Jon Hammond Band returning to Auster Bar Hamburg under the direction of the great trumpet / flugel horn player of the NDR Big Band Michael Leuschner, featuring Lutz Büchner lead tenor saxophonist of NDR band and swinging drummer Heinz Lichius, Jon Hammond at the Hammond Sk1 organ – as the quartet plays the Duke Ellington classic Satin Doll with many friends in the house – thanks for coming everybody! http://www.jonhammondband.com/
Jon Hammond original composition Get Back In The Groove performed in Jazzkeller Frankfurt at Jon Hammond’s annual “Musikmesse Warm Up Party” hosted by Jon Hammond Band:
Tony Lakatos tenor saxophone
Joe Berger guitar
Totó Giovanni Gulino drums
Jon Hammond organ
Special thanks to Thomas Eich TecAmp / THC Amplification for the special bass rig powering Jon’s Sk1 Hammond organ – P.Mauriat Saxophones Team, Eugen Hahn Jazzkeller Frankfurt Team, from NAMM – Joe Lamond, Betty Heywood, Kevin Cranley – Bernie Capicchiano of Bernies Music Land Australia, Michael Falkenstein Hammond Deutschland and Suzuki Musical Instruments – celebrating 27th year Musikmesse and Jon Hammond’s 60th birthday with chocolate chocolate cake baked by Saray Pastanesi bakery on the Mainzer Landstr. http://www.jonhammondband.com
P.Mauriat Blues and Jazz Session – Go For The Sound – FMS 2013 with Jon Hammond and P.Mauriat Artists on this session including: Tony Lakatos, Arno Haas, Reiner Witzel, Walter Calafiore – special thanks to main man Alex Mingmann Hsieh and P.Mauriat Team Agnieszka Obrebska, David Kornusov, Yu Yang Lin aka Neo, Eric Hsu – Thomas Eich special TecAmp Bass Amplifier with custom Neodymium speaker saved the day, thank you Thomas! Special dankeschön Wolfgang Lücke fearless Leader of Musikmesse & ProLight + Sound Messe Frankfurt Presse Team and Michael Falkenstein Hammond Deutschland, Bernie Capicchiano Bernies Music Land Australia in the house, Suzuki Hammond Team from Hamamatsu Japan, sincerely, Jon Hammond – plays Hammond Sk1 organ worldwide HammondCast http://www.pmauriatmusic.com/en/news/4-events-news/262-thank-you-for-visiting-and-see-you-in-music-china — with Reiner Witzel, Arno Haas, Tony Lakatos, Agnieszka Obrebska, Pmauriat Albest, Walter Calafiore, P Mauriat HQ, Peggy Behling, Alex Mingmann Hsieh, Yu Yang Lin and Michael Falkenstein at musikmesse
Auster Bar, Hamburg, NDR Big Band Members, Lutz Büchner, saxophone, Michael Leuschner, Flugelhorn, Jon Hammond, Sk1, Organ, Jazz, Local 802, Musicians Union
Just after we played an early bird set at Local 802 Musicians Union – Swiss Chris kicked me real good on the drums (his hit book is in his hand there Stickings) and we had a special surprise guest came up for a few tunes – Carol Sudhalter blew some real nice flute and baritone saxophone, thanks Carol and Swiss! Jon Hammond
Jon Hammond’s early bird set at Local 802 Musicians Union Club Room with Swiss Chris drums, special thanks to Carol Sudhalter for sitting in on flute playing down 2 classics ‘Easy Living’ and ‘My One and Only Love’ and to our audience which included Gina Reder aka Gina Jazz from Jazz Foundation of America and at beginning you can hear the voice of Norman Riley long-time production manager for Harry Belafonte telling Jon he saw the piece in Downbeat Magazine with Greg Osby while Swiss takes a phone call – enjoy folks! http://www.HammondCast.com/
Jon Hammond playing organ on early bird set at Local 802 Union Hall NYC – photo by the great jazz photographer Elmar Lemes http://ireport.cnn.com/docs/DOC-611890
Jon Hammond original composition Get Back In The Groove performed in Jazzkeller Frankfurt at Jon Hammond’s annual “Musikmesse Warm Up Party” hosted by Jon Hammond Band:
Tony Lakatos tenor saxophone
Joe Berger guitar
Totó Giovanni Gulino drums
Jon Hammond organ
Special thanks to Thomas Eich TecAmp / THC Amplification for the special bass rig powering Jon’s Sk1 Hammond organ – P.Mauriat Saxophones Team, Eugen Hahn Jazzkeller Frankfurt Team, from NAMM – Joe Lamond, Betty Heywood, Kevin Cranley – Bernie Capicchiano of Bernies Music Land Australia, Michael Falkenstein Hammond Deutschland and Suzuki Musical Instruments – celebrating 27th year Musikmesse and Jon Hammond’s 60th birthday with chocolate chocolate cake baked by Saray Pastanesi bakery on the Mainzer Landstr. http://www.jonhammondband.com
P.Mauriat Blues and Jazz Session – Go For The Sound – FMS 2013 with Jon Hammond and P.Mauriat Artists on this session including: Tony Lakatos, Arno Haas, Reiner Witzel, Walter Calafiore – special thanks to main man Alex Mingmann Hsieh and P.Mauriat Team Agnieszka Obrebska, David Kornusov, Yu Yang Lin aka Neo, Eric Hsu – Thomas Eich special TecAmp Bass Amplifier with custom Neodymium speaker saved the day, thank you Thomas! Special dankeschön Wolfgang Lücke fearless Leader of Musikmesse & ProLight + Sound Messe Frankfurt Presse Team and Michael Falkenstein Hammond Deutschland, Bernie Capicchiano Bernies Music Land Australia in the house, Suzuki Hammond Team from Hamamatsu Japan, sincerely, Jon Hammond – plays Hammond Sk1 organ worldwide HammondCast http://www.pmauriatmusic.com/en/news/4-events-news/262-thank-you-for-visiting-and-see-you-in-music-china — with Reiner Witzel, Arno Haas, Tony Lakatos, Agnieszka Obrebska, Pmauriat Albest, Walter Calafiore, P Mauriat HQ, Peggy Behling, Alex Mingmann Hsieh, Yu Yang Lin and Michael Falkenstein at musikmesse
Lydia’s Tune 2013 Jazzkeller Musikmesse Warm Up Party – Jon’s annual party and concert in the famous Jazzkeller Frankfurt. Original composition written by Jon Hammond in Paris France 1981 from his first album Late Rent.
Tony Lakatos tenor sax
Totó Giovanni Gulino drums
Joe Berger guitar
Jon Hammond organ – the new Hammond Sk1 organ through a TecAmp bass rig with double 12″ Neodymium speaker cabinet designed by Thomas Eich, thank you Thomas!
Visit Jon Hammond Band on Facebook http://www.facebook.com/jonhammondband
Jon Hammond’s compositions are published ASCAP Jon Hammond International all rights reserved
Special thanks Detlef Kinsler – Journal Frankfurt – interview with Jon Hammond http://www.journal-frankfurt.de/funkyjazz
Kultur
JOURNAL FRANKFURTAlle Nachrichten
MY HOME AWAY FROM HOME
Jon Hammond zum 27. Mal auf der Musikmesse
Nomen est omen. Der Mann heißt Hammond und spielt eine Hammond. Der Organist aus New York freut sich auf Frankfurt und lädt zur Musikmesse Warm Up Party am 9.4. in den Jazzkeller ein.
JOURNAL FRANKFURT: Was war für Sie zuerst da – die Frankfurter Musikmesse oder Auftritte im Jazzkeller?
Jon Hammond: Die Musikmesse. Ich kam 1987 zum ersten Mal nach Frankfurt, zusammen mit Joe Berger, der auf der Messe für Engl Amplifiers spielte. Wir flogen mit der Lufthansa ein und teilten uns ein Zimmer im berühmten Prinz Otto Hotel am Hauptbahnhof. Schon in der ersten Nacht stellte mir Joe den großen John Entwistle, den Bassisten von The Who vor. Es wurde eine lange Nacht, in der wir Cognac tranken und Erdnüsse knabberten in eiern Suite des Marriott Hotels. Ich habe Joe bei einer Session mit John und Ringo Starrs Sohn Zak Starkey im Dorian Grey Club gefilmt bei einer Soundcheck Party. In den ersten paar Jahren spielte ich nicht oft live weil ich noch keine transportierbare Hammond Orgel hatte vor 1991 als ich den Prototyp einer XB-2 Hammond Orgel bekam mit der ich dann um die Welt reiste. Hauptsächliche dokumenierte ich aber die Messe für meine Cable TV Show in New York, die inzwischen im 29. Jahr als The Jon Hammond Show — Music, Travel and Soft News präsentiert. Die harten Nachrichten überlasse ich CNN und den großen Networks (lacht). Vom ersten Jahr an fühlten wir uns der Musikmesse eng verbunden, haben seitdem eine tolle Zeit hier, kommen jedes Jahr wieder bis wir kleine, alte Männer sind.
Das Jazzkeller-Konzert am Vorabend der Musikmesse ist zu einer netten Tradition geworden – wie kam es dazu, was bedeutet es Ihnen und wir werden Sie dieses Jahr diesen Abend im Jazzkeller zelebrieren?
Ab 1991 lernte ich mehr und mehr Musikmesse-Menschen kennen und die mich und auch einiges von meiner Musik. Einige von ihnen ermunterten mich, doch auch für Auftritte nach Deutschland zu kommen weil es hier doch ein Interesse an Hammond-Orgel-Groove-Music gab. Mit der schon erwähnten, kleinen, kompakten aber sehr kraftvollen Orgel war das alles möglich. Zudem machte ich in New York gerade eine schwere Zeit durch, mein Vater war gestorben und ich hatte das Gefühl, einige Veränderungen könnten meinem Leben gut tun. Also kam ich nach Frankfurt mit meiner XB-2, allerdings mit einem Rückflugticket falls etwas schief gehen würde. Ich rief viele Musiker an, ließ sie wissen, ich bin jetzt da, lasst uns zusammen spielen. Das war für mich der Anfang einer langen, sehr speziellen Beziehung, vor allem zum Frankfurter Publikum nach ersten kleinen erfolgen im Jazzkeller und einer kurzen Auftritt im Hessen Report im Fernsehen. Beatrix Rief verdanke ich dieses “lucky light on me”, eine tolle Erfahrung. Seitdem nenne ich Frankfurt “My Good Luck City” und im Jazzkeller begann auch alles für mich als Musiker. Deshalb liegt mir der Club auch so nah am Herzen, deshalb hatte ich auch die Idee, meine “Musikmesse Warm Up Party”
Cont. 27. März 2013 Interview Detlef Kinsler
all rights reserved – Jon Hammond / Frank Siemers http://www.franksiemers.com/
The customer may not transfer the rights of utilization or any part thereof granted to it to any third parties unless these are members of its group or subsidiaries. All use, reproduction and transfer of the photographic material shall be subject to the condition that the copyright information stipulated by the photographer be included in such a way that it can be clearly allocated to the picture in question. The photographer may commission third party services which are required for the execution of the production on behalf and for the account of the customer and with the customer’s authorization. Frank Siemers; The customer may not transfer the rights of utilization or any part thereof granted to it to any third parties un
Kultur JOURNAL FRANKFURT Alle Nachrichten Kultur My home away from home MY HOME AWAY FROM HOME Jon Hammond zum 27. Mal auf der Musikmesse http://www.journal-frankfurt.de/journal_news/Kultur-9/My-home-away-from-home-Jon-Hammond-zum-27-Mal-auf-der-Musikmesse-18308.html?src=funkyjazz&id=&rewrite_titel= Jon Hammond zum 27. Mal auf der Musikmesse Nomen est omen. Der Mann heißt Hammond und spielt eine Hammond. Der Organist aus New York freut sich auf Frankfurt und lädt zur Musikmesse Warm Up Party am 9.4. in den Jazzkeller ein. JOURNAL FRANKFURT: Was war für Sie zuerst da – die Frankfurter Musikmesse oder Auftritte im Jazzkeller? Jon Hammond: Die Musikmesse. Ich kam 1987 zum ersten Mal nach Frankfurt, zusammen mit Joe Berger, der auf der Messe für Engl Amplifiers spielte. Wir flogen mit der Lufthansa ein und teilten uns ein Zimmer im berühmten Prinz Otto Hotel am Hauptbahnhof. Schon in der ersten Nacht stellte mir Joe den großen John Entwistle, den Bassisten von The Who vor. Es wurde eine lange Nacht, in der wir Cognac tranken und Erdnüsse knabberten in eiern Suite des Marriott Hotels. Ich habe Joe bei einer Session mit John und Ringo Starrs Sohn Zak Starkey im Dorian Grey Club gefilmt bei einer Soundcheck Party. In den ersten paar Jahren spielte ich nicht oft live weil ich noch keine transportierbare Hammond Orgel hatte vor 1991 als ich den Prototyp einer XB-2 Hammond Orgel bekam mit der ich dann um die Welt reiste. Hauptsächliche dokumenierte ich aber die Messe für meine Cable TV Show in New York, die inzwischen im 29. Jahr als The Jon Hammond Show — Music, Travel and Soft News präsentiert. Die harten Nachrichten überlasse ich CNN und den großen Networks (lacht). Vom ersten Jahr an fühlten wir uns der Musikmesse eng verbunden, haben seitdem eine tolle Zeit hier, kommen jedes Jahr wieder bis wir kleine, alte Männer sind. Das Jazzkeller-Konzert am Vorabend der Musikmesse ist zu einer netten Tradition geworden – wie kam es dazu, was bedeutet es Ihnen und wir werden Sie dieses Jahr diesen Abend im Jazzkeller zelebrieren? Ab 1991 lernte ich mehr und mehr Musikmesse-Menschen kennen und die mich und auch einiges von meiner Musik. Einige von ihnen ermunterten mich, doch auch für Auftritte nach Deutschland zu kommen weil es hier doch ein Interesse an Hammond-Orgel-Groove-Music gab. Mit der schon erwähnten, kleinen, kompakten aber sehr kraftvollen Orgel war das alles möglich. Zudem machte ich in New York gerade eine schwere Zeit durch, mein Vater war gestorben und ich hatte das Gefühl, einige Veränderungen könnten meinem Leben gut tun. Also kam ich nach Frankfurt mit meiner XB-2, allerdings mit einem Rückflugticket falls etwas schief gehen würde. Ich rief viele Musiker an, ließ sie wissen, ich bin jetzt da, lasst uns zusammen spielen. Das war für mich der Anfang einer langen, sehr speziellen Beziehung, vor allem zum Frankfurter Publikum nach ersten kleinen erfolgen im Jazzkeller und einer kurzen Auftritt im Hessen Report im Fernsehen. Beatrix Rief verdanke ich dieses “lucky light on me”, eine tolle Erfahrung. Seitdem nenne ich Frankfurt “My Good Luck City” und im Jazzkeller begann auch alles für mich als Musiker. Deshalb liegt mir der Club auch so nah am Herzen, deshalb hatte ich auch die Idee, meine “Musikmesse Warm Up Party”
Super Slick Bentley Continental GT V8 Coupe sighted today – Jon Hammond
gets 24mpg on highway! / 616hp / two-and-a-half-ton, quarter-million-dollars
I am very happy to announce my good friends Lutz Büchner will be playing tenor saxophone on the band
and Heinz Lichius drums
at Auster Bar on 4 April – long time friends of mine and they are both featured musicians on my album “NDR SESSIONS Projekt” *audio story: http://behindthebeat.com/2006/05/jon-hammond-the-ndr-sessions-projekt/ Hope to see you there folks! Jon Hammond
“Jon Hammond’s “The NDR Sessions Projekt” brings the soulful jazz organist back to Hamburg to record a collection of standards and originals featuring Lutz Buchner on saxophones” – Henriettenweg 1, 20259 Eimbüttel, Hamburg — at AUSTER JAZZ mit JON HAMMOND.
Der Auster Jazz im April verschiebt sich um drei Tage. Grund ist Besuch aus Amerika. Mr. Jon Hammond ist in der Stadt, und sein Nachname ist Programm. Er spielt die Hammond-Orgel wie kein anderer. Als Backing Band werden die üblichen Verdächtigen vom Auster Jazz unter der Leitung von Michael Leuschner agieren. http://www.jonhammondband.com/home.html
Jon Hammond’s “The NDR Sessions Projekt” brings the soulful jazz organist back to Hamburg to record a collection of standards and originals featuring Lutz Buchner on saxophones, Joe Gallardo on trombone and Heinz Lichius on drums. Recorded in one of Germany’s best studios, the quartet present rich, heartfelt perfomances and infuse the music with a fresh and vibrant sound.
Jon Hammond wanted to rekindle a certain jazz spirit – and take some risks.
Kultur
JOURNAL FRANKFURT Alle Nachrichten Kultur My home away from home
MY HOME AWAY FROM HOME
Jon Hammond zum 27. Mal auf der Musikmesse http://www.journal-frankfurt.de/journal_news/Kultur-9/My-home-away-from-home-Jon-Hammond-zum-27-Mal-auf-der-Musikmesse-18308.html?src=funkyjazz&id=&rewrite_titel=
Jon Hammond zum 27. Mal auf der Musikmesse
Nomen est omen. Der Mann heißt Hammond und spielt eine Hammond. Der Organist aus New York freut sich auf Frankfurt und lädt zur Musikmesse Warm Up Party am 9.4. in den Jazzkeller ein.
JOURNAL FRANKFURT: Was war für Sie zuerst da – die Frankfurter Musikmesse oder Auftritte im Jazzkeller?
Jon Hammond: Die Musikmesse. Ich kam 1987 zum ersten Mal nach Frankfurt, zusammen mit Joe Berger, der auf der Messe für Engl Amplifiers spielte. Wir flogen mit der Lufthansa ein und teilten uns ein Zimmer im berühmten Prinz Otto Hotel am Hauptbahnhof. Schon in der ersten Nacht stellte mir Joe den großen John Entwistle, den Bassisten von The Who vor. Es wurde eine lange Nacht, in der wir Cognac tranken und Erdnüsse knabberten in eiern Suite des Marriott Hotels. Ich habe Joe bei einer Session mit John und Ringo Starrs Sohn Zak Starkey im Dorian Grey Club gefilmt bei einer Soundcheck Party. In den ersten paar Jahren spielte ich nicht oft live weil ich noch keine transportierbare Hammond Orgel hatte vor 1991 als ich den Prototyp einer XB-2 Hammond Orgel bekam mit der ich dann um die Welt reiste. Hauptsächliche dokumenierte ich aber die Messe für meine Cable TV Show in New York, die inzwischen im 29. Jahr als The Jon Hammond Show — Music, Travel and Soft News präsentiert. Die harten Nachrichten überlasse ich CNN und den großen Networks (lacht). Vom ersten Jahr an fühlten wir uns der Musikmesse eng verbunden, haben seitdem eine tolle Zeit hier, kommen jedes Jahr wieder bis wir kleine, alte Männer sind.
Das Jazzkeller-Konzert am Vorabend der Musikmesse ist zu einer netten Tradition geworden – wie kam es dazu, was bedeutet es Ihnen und wir werden Sie dieses Jahr diesen Abend im Jazzkeller zelebrieren?
Ab 1991 lernte ich mehr und mehr Musikmesse-Menschen kennen und die mich und auch einiges von meiner Musik. Einige von ihnen ermunterten mich, doch auch für Auftritte nach Deutschland zu kommen weil es hier doch ein Interesse an Hammond-Orgel-Groove-Music gab. Mit der schon erwähnten, kleinen, kompakten aber sehr kraftvollen Orgel war das alles möglich. Zudem machte ich in New York gerade eine schwere Zeit durch, mein Vater war gestorben und ich hatte das Gefühl, einige Veränderungen könnten meinem Leben gut tun. Also kam ich nach Frankfurt mit meiner XB-2, allerdings mit einem Rückflugticket falls etwas schief gehen würde. Ich rief viele Musiker an, ließ sie wissen, ich bin jetzt da, lasst uns zusammen spielen. Das war für mich der Anfang einer langen, sehr speziellen Beziehung, vor allem zum Frankfurter Publikum nach ersten kleinen erfolgen im Jazzkeller und einer kurzen Auftritt im Hessen Report im Fernsehen. Beatrix Rief verdanke ich dieses “lucky light on me”, eine tolle Erfahrung. Seitdem nenne ich Frankfurt “My Good Luck City” und im Jazzkeller begann auch alles für mich als Musiker. Deshalb liegt mir der Club auch so nah am Herzen, deshalb hatte ich auch die Idee, meine “Musikmesse Warm Up Party” dort zu realisieren, immer in der Nacht bevor die Messe startet was zu einer schönen Tradition wurde. Im ersten Jahr, in dem ich dann auch ein wenig Sponsoring von Philip Morris bekam, konnte ich damit einige Flugtickets für befreundete Musik bezahlen. Darüber war ich sehr glücklich. Dabei rauche ich selbst gar nicht.
Wie würden Sie Ihr persönliches Verhältnis zu Deutschland und Frankfurt beschrieben?
Lassen Sie es mich so sagen: ich liebe Frankfurt und die Frankfurter waren immer gut zu mir in all den Jahren. Ich könnte ein ganzes Buch über die Zeit schreiben, in der ich in Bornheim wohnte und Nacht für Nacht in der alten Jazzkneipe in der Berliner Straße auftrat. Das war der Treffpunkt, wo auch die Musiker der HR Bigband hinkamen und es gab eine generöse Chefin in der kleinen Kneipe. Auch Regine Dobberschütz und Eugen Hahn im Jazzkeller waren wahre Jazzengel für mich, die mir so vieles ermöglichten in der Zeit. Wir konnten auch in den Studios von AFN Radio spielen, waren die einzigen Musiker, die das – mit einer Sondergenehmigung des US Militärs – durften. Für ein wenig Promotion für die Musikmesse. Wir nannten das Programm für die AFN “Profile TV “-Show “Sound Police”. Wir hatten viel Spaß. Kein Wunder also, dass ich Frankfurt als my home away from home begreife und ich mich jedes Mal wieder freue zur Musikmesse zu reisen, in diesem Jahr übrigens zum 27. Mal in Folge. Und ich bin diesmal besonders aufgeregt, heim nach Frankfurt zu kommen weil ich gerade 60 Jahre alt geworden bin.
Wer wird in diesem Jahr zum Gelingen des Konzertes mit teils komponierter, teils improvisierter Musik, so nehme ich an, beitragen und was für einen Sound wird die Band präsentieren?
Ich habe etwa 90% der Kompositionen geschrieben, die wir spielen werden. Es ist die Musik, die man auch in meiner New Yorker TV-Show hören kann und die mich mehrmals um die Welt getragen hat. Meinen Stil nenne ich “Swinging Funky Jazz and Blues” und featurert die ganz wunderbaren Solisten in meine Band: Tony Lakatos, den großen ungarischen Tenorsaxophonisten, der auch Mitglied in der hr Bigband ist, dann meinen alten Freund Giovanni Gulino, diesen tollen Schlagzeuger, der schon für fast alle Großen der Szene getrommelt hat. Ich liebe diese Jungs. Als Gitarrist ist mein alten Freund und Kollege Joe Berger dabei, den man auch als The Berger-Meister kennt. Auf diese Formation bin ich wirklich stolz.
Werden Sie im Jazzkeller wieder eine Hammond Orgel spielen?
Ja, sicher, das neueste Modell, eine Sk1, die exakt so klingt wie die legendäre B3. Ich liebe sie. Und sie wiegt nur noch sieben Kilo (Anm. des Autors: Das Original, ein echtes Möbel mit viel Holz, mussten immer zwei Menschen mit viel Muskelkraft die Treppen rauf und runter hieven), ein deutliches Indiz, dass wir in der Zukunft angekommen sind. Da stecken viele Jahre Forschung und Entwicklung drin, auch Bühnenerprobungen. Ich ziehe den Hut vor den Ingenieuren von Suzuki, ein unverwüstliches Instrument erschaffen zu haben. Und das unterziehe ich jetzt einen echten Härttest (lacht).
27. März 2013 Interview: Detlef Kinsler
Web: www.jazzkeller.com / www.jonhammondband.com
Top 3 KONZERTE JAZZ I ETHNO – JAZZ Jon Hammond & Band
Rock / Pop / Jazz
3 — Frankfurt – home away from home
Jon Hammond –
funky
Seit 27 Jahren auf der Musikmesse und immer wieder gerne in Frankfurt.
