seasoned acoustic bass, before playing the hell out of it “Samba Meets Jazz!” at 4th annual JEN Jazz Education Network Conference – Atlanta GA

http://en.wikipedia.org/wiki/Nilson_Matta
Nilson Matta is a premier Brazilian bassist and composer. He has been based in New York City since 1985. He is also known for his work with Trio Da Paz, Don Pullen African Brazilian Connection, Joe Henderson, Yo Yo Ma and Nilson Matta’s Brazilian Voyage.
Nilson’s latest project, called Nilson Matta’s Brazilian Voyage, is an exciting group playing many of Matta’s original songs mixed with Brazilian standards. For this album, Nilson called Harry Allen, Anne Drummond, Klaus Mueller, Ze Mauricio and Mauricio Zotterelli into the studio. The album, produced by Nilson and Luisa Matta is dedicated to his native country of Brazil. It literally takes the listener on a “Brazilian Voyage” through the many regions of that country.

Jon Hammond, bassist Bob Cranshaw, trumpeter Blake Martin at Local 802 Musicians Union stand at 4th annual JEN Jazz Education Network Conference – Bob Cranshaw’s career career spans the heyday of Blue Note Records to his recent involvement with the Musicians Union –

known to many as long-time bassist on Sesame Street TV Show – http://en.wikipedia.org/wiki/Bob_Cranshaw
Melbourne R. “Bob” Cranshaw (born December 10, 1932, in Evanston, Illinois) is an American jazz bassist. His career spans the heyday of Blue Note Records to his recent involvement with the Musicians Union. He is perhaps best known for his long association with Sonny Rollins. Cranshaw has been in Rollins’s working band on and off for almost five decades, starting with the 1962 album The Bridge.
Some of Cranshaw’s best-known performances include on Lee Morgan’s The Sidewinder and Grant Green’s Idle Moments. Cranshaw also served as the sole session bassist to Sesame Street and The Electric Company songwriter and composer Joe Raposo, and played bass guitar on all songs, tracks, buttons and cues recorded by the Children’s Television Workshop during Raposo’s tenure.
Although he lacks the name recognition of other bassists, Cranshaw has performed and recorded with a wide range of leading jazz artists, including Ella Fitzgerald, Dexter Gordon, Grant Green, Coleman Hawkins, Jimmy Heath, Joe Henderson, Johnny Hodges, Freddie Hubbard, Bobby Hutcherson, J. J. Johnson, Jackie McLean, Hank Mobley, Thelonious Monk, James Moody, Lee Morgan, Wes Montgomery, Oscar Peterson, Buddy Rich, George Shearing, Wayne Shorter, Horace Silver, Shirley Scott, Stanley Turrentine, McCoy Tyner, Sonny Rollins, George Benson, and Joe Williams.
Along with Wes Montgomery’s brother Monk, Cranshaw was among the early jazz bassists to trade his upright bass for an electric bass. He was criticized for this by jazz purists, although he was forced to switch by a back injury incurred in a serious auto accident.
Throughout his long and distinguished career he has also performed on hundreds of television shows and film and television scores. He appears on The Blue Note Story, a 90-minute documentary of the famed jazz label.
Cranshaw was also a founding member of the short-lived MJT + 3 (Modern Jazz Two) that included Frank Strozier on alto saxophone, Harold Mabern on piano, Willie Thomas on trumpet, and Walter Perkins on drums. The Chicago-based group produced several albums, a number for Vee-Jay Records. Another vintage Cranshaw jam, 1964′s Blue Flames, featuring Shirley Scott, Stanley Turrentine and Otis Finch, was recorded for Prestige Records. Cranshaw also played live shows for tap dancer Maurice Hines, along with friend and drummer Paul Goldberg.

US Army Blues, Pershing’s Own, Precious Lord, JEN 2013, Jazz Education Network, Hyatt Regency Atlanta, Spiritual, Victor Barranco, Graham Breedlove, Gordon K. Kippola, Musicians Union

Manhattan by Night, Louis Vuitton, Bulgari, Apple Store Fifth Ave., Times Square, Mickey Mouse, Local 802, Musicians Union, Organ, Jazz, Blues, Soft News

Duo Session, Last night, Richard Clements, 802 bandstand, Jon Hammond, Jazz, Organ, Blues, Manhattan, distinguished career, music

FP Blues Louisville Soundcheck and Jon Hammond Journal August 1 2012

August 1, 2012

*WATCH THE VIDEO HERE: FP Blues Louisville Soundcheck

http://archive.org/details/JonHammondFPBluesLouisvilleSoundcheckJonHammondBand/

Blip TV http://blip.tv/jon-hammond/fp-blues-louisville-soundcheck-jon-hammond-band-6282440

Youtube http://www.youtube.com/watch?v=w3swBC17MZU

FP Blues Louisville Soundcheck Jon Hammond Band, original composition (Shuffle) Blues with guitarist John Bishop, Alex Budman tenor saxophone, Ronnie Smith Jr. drums, Jon Hammond organ / ASCAP Publishing
http://www.jonhammondband.com
Category:
Music
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FP Blues shuffle jon hammond band organ jazz louisville kentucky

WATCH THE VIDEO HERE: Cannonball 99 One More Time Louisville Kentucky

http://archive.org/details/JonHammondShuffleCANNONBALL99ONEMORETIMEJonHammondBandSoundcheck

Blip TV http://blip.tv/jon-hammond/shuffle-cannonball-99-one-more-time-jon-hammond-band-soundcheck-6280830

Youtube Shuffle CANNONBALL 99 ONE MORE TIME Jon Hammond Band Soundcheck

http://www.youtube.com/watch?v=xb-_fo8F87g

Jon Hammond Band soundchecking in Louisville Kentucky, original composition CANNONBALL 99 ONE MORE TIME (Shuffle) Blues with guitarist John Bishop, Alex Budman tenor saxophone, Ronnie Smith Jr. drums, Jon Hammond organ ASCAP Publishing
http://www.jonhammondband.com
Category:
Music
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cannonball 99 one more time jon hammond band organ jazz louisville kentucky

Nash Metropolitan Car Sighted — Jon Hammond
Vintage 1953–1961
http://en.wikipedia.org/wiki/Nash_Metropolitan
The Nash Metropolitan is a car that was sold, initially, only in the United States and Canada,[1] from 1954–1962.
It conforms to two classes of vehicle: economy car and subcompact car In today’s terminology the Metropolitan is a “subcompact”, but this category had not yet come into use when the car was made.[8] At that time, it was variously categorized, for example as a “small automobile” as well as an “economy car”.
The Metropolitan was also sold as a Hudson when Nash and Hudson merged in 1954 to form the American Motors Corporation (AMC), and later as a standalone marque during the Rambler years, as well as in the United Kingdom and other markets.

Frankfurt Germany — This cake and party/gig from previous year was really great also! Special thanks to Bernie Capicchiano for this wonderful photo – Jon Hammond
Youtube http://www.youtube.com/watch?v=hozrJpHvV-4
Chocolate on Chocolate Cake at 2011 Musikmesse Warm Up Party in Jazzkeller Frankfurt with Jon Hammond Band and special guests for this special occasion celebrating 25 years in Musikmesse. Special acknowledgement of Wilhelm P. “Charly” Hosenseidl R.I.P. who was the Director of Musikmesse years 1989-2008 now Directed by Wolfgang Luecke, special thanks to Messe Frankfurt Projekt and Presse Team!
Jon Hammond Band:
Joe Berger guitar
Tony Lakatos tenor saxophone
Giovanni Gulino drums
Jon Hammond – XB-2 Hammond Organ – special thanks Hiromitsu Ono Chief Engineer Suzuki Musical Instruments designed my instrument which took me all around the world many times
“Late Rent” Jon Hammond theme song for Jon Hammond Show MNNTV and HammondCast Show KYOU Radio San Francisco CBS Radio Network
Thanks Joe Lamond President CEO NAMM, TecAmp Jürgen Kunze and Thomas Eich – Puma Combo bass amp powering Jon Hammond’s organ
Dankeschoen to Yücel Atiker, Tino Pavlis, Poehl, Bernie Capicchiano, Michael Falkenstein Hammond Suzuki Deutschland, Peggy Behling, Christine Vogel Messe Frankfurt,
Saray Pastanesi Baeckerei & Konditorei for Chocolate on Chocolate Cake — at Jazzkeller

Frankfurt Germany — Yes it is my biggest Birthday cake of my whole life and also for 26 years consecutive Musikmesse Frankfurt in the good old Jazzkeller Frankfurt! We had a really beautiful party / gig there this last time and I am already looking forward again to the next one which will be on Tuesday night 9th April 2013.
Youtube http://www.youtube.com/watch?v=bKI42G_CLeQ
Jon Hammond Band celebrating 26 consecutive years Musikmesse Warm Up Party in Jazzkeller Frankfurt on Jon’s 59th birthday, finale song Over The Rainbow
Tony Lakatos tenor saxophone, Giovanni Gulino drums, Joe Berger guitar,
Jon Hammond at Sk1 Hammond organ / bass
special thanks Thomas Eich TecAmp – 2 x 12″ Neodymium Speakers with TecAmp power amp on my organ

Chocolate on Chocolate Cake by Saray Pastanesi Baeckerei & Konditorei Bakery — at Jazzkeller

Frankfurt Germany — Special Guest Lee Oskar on the Jon Hammond Band this year at Jon’s annual Musikmesse Frankfurt Warm Up Party in Jazzkeller Frankfurt, with Tony Lakatos tenor saxophone, Joe Berger aka The Berger-Meister guitar, Totó Giovanni Gulino drums and Jon Hammond at the Sk1 Hammond organ Youtube
http://www.youtube.com/watch?v=AD8I5axpmy8
“LATE RENT” Jon Hammond Show Theme Song
as seen on MNN TV New York City Cable TV
with Tony Lakatos tenor sax, Joe Berger guitar, Giovanni Gulino drums,
Jon Hammond at the Hammond Sk1 organ,
special guest Lee Oskar harmonica.
This performance marks 26 years consecutive attending Musikmesse Frankfurt and
it was also on the birthday of Jon Hammond March 20th, 2012 with a big chocolate on chocolate cake baked by Saray Pastanesi Baeckerei & Konditorei bakery on Mainzer Landstrasse 131. 60327 Frankfurt am Main — at Jazzkeller


Jon Hammond Band in Jazzkeller

Frankfurt Germany — Jon Hammond Band – When I Fall In Love in Jazzkeller Frankfurt – Youtube http://www.youtube.com/watch?v=5bwqe0YbzSY
Annual Musikmesse Warm Up Party in Jazzkeller Frankfurt hosted by Jon Hammond Band
Tony Lakatos tenor sax
Joe Berger guitar
Jon Hammond XK-1 organ
Giovanni Gulino drums
When I Fall In Love
special thanks Eugen Hahn Jazzkeller Frankfurt Team, Musikmesse, Waichiro Tachikawa Suzuki Hammond, Michael Maier Falkenstein Hammond Deutschland, Video Camera by Jennifer
Jon Hammond is a member of AFM Local 802 Musicians Union and Local 6
http://www.jonhammondband.com/

Bay Bridge at Dusk from AT&T Park

San Francisco California — San Francisco – Oakland Bay Bridge seen from AT&T Park at dusk – Jon Hammond
http://en.wikipedia.org/wiki/AT%26T_Park
AT&T Park is a ballpark used for Major League Baseball. It is located in the South Beach neighborhood of San Francisco, California. Located at 24 Willie Mays Plaza, at the corner of Third and King Streets, it has served as the home of the San Francisco Giants of Major League Baseball since 2000.
Originally named Pacific Bell Park, then renamed SBC Park in 2003 after SBC’s acquisition of Pacific Bell, the stadium was ultimately christened AT&T Park in 2006 following SBC’s merger with AT&T.
The park also hosts the annual Kraft Fight Hunger Bowl, a college football bowl game, and other occasional sporting and musical events. For the 2011 season, the park served as the home of the California Golden Bears football team.Originally designed to be a 42,000 seat stadium, there were slight modifications before the final design was complete. When the ballpark was brought to the ballot box in the Fall of 1996 for voter approval, the stadium was 15 degrees clockwise from its current position. Also the center-field scoreboard was atop the right-field wall and the Giants Pavilion Building were two separate buildings.[8] Groundbreaking on the ballpark began on December 11, 1997, in the industrial waterfront area of San Francisco known as China Basin in the up and coming neighborhoods of South Beach and Mission Bay. The stadium cost $357 million to build and supplanted the Giants’ former home, Candlestick Park, a multi-use stadium in southeastern San Francisco. A team of engineers from UC Davis was consulted in the design process of the park resulting in wind levels that are approximately half those at Candlestick. Fans had shivered through 40 seasons at “The ‘Stick” and looked forward to warmer temperatures at the new ballpark.[9] But because AT&T Park, like its predecessor, is built right on San Francisco Bay, cold summer fog and winter jackets in July are still not unusual at Giants games, despite the higher average temperature.
When it opened on March 31, 2000, the ballpark was the first Major League ballpark built without public funds since the completion of Dodger Stadium in 1962.[10] However, the Giants did receive a $10 million tax abatement from The City and $80 million for upgrades to the local infrastructure (including a connection to the Muni Metro).[11] The Giants have a 66-year lease on the 12.5-acre (51,000 m2) ballpark site, paying $1.2 million in rent annually to the San Francisco Port Commission.[10] The park opened with a seating capacity of 40,800, but this has increased over time as seats have been added.

New York NY – Intrepid Air Sea Space Museum — Jill Nicolini of PIX TV 11 interviewing Eddie Money – Jon Hammond *you can see rain drops hit Ed’s jacket, we had to move inside the tent due to the rain – Youtube http://www.youtube.com/watch?v=IXhO9eJyniU
Jon Hammond’s HammondCast of Eddie Money aboard Intrepid Aircraft Carrier for The Fallen Heroes Fund with David A. Winters President http://www.fallenheroesfund.org/ Eddie: “We are donating all of the money from this single to the Intrepid Fallen Hero’s Fund. This is for the widower’s and the widowees of the Iraq/ Afghanistan conflict.” “One More Soldier Coming Home”
Also appearance by Jill “Just Jill” Nicolini WPIX Ch. 11 PIX TV and tour of aircraft by Eric Boehm Curator, Aviation and Aircraft Restoration http://www.HammondCast.com/ Eddie Money on HammondCast — at Intrepid Sea, Air & Space Museum

Anaheim California – Winter NAMM Show — This is how we
crank up the G37 Guitar Combo Leslie Speaker, with The Berger-Meister Joe Berger! Jon Hammond on sound police watch here, sounds good! — with Joe Berger at Anaheim Convention Center

Hamamatsu Japan — Shopping for electronics in Hamamatsu. I’ll take one of these Giant Panasonic TV’s, it’s only 42,000 Yen! / ¥ – Jon Hammond — in Hamamatsu-shi, Shizuoka

Hamburg Germany — DOWNTOWN BLUESCLUB im Landhaus Walter by the famous Stadtpark – Jon Hammond Band *Note: I played a gig here 10 years before this gig, and we came in 2 days after “10 Years After” (band) played there. Nice joke from main man Uwe Mamminga, thanks Uwe! It’s almost been another 10 years, let’s do it again – Youtube
http://www.youtube.com/watch?v=LWCZouqgUaI
*Note: Excellent Audio, Smoking Performance, Looks Fantastic..unfortunately batt runs out mid-Joe Berger solo:
LUTZ BUCHNER-tenor sax
HEINZ LICHIUS-drums
JOE BERGER-guitar
JON HAMMOND-XB-2 Organ/Bass — with Joe Berger at Downtown Bluesclub

Hofheim am Taunus — Tony Lakatos and Jon Hammond onstage at Jazzkeller-Hofheim, Jon’s annual Musikmesse-Session gig, we invite Gisela Stang every year, maybe someday she will come to our concert! – I play through the same Peavey bass amp onstage every year, solid amp folks! I am honored to be on page 68 – Jazzkeller Hofheim 50 Jahre BOOK, check it out – Youtube http://www.youtube.com/watch?v=7NvqV6Y_TNA
Mercy Mercy encore zugabe Jon Hammond Band Jazzkeller Hofheim Tony Lakatos Joe Berger heinz Lichius Jon Hammond organ http://www.HammondCast.com/ — at Jazzkeller Hofheim

Frankfurt Germany — 2 Hats On The Bandstand – Jon Hammond and Tony Lakatos – Jazzkeller Frankfurt, Jon’s annual Musikmesse Frankfurt Warm Up Party a few years ago. — at Jazzkeller

Paris France — circa 1981 – that’s my friend Raul Rekow, long-time percussionist on Santana Band onstage Palais des Sports, Saint-Ouen, France, 23 Septembre 1981 – I was there in wings of the stage with my (then) new Nikon shooting up a bunch of Tri-X B&W film – Jon Hammond *Alex Ligertwood was on the band then, Graham Lear drums, you can see Carlos there in the foto, Richard Baker organ before Chester joined the band – David Margen bs., Orestes Vilato & the great Armando Peraza – I was staying at Intercontinental Hotel, back at the hotel after the gig Armando asked me to point him in the right direction for “The Latin Quarter” – he walked there and went dancing all night long – reappeared next morning, by foot, go Armando! – JH — with Carlos Santana at Palais des Sports

Paris France — Aug. 1 Happy Birthday 70th in absentia Jerry Garcia! – I shot this picture on my very first trip to Europe 1981 on October 17th at The Hippodrome – Brent Mydland was still on the band on Hammond organ, we talked that night. Shown here Jerry, Bob Weir, Phil Lesh, was a great gig! Jon Hammond
http://en.wikipedia.org/wiki/Jerry_Garcia
Jerome John “Jerry” Garcia (August 1, 1942 – August 9, 1995) was an American musician who was best known for his lead guitar work, singing and songwriting with the band the Grateful Dead.[1][2] Though he disavowed the role, Garcia was viewed by many as the leader or “spokesman” of the group.[1][2][3][4]
One of its founders, Garcia performed with the Grateful Dead for their entire three-decade career (1965–1995). Garcia also founded and participated in a variety of side projects, including the Saunders-Garcia Band (with longtime friend Merl Saunders), Jerry Garcia Band, Old and in the Way, the Garcia/Grisman acoustic duo, Legion of Mary, and the New Riders of the Purple Sage (which Garcia co-founded with John Dawson and David Nelson).[1] He also released several solo albums, and contributed to a number of albums by other artists over the years as a session musician. He was well known by many for his distinctive guitar playing and was ranked 13th in Rolling Stone’s “100 Greatest Guitarists of All Time” cover story.[5]
Later in life, Garcia was sometimes ill because of his unstable weight, and in 1986 went into a diabetic coma that nearly cost him his life. Although his overall health improved somewhat after that, he also struggled with heroin and cocaine addictions,[3][4] and was staying in a California drug rehabilitation facility when he died of a heart attack in August 1995.
Jerry Garcia’s ancestry was Galician (Spanish), Irish, and Swedish.[6] He was born in San Francisco, California, on August 1, 1942, to Jose Ramon “Joe” Garcia and Ruth Marie “Bobbie” (née Clifford) Garcia.[7][8][9] His parents named him after composer Jerome Kern.[7][10][11] Jerome John was their second child, preceded by Clifford Ramon “Tiff”, who was born in 1937.[12][13] Shortly before Clifford’s birth, their father and a partner leased a building in downtown San Francisco and turned it into a bar, partly in response to Jose being blackballed from a musician’s union for moonlighting.[14]
Garcia was influenced by music at an early age,[15] taking piano lessons for much of his childhood.[16] His father was a retired professional musician and his mother enjoyed playing the piano.[7] His father’s extended family—who had emigrated from Spain in 1919—would often sing during reunions.[13]
At age four,[17][18] while vacationing in the Santa Cruz Mountains, Garcia underwent amputation of two-thirds of his right middle finger.[19][20] Garcia was given the chore of steadying wood while his elder brother chopped, when he inadvertently put his finger in the way of the falling axe.[20] After his mother wrapped his hand in a towel Garcia’s father drove him over thirty miles to the nearest hospital.[19] A few weeks later, Garcia—who never looked at the finger after the accident—was surprised to discover most of it missing when the bandage he was wearing came off during a bath.[21] Garcia later confided that he often used it to his advantage in his youth, showing it off to other children in his neighborhood.
Garcia experienced several tragic events during his youth. Less than a year after losing the segment of his finger, his father died. While on vacation with his family near Arcata in Northern California in 1947, his father went fly-fishing in the Trinity River, part of the Six Rivers National Forest.[22] Not long after entering he slipped on a rock underfoot, plunging into the deep rapids of the river. The incident was witnessed by a group of boys who immediately sought help, beckoning a pair of nearby fishermen. By the time he was pulled from the water, he had already drowned. Garcia later claimed to have seen his father fall into the river, but Dennis McNally, author of the book A Long Strange Trip: The Inside Story of the Grateful Dead, asserts that he did not, instead forming the memory from hearing the story repeated many times.[11] Blair Jackson, who wrote the biography Garcia: An American Life, lends weight to McNally’s claim, citing that the newspaper article describing Jose’s death made no mention of Garcia being at the scene—even misidentifying him as his parents’ daughter.[22]
Following the accident, Garcia’s mother took over their late father’s bar, buying out his partner for full ownership. As a result, Ruth Garcia began working full-time, sending Jerry and his brother to live just down the road with their maternal grandparents, Tillie and William Clifford. During the five-year period in which he lived with his grandparents, Garcia enjoyed a large amount of autonomy and attended Monroe School, the local elementary school. At the school, Garcia was greatly encouraged in his artistic abilities by his third grade teacher: through her, he discovered that “being a creative person was a viable possibility in life.”[23] According to Garcia, it was around this time that he was opened up to country and to bluegrass by his grandmother, who he recalled enjoyed listening to the Grand Ole Opry. His elder brother, Clifford, however, staunchly believed the contrary, insisting that Garcia was “fantasizing all [that] … she’d been to Opry, but she didn’t listen to it on the radio.” It was at this point that Garcia started playing the banjo, his first stringed instrument.[24]
In 1953, Garcia’s mother was remarried to a man named Wally Matusiewicz.[25] Subsequently, Garcia and his brother moved back home with their mother and new stepfather. However, due to the roughneck reputation of their neighborhood at the time, the Excelsior District, Garcia’s mother moved their family to Menlo Park.[25] During their stay in Menlo Park, Garcia became acquainted with racism and antisemitism, things he disliked intensely.[25] The same year, Garcia was also introduced to rock and roll and rhythm and blues by his brother, and enjoyed listening to the likes of Ray Charles, John Lee Hooker, B. B. King, Hank Ballard, and, in a few years, Chuck Berry.[26] Clifford often memorized the vocals for his favorite songs, and would then make Garcia learn the harmony parts, a move to which Garcia later attributed much of his early ear training.[26]
In mid-1957, Garcia began smoking cigarettes and was introduced to marijuana.[27][28] Garcia would later reminisce about the first time he smoked marijuana: “Me and a friend of mine went up into the hills with two joints, the San Francisco foothills, and smoked these joints and just got so high and laughed and roared and went skipping down the streets doing funny things and just having a helluva time”.[15] During this time, Garcia also took up an art program at the San Francisco Art Institute to further his burgeoning interest in the visual arts.[17] The teacher there was Wally Hedrick, an artist who came to prominence during the 1960s. During the classes, he often encouraged Garcia in his drawing and painting skills.[29]
In June of the same year, Garcia graduated from the local Menlo Oaks school. He then moved with his family back to San Francisco, where they lived in an apartment above the newly built bar, the old one having previously been torn down to make way for a freeway entrance.[30] Two months later, on Garcia’s fifteenth birthday, his mother purchased him an accordion, to his great disappointment.[15] Garcia had long been captivated by many rhythm and blues artists, especially Chuck Berry and Bo Diddley: his one wish at this point was to have an electric guitar.[30] After some pleading, his mother exchanged the accordion for a Danelectro with a small amplifier at a local pawnshop.[31] Garcia’s stepfather, who was somewhat proficient with instruments, helped tune his guitar to an unusual open tuning.[27]
After a short stint at Denman Junior High School, Garcia attended tenth grade at Balboa High School in 1958, where he often got into trouble for skipping classes and fighting.[32] Consequently, in 1959, Garcia’s mother again moved the family to get Garcia to stay out of trouble, this time to Cazadero, a small town in Sonoma County, 90 miles north of San Francisco.[32] This turn of events did not sit well with Garcia. To get to Analy High School, the nearest school, he had to travel by bus thirty miles to Sebastopol, a move which only made him more unhappy.[33] Garcia did, however, join a band at his school known as the Chords. After performing and winning a contest, the band’s reward was recording a song—they chose “Raunchy” by Bill Doggett.[34]
[edit]Recording career

[edit]Relocation and band beginnings
Garcia stole his mother’s car in 1960, and as punishment, joined the United States Army. He received basic training at Fort Ord.[15] After training, he was transferred to Fort Winfield Scott in the Presidio of San Francisco.[35] Garcia spent most of his time in the army at his leisure, missing roll call and accruing many counts of AWOL.[36] As a result, Garcia was given a general discharge on December 14, 1960.[37]
In January 1961, Garcia drove down to East Palo Alto to see Laird Grant, an old friend from middle school.[38] He had purchased a 1950 Cadillac sedan from a cook in the army, which barely made it to Grant’s residence before it broke down.[38] Garcia proceeded to spend the next few weeks sleeping where friends would allow, eventually using his car as a home. Through Grant, Garcia met Dave McQueen in February, who, after hearing Garcia perform some blues, introduced him to local people and to the Chateau, a rooming house located near Stanford University which was then a popular hangout.[39]
On February 20, 1961, Garcia entered a car with Paul Speegle, a 16-year-old artist and acquaintance of Garcia; Jack Royerton, a poet from Indiana and childhood friend of Garcia; Lee Adams, the house manager of the Chateau and driver of the car; and Alan Trist, a companion of theirs.[39] After speeding past the Menlo Park Veterans Hospital, the car encountered a curve and, traveling around ninety miles per hour, collided with the guard rail, sending the car rolling turbulently.[40][41] Garcia was hurled through the windshield of the car into a nearby field with such force he was literally thrown out of his shoes and would later be unable to recall the ejection.[40] Lee Adams, the driver, and Alan Trist, who was seated in the back, were thrown from the car as well, suffering from abdominal injuries and a spine fracture, respectively.[40] Royerton suffered a mild concussion and shattered his ulna. Garcia escaped with a broken collarbone, while Speegle, still in the car, was fatally injured.[41]
The accident served as an awakening for Garcia, who later commented: “That’s where my life began. Before then I was always living at less than capacity. I was idling. That was the slingshot for the rest of my life. It was like a second chance. Then I got serious”.[42] It was at this time that Garcia began to realize that he needed to begin playing the guitar in earnest—a move which meant giving up his love of drawing and painting.[43]
Garcia met Robert Hunter, who would become a long-time lyrical collaborator with the Grateful Dead, in April 1961.[1][7] Garcia and Hunter began to participate in the local art and music scenes, sometimes playing at Kepler’s Books.[7] Garcia performed his first concert with Hunter, each earning five dollars. Garcia and Hunter also played in a band called the Wildwood Boys with David Nelson, a future contributor to some Grateful Dead albums.[17]
In 1962 Garcia met Phil Lesh, the eventual bassist of the Grateful Dead, during a party in Menlo Park’s bohemian Perry Lane neighborhood (where Ken Kesey lived).[44] Lesh would later write in his autobiography that Garcia resembled the composer Claude Debussy, with his “dark, curly hair, goatee, Impressionist eyes”.[17] While attending another party in Palo Alto, Lesh approached Garcia to suggest that he record some songs on Lesh’s tape recorder (Phil was musically trained, though he did not start playing bass guitar until the formation of the Grateful Dead in 1965) with the intention of getting them played on the radio station KPFA.[17] Using an old Wollensak tape recorder, they recorded “Matty Groves” and “The Long Black Veil”, among several other tunes. Their efforts were not in vain, leading to a spot on the show, a ninety-minute special on Garcia. It was broadcast as: “‘The Long Black Veil’ and Other Ballads: An Evening with Jerry Garcia”.[17]
Garcia soon began playing and teaching acoustic guitar and banjo.[17] One of Garcia’s students was Bob Matthews, who later engineered many of the Grateful Dead’s albums.[45] Matthews went to high school and was friends with Bob Weir, and on New Year’s Eve 1963, he introduced Weir and Garcia.[45]
Between 1962 and 1964, Garcia sang and performed mainly bluegrass, old-time and folk music. One of the bands Garcia performed with was the Sleepy Hollow Hog Stompers, a bluegrass act. The group consisted of Jerry Garcia on guitar, banjo, vocals, and harmonica, Marshall Leicester on banjo, guitar, and vocals, and Dick Arnold on fiddle and vocals.[46] Soon after this, Garcia joined a local bluegrass and folk band called Mother McCree’s Uptown Jug Champions, whose membership included Ron “Pigpen” McKernan, a rhythm and blues fan. Around this time, the psychedelic LSD was gaining popularity. Garcia first began experimenting with LSD in 1964; later, when asked how it changed his life, he remarked: “Well, it changed everything [...] the effect was that it freed me because I suddenly realized that my little attempt at having a straight life and doing that was really a fiction and just wasn’t going to work out. Luckily I wasn’t far enough into it for it to be shattering or anything; it was like a realization that just made me feel immensely relieved”.[15]
In 1965, Mother McCree’s Uptown Jug Champions evolved into the Warlocks, with the addition of Phil Lesh on bass guitar and Bill Kreutzmann on percussion. However, the band discovered that another group was performing under their newly selected name, prompting another name change. Garcia came up with the name by opening a Funk and Wagnall’s dictionary to an entry for “Grateful Dead”.[15][16][17] The definition for “Grateful Dead” was “a dead person, or his angel, showing gratitude to someone who, as an act of charity, arranged their burial”.[47] The band’s first reaction was disapproval.[15][16] Garcia later explained the group’s reaction: “I didn’t like it really, I just found it to be really powerful. [Bob] Weir didn’t like it, [Bill] Kreutzmann didn’t like it and nobody really wanted to hear about it. [...]“[15] Despite their dislike of the name, it quickly spread by word of mouth, and soon became their official title.
[edit]Career with the Grateful Dead

The corner of Haight and Ashbury, center of the San Francisco neighborhood in which the Grateful Dead shared a house at 710 Ashbury from fall 1966 to spring 1968.
Garcia served as lead guitarist, as well as one of the principal vocalists and songwriters of the Grateful Dead for their entire career. Garcia composed such songs as “Dark Star”,[48] “Franklin’s Tower”,[48] and “Scarlet Begonias”,[48] among many others. Robert Hunter, an ardent collaborator with the band, wrote the lyrics to all but a few of Garcia’s songs.
Garcia was well-noted for his “soulful extended guitar improvisations”,[2] which would frequently feature interplay between himself and his fellow band members. His fame, as well as the band’s, arguably rested on their ability to never play a song the same way twice.[3] Often, Garcia would take cues from rhythm guitarist Bob Weir on when to solo, remarking that “there are some [...] kinds of ideas that would really throw me if I had to create a harmonic bridge between all the things going on rhythmically with two drums and Phil [Lesh's] innovative bass playing. Weir’s ability to solve that sort of problem is extraordinary. [...] Harmonically, I take a lot of my solo cues from Bob.”[49]
When asked to describe his approach to soloing, Garcia commented: “It keeps on changing. I still basically revolve around the melody and the way it’s broken up into phrases as I perceive them. With most solos, I tend to play something that phrases the way the melody does; my phrases may be more dense or have different value, but they’ll occur in the same places in the song. [...]“[50]
Garcia and the band toured almost constantly from their formation in 1965 until Garcia’s death in 1995, a stint which gave credit to the name “endless tour”. Periodically, there were breaks due to exhaustion or health problems, often due to unstable health and/or Garcia’s drug use. During their three decade span, the Grateful Dead played 2,314 shows.[3]
Garcia’s mature guitar-playing melded elements from the various kinds of music that had enthralled him. Echoes of bluegrass playing (such as Arthur Smith and Doc Watson) could be heard. But the “roots music” behind bluegrass had its influence, too, and melodic riffs from Celtic fiddle jigs can be distinguished.[citation needed] There was also early rock (like Lonnie Mack, James Burton and Chuck Berry), contemporary blues (such as Freddie King and Lowell Fulson), country and western (such as Roy Nichols and Don Rich), and jazz (like Charlie Christian and Django Reinhardt) to be heard in Jerry’s style. Don Rich was the sparkling country guitar player in Buck Owens’s “the Buckaroos” band of the 1960s, but besides Rich’s style, both Garcia’s pedal steel guitar playing (on Grateful Dead records and others) and his standard electric guitar work, were influenced by another of Owens’s Buckaroos of that time, pedal-steel player Tom Brumley. And as an improvisational soloist, John Coltrane was one of his greatest personal and musical influences.

Jerry Garcia in 1969
Garcia later described his playing style as having “descended from barroom rock and roll, country guitar. Just ’cause that’s where all my stuff comes from. It’s like that blues instrumental stuff that was happening in the late Fifties and early Sixties, like Freddie King.” Garcia’s style varied somewhat according to the song or instrumental to which he was contributing. His playing had a number of so-called “signatures” and, in his work through the years with the Grateful Dead, one of these was lead lines making much use of rhythmic triplets (examples include the songs “Good Morning Little School Girl”, “New Speedway Boogie”, “Brokedown Palace”, “Deal”, “Loser”, “Truckin’”, “That’s It for the Other One”, “U.S. Blues”, “Sugaree”, and “Don’t Ease Me In”).
[edit]Side projects
In addition to the Grateful Dead, Garcia had numerous side projects, the most notable being the Jerry Garcia Band. He was also involved with various acoustic projects such as Old and in the Way and other bluegrass bands, including collaborations with noted bluegrass mandolinist David Grisman. The documentary film Grateful Dawg chronicles the deep, long-term friendship between Garcia and Grisman.[51]
Other groups of which Garcia was a member at one time or another include the Black Mountain Boys, Legion of Mary, Reconstruction, and the Jerry Garcia Acoustic Band. Jerry Garcia was also an appreciative fan of jazz artists and improvisation: he played with jazz keyboardists Merl Saunders and Howard Wales for many years in various groups and jam sessions, and he appeared on saxophonist Ornette Coleman’s 1988 album, Virgin Beauty. His collaboration with Merl Saunders and Muruga Booker on the Grammy-nominated world music album Blues From the Rainforest launched the Rainforest Band.[52]
Garcia also spent a lot of time in the recording studio helping out fellow musician friends in session work, often adding guitar, vocals, pedal steel, sometimes banjo and piano and even producing. He played on over 50 studio albums the styles of which were eclectic and varied, including bluegrass, rock, folk, blues, country, jazz, electronic music, gospel, funk, and reggae. Artists who sought Garcia’s help included the likes of Jefferson Airplane (most notably Surrealistic Pillow, Garcia being listed as their “Spiritual Advisor”), Tom Fogerty, David Bromberg, Robert Hunter (Liberty, on Relix Records), Paul Pena, Peter Rowan, Warren Zevon, Country Joe McDonald, Ken Nordine, Ornette Coleman, Bruce Hornsby, Bob Dylan and many more. He was also one of the first musicians to really cover in depth Motown music in the early 1970s and probably the most prolific coverer of Bob Dylan songs. In 1995 Garcia played on three tracks for the CD Blue Incantation by guitarist Sanjay Mishra, making it his last studio collaboration.
Throughout the early 1970s, Garcia, Grateful Dead bassist Phil Lesh, drummer Mickey Hart, and David Crosby collaborated intermittently with MIT-educated composer and biologist Ned Lagin on several projects in the realm of early electronica; these include the album Seastones (released by the Dead on their Round Records subsidiary) and L, an unfinished dance work.
Garcia also lent pedal-steel guitar playing to fellow-San Francisco musicians New Riders of the Purple Sage from their initial dates in 1969 to October 1971, when increased commitments with the Dead forced him to opt out of the group. He appears as a band member on their début album New Riders of the Purple Sage, and produced Home, Home On The Road, a 1974 live album by the band. He also contributed pedal steel guitar to the enduring hit “Teach Your Children” by Crosby, Stills, Nash, & Young. Garcia also played steel guitar licks on Brewer & Shipley’s 1970 album Tarkio. Despite considering himself a novice on the pedal steel, Garcia routinely ranked high in player polls. After a long lapse from playing the pedal-steel, he played it once more during several of the Dead’s concerts with Bob Dylan during the summer of 1987.
Having studied art at the San Francisco Art Institute, Garcia embarked on a second career in the visual arts. He offered for sale and auction to the public a number of illustrations, lithographs, and water colors. Some of those pieces became the basis of a line of men’s neckties characterized by bright colors and abstract patterns. Even in 2005, ten years after Garcia’s death, new styles and designs continued to be produced and sold.
[edit]Personal life

Garcia met his first wife, Sara Ruppenthal Garcia, in 1963.[17] She was working at the coffee house in the back of Kepler’s Bookstore where Garcia, Hunter, and Nelson performed. They married on April 23, 1963, and on December 8 of that year the only child they had together, their daughter Heather, was born.[53]
Garcia and his fellow musicians were subjected to a handful of drug busts during their lifetime. On October 2, 1967, 710 Ashbury Street in San Francisco (where the Grateful Dead had taken up residence the year before) was raided after a police tip-off.[17] Grateful Dead members Phil Lesh, Bob Weir, and Ron “Pigpen” McKernan were apprehended on marijuana charges which were later dropped, although Garcia himself was not arrested.[54] The following year, Garcia’s picture was used in a campaign commercial for Richard Nixon.[55]
Most of the Grateful Dead were arrested again in January 1970, after they flew to New Orleans from Hawaii.[17] After returning to their hotel from a performance, the band checked into their rooms, only to be quickly raided by police. Around fifteen people were arrested on the spot, including many of the road crew, management, and nearly all of the Grateful Dead (except Garcia, who arrived later, and Ron “Pigpen” McKernan, who was not taking drugs at the time).[17]
During August 1970, Garcia’s mother Ruth was involved in a car accident near Twin Peaks in San Francisco.[17] Garcia, who was recording the album American Beauty at the time, often left the sessions to visit his mother with his brother Clifford. She died on September 28, 1970. That same year, Garcia participated in the soundtrack for the film Zabriskie Point.
Carolyn Adams, also known as ‘Mountain Girl’, gave birth to Garcia’s second and third daughters, Annabelle Walker Garcia (February 2, 1970) and Theresa Adams “Trixie” Garcia (September 21, 1974). Adams and Garcia married in 1981.[53]
In 1975, around the time Blues for Allah was being created, Garcia met Deborah Koons, the woman who would much later become his third wife and widow.[17] He began seeing her while he was still involved with Adams, with whom Koons had a less-than-perfect relationship. Garcia and Adams eventually went different ways.
While touring in late 1973 the band began to use cocaine. During the band’s hiatus in 1975, Garcia was introduced to a smoke-able form of heroin. Influenced by the stresses of creating and releasing The Grateful Dead Movie in 1977, Garcia’s cocaine and heroin use increased. This, combined with the drug use of several other members of the Grateful Dead, produced turbulent times for the band: the band’s chemistry began “cracking and crumbling”,[17] resulting in poor group cohesion. As a result, Keith and Donna Godchaux were asked to leave the band in February 1979. With the addition of keyboardist Brent Mydland, the band was reaching new heights. Though things seemed to be getting better for the band, Garcia’s health was descending. By 1983, Garcia had lost his “liveliness” on stage. The so-called “endless tour,” the result of years of financial risks, drug use and mistakes, also became extremely taxing.
Garcia’s use of heroin increased heavily over the years, eventually culminating in the rest of the Grateful Dead holding an intervention in January 1985.[17] Given the choice between the band or the drugs, Garcia readily agreed to check into a rehabilitation center in Oakland, California. A few days later in January, before the start of his program in Oakland, Garcia was arrested for drug possession in Golden Gate Park; Garcia subsequently attended a drug diversion program. Throughout 1985, Garcia fought to kick his habit while on tour, and by 1986, was completely clean.
Precipitated by an unhealthy weight, bad eating habits, and recent drug use, Garcia collapsed into a diabetic coma in July 1986, waking up five days later.[3][4] Garcia later spoke about this period of unconsciousness as surreal: “Well, I had some very weird experiences. My main experience was one of furious activity and tremendous struggle in a sort of futuristic, space-ship vehicle with insectoid presences. After I came out of my coma, I had this image of myself as these little hunks of protoplasm that were stuck together kind of like stamps with perforations between them that you could snap off.”[16] Garcia’s coma had a profound effect on him: it forced him to have to relearn how to play the guitar, as well as other, more basic skills. Within a handful of months, Garcia quickly recovered, playing with the Jerry Garcia Band and the Grateful Dead again later that year.[17] Garcia frequently saw a woman named Manasha Matheson during this period. Together they produced Garcia’s fourth and final child, a girl named Keelin Noel Garcia, who was born December 20, 1987.[53] (Jerry, Keelin and Manasha toured and shared a home together as a family until 1993.) After Garcia’s recovery, the band released a comeback album “In the Dark” in 1987, which became their best ever selling studio album. Inspired by Garcia’s improved health and a successful album, the band’s energy and chemistry peaked in the late 1980s and 1990.
During the summer of 1990, keyboardist Brent Mydland died of a drug overdose. Mydland’s death greatly affected Garcia, leading him to believe that the on and off stage chemistry would never be the same. Before beginning the fall tour, the band acquired keyboardists Vince Welnick and Bruce Hornsby. The power of Hornsby’s keys musically drove Garcia to new heights on stage. As the band continued through 1991, Garcia became concerned with the band’s future. He was burnt out from four straight years of high powered touring. Jerry thought a break was necessary, mainly so that the band could come back with fresh material. The idea was put off by the pressures of management, and the touring continued. Jerry’s decrease in both his stamina and his interest to continue touring, may have caused him to use again. Though his relapse was relatively brief, lasting through the summer, the band was quick to react. Soon after the last show of the tour in Denver, Garcia was confronted by the Grateful Dead with another intervention. After a somewhat disastrous meeting, Garcia invited Phil Lesh over to his home in San Rafael, California, where he explained that after the meeting he would start attending a methadone clinic. Garcia said that he simply wanted to clean up in his own way, and get back to making music.[17]
After returning from the Grateful Dead’s 1992 summer tour, Garcia became extremely sick, evidently a throwback to his diabetic coma in 1986.[17] Refusing to go to the hospital, he instead enlisted the aid of an acupuncturist named Yen Wei Choong and a licensed doctor to treat him personally at home. Garcia recovered over the following days, despite the Grateful Dead having to cancel their fall tour to allow him time to recuperate. Following this episode, Garcia quit smoking, became a vegetarian, and began losing weight.
Garcia and girlfriend Barbara Meier, who had met in December of the previous year, separated at the beginning of the Dead’s 1993 spring tour. In 1994, Garcia renewed acquaintances with Deborah Koons, with whom he had been involved sometime around 1975. They married on February 14, 1994, in Sausalito, California. The wedding was attended by family and friends.[17] Garcia had divorced Adams in January of that year.
By the beginning of 1995, Garcia’s physical and mental condition began a decline. His playing ability suffered to the point where he would turn down the volume of his guitar, and he often had to be reminded of what song he was performing.[17] Due to his frail condition, he began to use again just to dull the pain.
In light of his second drug relapse and current condition, Garcia checked himself into the Betty Ford Center during July 1995. His stay was limited, however, lasting only two weeks. Motivated by the experience, he then checked into the Serenity Knolls treatment center in Forest Knolls, California.[4][56]
[edit]Death