Journal Frankfurt
JAZZ
Jon Hammond & Band
Wenn einer Orgel spielt, kann er sich auch gleich Hammond nennen, und hat dann seine Visitenkarte gleich als Logo auf dem Instrument. Seinen Sound dazu als “100% organic” anzukündigen, ist eine feine Doppelsinnigkeit. Seit 1987 kommt Hammond zur Musikmesse, vier Jahre später starb sein Vater und er siedelte kurzerhand nach Frankfurt über, die seine “Good Luck City” wurde, wohnte in Bornheim, spielte im Jazzkeller, fand dort Freunde und installierte die “Musikmesse Warm Up Party”, die er – längst zurück in NYC – alljährlich mit “Swinging Funky Jazz and Blues” bespielt, mit “fine instrumentalists”, seinen Freunden Tony Lakatos (Saxophon) von der hr Bigband, Giovanni Gulino (Schlagzeug) und seinen alten Kollegen, Gitarrist Joe Berger.
dk
Seit 27 Jahren auf der Musikmesse und immer wieder gerne in Frankfurt.
Genre: Jazz
Location: Jazzkeller
Adresse: Frankfurt am Main, Kleine Bockenheimer Straße 18
Eintritt: 10,- €
Mit dem RMV zu dieser Veranstaltung
Dienstag, 9.4.2013, 21:00 Uhr
Photo from Larry Gay of The West Coast Live Radio Program
Frankfurt – home away from home
Jon Hammond –
funky
Wenn einer Orgel spielt, kann er sich auch Hammond nennen und hat seine Visitenkarte als logo auf dem Instrument. Seinen Sound als „100 percent organic“ anzukündi- gen, ist eine feine Doppelsinnigkeit. Seit 1987 kommt er zur Musikmes- se, vier Jahre später siedelte er nach Frankfurt über, die seine „Good
Jon Hammond & Band, Funk/Jazz/ Blues, Ffm: Jazzkeller, Kleine Bockenheimer Straße 18a, 9.4., 21 Uhr, Eintritt: 10,–
luck City” wurde, spielte im Jazz- keller, fand Freunde und installier- te die „Musikmesse Warm up Par- ty”, die er – längst zurück in nYC – alljährlich mit „Swinging Funky Jazz and Blues“ bespielt, mit „fine instrumentalists“, seinen Freunden tony lakatos (Saxophon), Giovanni Gulino (Schlagzeug) und dem alten kollegen Joe Berger als Gitarrist.
>> Seit 27 Jahren auf der Musik- messe und immer wieder gerne in Frankfurt. dk *dankeschön Hr. Kinsler! – Jon Hammond
Wenn einer Orgel spielt, kann er
sich auch Hammond nennen und
hat seine Visitenkarte als logo auf
dem Instrument. Seinen Sound als
„100 percent organic“ anzukündi-
gen, ist eine feine Doppelsinnigkeit.
Seit 1987 kommt er zur Musikmes-
se, vier Jahre später siedelte er nach
Frankfurt über, die seine „Good
Jon Hammond & Band, Funk/Jazz/
Blues, Ffm: Jazzkeller, Kleine
Bockenheimer Straße 18a, 9.4., 21 Uhr,
Eintritt: 10,–
luck City” wurde, spielte im Jazz-
keller, fand Freunde und installier-
te die „Musikmesse Warm up Par-
ty”, die er – längst zurück in nYC
– alljährlich mit „Swinging Funky
Jazz and Blues“ bespielt, mit „fine
instrumentalists“, seinen Freunden
tony lakatos (Saxophon), Giovanni
Gulino (Schlagzeug) und dem alten
kollegen Joe Berger als Gitarrist.
>> Seit 27 Jahren auf der Musik-
messe und immer wieder gerne in
Frankfurt. dk
Heute abend, Auster Bar, Jazz Hamburg, Organ, Funky, Blues, NDR, Lutz Büchner, Michael Leuschner, Heinz Lichius, Sk1, Jon Hammond,
Local 802, Musicians Union
My 1955 model 826B art deco Emerson Clock Radio Jon Hammond’s Journal End of March 2013
advertisement for Emerson model 826B Clock Radio – it cost $16.95 in the year of 1955 “Shop-Look-Listen-And You’ll Buy”
“Emerson brings you the world’s most beautiful clock radio…
from the electronic specialists who invented the whole idea!”
“*Sings you to sleep, wakes you, perks the coffee, shuts off automatically!” – Jon Hammond
Red Emerson model 826B clock radio in the CHRS Radio Collection (California Historical Radio Society) – from the Jim Coleman Estate – Jon Hammond
Musikmesse 2013 Jon Hammond Celebrates 27 years Musikmesse Warm Up Party April 9 Dienstag Tuesday Night Jazzkeller Frankfurt and 60th
Birthday
Special Thanks Dankeschön Saray Pastanesi Bäckerei & Konditorei makes Jon Hammond’s custom Chocolate Chocolate Cake
Happy 60th Birthday Jon Hammond in Jazzkeller Frankfurt Musikmesse Warm Up Party !
Di. 09.04.
“The FINGERS…are the SINGERS!”
Musikmesse “Warm Up Party” Jon Hammond & Band
Jon Hammond (aus New York City) – organ
Joe Berger – guitar
Tony Lakatos – saxophone
Giovanni Gulino – drums
Mr. Hammond has toured worldwide since 1991 using the incredible Sk1 organ by Hammond Suzuki..™ “Classic Hammond Sound…In A Suitcase!”
The Jon Hammond Show is a funky swinging instrumental revue, featuring top international soloists. The show has universal appeal. Big Hammond orgel sound – 100% organic jonhammondband.com/music
These great black and white photos of Jon Hammond Band were shot by the great photographer Joachim Hildebrand Musikmesse Warm Up Party – on the band: Tony Lakatos tenor sax,
Chocolate on Chocolate Cake Musikmesse Warm Up Party in Jazzkeller Frankfurt with Jon Hammond Band and special guests for this special occasion celebrating 25 years in Musikmesse.
Special acknowledgement of Wilhelm P. “Charly” Hosenseidl R.I.P. who was the Director of Musikmesse years 1989-2008 now Directed by Wolfgang Luecke, special thanks to Messe Frankfurt Projekt and Presse Team
Special Thanks to Thomas Eich TecAmp Fine Sounding 2 x 12 Neodymium Rig Powering Hammond Organ:
Jon Hammond’s annual Musikmesse Warm Up Party in Jazzkeller Frankfurt the night before Musikmesse kicks off
The Tradition Continues! 18th Year Musikmesse-Session – Wir Sehen Uns, ab 12 April Freitag Abend – Jon Hammond Band
21:00UHR
- Jazzkeller-Hofheim -
Joe Berger guitar
Peter Klohmann tenor sax
Totó Giovanni Gulino schlagzeug
Jon Hammond orgel
Youtube http://youtu.be/4JtoWjSFow0
Jon Hammond’s annual Musikmesse-Session in Jazzkeller Hofheim, here paying tribute to Jimi Hendrix covering Little Wing
with Joe Berger guitar, Giovanni Gulino drums, Peter Klohmann tenor sax, Jon Hammond on Sk1 Hammond organ
*Note: When Jon Hammond was younger playing electric accordion he was known as The Jimi Hendrix of The Accordion,
see image 1971 age 18 http://www.accordionradio.com
Frankfurt Germany — Thumbs Up! Ham-Berger at the Frankfurter (Hotel)
Jon Hammond and Joe Berger at but not in the 5-Star Steigenberger Hotel Frankfurter Hof
Bernard Purdie, Joe Berger, Jon Hammond – Local 802 Annual Holiday Party!
Golden Gate Bridge peeking out from under the fog last night at twilight time – Jon Hammond
Joe Berger having a word & chocolate cake with our friend Joe Lamond President & CEO of NAMM – Jon Hammond in the background – Jon Hammond’s annual Musikmesse Warm Up Party in Jazzkeller Frankfurt
JOURNAL FRANKFURT: Was war für Sie zuerst da – die Frankfurter Musikmesse oder Auftritte im Jazzkeller?
Jon Hammond: Die Musikmesse. Ich kam 1987 zum ersten Mal nach Frankfurt, zusammen mit Joe Berger, der auf der Messe für Engl Amplifiers spielte. Wir flogen mit der Lufthansa ein und teilten uns ein Zimmer im berühmten Prinz Otto Hotel am Hauptbahnhof. Schon in der ersten Nacht stellte mir Joe den großen John Entwistle, den Bassisten von The Who vor. Es wurde eine lange Nacht, in der wir Cognac tranken und Erdnüsse knabberten in eiern Suite des Marriott Hotels. Ich habe Joe bei einer Session mit John und Ringo Starrs Sohn Zak Starkey im Dorian Grey Club gefilmt bei einer Soundcheck Party. In den ersten paar Jahren spielte ich nicht oft live weil ich noch keine transportierbare Hammond Orgel hatte vor 1991 als ich den Prototyp einer XB-2 Hammond Orgel bekam mit der ich dann um die Welt reiste. Hauptsächliche dokumenierte ich aber die Messe für meine Cable TV Show in New York, die inzwischen im 29. Jahr als The Jon Hammond Show — Music, Travel and Soft News präsentiert. Die harten Nachrichten überlasse ich CNN und den großen Networks (lacht). Vom ersten Jahr an fühlten wir uns der Musikmesse eng verbunden, haben seitdem eine tolle Zeit hier, kommen jedes Jahr wieder bis wir kleine, alte Männer sind.
Das Jazzkeller-Konzert am Vorabend der Musikmesse ist zu einer netten Tradition geworden – wie kam es dazu, was bedeutet es Ihnen und wir werden Sie dieses Jahr diesen Abend im Jazzkeller zelebrieren?
Ab 1991 lernte ich mehr und mehr Musikmesse-Menschen kennen und die mich und auch einiges von meiner Musik. Einige von ihnen ermunterten mich, doch auch für Auftritte nach Deutschland zu kommen weil es hier doch ein Interesse an Hammond-Orgel-Groove-Music gab. Mit der schon erwähnten, kleinen, kompakten aber sehr kraftvollen Orgel war das alles möglich. Zudem machte ich in New York gerade eine schwere Zeit durch, mein Vater war gestorben und ich hatte das Gefühl, einige Veränderungen könnten meinem Leben gut tun. Also kam ich nach Frankfurt mit meiner XB-2, allerdings mit einem Rückflugticket falls etwas schief gehen würde. Ich rief viele Musiker an, ließ sie wissen, ich bin jetzt da, lasst uns zusammen spielen. Das war für mich der Anfang einer langen, sehr speziellen Beziehung, vor allem zum Frankfurter Publikum nach ersten kleinen erfolgen im Jazzkeller und einer kurzen Auftritt im Hessen Report im Fernsehen. Beatrix Rief verdanke ich dieses “lucky light on me”, eine tolle Erfahrung. Seitdem nenne ich Frankfurt “My Good Luck City” und im Jazzkeller begann auch alles für mich als Musiker. Deshalb liegt mir der Club auch so nah am Herzen, deshalb hatte ich auch die Idee, meine “Musikmesse Warm Up Party” dort zu realisieren, immer in der Nacht bevor die Messe startet was zu einer schönen Tradition wurde. Im ersten Jahr, in dem ich dann auch ein wenig Sponsoring von Philip Morris bekam, konnte ich damit einige Flugtickets für befreundete Musik bezahlen. Darüber war ich sehr glücklich. Dabei rauche ich selbst gar nicht.
Wie würden Sie Ihr persönliches Verhältnis zu Deutschland und Frankfurt beschrieben?
Lassen Sie es mich so sagen: ich liebe Frankfurt und die Frankfurter waren immer gut zu mir in all den Jahren. Ich könnte ein ganzes Buch über die Zeit schreiben, in der ich in Bornheim wohnte und Nacht für Nacht in der alten Jazzkneipe in der Berliner Straße auftrat. Das war der Treffpunkt, wo auch die Musiker der HR Bigband hinkamen und es gab eine generöse Chefin in der kleinen Kneipe. Auch Regine Dobberschütz und Eugen Hahn im Jazzkeller waren wahre Jazzengel für mich, die mir so vieles ermöglichten in der Zeit. Wir konnten auch in den Studios von AFN Radio spielen, waren die einzigen Musiker, die das – mit einer Sondergenehmigung des US Militärs – durften. Für ein wenig Promotion für die Musikmesse. Wir nannten das Programm für die AFN “Profile TV “-Show “Sound Police”. Wir hatten viel Spaß. Kein Wunder also, dass ich Frankfurt als my home away from home begreife und ich mich jedes Mal wieder freue zur Musikmesse zu reisen, in diesem Jahr übrigens zum 27. Mal in Folge. Und ich bin diesmal besonders aufgeregt, heim nach Frankfurt zu kommen weil ich gerade 60 Jahre alt geworden bin.
Wer wird in diesem Jahr zum Gelingen des Konzertes mit teils komponierter, teils improvisierter Musik, so nehme ich an, beitragen und was für einen Sound wird die Band präsentieren?
Ich habe etwa 90% der Kompositionen geschrieben, die wir spielen werden. Es ist die Musik, die man auch in meiner New Yorker TV-Show hören kann und die mich mehrmals um die Welt getragen hat. Meinen Stil nenne ich “Swinging Funky Jazz and Blues” und featurert die ganz wunderbaren Solisten in meine Band: Tony Lakatos, den großen ungarischen Tenorsaxophonisten, der auch Mitglied in der hr Bigband ist, dann meinen alten Freund Giovanni Gulino, diesen tollen Schlagzeuger, der schon für fast alle Großen der Szene getrommelt hat. Ich liebe diese Jungs. Als Gitarrist ist mein alten Freund und Kollege Joe Berger dabei, den man auch als The Berger-Meister kennt. Auf diese Formation bin ich wirklich stolz.
Werden Sie im Jazzkeller wieder eine Hammond Orgel spielen?
Ja, sicher, das neueste Modell, eine Sk1, die exakt so klingt wie die legendäre B3. Ich liebe sie. Und sie wiegt nur noch sieben Kilo (Anm. des Autors: Das Original, ein echtes Möbel mit viel Holz, mussten immer zwei Menschen mit viel Muskelkraft die Treppen rauf und runter hieven), ein deutliches Indiz, dass wir in der Zukunft angekommen sind. Da stecken viele Jahre Forschung und Entwicklung drin, auch Bühnenerprobungen. Ich ziehe den Hut vor den Ingenieuren von Suzuki, ein unverwüstliches Instrument erschaffen zu haben. Und das unterziehe ich jetzt einen echten Härttest (lacht).
27. März 2013 Interview: Detlef Kinsler
Web: www.jazzkeller.com / www.jonhammondband.com — with Joe Berger, Joe Lamond, Jon Hammond at Jazzkeller
Hammond Action is about to happen inside those 2 beautiful wooden doors – Jon Hammond and Michael Falkenstein
Congratulations 30th year Hammond Organ Germany Studio Setzingen – Ulm
This is the same place where James Brown Godfather of Soul came to visit Michael
– Youtube http://youtu.be/VjiDnJM0bd0
Congratulations 30th year Hammond Organ Germany Studio pictorial James Brown Visiting his God Son Michael Falkenstein – incredible must see and hear:
James Brown the Godfather of Soul and his God Son Michael Falkenstein at the Hammond organ with original music soundtrack from Jon Hammond radio program HammondCast – musical selections:
Time With You
Six Year Itch
Get Back In The Groove
Watermelon Man
Late Rent / HammondCast Outro
R.I.P. Godfather of Soul James Brown – here in Hammond Organ Germany Studios
Langenau – Ulm Germany — Michael Falkenstein and Jon Hammond with one of the very first pieces of Hammond Sk1 ultra-compact combo organ keyboard at HAMMOND DEUTSCHLAND Headquarters
Karlstrasse 38
D-89129 Langenau
Movie: “Meet The Incredible Sk1 Hammond with Michael Falkenstein and Jon Hammond”
Youtube http://youtu.be/cb7HHYzE9Gs
Filmed in Hammond-Showroom Karlstrasse 38
D-89129 Langenau Germany on April 19th 2011
“Meet The Incredible Sk1 Hammond with Michael Falkenstein and Jon Hammond”
First look at this exciting new keyboard product weighing in at 7 kilos, just over 15 lbs., it sounds like a real Hammond B3 organ
Top 3 KONZERTE JAZZ I ETHNO – JAZZ Jon Hammond & Band
Rock / Pop / Jazz
3 — Frankfurt – home away from home
Jon Hammond –
funky
Seit 27 Jahren auf der Musikmesse und immer wieder gerne in Frankfurt.
Journal Frankfurt
JAZZ
Jon Hammond & Band
Wenn einer Orgel spielt, kann er sich auch gleich Hammond nennen, und hat dann seine Visitenkarte gleich als Logo auf dem Instrument. Seinen Sound dazu als “100% organic” anzukündigen, ist eine feine Doppelsinnigkeit. Seit 1987 kommt Hammond zur Musikmesse, vier Jahre später starb sein Vater und er siedelte kurzerhand nach Frankfurt über, die seine “Good Luck City” wurde, wohnte in Bornheim, spielte im Jazzkeller, fand dort Freunde und installierte die “Musikmesse Warm Up Party”, die er – längst zurück in NYC – alljährlich mit “Swinging Funky Jazz and Blues” bespielt, mit “fine instrumentalists”, seinen Freunden Tony Lakatos (Saxophon) von der hr Bigband, Giovanni Gulino (Schlagzeug) und seinen alten Kollegen, Gitarrist Joe Berger.
dk
Seit 27 Jahren auf der Musikmesse und immer wieder gerne in Frankfurt.
Genre: Jazz
Location: Jazzkeller
Adresse: Frankfurt am Main, Kleine Bockenheimer Straße 18
Eintritt: 10,- €
Mit dem RMV zu dieser Veranstaltung
Dienstag, 9.4.2013, 21:00 Uhr
Photo from Larry Gay of The West Coast Live Radio Program
Frankfurt – home away from home
Jon Hammond –
funky
Wenn einer Orgel spielt, kann er sich auch Hammond nennen und hat seine Visitenkarte als logo auf dem Instrument. Seinen Sound als „100 percent organic“ anzukündi- gen, ist eine feine Doppelsinnigkeit. Seit 1987 kommt er zur Musikmes- se, vier Jahre später siedelte er nach Frankfurt über, die seine „Good
Jon Hammond & Band, Funk/Jazz/ Blues, Ffm: Jazzkeller, Kleine Bockenheimer Straße 18a, 9.4., 21 Uhr, Eintritt: 10,–
luck City” wurde, spielte im Jazz- keller, fand Freunde und installier- te die „Musikmesse Warm up Par- ty”, die er – längst zurück in nYC – alljährlich mit „Swinging Funky Jazz and Blues“ bespielt, mit „fine instrumentalists“, seinen Freunden tony lakatos (Saxophon), Giovanni Gulino (Schlagzeug) und dem alten kollegen Joe Berger als Gitarrist.
>> Seit 27 Jahren auf der Musik- messe und immer wieder gerne in Frankfurt. dk *dankeschön Hr. Kinsler! – Jon Hammond
Wenn einer Orgel spielt, kann er
sich auch Hammond nennen und
hat seine Visitenkarte als logo auf
dem Instrument. Seinen Sound als
„100 percent organic“ anzukündi-
gen, ist eine feine Doppelsinnigkeit.
Seit 1987 kommt er zur Musikmes-
se, vier Jahre später siedelte er nach
Frankfurt über, die seine „Good
Jon Hammond & Band, Funk/Jazz/
Blues, Ffm: Jazzkeller, Kleine
Bockenheimer Straße 18a, 9.4., 21 Uhr,
Eintritt: 10,–
luck City” wurde, spielte im Jazz-
keller, fand Freunde und installier-
te die „Musikmesse Warm up Par-
ty”, die er – längst zurück in nYC
– alljährlich mit „Swinging Funky
Jazz and Blues“ bespielt, mit „fine
instrumentalists“, seinen Freunden
tony lakatos (Saxophon), Giovanni
Gulino (Schlagzeug) und dem alten
kollegen Joe Berger als Gitarrist.
>> Seit 27 Jahren auf der Musik-
messe und immer wieder gerne in
Frankfurt. dk
Der Auster Jazz im April verschiebt sich um drei Tage. Grund ist Besuch aus Amerika. Mr. Jon Hammond ist in der Stadt, und sein Nachname ist Programm. Er spielt die Hammond-Orgel wie kein anderer. Als Backing Band werden die üblichen Verdächtigen vom Auster Jazz unter der Leitung von Michael Leuschner agieren.
In English: The oyster Jazz in April postponed by three days. Reason is visiting from America. Mr. Jon Hammond is in town, and his name says it all. He plays the Hammond organ like no other. As a backing band, the usual suspects from the oyster Jazz will operate under the direction of Michael Leuschner.
Auster Bar Jazz Bar Michael Leuschner Presents Jon Hammond Band
One Night Only on the Henriettenweg Hamburg, very cool scene!
Classic Mercy Mercy with Michael Leuschner trumpet http://www.michaelleuschner.de/ , Heinz Lichius drums,
Joe Berger guitar, Jon Hammond at Sk1 Hammond organ and special guest
Jonas Schoen alto saxophone reprising the great Cannonball Adderley smash crossover hit:
Mercy Mercy – R.I.P. Julian Edwin “Cannonball” Adderley (September 15, 1928 — August 8, 1975) http://en.wikipedia.org/wiki/Cannonball_Adderley
Jon saw Cannon do it with his quintet Feb. 24, 1968 at Winterland in San Francisco on a show with The Vagrants and The Who. Keeping the Spirit alive here in Auster Bar Hamburg! Special thanks / dankeschoen to Frank at Auster Bar, Knut Benzner NDR Radio, Heinz Lichius, Michael Leuschner wonderful musicians! http://www.jonhammondband.com
Auster Bar, Henriettenweg, Route 66 Hamburg, NDR Radio, Cannonball Adderley, Sk1, Hammond organ, Jazz, Blues, Smash Hit, Soul Music
The late great electric fretless bassist Jaco Pastorius, playing / leading his own band here at The Bottom Line in Greenwich Village NYC – March 1984 with Alex Kiyoshi Foster, Don Alias percussion, Mike Stern guitar – Jon Hammond
Frankfurter Hof Hotel, Thumbs Up, Joe Berger, Jon Hammond, Musikmesse, NAMM, Jazz organ, Jazzkeller, Party, Jazzkeller, Warm Up, Local 802, Musicians Union
1955, Emerson Clock Radio, Art Deco, Auster Bar, Oyster Jazz, Hamburg, NDR, NAMM Show, Musikmesse, Frankfurt, Organ, Suzuki, Sk1, Musicians Union, Local 802, Jon Hammond, ASCAP
Schon traditionell findet bei uns zur Frankfurter Musikmesse ein Treffen hochkarätiger Musiker statt. Wie auch in den vergangenen Jahren ist der aus New York stammende Orgelspieler Jon Hammond, mit Joe Berger „Berger-meister“, Peter Klohmann und Giovanni Gulino, angesagt.
Im Spiel geht Jon Hammond absolut in seiner Musik und seiner Leidenschaft für den guten alten Hammond-Sound auf. Mit 18 Jahren kaufte er sich seine erste Hammond B3 und tourte mit der Rockband Hades im Vorprogramm von Tower Of Power oder Michael Bloomfield. Ein regelrechter Genießer: Seinen Kopf wiegt er ständig von einer Seite zur anderen. Die linke Hand ersetzt größtenteils den Part eines Bassisten, zusätzlich zu den verschiedenen Klangfarben, die er manuell justiert.
Der Gitarrist Joe Berger gleicht einem Saiten-Hasardeur. Er spielte bereits mit Who-Bassist John Entwistle und sorgte in dessen Band für den Studio-Mix. Peter Klohmann ist ein junger talentierter Tenorsaxophonist. Giovanni Gulino ziseliert an den Becken, setzt genaue Akzente auf der Fußtrommel und spielt leichte, luftige Melodien auf der Snare.
Top 3 KONZERTE JAZZ I ETHNO – JAZZ Jon Hammond & Band
Rock / Pop / Jazz
3 — Frankfurt – home away from home
Jon Hammond –
funky
Seit 27 Jahren auf der Musikmesse und immer wieder gerne in Frankfurt.