On August 9, 1995, at 4:23 am, just eight days after his 53rd birthday, Garcia’s body was discovered in his room at the rehabilitation clinic.[4][56] The cause of death was a heart attack.[57] Garcia had long struggled with drug addiction,[4] weight problems, sleep apnea,[4]a long standing cigarette habit and diabetes all of which contributed to his physical decline. Phil Lesh remarked in his autobiography that, upon hearing of Garcia’s death, “I was struck numb; I had lost my oldest surviving friend, my brother.”[17] On the morning of August 10, Garcia was rested at a funeral home in San Rafael, California. Garcia’s funeral was held on August 12, at St. Stephen’s Episcopal Church in Belvedere.[17][56] It was attended by his family, the remaining Grateful Dead members and their friends, including former basketball player Bill Walton and musician Bob Dylan, and his widow Deborah Koons,[56] who barred Garcia’s other two wives from the ceremony.[17]
On August 13, a municipally sanctioned public memorial took place in the Polo Fields of San Francisco’s Golden Gate Park, and was attended by about 25,000 people.[17] The crowds produced hundreds of flowers, gifts, images, and even a bagpipe rendition of “Amazing Grace”[56] in remembrance.
On April 4, 1996, Bob Weir and Deborah Koons spread half of Garcia’s cremated ashes into the Ganges River at the holy city of Rishikesh, India,[17][58] a site sacred to Hindus. Then, according to Garcia’s last wishes, the other half of his ashes were poured into the San Francisco Bay. Deborah Koons did not allow one of Garcia’s ex-wives, Carolyn “Mountain Girl” Garcia, to attend the spreading of the ashes.[59]
[edit]Musical equipment

Garcia played many guitars during his career, which ranged from Fender Stratocasters and Gibson SGs to custom-made instruments. During his thirty-odd years of being a musician, Garcia used about 25 guitars.[60]
In 1965, when Garcia was playing with the Warlocks, he used a Guild Starfire,[60] which he also used on the début album of the Grateful Dead. Beginning in late 1967 and ending in 1968, Garcia played various colored Gibson Les Paul guitars. In 1969, he picked up the Gibson SG and used it for most of that year and 1970, except for a small period in between where he used a Sunburst Fender Stratocaster.
During Garcia’s “pedal steel flirtation period” (as Bob Weir referred to it in Anthem to Beauty), from approximately 1969 to 1974, he played a ZB Custom D-10 steel guitar, especially in his earlier public performances. Although this was a double neck guitar, Garcia often would choose not to attach the last 5 pedal rods for the rear or Western Swing neck. Additionally, he was playing an Emmons D-10 at the time of the Grateful Dead’s and New Riders of the Purple Sage’s final appearances at the Filmore East in late April 1971. Also, he had been given a Fender Pedal Steel (probably a 1000 model) prior to owning the ZB Custom, but did not play it much.[citation needed]
In 1969, Garcia played pedal steel on two notable outside recordings: the track “The Farm” on the Jefferson Airplane album Volunteers; and the hit single “Teach Your Children” by Crosby, Stills, Nash & Young from their album Déjà Vu, released in 1970. Garcia played on the latter album in exchange for harmony lessons for the Grateful Dead, who were at the time recording their acoustic albums Workingman’s Dead and American Beauty.[61]
In 1972, Garcia used a Fender Stratocaster nicknamed Alligator for its alligator sticker on the pickguard.[60] The guitar was given to him by Graham Nash. This was due in part to damage to his first custom-made guitar, made by Alembic. This guitar, nicknamed Wolf for a memorable sticker Garcia added below the tailpiece, cost $1500 – extremely high for the time.[62]
In the late eighties Garcia, Weir and CSN (along with many others) endorsed Alvarez Yairi acoustic guitars. There are many photographs circulating (mostly promotional) of Jerry playing a DY99 Virtuoso Custom with a Modulus Graphite neck. He opted to play with the less decorated model but the promotional photo from the Alvarez Yairi catalog has him holding the “tree of life” model. This hand-built guitar was notable for the collaboration between Japanese luthier Kazuo Yairi and Modulus Graphite of San Rafael. As with most things Garcia, with his passing, the DY99 model is rendered legend and valuable among collectors.
Wolf was made with an ebony fingerboard and featured numerous embellishments like alternating grain designs in the headstock, ivory inlays, and fret marker dots made of sterling silver. The body was composed of western maple wood which had a core of purpleheart. Garcia later had former Alembic employee Doug Irwin replace the electronics inside the guitar, at which point he added his own logo to the headstock alongside the Alembic logo. The system included two interchangeable plates for configuring pickups: one was made for strictly single coils, while the other accommodated humbuckers. Shortly after receiving the modified instrument, Garcia requested another custom guitar from Irwin with the advice “don’t hold back.”[62]
During the Grateful Dead’s European Tour, Wolf was dropped on several occasions, one of which caused a minor crack in the headstock. Garcia returned it to Irwin to fix; during its two-year absence Garcia played predominantly Travis Bean guitars. On September 28, 1977, Irwin delivered the renovated Wolf back to Garcia.[62] The wolf sticker which gave the guitar its name had now been inlaid into the instrument; it also featured an effects loop between the pick-ups and controls (so inline effects would “see” the same signal at all times) which was bypassable. Irwin also put a new face on the headstock with only his logo (he later claimed to have built the guitar himself, though pictures through time clearly show the progression of logos, from Alembic, to Alembic & Irwin, to only Irwin). In the “Grateful Dead Movie” Jerry is playing Wolf and this film provides excellent views of Wolf.
Nearly seven years after he first requested it, Garcia received his third custom guitar from Irwin in 1979 (the first Irwin was “Eagle”, the second was “Wolf”).[63] The first concert that Jerry played Tiger was August 4, 1979 at the Oakland Auditorium Arena.[63] It was named Tiger from the inlay on the preamp cover.[64] The body of Tiger was of rich quality: the top layer was cocobolo, with the preceding layers being maple stripe, vermilion, and flame maple, in that order.[64] The neck was made of western maple with an ebony fingerboard. The pickups consisted of a single coil DiMarzio SDS-1 and two humbucker DiMarzio Super IIs which were easily removable due to Garcia’s preference for replacing his pickups every year or two.[64] The electronics were composed of an effects bypass loop, which allowed Garcia to control the sound of his effects through the tone and volume controls on the guitar, and a preamplifier/buffer which rested behind a plate in the back of the guitar. In terms of weight, everything included made Tiger tip the scales at 13½ pounds. This was Garcia’s principal guitar for the next eleven years, and most played.
In 1990, Irwin completed Rosebud, Garcia’s fourth custom guitar.[65] It was similar to his previous guitar Tiger in many respects, but featured different inlays and electronics, tone and volume controls, and weight. Rosebud, unlike Tiger, was configured with three humbuckers; the neck and bridge pickups shared a tone control, while the middle had its own. Atop the guitar was a Roland GK-2 pickup which fed the controller set inside the guitar. The GK2 was used in junction with the Roland GR-50 rack mount synthesizer. The GR-50 synthesizer in turn drove a Korg M1R synthesizer producing the MIDI effects heard during live performances of this period as heard on the Grateful Dead recording ‘Without a Net’.[65][66] Sections of the guitar were hollowed out to bring the weight down to 11½ pounds. The inlay, a dancing skeleton holding a rose, covers a plate just below the bridge. The final cost of the instrument was $11,000.[65]
In 1993, carpenter-turned-luthier Stephen Cripe tried his hand at making an instrument for Garcia.[60] After researching Tiger through pictures and films, Cripe set out on what would soon become known as Lightning Bolt, again named for its inlay.[67] The guitar used Brazilian rosewood for the fingerboard and East Indian rosewood for the body, which, with admitted irony from Cripe, was taken from a 19th century bed used by opium smokers.[67] Built purely from guesswork, Lightning Bolt was a hit with Garcia, who began using the guitar exclusively. Soon after, Garcia requested that Cripe build a backup of the guitar. Cripe, who had not measured or photographed the original, was told simply to “wing it.”[67]
Cripe later delivered the backup, which was known by the name Top Hat. Garcia bought it from him for the price of $6,500, making it the first guitar that Cripe had ever sold.[67] However, infatuated with Lightning Bolt, Garcia rarely used the backup.
After Garcia’s death, the ownership of his Wolf and Tiger came into question. According to Garcia’s will,[53] his guitars were to go to Doug Irwin, who had constructed them.[68][69] The remaining Grateful Dead members disagreed—they considered his guitars to be property of the band, leading to a lawsuit between the two parties.[68][69] In 2001, Irwin won the case. Irwin, being a victim of a hit-and-run accident in 1998,[69] was left nearly penniless. He placed Garcia’s guitars up for auction in hopes of being able to start another guitar workshop.[68]
On May 8, 2002, Wolf and Tiger, among other memorabilia, were placed for auction at Studio 54 in New York City.[68] Tiger was purchased for $957,500, while Wolf was bought for $789,500. Together, the instruments were bought for 1.74 million dollars, setting a new world record.[69] Wolf is in a private collection kept in a secure climate controlled room in a private residence at Utica, N.Y., and Tiger is in the private collection of Indianapolis Colts owner Jim Irsay.[70]
[edit]Legacy

Garcia appeared in the 1977 movie Close Encounters of the Third Kind as an extra during the scenes in India in a crowd shot.[71] During the following year, the Grateful Dead would occasionally improvise the theme from “Close Encounters” in concert.
In 1987, ice cream manufacturer Ben & Jerry’s came out with Cherry Garcia, which is named after the guitarist and consists of “cherry ice cream with cherries and fudge flakes”.[72][73][74][75]
Garcia was inducted into the Rock and Roll Hall of Fame as a member of the Grateful Dead in 1994.
Famous guitar player and known Jerry fan Warren Haynes wrote the song “Patchwork Quilt” in memory of Jerry. Grammy award winning reggae artist Burning Spear paid hommage by releasing the song ‘Play Jerry’ in 1997.
In the episode titled “Halloween: The Final Chapter” on the show Roseanne, aired shortly after his death on October 31, 1995, a tribute to Jerry Garcia was made, and the character name of the baby was Jerry Garcia Conner.
In 2003, Rolling Stone Magazine ranked Jerry Garcia 13th in their list of the 100 Greatest Guitarists of All Time.[5]
In 2005, Rapper Proof from the group D12 released an album named after Garcia, Searching for Jerry Garcia. The album was dedicated to the Grateful Dead and released ten years to the day of Garcia’s death.
Ween recorded the song, “So Long Jerry” during the sessions for their 12 Golden Country Greats album, but it was left off the album, eventually appearing on the “Piss Up a Rope” single.
According to fellow Bay Area guitar player Henry Kaiser, Garcia is “the most recorded guitarist in history. With more than 2,200 Grateful Dead concerts, and 1,000 Jerry Garcia Band concerts captured on tape – as well as numerous studio sessions – there are about 15,000 hours of his guitar work preserved for the ages.”[76]
On July 30, 2004, Melvin Seals was the first Jerry Garcia Band member to headline an outdoor music and camping festival called the Grateful Garcia Gathering. The festival is a tribute to the Grateful Dead’s guitarist Jerry Garcia. “Jerry Garcia Band” drummer David Kemper, joined Melvin Seals & JGB in 2007. To date, other musicians and friends of Jerry’s have also included Donna Jean Godchaux, Mookie Siegel, Pete Sears, G.E. Smith, Barry Sless, and Jackie Greene to name a few musicians.
On July 21, 2005, the San Francisco Recreation and Park Commission passed a resolution to name the amphitheater in McLaren Park “The Jerry Garcia Amphitheater.”[77] The amphitheater is located in the Excelsior District, where Garcia grew up. The first show to happen at the Jerry Garcia Amphitheater was Jerry Day 2005 on August 7, 2005. Tiff Garcia was the first person to welcome everybody to the “Jerry Garcia Amphitheater.” Jerry Day is an annual celebration of Jerry in his childhood neighborhood. The dedication ceremony (Jerry Day 2) on October 29, 2005 was officiated by mayor Gavin Newsom.
On September 24, 2005, the Comes a Time: A Celebration of the Music & Spirit of Jerry Garcia tribute concert was held at the Hearst Greek Theatre in Berkeley, California.[78] The concert featured Bob Weir, Bill Kreutzmann, Mickey Hart, Bruce Hornsby, Trey Anastasio, Warren Haynes, Jimmy Herring, Michael Kang, Jay Lane, Jeff Chimenti, Mark Karan, Robin Sylvester, Kenny Brooks, Melvin Seals, Merl Saunders, Marty Holland, Stu Allen, Gloria Jones, and Jackie LaBranch.
Also in 2008, Georgia-based composer Lee Johnson released an orchestral tribute to the music of the Grateful Dead, recorded with the Russian National Orchestra, entitled “Dead Symphony: Lee Johnson Symphony No. 6.” Johnson was interviewed on NPR on the July 26, 2008 broadcast of “Weekend Edition”, and gave much credit to the genius and craft of Garcia’s songwriter. A live performance with the Baltimore Symphony Orchestra, conducted by Johnson himself, was held Friday, August 1.[79]
Seattle rock band Soundgarden wrote and recorded the instrumental song “Jerry Garcia’s Finger”, dedicated to the singer, which was released as a b-side with their single “Pretty Noose”.
The argentinian band Massacre included a song called “A Jerry Garcia” (To Jerry Garcia) on their album “Juguetes para olvidar”.
Numerous music festivals across the United States and Uxbridge, Middlesex, UK hold annual events in memory of Jerry Garcia. — with Jerry Garcia, Bob Weir and Phil Lesh at Hippodrome Paris-Vincennes

Josh Oh trouble ahead. Jerry in red

Jon Hammond
Works at Musikmesse

Randy Mills
Ohio University

Josh Oh
Frenchie at H.A.M. Industries subsidiary of F.M.U

Teruo Goto
Works at Dirty old Musician.

Kim Crockett
Arroyo High

Michael D Hinton
The COLLEGE of MUSICAL KNOWLEDGE

Friends
Yashko Golembiovsky
Académie Royale des Beaux-Arts de Bruxelles (ACA)

Michael Hardy
Glen Ellen, California

Barry Arnaut
US NAVY AVIATION

Kristin Hunt

Frankfurt Germany — Arriving early for one of my many gigs (207 gigs there) at Jazz-Kneipe Frankfurt, during the days I was living in Paris France 1993. I would usually take the train in from Paris. Gig was 22:00 (10PM) to 3:00 in the morning. You can actually see the musicians names on the program, some of them are no longer with us: Izio Gross Trio, (me) Jon Hammond Trio, Piano George (R.I.P.), ‘Jogy Jazz Classics’, Mirko Stranojevic Quartet, Daniel Tochtermann Trio – the address was Berlinerstrasse 70 in back of the Frankfurter Hof Hotel – now it is an upscale restaurant called “Heimat”. I contacted the new owner to see if we could do something there during the Musikmesse next year – Oliver Donnecker, but he said “There is no space left for musicians and also we have a high priced concept.” – good memories from there, thanks for the gigs Regina! (and all the pizza)! JH — at Berliner Straße 70 Frankfurt

BB King Rules! King of The Blues – Jon Hammond
http://en.wikipedia.org/wiki/BB_King
Riley B. King (born September 16, 1925), known by the stage name B.B. King, is an American songwriter, vocalist, and famed blues guitarist.
Rolling Stone magazine ranked him at No. 6 on its list of the 100 greatest guitarists of all time. and No. 17 in Gibson’s Top 50 Guitarists of All Time. According to Edward M. Komara, King “introduced a sophisticated style of soloing based on fluid string bending and shimmering vibrato that would influence virtually every electric blues guitarist that followed.”King was inducted into the Rock and Roll Hall of Fame in 1987

BB King and Jon Hammond

King was born in a small cabin on a cotton plantation outside of Berclair, Mississippi, to Albert King and Nora Ella Farr on September 16, 1925.
In 1930, when King was four years old, his father abandoned the family, and his mother married another man. Because Nora Ella was too poor to raise her son, King was raised by his maternal grandmother Elnora Farr in Kilmichael, Mississippi.[4] Over the years, King has developed one of the world’s most identifiable guitar styles. He borrowed from Blind Lemon Jefferson, T-Bone Walker and others, integrating his precise and complex vocal-like string bends and his left hand vibrato, both of which have become indispensable components of rock guitarist’s vocabulary. His economy and phrasing has been a model for thousands of players, from Eric Clapton and George Harrison to Jeff Beck. King has mixed traditional blues, jazz, swing, mainstream pop, and jump into a unique sound. In King’s words, “When I sing, I play in my mind; the minute I stop singing orally, I start to sing by playing Lucille.” King grew up singing in the gospel choir at Elkhorn Baptist Church in Kilmichael. At age 12, he purchased his first guitar for $15.00[4] although another reference indicates he was given his first guitar by his cousin, Bukka White. In 1943, King left Kilmichael to work as a tractor driver and play guitar with the Famous St. John’s Quartet of Inverness, Mississippi, performing at area churches and on WGRM in Greenwood, Mississippi.[5][6]
In 1946, King followed his cousin Bukka White to Memphis, Tennessee. White took him in for the next ten months.[4] However, King shortly returned to Mississippi, where he decided to prepare himself better for the next visit, and returned to West Memphis, Arkansas, two years later in 1948. He performed on Sonny Boy Williamson’s radio program on KWEM in West Memphis, Arkansas where he began to develop a local audience for his sound. King’s appearances led to steady engagements at the Sixteenth Avenue Grill in West Memphis and later to a ten-minute spot on the legendary Memphis radio station WDIA. King’s Spot became so popular, it was expanded and became the Sepia Swing Club.
Initially he worked at the local R&B radio station WDIA as a singer and disc jockey, where he gained the nickname Beale Street Blues Boy, later shortened to Blues Boy and finally to B.B.[7][8] It was there that he first met T-Bone Walker. “Once I’d heard him for the first time, I knew I’d have to have [an electric guitar] myself. ‘Had’ to have one, short of stealing!”, he said.[9]
[edit]Career

[edit]1949–2005
In 1949, King began recording songs under contract with Los Angeles-based RPM Records. Many of King’s early recordings were produced by Sam Phillips, who later founded Sun Records. Before his RPM contract, King had debuted on Bullet Records by issuing the single “Miss Martha King” (1949), which did not chart well. “My very first recordings [in 1949] were for a company out of Nashville called Bullet, the Bullet Record Transcription company,” King recalls. “I had horns that very first session. I had Phineas Newborn on piano; his father played drums, and his brother, Calvin, played guitar with me. I had Tuff Green on bass, Ben Branch on tenor sax, his brother, Thomas Branch, on trumpet, and a lady trombone player. The Newborn family were the house band at the famous Plantation Inn in West Memphis.”[10]

Performing with his famous guitar, Lucille
King assembled his own band; the B.B. King Review, under the leadership of Millard Lee. The band initially consisted of Calvin Owens and Kenneth Sands (trumpet), Lawrence Burdin (alto saxophone), George Coleman (tenor saxophone),[11] Floyd Newman (baritone saxophone), Millard Lee (piano), George Joyner (bass) and Earl Forest and Ted Curry (drums). Onzie Horne was a trained musician elicited as an arranger to assist King with his compositions. By his own admission, he cannot play chords well[12] and always relies on improvisation. This was followed by tours across the USA with performances in major theaters in cities such as Washington, D.C., Chicago, Los Angeles, Detroit and St. Louis, as well as numerous gigs in small clubs and juke joints of the southern US states.
In the winter of 1949, King played at a dance hall in Twist, Arkansas. In order to heat the hall, a barrel half-filled with kerosene was lit, a fairly common practice at the time. During a performance, two men began to fight, knocking over the burning barrel and sending burning fuel across the floor. The hall burst into flames, which triggered an evacuation. Once outside, King realized that he had left his guitar inside the burning building. He entered the blaze to retrieve his beloved guitar, a Gibson semi-hollow electric. Two people died in the fire. The next day, King learned that the two men were fighting over a woman named Lucille. King named that first guitar Lucille, as well as every one he owned since that near-fatal experience, as a reminder never again to do something as stupid as run into a burning building or fight over women.
King meanwhile toured the entire “Chitlin’ circuit” and 1956 became a record-breaking year, with 342 concerts booked. The same year he founded his own record label, Blues Boys Kingdom, with headquarters at Beale Street in Memphis. There, among other projects, he produced artists such as Millard Lee and Levi Seabury.
In the 1950s, B.B. King became one of the most important names in R&B music, amassing an impressive list of hits including “3 O’Clock Blues”, “You Know I Love You,” “Woke Up This Morning,” “Please Love Me,” “When My Heart Beats like a Hammer,” “Whole Lotta Love,” “You Upset Me Baby,” “Every Day I Have the Blues”, “Sneakin’ Around,” “Ten Long Years,” “Bad Luck,” “Sweet Little Angel”, “On My Word of Honor,” and “Please Accept My Love.” In 1962, King signed to ABC-Paramount Records, which was later absorbed into MCA Records, and this hence into his current label, Geffen Records. In November 1964, King recorded the Live at the Regal album at the Regal Theater in Chicago, Illinois.
King won a Grammy Award for a tune called “The Thrill Is Gone”;[13] his version became a hit on both the pop and R&B charts, which was rare during that time for an R&B artist. It also gained the number 183 spot in Rolling Stone magazine’s 500 Greatest Songs of All Time. He gained further visibility among rock audiences as an opening act on The Rolling Stones’ 1969 American Tour. King’s mainstream success continued throughout the 1970s with songs like “To Know You is to Love You” and “I Like to Live the Love”.
King was inducted into the Blues Hall of Fame in 1980, and inducted into the Rock and Roll Hall of Fame in 1987. In 2004 he was awarded the international Polar Music Prize, given to artists “in recognition of exceptional achievements in the creation and advancement of music.”[14]