Journal Frankfurt
JAZZ
Jon Hammond & Band
Wenn einer Orgel spielt, kann er sich auch gleich Hammond nennen, und hat dann seine Visitenkarte gleich als Logo auf dem Instrument. Seinen Sound dazu als “100% organic” anzukündigen, ist eine feine Doppelsinnigkeit. Seit 1987 kommt Hammond zur Musikmesse, vier Jahre später starb sein Vater und er siedelte kurzerhand nach Frankfurt über, die seine “Good Luck City” wurde, wohnte in Bornheim, spielte im Jazzkeller, fand dort Freunde und installierte die “Musikmesse Warm Up Party”, die er – längst zurück in NYC – alljährlich mit “Swinging Funky Jazz and Blues” bespielt, mit “fine instrumentalists”, seinen Freunden Tony Lakatos (Saxophon) von der hr Bigband, Giovanni Gulino (Schlagzeug) und seinen alten Kollegen, Gitarrist Joe Berger.
dk
Seit 27 Jahren auf der Musikmesse und immer wieder gerne in Frankfurt.
Genre: Jazz
Location: Jazzkeller
Adresse: Frankfurt am Main, Kleine Bockenheimer Straße 18
Eintritt: 10,- €
Mit dem RMV zu dieser Veranstaltung
Dienstag, 9.4.2013, 21:00 Uhr
Photo from Larry Gay of The West Coast Live Radio Program
Frankfurt – home away from home
Jon Hammond –
funky
Wenn einer Orgel spielt, kann er sich auch Hammond nennen und hat seine Visitenkarte als logo auf dem Instrument. Seinen Sound als „100 percent organic“ anzukündi- gen, ist eine feine Doppelsinnigkeit. Seit 1987 kommt er zur Musikmes- se, vier Jahre später siedelte er nach Frankfurt über, die seine „Good
Jon Hammond & Band, Funk/Jazz/ Blues, Ffm: Jazzkeller, Kleine Bockenheimer Straße 18a, 9.4., 21 Uhr, Eintritt: 10,–
luck City” wurde, spielte im Jazz- keller, fand Freunde und installier- te die „Musikmesse Warm up Par- ty”, die er – längst zurück in nYC – alljährlich mit „Swinging Funky Jazz and Blues“ bespielt, mit „fine instrumentalists“, seinen Freunden tony lakatos (Saxophon), Giovanni Gulino (Schlagzeug) und dem alten kollegen Joe Berger als Gitarrist.
>> Seit 27 Jahren auf der Musik- messe und immer wieder gerne in Frankfurt. dk *dankeschön Hr. Kinsler! – Jon Hammond
Wenn einer Orgel spielt, kann er
sich auch Hammond nennen und
hat seine Visitenkarte als logo auf
dem Instrument. Seinen Sound als
„100 percent organic“ anzukündi-
gen, ist eine feine Doppelsinnigkeit.
Seit 1987 kommt er zur Musikmes-
se, vier Jahre später siedelte er nach
Frankfurt über, die seine „Good
Jon Hammond & Band, Funk/Jazz/
Blues, Ffm: Jazzkeller, Kleine
Bockenheimer Straße 18a, 9.4., 21 Uhr,
Eintritt: 10,–
luck City” wurde, spielte im Jazz-
keller, fand Freunde und installier-
te die „Musikmesse Warm up Par-
ty”, die er – längst zurück in nYC
– alljährlich mit „Swinging Funky
Jazz and Blues“ bespielt, mit „fine
instrumentalists“, seinen Freunden
tony lakatos (Saxophon), Giovanni
Gulino (Schlagzeug) und dem alten
kollegen Joe Berger als Gitarrist.
>> Seit 27 Jahren auf der Musik-
messe und immer wieder gerne in
Frankfurt. dk
Der Auster Jazz im April verschiebt sich um drei Tage. Grund ist Besuch aus Amerika. Mr. Jon Hammond ist in der Stadt, und sein Nachname ist Programm. Er spielt die Hammond-Orgel wie kein anderer. Als Backing Band werden die üblichen Verdächtigen vom Auster Jazz unter der Leitung von Michael Leuschner agieren.
In English: The oyster Jazz in April postponed by three days. Reason is visiting from America. Mr. Jon Hammond is in town, and his name says it all. He plays the Hammond organ like no other. As a backing band, the usual suspects from the oyster Jazz will operate under the direction of Michael Leuschner.
Auster Bar Jazz Bar Michael Leuschner Presents Jon Hammond Band
One Night Only on the Henriettenweg Hamburg, very cool scene!
Classic Mercy Mercy with Michael Leuschner trumpet http://www.michaelleuschner.de/ , Heinz Lichius drums,
Joe Berger guitar, Jon Hammond at Sk1 Hammond organ and special guest
Jonas Schoen alto saxophone reprising the great Cannonball Adderley smash crossover hit:
Mercy Mercy – R.I.P. Julian Edwin “Cannonball” Adderley (September 15, 1928 — August 8, 1975) http://en.wikipedia.org/wiki/Cannonball_Adderley
Jon saw Cannon do it with his quintet Feb. 24, 1968 at Winterland in San Francisco on a show with The Vagrants and The Who. Keeping the Spirit alive here in Auster Bar Hamburg! Special thanks / dankeschoen to Frank at Auster Bar, Knut Benzner NDR Radio, Heinz Lichius, Michael Leuschner wonderful musicians! http://www.jonhammondband.com
Auster Bar, Henriettenweg, Route 66 Hamburg, NDR Radio, Cannonball Adderley, Sk1, Hammond organ, Jazz, Blues, Smash Hit, Soul Music
The late great electric fretless bassist Jaco Pastorius, playing / leading his own band here at The Bottom Line in Greenwich Village NYC – March 1984 with Alex Kiyoshi Foster, Don Alias percussion, Mike Stern guitar – Jon Hammond
— with Alex Foster, Jaco Pastorius, Jaco Pastorius Bass Player, Don Alias and Mike Stern
Erik Hartmann
Stanford University
Pascal Sax
Musicien Enseignant at Jazz et Musiques Actuelles
Jon Paris
New York, New York
Leena Isbom
Tolis Tsotras
Works at Freelance Interior Designer
Panayotis Papanicholaou
Works at Αpsendi rest-bar
Beatrice Ghiringhelli
Patrick L. Dorn Jr.
Los Medanos J.C. DVC,
John D. Smith
John Jay High School, San Antonio, Tx
Arnaldo Gonzaga
Iurisprudentia
Ed Cherry
University of dizzy gillespie
Muriel Donazzolo de Roland
Ecole Assomption Lochabair
Siegmar Grünberg
Dozent für Drums at Musikschule Schnelsen
Per Toralv Joakimsen
Hochschule für Gestaltung zurich
Kostas Aktypis
Armstrong Owen
Stephanie Bastian Ricci
Sunday Blues Session with Jon Hammond
P.Mauriat Go For the Sound
I used to see this painting of New York Mets’ Dwight ‘Doc’ Gooden in my neighborhood on the side of this building for Nike – I shot this picture probably in 1986, 1987 was the start of his unfortunate troubles and soon after Nike took it down. I was sorry to see that – Jon Hammond
Dwight’s Wiki http://en.wikipedia.org/wiki/Dwight_Gooden
Born: November 16, 1964 (age 48)
Tampa, Florida
Batted: Right Threw: Right
MLB debut
April 7, 1984 for the New York Mets
Last MLB appearance
September 29, 2000 for the New York Yankees
Career statistics
Win–loss record 194–112
Earned run average 3.51
Strikeouts 2,293
Teams
New York Mets (1984–1994)
New York Yankees (1996–1997)
Cleveland Indians (1998–1999)
Houston Astros (2000)
Tampa Bay Devil Rays (2000)
New York Yankees (2000)
Career highlights and awards
4× All-Star (1984, 1985, 1986, 1988)
3× World Series champion (1986, 1996, 2000)
Silver Slugger Award winner (1992)
NL Cy Young Award (1985)
NL Rookie of the Year (1984)
Triple Crown (1985)
Pitched a no-hitter on May 14, 1996
NL wins champion (1985)
2× NL strikeout champion (1984, 1985)
NL ERA champion (1985)
Dwight Eugene “Doc” Gooden[1] (born November 16, 1964), nicknamed “Dr. K”, is a former Major League Baseball pitcher. He was one of the most dominant and feared pitchers in the National League in the middle and late 1980s.
A native of Tampa, Florida, Dwight Gooden was drafted in the first round in 1982, the fifth player taken overall. He spent one season in the minors, in which he led the Class-A Carolina League in wins, strikeouts and ERA while playing for the Lynchburg Mets. Gooden had 300 strikeouts in 191 innings, a performance which convinced Triple-A Tidewater Tides manager, future Mets skipper Davey Johnson, that he was capable of making the unusual leap to the major league.
[edit]1984–1994: New York Mets
[edit]1984
Gooden made his major-league debut on April 7, 1984 with the New York Mets at the age of 19. He quickly developed a reputation with his 98 MPH fastball and sweeping curveball, which was given the superlative nickname of “Lord Charles”, in contrast with “Uncle Charlie”, a common nickname for a curveball. He was dubbed “Dr. K”, (by analogy with basketball’s “Dr. J”, Julius Erving, and also in reference to the letter “K” being the standard abbreviation for strikeout), which soon became shortened to “Doc”. Gooden soon attracted a rooting section at Shea Stadium that called itself “The K Korner”, and would hang up cards with a red “K” after each of his strikeouts.
When he took the mound in the fifth inning on July 10, 1984, Gooden became the youngest player to appear in an All-Star Game. He complemented this distinction by striking out the side, AL batters: Lance Parrish, Chet Lemon, and Alvin Davis. Setting up Gooden, NL Pitcher Fernando Valenzuela had already struck out the side in the fourth, putting down future Hall of Famers Dave Winfield, Reggie Jackson, and George Brett. The two pitchers’ combined performance broke an All-Star game record, coincidentally on its celebrated 50th Anniversary—Carl Hubbell’s five consecutive strikeouts in 1934.
That season, Gooden won 17 games, the most by a 19-year-old since Wally Bunker won 19 games in 1964 and the second most for a Mets rookie, after Jerry Koosman’s 19 wins in 1968. Gooden won eight of his last nine starts; in his final three starts of the 1984 season, he had 41 strikeouts and 1 walk. Gooden led the league in strikeouts, his 276 breaking Herb Score’s rookie record of 245 in 1955, and also set the record for most strikeouts in three consecutive starts with 43. As a 19-year-old rookie, Gooden set the then-major league record for strikeouts per 9 innings, with 11.39, breaking Sam McDowell’s record of 10.71 in 1965. He was voted the Rookie of The Year, giving the Mets two consecutive winners of that award (Darryl Strawberry had been the recipient in 1983). Gooden also became the third Mets pitcher to win the award, joining Tom Seaver (1967) and Jon Matlack (1972). Gooden finished second in the NL Cy Young Award voting, even though he had more NL wins, strikeouts and a lower ERA than the NL winner Rick Sutcliffe.
– Joe Berger and drummer extraordinaire Bill Cobham playing at party for Gibson USA in the Frankfurt Marriott Hotel
Youtube http://youtu.be/we6YBMzK3Z0
14,566
Billy COBHAM Doug Douglas Wimbish Joe BERGER on HammondCast
Frankfurt Germany — Joe Berger and drummer extraordinaire Bill Cobham playing at party for Gibson USA in the Frankfurt Marriott Hotel
Youtube http://youtu.be/we6YBMzK3Z0
14,566
Billy COBHAM Doug WIMBISH Joe BERGER on HammondCast
This Impromptu Jam with 3 greats BILL COBHAM, DOUG WIMBISH & JOE BERGER happened at Gibson Guitar Party in Frankfurt Germany, captured by Jon Hammond originally shown on The Jon Hammond Show *24th year NYC. COBHAM born May 16, 1944 in Panama, is one of the world’s best and most influential drummers known for his jazz fusion in the 1970s, with John McLaughlin’s Mahavishnu Orchestra, where he pioneered a powerful style of drumming with jazz, rock and funk influences has an enormous Discography. WIMBISH (born September 22, 1956) is a bass player, primarily known for his studio work for the rap/hip hop label Sugarhill Records and his membership of the band Living Colour. He has played for a vast range of artists, among which Jeff Beck, Mick Jagger, Madonna, George Clinton, Depeche Mode, and Mos Def. Wimbish is considered to be a pioneer in hip hop bass playing.
BERGER has engineered mixed and mastered thousands of recordings and played with John Entwistle of THE WHO and member of JON HAMMOND Band. Seen here playing a special Gibson LES PAUL, whom (Les) Joe has also worked with and Paul has appeared on Hammond’s long-running cable tv show in NYC.
Enjoy! – JH
New York NY — Jon Hammond returning a text message on his Sidekick 4G T-Mobile phone in the seating area at the big Apple Store on Fifth Avenue between 58th and 59th Street New York City
- still the best keyboard phone folks! – JH — at Apple Store Fifth Avenue
Hamburg Germany — World’s Best Chicken at Imbiss Mini-Grill – Jon Hammond just finishing up 1/2 order of delicious chicken (hanchen) – Photo by Joe Berger thanks Joe!
Imbiß “Mini-Grill”
St. Pauli, Hamburg
Clemens-Schultz-Str. 79, 20359 Hamburg
5 Stars – No Doubt About It http://www.qype.co.uk/place/64225-Imbiss-Mini-Grill–Hamburg
Mo-Fr: 11:00 – 21:00 Uhr
Sa: 12:00 – 20:00 Uhr
So: 14:00 – 20:00 Uhr
Weihnachten und Sylvester geschlossen
Every time I am in Hamburg I go directly to see main man Peter at Mini-Grill,
he makes the World’s Best Chicken, no doubt about it.
Also the ‘gurken salat’ (cucumber salad) is excellent and the pommes frites (french fries) are excellent with homemade curry ketchup. Also enjoy very much the original art work from the late great artist Erwin Ross, some of his last work before he was tragically struck down by an automobile. (Erwin painted Beatles logo.svg. Wordmark of The Beatles, originally painted directly on drum by Erwin Ross, Hamburg. Date. 1960) ask Peter when you are in there enjoying the world’s best chicken. People actually fight over the chickens sometimes because they can not cook them fast enough, so get there when it’s not busy or be patient and wait…it’s worth it!
Jon Hammond — at Imbiss Mini-Grill
Celia Thompson mmmmmm…looks delish !!!
Joe Berger
King at Self employed
Masao Ohnuki
Hosei University
Yashko Golembiovsky
Académie Royale des Beaux-Arts de Bruxelles (ACA)
Asaf Sirkis
London, United Kingdom
Vladyslav Sendecki
Hamburg, Germany
Katsumi Yoshihara
Works at CD album「iGut/Katsumi Yoshihara」on sale.
Henry Zambrano R
Genova, Italy
Celia Thompson
Health Services Coordinator at New York Foundling Hospital
BREAKING NEWS: Jon Hammond Jazz Organist In Downbeat Magazine’s annual BEST of The NAMM Show 2013 BREAK…See More — at The NAMM show at the Anaheim Convention Center
Back to Radio KALX for 51 Minutes In-Studio Interview with Bernard Purdie Jon Hammond and Anthony Bonet http://www.youtube.com/watch?v=GYg4v91bg1A
51 Minutes In-Studio Radio Interview with organist Jon Hammond and studio drummer Bernard Purdie with host producer Anthony Bonet aka “Sex 14s”. This interview took place
on October 8th 1998 the day before Jon Hammond and The Late Rent Session Men performed 2 concerts at Cocodrie Club in North Beach San Francisco and at Kimball’s East Nightclub and Restaurant in Emeryville, both clubs are closed now. Hear Jon and
Bernard talk about their long musical careers and the music and musicians on the band the next day, saxophonist Bennett Friedman, guitarist Barry Finnerty, Bernard Purdie aka “Pretty Purdie” or “The Hit Maker” on drums and Jon Hammond at the B3 organ.
Very special thanks to host producer Anthony Bonet aka “Sex 14s” of KALX and Bottom of The Hill club for having us in and also to Scott Rootenberg of The Cocodrie Club,
Jon Hammond
Note: Bernard Purdie is perhaps the most recorded drummer in the music business http://en.wikipedia.org/wiki/Bernard
Bernard Lee “Pretty” Purdie (born June 11, 1939) is an American session drummer, and is considered an influential and innovative exponent of funk. He is known for his strict musical time keeping and “The Purdie Shuffle”
James Brown, Jeff Beck, Hummingbird, Steely Dan, Aretha Franklin, Gil Scott-Heron, King Curtis, The Rolling Stones, Miles Davis, Dizzy Gillespie, Randy Brecker, Quincy Jones, Hall & Oates, Isaac Hayes, Cat Stevens, Hair, Sgt. Pepper’s Lonely Hearts Club Band (soundtrack), Jon Hammond Late Rent album
Behind The Beat Story of Late Rent http://behindthebeat.com/2004/12/jon-hammond-late-rent/
For Immediate Release: 27th Year Musikmesse Warm Up Party 9th April Jon Hammond Band in Jazzkeller Frankfurt
The Tradition Continues – Jon Hammond Band Kicking it Off with Funky Swinging Jazz and Blues in Jazzkeller Frankfurt Tuesday Night
Featuring
Tony Lakatos tenor saxophone
Joe Berger guitar
Giovanni Gulino drums
Jon Hammond organ
On this very special occasion – As Seen On New York Cable TV Show The Jon Hammond Show For Your Listening Pleasure
Enjoy the atmosphere at the good old Jazzkeller hosted by Jon and his very special guests:
Jazzkeller Frankfurt / Kleine Bockenheimerstr. 18a / 60313 Frankfurt am Main / Tel. 069 28 85 37
Jon Hammond’s annual Musikmesse Warm Up Party in Jazzkeller Frankfurt the night before 2012 Musikmesse kicks off, Jon Hammond Band with special guest Lee Oskar playing James Wes Blues – Tony Lakatos tenor saxophone, Giovanni Gulino drums, Joe Berger guitar, Jon Hammond at Sk1 Hammond organ, special guest Lee Oskar harmonica. Special thanks to TekAmp Thomas Eich, Suzuki Musical Instruments, Saray Pastanesi Baeckerei & Konditorei Chocolate Cake, P.Mauriat Music special mention Alex Hsieh – this was on Jon’s 59th birthday and celebrating 26 years attending Musikmesse Frankfurt http://www.jonhammondband.com
2012 Annual Musikmesse Warm Up Party hosted by Jon Hammond Band in Jazzkeller Frankfurt – “LATE RENT” Jon Hammond Show Theme Song
as seen on MNN TV New York City Cable TV
with Tony Lakatos tenor sax, Joe Berger guitar, Giovanni Gulino drums,
Jon Hammond at the Hammond Sk1 organ,
special guest Lee Oskar harmonica.
This performance marks 26 years consecutive attending Musikmesse Frankfurt and
it was also on the birthday of Jon Hammond March 20th, 2012 with a big chocolate on chocolate cake baked by Saray Pastanesi Baeckerei & Konditorei bakery on Mainzer Landstrasse 131. 60327 Frankfurt am Main
Oyster Jazz, Hamburg, NDR Radio, Sk1 organ, Amerika, Jon Hammond, Mini-Grill, World’s Best Chicken, Local 802, Musicians Union
Top 3, KONZERTE JAZZ I ETHNO, JAZZ, Jon Hammond & Band, Musikmesse, Party, Frankfurt, Hamburg, Sk1, Organ, Funky, Local 802, Musicians Union
Musikmesse-Session, Jazzkeller-Hofheim, Hofheim am Taunus, Jon Hammond Band, Sk1, Orgel, Organ, Funky, Jazz, Blues, Bahnhof, DeutschBahn, Underground
Top 3 KONZERTE JAZZ I ETHNO – JAZZ Jon Hammond & Band
Rock / Pop / Jazz
3 — Frankfurt – home away from home
Jon Hammond –
funky
Seit 27 Jahren auf der Musikmesse und immer wieder gerne in Frankfurt.
Journal Frankfurt
JAZZ
Jon Hammond & Band
Wenn einer Orgel spielt, kann er sich auch gleich Hammond nennen, und hat dann seine Visitenkarte gleich als Logo auf dem Instrument. Seinen Sound dazu als “100% organic” anzukündigen, ist eine feine Doppelsinnigkeit. Seit 1987 kommt Hammond zur Musikmesse, vier Jahre später starb sein Vater und er siedelte kurzerhand nach Frankfurt über, die seine “Good Luck City” wurde, wohnte in Bornheim, spielte im Jazzkeller, fand dort Freunde und installierte die “Musikmesse Warm Up Party”, die er – längst zurück in NYC – alljährlich mit “Swinging Funky Jazz and Blues” bespielt, mit “fine instrumentalists”, seinen Freunden Tony Lakatos (Saxophon) von der hr Bigband, Giovanni Gulino (Schlagzeug) und seinen alten Kollegen, Gitarrist Joe Berger.
dk
Seit 27 Jahren auf der Musikmesse und immer wieder gerne in Frankfurt.
Genre: Jazz
Location: Jazzkeller
Adresse: Frankfurt am Main, Kleine Bockenheimer Straße 18
Eintritt: 10,- €
Mit dem RMV zu dieser Veranstaltung
Dienstag, 9.4.2013, 21:00 Uhr
Photo from Larry Gay of The West Coast Live Radio Program
Frankfurt – home away from home
Jon Hammond –
funky
Wenn einer Orgel spielt, kann er sich auch Hammond nennen und hat seine Visitenkarte als logo auf dem Instrument. Seinen Sound als „100 percent organic“ anzukündi- gen, ist eine feine Doppelsinnigkeit. Seit 1987 kommt er zur Musikmes- se, vier Jahre später siedelte er nach Frankfurt über, die seine „Good
Jon Hammond & Band, Funk/Jazz/ Blues, Ffm: Jazzkeller, Kleine Bockenheimer Straße 18a, 9.4., 21 Uhr, Eintritt: 10,–
luck City” wurde, spielte im Jazz- keller, fand Freunde und installier- te die „Musikmesse Warm up Par- ty”, die er – längst zurück in nYC – alljährlich mit „Swinging Funky Jazz and Blues“ bespielt, mit „fine instrumentalists“, seinen Freunden tony lakatos (Saxophon), Giovanni Gulino (Schlagzeug) und dem alten kollegen Joe Berger als Gitarrist.
>> Seit 27 Jahren auf der Musik- messe und immer wieder gerne in Frankfurt. dk *dankeschön Hr. Kinsler! – Jon Hammond
Wenn einer Orgel spielt, kann er
sich auch Hammond nennen und
hat seine Visitenkarte als logo auf
dem Instrument. Seinen Sound als
„100 percent organic“ anzukündi-
gen, ist eine feine Doppelsinnigkeit.
Seit 1987 kommt er zur Musikmes-
se, vier Jahre später siedelte er nach
Frankfurt über, die seine „Good
Jon Hammond & Band, Funk/Jazz/
Blues, Ffm: Jazzkeller, Kleine
Bockenheimer Straße 18a, 9.4., 21 Uhr,
Eintritt: 10,–
luck City” wurde, spielte im Jazz-
keller, fand Freunde und installier-
te die „Musikmesse Warm up Par-
ty”, die er – längst zurück in nYC
– alljährlich mit „Swinging Funky
Jazz and Blues“ bespielt, mit „fine
instrumentalists“, seinen Freunden
tony lakatos (Saxophon), Giovanni
Gulino (Schlagzeug) und dem alten
kollegen Joe Berger als Gitarrist.
>> Seit 27 Jahren auf der Musik-
messe und immer wieder gerne in
Frankfurt. dk
Der Auster Jazz im April verschiebt sich um drei Tage. Grund ist Besuch aus Amerika. Mr. Jon Hammond ist in der Stadt, und sein Nachname ist Programm. Er spielt die Hammond-Orgel wie kein anderer. Als Backing Band werden die üblichen Verdächtigen vom Auster Jazz unter der Leitung von Michael Leuschner agieren.
In English: The oyster Jazz in April postponed by three days. Reason is visiting from America. Mr. Jon Hammond is in town, and his name says it all. He plays the Hammond organ like no other. As a backing band, the usual suspects from the oyster Jazz will operate under the direction of Michael Leuschner.
Auster Bar Jazz Bar Michael Leuschner Presents Jon Hammond Band
One Night Only on the Henriettenweg Hamburg, very cool scene!
Classic Mercy Mercy with Michael Leuschner trumpet http://www.michaelleuschner.de/ , Heinz Lichius drums,
Joe Berger guitar, Jon Hammond at Sk1 Hammond organ and special guest
Jonas Schoen alto saxophone reprising the great Cannonball Adderley smash crossover hit:
Mercy Mercy – R.I.P. Julian Edwin “Cannonball” Adderley (September 15, 1928 — August 8, 1975) http://en.wikipedia.org/wiki/Cannonball_Adderley
Jon saw Cannon do it with his quintet Feb. 24, 1968 at Winterland in San Francisco on a show with The Vagrants and The Who. Keeping the Spirit alive here in Auster Bar Hamburg! Special thanks / dankeschoen to Frank at Auster Bar, Knut Benzner NDR Radio, Heinz Lichius, Michael Leuschner wonderful musicians! http://www.jonhammondband.com
Auster Bar, Henriettenweg, Route 66 Hamburg, NDR Radio, Cannonball Adderley, Sk1, Hammond organ, Jazz, Blues, Smash Hit, Soul Music
The late great electric fretless bassist Jaco Pastorius, playing / leading his own band here at The Bottom Line in Greenwich Village NYC – March 1984 with Alex Kiyoshi Foster, Don Alias percussion, Mike Stern guitar – Jon Hammond
— with Alex Foster, Jaco Pastorius, Jaco Pastorius Bass Player, Don Alias and Mike Stern
Erik Hartmann
Stanford University
Pascal Sax
Musicien Enseignant at Jazz et Musiques Actuelles
Jon Paris
New York, New York
Leena Isbom
Tolis Tsotras
Works at Freelance Interior Designer
Panayotis Papanicholaou
Works at Αpsendi rest-bar
Beatrice Ghiringhelli
Patrick L. Dorn Jr.
Los Medanos J.C. DVC,
John D. Smith
John Jay High School, San Antonio, Tx
Arnaldo Gonzaga
Iurisprudentia
Ed Cherry
University of dizzy gillespie
Muriel Donazzolo de Roland
Ecole Assomption Lochabair
Siegmar Grünberg
Dozent für Drums at Musikschule Schnelsen
Per Toralv Joakimsen
Hochschule für Gestaltung zurich
Kostas Aktypis
Armstrong Owen
Stephanie Bastian Ricci
Sunday Blues Session with Jon Hammond
P.Mauriat Go For the Sound
I used to see this painting of New York Mets’ Dwight ‘Doc’ Gooden in my neighborhood on the side of this building for Nike – I shot this picture probably in 1986, 1987 was the start of his unfortunate troubles and soon after Nike took it down. I was sorry to see that – Jon Hammond
Dwight’s Wiki http://en.wikipedia.org/wiki/Dwight_Gooden
Born: November 16, 1964 (age 48)
Tampa, Florida
Batted: Right Threw: Right
MLB debut
April 7, 1984 for the New York Mets
Last MLB appearance
September 29, 2000 for the New York Yankees
Career statistics
Win–loss record 194–112
Earned run average 3.51
Strikeouts 2,293
Teams
New York Mets (1984–1994)
New York Yankees (1996–1997)
Cleveland Indians (1998–1999)
Houston Astros (2000)
Tampa Bay Devil Rays (2000)
New York Yankees (2000)
Career highlights and awards
4× All-Star (1984, 1985, 1986, 1988)
3× World Series champion (1986, 1996, 2000)
Silver Slugger Award winner (1992)
NL Cy Young Award (1985)
NL Rookie of the Year (1984)
Triple Crown (1985)
Pitched a no-hitter on May 14, 1996
NL wins champion (1985)
2× NL strikeout champion (1984, 1985)
NL ERA champion (1985)
Dwight Eugene “Doc” Gooden[1] (born November 16, 1964), nicknamed “Dr. K”, is a former Major League Baseball pitcher. He was one of the most dominant and feared pitchers in the National League in the middle and late 1980s.
A native of Tampa, Florida, Dwight Gooden was drafted in the first round in 1982, the fifth player taken overall. He spent one season in the minors, in which he led the Class-A Carolina League in wins, strikeouts and ERA while playing for the Lynchburg Mets. Gooden had 300 strikeouts in 191 innings, a performance which convinced Triple-A Tidewater Tides manager, future Mets skipper Davey Johnson, that he was capable of making the unusual leap to the major league.
[edit]1984–1994: New York Mets
[edit]1984
Gooden made his major-league debut on April 7, 1984 with the New York Mets at the age of 19. He quickly developed a reputation with his 98 MPH fastball and sweeping curveball, which was given the superlative nickname of “Lord Charles”, in contrast with “Uncle Charlie”, a common nickname for a curveball. He was dubbed “Dr. K”, (by analogy with basketball’s “Dr. J”, Julius Erving, and also in reference to the letter “K” being the standard abbreviation for strikeout), which soon became shortened to “Doc”. Gooden soon attracted a rooting section at Shea Stadium that called itself “The K Korner”, and would hang up cards with a red “K” after each of his strikeouts.
When he took the mound in the fifth inning on July 10, 1984, Gooden became the youngest player to appear in an All-Star Game. He complemented this distinction by striking out the side, AL batters: Lance Parrish, Chet Lemon, and Alvin Davis. Setting up Gooden, NL Pitcher Fernando Valenzuela had already struck out the side in the fourth, putting down future Hall of Famers Dave Winfield, Reggie Jackson, and George Brett. The two pitchers’ combined performance broke an All-Star game record, coincidentally on its celebrated 50th Anniversary—Carl Hubbell’s five consecutive strikeouts in 1934.
That season, Gooden won 17 games, the most by a 19-year-old since Wally Bunker won 19 games in 1964 and the second most for a Mets rookie, after Jerry Koosman’s 19 wins in 1968. Gooden won eight of his last nine starts; in his final three starts of the 1984 season, he had 41 strikeouts and 1 walk. Gooden led the league in strikeouts, his 276 breaking Herb Score’s rookie record of 245 in 1955, and also set the record for most strikeouts in three consecutive starts with 43. As a 19-year-old rookie, Gooden set the then-major league record for strikeouts per 9 innings, with 11.39, breaking Sam McDowell’s record of 10.71 in 1965. He was voted the Rookie of The Year, giving the Mets two consecutive winners of that award (Darryl Strawberry had been the recipient in 1983). Gooden also became the third Mets pitcher to win the award, joining Tom Seaver (1967) and Jon Matlack (1972). Gooden finished second in the NL Cy Young Award voting, even though he had more NL wins, strikeouts and a lower ERA than the NL winner Rick Sutcliffe.
– Joe Berger and drummer extraordinaire Bill Cobham playing at party for Gibson USA in the Frankfurt Marriott Hotel
Youtube http://youtu.be/we6YBMzK3Z0
14,566
Billy COBHAM Doug Douglas Wimbish Joe BERGER on HammondCast
Frankfurt Germany — Joe Berger and drummer extraordinaire Bill Cobham playing at party for Gibson USA in the Frankfurt Marriott Hotel
Youtube http://youtu.be/we6YBMzK3Z0
14,566
Billy COBHAM Doug WIMBISH Joe BERGER on HammondCast
This Impromptu Jam with 3 greats BILL COBHAM, DOUG WIMBISH & JOE BERGER happened at Gibson Guitar Party in Frankfurt Germany, captured by Jon Hammond originally shown on The Jon Hammond Show *24th year NYC. COBHAM born May 16, 1944 in Panama, is one of the world’s best and most influential drummers known for his jazz fusion in the 1970s, with John McLaughlin’s Mahavishnu Orchestra, where he pioneered a powerful style of drumming with jazz, rock and funk influences has an enormous Discography. WIMBISH (born September 22, 1956) is a bass player, primarily known for his studio work for the rap/hip hop label Sugarhill Records and his membership of the band Living Colour. He has played for a vast range of artists, among which Jeff Beck, Mick Jagger, Madonna, George Clinton, Depeche Mode, and Mos Def. Wimbish is considered to be a pioneer in hip hop bass playing.
BERGER has engineered mixed and mastered thousands of recordings and played with John Entwistle of THE WHO and member of JON HAMMOND Band. Seen here playing a special Gibson LES PAUL, whom (Les) Joe has also worked with and Paul has appeared on Hammond’s long-running cable tv show in NYC.
Enjoy! – JH
New York NY — Jon Hammond returning a text message on his Sidekick 4G T-Mobile phone in the seating area at the big Apple Store on Fifth Avenue between 58th and 59th Street New York City
- still the best keyboard phone folks! – JH — at Apple Store Fifth Avenue
Hamburg Germany — World’s Best Chicken at Imbiss Mini-Grill – Jon Hammond just finishing up 1/2 order of delicious chicken (hanchen) – Photo by Joe Berger thanks Joe!
Imbiß “Mini-Grill”
St. Pauli, Hamburg
Clemens-Schultz-Str. 79, 20359 Hamburg
5 Stars – No Doubt About It http://www.qype.co.uk/place/64225-Imbiss-Mini-Grill–Hamburg
Mo-Fr: 11:00 – 21:00 Uhr
Sa: 12:00 – 20:00 Uhr
So: 14:00 – 20:00 Uhr
Weihnachten und Sylvester geschlossen
Every time I am in Hamburg I go directly to see main man Peter at Mini-Grill,
he makes the World’s Best Chicken, no doubt about it.
Also the ‘gurken salat’ (cucumber salad) is excellent and the pommes frites (french fries) are excellent with homemade curry ketchup. Also enjoy very much the original art work from the late great artist Erwin Ross, some of his last work before he was tragically struck down by an automobile. (Erwin painted Beatles logo.svg. Wordmark of The Beatles, originally painted directly on drum by Erwin Ross, Hamburg. Date. 1960) ask Peter when you are in there enjoying the world’s best chicken. People actually fight over the chickens sometimes because they can not cook them fast enough, so get there when it’s not busy or be patient and wait…it’s worth it!
Jon Hammond — at Imbiss Mini-Grill
Celia Thompson mmmmmm…looks delish !!!
Joe Berger
King at Self employed
Masao Ohnuki
Hosei University
Yashko Golembiovsky
Académie Royale des Beaux-Arts de Bruxelles (ACA)
Asaf Sirkis
London, United Kingdom
Vladyslav Sendecki
Hamburg, Germany
Katsumi Yoshihara
Works at CD album「iGut/Katsumi Yoshihara」on sale.
Henry Zambrano R
Genova, Italy
Celia Thompson
Health Services Coordinator at New York Foundling Hospital
BREAKING NEWS: Jon Hammond Jazz Organist In Downbeat Magazine’s annual BEST of The NAMM Show 2013 BREAK…See More — at The NAMM show at the Anaheim Convention Center
Back to Radio KALX for 51 Minutes In-Studio Interview with Bernard Purdie Jon Hammond and Anthony Bonet http://www.youtube.com/watch?v=GYg4v91bg1A
51 Minutes In-Studio Radio Interview with organist Jon Hammond and studio drummer Bernard Purdie with host producer Anthony Bonet aka “Sex 14s”. This interview took place
on October 8th 1998 the day before Jon Hammond and The Late Rent Session Men performed 2 concerts at Cocodrie Club in North Beach San Francisco and at Kimball’s East Nightclub and Restaurant in Emeryville, both clubs are closed now. Hear Jon and
Bernard talk about their long musical careers and the music and musicians on the band the next day, saxophonist Bennett Friedman, guitarist Barry Finnerty, Bernard Purdie aka “Pretty Purdie” or “The Hit Maker” on drums and Jon Hammond at the B3 organ.
Very special thanks to host producer Anthony Bonet aka “Sex 14s” of KALX and Bottom of The Hill club for having us in and also to Scott Rootenberg of The Cocodrie Club,
Jon Hammond
Note: Bernard Purdie is perhaps the most recorded drummer in the music business http://en.wikipedia.org/wiki/Bernard
Bernard Lee “Pretty” Purdie (born June 11, 1939) is an American session drummer, and is considered an influential and innovative exponent of funk. He is known for his strict musical time keeping and “The Purdie Shuffle”
James Brown, Jeff Beck, Hummingbird, Steely Dan, Aretha Franklin, Gil Scott-Heron, King Curtis, The Rolling Stones, Miles Davis, Dizzy Gillespie, Randy Brecker, Quincy Jones, Hall & Oates, Isaac Hayes, Cat Stevens, Hair, Sgt. Pepper’s Lonely Hearts Club Band (soundtrack), Jon Hammond Late Rent album
Behind The Beat Story of Late Rent http://behindthebeat.com/2004/12/jon-hammond-late-rent/
For Immediate Release: 27th Year Musikmesse Warm Up Party 9th April Jon Hammond Band in Jazzkeller Frankfurt
The Tradition Continues – Jon Hammond Band Kicking it Off with Funky Swinging Jazz and Blues in Jazzkeller Frankfurt Tuesday Night
Featuring
Tony Lakatos tenor saxophone
Joe Berger guitar
Giovanni Gulino drums
Jon Hammond organ
On this very special occasion – As Seen On New York Cable TV Show The Jon Hammond Show For Your Listening Pleasure
Enjoy the atmosphere at the good old Jazzkeller hosted by Jon and his very special guests:
Jazzkeller Frankfurt / Kleine Bockenheimerstr. 18a / 60313 Frankfurt am Main / Tel. 069 28 85 37
Jon Hammond’s annual Musikmesse Warm Up Party in Jazzkeller Frankfurt the night before 2012 Musikmesse kicks off, Jon Hammond Band with special guest Lee Oskar playing James Wes Blues – Tony Lakatos tenor saxophone, Giovanni Gulino drums, Joe Berger guitar, Jon Hammond at Sk1 Hammond organ, special guest Lee Oskar harmonica. Special thanks to TekAmp Thomas Eich, Suzuki Musical Instruments, Saray Pastanesi Baeckerei & Konditorei Chocolate Cake, P.Mauriat Music special mention Alex Hsieh – this was on Jon’s 59th birthday and celebrating 26 years attending Musikmesse Frankfurt http://www.jonhammondband.com
2012 Annual Musikmesse Warm Up Party hosted by Jon Hammond Band in Jazzkeller Frankfurt – “LATE RENT” Jon Hammond Show Theme Song
as seen on MNN TV New York City Cable TV
with Tony Lakatos tenor sax, Joe Berger guitar, Giovanni Gulino drums,
Jon Hammond at the Hammond Sk1 organ,
special guest Lee Oskar harmonica.
This performance marks 26 years consecutive attending Musikmesse Frankfurt and
it was also on the birthday of Jon Hammond March 20th, 2012 with a big chocolate on chocolate cake baked by Saray Pastanesi Baeckerei & Konditorei bakery on Mainzer Landstrasse 131. 60327 Frankfurt am Main
Oyster Jazz, Hamburg, NDR Radio, Sk1 organ, Amerika, Jon Hammond, Mini-Grill, World’s Best Chicken, Local 802, Musicians Union
Top 3, KONZERTE JAZZ I ETHNO, JAZZ, Jon Hammond & Band, Musikmesse, Party, Frankfurt, Hamburg, Sk1, Organ, Funky, Local 802, Musicians Union
No Rain in New York City Monday – it’s safe to break out your accordions in Times Square today folks
- Jon Hammond photo by the great Jazz photographer Elmar Lemes with custom built Excelsior Accordion with Sennheiser pickup system http://www.accordionradio.com/ — with Jon Hammond Band and Excelsior Accordions at Times Square NYC
Jon Hammond’s well-traveled Hammond organ on display in window of Sam Ash Music Store
Jon Hammond and the Late Rent Session Men with Bernard Purdie at 760 Columbus Ave. Mikell’s – as seen on The Jon Hammond Show MCTV MNN TV http://www.facebook.com/photo.php?v=10151348320152102
The Ultimate Soul-Blues-Funk perfomance by Jon Hammond and the Late Rent Session Men – Combo All-Stars BERNARD PURDIE drums, Alex Foster sax, Chuggy Carter percussion, Barry Finnerty guitar, and fearless Leader JON HAMMOND B3 Organ/Bass
Roy Meriwether and Bernard Purdie at Local 802 Club Room
- Jon Hammond — with Roy Meriwether, Bernard Purdie
at legendary NY night spot MIKELL’S Aug. 28 1989 playing Jon’s composition “No X-Cess Baggage Blues” segued spontaneously in to “Mercy Mercy Mercy”! This historic film documents the explosive rhythm section of Purdie & Chuggy Leslie J. Carter kicking the front line of Alex Foster (Saturday Night Live Band), Barry Finnerty guitar & Jon Hammond, Host/Producer of NY late night TV show The Jon Hammond Show – now in 29th year – shot by Joe Berger on Jon’s Panasonic PV-430D camcorder http://www.jonhammondband.com/
Sunday Dinner in the Diner
with Gary Gordon, Kelly Jarrell Gordon, Michael Mwenso JALC colleague of Jason Olaine and Jon Hammond
Gary Gordon & Gary’s wife Kelly Jarrell of The Bittersweet (James Brown background vocal group), Jon Hammond, Bernard Purdie (former James Brown band member plus too much to name, volumes!), and Mr. Danny Ray over 40 years James Brown’s personal valet and master of ceremonies — with Gary Gordon, Kelly Jarrell,
Musikmesse 2013 Jon Hammond Celebrates 27 years Musikmesse Warm Up Party April 9 Dienstag Tuesday Night Jazzkeller Frankfurt and 60th
Birthday
Special Thanks Dankeschön Saray Pastanesi Bäckerei & Konditorei makes Jon Hammond’s custom Chocolate Chocolate Cake
Happy 60th Birthday Jon Hammond in Jazzkeller Frankfurt Musikmesse Warm Up Party !
Di. 09.04.
“The FINGERS…are the SINGERS!”
Musikmesse “Warm Up Party” Jon Hammond & Band
Jon Hammond (aus New York City) – organ
Joe Berger – guitar
Tony Lakatos – saxophone
Giovanni Gulino – drums
Mr. Hammond has toured worldwide since 1991 using the incredible Sk1 organ by Hammond Suzuki..™ “Classic Hammond Sound…In A Suitcase!”
The Jon Hammond Show is a funky swinging instrumental revue, featuring top international soloists. The show has universal appeal. Big Hammond orgel sound – 100% organic jonhammondband.com/music
These great black and white photos of Jon Hammond Band were shot by the great photographer Joachim Hildebrand Musikmesse Warm Up Party – on the band: Tony Lakatos tenor sax,
Chocolate on Chocolate Cake Musikmesse Warm Up Party in Jazzkeller Frankfurt with Jon Hammond Band and special guests for this special occasion celebrating 25 years in Musikmesse.
Special acknowledgement of Wilhelm P. “Charly” Hosenseidl R.I.P. who was the Director of Musikmesse years 1989-2008 now Directed by Wolfgang Luecke, special thanks to Messe Frankfurt Projekt and Presse Team
Special Thanks to Thomas Eich TecAmp Fine Sounding 2 x 12 Neodymium Rig Powering Hammond Organ:
Jon Hammond’s annual Musikmesse Warm Up Party in Jazzkeller Frankfurt the night before Musikmesse kicks off
The Tradition Continues! 18th Year Musikmesse-Session – Wir Sehen Uns, ab 12 April Freitag Abend – Jon Hammond Band
21:00UHR
- Jazzkeller-Hofheim -
Joe Berger guitar
Peter Klohmann tenor sax
Totó Giovanni Gulino schlagzeug
Jon Hammond orgel
Youtube http://youtu.be/4JtoWjSFow0
Jon Hammond’s annual Musikmesse-Session in Jazzkeller Hofheim, here paying tribute to Jimi Hendrix covering Little Wing
with Joe Berger guitar, Giovanni Gulino drums, Peter Klohmann tenor sax, Jon Hammond on Sk1 Hammond organ
*Note: When Jon Hammond was younger playing electric accordion he was known as The Jimi Hendrix of The Accordion,
see image 1971 age 18 http://www.accordionradio.com
P.Mauriat Go For The Sound Sunday Blues Session NAMM Show *WATCH THE VIDEO HERE: PMauriat NAMM Jam Sunday Blues Session Thanks to all the fine players who joined us on this fun session at P.Mauriat NAMM Stand in the final hours of the last day Sunday , we get the blues – like the end of summer camp, say goodbye until next year and hopefully we’ll see some of you in Frankfurt Musikmesse! > Jon Hammond at the Sk1 organ with great players Greg Osby alto, Juan Alzate tenor, Willie Bradley trumpet, Jason Palmer trumpet, Tim Green alto, Alejandro Chiabrando tenor and more – special thanks Alex Mingmann Hsieh, Yao Shake, Agnieszka Obrebska and all Team P.Mauriat, Jim Wischmeyer Bag End Powered Speakers – see you next year at NAMM 2014, go for the sound! Jon Hammond http://archive.org/details/JonHammondPMauriatNAMMJamSundayBluesSession/ < Blip TV http://blip.tv/jon-hammond/pmauriat-namm-jam-sunday-blues-session-6521463
Youtube http://youtu.be/HefVEehpg30 P.Mauriat, Go For The Sound, Sunday Blues Session, Saxophones, Trumpets, Organ, NAMM Jam, Anaheim *WATCH THE VIDEO HERE: The Sound The Soul The Summit Ultimate Hammond All-Star Jam Jon Hammond and Dr. Lonnie Smith at Winter NAMM 2013 new slogan “The Sound, The Soul, The One” and a “neo-retro” look – forego the imposters and say “Make Mine Hammond” http://archive.org/details/JonHammondTheSoundTheSoulTheSummitUltimateHammondAll-StarJam/ Kicking it off in the Hilton Anaheim Lobby at Winter NAMM 2013 on the first ever Hammond Organ night – Introduced by Master of Ceremonies Scott May: Dr. Lonnie Smith, Chester Thompson, Larry Goldings with Jay Dittamo drums, Jack Maher guitar – mix by Denny Mack. Jon Hammond Band playing “Late Rent” theme song of The Jon Hammond Show TV program. On Jon’s band: Donny Baldwin drums (from Lydia Pense and Cold Blood, Jefferson Starship), Alex Budman tenor saxophone, Joe Berger guitar and Jon Hammond at the New B3 Portable Organ. http://www.HammondCast.com Special thanks Hammond Suzuki USA, Peter Nguyen, NAMM and Hilton Hotel Anaheim Peter Nguyen and Jon Hammond Blip TV http://blip.tv/jon-hammond/the-sound-the-soul-the-summit-ultimate-hammond-all-star-jam-6520933
Youtube http://youtu.be/IQakXA_czpc Photo of Doctor Lonnie Smith at the Hammond Sk2 by Jon Hammond Denny Mack and Scott May – photo: Jon Hammond Chester Thompson flanked by Jon Hammond and Scott May Power Shot L to R: Masato Tomie, Jon Hammond, Scott May, Yu Beniya, Masuo Terada Power Shot L to R: Jon Hammond, Masuo Terada, Shuji Suzuki Drummer Jay Dittamo speaking with Dr. Lonnie Smith on the bandstand, while Leo Stillo checks messages by the console Chester Thompson, Doc Lonnie, Jay Dittamo in action – Jon Hammond Jim Wischmeyer Bag End Speakers and Jon Hammond > *WATCH THE VIDEO HERE: NAMM Jam at P.Mauriat Stand with Jon Hammond at the organ and horns Spontaneous NAMM Jam Session at P.Mauriat Saxophones and Trumpets stand with some great players – Jon Hammond at the Sk1 Hammond organ with many great players including Hoai Phuong Nguyen, Alejandro Chiabrando, Juan Alzate, Keyan Williams, Tim Green, Willie Bradley, Jason Palmer, Eddie Baccus Jr., Adam MacBlane – sorry if I missed anybody folks! JH – Special thanks to Alex Mingmann Hsieh, Agnieszka Obrebska – P.Mauriat, Jim Wischmeyer Bag End Speakers http://bagend.com Hammond Suzuki USA and the very kind NAMM Sound Police – see you next year 2014 NAMM and Frankfurt Musikmesse – JH http://www.HammondCast.com P.Mauriat http://www.pmauriatmusic.comhttp://archive.org/details/JonHammondNAMMJamatP.MauriatStandwithJonHammondattheorganandhorns Yao Shake (謝瑤) and Jon Hammond Hoai Phuong Nguyen (Hoai Phuong)and Jon Hammond Youtube http://youtu.be/0C9HEsN5JGc Saxsbigfan 14 hours ago wow… so excellent performance !! Go! Go! Go! Go for the sound! Reply · Tsai Susan 14 hours ago It was so exciting to see your play at the NAMM with P Mauriat artists. The live performance was thrilled and joyful. Thank you, Jon. Without you, the NAMM would be less fun! Reply · A MH 14 hours ago Definitely, Jon deserves to have a big hugs and applauses…,whatsoever.. Jon’s LIVE performance at PM’s booth before ending NAMM ,which has been sparked a great highlights and memories to everybody, although ,it’s only a whirlwind of 30 minutes jam sessions, but that’s one of our historic treasure ,also to NAMM. We feel proudly to say “thanks you, Jon! those music makes people crazy and joyful time until the last minutes at NAMM, Jan. 27.2013 Go for the sound!! see you in 2014
Predicting Rain, Times Square, Accordion, Organ, On Display, Local 802, Musicians Union, Jon Hammond, Bernard Purdie, Danny Ray, Late Rent, Mikell’s, Saturday Night Live
Jon Hammond getting all the way down with the very fine saxophone and trumpet players in P Mauriat HQ Saxophones and Trumpets Stand – Winter NAMM 2013 – great photo shot by Larry Gay of the West Coast Live Radio Program
Youtube http://youtu.be/HefVEehpg30
Thanks to all the fine players who joined us on this fun session at P.Mauriat NAMM Stand in the final hours of the last day Sunday , we get the blues – like the end of summer camp, say goodbye until next year and hopefully we’ll see some of you in Frankfurt Musikmesse! Jon Hammond at the Sk1 organ with great players Greg Osby alto, Juan Alzate tenor, Willie Bradley trumpet, Jason Palmer trumpet, Tim Green alto, and more – special thanks Alex Mingmann Hsieh, Yao Shake, Agnieszka Obrebska and all Team P.Mauriat, Jim Wischmeyer Bag End Powered Speakers – see you next year at NAMM 2014, go for the sound!