B.B. King in concert in France 1989
From the 1980s onward he has continued to maintain a highly visible and active career, appearing on numerous television shows and performing 300 nights a year. In 1988, King reached a new generation of fans with the single “When Love Comes to Town”, a collaborative effort between King and the Irish band U2 on their Rattle and Hum album. In 2000, King teamed up with guitarist Eric Clapton to record Riding With the King. In 1998, King appeared in The Blues Brothers 2000, playing the part of the lead singer of the Louisiana Gator Boys, along with Clapton, Dr. John, Koko Taylor and Bo Diddley.
[edit]2006–present: farewell tour and later activities
Aged 80 at the time, on March 29, 2006, King played at Hallam Arena in Sheffield, England. This was the first date of his United Kingdom and European farewell tour. He played this tour supported by Northern Irish guitarist Gary Moore, with whom King had previously toured and recorded, including the song “Since I Met You Baby”. The British leg of the tour ended on April 4 with a concert at Wembley Arena. And on June 28, 2009 King returned to Wembley arena to end a tour around Great Britain with British blues icon John Mayall. When questioned as to why he was embarking on another tour after already completing his farewell stint, King jokingly remarked that he had never actually said the farewell tour would be his last.[15]
In July King went back to Europe, playing twice (July 2 and 3) in the 40th edition of the Montreux Jazz Festival and also in Zürich at the Blues at Sunset on July 14. During his show in Montreux at the Stravinski Hall he jammed with Joe Sample, Randy Crawford, David Sanborn, Gladys Knight, Lella James, Earl Thomas, Stanley Clarke, John McLaughlin, Barbara Hendricks and George Duke. The European leg of the Farewell Tour ended in Luxembourg on September 19, 2006, at the D’Coque Arena (support act: Todd Sharpville).
In November and December, King played six times in Brazil. During a press conference on November 29 in São Paulo, a journalist asked King if that would be the actual farewell tour. He answered: “One of my favorite actors is a man from Scotland named Sean Connery. Most of you know him as James Bond, 007. He made a movie called Never Say Never Again.”
In June 2006, King was present at a memorial of his first radio broadcast at the Three Deuces Building in Greenwood, Mississippi, where an official marker of the Mississippi Blues Trail was erected. The same month, a groundbreaking was held for a new museum, dedicated to King.[16] in Indianola, Mississippi.[17] The museum opened on September 13, 2008.

B.B. King at Roy Thomson Hall, Toronto, Ontario (May 2007)
In late October 2006, he recorded a concert CD and DVD entitled B.B. King: Live at his B.B. King Blues Clubs in Nashville and Memphis. The four night production featured his regular B.B. King Blues Band and captured his show as he performs it nightly around the world. It was his first live performance recording in 14 years.
On July 28, 2007, King played at Eric Clapton’s second Crossroads Guitar Festival with 20 other guitarists to raise money for the Crossroads Centre for addictive disorders. Performing in Chicago, he played “Paying the Cost to Be the Boss”, “Rock Me Baby” and “Thrill is Gone” (although the latter was not published on the DVD release) with Robert Cray, Jimmie Vaughan and Hubert Sumlin. In a poignant moment during the live broadcast, he offered a toast to the concert’s host, Eric Clapton, and also reflected upon his own life and seniority. Adding to the poignancy, the four-minute speech — which had been underlaid with a mellow chord progression by Robert Cray throughout — made a transition to an emotional rendition of “Thrill is Gone”. Parts of this performance were subsequently aired in a PBS broadcast and released on the Crossroads II DVD.
Also in 2007, King accepted an invitation to contribute to Goin’ Home: A Tribute to Fats Domino (Vanguard Records). With Ivan Neville’s DumpstaPhunk, King contributed his version of the title song, “Goin’ Home”.
In 2007 King performed “One Shoe Blues” on the Sandra Boynton children’s album Blue Moo, accompanied by a pair of sock puppets in the video.
In June 2008, King played at the Bonnaroo Music and Arts Festival in Manchester, Tennessee; he was also the final performer at the 25th annual Chicago Blues Festival on June 8, 2008, and at the Monterey Blues Festival, following Taj Mahal. Another June 2008 event was King’s induction into the Hollywood Bowl Hall of Fame alongside Liza Minnelli and Sir James Galway.
In July 2008, Sirius XM Radio’s Bluesville channel was renamed B.B. King’s Bluesville.
On December 1, 2008, King performed at the Maryland Theater in Hagerstown, Maryland.[18] On December 3, King and John Mayer were the closing act at the 51st Grammy Nomination Concert, playing “Let the Good Times Roll” by Louis Jordan. On December 30, 2008, King played at The Kennedy Center Honors Awards Show; his performance was in honor of actor Morgan Freeman.

European Tour 2009, Vienna, July 2009
In Summer 2009, King started a European Tour with concerts in France, Germany, Belgium, Finland and Denmark.
In March 2010, King contributed to Cyndi Lauper’s album Memphis Blues, which was released on June 22, 2010.
King performed at the Mawazine festival in Rabat, Morocco, on May 27, 2010.[19]
On June 25, 2011 King played the pyramid stage at The Glastonbury Music Festival. On the June 28 he opened his new European tour at The Royal Albert Hall, London, supported by Derek Trucks and Susan Tedeschi, Ronnie Wood, Mick Hucknall and Slash.

Barack Obama and B.B. King singing “Sweet Home Chicago” in February 21st 2012
On February 21st 2012, Barack Obama and Michelle Obama hosted, “In Performance at the White House: Red, White and Blues”, a celebration of blues music held in the East Room of the White House and B.B. King was among the performers. Later on that night, President Obama, encouraged by Buddy Guy and B.B. King, sang part of “Sweet Home Chicago”.[20]
On March 22, 2012, King played a concert at the Chicago House of Blues, where Benson made a guest appearance and both King & Benson held a jammin’ session for over 20 minutes, it was also the celebration of Benson’s birthday.
King performed on the debut album of rapper and producer Big K.R.I.T., who also hails from Mississippi.[21]
On July 5, 2012, King performed a concert at the Byblos Festival, Lebanon.
Over a period of 63 years, King has played in excess of 15,000 performances.[22]
[edit]Equipment

More info about the guitar, see Lucille (guitar)
B.B. King uses simple equipment. King played guitars made by different manufacturers early in his career: he played a Fender Telecaster on most of his recordings with RPM Records (USA).[23] However, he is best known for playing variants of the Gibson ES-355. In 1980 Gibson Guitar Corporation launched the B.B. King Lucille model. In 2005 Gibson made a special run of 80 Gibson Lucilles, referred to as the ’80th Birthday Lucille’, the first prototype of which was given as a birthday gift to King, which he has been using ever since.[24].
He uses Lab Series L5 2×12″ combo amp. King has been using this amp for a long time. The amp was made by Norlin Industries for Gibson in the 70′s and 80′s. Other popular L5 users are Allan Holdsworth and Ty Tabor of King’s X. The L5 has an onboard compressor, parametric EQ, and four inputs. He also has used a Fender Twin Reverb.[25]
He uses his signature model strings Gibson SEG-BBS B.B. King Signature Electric Guitar Strings with gauges: 10-13-17p-32w-45w-54w and D’Andrea 351 MD SHL CX (Medium .71mm, Tortoise Shell, Celluloid) Picks.[25]
[edit]B.B. King’s Blues Club

Sign outside B.B. King’s Blues Club on Beale Street, Memphis
In 1991, B.B. King’s Blues Club opened on Beale Street in Memphis, and in 1994, a second club was launched at Universal City Walk in Los Angeles. A third club in New York City’s Times Square opened in June 2000. Two further clubs opened at Foxwoods Casino in Connecticut in January 2002[26] and another in Nashville in 2003.[27] A club in West Palm Beach opened in the fall of 2009[28] and an additional one, based in the Mirage Hotel, Las Vegas, opened in the winter of 2009.[29] In 2007, a B.B. King’s Blues Club in Orlando opened on International Drive. The Memphis, Nashville, Orlando, West Palm Beach and Las Vegas stores are all the same Company.
[edit]Legacy

King is widely regarded as one of the most influential blues guitarists of all time, inspiring countless other electric blues and blues-rock guitarists such as Jimi Hendrix, Eric Clapton, Jimmy Page, Buddy Guy, Robert Cray, Peter Green, Derek Trucks, Duane Allman, Elmore James and Stevie Ray Vaughan.[30]
[edit]Philanthropy

In 2001, King signed on as an official supporter of Little Kids Rock, a non-profit organization that provides free musical instruments and instruction to children in underprivileged public schools throughout the US. He sits on LKR’s Honorary Board of Directors.
[edit]TV appearances

B.B. King has made guest appearances in numerous popular television shows, including The Cosby Show, The Young and the Restless, General Hospital,[31] The Fresh Prince of Bel-Air, Sesame Street,[32] Married… with Children, Sanford and Son, and Touched by an Angel. He has also made a cameo in the movie Spies Like Us.[33]. He voiced in the last episode of Cow and Chicken.[citation needed]
[edit]Personal life

King has been married twice, to Martha Lee Denton, 1946 to 1952, and to Sue Carol Hall, 1958 to 1966. Both marriages ended because of the heavy demands made on the marriage by King’s 250 performances a year.[4] It is reported that he has fathered 15 children and, as of 2004, is the grandfather to fifty grandchildren.[4] He has lived with Type II diabetes for over twenty years and is a high-profile spokesman in the fight against the disease, appearing in advertisements for diabetes-management products along with American Idol season 9 contestant Crystal Bowersox.
King is an FAA licensed Private Pilot and learned to fly in 1963 at Chicago Hammond Airport in Lansing, IL (now Lansing Municipal Airport – KIGQ).[34][35] He frequently flew to gigs, but under the advice of his insurance company and manager in 1995, King was asked to fly only with another licensed pilot; and as a result, King stopped flying around age 70.[36]
His favorite singer is Frank Sinatra. In his autobiography King speaks about how he was, and is, a “Sinatra nut” and how he went to bed every night listening to Sinatra’s classic album In the Wee Small Hours. King has credited Sinatra for opening doors to black entertainers who were not given the chance to play in “white-dominated” venues; Sinatra got B.B. King into the main clubs in Las Vegas during the 1960s — with B.B. King at Bb. Kings Blues Bar Grill

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Frank Marocco Plays There Is No Greater Love video by Jon Hammond and Journal for 07/28/2012

July 29, 2012

*WATCH THE VIDEO HERE: Frank Marocco Plays There Is No Greater Love video by Jon Hammond

http://archive.org/details/JonHammondFrankMaroccoPlaysThereIsNoGreaterLove/

Youtube http://www.youtube.com/watch?v=gNbUiqbIWm4

Astounding performance by master accordionist Frank Marocco “There Is No Greater Love” uptempo closer in Trio with drummer Harold Jones and bassist Kash Killion – Peter DiBono announcing at San Francisco Accordion Club approximately 10 years ago – video by Jon Hammond In Memory of Frank Marocco with permission of Frank’s daughter Cindy Marocco Thoburn and Frank’s manager Elke Ahrenholz. http://en.wikipedia.org/wiki/Frank_Marocco January 2, 1931 — March 3, 2012 Official Frank Marocco website http://www.frankmarocco.com courtesy of HammondCast http://www.HammondCast.com
Category:
Music
Tags:
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Frank Marocco Plays There Is No Greater Love from Jon Hammond on Vimeo.

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*WATCH THE VIDEO HERE: Get Back In The Groove Louisville Soundcheck

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Youtube http://www.youtube.com/watch?v=PgAdVaR_-K8

Get Back In The Groove by Jon Hammond – at soundcheck in Louisville Kentucky
with John Bishop guitar
Alex Budman tenor saxophone
Ronnie Smith Jr. drums
Jon Hammond organ / bass
from Jon’s album “Hammond’s Bolero” also on “Late Rent” with Jon Hammond playing guitar
http://www.jonhammondband.com
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Get Back In The Groove Louisville Soundcheck from Jon Hammond on Vimeo.

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Hamamatsu Japan – Suzuki Hall — I love this photograph, Suzuki World Headquarters Team, everybody is smiling I made announcement “This picture is for my Mother” *Note, my Mom loved to see it! Thank you very much all my friends in Suzuki for this very special time together!
Sincerely, Jon Hammond

*Actual Concert – special thanks for beautiful photograph Shigeyuki Ohtaka – Hamamatsu Japan – Suzuki Hall — First time I play here with the great Suzuki harmonica star Tanaka Koei – aka ‘Suzuki Harmonica Santa’ – I am playing Mr. Manji Suzuki’s personal Hammond B3mk2 Organ with the high-power Leslie model 3300W (W for=WOOD) 300 watts solid state power with tube preamp stage – very nice folks! *listen here Youtube
http://www.youtube.com/watch?v=FHjhlSwRkws
Suzuki Headquarters and factory special concert for President Founder Manji Suzuki with introduction by Master of Ceremonies Waichiro ‘Tachi’ Tachikawa, Jon Hammond at the new B3mk2 Hammond organ with Koei Tanaka chromatic Suzuki harmonica Part 2 of 3 parts: “Days of Wine and Roses” in Hamamatsu Japan.
*Koei: Born in Tokyo on April 22, 1971. Koei started playing the 10-hole diatonic harmonica at age 15. Until his 20′s. This young musician was playing blues and R & B around the world. He also had a keenness for learning jazz chromatic harmonica as well. Koei plays transcendental mellow delicate and soulful sounds that are unique, which has attracted the attention of many world harmonica players. He is also the official Endorser for SUZUKI HARMONICA.

In 2007, sound and sound control technology is evaluated to be adopted into the harmonica sound presets that are available in European Yamaha synthesizers.
2008, Harmonica in hand Koie set out to take his talent around the world where he made a guest appearance in concerts with our European premier harmonica players.
In 2009, America’s largest harmonica festival “Harmonica SPAH.2009″ saw his perform the first Japanese solo album “sound of the sky (Notes FromThe Air)” presentation.
2010, the Asian Games was held in Singapore, Pacific Ocean Harmonica “Asia Pacific Harmonica Festival” Guest performance were staged by Koei at the closing ceremony.
In 2011, Koei performed at concerts and seminars in Malaysia and Singapore Since 2008, the “harmonica Santa” began operations In Uganda, which encourages the use of harmonicas in children. This young musician began his work in East Africa visiting many schools and orphanages where there were AIDS orphans, street children to name a few. Music Therapy activities he continued to have In 2009, by visiting Cambodia and South Africa in 2010.He was also in Sri Lanka in 2011 at the invitation of the local Gov. Authorities where he visited many schools conducting workshops — at Hamamatsu

‎*Note: Just to right of Koei’s right arm, you can see a set of the famous Suzuki Tone Chimes! I like them very much..incredible pure sound and fun to play solo or ensemble, Jon Hammond

Hamamatsu Japan – Suzuki Hall — First time I play here with the great Suzuki harmonica star Tanaka Koei – aka ‘Suzuki Harmonica Santa’ – I am playing Mr. Manji Suzuki’s personal Hammond B3mk2 Organ with the high-power Leslie model 3300W (W for=WOOD) 300 watts solid state power with tube preamp stage – very nice folks! *listen here Youtube
http://www.youtube.com/watch?v=FHjhlSwRkws
Suzuki Headquarters and factory special concert for President Founder Manji Suzuki with introduction by Master of Ceremonies Waichiro ‘Tachi’ Tachikawa, Jon Hammond at the new B3mk2 Hammond organ with Koei Tanaka chromatic Suzuki harmonica Part 2 of 3 parts: “Days of Wine and Roses” in Hamamatsu Japan.
*Koei: Born in Tokyo on April 22, 1971. Koei started playing the 10-hole diatonic harmonica at age 15. Until his 20′s. This young musician was playing blues and R & B around the world. He also had a keenness for learning jazz chromatic harmonica as well. Koei plays transcendental mellow delicate and soulful sounds that are unique, which has attracted the attention of many world harmonica players. He is also the official Endorser for SUZUKI HARMONICA.

Hamamatsu Japan — Jon Hammond with the hammer down on Mr. Manji Suzuki’s personal Hammond B3mk2 organ – special concert – Youtube http://www.youtube.com/watch?v=AF_j3ShpNPk
Suzuki Headquarters and factory concert special for President Founder Manji Suzuki with introduction by Waichiro ‘Tachi’ Tachikawa, Jon Hammond at the new B3mk2 organ Part 1 of 3 original composition “Lydia’s Tune” in Hamamatsu Japan. — in Hamamatsu-shi, Shizuoka

Flughafen München/MUC — Air Dolomiti to fly over the Italian Alps – Jon Hammond
http://www.airdolomiti.eu/
http://www.airdolomiti.it/news-press/gallery/atr.html
ATR
La flotta Air dolomiti è composta da 11 aeromobili a turboelica — at Muenchen Airport

*WATCH THE VIDEO HERE: SIX YEAR ITCH by Jon Hammond in Louisville Kentucky

http://archive.org/details/SixYearItchByJonHammond

Youtube http://www.youtube.com/watch?v=TaCYavcSZs8

Jon Hammond original composition “Six Year Itch” from Jon’s album
“Hammond’s Bolero” – here in Louisville Kentucky at soundcheck
with Ronnie Smith Jr. drums
Alex Budman tenor saxophone
John Bishop guitar
Jon Hammond organ
http://www.jonhammondband.com
JH INTL ASCAP

Jon Hammond – organ

Ronnie Smith Jr. drums

Alex Budman tenor sax

John Bishop guitar

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SIX YEAR ITCH by Jon Hammond from Jon Hammond on Vimeo.

Jon Hammond Journal July 22, 2012 Report

San Francisco Skyline at dusk as seen from San Francisco-Oakland Bay Bridge – Jon Hammond
http://en.wikipedia.org/wiki/San_francisco_skyline

Folks, last night I went to see the Woody Allen movie “To Rome With Love” with my girlfriend. The entire theater was empty except for the 2 of us. Don’t stay away from the movie theaters folks! Also I highly recommend this film.