Jon Hammond — at The NAMM Show
Hoai Phuong Nguyen getting down on the alto at Sunday Blues Session in P Mauriat HQ Saxophones and Trumpets Stand
- Winter NAMM 2013 – great photo by Larry Gay of the West Coast Radio Program – Jon Hammond
Youtube http://youtu.be/0C9HEsN5JGc — with Hoai Phuong Nguyen at The NAMM Show
Great photo of my friend Hoai Phuong Nguyen getting down on alto saxophone at P.Mauriat Sunday Blues Jam with Jon Hammond, sounding really super Phuong! – JH Youtube http://youtu.be/0C9HEsN5JGc
477 views *Photo by Larry Gay of the West Coast Live Radio Program
Spontaneous NAMM Jam Session at P.Mauriat Saxophones and Trumpets stand with some great players – Jon Hammond — with Hoai Phuong Nguyen at The NAMM show at the Anaheim Convention Center
Ted Stilles
Montclair High School
Ethan Khan
Alejandro Chiabrando
Works at P.Mauriat
Gabrielle Carlucci
Conceptual and Portraiture Artist/Missionary at Graphite Artist
Hoai Phuong Nguyen
Brigham Young University
Henry Zambrano R
Genova, Italy
Eeva Bui
Phuong Ploof
Colchester, Vermont
Ann Tran
Arlington, Texas
Vinny Nguyen
Finance at HealthPartners
Vivian Dao
Works at Mass General Hospital
Dave Wilbur
Musician at Self Employed and Loving It!
Cao Minh Kim Qui
Ho Chi Minh City, Vietnam
Khanh Tran
Quoc Bao
Kansas City, Missouri
Thanh Lam
Turku, Finland
Ha Nguyen
Baltimore, Maryland
Meggie Chung
Huntington Beach, California
Lưu Hiền Đức
Seattle, Washington
Timothy Nguyen
Onwer/Manager at Global Travel & Services in OC
Bao Ngoc Jade Dinh
Bordeaux, France
Trong Tran
Kiều Sax
Da Nang, Vietnam
Ta Trung Duc
Học Viện Âm Nhạc Quốc Gia Việt Nam
Trúc Lâm Tử Sơn
Oanh To
Xuan Hieu Sax
Quân đội
Linh Trinh Tung
Works at Vnso
Tuan Anh Dao
Works at NIAGS
Bich Van Dang
Hoang Thanh Phuongv
Works at Make-up Artist
Linh Chau
Melbourne, Victoria, Australia
Long Lighting
Nghe thuat Ha Noi
Phuong Xuan Nguyen
Salt Lake City, Utah
Hoàng Vỹ
Tu Kb
Beaverton, Oregon
Kimyen Nguyen
Hoai-phuong Nguyen
Trang Linh
Đại Học Tài Nguyên và Môi Trường TPHCM
Kim Oanh Thi
Gjøvik, Norway
Ulrich Vormehr
Frankfurt, Germany
Vincent Nguyen
Las Vegas, Nevada
Rebecca Nguyễn
Works at Nhà Trắng
Bao Coc
Florida Atlantic University
Tine Ytredal
Mommy at My Kids
Trung Sừng
Works at Công ty TNHH Bảo Hiểm Nhân Thọ AIA Việt Nam
— with Jesse Gay and Joe Berger at The NAMM show at the Anaheim Convention Center
Kazuhiko Nakamura
Works at 青森大学
Henry Zambrano R
Genova, Italy
Joe Berger
King at Self employed
Ted Stilles
Montclair High School
Hoai Phuong Nguyen
Brigham Young University
Jesse Gay
Reed College
Alejandro Chiabrando
Works at P.Mauriat
Agnieszka Obrebska
Works at P. Mauriat Musical Instruments
Jamey Ahn
Seoul, Korea
Paul Mouradjian
Ulrich Vormehr
Frankfurt, Germany
Mar Sánchez
Partner at Impact Capital Partners
Mitchell Murphy
Frog Design
Gustavo Lanzas
Founder at Nude Photo Music
Jay Ozer
Beth Landman Davis
Evan Gay
Tim Logan
Goodyear, Arizona
Randal Chen
Maria Molino Giannetta
Licensed Massage Therapist at Self Employed Business Owner
Kendall Scott
P.Mauriat Go For The Sound Sunday Blues Session NAMM Show *WATCH THE VIDEO HERE: PMauriat NAMM Jam Sunday Blues Session Thanks to all the fine players who joined us on this fun session at P.Mauriat NAMM Stand in the final hours of the last day Sunday , we get the blues – like the end of summer camp, say goodbye until next year and hopefully we’ll see some of you in Frankfurt Musikmesse! > Jon Hammond at the Sk1 organ with great players Greg Osby alto, Juan Alzate tenor, Willie Bradley trumpet, Jason Palmer trumpet, Tim Green alto, Alejandro Chiabrando tenor and more – special thanks Alex Mingmann Hsieh, Yao Shake, Agnieszka Obrebska and all Team P.Mauriat, Jim Wischmeyer Bag End Powered Speakers – see you next year at NAMM 2014, go for the sound! Jon Hammond http://archive.org/details/JonHammondPMauriatNAMMJamSundayBluesSession/ < Blip TV http://blip.tv/jon-hammond/pmauriat-namm-jam-sunday-blues-session-6521463
Youtube http://youtu.be/HefVEehpg30 P.Mauriat, Go For The Sound, Sunday Blues Session, Saxophones, Trumpets, Organ, NAMM Jam, Anaheim *WATCH THE VIDEO HERE: The Sound The Soul The Summit Ultimate Hammond All-Star Jam Jon Hammond and Dr. Lonnie Smith at Winter NAMM 2013 new slogan “The Sound, The Soul, The One” and a “neo-retro” look – forego the imposters and say “Make Mine Hammond” http://archive.org/details/JonHammondTheSoundTheSoulTheSummitUltimateHammondAll-StarJam/ Kicking it off in the Hilton Anaheim Lobby at Winter NAMM 2013 on the first ever Hammond Organ night – Introduced by Master of Ceremonies Scott May: Dr. Lonnie Smith, Chester Thompson, Larry Goldings with Jay Dittamo drums, Jack Maher guitar – mix by Denny Mack. Jon Hammond Band playing “Late Rent” theme song of The Jon Hammond Show TV program. On Jon’s band: Donny Baldwin drums (from Lydia Pense and Cold Blood, Jefferson Starship), Alex Budman tenor saxophone, Joe Berger guitar and Jon Hammond at the New B3 Portable Organ. http://www.HammondCast.com Special thanks Hammond Suzuki USA, Peter Nguyen, NAMM and Hilton Hotel Anaheim Peter Nguyen and Jon Hammond Blip TV http://blip.tv/jon-hammond/the-sound-the-soul-the-summit-ultimate-hammond-all-star-jam-6520933
Youtube http://youtu.be/IQakXA_czpc Photo of Doctor Lonnie Smith at the Hammond Sk2 by Jon Hammond Denny Mack and Scott May – photo: Jon Hammond Chester Thompson flanked by Jon Hammond and Scott May Power Shot L to R: Masato Tomie, Jon Hammond, Scott May, Yu Beniya, Masuo Terada Power Shot L to R: Jon Hammond, Masuo Terada, Shuji Suzuki Drummer Jay Dittamo speaking with Dr. Lonnie Smith on the bandstand, while Leo Stillo checks messages by the console Chester Thompson, Doc Lonnie, Jay Dittamo in action – Jon Hammond Jim Wischmeyer Bag End Speakers and Jon Hammond > *WATCH THE VIDEO HERE: NAMM Jam at P.Mauriat Stand with Jon Hammond at the organ and horns Spontaneous NAMM Jam Session at P.Mauriat Saxophones and Trumpets stand with some great players – Jon Hammond at the Sk1 Hammond organ with many great players including Hoai Phuong Nguyen, Alejandro Chiabrando, Juan Alzate, Keyan Williams, Tim Green, Willie Bradley, Jason Palmer, Eddie Baccus Jr., Adam MacBlane – sorry if I missed anybody folks! JH – Special thanks to Alex Mingmann Hsieh, Agnieszka Obrebska – P.Mauriat, Jim Wischmeyer Bag End Speakers http://bagend.com Hammond Suzuki USA and the very kind NAMM Sound Police – see you next year 2014 NAMM and Frankfurt Musikmesse – JH http://www.HammondCast.com P.Mauriat http://www.pmauriatmusic.comhttp://archive.org/details/JonHammondNAMMJamatP.MauriatStandwithJonHammondattheorganandhorns Yao Shake (謝瑤) and Jon Hammond Hoai Phuong Nguyen (Hoai Phuong)and Jon Hammond Youtube http://youtu.be/0C9HEsN5JGc Saxsbigfan 14 hours ago wow… so excellent performance !! Go! Go! Go! Go for the sound! Reply · Tsai Susan 14 hours ago It was so exciting to see your play at the NAMM with P Mauriat artists. The live performance was thrilled and joyful. Thank you, Jon. Without you, the NAMM would be less fun! Reply · A MH 14 hours ago Definitely, Jon deserves to have a big hugs and applauses…,whatsoever.. Jon’s LIVE performance at PM’s booth before ending NAMM ,which has been sparked a great highlights and memories to everybody, although ,it’s only a whirlwind of 30 minutes jam sessions, but that’s one of our historic treasure ,also to NAMM. We feel proudly to say “thanks you, Jon! those music makes people crazy and joyful time until the last minutes at NAMM, Jan. 27.2013 Go for the sound!! see you in 2014 Reply · A MH 14 hours ago Definitely, Jon deserves to have a big hugs and applauses…,whatsoever.. Jon’s LIVE performance at PM’s booth before ending NAMM ,which has been sparked a great highlights and memories to everybody, although ,it’s only a whirlwind of 30 minutes jam sessions, but that’s one of our historic treasure ,also to NAMM. We feel proudly to say “thanks you, Jon! those music makes people crazy and joyful time until the last minutes at NAMM, Jan. 27.2013 Go for the sound!! Reply · Tsai Susan 14 hours ago I was so excited to see your play at the NAMM with P Mauriat artists. It was live and thrilled. Thank you, Jon. Without you, the NAMM will be less fun! Agnieszka Obrebska Thank you Jon. It was an amazing pleasure for all of us from PM and our visitors and artists to host you and listen to your music at P. Mauriat booth. Hope you had a good time with us as well! Take care and see you soon somewhere around the world! Hoai Phuong Nguyen Oh Thank you Jon Hammond so much for tagging me this video. I had a great time. Can’t wait till next time to play with you again. Alex Mingmann Hsieh Jon Hammond is NAMM’s treasure, let us go ahead to celebrate big year with big show in the upcoming FMS, 2013 14 hours ago · Hoai Phuong Nguyen Thank you Mr. Hsieh for letting us try those saxophones out. 14 hours ago · Alex Mingmann Hsieh you are most welcome!! go for the sound!!see you at NAMM,2014 Blip TV http://blip.tv/jon-hammond/namm-jam-at-p-mauriat-stand-with-jon-hammond-at-the-organ-and-horns-6518179
With Greg Osby, Juan Alzate, Jon Hammond and Alejandro Chiabrando at Anaheim Convention Center Jon Hammond’s setup with Hammond Sk1 organ and Bag End Powered Speakers
2 Hats Talking – Alex Hsieh CEO Albest P.Mauriat Saxophones and Jon Hammond in Clarion Hotel Party
West Coast Live, Radio Program, NAMM Show, Larry Gay, Photographer, P.Mauriat, Saxophones, Sunday Blues Jam, Sk1, Organ, Jon Hammond, TV Show, Trumpets, Sound Soul Summit
The NAMM Photographs by Lawrence Gay of Hammond Summit HammondCast
Very special performance on first ever Hammond night in Hilton Hotel Lobby at Winter NAMM 2013 presented by Hammond Suzuki USA “Sound Soul Summit”
“The Ultimate All-Star Jam” MC Scott May introduces Jon Hammond Band to play their theme song “Late Rent” after a very cool pre-show party Meet and Greet with a who’s who of Hammond organists.
Donny Baldwin drums (from Jefferson Starship & Lydia Pense & Cold Blood),
Alex Budman tenor saxophone
Joe Berger guitar
Jon Hammond New B-3 Portable organ
Sound mix by Denny Mack
Special thanks Hammond Suzuki USA and Suzuki Musical Instruments Team
NAMM = National Association of Music Merchants http://www.jonhammondband.com
NAMM Hilton Sound Soul Summit Jon Hammond Band Late Rent Jazz Funk Soul Blues
Some NAMM 2013 Highlights from Jon Hammond including Joe Lamond President CEO of NAMM with special guest
Randy Jackson of American Idol TV Show at Breakfast of Champions, NAMM Memorial Tribute including my friend band leader
Lou Colombo the great trumpet player http://www.namm.org/library/oral-history/namm-memoriam-industry-tribute-2013
bag pipers and cameo of Betty Heywood leaving after / and just before Tower of Power kicks it off inaugurating the new Grand Plaza Stage.
12 year old guitarist Ray Goren on Marty Grebb Band rips one on the Hammond Summit Show in Hilton Hotel Lobby, first ever Hammond
night known as “The Sound, the Soul, The Summit” MC’d by Scott May with Hammond Suzuki endorsees.
Jon Hammond Band playing the theme song of The Jon Hammond Show TV program Late Rent and HammondCast radio show
and podcasts vlogcasts, with Donny Baldwin drums from Lydia Pense and Cold Blood and Jefferson Starship, Joe Berger guitar,
Alex Budman tenor saxophone, Jon Hammond at the New B-3 Portable organ with sound mix by Denny Mack. Enjoy this
HammondCast folks, send any photos if you were there, Jon Hammond http://www.HammondCast.com
Thanks to all the fine players who joined us on this fun session at P.Mauriat NAMM Stand in the final hours of the last day Sunday , we get the blues – like the end of summer camp, say goodbye until next year and hopefully we’ll see some of you in Frankfurt Musikmesse!
New York NY — Flashback to August 1989 – Bernard Purdie the great fatback studio drummer takes the microphone and dedicates second set to his kids who are in the house to catch Jon Hammond and The Late Rent Session Men – this never-before
seen clip features Bernard and percussionist Chuggy Leslie J. Carter getting super funky on classic Cold Duck Time at Mikell’s at 760 Columbus on corner of 97th Street, there stands a Whole Foods Store nowadays at 760 Columbus Avenue..
Jon Hammond at his 1959 B3 organ
Bernard Purdie drums
Chuggy Carter percussion
Alex Foster alto saxophone
Barry Finnerty guitar
As seen on The Jon Hammond Show cable TV program now in 29th year. *Note: Joe Berger shot this video on my Panasonic PV-430d camcorder – it was one of the first cameras with digital gain boost – you can see when it kicks in and takes on the look of a lit old film, it is an old film now folks – JH — with Leslie J. Carter, Alex Foster, Jon Hammond Band, Bernard Purdie, Alex Foster and Bernard Purdie at 760 Columbus Ave. New York City. — at 760 Columbus Avenue New York City
Pat Petrillo
Wow..Loved Mikell’s..they were cool peeps.. Played there many times..This was a treat THANKS!
Clint Bahr
New York, New York
Massimo Casati
Ethan Khan
Henry Zambrano R
Genova, Italy
Marko Wallace
Producer / Consultant at The Reneri Group
Kostas Aktypis
Aris Tsirekas
Owner at Habitat of the Mountain Dragon
Shedrick Davis
Luna Figliè
Mike Kechula
Northern Arizona University
Leif Wikfeldt
Dimitrios Rizos
Tom Collins
Works at Professional Musician
Baron Raymonde
University of North Texas
Maurizio Li Mandri
Missy Browning
Works at EVERYTHING HAPPENES FOR A REASON
Rob Wolfenden
Dick Backbeat Baars
Amsterdamse Grafische School
Bruno Batderock
Lycée St Aspais
TV and Radio Broadcasting Legend Joe Franklin with Jon Hammond in Joe’s Times Square offices Memory Lane
Youtube http://youtu.be/IQakXA_czpc Photo of Doctor Lonnie Smith at the Hammond Sk2 by Jon Hammond Denny Mack and Scott May – photo: Jon Hammond Chester Thompson flanked by Jon Hammond and Scott May Power Shot L to R: Masato Tomie, Jon Hammond, Scott May, Yu Beniya, Masuo Terada Power Shot L to R: Jon Hammond, Masuo Terada, Shuji Suzuki Drummer Jay Dittamo speaking with Dr. Lonnie Smith on the bandstand, while Leo Stillo checks messages by the console Chester Thompson, Doc Lonnie, Jay Dittamo in action – Jon Hammond
Justice For Jazz Artists: Pay. Pension. Protection. Process.
Now’s The Time!
Mike Camoia (tenor saxophonist) and Rudy Lawless (drums) – Jon Hammond http://justiceforjazzartists.org/ at Local 802 – Associated Musicians of Greater New York Club Room, excellent! JH — at Associated Musicians of Greater New York, Local 802 AFM
Jim Wischmeyer Bag End Speakers and Jon Hammond *WATCH THE VIDEO HERE: NAMM Jam at P.Mauriat Stand with Jon Hammond at the organ and horns Spontaneous NAMM Jam Session at P.Mauriat Saxophones and Trumpets stand with some great players – Jon Hammond at the Sk1 Hammond organ with many great players including Hoai Phuong Nguyen, Alejandro Chiabrando, Juan Alzate, Keyan Williams, Tim Green, Willie Bradley, Jason Palmer, Eddie Baccus Jr., Adam MacBlane – sorry if I missed anybody folks! JH – Special thanks to Alex Mingmann Hsieh, Agnieszka Obrebska – P.Mauriat, Jim Wischmeyer Bag End Speakers http://bagend.com Hammond Suzuki USA and the very kind NAMM Sound Police – see you next year 2014 NAMM and Frankfurt Musikmesse – JH http://www.HammondCast.com P.Mauriat http://www.pmauriatmusic.comhttp://archive.org/details/JonHammondNAMMJamatP.MauriatStandwithJonHammondattheorganandhorns Yao Shake (謝瑤) and Jon Hammond Hoai Phuong Nguyen (Hoai Phuong)and Jon Hammond Youtube http://youtu.be/0C9HEsN5JGc Saxsbigfan 14 hours ago wow… so excellent performance !! Go! Go! Go! Go for the sound! Reply · Tsai Susan 14 hours ago It was so exciting to see your play at the NAMM with P Mauriat artists. The live performance was thrilled and joyful. Thank you, Jon. Without you, the NAMM would be less fun!
Stephen ‘Doc’ Kupka co-leader Baritone Saxophonist of Tower of Power and President of Strokeland Records interview with Jon Hammond of HammondCast Show KYOURADIO just prior to Tower of Power 40th Anniversary Fillmore Show in San Francisco. Doc and Jon speaking about the history of his career in TOP and writing with Frank Biner, Frank’s last recordings on his album for Strokeland “Bumped Up to First Class”, “Doc Goes Hollywood”, memories of Bill Graham and much more http://www.HammondCast.com
Jon Hammond I’m real proud of you Joe! Everybody should watch / listen to this remarkable life story of the Berger-Meister – keep up the great work and Spirit Mr. Berger! See you soon and on the bandstand, Jon Hammond
Published on Dec 27, 2012
Jon Hammond
Interview Date: January 13, 2011
Job Title: President and Founder
Company: Jon Hammond & Associates
accordions electric organs Hammond B-3 Hammond Organs Jazz Music Manufacturing Musicians
Jon Hammond has successfully created a career based on his musical talents and his passion for the music industry! As a musician Jon has performed with many legendary players and as a clinician and product artist he has introduced many innovative products to music stores and their customers over the last 30 plus years. Jon is closely identified with the two main products of his career, the Excelsior Accordion and the Digital B3 Organ.
Jon Hammond Interview Date: January 13, 2011 Job Title: President and Founder Jon Hammond & Associates Jon Hammond has successfully created a … of his career, the Excelsior Accordion and the Digital B3Organ. (accordions, electric organs, Hammond B-3, Hammond Organs) KYOURADIO.org
First time to NAMM Show – Suzuki Harmonica artist KOEI TANAKA from Tokyo Japan with JOE BERGER aka The Berger-Meister on guitar through Leslie G37 guitar combo amp, SWISS CHRIS getting down with custom Vic Firth drum sticks only on practice pad for low volume trade show performance with JON HAMMOND at Sk1 Hammond combo organ..
Gina Reder and Rudy Lawless – Local 802 Monday Night Jazz Session
Michael Guilford the great left-handed jazz and rock bassist with Jon Hammond at Local 802
Donald Duck Bailey legendary jazz drummer and harmonica recording artist here, performing on Fathers Day 2011 at The Tunnell Rehabilitation Center in San Francisco and interview with Jon Hammond of HammondCast. Concert sponsored by Jazz Foundation of America, Donald Duck Bailey drums & harmonica, Dewayne Oakley bs, Christopher L. Clarke tpt., Wayne Anderson gtr., camera: Jennifer and Jon Hammond – Special Thanks Stuart Cohen Director of Activities The Tunnell Center for Rehabilitation and Healthcare SF CA, Marianne Pillsbury Jazz Foundation of America
snappy, duck, mikell’s, topanga canyon, accordion, 1971, photo, courtesy of, bob fratti, jazz, blues, suzuki, organ, local 802, bernard purdie
Manhattan by Night — Apple Store Fifth Avenue, the 24 hour store that never sleeps in the City that never sleeps – photo by the organ player that never sleeps
- Jon Hammond
*cleaning the computers, from all the people touching them with their germ fingers all day long – must be disinfected, especially with Flu Epidemic in progress! – JH — at Apple Store – Fifth Avenue
Manhattan by Night — Apple Store Fifth Avenue – Jon Hammond
http://www.apple.com/retail/fifthavenue/
Apple Store
Fifth Avenue
767 Fifth Avenue
New York, NY 10153
Store hours:
24/7, 365 days a year
Today, January 13, 2013
9:30 a.m. – 11:00 a.m.
Getting Started with a Mac
Got a new Mac? Thinking about getting one? Learn how easy it is to use a Mac at this workshop. We’ll show you the basics of setting up your… Read more
Workshop is full1 1:00 a.m. – 12:00 p.m.
Getting Started with iCloud
iCloud is a service from Apple that stores your music, photos, apps, and documents—and then wirelessly pushes them to all your devices so yo… Read more
Workshop is full1 2:00 p.m. – 1:00 p.m.
Daily Productivity
At this workshop, we’ll show you how to get and stay organized every day using built-in applications on your Mac. Learn how easy it is to ma… Read more
Workshop is full 1:00 p.m. – 2:00 p.m.