*WATCH THE VIDEO HERE: Frank Marocco Plays Cherokee

http://archive.org/details/JonHammondFrankMaroccoPlaysCherokee/

In Memory of Frank Marocco – enjoy this wonderful performance of the late great
accordionist in Solo and Trio approximately 10 years ago – Harold Jones – drums, Cash Killian – bass, Jon Hammond
Harold Jones – drums, Kash Killian – bass
Announcement at end by Peter DiBono
with permission of Frank’s manager – Elke Ahrenholz -
http://www.frankmarocco.com January 2, 1931 — March 3, 2012
http://www.accordionradio.com
Category:
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Moanin 2012 Jazzkeller Hofheim Jon Hammond Band

May 24, 2012

*WATCH THE VIDEO HERE: Moanin 2012 Jazzkeller Hofheim Jon Hammond Band

http://archive.org/details/Moanin2012JazzkellerHofheimJonHammondBand

YouTube http://www.youtube.com/watch?v=jNHoRw5R13c

Jon Hammond Band annual Musikmesse-Session in Jazzkeller Hofheim
Moanin 2012 with Peter Klohmann tenor saxophone, Giovanni Gulino drums,
Joe Berger guitar, Jon Hammond at Sk1 Hammond organ
Swingin’ Funky Jazz and Blues
http://www.jonhammondband.com

music, blues, jazz, jazzkeller hofheim, musikmesse, sk1 organ, session

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*WATCH THE VIDEO HERE: Giovanni Gulino Funky Break Down Head Phone Jon Hammond Band

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YouTube http://www.youtube.com/watch?v=4JtoWjSFow0

Jon Hammond’s annual Musikmesse-Session in Jazzkeller Hofheim, here featuring funky Giovanni Gulino breaking it down on Jon Hammond original funk composition “Head Phone” – Jon Hammond Band – Peter Klohmann tenor sax,
Giovanni Gulino drums, Joe Berger guitar, Jon Hammond Sk1 Hammond organ
*Note: Congratulations to Jazzkeller Hofheim 53 plus years of history, check out the book, I am honored to be on page 68. Keep the tradition going in Hofheim am Taunus, dankeschoen Jazzkeller Hofheim Team! sincerely, Jon Hammond

konrad neupert, jazzkeller hofheim, funky breakdown, giovanni gulino, jon hammond, band sk1

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Jon Hammond on page 68 – Jazzkeller Hofheim 50 Jahre

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*WATCH THE VIDEO HERE: Jazzkeller Hofheim Jon Hammond Band Little Wing

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YouTube http://www.youtube.com/watch?v=En_xg8C7aV8

Jon Hammond’s annual Musikmesse-Session in Jazzkeller Hofheim, here paying tribute to Jimi Hendrix covering Little Wing
with Joe Berger guitar, Giovanni Gulino drums, Peter Klohmann tenor sax, Jon Hammond on Sk1 Hammond organ
*Note: When Jon Hammond was younger playing electric accordion he was known as The Jimi Hendrix of The Accordion,
see image 1971 age 18 http://www.accordionradio.com

jimi hendrix accordion musikmesse session jazzkeller hofheim spirit

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*WATCH THE VIDEO HERE: Tommy Denander Movie – Interview and Concert 2012 Musikmesse

http://archive.org/details/TommyDenanderMovie-InterviewAndConcert2012Musikmesse

http://www.youtube.com/watch?v=bv635mBEmE4

Tommy Denander guitarist extraordinaire, producer and recording artist on more than 2000 hit records here in backstage interview with Jon Hammond organist and host of HammondCast and long-time NYC cable TV show The Jon Hammond Show, also Bobby Kimball of Toto! This interview happened at 2012 Frankfurt Musikmesse backstage at the big Agora Stage just seconds before going on the bandstand in concert with Tommy’s Allstar band, with footage from the concert of Hendrix tribute with musicians „The legendary Jam-of-the Year”-band with Bobby Kimball (TOTO), Tommy Denander (guitar player, e.g. for Michael Jackson), Bruce Gaitsch (guitar player, e.g. for Richard Marx), Chuck Plaisance vocals, Curt Bisquera (drummer, e.g. for Tina Turner) und Jekko S. Jon Hammond at the Sk1 Hammond organ, Jimmy Kresic keys, Pitti Hecht percussion http://en.wikipedia.org/wiki/Tommy_Denander Tommy explains his VGS signature guitars with special fret design with Evertune bridge and the True Temperament fretting system. Special thanks Wolfgang Luecke Frankfurt Messe, GEWA Music, Ralf J. Richter aka Jackson and Team for incredible stage support and Ralph Heinrich for the fantastic board mix, dankeschoen! sincerely, Jon Hammond http://www.hammondCast.com

http://blip.tv/jon-hammond/tommy-denander-movie-interview-and-concert-2012-musikmesse-6049823

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Tommy Denander Movie – Interview and Concert 2012 Musikmesse from Jon Hammond on Vimeo.

photos by Milena Broniowska

Jon Hammond and Tommy Denander

Jon Hammond at Sk1 Hammond organ with Bruce Gaitsch playing custom VGS Signature Guitar with Evertune bridge like Tommy’s guitar has

Tommy Denander and Milena Broniowska backstage at the big Agora Stage 2012 Musikmesse

Hendrix tribute with musicians „The legendary Jam-of-the Year”-band with Bobby Kimball (TOTO), Tommy Denander (guitar player, e.g. for Michael Jackson), Bruce Gaitsch (guitar player, e.g. for Richard Marx), Chuck Plaisance vocals, Curt Bisquera (drummer, e.g. for Tina Turner) und Jekko S. Jon Hammond at the Sk1 Hammond organ, Jimmy Kresic keys, Pitti Hecht percussion

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Chuck Plaisance vocals and Jekko S. bass

http://www.tommydenander.se/

Tommy Denander, Bobby Kimball, Chuck Plaisance, Bruce Gaitsch, Curt Bisquera, Jekko S., Gewa Music, Jon Hammond, Sk1 organ, B3,
VGS Guitars, Evertune bridge, Musikmesse, Agora Stage, Jimi Hendrix

Ants At A Picnic by Civilian

April 26, 2012

*WATCH THE VIDEO HERE: Ants At A Picnic by Civilian

http://archive.org/details/AntsAtAPicnicByCivilian

YouTube: http://www.youtube.com/watch?v=loJNsUWiz9E

Introducing L.A. based alternative rock band CIVILIAN at 2012 ASCAP I Create Music Expo night showcase in Hollywood CA
“Ants At A Picnic”
Jake DeSouza drums
Eric Myers guitar vocals
Chris Warren guitar
Julian Mirijanian bass
Camera by Jon Hammond http://www.HammondCast.com
Check them out on FaceBook
http://www.facebook.com/civilianmusic/info

Blip TV http://blip.tv/jon-hammond/ants-at-a-picnic-by-civilian-6110857

L to R: Julian Mirijanian, Jake DeSouza, Eric Myers, Chris Warren

ASCAP Expo, Showcase, Renaissance Hotel, Civilian, Music, Hollywood CA, Alternative Rock, Ants, Picnic

*WATCH THE VIDEO HERE: Pocket Funk in Newessbar Hamburg Jon Hammond Band

http://archive.org/details/PocketFunkInNewessbarHamburgJonHammondBand

http://www.youtube.com/watch?v=NSPaISJlqEA

Jon Hammond Band first time in Newessbar performing original funky composition
Pocket Funk
-Lutz Buechner tenor saxophone, Heinz Lichius drums, Joe Berger guitar, Jon Hammond Sk1 Hammond organ
http://www.jonhammondband.com
special thanks Olaf Gödecke and Roman Kumutat
http://www.facebook.com/Newessbar

Blip TV http://blip.tv/jon-hammond/pocket-funk-in-newessbar-hamburg-jon-hammond-band-6107626

Pocket Funk, Jon Hammond Band, Sk1 Organ, Lutz Buechner, Heinz Lichius, NDR Jazz, Hamburg, Newessbar, Joe Berger

*WATCH THE VIDEO HERE: Late Rent in Newessbar Hamburg Jon Hammond Band Theme Song

http://archive.org/details/LateRentInNewessbarHamburgJonHammondBandThemeSong

http://www.youtube.com/watch?v=MX-qQUAG5rs

Jon Hammond Band first time in Newessbar performing original Theme Song composition LATE RENT – Lutz Buechner tenor saxophone, Heinz Lichius drums, Joe Berger guitar, Jon Hammond Sk1 Hammond organ
special thanks Route 66 Hamburg http://www.route66-hh.de/ American Classic Cars by Jens Borgmann & Company
http://www.jonhammondband.com

Blip TV http://blip.tv/jon-hammond/late-rent-in-newessbar-hamburg-jon-hammond-band-theme-song-6104093

http://vimeo.com/40846465

Hollywood CA — 2012 ASCAP Expo Highlights Hamburg to Hollywood via Frankfurt by ASCAP Member Jon Hammond

*SEE PHOTOS HERE: 2012 ASCAP Expo Highlights Hamburg to Hollywood via Frankfurt by ASCAP Member Jon Hammond

http://www.facebook.com/media/set/?set=a.10150716460652102.382309.558692101&type=3&l=958d896dc1

7th Annual ASCAP I Create Music Expo, 6th consecutive year for Jon Hammond welcomes Tommy Denander from Sweden to his third ASCAP Expo
aka We Create Music Expo

Jon Hammond here with Dan DeSouza and Bobbi Sacks Marcus DeSouza at Hollywood Renaissance Hotel for 2012 ASCAP I Create Music Expo

http://www.ascap.com/eventsawards/events/expo/2012/about.aspx

Learn. Connect. Succeed.

The Premier Conference for Songwriters, Composers and Producers – open to all, not just ASCAP members.

The ASCAP “I Create Music” EXPO puts you face-to-face with some of the world’s most successful songwriters, composers, producers and music business leaders, all who willingly share their knowledge and expertise and give you the know-how to take your music to the next level.

Writers Jam Hillary Lindsey, Jonny Lang, Lindy Robbins, Priscilla Renea

Priscilla Renea really dazzled the capacity audience in the Grand Ballroom – photo by Jon Hammond

*WATCH THE VIDEO HERE: ASCAP Member composer organist Jon Hammond just back from Midnight Show in Hamburg and 26th Frankfurt Musikmesse here at Newessbar
Original composition Lydia’s Tune

http://archive.org/details/LydiasTune-JonHammondBandInNewessbarHamburg

Blip TV http://blip.tv/jon-hammond/lydia-s-tune-jon-hammond-band-in-newessbar-hamburg-6102625

http://www.youtube.com/watch?v=u3MpF2sTT1A

Jon Hammond Band first time in Newessbar performing original composition Lydia’s Tune – Lutz Buechner tenor saxophone, Heinz Lichius drums, Joe Berger guitar, Jon Hammond Sk1 Hammond organ
http://www.jonhammondband.com

The Smeezingtons Ari Levine, Bruno Mars, Philip Lawrence – Interviewed by Randy Grimmett EVP, Membership ASCAP

Just The Way They Are: Master Session With The Smeezingtons

Master Session With Peter Frampton
http://www.facebook.com/photo.php?fbid=10150717157342102&set=a.10150716460652102.382309.558692101

Dave Paich at the piano

“I Create Music” Center Stage The Highlands
Panelists: Don Felder (Formerly of the Eagles), Allen Shamblin, Charlotte Caffey (The Go-Go’s), Kathy Valentine (The Go-Go’s), Jane Wiedlin (The Go-Go’s), David Paich
Moderator: Brendan Okrent (ASCAP)

Don Felder tells the story and performs Hotel California by The Eagles

Launched in 2006, the ASCAP “I Create Music” EXPO is the first and only national conference dedicated to songwriting and composing. Selling out in its inaugural year, the EXPO immediately provided a unique opportunity for songwriters, composers, publishers, producers – and those in the industry that support them – to come together in an unprecedented way to share their knowledge and expertise. In its short history, the innovative programming offered to attendees has grown to include celebrity Q&A’s, master classes, songwriting and composing workshops, publisher and business panels, One-on-One sessions, DIY career building workshops, showcases and performances, song feedback panels, state-of-the-art technology demos as well as leading music industry exhibitors.

Some of the biggest names in music, both on the creative and business side, have participated at ASCAP’s EXPOs. The EXPO’s headliner interviews have been with Lindsey Buckingham interviewed by Sara Bareilles, Quincy Jones interviewed by Ludacris, Justin Timberlake & Bill Withers, John Mayer, Ann & Nancy Wilson (Heart), Jeff Lynne, Jon Bon Jovi & Richie Sambora, Jackson Browne, Steve Miller, Randy Newman and Tom Petty. At each EXPO there are over 200 panelists and performers, including such people as:

Antonina Armato
Clarence Avant
Johnta Austin
Klaus Badelt
Glen Ballard
Martin Bandier
Sara Bareilles
Natasha Bedingfield
Richard Bellis
Marco Beltrami
Alan & Marilyn Bergman
Dan Bern
Boi-1da
Jon Bon Jovi
Claudia Brant
Stephen Bray
Jonatha Brooke
Kerry “Krucial” Brothers
Bruce Broughton
Darrell Brown
Jackson Browne
Chris Brubeck
Bun B
Lindsey Buckingham
Kenny Burrell
Kandi Burruss
Mary Chapin Carpenter
Regina Carter
Chamillionaire
Paul Chihara
Jay L. Cooper, Esq.
Tom Chapin
Desmond Child
Alf Clausen
Barry Coburn
Ted Cohen
John Corigliano
Wes Craven
Marshall Crenshaw
Hal David
John Debney
Patrick Doyle
Dre & Vidal
Jermaine Dupri
Barry Eastmond
Mike Elizondo
Ron Fair
Roger Faxon
Rory Feek
Fergie
Melanie Fiona
Dan Foliart
John Forté
Mitchell Froom
Toby Gad
Siedah Garrett
Inara George
Michael Giacchino
Ashley Gorley
Lukasz “Dr. Luke” Gottwald
Amaury Gutierrez
Jerry Harrison
Justin Hawkins
Keri Hilson
Rupert Hine
Daniel Ho
Jamie Houston
James Newton Howard
Mark Hudson
Ariel Hyatt
Mark Isham
Brett James
Jimmy Jam & Terry Lewis
Wyclef Jean
Quincy Jones
Ron Jones
Just Blaze
Dean Kay
Lenny Kaye
Josh Kear
John King (Dust Brothers)
Steve Kipner
Chaka Khan
Larry Klein
Holly Knight
Greg Kurstin
Russ Landau
Jerry Leiber & Mike Stoller
Tania León
Alejandro Lerner
Leeds Levy
Ari Levine
Jon Lind
LaToya Luckett
Ludacris
Kevin Lyman
Jeff Lynne
Seth MacFarlane
Kenny MacPherson
Johnny Mandel
Richard Marx
Andrea Martin
John Mayer
MC Lyte
Larry John McNally
Tracy McKnight
Ingrid Michaelson
Raul Midón
Marcus Miller
Rhett Miller
Steve Miller
Jason Mraz
Matt Nathanson
Randy Newman
Rick Nowels
Robert Ellis Orrall
Martin Page
David Paich
Van Dyke Parks
Don Passman, Esq.
Stephen Paulus
Rudy Perez
Linda Perry
Tom Petty
Kelly Price
Trevor Rabin
David Renzer
John Rich
Pete Rock
Kevin Rudolf
Rivers Rutherford
John Rzeznik
Richie Sambora
Matt Scannell
Stephen Schwartz
Darrell Scott
Jill Scott
Matt Serletic
Jeff Silbar
Tommy Sims
Marc Shaiman
Michelle Shocked
Ricky Skaggs
Jill Sobule
J.D. Souther
Alison Sudol (A Fine Frenzy)
Stargate
Billy Steinberg
Christopher “Tricky” Stewart
Ryan Tedder
Justin Timberlake
Brian Tyler
Phil Vassar
Loudon Wainwright III
Rufus Wainwright
Narada Michael Walden
Butch Walker
Don Was
Jimmy Webb
Greg Wells
Wendy & Lisa
Paul Williams
Pharrell Williams
Ann & Nancy Wilson (Heart)
Dan Wilson
Craig Wiseman
Bill Withers
Doug Wood
Bernie Worrell
Dan Zanes
David Zippel
…and hundreds more!

Cia Toscanini (ASCAP) introduces Composer/producer/artist George Duke, composer/guitarist/producer Lee Ritenour and composer/tech and studio consultant Andrew Papastephanou

Jon Hammond and Adrian Ross (ASCAP)

via Frankfurt Musikmesse
*WATCH THE VIDEO HERE: Pocket Funk 2012 Jazzkeller Frankfurt Musikmesse Warm Up Party Jon Hammond Band

http://archive.org/details/LargeSizePocketFunk2012JazzkellerFrankfurtMusikmesseWarmUpPartyJon

Pocket Funk! Voila!

http://www.youtube.com/watch?v=Nn6BjZoJyEk

Jon Hammond’s annual Musikmesse Warm Up Party in Jazzkeller Frankfurt featuring Tony Lakatos tenor saxophone, Giovanni Gulino drums, Joe Berger guitar, special guest:
Lee Oskar harmonica and Jon Hammond at the Hammond Sk1 organ powered by TecAmp 2 x 12 Neodymium rig special thanks to Thomas Eich TecAmp.
This evening marks 26 years continuous Musikmesse for Jon and also on his 59th birthday, special thanks to the Saray Pastanesi Baeckerei & Konditorei bakery for baking the beautiful Chocolate on Chocolate cake which you will see in this film, thank Martina for wonderful presentation, Eugen Hahn, Marc and all Jazzkeller Frankfurt Team, Messe Frankfurt, P.Mauriat Music Saxophones Alex Hsieh team, Suzuki Hammond, Tombo Lee Oskar team, camera by Jennifer http://www.HammondCast.com see you next year!
Pocket Funk as heard on The Jon Hammond Show TV program on MNNTV and on Late Rent album – Behind The Beat http://behindthebeat.com/2004/12/jon-hammond-late-rent/ by Steve Rosenfeld “Jon Hammond says “the fingers are the singers.’” The latest CD from this exceptional and soulful Hammond organist is the proof. “Late Rent” draws on decades of great recording sessions and top live performances to showcase his own playing and many top jazz and funk artists. It shows why the Hammond organ is one of the most enduring electric instruments and why Hammond is one of its best players.”

http://www.viddler.com/v/364ac2e9

//www.viddler.com/embed/364ac2e9/?f=1&autoplay=0&player=full&secret=60735389&loop=0&nologo=0&hd=0

Blip TV http://blip.tv/jon-hammond/pocket-funk-2012-jazzkeller-frankfurt-musikmesse-warm-up-party-jon-hammond-band-6083494

http://www.facebook.com/photo.php?v=10150694644712102

http://www.facebook.com/v/10150694644712102

VIMEO http://vimeo.com/40250628

Frankfurt Germany — Hammond Suzuki Sk1 Organ Stage Keyboard is awarded 2 top prizes MIPA Keyboard of The Year – Jon Hammond reporting

Michael Falkenstein *here with MIPA Award gave acceptance speech in English, nice job Michael!

Product Award Tastenwelt Keyboard of The Year Stageorgeln from Thilo M. Kramny and Karl Stechl of PPVMEDIEN GmbH
held high by Siem Lassche as Jennifer Schiele Michael Falkenstein (pointing) of Hammond Suzuki Europe Germany and Dirk Mertens of HS Europe look on

L to R: in Messe Frankfurt Congress Centrum: Michael Falkenstein, Dirk Mertens, Siem Lassche, Yu Beniya Suzuki Musical Instruments – photo by Jon Hammond

Malc Deakin Hammond Suzuki UK expertly plays the B3mk2 + 3300W high-power Leslie at Hammond Stand 2012 Musikmesse – photo by Jon Hammond

Jon Hammond with award winning Hammond Sk1

Jon Hammond played the Hammond Sk1 daily on Agora Stage with Tommy Denander all star “Legendary Jam Of The Year” Band
*Photos by Milena Broniowska

Jon Hammond backing vocalist Chuck Plaisance on Jimi Hendrix’ Little Wing

Jon Hammond and Tommy Denander

*WATCH THE VIDEO HERE: Tommy Denander Movie – Interview and Concert 2012 Musikmesse

http://archive.org/details/TommyDenanderMovie-InterviewAndConcert2012Musikmesse

http://www.youtube.com/watch?v=bv635mBEmE4

Tommy Denander guitarist extraordinaire, producer and recording artist on more than 2000 hit records here in backstage interview with Jon Hammond organist and host of HammondCast and long-time NYC cable TV show The Jon Hammond Show, also Bobby Kimball of Toto! This interview happened at 2012 Frankfurt Musikmesse backstage at the big Agora Stage just seconds before going on the bandstand in concert with Tommy’s Allstar band, with footage from the concert of Hendrix tribute with musicians „The legendary Jam-of-the Year”-band with Bobby Kimball (TOTO), Tommy Denander (guitar player, e.g. for Michael Jackson), Bruce Gaitsch (guitar player, e.g. for Richard Marx), Chuck Plaisance vocals, Curt Bisquera (drummer, e.g. for Tina Turner) und Jekko S. Jon Hammond at the Sk1 Hammond organ, Jimmy Kresic keys, Pitti Hecht percussion http://en.wikipedia.org/wiki/Tommy_Denander Tommy explains his VGS signature guitars with special fret design with Evertune bridge and the True Temperament fretting system. Special thanks Wolfgang Luecke Frankfurt Messe, GEWA Music, Ralf J. Richter aka Jackson and Team for incredible stage support and Ralph Heinrich for the fantastic board mix, dankeschoen! sincerely, Jon Hammond http://www.hammondCast.com

http://blip.tv/jon-hammond/tommy-denander-movie-interview-and-concert-2012-musikmesse-6049823

http://vimeo.com/39257332

ASCAP, Hollywood CA, I Create Music Expo, Highlights, Composers, Publishers, Producers, The Premier Conference for Songwriters, Jon Hammond, Lauren Iossa, Brendan Okrent, George Duke, Lee Ritenour, Cia Toscanini

Warm up party at Jazzkeller March 20th, 2012

March 8, 2012

Warm up party at Jazzkeller March 20th, 2012 http://www.pmauriatmusic.com/en/news/4-events-news/162-warm-up-party-at-jazzkeller

Musik Messe WarmWarm up party at Jazzkeller

What would be Musik Messe without the Warm Up Party hosted by Jon Hammond band at Jazzkeller?
Once again we’re very happy to invite everybody to Jazzkeller – the very beautiful full of music and history club in Frankfurt am Main where Jon Hammond will be playing together with Tony Lakatos on P. Mauriat saxophones, Joe Berger on guitar and Giovanni Gulino on drums.
It will be the unforgettable and very special night for Jon. He will be celebrating his 59th birthday, so hope to see you there.
Additionally, Jon will be playing with his band and with Peter Klohmann (sax) on 23rd Mar in Jazzkeller- Hofheim (about 20min by train from Musik Messe).
For more information please visit the website below.

latest news

Last month we were very happy to invite you for James Carter’s Master class that were sponsored by P.Mauriat and Mariachi shop in Moscow, Russia. It was an incredible event and amazing time for all  the online and live participants… read more »

What would be Musik Messe without the Warm Up Party hosted by Jon Hammond band at Jazzkeller?
Once again we’re very happy to invite everybody to Jazzkeller – the very beautiful full of music and history club in… read more »

Catch exciting concerts in Boston this March! Marco Pignataro is going to give performances together with such as artists as Danilo Perez, Joe Lovano, George Garzone, Dave Liebman, David Gilmore, Laszlo Gardony and many others… read more »

Karlhos Misajel in concert, March 21st in: Francisco de Paula Camino 226 – Miraflores, Lima.
Time: 8:30 pm. Free admission. More info: 242-7583.

read more »

From 28th to 31st of March in Morelia, Mexico will be held a great event, the Jazztival Michoacan 2012 . The special guest of this event will be PM Artist Greg Osby!
The Michoacán Jazz Festival has been… read more »

P.Mauriat, Alex Hsieh, Albest, Saxphones, Tony Lakatos, Jon Hammond, Agnieszka Obrebska, Music, Suzuki, Sk1, Sk2, Jazzkeller, Warm Up Party, Musikmesse, Frankfurt, Jazz, Blues, Funky, Excelsior Accordion, Taipei, Superlux, Sennheiser, TecAmp, Bag End, NAMM

Press Preview NAMM John Mayer Plays 00-45SC Martin Guitar HammondCast Sk1

February 2, 2012

*WATCH THE VIDEO HERE: Press Preview NAMM John Mayer Plays 00-45SC Martin Guitar HammondCast Sk1

http://www.archive.org/details/JonHammondPressPreviewNAMMJohnMayerPlays00-45SCMartinGuitarHammondCastSk1/

http://www.ourmedia.org/media/press-preview-namm-john-mayer-plays-00-45sc-martin-guitar-hammondcast-sk1

HammondCast

John Mayer playing the Martin 00-45SC as C.F. Martin & Co.’s Dick Boak looks on – photo by Jon Hammond

L to R: Dick Boak, Joe Lamond, John Mayer, Kevin Cranley – photo by Jon Hammond

Lots of Cameras!