Getting Started with iPad
See why iPad is the best way to surf the web, check emails, read books and more. Discover iOS 6, the foundation of iPad, with its easy-to-us… Read more
Workshop is full2:00 p.m. – 3:00 p.m.
Going Further with iPad
You’ve mastered the basics of iPad and you’re ready for more. Hear about some of the top features of iOS 6, as well as the benefits of using… Read more
Workshop is full3:00 p.m. – 4:00 p.m.
Getting Started with iMovie for Mac
With iMovie on a Mac, you can turn your home videos into your all-time favorite films. At this workshop, we’ll show you the basics of import… Read more
Workshop is full — at Apple Store – Fifth Avenue
The Mannequin on the Right in image 1 is trying to copy Jon Hammond’s original tailor made jacket, made for me by my friend William Hu the famous Designer Tailor in Shanghai – image 2, Hammond wearing jacket with Bonnie
- cool jacket!
Manhattan by Night — Louis Vuitton Store Window du jour – Jon Hammond
Louis’ Yelp: http://www.yelp.com/biz/louis-vuitton-new-york-2
and relaxation wear are made with soft, luxurious… read more »
44 reviews for Louis Vuitton
Elite ’13
19 friends
154 reviews
Tet W.
Portland, OR
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12/29/2012
Such a beautiful store with all the handbags, shoes, clothing you really can’t get unless you’re in Orange County. My friend and I came in to looking at all the beautiful items including purses, shoes, clothing…you name it. They also had a pair or shades the actually looked great which I haven’t had much luck in the past. This is the ultimate store for all Louis Vuitton items. If you see it in a catalog, most likely they’ll have it here.
One big issue is getting the attention of the sales associates. There are many tourist who gobble up many if not all the sales associates so you do need to flag them down if you want service. Customers are fairly aggressive with making themselves known, so you will need to do your part and somewhat be aggressive with getting service. As long as you are patient yet persistent, you will get their attention. Also it helps to look the part and dress well.
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Review from John H.
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269 reviews
John H.
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Chicago, IL
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12/12/2012 1 Check-in Here
Came in, could not get anyone to check us out and left. Must have been my after shave. Went back later and got what we needed, but whats up with that? The subway at 5th and 60th is a jog away.
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Review from Yukio S.
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4 reviews
Yukio S.
Rye, NY
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11/20/2012
Wonderful products don’t need good service. Management of the company is very smart to know that. This particular shop is designed to serve foreign tourists. You need to beg for a sales person to deal with you and have to make a line to pay.
HORRIBLE SHOPPING EXPERIENCE.
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Review from Sonya F.
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13 reviews
Sonya F.
First impressions are everything…
Brooklyn, NY
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5/14/2012
Horrible customer service and snotty sales associates.
It’s not like I’d ever spend money on an ugly canvas bag with monogram letters all over it. My friend had bought a $1500 LV bag then decided the bag she bought was a bit large. She wanted to exchange it 2 days later and the manager told her no because the bag had some imaginary scratches on it.
I looked hard and didn’t see a thing. I know my friend had not wore the bag at all because she was staying at my house from out of town. She barely even touched the damn bag. The manager offered her no other accommodations. It’s not like she wanted to even return it for her money back, she just wanted a different bag.
I don’t understand how a company can be a so called luxury brand and it can’t even provide basic retail service. Screw them and their silly canvas bags.
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Review from Catherine F.
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Catherine F.
New York, NY
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6/14/2012
If you call in: the service is exceptional. They’re really great to talk to and try to be very helpful, and sometimes they are (it’s not their problem what I’m looking for is never in stock!) – but they’re always very pleasant, very professional conversations.
In person: that store is a ring of hell. The customer service is non-existent, especially in comparison to other LV stores/boutiques in the city where they bend over backwards to help you in any way they can. (Seriously – why go to this flagship, unless you’re a tourist looking for the ‘LV experience’ when you can go seven blocks down to Saks which has SUPERIOR service?) Today the guy told me there is one of what I was looking for at Saks, so I call Saks on the walk, and they didn’t have it — she asked if he called other locations, I say that he hadn’t, she was shocked and made phone calls for me, knowing full well I wouldn’t be buying it from her (or Saks) if another store had it in stock. That is true customer service.
Otherwise, the store is pretty, but the merchandise numbers seem low… and it is crawling with tourists, which comes with the territory.
Manhattan by Night — Louis Vuitton Store at the power corner of 57th Street and Fifth Avenue – Jon Hammond
Louis Vuitton Wiki http://en.wikipedia.org/wiki/Louis_Vuitton
Louis Vuitton Malletier, commonly referred to as Louis Vuitton (/ˈluːiː vwiːˈtɒn/; French: [lwi vɥi'tɔ̃]), or shortened to LV, is a French fashion house founded in 1854 by Louis Vuitton. The label’s LV monogram appears on most of its products, ranging from luxury trunks and leather goods to ready-to-wear, shoes, watches, jewelry, accessories, sunglasses, and books. Louis Vuitton is one of the world’s leading international fashion houses; it sells its products through standalone boutiques, lease departments in high-end department stores, and through the e-commerce section of its website.[3][4] For six consecutive years (2006–2012) Louis Vuitton has been named the world’s most valuable luxury brand. Its 2012 valuation is 25.9 billion USD.
Division of holding company (LVMH)
Industry Retail
Founded 1854
Founder(s) Lois Vuitton
Headquarters Paris, France
Key people yves carcelle[1] (Chairman & CEO)
Marc Jacobs (Artistic Director)
Kim Jones (lead designer of menswear)
Products Luxury goods
Revenue €2.5 billion (2011)[2]
Parent LVMH
Website louisvuitton.com
Founding to World War II
See also: Louis Vuitton (designer)
The Louis Vuitton label was founded by Vuitton in 1854 on Rue Neuve des Capucines in Paris, France.[6] Louis Vuitton had observed that the HJ Cave Osilite[7] trunk could be easily stacked and in 1858, Vuitton introduced his flat-bottom trunks with trianon canvas, making them lightweight and airtight.[6] Before the introduction of Vuitton’s trunks, rounded-top trunks were used, generally to promote water run off, and thus could not be stacked. It was Vuitton’s gray Trianon canvas flat trunk that allowed the ability to stack with ease for voyages. Many other luggagemakers imitated LV’s style and design.[4]
File:Famille-Vuitton. 1888.jpg
In the courtyard of the Vuitton workshops in Asnières, Paris, c. 1888, Louis, Georges and Gaston L. Vuitton (seated on a Bed trunk)
In 1867, the company participated in the universal exhibition in Paris.[6] To protect against the duplication of his look, Vuitton changed the Trianon design to a beige and brown stripes design in 1876.[4] By 1885, the company opened its first store in London on Oxford Street.[6] Soon thereafter, due to the continuing imitation of his look, in 1888, Vuitton created the Damier Canvas pattern, which bore a logo that reads “marque L. Vuitton déposée”, which translates into “L. Vuitton registered trademark”. In 1892, Louis Vuitton died, and the company’s management passed to his son.[4][6]
Advert for Louis Vuitton luggage, 1898.
After the death of his father, Georges Vuitton began a campaign to build the company into a worldwide corporation, exhibiting the company’s products at the Chicago World’s Fair in 1893. In 1896, the company launched the signature Monogram Canvas and made the worldwide patents on it.[4][6] Its graphic symbols, including quatrefoils and flowers (as well as the LV monogram), were based on the trend of using Japanese and Oriental designs in the late Victorian era. The patents later proved to be successful in stopping counterfeiting. In this same year, Georges traveled to the United States, where he toured cities such as New York, Philadelphia, and Chicago, selling Vuitton products. In 1901, the Louis Vuitton Company introduced the Steamer Bag, a smaller piece of luggage designed to be kept inside Vuitton luggage trunks.
By 1913, the Louis Vuitton Building opened on the Champs-Elysees. It was the largest travel-goods store in the world at the time. Stores also opened in New York, Bombay, Washington, London, Alexandria, and Buenos Aires as World War I began. Afterwards, in 1930, the Keepall bag was introduced. During 1932, LV introduced the Noé bag. This bag was originally made for champagne vintners to transport bottles. Soon thereafter, the Louis Vuitton Speedy bag was introduced (both are still manufactured today).[6] In 1936 Georges Vuitton died, and his son, Gaston-Louis Vuitton, assumed control of the company.[6]
During World War II, Louis Vuitton collaborated with the Nazis during the German occupation of France. The French book Louis Vuitton, A French Saga, authored by French journalist Stephanie Bonvicini and published by Paris-based Editions Fayard[8] tells how members of the Vuitton family actively aided the puppet government led by Marshal Philippe Pétain and increased their wealth from their business affairs with the Germans. The family set up a factory dedicated to producing artifacts glorifying Pétain, including more than 2,500 busts.
Caroline Babulle, a spokeswoman for the publisher, Fayard, said: “They have not contested anything in the book, but they are trying to bury it by pretending it doesn’t exist.”[9] Responding to the book’s release in 2004, a spokesman for LVMH said: “This is ancient history. The book covers a period when it was family-run and long before it became part of LVMH. We are diverse, tolerant and all the things a modern company should be.”[9] An LVMH spokesman told the satirical magazine Le Canard Enchainé: “We don’t deny the facts, but regrettably the author has exaggerated the Vichy episode. We haven’t put any pressure on anyone. If the journalists want to censor themselves, then that suits us fine.” That publication was the only French periodical to mention the book, LVMH is the country’s biggest advertiser in the press.[9]
[edit]1945 through 2000
See also: Louis Vuitton Cup, America’s Cup, and LVMH
Louis Vuitton store in Nicosia, Cyprus
During this period, Louis Vuitton incorporated its leather into most of its products, ranging from small purses and wallets to larger pieces of luggage. In order to broaden its line, the company revamped its signature Monogram Canvas in 1959[6] to make it more supple, allowing it to be used for purses, bags, and wallets. It is believed that in the 1920s, counterfeiting returned as a greater issue to continue on into the 21st century.[4] In 1966, the Papillon was launched (a cylindrical bag that is still popular today). By 1977 with annual revenue up to 70 million Francs ($14.27 million US$).[10] A year later, the label opened its first stores in Japan: in Tokyo and Osaka. In 1983, the company joined with America’s Cup to form the Louis Vuitton Cup, a preliminary competition (known as an eliminatory regatta) for the yacht race. Louis Vuitton later expanded its presence in Asia with the opening of a store in Taipei, Taiwan in 1983 and Seoul, South Korea in 1984. In the following year, 1985, the Epi leather line was introduced.[6]
1987 saw the creation of LVMH.[6] Moët et Chandon and Hennessy, leading manufacturers of champagne and cognac, merged respectively with Louis Vuitton to form the luxury goods conglomerate. Profits for 1988 were reported to have been up by 49% more than in 1987. By 1989, Louis Vuitton came to operate 130 stores worldwide.[6] Entering the 1990s, Yves Carcelle was named president of LV, and in 1992, his brand opened its first Chinese location at the Palace Hotel in Beijing. Further products became introduced such as the Taiga leather line in 1993, and the literature collection of Voyager Avec… in 1994. In 1996, the celebration of the Centennial of the Monogram Canvas was held in seven cities worldwide.[6]
In 1997, Louis Vuitton made Marc Jacobs its Artistic Director.[11] In March of the following year, he designed and introduced the company’s first “prêt-à-porter” line of clothing for men and women. Also in this year products introduced included the Monogram Vernis line, the LV scrapbooks, and the Louis Vuitton City Guide.[6]
The last events in the 20th century were the release of the mini monogram line in 1999, the opening of the first store in Africa in Marrakech, Morocco in 2000, and finally the auction at the International Film Festival in Venice, Italy, where the vanity case “amfAR” designed by Sharon Stone was sold with the proceeds going to The Foundation for AIDS Research (also in 2000).[6]
[edit]2001 to present day
The store on Manhattan’s Fifth Avenue.
A Louis Vuitton boutique in the Galleria Vittorio Emanuele II, in Milan, Italy.
By 2001, Stephen Sprouse, in collaboration with Marc Jacobs, designed a limited-edition line of Vuitton bags[6] that featured graffiti written over the monogram pattern. The graffiti read Louis Vuitton and, on certain bags, the name of the bag (such as Keepall and Speedy). Certain pieces, which featured the graffiti without the Monogram Canvas background, were only available on Louis Vuitton’s V.I.P. customer list. Jacobs also created the charm bracelet, the first ever piece of jewelry from LV, within the same year.[6]
In 2002, the Tambour watch collection was introduced.[6] During this year, the LV building in Tokyo’s Ginza district was opened, and the brand collaborated with Bob Wilson[disambiguation needed] for its Christmas windows sceneography. In 2003, Takashi Murakami,[6] in collaboration with Marc Jacobs, masterminded the new Monogram Multicolore canvas range of handbags and accessories. This range included the monograms of the standard Monogram Canvas, but in 33 different colors on either a white or black background. (The classic canvas features gold monograms on a brown background.) Murakami also created the Cherry Blossom pattern, in which smiling cartoon faces in the middle of pink and yellow flowers were sporadically placed atop the Monogram Canvas. This pattern appeared on a limited number of pieces. The production of this limited-edition run was discontinued in June 2003. Within 2003, the stores in Moscow, Russia and in New Delhi, India were opened, the Utah and Suhali leather lines were released, and the 20th anniversary of the LV Cup was held.[6]
Louis Vuitton situated on the famous Champs-Elysées.
Manhattan by Night — Snow Flake Star Light over Louis Vuitton Store
at the power corner of 57th St. and Fifth Avenue – Jon Hammond
Manhattan by Night — Bulgari Store on Fifth Avenue – Jon Hammond
Bulgari Wiki http://en.wikipedia.org/wiki/Bulgari
Privately held società per azioni
Industry Luxury goods
Founded 1884
Founder(s) Sotirios Voulgaris
Headquarters Rome, Italy
Key people Paolo Bulgari (Chairman), Francesco Trapani (CEO)
Products Watches, jewellery, accessories, fragrances, cosmetics
Revenue €1.069 billion (2010)[1]
Operating income €85.3 million (2010)[1]
Profit €38.0 million (2010)[1]
Total assets €1.490 billion (end 2010)[1]
Total equity €934.0 million (end 2010)[1]
Owner(s) LVMH
Employees 3,815 (end 2010)[1]
Website bulgari.com
Bulgari (Italian pronunciation: [ˈbulɡari]) is an Italian jeweler and luxury goods retailer of Greek descent, which has been owned by the French firm LVMH since October 2011. The trademark is usually written BVLGARI in the classical Latin alphabet (where V = English U), and is derived from the surname of the company’s Greek founder, Sotirios Voulgaris (Greek: Σωτήριος Βούλγαρης, Greek pronunciation: [soˈtirjos ˈvulɣaris], Italian: Sotirio Bulgari, 1857–1932). Although the company made a name for itself with jewelry, today it is a recognized luxury brand that markets several product lines including watches, handbags, fragrances, accessories, and hotels.
Sotirios Voulgaris began his career as a jeweller in his home village Paramythia[2] (Epirus, Ottoman Empire), where his first store can still be seen. In 1877, he left for Corfu and then Naples. In 1881 he finally moved to Rome, where in 1884 he founded his company and opened his second shop in via Sistina.
The current flagship store in via dei Condotti was opened in 1905 by Bulgari with the help of his two sons, Costantino (1889–1973) and Giorgio (1890–1966). The store quickly became a place where the world’s rich and famous came for the unique, high quality jewelry designs combining Greek and Roman art.
A Bulgari shop in Baku
During the Second World War, Costantino Bulgari and his wife, Laura Bulgari, hid three Jewish women in their own Roman home. They were strangers to them; the Bulgaris opened their doors out of outrage for the raid of the Roman ghetto in October 1943. For their generous action, on 31 December 2003, they were awarded the title of Righteous among the Nations at Yad Vashem in Jerusalem.[3]
After Giorgio’s death in 1966, his son Gianni led the company as co-chief executive with his cousin Marina.[4] As chairman and CEO of Bulgari in the early 1970s, Gianni initiated the internationalization of the company by opening shops in New York, Geneva, Monte-Carlo and Paris. In the late 1970s, Gianni led a complete overhaul of the company, establishing a new watch business and focusing on product design.[5] In 1985, Gianni resigned as CEO and in 1987, he left the family business after selling his one-third stake in the company to his brothers Nicola and Paolo.[6]
On 6 March 2011 French luxury group LVMH Moet Hennessy Louis Vuitton SA announced that it was acquiring Bulgari SpA in an all-share deal for €4.3 billion ($6.01 billion), higher than LVMH had offered for any other company.[7] Under the deal, the Bulgari family sold their 50.4 per cent controlling stake in exchange for 3 per cent of LVMH, thereby becoming the second-biggest family shareholder behind the Arnaults in LVMH.[8] The takeover doubled the size of LVMH’s watches and jewelry unit, which at the time of the acquisition included Tag Heuer timepieces and De Beers diamond necklaces. The acquisition concluded on 4 October 2011 as Bulgari was delisted from the Borsa Italiana.
[edit]International expansion
Bulgari opened its first international locations in New York City, Paris, Geneva and Monte Carlo in the 1970s. For many years the company maintained a showroom in New York’s The Pierre Hotel. Today Bulgari has more than 290 stores worldwide.[9]
In 1984, Sotirio’s grandsons Paolo and Nicola Bulgari were named Chairman and Vice-Chairman of the company and nephew Francesco Trapani was named CEO. Trapani’s goal to diversify the company was started in the early 1990s with the release of the Bulgari perfume line. Under his tenure the company has established itself as a luxury goods brand recognized throughout the world.
In 1995, the company was listed on the Borsa Italiana. The company has seen 150% revenue growth between 1997 and 2003. Currently outside investors hold about 45% of the company’s stock.
In the beginning of 2001, Marriott International formed a joint venture with Bulgari Spa to launch a new luxury hotel brand, Bulgari Hotels & Resorts. Luxury Group, the Luxury Division of Marriott operates Bulgari Hotels & Resorts as well as the Ritz-Carlton Hotel Company. Bulgari opened its first hotel in Milan in 2004, and a second in Bali in 2006. In 2011, Bulgari Bali has been chosen by the readers of Smart Travel Asia magazine as number-2 of top places to stay in Asia.[10] Bulgari is the supplier of luxury goods used in guest suites and public areas aboard the ships of the Italian cruise company Silversea.
[edit]Designs
Bulgari jewelry design is distinctive and often imitated (and counterfeited). In the 1970s, many of the more expensive Bulgari pieces (such as necklaces, bracelets and earrings) were characterized by instantly recognizable, bold, architectural designs combining large and weighty gold links with interlocking steel. Bulgari is also famous for colored stones, especially sapphires mixed in unique formats. Genuine Bulgari watches have a unique serial number that is registered with the company.
[edit]Boutiques
The Judge – Milt Hinton R.I.P. playing as David “Panama” Francis looks on at the drums, here May 7, 1990 – Milt was the original Slap Bassist – unbelievable style and personality, and a damn great photographer also – Panama, Panama Francis the great – these two gentlemen of Jazz are greatly missed folks! – Jon Hammond
Milt’s Wiki http://en.wikipedia.org/wiki/Milt_Hinton
Milton John “Milt” Hinton (June 23, 1910 – December 19, 2000), “the dean of jazz bass players,” was an American jazz double bassist and photographer. He was nicknamed “The Judge”
Hinton was born in Vicksburg, Mississippi, where he resided until age eleven when he moved to Chicago, Illinois. He attended Wendell Phillips High School and Crane Junior College. While attending these schools, he learned first to play the violin, and later bass horn, tuba, cello and the double bass. As a young violinist out of school, he found gainful employment as a bassist. He later recounted in interviews, released in 1990 on Old Man Time, how this prompted him to switch to double bass.
In the late 1920s and early 1930s, he worked as a freelance musician in Chicago. During this time, he worked with famous jazz musicians such as Jabbo Smith, Eddie South, and Art Tatum. In 1936, he joined a band led by Cab Calloway. Members of this band included Chu Berry, Cozy Cole, Dizzy Gillespie, Illinois Jacquet, Jonah Jones, Ike Quebec, Ben Webster, and Danny Barker.
Hinton possessed a formidable technique and was equally adept at bowing, pizzicato, and “slapping,” a technique for which he became famous while playing with the big band of Cab Calloway from 1936 to 1951.[1] Unusually for a double bass player, Hinton was frequently given the spotlight by Calloway, taking virtuose bass solos in tunes like “Pluckin’ the Bass.”
Hinton played a rare Gofriller Double Bass during his latter career. The bass was in pieces in a cellar in Italy and a musical agent arranged the purchase from the family for Hinton. Hinton in his autobiography “Bass Line” described the tone as magnificent and said it was one of the reasons for his long success in the New York recording studios in the 1950s, and 1960s.
He later became a television staff musician, working regularly on shows by Jackie Gleason and later Dick Cavett.[1] His work can be heard on the Branford Marsalis album Trio Jeepy.
Hinton twice received awards from the National Endowment for the Arts for his work as a jazz educator: a music fellowship in 1977 and an NEA Jazz Master award in 1993.[2]
According to a search of The Jazz Discography, Hinton is the most-recorded jazz musician of all time, having appeared on 1,174 recording sessions.[3][4]
Also a fine photographer, Hinton documented many of the great jazz musicians via photographs he took over the course of his career.[5] Hinton was one of the best friends of jazz trumpeter Louis Armstrong.[citation needed]
Hinton died in Queens, New York City, New York at age 90.
Birth name Milton John Hilton
Born June 23, 1910
Vicksburg, Mississippi, United States
Died December 19, 2000 (aged 90)
Queens, New York, United States
Genres Traditional Jazz. Swing, Pop Music
Occupations Double bassist, Photographer
Instruments Double bass
Years active 80 years
Labels Various
Associated acts Jabbo Smith, Zutty Singleton, Art Tatum, Eddie South, Cab Calloway, Count Basie, Louis Armstrong, Dizzy Gillespie, Lionel Hampton, Benny Goodman, Clark Terry, Hank Jones, Branford Marsalis
Panama Francis Wiki http://en.wikipedia.org/wiki/Panama_Francis
David “Panama” Francis (December 21, 1918, Miami, Florida – November 13, 2001, Orlando, Florida) was an American swing jazz drummer.
He began performing at the age of eight, and booked his first night club at the age of thirteen. His career took off after he moved to New York City in 1938. Early collaborations included Tab Smith, Billy Hick’s Sizzling Six, the Roy Eldridge Orchestra, and six years with Lucky Millinder’s Orchestra at Harlem’s Savoy Ballroom.
Panama Francis spent five years recording and touring with Cab Calloway. He also played with Duke Ellington, Tommy Dorsey, Ray Conniff, and Sy Oliver, becoming a highly successful studio drummer. He recorded with John Lee Hooker, Eubie Blake, Ella Fitzgerald, Illinois Jacquet, Ray Charles, Mahalia Jackson and Big Joe Turner. As rhythm and blues and rock and roll went mainstream Francis became even more sought after. He drummed on the Elvis Presley demos, and he is featured on hits by the Four Seasons (“Big Girls Don’t Cry” and “Walk Like a Man”), the Platters (“Only You”, “The Great Pretender”, “Smoke Gets in Your Eyes” and “My Prayer”), Bobby Darin (“Splish Splash”), Neil Sedaka (“Calendar Girl”), and Dion (“The Wanderer”).
He drummed on “Prisoner of Love” for James Brown, “What a Difference a Day Makes” for Dinah Washington, “Drown in My Own Tears” for Ray Charles, and “Jim Dandy” for LaVern Baker. Many music reference books indicate that he also played drums on Bill Haley & His Comets’ 1954 version of “Shake, Rattle and Roll”, but producer Milt Gabler denied this; Francis is also believed to have played drums for at least one other Haley recording session in the mid-1960s. In 1979, Panama Francis reestablished the Savoy Sultans touring, recording several Grammy-nominated albums, and keeping residence at New York’s prestigious Rainbow Room through the mid-1980s. He appeared in several films with Cab Calloway: Angel Heart, Lady Sings the Blues, The Learning Tree.
Francis received a Pioneer Award from the Rhythm and Blues Foundation in 1993 and was also inducted into the Smithsonian National Museum of American History. His drum sticks are on display at the Rock and Roll Hall of Fame.