John Mayer holding Martin 00-45SC with Dick Boak from C.F. Martin & Co. Guitars

http://www.youtube.com/watch?v=T48gy7gGip4

NAMM 2012 Press Preview HammondCast – John Mayer plays his new Stagecoach special edition “Cowboy Guitar” model 00-45SC (only 25 built) by C.F. Martin & Co. Guitars covered by Jon Hammond special thanks Jeanne O’Keefe The Lippin Group, Dick Boak C.F. Martin & Co. Guitars. Jon Hammond’s 26th NAMM Show session with special friends at stand 5100 Hammond Suzuki – first time NAMM’er Koei Tanaka harmonica, Jon’s long-time music partner Joe Berger guitar and drummer (Music Director of John Legend) Swiss Chris playing his brushes and signature Vic Firth drumsticks on practice pad only in respect to sound control. Also SCOTT MAY vocals resurrecting lyrics of Illinois band The Buckinghams (1967 release).
NAMM President / CEO Joe Lamond and Vice Chairman Kevin Cranley appear in one of Jon’s shots at Press coverage, many cameras! Jon plays the all new Sk1 Hammond organ here on a funky soulful tune written by Joe Zawinul “Mercy Mercy” enjoy folks! Jon Hammond
http://www.namm.org/library/oral-history/jon-hammond
*note about Jon Hammond host of HammondCast from NAMM Archives:
“Jon Hammond has successfully created a career based on his musical talents and his passion for the music industry! As a musician Jon has performed with many legendary players and as a clinician and product artist he has introduced many innovative products to music stores and their customers over the last 30 plus years. Jon is closely identified with the two main products of his career, the Excelsior Accordion and the Digital B3 Organ.” http://www.HammondCast.com

http://www.martinguitar.com/news/PDF/00-45SC%20John%20Mayer.pdf

” The 00-45SC The John Mayer Stagecoach Edition A Traditional But Exquisite 12-fret Grand Concert In Beautiful Cocobolo “

” In collaboration with seven-time Grammy Award winner John Mayer, C. F. Martin & Co. is pleased to introduce a very special premium
guitar – the 00-45SC John Mayer Stagecoach Edition – limited to just 25 instruments. “

Dick Boak, John Mayer, Jeanne M. O’Keefe, Joe Lamond, C.F. Martin & Co. Sk1, Sk2, Hammond, Suzuki, Koei Tanaka, Swiss Chris, NAMM, Press Preview, Music, Organ, Jazz, Blues

Media Contacts:
Louise O’Brien
DKC for Martin Guitar
Amani Duncan
Director, Promotional Marketing
C. F. Martin & Co.

Press Preview Exhibiting companies included Andy Graham Productions, C. F. Martin & Co., Inc., D&H Guitars, Dube, Farmer Musical Instruments, IK Multimedia, Magma Music Molecules Drums Company, Nektar, Numark/Alesis, Ovistrings Music Company, Peavey Electronics Corp., PocketStrings, Porter & Davies, RockStar Pyro, Taylor Guitars, TC Group Americas, Wi Digital Systems, Yamaha, Z-STIK

Jon Power for Hammond Suzuki – Jon Lord and Jon Hammond

Last Day 4 NAMM 2012 Jon Hammond Kicking it off soon, some pictures from yesterday Day 3:

Jon Hammond with Bernard Purdie and first timers to NAMM – Tambuzi Carroll of EastBay Jazz Workshop and his brother Thomas, Tam drove
all the way down from Berkeley: L to R: Tambuzi, Thomas, Jon Hammond, Bernard Purdie

2 years ago I played a midnight showcase show with Bernard Purdie at NAMM in the Hilton Lobby – Pocket Funk

http://www.youtube.com/watch?v=afTagFhYOCo

Pocket Funk Bernard Purdie and Friends NAMM + Flash Back 1989

For Flash Back 1989 Mikell’s Pocket Funk Video:
http://video.google.com/videoplay?docid=-2831189635144040422&hl=en#
Pocket Funk LIVE JON HAMMOND Band w/BERNARD PURDIE at Mikell’s NYC

*Note: Listen to the crowd of mostly musicians actually roar after Joe Berger’s guitar solo! – JH – Hilton Hotel Lobby
Pocket Funk by Jon Hammond © JH INTL ASCAP

Yesterday started out with heavy rain, check out my new smiling frog umbrella with ears…ready to go to show with Sk1 Hammond organ

Ran in to my friend SureWill who is really going places on the Smooth Jazz charts playing with people like Dave Koz, go SureWill!

Jon Hammond with Michael Biwer from Frankfurt Musikmesse!

Jon Hammond with David Mash, Vice President for Technology and Education Outreach at Berklee College of Music

Jon Hammond and Paul Pesco

To photo album will be revised

http://www.facebook.com/media/set/?set=a.10150469698917102.359184.558692101&type=3&l=0ba55c651f

Blues, C.F. Martin Co. Sk1, Dick Boak, Hammond, Jazz, Jeanne M. O’Keefe, Joe Lamond, John Mayer, Koei Tanaka, Music, NAMM, Organ, Press Preview, SK2, Suzuki, swiss chris

Kicking off Day 3 Jon Hammond NAMM 2012

http://www.facebook.com/media/set/?set=a.10150469698917102.359184.558692101&type=3&l=0ba55c651f

We meet again 20 years later in NAMM 2012! Michel Lag & Jon Hammond
http://www.facebook.com/photo.php?fbid=10150471587822102&set=a.10150469698917102.359184.558692101
Michel Lag – Master Luthier of Algam Music & Sound in France who makes an appearance in Jon Hammond’s movie “Sound Cops” on AFN Profile TV Show which Jon did in Cooperation with AFN Radio TV 20 years ago: 
http://www.youtube.com/watch?v=ttx6l87Gtow
Musician Jon Hammond on AFN Europe TV Show PROFILE, Musikmesse Special. Jon worked together with AFN’s SSgt Albert Viera and SSG Terry Anderson to create this special entitled “Sound Cops” with very entertaining cameo appearances by Joe Berger (guitar) Michael Maier Falkenstein (Hammond organ with Jon) and the 2 Sound Polizei ‘Noise Control’ guys “Lorenzo” and his partner, busted for Electric Guitar Rocking!
You will find this story very enjoyable! Special thanks to AFN Europe and Musikmesse Frankfurt

The great Suzuki Harmonica Artist Koei Tanaka from Tokyo, his first appearance at NAMM Show in Suzuki Hammond stand 5100 with Joe Berger guitar, myself Jon Hammond on Hammond Sk1 combo organ – we will play a Blues session and the classic “Mercy Mercy”, come welcome Koei Tanaka folks! *we played together in Hamamatsu Japan at Suzuki Hall 2 years ago.

Jon Hammond and Koei Tanaka

*WATCH THE VIDEO HERE:

http://ia700204.us.archive.org/10/items/JonHammondSuzukiWorldHeadquartersInHouseConcertJonHammondPt3of3/SuzukiHeadquarterPart3of3.m4v

Suzuki Concert Part 3 of 3:
http://www.youtube.com/watch?v=1Uok7LV6OZk

John Mayer Plays NAMM Press Preview 00-45SC Martin Guitar HammondCast Sk1

February 1, 2012

*WATCH THE VIDEO HERE: John Mayer Plays NAMM Press Preview 00-45SC Martin Guitar HammondCast Sk1 Jon Hammond Koei Tanaka Joe Berger Swiss Chris

http://www.archive.org/details/JohnMayerPlaysNammPressPreview00-45scMartinGuitarHammondcastSk1

John Mayer playing the Martin 00-45SC as C.F. Martin & Co.’s Dick Boak looks on – photo by Jon Hammond

L to R: Dick Boak, Joe Lamond, John Mayer, Kevin Cranley – photo by Jon Hammond

Lots of Cameras!

John Mayer holding Martin 00-45SC with Dick Boak from C.F. Martin & Co. Guitars

http://www.youtube.com/watch?v=T48gy7gGip4

NAMM 2012 Press Preview HammondCast – John Mayer plays his new Stagecoach special edition “Cowboy Guitar” model 00-45SC (only 25 built) by C.F. Martin & Co. Guitars covered by Jon Hammond special thanks Jeanne O’Keefe The Lippin Group, Dick Boak C.F. Martin & Co. Guitars. Jon Hammond’s 26th NAMM Show session with special friends at stand 5100 Hammond Suzuki – first time NAMM’er Koei Tanaka harmonica, Jon’s long-time music partner Joe Berger guitar and drummer (Music Director of John Legend) Swiss Chris playing his brushes and signature Vic Firth drumsticks on practice pad only in respect to sound control. Also SCOTT MAY vocals resurrecting lyrics of Illinois band The Buckinghams (1967 release).
NAMM President / CEO Joe Lamond and Vice Chairman Kevin Cranley appear in one of Jon’s shots at Press coverage, many cameras! Jon plays the all new Sk1 Hammond organ here on a funky soulful tune written by Joe Zawinul “Mercy Mercy” enjoy folks! Jon Hammond
http://www.namm.org/library/oral-history/jon-hammond
*note about Jon Hammond host of HammondCast from NAMM Archives:
“Jon Hammond has successfully created a career based on his musical talents and his passion for the music industry! As a musician Jon has performed with many legendary players and as a clinician and product artist he has introduced many innovative products to music stores and their customers over the last 30 plus years. Jon is closely identified with the two main products of his career, the Excelsior Accordion and the Digital B3 Organ.” http://www.HammondCast.com

http://www.martinguitar.com/news/PDF/00-45SC%20John%20Mayer.pdf

” The 00-45SC The John Mayer Stagecoach Edition A Traditional But Exquisite 12-fret Grand Concert In Beautiful Cocobolo “

” In collaboration with seven-time Grammy Award winner John Mayer, C. F. Martin & Co. is pleased to introduce a very special premium
guitar – the 00-45SC John Mayer Stagecoach Edition – limited to just 25 instruments. “

Dick Boak, John Mayer, Jeanne M. O’Keefe, Joe Lamond, C.F. Martin & Co. Sk1, Sk2, Hammond, Suzuki, Koei Tanaka, Swiss Chris, NAMM, Press Preview, Music, Organ, Jazz, Blues

Media Contacts:
Louise O’Brien
DKC for Martin Guitar
Amani Duncan
Director, Promotional Marketing
C. F. Martin & Co.

Press Preview Exhibiting companies included Andy Graham Productions, C. F. Martin & Co., Inc., D&H Guitars, Dube, Farmer Musical Instruments, IK Multimedia, Magma Music Molecules Drums Company, Nektar, Numark/Alesis, Ovistrings Music Company, Peavey Electronics Corp., PocketStrings, Porter & Davies, RockStar Pyro, Taylor Guitars, TC Group Americas, Wi Digital Systems, Yamaha, Z-STIK

*WATCH THE VIDEO HERE: NAMM 2012 James Wes Blues Sunday Session Sk1 Hammond

http://www.archive.org/details/JonHammondNAMM2012JamesWesBluesSundaySessionSk1Hammond/

Joe Berger guitar, Koei Tanaka Suzuki Harmonica, Jon Hammond Sk1 Hammond Organ

Swiss Chris brushes – Cliff Unruh of Hammond Central looks on

http://www.youtube.com/watch?v=iD5r_zmX8Lg

Sunday Blues Session in Hammond Suzuki Stand NAMM 2012
First time to NAMM Show – Suzuki Harmonica artist KOEI TANAKA from Tokyo Japan http://www.tanakakoei.com/ with JOE BERGER aka The Berger-Meister on guitar through Leslie G37 guitar combo amp, SWISS CHRIS playing only brushes here for keeping volume low but still with Swiss Chris energy! JON HAMMOND at Sk1 Hammond combo organ – James Wes Blues – Special thanks to Suzuki Musical Instruments Team – Waichiro ‘Tachi’ Tachikawa, Mr. M. Terada, Shuji Suzuki, Shigeyuki Ohtaka, Yu Beniya, Hammond Suzuki USA Dennis Capiga, Scott May, Jay Valle, cameo appearance by Cliff Unruh of Hammond Central (appears by Swiss Chris!) thanks NAMM President Joe Lamond, Jon’s flight case Gator GKPE-49-TSA http://www.namm.org/library/oral-history/jon-hammond HammondCast http://www.HammondCast.com

http://vimeo.com/35672142

NAMM 2012 James Wes Blues Sunday Session Sk1 Hammond from Jon Hammond on Vimeo.

http://blip.tv/jon-hammond/namm-2012-james-wes-blues-sunday-session-sk1-hammond-5911671

http://www.ourmedia.org/media/namm-2012-james-wes-blues-sunday-session-sk1-hammond

http://ireport.cnn.com/docs/DOC-736843

sk1, organ, tanaka koei, harmonica, blues, swiss chris, namm, suzuki, joe berger, jon hammond

Breaking News NAMM President/CEO Joe Lamond Says 95,000 Attendance Broken 3rd Day of 4 Day Winter NAMM 2012 Jon Hammond Reporting

Joe Power!: Joe Testa Director of Artist Relations and Joe Lamond at Vic Firth Stand – photo by Jon Hammond

Jon Hammond spoke with Joe Lamond just before closing of 4th and final day of Winter NAMM 2012, noting that attendance was very strong, Joe Lamond said: “Yesterday (day 3) we broke 95,000 attendance.”
One can assume that the final attendance tally including Day 4 will be well over the 100,000 mark – Jon Hammond HammondCast

Joe Lamond hosting NAMM Breakfast of Champions Day 1 with very special guests!

Jon Hammond reporting from 2012 NAMM Show and playing

NAMM’s Director of International Affairs Betty Heywood with Jon Hammond Day 1 Winter NAMM 2012

Managing Director Suzuki Musical Instruments Mr. Waichiro ‘Tachi’ Tachikawa with Jon Hammond

Michael Biwer Director of Prolight + Sound, Veronica from Messe Frankfurt Hollywood and Jon Hammond, next stop: Moscow! May 16-19
World’s First Moscow NAMM Musikmesse

Mr. Shuji Suzuki – Suzuki Musical Instruments Company and Jon Hammond

L to R: Joe Berger, Koei Tanaka, Jon Hammond – special Sunday Morning Blues Session – January 22, 2012 Winter NAMM Hammond Stand

Jon Hammond traveling the world with his Hammond Sk1 Combo Organ most powerful keyboard incredibly compact and tough!

Stephen Fortner Editor Keyboard Magazine and Jon Hammond – Winter NAMM 2012

Jon Hammond and drummer Bernard Purdie – Winter NAMM 2012

Kicking off Day 3 Jon Hammond NAMM 2012

http://www.facebook.com/media/set/?set=a.10150469698917102.359184.558692101&type=3&l=0ba55c651f

We meet again 20 years later in NAMM 2012! Michel Lag & Jon Hammond
http://www.facebook.com/photo.php?fbid=10150471587822102&set=a.10150469698917102.359184.558692101
Michel Lag – Master Luthier of Algam Music & Sound in France who makes an appearance in Jon Hammond’s movie “Sound Cops” on AFN Profile TV Show which Jon did in Cooperation with AFN Radio TV 20 years ago: 
http://www.youtube.com/watch?v=ttx6l87Gtow
Musician Jon Hammond on AFN Europe TV Show PROFILE, Musikmesse Special. Jon worked together with AFN’s SSgt Albert Viera and SSG Terry Anderson to create this special entitled “Sound Cops” with very entertaining cameo appearances by Joe Berger (guitar) Michael Maier Falkenstein (Hammond organ with Jon) and the 2 Sound Polizei ‘Noise Control’ guys “Lorenzo” and his partner, busted for Electric Guitar Rocking!
You will find this story very enjoyable! Special thanks to AFN Europe and Musikmesse Frankfurt

*Note: Tomorrow shortly after 10AM I will be playing with the great Suzuki Harmonica Artist Koei Tanaka from Tokyo, his first appearance at NAMM Show in Suzuki Hammond stand 5100 with Joe Berger guitar, myself Jon Hammond on Hammond Sk1 combo organ – we will play a Blues session and the classic “Mercy Mercy”, come welcome Koei Tanaka folks! *we played together in Hamamatsu Japan at Suzuki Hall 2 years ago.

Jon Hammond and Koei Tanaka

*WATCH THE VIDEO HERE:

http://ia700204.us.archive.org/10/items/JonHammondSuzukiWorldHeadquartersInHouseConcertJonHammondPt3of3/SuzukiHeadquarterPart3of3.m4v

Suzuki Concert Part 3 of 3:
http://www.youtube.com/watch?v=1Uok7LV6OZk

Last Day 4 NAMM 2012 Jon Hammond Kicking it off soon, some pictures from yesterday Day 3:

Jon Hammond with Bernard Purdie and first timers to NAMM – Tambuzi Carroll of EastBay Jazz Workshop and his brother Thomas, Tam drove
all the way down from Berkeley: L to R: Tambuzi, Thomas, Jon Hammond, Bernard Purdie

2 years ago I played a midnight showcase show with Bernard Purdie at NAMM in the Hilton Lobby – Pocket Funk

http://www.youtube.com/watch?v=afTagFhYOCo

Pocket Funk Bernard Purdie and Friends NAMM + Flash Back 1989

For Flash Back 1989 Mikell’s Pocket Funk Video:
http://video.google.com/videoplay?docid=-2831189635144040422&hl=en#
Pocket Funk LIVE JON HAMMOND Band w/BERNARD PURDIE at Mikell’s NYC

*Note: Listen to the crowd of mostly musicians actually roar after Joe Berger’s guitar solo! – JH – Hilton Hotel Lobby
Pocket Funk by Jon Hammond © JH INTL ASCAP

Yesterday started out with heavy rain, check out my new smiling frog umbrella with ears…ready to go to show with Sk1 Hammond organ

Ran in to my friend SureWill who is really going places on the Smooth Jazz charts playing with people like Dave Koz, go SureWill!

Jon Hammond with Michael Biwer from Frankfurt Musikmesse!

Jon Hammond with David Mash, Vice President for Technology and Education Outreach at Berklee College of Music

Jon Hammond and Paul Pesco

To photo album will be revised

http://www.facebook.com/media/set/?set=a.10150469698917102.359184.558692101&type=3&l=0ba55c651f

Sk1, Sk2, Combo organ, super light, Funky Drums, Paul Pesco, Pocket Funk, Sk1 Hammond, Smiling Frog Umbrella, Suzuki, Winter NAMM

Bernard Purdie and Friends Midnight Showcase Winter NAMM Hilton Hotel Anaheim Special Long Play Video 38:51

*LINK: http://blip.tv/jon-hammond/bernard-purdie-and-friends-midnight-showcase-winter-namm-2010-hilton-hotel-anaheim-special-long-play-video-38-51-3600386

Bernard Purdie and Friends Midnight Showcase Winter NAMM 2010 Hilton Hotel Anaheim Special Long Play Video 38:51 http://gallery.me.com/jonhammondband#101185 Soulcatcher Blues: Tim Hern gtr. vocals, Mahlon Hawk bs. vocals, Leslie Gray gtr. vocals Jon Hammond XK-1 Organ (and bass on Pocket Funk) Special Guest: Joe Berger guitar Vibes: Jason “Malletman” Taylor Tenor saxes: Dan Puccio, Shea Marshall Trumpet: Winston Byrd Drums: Bernard “Pretty” Purdie aka “The Hit Maker” *Note: Bernard Purdie, Jon Hammond and Joe Berger are members of Local 802 Musicians Union Video Camera: Jennifer © http://www.HammondCast.com 1. “It’s Probably Me” – Soulcatcher Blues 2. “Standing on Shaky Ground” Soulcatcher Blues 3. “Big Boss Man” Soulcatcher, Leslie Gray Feature 4. “Pocket Funk” Jon Hammond Intl. ASCAP *Joe Berger guitar feature *don’t leave a kleenex in your pocket when you do the laundry! Special Thanks: NAMM.org, Hilton Hotel Anaheim Convention Center, Hammond Suzuki, Denny Mack & Co. Audio Mix Raquel Romero F&B, Executive Chef Fred Mensinga, Special Long Play Video by Jennifer Bernard Purdie http://www.bernardpurdie.com Soulcatcher Blues http://www.myspace.com/soulcatcherblues Jon Hammond http://www.jonhammondband.com Jason “Malletman” Taylor Jon Hammond at XK-1 Hammond organ, Bernard Pretty Purdie drums, Tim Hern guitar, Winston Byrd trumpet, photo by Bernie Horns: Winston Byrd trumpet, Shea Marshall tenor, Joe Berger guitar, Leslie Gray guitar, Bernard Pretty Purdie drums, Tim Hern guitar, Mahlon Hawk bass, Jon Hammond XK-1 organ, photo by Bernie Jason Taylor aka Mallet Man vibes, Leslie Gray guitar, Winston Byrd trumpet, Tim Hern guitar, Bernard Pretty Purdie drums, Jon Hammond XK-1 organ, photo by Bernie Capicchiano Bernard Pretty Purdie and Friends mixed by Denny Mack photo by Bernie Capicchiano

http://vimeo.com/11549268

*WATCH THE VIDEO HERE: NAMM Breakfast of Champions Concert Prakash Sontakke and Salar Nader

http://www.archive.org/details/NammBreakfastOfChampionsConcertPrakashSontakkeAndSalarNader

Prakash Sontakke lap slide guitar, Abe Thomas Thomas Music Bangalore, Salar Nader tabla drums

http://www.youtube.com/watch?v=vkRptlyKD5U

NAMM 2012 Breakfast of Champions Day 1 Concert: Prakash Sontakke – Slide Guitar and Salar Nader – Tabla Drums, brought to you by Abe Thomas and camera by Jon Hammond of HammondCast *Note: Prakash just emailed me that the name of this song is: “Kalyani”
Prakash: http://prakashsontakke.com/
Salar: http://salarnader.com/
Abe: http://thomasmusicindia.com/
Asher Guitars & Lap Steels http://www.asherguitars.com/
Jon: http://www.HammondCast.com
NAMM http://www.namm.org/
Joe Lamond NAMM President / CEO Appears At End enjoy folks! Jon Hammond

http://ireport.cnn.com/docs/DOC-738296

http://vimeo.com/35822805

NAMM Breakfast of Champions Concert Prakash Sontakke and Salar Nader from Jon Hammond on Vimeo.

http://blip.tv/jon-hammond/namm-breakfast-of-champions-concert-prakash-sontakke-and-salar-nader-5918067

NAMM Jam Duo with KOEI TANAKA harmonica and JON HAMMOND at Sk2

http://vimeo.com/35826830

http://www.youtube.com/watch?v=4kjGcGgK7_o

Suzuki Hammond Artists KOEI TANAKA harmonica and JON HAMMOND in Duo playing at 2012 Winter NAMM Show in the first-ever Suzuki Hammond combo stand number 5100. Jon and Koei first met and played together in Hamamatsu Japan at Suzuki factory and world headquarters in Suzuki Hall in a special concert for President Founder Mr. Manji Suzuki and entire company, happy to see each other again in USA! Welcome Koei first time to NAMM Show, 26th year at NAMM for Jon Hammond, Day 1 of 4 Days, many guests came including Stevie Wonder who is now playing Suzuki harmonicas exclusively. Koei Tanaka goes to many countries and does incredible social work with his music and spreading the message of the melody with Suzuki Harmonicas. Jon Hammond tours worldwide with Hammond Sk1. Check out Koei’s other YouTubes and visit his official fan site http://www.tanakakoei.com/ and Jon Hammond HammondCast Jon Hammond Band http://www.jonhammondband.com/

*WATCH THE VIDEO HERE: NAMM Jam Duo with KOEI TANAKA harmonica and JON HAMMOND at Sk2

http://www.archive.org/details/NammJamDuoWithKoeiTanakaHarmonicaAndJonHammondAtSk2_452

Scott May of Hammond Suzuki looking on – Jon Hammond at Sk2 Hammond

*WATCH THE VIDEO HERE: Sk2 Mercy Mercy NAMM Jam 2012 Jon Hammond and Friends

http://www.archive.org/details/JonHammondSk2MercyMercyNAMMJam2012JonHammondandFriends/

http://www.youtube.com/watch?v=fYtj8SG0Gbo

Jon Hammond Day 1 NAMM at Sk2 Hammond organ with good friends Rich Severson of Guitar College http://www.guitarcollege.com/ on guitar, Koei Tanaka Suzuki Harmonica artist – official fan site http://www.tanakakoei.com/ NAMM Jam 2012 on Mercy Mercy at Hammond Suzuki stand 5100 first-time ever combined for full power in the big NAMM.
Special thanks to Suzuki Musical Instruments Team – Waichiro ‘Tachi’ Tachikawa, Mr. M. Terada, Shuji Suzuki, Shigeyuki Ohtaka, Yu Beniya, Hammond Suzuki USA Dennis Capiga, Scott May, Jay Valle – Camera: Jennifer http://www.HammondCast.com

Jon Hammond Sk2 Hammond organ, Rich Severson Eastman 403 guitar, Koei Tanaka Suzuki Harmonica – Stand 5100 NAMM 2012

http://www.ourmedia.org/media/sk2-mercy-mercy-namm-jam-2012-jon-hammond-and-friends

Jon Hammond Show Flash Backs with Eddie Money John Entwistle Harold Channer Igor Butman and more

November 27, 2011

*WATCH THE VIDEO HERE: Jon Hammond Show Flash Backs with Eddie Money John Entwistle Harold Channer Igor Butman and more

http://www.archive.org/details/JonHammondShowFlashBacksWithEddieMoneyJohnEntwistleHaroldChanner

http://www.youtube.com/watch?v=GSckuJmTGhs

Long running Cable Access TV Show The Jon Hammond Show flashes back with some vintage segments including in studio Eddie Money rehearsal with Paul Shaffer and band at NBC pre-broadcast on David Letterman set with cameo from Biff Henderson, Will Lee, Anton Fig, special thanks Jeff Samaha NBC Stage Manager, then to Providence Rhode Island 1987 performance at The Living Room with John Entwistle and Rat Race Choir doing a kick ass cover of Young Man Blues mixed live by Joe Berger. An impromptu palm percussion performance by Will Lee and then the classic Jon Hammond Show opening with famed weather man Lloyd Lindsay Young and cable access veteran Harold Hudson Channer and Jon Hammond in conversation on Harold’s program Conversations introducing a segment in Moscow Russia with Jon Hammond in concert in Trio with saxophonist Igor Butman, drummer Ed Zizak, as Harold says “It’s a Global Village!” Enjoy this historic documentary and stay tuned for more from Mr. Hammond’s Archives http://www.HammondCast.com

Biff Henderson, Eddie Money, John Entwistle, Joe Berger, Studio, Jon Hammond Show, Music, Travel, Soft, News, Organ, Bass, Singer, Palm Percussionist, TV Show, Cable Access
Category: Music

Jon Hammond in Post Production Studio 1983

HammondCast Dot Com

Biff Henderson NBC Stage Manager at The Microphone

Eddie Money on the NBC Letteman Stage in 30 Rockefeller Center covered by Jon Hammond personally

Anton Fig at his Blue Kit

Will Lee Basso Profundo and Palm Percussionist

Eddie Money Rehearsing with Band Leader Paul Shaffer and Guitarist Sid McGinnis at NBC Studios 30 Rockefeller Center

Anton Fig and Will Lee the rhythm section is smiling

The Jon Hammond Show long running cable access TV program MCTV MNN TV and streaming worldwide

Jon Hammond in studios of MNN TV in conversation with host Harold Hudson Channer

The Late Great Bassist John Entwistle onstage in Providence Rhode Island 1987 covered by Jon Hammond mixed live by Joe Berger

John Entwistle with Rat Race Choir as Seen on The Jon Hammond Show mixed and produced by Joe Berger

http://blip.tv/jon-hammond/jon-hammond-show-flash-backs-with-eddie-money-john-entwistle-harold-channer-igor-butman-and-more-5770932

http://ireport.cnn.com/docs/DOC-709239

http://ireport.cnn.com/themes/custom/resources/cvplayer2.0/IReportEmbedPlayer.swf?site=ireport&profile=ireport-embed&context=embed&contentId=709239/0

http://www.viddler.com/explore/hammondcast/videos/112/

http://www.viddler.com/player/c6b0e2e2/

http://www.dailymotion.com/video/xmlode_eddie-money-john-entwistle-jon-hammond-show-flash-backs

http://www.dailymotion.com/embed/video/xmlode_jon-hammond-show-flash-backs-with-eddie-money-john-entwistle-harold-channer-igor-butman-and-more_music
Jon Hammond Show Flash Backs with Eddie Money… by laterent

http://www.facebook.com/v/10150372568972102

Biff Henderson, Eddie Money, John Entwistle, Joe Berger, Studio, Jon Hammond Show, Music, Travel, Soft, News, Organ, Bass, Singer, Palm Percussionist, TV Show, Cable Access

Jon Hammond Band – Special Late Show Saturday Dec. 3rd 1-3AM at BITTER END on Bleecker St. Greenwich Village New York City

L to R: Joe Berger guitar, Todd Anderson tenor saxophone, Ray Grappone drums, Jon Hammond organ

As Seen On MCTV MNNTV Cable Access TV Show The Jon Hammond Show 28th Year

JON HAMMOND Band FaceBook Page https://www.facebook.com/pages/Jon-Hammond-Band/133709526657853

Jon Hammond HammondCast FaceBook http://www.facebook.com/hammondcast

Jon Hammond Band Official http://www.jonhammondband.com

LIVE in The Bitter End http://en.wikipedia.org/wiki/The_Bitter_End

The Bitter End is a nightclub in New York City’s Greenwich Village. It opened its doors in 1961 at 147 Bleecker Street under the auspices of owner Fred Weintraub. The club changed its name to The Other End during the 1970s. However eventually after a few years the owners changed the club’s name back to the more recognizable Bitter End.

History

An earlier club, “The Cock and Bull” operated on the same premises with the same format, in the late 1950s. The poet/comedian Hugh Romney (who later became known as Wavy Gravy) read there.
During the early 1960s the club hosted Folk music “hootenanies” every Tuesday night, featuring many performers who have since become legendary. During its heyday the Bitter End showcased a wide range of talented and legendary musicians, comedians, and theatrical performers.[1]
In 1968 Paul Colby, who began his career as a song plugger for Benny Goodman’s publishing company, and went on to work for Frank Sinatra, Duke Ellington, and Guy Lombardo, became the manager and booking agent at The Bitter End, and in 1974 he purchased it.[2][3]
In the mid 1970s, the club became known as the birthplace of Bob Dylans Rolling Thunder Revue, which featured such names as Joni Mitchell, Roger McGuinn, Ramblin’ Jack Elliot, Joan Baez, T-Bone Burnett, Ronee Blakely, Mick Ronson, and many other guest stars.
The City of New York bestowed landmark status to the night club on July 23, 1992.

Pete Fogel Le Bar Bat The Bitter End Steely Dan, John Entwistle, Zak Starkey, Doran Gray, Frankfurt Musikmesse, NAMM, Music China, Moscow Jazz, Late Rent, Pocket Funk,
Ronnie Smith Jr., Stephen Ferrone, Bernard Purdie The Hit Maker

http://www.amazon.com/Late-Rent-Jon-Hammond/dp/B000CA40BI

1. Late Rent Listen
2. Original Announcement from Jon Hammond Show Listen
3. Pocket Funk Listen
4. Lydia’s Tune Listen
5. The Sidewinder Listen
6. Announcement by al “Jazzbeaux” Collins Listen
7. Head Phone Listen
8. White Onions Listen
9. Party Is Forbidden Here Listen
10. Get Back in the Groove Listen
11. White Onions [Live] Listen
12. Head Phone [Live] Listen
13. Afn Announcement #1 Listen
14. Nu Funk (Hip Hot Chitlins) [Live] Listen
15. Afn Announcement #2

This is a re-issue of Jon’s 1995 European release “Late Rent.” Never before available in the U.S., it contains a collection of recordings featuring Bernard Purdie and Steve Ferrone on drums, as well as Todd Anderson and Alex Foster on sax, Barry Finnerty and Graham Hawthorne, Ray Grappone, Jim Preston and Chuggy Carter. The record is a swinging and funky compilation of original tracks written by Jon Hammond, as well as some anecdotal asides and a guest appearance by Jazzbeaux Collins. Lots of great solos and organ sounds as well as melodies and groove.

Jon Hammond Music iTunes http://itunes.apple.com/us/artist/jon-hammond/id4308313

Top Albums

1.
LATE RENT
View In iTunes

2.
Hammond’s Bolero
View In iTunes

3.
Ndr Sessions Projekt
View In iTunes
Top Songs
Name Album Time Price
1
Payphone Johnny
Ndr Sessions Projekt
7:02

View In iTunes
2
The More I See You
Ndr Sessions Projekt
5:00

View In iTunes
3
Our Day Will Come
Ndr Sessions Projekt
5:19

View In iTunes
4
No X-Cess Baggage Blues
Ndr Sessions Projekt
5:14

View In iTunes
5
Easy Living
Ndr Sessions Projekt
6:33

View In iTunes
6
Besame Mucho
Ndr Sessions Projekt
6:02

View In iTunes
7
Polka Dots and Moonbeams
View In iTunes

Blues in the Night
Ndr Sessions Projekt
5:54
9
View In iTunes
10
Theme from Black Orpheus
Ndr Sessions Projekt
7:36

View In iTunes
11
Satin Doll
Ndr Sessions Projekt
6:15

View In iTunes
12
My One and Only Love
Ndr Sessions Projekt
6:19

View In iTunes
13
Late Rent – Live
LATE RENT
9:02

View In iTunes
14
Nu Funk (Hip Hop Chitlins) – Live
LATE RENT
4:57

View In iTunes
15
AFN Announcement 1
LATE RENT
0:47

View In iTunes
16
Head Phone – Live
LATE RENT
3:08

View In iTunes
17
Get Back In the Groove
LATE RENT
2:06

View In iTunes
18
Party Is Forbidden Here
LATE RENT
5:27

View In iTunes
19
White Onions
LATE RENT
5:23

View In iTunes
20
Head Phone
LATE RENT
7:40

View In iTunes
21
Announcement By Al Jazzbeaux Collins
LATE RENT
1:03

View In iTunes
22
The Sidewinder
LATE RENT
7:22

View In iTunes
23
Lydia’s Tune
LATE RENT
4:29

View In iTunes
24
Pocket Funk
LATE RENT
6:00

View In iTunes
25
Original Announcement from Jon Hammond Show
LATE RENT
0:46

View In iTunes Hammond’s Bolero http://itunes.apple.com/us/album/hammonds-bolero/id4308341

Hammond’s Bolero
Jon Hammond
6:46

View In iTunes
2
Jennifer’s Song
Jon Hammond
5:55

View In iTunes
3
Cannonball ’99 (One More Time!)
Jon Hammond
7:10

View In iTunes
4
Soon I Will Be Free
Jon Hammond
5:16

View In iTunes
5
Thing in C Minor
Jon Hammond
7:37

View In iTunes
6
Cosmo Lane
Jon Hammond
5:54

View In iTunes
7
Remembering Stanley
Jon Hammond
4:39

View In iTunes
8
Six Year Itch
Jon Hammond
4:55

View In iTunes
9
F.P. Blues
Jon Hammond
3:18

View In iTunes
10
Czechoslovakian Salsa Song
Jon Hammond
6:25

View In iTunes
11
Train Song
Jon Hammond
5:47

View In iTunes
12
9/11 Tribute Medley
Jon Hammond
6:27

View In iTunes

Eddie Money, Alex Ligertwood, Bernard Purdie, The Late Rent Session Men, NDR SESSIONS Projekt, Knut Benzner, St. Pauli Hamburg, CBS Radio, KYOU, KYCY,
Local 802, Local 6 Musicians Union, ASCAP I Create Music Expo, We Create Music, Composer Publisher, Ken Cicerale, Fran Richard, Hades, Bill Graham Presents, Shoreline
Amphitheatre, Mick Brigden, Bob Barsotti, James Preston, Terry Haggerty Sons of Champlin Fillmore Auditorium, Hammond Suzuki Sk1 Sk2 Jon Lord Deep Purple Ultra-Compact
B3 Leslie Speaker Fender Twin Reverb Excelsior Accordions
Evolution of Jon Hammond Accordion

Alternative To Clips On Cable by Kim Freeman Billboard Magazine March 19, 1984

NEW YORK—Year-old BackBeat Productions hopes to break new ground in the video medium with it’s first project, “The Jon Hammond Show.” Currently airing on Manhattan Cable’s Channel 3 and San Francisco’s public access Channel 25, the program is a half hour of computer generated graphics synchronized with original jazz-fusion and rock music. Hammond’s voice and his tapping boot are the only human intrusions during the show.
“It’s an alternative to the conceptual and concert footage videos. We’re delivering an art form.” says the show’s host, BackBeat’s co-founder Jon Hammond. The company also functions as a label, and Hammond says the broadcast will be a vehicle to expose artists on the BackBeat roster.
Hammond say’s he’s close to securing slots on public access channels in New Orleans, Baltimore, Chicago, Los Angeles and Boston and plans to recoup investements by syndicating the show to national networks if and when it gains an audience.
His partner in the venture is former Crusaders guitarist Barry Finnerty, who wrote the music for the first program. All songs on the “Jon Hammond Show” feature BackBeat’s studio band of Finnerty, keyboardist Hammond, drummer Steve Ferrone and saxophonist Todd Anderson.
KIM FREEMAN

Jon Hammond Band YouTube Channel: http://www.youtube.com/user/jonhammondband

ASCAP Audio Portrait http://ascap.com/network/audioportraits/Jon_Hammond_Rent/

NDR SESSIONS Projekt http://www.ascap.com/network/audioportraits/Jon_Hammond_NDR/

Performances

Comedians who appeared early in their careers
Woody Allen[4]
Harry Anderson
Sandra Bernhard
Elayne Boosler
David Brenner
Albert Brooks
Lenny Bruce
George Carlin[4]
Dick Cavett[4]
Cheech & Chong
Bill Cosby[4]
Billy Crystal
Don Imus
Robert Klein
Steve Landesberg
Jay Leno
Martin Mull
Pat Paulsen
Freddie Prinze
Richard Pryor
Joan Rivers[4]
Hugh Romney aka Wavy Gravy
Chris Rush[5]
Mort Sahl
David Steinberg
Jon Stewart
Rip Taylor
Lily Tomlin
Flip Wilson
Steven Wright
Henny Youngman
Musicians
Peter Allen
Luther Allison
Mose Allison
America
Tori Amos
Maxene Andrews
Joan Armatrading
Joan Baez
Jon Hammond Kevin Beres
Chuck Berry
Stephen Bishop
Ronee Blakely
The Box Tops
Glen Burtnik
Blues Traveler
Oscar Brand
The Brandos
Brewer & Shipley
David Bromberg
Jackson Browne
Bunky and Jake
Burlap to Cashmere
Vanessa Carlton
The Chamber Brothers
Harry Chapin
Tracy Chapman
Charles & Eddie
Merry Clayton
Judy Collins
Shawn Colvin
Chick Corea
Larry Coryell
James Cotton
The Critters
Jim Croce
David Crosby
Lacy J. Dalton
The Charlie Daniels Band
Miles Davis
Gavin DeGraw
John Denver
Neil Diamond
Bo Diddley
Dion
Bob Dylan
Yvonne Elliman
Cass Elliott[4]
Ramblin’ Jack Elliott
Joe Ely
The Everly Brothers
Mimi Farina
Jose Feliciano
Steve Forbert
Jeffrey Gaines
Stan Getz
Andy Gibb
G. Love & Special Sauce
Steve Goodman
Stéphane Grappelli
The Grateful Dead[6]
Arlo Guthrie
Bill Haley
Hall & Oates
The Happenings
Tim Hardin
John Hartford
Donny Hathaway
Richie Havens
Jake Holmes
Robert Hunter
Ian & Sylvia
Janis Ian
Indigo Girls
The Isley Brothers
Etta James
Tommy James & the Shondells
Billy Joel
Dr. John
Janis Joplin
Norah Jones
Kangaroo Jones
Doug Kershaw
Lisa Kindred
Morgana King
Leo Kottke
Kris Kristofferson
Labelle
Lady Gaga
Marvin Gaye
Nil Lara
Gordon Lightfoot
Little Feat
Lisa Loeb
Los Lonely Boys
Taj Mahal
Melissa Manchester
Chuck Mangione
Hugh Masekela
Curtis Mayfield
Ed McCurdy
Rod McKuen
Sarah McLachlan
Don McLean
Melanie
Ingrid Michaelson
Bette Midler
Liza Minnelli
Chad Mitchell
Joni Mitchell
Van Morrison
Maria Muldaur
Shawn Mullins
Johnny Nash
Fred Neil
Ricky Nelson
Bob Neuwirth
Randy Newman
Nitty Gritty Dirt Band
Laura Nyro
Phil Ochs
Odetta
Les Paul
Tom Paxton
Peaches & Herb
Ann Peebles
Peter, Paul and Mary
The Persuasions
Jean-Luc Ponty
Billy Preston
Dory Previn
John Prine
Kenny Rankin
Helen Reddy
Kenny Rogers and The First Edition
Linda Ronstadt
Rusted Root
Otis Rush
Tom Rush
Mitch Ryder & the Detroit Wheels
Sam & Dave
Mongo Santamaria
Gil Scott-Heron
The Searchers
John Sebastian
The Serendipity Singers[4]
Pete Seeger
The Shells
Carly Simon
Nina Simone
Patti Smith
Phoebe Snow
Spin Doctors
The Staple Singers
Curtis Stigers
Barbra Streisand
The Tarriers
James Taylor
Livingston Taylor
Sonny Terry and Brownie McGhee
George Thorogood & the Destroyers
The Triplets
Kenny Vance and The Planotones
Suzanne Vega
Jerry Jeff Walker
Wendy Wall
Joe Walsh
Jimmy Webb
Mary Wells
Josh White
Paul Williams
Bill Withers
Stevie Wonder
Jesse Colin Young
Neil Young
Frank Zappa & the Mothers of Invention
[edit]Live albums recorded

Albums by Peter, Paul and Mary, Randy Newman, Curtis Mayfield, Donny Hathaway, Arlo Guthrie, Pete Seeger, Tom Paxton, The Isley Brothers, and Tommy James & the Shondells, among others, have been recorded live at the Bitter End.