— with Milt Hinton and Panama Francis at The New School for Jazz and Contemporary Music
Earle Warren – alto saxophone, Earle Ronald Warren, playing on May 7, 1990 in honor of Cab Calloway “Beacons In Jazz” Awards Concert – Jon Hammond
Earle’s Wiki http://en.wikipedia.org/wiki/Earle_Warren
Earle Warren (July 1, 1914 – June 4, 1994) was an alto saxophonist and occasional singer with Count Basie.
He was born in Springfield, Ohio.
Warren played 1st (Lead) Alto Saxophone in the Basie orchestra throughout its formative years and its heyday, from 1937 to the end of the 1940s. After the break-up of Basie’s 1940s band, in 1949, he worked with former Basie trumpeter, Buck Clayton.
Earle Warren also played some rock´n roll, working for Alan Freed in Alan Freed’s Christmas Jubilee, December 1959, which was the very last big Alan Freed show before the payola scandal put an end to the legendary Freed’s career. He also appeared in the 1970s jazz film of Count Basie and his band, Born to Swing.
In his later years, Warren performed often at the West End jazz club at 116th and Broadway in New York City, helming a band called The Countsmen, which also featured fellow former Basie-ite Dicky Wells on trombone and Peck Morrison on bass. He lived part of the time in Switzerland where he fathered a child in a May/September romance.
*Discography:
With Milt Jackson
Big Bags (Riverside, 1962)
With Teri Thornton
Devil May Care (Riverside, 1961)
With Milt Buckner
Send Me Softly (Capitol Records T938, 1957)
— with Earle Warren at The New School for Jazz and Contemporary Music.
The late great trumpet player Bobby Johnson from Erskine Hawkins and his Orchestra who played at the legendary Savoy Ballroom New York in the 40′s, playing as Bill Cosby looks on, May 7, 1990
- Beacons in Jazz Concert honoring Cab Calloway – Jon Hammond — with Bill Cosby, Bill Cosby and Bill Cosby at The New School for Jazz and Contemporary Music.
The great jazz musician personality Tumpet / Flugel Horn player Clark Terry playing on the 1990 Beacons in Jazz Awards Concert honoring the late great Cab Calloway – Clark has had some serious health challenges recently. The last time I saw him he told me, “Hammond, you know what they call ‘The Golden Years’…the Golden Years Suck!” one of my all-time favorite people in Jazz folks! Jon Hammond
Clark Terry Wiki http://en.wikipedia.org/wiki/Clark_Terry
Clark Terry (born December 14, 1920)[1] is an American swing and bop trumpeter, a pioneer of the flugelhorn in jazz, educator, NEA Jazz Masters inductee, and recipient of the 2010 Grammy Lifetime Achievement Award. Only four other trumpet players in history have ever received the Grammy Lifetime Achievement Award: Louis Armstrong (Clark’s old mentor), Miles Davis (whom Clark mentored), Dizzy Gillespie (who often described Clark as the greatest jazz trumpet player on earth) and Benny Carter. Clark Terry is one of the most prolific jazz musicians in history, having appeared on 905 known recording sessions, which makes him the most recorded trumpet player of all time. In comparison, Louis Armstrong performed on 620 sessions, Harry “Sweets” Edison on 563, and Dizzy Gillespie on 501.
He has played with Charlie Barnet (1947), Count Basie (1948–1951),[1] Duke Ellington (1951–1959)[1] and Quincy Jones (1960), and has recorded regularly both as a leader and sideman. In all, his career in jazz spans more than seventy years.
Terry was born in St. Louis, Missouri. He attended Vashon High School and began his professional career in the early 1940s playing, in local clubs. He served as a bandsman in the United States Navy during World War II.
Terry’s years with Basie and Ellington in the late 1940s and 1950s established him as a world-class jazz artist. Blending the St. Louis tone with contemporary styles, Terry’s sound influenced a generation. During this period, he took part in many of Ellington’s suites and acquired a reputation for his wide range of styles (from swing to hard bop), technical proficiency, and good humor. Terry exerted a positive influence on musicians like Miles Davis and Quincy Jones, both of whom acknowledge Clark’s influence during the early stages of their careers. Terry had informally taught Davis while they were still in St Louis.
After leaving Ellington, Clark’s international recognition soared when he accepted an offer from the National Broadcasting Company (NBC) to become its first African-American staff musician. He appeared for ten years on The Tonight Show as a member of The Tonight Show Band, first led by Skitch Henderson and later by Doc Severinsen, where his unique “mumbling” scat singing became famous when he scored a hit with “Mumbles.” A persistent rumor is that Terry was a candidate to lead the band, but for racial skittishness on the part of NBC.
Terry continued to play with musicians such as J. J. Johnson and Oscar Peterson,[2] and led a group with Bob Brookmeyer that achieved popularity in the early 1960s. In the 1970s, Terry concentrated increasingly on the flugelhorn, which he plays with a full, ringing tone. In addition to his studio work and teaching at jazz workshops, Terry toured regularly in the 1980s with small groups (including Peterson’s) and performed as the leader of his Big B-A-D Band (formed about 1970). After financial difficulties forced him to break up the Big B-A-D Band, he performed bands such as the Unifour Jazz Ensemble. His humor and command of jazz trumpet styles are apparent in his “dialogues” with himself, on different instruments or on the same instrument, muted and unmuted. He has occasionally performed solos on a trumpet or flugelhorn mouthpiece.
From the 1970s through the 1990s, Clark performed at Carnegie Hall, Town Hall, and Lincoln Center, toured with the Newport Jazz All Stars and Jazz at the Philharmonic, and he was featured with Skitch Henderson’s New York Pops Orchestra. In 1998, Terry recorded George Gershwin’s “Let’s Call the Whole Thing Off” for the Red Hot Organization’s compilation album Red Hot + Rhapsody, a tribute to George Gershwin, which raised money for various charities devoted to increasing AIDS awareness and fighting the disease. In 2001, he again recorded for the Red Hot Organization with artist Amel Larrieux for the compilation album Red Hot + Indigo, a tribute to Duke Ellington.
Prompted early in his career by Dr. Billy Taylor, Clark and Milt Hinton bought instruments for and gave instruction to young hopefuls which planted the seed that became Jazz Mobile in Harlem. This venture tugged at Clark’s greatest love: involving youth in the perpetuation of jazz. Between global performances, Clark continues to share wholeheartedly his jazz expertise and encourage students, including up-and-coming young jazz trumpeter, Josh Shpak. Since 2000, Clark has hosted Clark Terry Jazz Festivals on land and sea, held his own jazz camps, and appeared in more than fifty jazz festivals on six continents.
His career as both leader and sideman with more than three hundred recordings demonstrates that he is one of the most prolific luminaries in jazz. Clark composed more than two hundred jazz songs and performed for seven U.S. Presidents.
He also has several recordings with major groups including the London Symphony Orchestra, the Dutch Metropole Orchestra, the Duke Ellington Orchestra and the Chicago Jazz Orchestra, hundreds of high school and college ensembles, his own duos, trios, quartets, quintets, sextets, octets, and two big bands: Clark Terry’s Big Bad Band and Clark Terry’s Young Titans of Jazz, with the likes of Branford Marsalis, Conrad Herwig, Brad Leali, Stephen Guerra, Adam Schroeder, Frank Greene and Tony Lujan. The Clark Terry Archive at William Paterson University in Wayne, New Jersey, contains instruments, tour posters, awards, original copies of over 70 big band arrangements, recordings and other memorabilia.
Terry was a long-time resident of Bayside, Queens, and Corona, Queens, New York.[3] He and his wife, Gwen, later moved to Haworth, New Jersey.[4] They currently reside in Pine Bluff, Arkansas.[5]
Born December 14, 1920 (age 92)
St. Louis, Missouri, United States
Genres Jazz, swing, bebop, hard bop
Occupations Trumpeter, flugelhornist, composer
Instruments Trumpet, flugelhorn
Years active 1940s–present
Labels Prestige, Pablo, Candid, Mainstream, Impulse!
Associated acts Charlie Barnet, Count Basie, Duke Ellington, Quincy Jones, Bob Brookmeyer, Oscar Peterson, Oliver Nelson, Milt Jackson, Dizzy Gillespie, Eddie “Lockjaw” Davis, Yusef Lateef, Clifford Brown, Blue Mitchell, Lalo Schifrin, Billy Taylor, Charles Mingus, J.J. Johnson
Awards and honors
Over 250 awards, medals and honors, including:
The 2010 Grammy Lifetime Achievement Award, two Grammy certificates, three Grammy nominations
The National Endowment for the Arts Jazz Master Award in 1991
Sixteen honorary doctorates
Keys to several cities
Jazz Ambassador for U.S. State Department tours in the Middle East and Africa
A knighthood in Germany
Charles E. Lutton Man of Music Award, presented by Phi Mu Alpha Sinfonia Fraternity in 1985. Terry was awareded honorary membership in the Fraternity by the Beta Zeta Chapter at the College of Emporia in 1968. He was also made an honorary member of the Iota Phi chapter of Kappa Kappa Psi, National Honorary Band Fraternity in 2011.
The French Order of Arts and Letters (2000)
A life-sized wax figure for the Black World History Museum in St. Louis
Inducted into the St. Louis Walk of Fame (1996)[6]
NARAS Present’s Merit Award (2005)
Trumpeter of the Year by the Jazz Journalists Association (2005)
— with Clark Terry at The New School for Jazz and Contemporary Music.
Little Jimmy Scott takes the stage with the late great jazz pianist Red Richards at the piano – that’s Phil Schaap clapping – part of a documentary film I made of May 7, 1990 Beacons in Jazz Awards Ceremony and Concert honoring Cab Calloway – more to come, special thanks Arnie Lawrence R.I.P. – Jon Hammond
Red Richards Wiki http://en.wikipedia.org/wiki/Red_Richards
Charles Coleridge “Red” Richards (October 19, 1912, New York City – March 12, 1998, Scarsdale, New York) was an American jazz pianist.
Richards began playing classical piano at age ten, and concentrated on jazz from age 16 after hearing Fats Waller. His first major professional gig was with Tab Smith at New York’s Savoy Ballroom from 1945 to 1949. following this he played with Bob Wilber (1950-51) and Sidney Bechet (1951). He toured Italy and France in 1953 with Mezz Mezzrow’s band alongside Buck Clayton and Big Chief Moore, also accompanying Frank Sinatra during his time in Italy. He played with Muggsy Spanier on and off from 1953 through the end of the decade, and with Fletcher Henderson in 1957-58. In 1958 he did some time as a solo performer in Columbus, Ohio, then played with Wild Bill Davison in 1958-59 and again in 1962.
In 1960 he formed Saints & Sinners with Vic Dickenson, playing with this ensemble until 1970. He joined Jazz drummer Chuck Slate and his band in 1971 and stayed with him most of the year. He recorded an album with Chuck called “Bix ‘N All That Jazz” Following this he did work with Eddie Condon (1975-77), then played with his own trio in 1977-78. He played with Panama Francis’s group, the Savoy Sultans, worldwide from 1979 through the 1980s. He recorded with Bill Coleman in 1980. He continued to tour almost up until the time of his death.
Little Jimmy Scott Wiki http://en.wikipedia.org/wiki/Little_Jimmy_Scott
Jimmy Scott (born July 17, 1925, also known as “Little” Jimmy Scott) is an American jazz vocalist famous for his unusually high contralto voice, which is due to Kallmann’s syndrome, a very rare genetic condition. The condition stunted his growth at four feet eleven inches until, at age 37, he grew another 8 inches to the height of five feet seven inches. The condition prevented him from reaching puberty, leaving him with a high, undeveloped voice, hence his nickname “Little” Jimmy Scott.
Scott was born in Cleveland, Ohio to Authur and Justine Stanard Scott, the third in a family of ten. As a child Jimmy got his first singing experience by his mother’s side at the family piano, and later, in church choir. At thirteen, he was orphaned when his mother was killed by a drunk driver.[2]
He first rose to national prominence as “Little Jimmy Scott” in the Lionel Hampton Band when he sang lead on the late 1940s hit “Everybody’s Somebody’s Fool”, recorded in December 1949, and which became a top ten R&B hit in 1950.[2] Credit on the label, however, went to “Lionel Hampton and vocalists”, so the singer’s name did not appear on any of the songs. This omission of credit was not only a slight to Scott’s talent but a big blow to his career. A similar professional insult occurred several years later when his vocal on “Embraceable You” with Charlie Parker, on the album One Night in Birdland, was credited to female vocalist Chubby Newsome.[3]
Lionel Hampton gave him the stage name of “Little Jimmy Scott” because he looked so young, and was short and of slight build. However, it was his extraordinary phrasing and romantic feeling that made him a favorite singer of fellow artists such as Billie Holiday, Ray Charles, Frankie Valli, Dinah Washington, and Nancy Wilson.[4]
In 1963, it looked as though Scott’s luck had changed for the good. He was signed to Ray Charles’ Tangerine Records label, under the supervision of Charles himself, creating what is considered by many to be one of the great jazz vocal albums of all time, Falling in Love is Wonderful.[5]
Owing to obligations on a contract that Scott had signed earlier with Herman Lubinsky, the record was yanked from the shelves in a matter of days, while Jimmy was honeymooning. Forty years later this cult album became available to the public again. Scott disputes the “lifetime” contract; Lubinsky loaned Jimmy out to Syd Nathan at King Records for 45 recordings in 1957–58. Another album, The Source (1969), was not released until 2001.[6]
Scott’s career faded by the late 1960s and he returned to his native Cleveland to work as a hospital orderly, shipping clerk and as an elevator operator in a hotel.
[edit]Comeback and later work
Scott eventually resurfaced in 1991 when he sang at the funeral of his long-time friend Doc Pomus, an event that single-handedly sparked his career renaissance.[7] Afterwards Lou Reed recruited him to sing back-up on the track “Power and Glory” from his 1992 album Magic and Loss, which was inspired, to an extent, by Pomus’s death. Scott was seen on the series finale of David Lynch’s television series Twin Peaks, singing “Sycamore Trees”, a song with lyrics by Lynch and music by Angelo Badalamenti. Scott was featured on the soundtrack of the follow-up film, Twin Peaks: Fire Walk with Me.[8]
Also in attendance at Pomus’s funeral was Seymour Stein, founder and operator of Sire Records, who released Scott’s 1992 album All The Way, produced by Tommy Lipuma and featuring artists such as Kenny Barron, Ron Carter, and David “Fathead” Newman. Scott was nominated for a Grammy Award for this album.[9]
He followed this up with the album Dream in 1994, the jazz-gospel album Heaven in 1996 and an album of pop and rock interpretations entitled “Holding Back the Years” in 1998, notable for its version of Prince’s “Nothing Compares 2 U”.
In 1999, Scott’s early recordings on the Decca label were re-released on CD, as were all of his recordings with the Savoy Label between 1952 and 1975 in a three-disc box set. In 2000, Scott signed to the Milestone jazz label, and recorded four critically acclaimed albums, each produced by Todd Barkan, and featuring a variety of jazz artists, including Wynton Marsalis, Renee Rosnes, Bob Kindred, Eric Alexander, Lew Soloff, George Mraz, Lewis Nash, as well as Jimmy’s own touring and recording band “The Jazz Expressions”. He also released two live albums, both recorded in Japan, featuring the Jazz Expressions.
For some years a new album entitled I Remember You has been mentioned via various official channels, including Jimmy’s official website; however, any solid news on the album’s release date is yet to be revealed.
[edit]Legacy
Scott’s career has spanned sixty-five years. He has performed with Charlie Parker, Sarah Vaughan, Lester Young, Lionel Hampton, Charles Mingus, Fats Navarro, Quincy Jones, Bud Powell, Ray Charles, Wynton Marsalis, and Peter Cincotti. He has also performed with a host of musicians from other genres of music, such as David Byrne, Lou Reed, Flea, Michael Stipe, and Antony & The Johnsons. Scott performed at President Dwight Eisenhower’s (1953) and President Bill Clinton’s (1993) inaugurations, where he sang the same song, “Why Was I Born?”. Most recently Scott has appeared in live performances with Pink Martini, and continues to perform internationally at music festivals and at his own concerts.
In 2007, Scott received the 2007 NEA Jazz Master Award. Scott also received the Kennedy Center’s “Jazz In Our Time” Living Legend Award, and N.A.B.O.B.’s Pioneer Award in 2007. In September 2008 he did a “two-day video interview” at his Vegas home with the “Smithsonian Institute for the National Archives”. Scott and his wife Jeanie have been living in Las Vegas, Nevada since 2007, after living in Euclid, Ohio, for 10 years.[citation needed]
Little Jimmy Scott’s “If I Ever Lost You” can be heard in the opening credits of the HBO movie Lackawanna Blues. He was also mentioned on The Cosby Show, when Clair and Cliff Huxtable bet on the year in which “An Evening In Paradise” was recorded
Albums
Very Truly Yours (Savoy) (1955)
If You Only Knew (Savoy) (1956)
The Fabulous Songs Of Jimmy Scott (Savoy) 1960)
Falling In Love Is Wonderful (Tangerine) (1963) (Re-issue 2003)
The Source (Atlantic) (1969) (Re-issue 2001)
Can’t We Begin Again (Savoy) (1975)
Doesn’t Love Mean More (J’s Way) (1990)
Live In New Orleans (1951 Concert) (Fantasy) (1991)
All The Way (Sire) (1992)
Dream (Sire) (1994)
Heaven (Sire) (1996)
Holding Back The Years (Artists Only) (1998)
Mood Indigo (Milestone) (2000)
Over The Rainbow (Milestone) (2001)
Unchained Melody (Live Album) (Tokuma) (2001)
But Beautiful (Milestone) (2002)
Moonglow (Milestone) (2003)
All Of Me: Live In Tokyo (Venus) (2004)
[edit]Compilations
Lost And Found (Rhino) (1993)
Bravo Profiles: A Jazz Master (Bravo) (1993)
All Over Again (Savoy Jazz) (1995)
Everybody’s Somebody’s Fool (Universal) (1999)
The Savoy Years & More (Box Set) (Savoy Jazz) (1999)
Les Incontournables (Warner) (2000)
Timeless (Savoy Jazz) (2002)
Someone To Watch Over Me (2-Disc) (Warner) (2004)
The Essential Jimmy Scott (Metro) (2005)
Milestone Profiles: Jimmy Scott (Milestone) (2006)
[edit]Filmography
Twin Peaks – “Episode 29″ (1991)
Scotch & Milk (1998)
Chelsea Walls (2002)
Stormy Weather: The Music of Harold Arlen (2002) (TV)
Jimmy Scott: If You Only Knew (DVD) (2003)
Passion Play (2011)
Rising Above the Blues – The Story of Jimmy Scott (2012)
— with Little Jimmy Scott
Manhattan by Night — Jon Hammond standing waving in Times Square to the big screen, not too much action at this hour – JH
Times Square Wiki
http://en.wikipedia.org/wiki/Times_Square
Times Square is a major commercial intersection in Midtown Manhattan, New York City, at the junction of Broadway and Seventh Avenue and stretching from West 42nd to West 47th Streets. Times Square – iconified as “The Crossroads of the World”[1][2][3][4][5] and the “The Great White Way”[6][7][8] – is the brightly illuminated hub of the Broadway theater district,[9] one of the world’s busiest pedestrian intersections,[10] and a major center of the world’s entertainment industry.[11] According to Travel + Leisure magazine’s October 2011 survey, Times Square is the world’s most visited tourist attraction, bringing in over 39 million visitors annually.[12]
Formerly Longacre Square, Times Square was renamed in April 1904 after The New York Times moved its headquarters to the newly erected Times Building – now called One Times Square – site of the annual ball drop on New Year’s Eve.[13]
The northern triangle of Times Square is technically Duffy Square, dedicated in 1937 to Chaplain Francis P. Duffy of New York City’s “Fighting 69th” Infantry Regiment; a memorial to Duffy is located there, along with a statue of George M. Cohan, and the TKTS discount theatre tickets booth. The stepped red roof of the TKTS booth also provides seating for various events. The Duffy Statue and the square were listed on the National Register of Historic Places in 2001
Before and after the American Revolution, the area belonged to John Morin Scott, a general of the New York militia, in which he served under George Washington. Scott’s manor house was at what is currently 43rd Street, surrounded by countryside used for farming and breeding horses. In the first half of the 19th century it became one of the prized possessions of John Jacob Astor, who made a second fortune selling off lots to hotels and other real estate concerns as the city rapidly spread uptown.[15] By 1872 the area had become the center of New York’s carriage industry. The area not having previously been named, the city authorities called it Longacre Square after Long Acre in London, where the carriage trade in that city was centered.[16]
[edit]Early 20th century
In 1904, New York Times publisher Adolph S. Ochs moved the newspaper’s operations to a new skyscraper on 42nd Street at Longacre Square. Ochs persuaded Mayor George B. McClellan, Jr. to construct a subway station there, and the area was renamed “Times Square” on April 8, 1904. Just three weeks later, the first electrified advertisement appeared on the side of a bank at the corner of 46th Street and Broadway.[17]
The New York Times, according to Nolan, moved to more spacious offices west of the square in 1913. The old Times Building was later named the Allied Chemical Building. Now known simply as One Times Square, it is famed for the Times Square Ball drop on its roof every New Year’s Eve.
In 1913, the Lincoln Highway Association, headed by entrepreneur Carl G. Fisher, chose the intersection of 42nd Street and Broadway, at the southeast corner of Times Square, to be the Eastern Terminus of the Lincoln Highway, the first road across the United States, which originally spanned 3,389 miles (5,454 km) coast-to-coast through 13 states to its Western Terminus in Lincoln Park in San Francisco, California.[18][19]
As the growth in New York City continued, Times Square quickly became a cultural hub full of theaters, music halls, and upscale hotels.
Times Square quickly became New York’s agora, a place to gather to await great tidings and to celebrate them, whether a World Series or a presidential election
—James Traub, The Devil’s Playground: A Century of Pleasure and Profit in Times Square
Celebrities such as Irving Berlin, Fred Astaire, and Charlie Chaplin were closely associated with Times Square in the 1910s and 1920s. During this period, the area was nicknamed The Tenderloin[20] because it was supposedly the most desirable location in Manhattan. However, it was during this period that the area was besieged by crime and corruption, in the form of gambling and prostitution; one case that garnered huge attention was the arrest and subsequent execution of police officer Charles Becker.[21]
The general atmosphere changed with the onset of the Great Depression in the 1930s. Times Square acquired a reputation as a dangerous neighborhood in the following decades. From the 1960s to the early 1990s, the seediness of the area, especially due its go-go bars, sex shops, and adult theaters, became an infamous symbol of the city’s decline.[22]
[edit]1980s–present
Madame Tussauds Wax Museum and Ripley’s Believe It or Not! Odditorium are two of the newer attractions on the redeveloped 42nd Street.
Lights and advertising at the southern end of Times Square
In the 1980s, a commercial building boom began in the western parts of the Midtown as part of a long-term development plan developed under Mayors Ed Koch and David Dinkins. In the mid-1990s, Mayor Rudolph Giuliani (1994–2002) led an effort to “clean up” the area, increasing security, closing pornographic theaters, pressuring undesireables to relocate, and opening more tourist-friendly attractions and upscale establishments. Advocates of the remodeling claim that the neighborhood is safer and cleaner. Detractors have countered that the changes have homogenized or “Disneyfied” the character of Times Square and have unfairly targeted lower-income New Yorkers from nearby neighborhoods such as Hell’s Kitchen.[citation needed]
In 1990, the state of New York took possession of six of the nine historic theatres on 42nd Street, and the New 42nd Street non-profit organization was appointed to oversee their restoration and maintenance. The theatres underwent renovation for Broadway shows, conversion for commercial purposes, or demolition.
The theaters of Broadway and the huge number of animated neon and LED signs have long made them one of New York’s iconic images, and a symbol of the intensely urban aspects of Manhattan. Times Square is the only neighborhood with zoning ordinances requiring building owners to display illuminated signs.[23] The density of illuminated signs in Times Square now rivals that of Las Vegas. Officially, signs in Times Square are called “spectaculars”, and the largest of them are called “jumbotrons.”