Harold Channer Conversations Speaking With Jon Hammond

*WATCH VIDEO: Part 2 Harold and Jon Conversations

http://www.archive.org/details/JonHammondConversationsWithHaroldChannerPt2JonHammondInterview

Music News Brought To You By Jon Hammond on CONVERSATIONS WITH HAROLD HUDSON CHANNER on MNNTV
Intelligent Relevant Television Talk
Harold Channer is a talk-show host on public access television network Manhattan Neighborhood Network, or MNN. He is the longest-running producer for the network, having done over 2,200 interviews over 40 years. Speaking here with Jon Hammond HammondCast

http://www.youtube.com/watch?v=Ofv-TEmdKw4

*WATCH VIDEO: Harold Channer Pt 3 Jon Hammond

http://www.archive.org/details/JonHammondConversationsWithHaroldChannerPt3JonHammondInterview

Conversations With Harold Channer Pt 3 Jon Hammond Interview
Music News Brought To You By Jon Hammond on CONVERSATIONS WITH HAROLD HUDSON CHANNER on MNNTV
Intelligent Relevant Television Talk
Harold Channer is a talk-show host on public access television network Manhattan Neighborhood Network, or MNN. He is the longest-running producer for the network, having done over 2,200 interviews over 40 years. Speaking here with Jon Hammond of KYOU Radio, Music News Brought To you by Jon Hammond on Conversations, Pt 3 of one hour program

http://www.youtube.com/watch?v=iOjp765o_No

STELLWERK Late Rent JON HAMMOND Band Harburg Bahnhof Organ Jazz Blues Theme Song

*WATCH VIDEO: STELLWERK Late Rent JON HAMMOND Band Harburg Bahnhof Organ Jazz Blues Theme Song

http://www.archive.org/details/JonHammondSTELLWERKLateRentJONHAMMONDBandHamburgHarburg32207


*WATCH THE VIDEO HERE:

JON HAMMOND Band Theme Song “LATE RENT” in STELLWERK Jazz Club in Harburg Bahnhof. JOE BERGER guitar, HEINZ LICHIUS drums, JON HAMMOND XK-1 Organ and Bass, GABRIEL COBURGER tenor sax Camera by JENNIFER © www.HammondCast.com Dankeschoen Dieter Glawischnig, Knut Benzner, Gabriele Benedix Jazzhaus Radio, Michael August kunstler aka ILLUSTRATORP, Michael Maier Falkenstein Hammond Suzuki Deutschland Jon Hammond is host of daily HammondCast Show KYOU Radio *Member American Federation of Musicians Union Local 802, Local 6 ASCAP
Hammond Suzuki USA Endorser Artist

NDR SESSIONS Projekt Story Feature ASCAP Network
Jon Hammond Photo by Elmar Lemes 802 Musicians Union Session

Jon Hammond MySpace

HammondCast

STELLWERK, Harburg, Jon Hammond, NDR Jazz, Axel Dürr, Lutz Büchner, XK-1 Organ, Orgel, XK-3c, B3, XB-2, Blues, Funky, ASCAP Network, KYOURADIO, Jazzhaus Radio, Hamburg, Apple iTunes, Panasonic, Sk1, Sk2, Lumix, DMC-G3, DVC30

duckduckgo Sk1 Sk2 Hammond Suzuki Organ Keyboard on Tour with Jon Hammond Band

duckduckgo Sk1 Sk2 Hammond Suzuki Organ Keyboard on Tour with Jon Hammond Band

Jon Hammond wearing his duckduckgo T-Shirt with Malc Deakin of Hammond Suzuki UK at Frankfurt Musikmesse

Jon Lord speaking with Jon Hammond about the new Sk1 and Sk2 stage keyboard organs from Hammond Suzuki at Frankfurt Musikmesse

Sk1 James and Wes Blues Jon Hammond Band - CNN iReport

*WATCH THE VIDEO: Sk1 James and Wes Blues Jon Hammond Bandhttp://www.archive.org/details … Organ Hofheim Hamamatsu Japan Category: Music Tags: Sk1Sk2 Hammond Suzuki Musikmesse Blues Organ Hofheim Hamamatsu Japan http://blip.tv/jon-hammond/sk1-james-and-wes-blues-jon-hammond-band …

Manhattan Neighborhood Network The Jon Hammond Show Debut Sk1 …

Musikmesse, Session, Sk1, Sk2, Jon Hammond Band, Soul, Blues, Funk, Jazz, NAMM,Local 802, Musicians Union, Hamamatsu, Suzuki Musical Instruments, Manhattan Neighborhood Network

B3mk2 Organ, Blues, Gig Bag, Hamamatsu, Headquarters, Jazz, Jon Hammond, Local 802 Musicians Union, Musikmesse, NAMM, Now in USA, Sk1, SK2, Suzuki Musical Instruments, Tachi Tachikawa

Jon Hammond Band, The Bitter End, Bleecker St., Late Rent Session Men, Pete Fogel, MNNTV, Cable Access, Jazz, Blues, B3 organ, Sk1, Sk2, XB-2, XK-1, XK-3c

Happy Thanksgiving With Joe Franklin at Laugh Factory by Jon Hammond

November 24, 2011

*WATCH THE VIDEO HERE: Happy Thanksgiving With Joe Franklin at Laugh Factory by Jon Hammond

http://www.archive.org/details/JonHammondJOEFRANKLINatLaughFactoryonHammondCast_0

Radio & TV Broadcasting Legend JOE FRANKLIN in an appearance at NYC’s Laugh Factory Club at annual Thanksgiving Feed shot personally by Mr. Hammond. This is hilarious rare footage of Joe doing stand-up, a must see! For more info: http://www.HammondCast.com

http://vimeo.com/402058

JOE FRANKLIN Thanksgiving ’07 Laugh Factory NYC from Jon Hammond on Vimeo.

http://www.youtube.com/watch?v=b_-mYcrxtTo

8,706

*WATCH THE VIDEO HERE: Joe Franklin Up Late HammondCast

http://www.archive.org/details/JonHammondJoeFranklinUpLateHammondCastKYOURadio

Joe Franklin “King Of Nostalgia” Host of Radio & TV who’s guests have been entertainers like Bill Cosby to legends like Bing Crosby, Charlie Chaplin,
John Wayne, Marilyn Monroe, Cary Grant, John Lennon, here with Jon Hammond on Jon’s daily HammondCast Show on KYOU Radio live in Joe
Franklin’s office known as “Memory Lane”. Enjoy

http://www.youtube.com/watch?v=NEWGszvpduU

*WATCH THE MOVIE HERE: Jon Hammond Show Podcast HammondCast with Joe Franklin

http://www.archive.org/details/Jon_Hammond_Show_Podcast_HammondCast_wJOE_FRANKLIN

My first Vlogging attempt..check it out!!

http://www.youtube.com/watch?v=jc0z0vV4APk

Joe Franklin Movie, Jon Hammond, Vlogging, Comedy, Broadcaster, TV Show, New York, Memory Lane

http://en.wikipedia.org/wiki/Joe_Franklin

*WATCH THE VIDEO HERE: When I Fall In Love in The jazzkeller Frankfurt

http://www.archive.org/details/JonHammondWhenIFallInLoveinThejazzkellerFrankfurt

Annual 2010 Musikmesse Warm Up Party in Jazzkeller Frankfurt hosted by Jon Hammond Band
Tony Lakatos tenor sax
Jon Hammond XK-1 organ
Giovanni Gulino drums
When I Fall In Love
special thanks Eugen Hahn Jazzkeller Frankfurt Team, Musikmesse, Waichiro Tachikawa Suzuki Hammond, Michael Maier Falkenstein Hammond Deutschland, Video Camera by Jennifer
Jon Hammond is a member of AFM Local 802 Musicians Union and Local 6
http://www.jonhammondband.com

http://www.youtube.com/watch?v=5bwqe0YbzSY

Chico Hamilton 90th Birthday Nine Twenty 2011 Interview With Jon Hammond HammondCast

*LISTEN TO AUDIO: Chico Hamilton Interview With Jon Hammond

http://www.archive.org/details/JonHammondChicoHamiltononHammondCastKYOURadio

Chico Hamilton center with Anita O’Day, Gerald Wilson, Dr. Billy Taylor, James Moody, Dave Brubeck at top in New York – photo by Jon Hammond

Drummer, Bandleader, NEA Jazz Master Award Recipient CHICO HAMILTON on HammondCast KYOU Radio, excerpted from interview by Jon Hammond, organist and host of HammondCast

http://en.wikipedia.org/wiki/Chico_Hamilton

Chico Hamilton (born Foreststorn Hamilton, September 20, 1921), is an American jazz drummer and bandleader.

Hamilton was born in Los Angeles, California. He had a fast-track musical education in a band with Charles Mingus, Illinois Jacquet, Ernie Royal, Dexter Gordon, Buddy Collette and Jack Kelso. Engagements with Lionel Hampton, Slim & Slam, T-Bone Walker, Lester Young, Count Basie, Duke Ellington, Charlie Barnet, Billy Eckstine, Nat King Cole, Sammy Davis Jr., Billie Holiday, Gerry Mulligan and six years with Lena Horne established him as a jazz drummer,[1] and he struck out on his own as a bandleader in 1955.
Hamilton appeared in the March Milastaire number in the film You’ll Never Get Rich (1941) as part of the backing group supporting Fred Astaire, and performed on the soundtrack of the Bing Crosby/Bob Hope film Road to Bali.
He recorded his first album as leader in 1955 with George Duvivier (double-bass) and Howard Roberts (jazz guitar) for Pacific Jazz. In same year Hamilton formed an unusual quintet in L.A. featuring cello, flute, guitar, bass and drums.[2] The quintet has been described as one of the last important West Coast Jazz bands.[1] The original personnel included flutist Buddy Collette, guitarist Jim Hall, cellist Fred Katz and bassist Jim Aton, who was later replaced by Carson Smith. Hamilton continued to tour using different personnel, from 1957 to 1960. The group including flutist Paul Horn and John Pisano was featured in the film Sweet Smell of Success in 1957. The same group, this time including Nate Gershman and Eric Dolphy appeared in the film Jazz on a Summer’s Day in 1960. He marked his first recordings with Eric Dolphy on With Strings Attached, Gongs East, The Three Faces of Chico, and That Hamilton Man.

In March 2011, with his 90th birthday six months off, Hamilton trekked out of his New York City penthouse apartment to helm a marathon recording session resulting in 28 new tracks with his Euphoria group. No one woodsheds like a jazz drummer, and coming off a health setback during the Summer of 2010, Hamilton and his Euphoria group began sheding at weekly rehearsals at Hamilton’s Penthouse A. These weekly rehearsals played an important part in Hamilton’s rehabilitation, facilitated Hamilton and his group becoming very tight with each other and exploring places musically they had not previously gone together, and brought together a wealth of new original material, offered up in three courses, each of which is a different viewpoint of Hamilton’s Revelation.

HammondCast 136

HammondCast KYOU Radio Very Special Guest and Music of CHICO HAMILTON, NEA Jazz Master Award Recipient, Interview with JON HAMMOND & CHICO and Chico’s music: “I’m Still Thirsty” (Chico’s Accordion Dub” and from new album HAMILTONIA “Bones, No Meat”, “How’s Your Feelings”, “Spring Again”

Hessischer Rundfunk Kenny and Benny Meet Bing and Bong Jon Hammond Reporting From Frankfurt

Historic hr-Bigband Frankfurt Radio Bigband Concert and Broadcast News Brought To You By Jon Hammond in Frankfurt Germany

Kenny and Benny Meet Bing and Bong

Jon Hammond reporting from the Frankfurt Studios of Hessicher Rundfunk concert on a special night

broadcast of hr-Bigband with special guests guitarist Kenny Burrell and saxophonist composer

Benny Golson aka The Kenny and Benny Show, because at the time the hr-Bigband had Kurt Bong

and Herbert Bings, this was the historic night that as Jon Hammond says:

“The Kenny and Benny met Bing and Bong !”

Photo of broadcast:

photo by Jon Hammond

Jon Hammond and Kenny Burrell in Hannover Germany after NDR Interview Session with Knut Benzner:

Benny Golson and Jon Hammond

Jimmy Smith and Kenny Burrell photo by Jon Hammond

HR-Bigband

Jon Hammond Memorable Gigs, People and Places

Kenny and Benny, Bing and Bong, HR-Bigband, Jon Hammond, HammondCast, NDR Radio, KYOURADIO, HammondCast, Jazz, Frankfurt, Hamburg, ASCAP, Local 802 Musicians Union, Hannover, Knut Benzner

http://www.hr-online.de/website/rubriken/kultur/index.jsp?rubrik=39528

The Orchestra
Frankfurt Radio Bigband: Top-Class but not Elitist

Sk1 Now in USA Jon Hammond REPORT/海外からのお客様/ハモンド/鈴木楽器

Jon Hammond Trio with Jim Grantham tenor sax and Jack Dorsey drums

新着情報 REPORT/海外からのお客様/ハモンド/鈴木楽器 Jon Hammond and Koei Tanaka Concert for President Manji Suzuki and Company Hamamatsu Japan

http://www.suzuki-music.co.jp/hammond/new/101207/index.htm

■ 11月1日(月) 晴れ
この日は何故なのかトリプルブッキング。プライベートで日本に立ち寄られたジョン・ハモンドさん、日本ツアーを終えて帰国前の敦賀明子さん。そして、これもまた関西からの帰路に立ち寄られた田中光栄さん。何の脈絡もなく集まった3人にアフターファイブコンサートをお願いしてしまったのはスズキ楽器貿易の北米担当者だった。



ジョン・ハモンドさんはショービジネスの表舞台に出てくることは少ないが、フランクフルトメッセでは25年、ナムショーでもレギュラーのように演奏されているエンドーサーである。今回も鈴木会長に唯会いたいという一念で来日された律儀なお人柄です。



派手さこそないがベーシックな彼のオルガンプレイは聴く人に安心感を与えてくれます。セラピストの術中に入っていくかのように、仕事を終えた従業員たちの心を癒してくれました。


*WATCH THE VIDEO HERE:

http://ia700204.us.archive.org/10/items/JonHammondSuzukiWorldHeadquartersInHouseConcertJonHammondPt3of3/SuzukiHeadquarterPart3of3.m4v

WATCH THE VIDEO: http://ia600506.us.archive.org/24/items/JonHammondSk1GetBackInTheGrooveDedicationtoJapanRecovery/Sk1GetBackInTheGroove.m4v

http://www.archive.org/details/JonHammondSk1GetBackInTheGrooveDedicationtoJapanRecovery/

http://www.youtube.com/watch?v=qfxApkftcCA

Sk1 Get Back In The Groove by Jon Hammond – Dedication to Japan Recovery – on the new Hammond Sk1. World’s First Road Test of the ultra-portable Hammond Sk1 with Jon Hammond Band in Germany at Jon’s annual Musikmesse-Session in Jazzkeller Hofheim April 8, 2011 Special Thanks Suzuki Musical Instruments, Ken Atsumi, Waichiro ‘Tachi’ Tachikawa, Hiromitsu Ono, Yu Beniya, Shigeyuki Ohtaka, Shuji Suzuki, Bernie Capicchiano, Malc Deakin Hammond Suzuki UK Europe, Michael Falkenstein Hammond Suzuki Germany, camera: Jennifer
Joe Berger guitar, Giovanni Gulino drums, Peter Klohmann tenor sax, Jon Hammond Sk1 Hammond Stage Keyboard http://www.jonhammondband.com
Sk1 Sk2 Hammond Suzuki Musikmesse Blues Soul Organ Hofheim Hamamatsu Japan

http://vimeo.com/25163686

Jon Hammond: “Fits In This Gig Bag 7 Kilos = 15.5 lbs. Hammond Sk1″ !

WATCH THE VIDEO: http://ia700609.us.archive.org/13/items/JonHammondNoX-CessBaggageSk1Blues/NoXCessBaggageSk1Blues.m4v

http://www.archive.org/details/JonHammondNoX-CessBaggageSk1Blues&reCache=1

http://www.ourmedia.org/media/no-x-cess-baggage-sk1-blues

No X-Cess Baggage Sk1 Blues – Sk1 Theme Song – World’s First Road Test of ultra-portable Hammond Sk1 with Jon Hammond Band in Germany at Jon’s annual Musikmesse-Session in Jazzkeller Hofheim April 8, 2011 Special Thanks Suzuki Musical Instruments, Bernie Capicchiano, Malc Deakin Hammond Suzuki UK Europe, Michael Falkenstein Hammond Suzuki Germany, camera: Jennifer
Joe Berger guitar, Giovanni Gulino drums, Peter Klohmann tenor sax, Jon Hammond Sk1 Hammond Stage Keyboard http://www.jonhammondband.com
Sk1 Sk2 Hammond Suzuki Musikmesse Blues Organ Hofheim Hamamatsu Japan

http://www.youtube.com/watch?v=Z4IuCV7L1yM

Suzuki Concert Part 3 of 3:
http://www.youtube.com/watch?v=1Uok7LV6OZk

JonHammondBand | November 02, 2010
Suzuki Headquarters and factory concert special for President Founder Manji Suzuki with introduction by Waichiro ‘Tachi’ Tachikawa, Jon Hammond at the new B3mk2 organ with Koei Tanaka chromatic harmonica Part 3 of 3 “Mercy Mercy” in Hamamatsu Japan.
Special Thanks Mr. H. Ono, Mr. M. Terada, Mr. S. Ohtaka, Mr. Y. Beniya, Tachi Tachikawa, President M. Suzuki and entire Suzuki Musical Instruments Team, camera: Jennifer © JH INTL
http://www.HammondCast.com

Suzuki Musical Instruments, B3mk2 Organ, Tachi Tachikawa, Hamamatsu, Headquarters, Jon Hammond, Local 802 Musicians Union

Jon Hammond is introduced to Founder President of Suzuki Instruments Manji Suzuki by Master of Ceremonies Waichiro ‘Tachi’ Tachikawa at special concert for President Suzuki and Suzuki Team at Suzuki World Headquarters Suzuki Hall in Hamamatsu Japan. Jon played the incredible New B3mk2 Organ solo and together in duo with Suzuki Harmonica Artist Keio Tanaka *see corresponding videoshttp://www.youtube.com/watch?v=jXgA6MRW0Kc Wine and Roses
and Mercy Mercy http://www.youtube.com/watch?v=1Uok7LV6OZk Suzuki builds Hammond Organs and the famous high quality Harmonicas
http://www.facebook.com/photo.php?pid=5869633&l=e84b420b06&id=558692101

Concert Jon Hammond Pt 2 of 3


Suzuki Headquarters and factory concert special for President Founder Manji Suzuki with introduction by Waichiro ‘Tachi’ Tachikawa, Jon Hammond at the new B3mk2 organ with Koei Tanaka chromatic harmonica Part 2 of 3 “Days of Wine and Roses” in Hamamatsu Japan.
Special Thanks Mr. H. Ono, Mr. M. Terada, Mr. S. Ohtaka, Mr. Y. Beniya, Tachi Tachikawa, President M. Suzuki and entire Suzuki Musical Instruments Team, camera: Jennifer © JH INTL
http://www.HammondCast.com 



http://www.archive.org/details/JonHammondSuzukiWorldHeadquartersInHouseConcertJonHammondPt2of3/


Suzuki Harmonicas Artist Koei Tanaka and Jon Hammond

Suzuki World Headquarters In House Concert Jon Hammond Pt 1 of 3


Suzuki Headquarters and factory concert special for President Founder Manji Suzuki with introduction by Waichiro ‘Tachi’ Tachikawa, Jon Hammond at the new B3mk2 organ with Koei Tanaka chromatic harmonica Part 2 of 3 “Days of Wine and Roses” in Hamamatsu Japan.
Special Thanks Mr. H. Ono, Mr. M. Terada, Mr. S. Ohtaka, Mr. Y. Beniya, Tachi Tachikawa, President M. Suzuki and entire Suzuki Musical Instruments Team, camera: Jennifer © JH INTL
http://www.HammondCast.com 




*WATCH THE VIDEO HERE:

http://www.archive.org/details/JonHammondSuzukiWorldHeadquartersInHouseConcertJonHammondPt1of3/

http://hamamatsutic.hamazo.tv/e2334330.html

Suzuki Musical Instruments, B3mk2 Organ, Tachi Tachikawa, Hamamatsu, Headquarters, Jon Hammond, Local 802 Musicians Union, Sk1, Sk2, Now in USA, Jazz, Blues, Gig Bag

Chico Hamilton, Foreststorn, New School, Martin Mueller, Beacons In Jazz, Arnie Lawrence, Jon Hammond, Meat No Bones, Fred Katz, Alex Foster, Barry Finnerty, Montreux Switzerland, Festival, Guitar, B3, Sk1, Sk2, Local 802, Musicians Union, Radio


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