Notable signage includes the Toshiba billboard directly under the NYE ball drop and the curved seven-story NASDAQ sign at the NASDAQ MarketSite at 4 Times Square on 43rd Street and the curved Coca-Cola sign located underneath another large LED display owned and operated by Samsung. Both the Coca-Cola sign and Samsung LED displays were built by LED display manufacturer Daktronics. Times Square’s first environmentally friendly billboard powered by wind and solar energy was first lit on December 4, 2008.[24]
In 1992, the Times Square Alliance (formerly the Times Square Business Improvement District, or “BID” for short), a coalition of city government and local businesses dedicated to improving the quality of commerce and cleanliness in the district, started operations in the area.[25] Times Square now boasts attractions such as ABC’s Times Square Studios, where Good Morning America is broadcast live, an elaborate Toys “Я” Us store, and competing Hershey’s and M&M’s stores across the street from each other, as well as restaurants such as Ruby Foo’s (serving Chinese food), the Bubba Gump Shrimp Company (seafood), Planet Hollywood Restaurant and Bar (a theme restaurant) and Carmine’s (Italian) along with a number of multiplex movie theaters. It has also attracted a number of large financial, publishing, and media firms to set up headquarters in the area. A larger presence of police has improved the safety of the area.
Times Square pedestrianized
The “Naked Cowboy” – who is not actually naked – is a fixture in Times Square.
In 2002, New York City’s mayor, Rudy Giuliani, gave the oath of office to the city’s next mayor, Michael Bloomberg, at Times Square after midnight on January 1 as part of the 2001–2002 New Year’s celebration. Approximately 500,000 revelers attended. Security was high following the September 11, 2001, terrorist attacks, with more than 7,000 New York City police officers on duty in the Square, twice the number for an ordinary year.[26]
From August 14, 2003 to August 15, 2003, the lights of Times Square went dark as a result of the 2003 Northeast blackout, which paralyzed most of the region and parts of Canada for over 24 hours. Power was finally restored to the area on the evening of Friday, August 15.
On the morning of March 6, 2008 a small bomb caused minor damage but no reported injuries.[27]
On February 26, 2009, Mayor Michael Bloomberg announced that traffic lanes along Broadway from 42nd Street to 47th Street would be de-mapped starting Memorial Day 2009 and transformed into pedestrian plazas until at least the end of the year as a trial. The same was done from 33rd to 35th Street. The goal was to ease traffic congestion throughout the Midtown grid. The results were to be closely monitored to determine if the project worked and should be extended.[28] Bloomberg also stated that he believed the street shutdown would make New York more livable by reducing pollution, cutting down on pedestrian accidents and helping traffic flow more smoothly.[29] The project was originally opposed by local businesses, who thought that closing the street to cars would hurt business.[30]
The original seats put out for pedestrians were inexpensive multicolored plastic lawn chairs, a source of amusement to many New Yorkers. They lasted from the onset of the plaza transformation until August 14, 2009, when they were ceremoniously bundled together in an installation christened “Now You See It, Now You Don’t” by the artist Jason Peters.[31] Although the plaza had mixed results on traffic in the area, injuries to motorists and pedestrians decreased, fewer pedestrians were walking in the road and the number of pedestrians in Times Square increased.[32] The plastic chairs were shortly replaced by sturdier metal furniture, and on February 11, 2010, Mayor Michael Bloomberg announced that the pedestrian plazas would become permanent.[33]
In February 2011, Times Square became smoke free as New York extended the outdoors smoking ban to the area. The measure fines any person smoking within the area a fee of $50.[34]
On May 1, 2010, Times Square was evacuated from 43rd to 46th Street following the discovery of a car bomb. It was found to be a failed bombing.[35]
[edit]New Year’s Eve celebrations
Goofy is a funny animal cartoon character created in 1932 at Walt Disney Productions. Goofy is a tall, anthropomorphic dog, and typically wears a turtle neck and vest, with pants, shoes, white gloves, and a tall hat originally designed as a rumpled fedora. Goofy is a close friend of Mickey Mouse and Donald Duck and is one of Disney’s most popular characters. He is normally characterized as extremely clumsy and having little intelligence, yet this interpretation isn’t always definitive; occasionally Goofy is shown as intuitive and clever, albeit in his own unique, eccentric way.
Goofy debuted in animated cartoons, starting in 1932 with Mickey’s Revue. During the 1930s he was used extensively as part of a comedy trio with Mickey and Donald. Starting in 1939, Goofy was given his own series of shorts which were popular in the 1940s and early ’50s. He also co-starred in a short series with Donald. Four more Goofy shorts were produced in the 1960s after which Goofy was only seen in television and comics. He returned to theatrical animation in 1983 with Mickey’s Christmas Carol. His last theatrical appearance was How to Hook Up Your Home Theater in 2007. Goofy has also been featured in television, most extensively in Goof Troop (1992–1993), as well as House of Mouse (2001–2003) and Mickey Mouse Clubhouse (2006–present).
Originally known as Dippy Dawg, the character is more commonly known simply as “Goofy,” a name used in his short film series. In his 1950s persona, Goofy was called George Geef, or G. G. Geef, implying that “Goofy” was merely a nickname. In Goofy Gymnastics (1949) he fills out a coupon with the name James Boyd.[1] Sources from the Goof Troop continuity give the character’s full name as Goofy Goof, or G. G. Goof, likely a reference to the 1950s name. In many other sources, both animated and comics, the surname Goof continues to be used. In other 2000s-era comics the character’s full name has occasionally been given as Goofus D. Dawg.
Manhattan by Night — Minnie Mouse in Times Square – Jon Hammond
Minnie Wiki http://en.wikipedia.org/wiki/Minnie_Mouse
Minnie Mouse is a funny animal cartoon character created by Ub Iwerks and Walt Disney. The comic strip story “The Gleam” (published January 19-May 2, 1942) by Merrill De Maris and Floyd Gottfredson first gave her full name as “Minerva Mouse.” Minnie has since been a recurring alias for her. Minnie is currently voiced by actress Russi Taylor. Both Minnie and Mickey were first drawn in 1928 by Ub Iwerks.
The comic strip story “Mr. Slicker and the Egg Robbers” (published September 22 – December 26, 1930) introduced her father Marcus Mouse and her mother Margie Mouse, both farmers. The same story featured photographs of her grandparents Marshall Mouse and Matilda Mouse. Her best known relatives, however, remain her uncle Mortimer Mouse and her twin nieces, Millie and Melody Mouse, though most often a single niece, Melody, appears. In many appearances, Minnie is presented as the girlfriend of Mickey Mouse, a close friend of Daisy Duck,[3] Donald Duck’s wife (or girlfriend), and occasionally a friend to Clarabelle Cow. Minnie’s sister, Mandie Mouse was a recurring character early on.
First appearance Steamboat Willie (1928)[1][2]
Created by Walt Disney
Ub Iwerks
Voiced by Walt Disney (1928)
Marjorie Norton Ralston (1929)
Marcellite Garner (1930-1938)
Thelma Boardman (1941-1942)
Ruth Clifford (1944-1952)
Russi Taylor (1986-present)
Aliases Princess Minnie
Maestro Minnie
Minerva Mouse
Minnie the Mouse
Queen Minnie
Species Mouse
Gender Female
Family Marshall Mouse (paternal grandfather)
Marcus Mouse (father)
Significant other(s) Mickey Mouse
Manhattan by Night — Mickey Mouse in Times Square – Jon Hammond
Mickey Wiki http://en.wikipedia.org/wiki/Micky_Mouse
Mickey Mouse is a funny animal cartoon character created in 1928 by Walt Disney and Ub Iwerks at the Walt Disney Studios.[3] Mickey is an anthropomorphic mouse who typically wears red shorts, large yellow shoes, and white gloves. As the official mascot of The Walt Disney Company, Mickey is one of the most recognizable cartoon characters in the world.
Mickey first was seen in a single test screening (Plane Crazy). Mickey officially debuted in November 1928 in Steamboat Willie, one of the first sound cartoons. He went on to appear in over 130 films including The Band Concert (1935), Brave Little Tailor (1938), and Fantasia (1940). Mickey appeared primarily in short films, but also occasionally in feature-length films. Nine of Mickey’s cartoons were nominated for the Academy Award for Best Animated Short Film, one of which, Lend a Paw, won the award in 1942. In 1978, Mickey became the first cartoon character to have a star on the Hollywood Walk of Fame.
Beginning 1930, Mickey has also been featured extensively as a comic strip character. His self-titled newspaper strip, drawn primarily by Floyd Gottfredson, ran for 45 years. Mickey has also appeared in comic books and in television series such as The Mickey Mouse Club (1955–1996) and others. He also appears in other media such as video games as well as merchandising, and is a meetable character at the Disney parks.
Mickey typically appears alongside his girlfriend Minnie Mouse, his pet dog Pluto, his friends Horace Horsecollar, Donald Duck, and Goofy, and his nemesis Pete among others. (see Mickey Mouse universe) Originally characterized as a mischievous antihero, Mickey’s increasing popularity led to his being rebranded as an everyman, usually seen as an ever cheerful, yet shy role model. In 2009, Disney began to rebrand the character again by putting less emphasis on his pleasant, cheerful side and reintroducing the more mischievous and adventurous sides of his personality, beginning with the video game Epic Mickey
First appearance Steamboat Willie (1928)[1]
Created by Walt Disney
Ub Iwerks
Voiced by Walt Disney (1928–1947)
Jimmy MacDonald (1947–1977)
Wayne Allwine (1977–2009)[2]
Bret Iwan (2009–present)
Developed by Floyd Gottfredson
Fred Moore
Species Mouse
Gender Male
Family Mickey Mouse family
Significant other(s) Minnie Mouse
Pet dog Pluto
Martin W. Mueller center stage, surveys the situation just before kicking off the 4th Beacons in Jazz Awards Ceremony & Concert all-star gala honoring the late great Cab Calloway May 7, 1990 in the little theatre on 13th St.,
Mayor David N. Dinkins proclaimed May 7th as Cab Calloway Day in New York – and Cab was presented The Beacons in Jazz Award by jazz historian Phil Schaap – an incredible evening with concert including Jazz Survivors Band with Panama Francis, Milt Hinton, Eddie Barefield and more legends – then a large ensemble powered by the rhythm section of Bernard Purdie with Reggie Workman bass – horn section including the late great Arnie Lawrence, also Eddie Bert, Donald Byrd – many of these cats have passed on sadly, special appearance by Little Jimmy Heath conducting and playing soprano saxophone. Julian Junior Mance at the piano with Billy Harper on tenor sax – graduating saxophonist Walter Blanding Jr. played his old saxophone held together by rubber bands for the last time that night, as Cab Calloway personally presented him with a new Yamaha tenor saxophone which he immediately played “You’ve Changed” joined by the all-star band and Little Jimmy Scott vocals – Bill Cosby hosted the entire night and participated in the music with gusto – incredible historic evening that I personally documented – the project is now back in-progress 23 years later, Jon Hammond — with Martin W. Mueller at The New School for Jazz and Contemporary Music.
New York NY — My good friend Joe Franklin – King of Radio and TV – Production Assistant Needed, contact Mr. Hammond – Joe in his Midtown Manhattan Office affectionately known as “Memory Lane” – Jon Hammond
Youtube “Joe Franklin Up Late HammondCast KYOU Radio” http://youtu.be/NEWGszvpduU
Joe Franklin “King Of Nostalgia” Host of Radio & TV who’s guests have been entertainers like Bill Cosby to legends like Bing Crosby, Charlie Chaplin..
Joe Franklin Movie – http://youtu.be/jc0z0vV4APk
JOE FRANKLIN at Laugh Factory on HammondCast :
8,870 http://youtu.be/b_-mYcrxtTo
Radio & TV Broadcasting Legend JOE FRANKLIN in an appearance at NYC’s Laugh Factory Club at annual Thanksgiving Feed shot personally by Mr. Hammond. This is hilarious rare footage of Joe doing stand-up, a must see! *as seen on The Aristocrats (film)
Joe Franklin Wiki http://en.wikipedia.org/wiki/Joe_Franklin
Joe Franklin (born Joseph Fortgang on March 9, 1926) is an American radio and television personality. From New York City, Franklin is credited with hosting the first television talk show. The show began in 1951 on WJZ-TV (later WABC-TV) and moved to WOR-TV (later WWOR-TV) from 1962 to 1993.[1]
After retiring from the television show, Franklin concentrated on an overnight radio show, playing old records on WOR-AM on Saturday evenings. He currently interviews celebrities on the Bloomberg Radio Network.[2]
An author, Franklin has written 23 books, including Classics of the Silent Screen.[3] His 1995 autobiography Up Late with Joe Franklin[4] chronicles his long career and includes claims that he had dalliances with Marilyn Monroe, Jayne Mansfield, and that Veronica Lake “threw herself at me, but I always refrained.”[5] He has appeared as himself in countless films, notably Ghostbusters and Broadway Danny Rose.
Franklin’s show was often parodied by Billy Crystal during the 1984–1985 season of Saturday Night Live. Franklin was also a pioneer in promoting products such as Hoffman Beverages and Ginger Ale on the air.[1]
Known as “the king of nostalgia”, Franklin’s highly-rated television and radio shows, especially a cult favorite to cable television viewers and his long-running “Memory Lane” radio programs, focused on old-time show-business personalities.
Franklin has an encyclopedic knowledge of the music, musicians and singers, the Broadway stage shows, the films and entertainment stars of the first half of the 20th Century, and is an acknowledged authority on silent film.
He began his entertainment career at 16 as a record picker for Martin Block’s popular “Make Believe Ballroom” radio program.
Among Franklin’s own idols, as he frequently told viewers, were Al Jolson, whom he literally “followed around” as a teenager in New York, and Eddie Cantor, who eventually began buying jokes from the young Franklin and whose Carnegie Hall show Franklin later produced.
Franklin would delight his audience with trivia about the most obscure entertainers from past generations and equally unknown up-and-comers from the present. His guests ranged from novelty performers like Tiny Tim, and Morris Katz to popular entertainers like Bill Cosby and Captain Lou Albano to legends like Bing Crosby, Charlie Chaplin, John Wayne, Marilyn Monroe, Cary Grant, John Lennon and Yoko Ono, but also frequently included (sometimes on the same panel) unknown local New York punk bands, self-published authors, “tribute” impersonator lounge singers, and the like, giving the show a surreal atmosphere that was part of its appeal.
Many of today’s well known talents such as Woody Allen, Barbra Streisand and Julia Roberts got their first television exposure on The Joe Franklin Show. Others, notoriously shy of live interviews, made frequent appearances on Franklin’s programs: Frank Sinatra, for instance, appeared four times.
Joe would appear on the very first episode of This American Life giving host Ira Glass advice on how to have a successful show.
In addition to his TV Talk Show, Joe appeared regularly with Conan O’Brien. He’s also seen on “The David Letterman Show,” “Live With Regis And Kathy Lee,” and has been mentioned several times on the hit cartoon series “The Simpsons.”
Producer Richie Ornstein has worked side-by-side with Joe Franklin for decades and was a standard feature on Joe Franklin’s Show to interact with guests and to discuss trivia.
In 1999 Joe Franklin and Producer Steve Garrin partnered with Restaurant Mogul Dennis Riese to open “Joe Franklin’s Memory Lane Restaurant”. It continued to operate as Joe Franklin’s Comedy Club until February 2010. — with Joe Franklin and Joe Franklin at Times Square NYC
Tuxedoed (and bearded in those days) Julian “Junior” Mance – jazz pianist, this was on May 7, 1990 – Junior as a member of the Faculty of The New School for Jazz and Contemporary Music where he presided for about 30 years
*Note: Be sure to check out my 5-part Junior Mance Interview available on Youtube – JH: http://youtu.be/8_RtxDg1z_0
- played on the historic evening I documented at the request of the late great alto saxophonist Arnie Lawrence, also on-faculty and co-founder or The New School for Jazz and Contemporary Music – this was the evening Mayor David N. Dinkins proclaimed May 7th as Cab Calloway Day in New York – and Cab was presented The Beacons in Jazz Award by jazz historian Phil Schaap – an incredible evening with concert including Jazz Survivors Band with Panama Francis, Milt Hinton, Eddie Barefield and more legends – then a large ensemble powered by the rhythm section of Bernard Purdie with Reggie Workman bass – horn section including the late great Arnie Lawrence, also Eddie Bert, Donald Byrd – many of these cats have passed on sadly, special appearance by Little Jimmy Heath conducting and playing soprano saxophone. Julian Junior Mance at the piano with Billy Harper on tenor sax – graduating saxophonist Walter Blanding Jr. played his old saxophone held together by rubber bands for the last time that night, as Cab Calloway personally presented him with a new Yamaha tenor saxophone which he immediately played “You’ve Changed” joined by the all-star band and Little Jimmy Scott vocals – Bill Cosby hosted the entire night and participated in the music with gusto – incredible historic evening that I personally documented – the project is now back in-progress 23 years later, Jon Hammond *special thanks Martin W. Mueller – Exec. Director The New School for Jazz and Contemporary Music, Arnie Lawrence R.I.P.
*Junior Mance Wiki: http://en.wikipedia.org/wiki/Junior_Mance
Julian Clifford Mance, Jr. (known as Junior Mance, born 10 October 1928, Evanston, Illinois) is an American jazz pianist and composer.
Junior Mance began playing the piano at the age of five, but did not begin formal training until the age of eight. He started playing professionally during his early teens. He attended Roosevelt College in Chicago as a music major.
In 1947 Mance left Roosevelt College to join Gene Ammons’ band and began his recording career with Gene. He joined Lester Young in 1949 for almost two years, and rejoined Ammons several months in 1951 before being drafted into the U. S. Army. He served in the 36th Army Band at Fort Knox, Kentucky along with Julian “Cannonball” Adderley.
After his discharge from the Army in 1953, he became part of the house rhythm section at the Bee Hive Jazz Club in Chicago for a year, and accompanied musicians such as Charlie Parker, Coleman Hawkins, Eddie “Lockjaw” Davis, Sonny Stitt, and many others.
In 1954 Mance joined and toured with Dinah Washington. Among the numerous recordings he made with her, there are two that really stand out in his memory: Dinah Jams and Jam Session. They are two live albums also featuring Clifford Brown, Max Roach, Clark Terry, Maynard Ferguson, Herb Geller, Harold Land, Keter Betts, George Morrow, Richie Powell.
In 1956 he reunited with Cannonball Adderley, becoming a member of Cannonball’s first organized working band. The band did a series of recordings on Mercury Records.
Junior joined Dizzy Gillespie’s band in 1958, a period Junior considers one of the highlights of his career. Besides the joy and fun of playing with Dizzy, he remembers this period as a great learning experience in musicianship, showmanship, and just about everything related to the business of music.
In 1961 Junior decided to form his own trio, following the release of his first recording as a leader. (Junior, Verve Records) In between gigs with his trio, with bassist Ben Tucker and Bobby Thomas on drums, he played and recorded with the Eddie “Lockjaw” Davis/Johnny Griffin Quintet. With his trio he also accompanied singer Joe Williams in 1963/64.
In 1988 Junior became a member of the faculty at The New School for Jazz and Contemporary Music in New York City. He teaches classes in Blues, Ballads, and also private lessons.
During the 1990s Junior has been part of a very elite group called “100 Gold Fingers”. This is a group which tours Japan every other year, consisting of ten outstanding jazz pianists. On various tours the group has included people such as Hank Jones, John Lewis, Tommy Flanagan, Kenny Barron, Ray Bryant, Roger Kellaway, Gene Harris, Marian McPartland, Barry Harris, Toshiko Akiyoshi, Lynne Arriale, Cyrus Chestnut, Benny Green, Duke Jordan, Joanne Brackeen, Monty Alexander, Dave McKenna, Renee Rosnes, Mulgrew Miller, Harold Mabern as well as Junior and a rhythm section consisting of bassist Bob Cranshaw and either Alan Dawson or Grady Tate on drums.
On November 21, 1997, at Tampa, Florida, Junior was inducted into the International Jazz Hall of Fame, an honor Junior is extremely proud of, being in the elite company of many of his heroes, both past and present.
Mance made his solo piano debut at Lincoln Center at the Kaplan Penthouse on October 5–7 of 2000.
The Junior Mance Trio (Jackie Williams, Hide Tanaka, and guest vocalist José James) released their first CD, Live At Cafe Loup, in 2007. Junior is still very active in NYC, Japan, and all over the world. — with Junior Mance at The New School for Jazz and Contemporary Music
Bernard “Pretty” Purdie tuxedoed at the drums
Josh Lief
Senior Assistant Attorney General and Section Chief at Office of the Attorney General – Commowealth of Virginia
Daniel Rogue
Le Lude, Pays De La Loire, France
Rick Sankey
Chicago Music
Ted Stilles
Montclair High School
Joe Berger
King at Self employed
Marc Perez
Teruo Goto
Works at Dirty old Musician.
Brian Banks
Malverne, New York
John Carlini
Berklee College of Music
James E. White
Largo, Florida
Eddie Bimonte
Owner at Eddie’s Pet Service
Mike S. Wartell
Photographer at Wartell Photography
Rainey Kato
Meguro-ku, Tokyo, Japan
Chris Foster
Land O’ Lakes, Florida
Robert Higgins
Asbury Park High School
Robbie Furlong
Holland Park High School
Scott Smith
Drummer at Playing Drums in Church
Bikki Johnson
Jeffrey Campbell
North Syracuse High School
RichmondMusic Page
Works at Richmond Music Center
Joanne Ruocco
Dean Kurtz
Fullerton College
Tony Santos
Paul Condon
Yutaka Sugiura
Jesse Kanner
CEO & Founder at Login Media
Toussaint Thompson
Facillitator at MDCPS
Martina Mummi
Alphonza Kee Sr Page II
Shaw University
Fedj Sylvanus
Live Sound Engineer at The palace
Giovanni de Liguori
Rolling Stones Sticky Fingers
Neal Grover
Kingston, New York
Tomoya Sugimori
Works at Nihon University 日本大学
Jeff Schneider
Oscar Vildosola
Mark Keppel High
Eliabe Acácio
Works at BRF Brasil Foods S/A ( Perdigão, Sadia, Batavo e Elegê )
Glyn Jones
University of Life
Jimi D’Andrea
Tim Watson
Works at Self Employed and Loving It!
Brian Knight
Arthur Regis
Trinity College Of Music, London
Robert McNamara
J.P. Stevens High School
Vinny Nicosia
Gene Zwicharowski
Superintendent Underground Div./ Drummer Pocket Ful of Soul at C.j.fucci construction
Decco Takano
Meijo University
Jack Bonacorso
Cardinal Spellman High School
Phil Bennett
Honolulu, Hawaii
Ajit Betageri
University of British Columbia
Paul Campanella Jr.
Las Vegas, Nevada
John Ratso Gerardi
CEO & Founder at Lenox Sound Recording Studio
Bobby Cattrano
State University of New York at Farmingdale
Cleve Warren
Oklahoma City University
Bruce Pollack
Part Time Drummer at Musician
Tim Adger
Aaron Comess
The New School for Jazz and Contemporary Music
Malcolm Lukens
L.A. Valley College
Gene Kelly
Co Owner at Kelly’s Gingernut Pub
Lorraine Imbriano Jackson
Bobpat Hern
Mike O’Keeffe
Robyn Curleighhead
Michael Anderson
Lawrenceville, New Jersey
Giannis Giannakopoulos
Sean Walker
University of the Arts
John Diss
Jody Cortez
Los Angeles Valley College
Andrei Bourtsev
Chris Remediani
Vocalist/Guitarist at The 70′s Project
Celia Thompson
Staten Island, New York
Yuko Doi
Artist at ボーグミュージック
Andy Urquhart
Wimborne, Dorset, United Kingdom
Seigo Sato
代表取締役社長 at 株式会社トーシン
Greg Dwinell
Works at Musician, Orange Sound, Audio Museum of Science Inc
Daniel Jacoubovitch
Fred Taylor
Worked nationwde as drummer/percussionist/arranger/producer/audio engineer at Self-employed drummer, composer, producer.
Bart Spits
Works at Diverse Muziek
Jack McKeever
Works at The Maid’s Room
– 4th Beacons in Jazz Awards Ceremony & Concert May 7, 1990 in the little theatre on 13th St., Mayor David N. Dinkins proclaimed May 7th as Cab Calloway Day in New York – and Cab was presented The Beacons in Jazz Award by jazz historian Phil Schaap – an incredible evening with concert including Jazz Survivors Band with Panama Francis, Milt Hinton, Eddie Barefield and more legends – then a large ensemble powered by the rhythm section of Bernard Purdie with Reggie Workman bass – horn section including the late great Arnie Lawrence, also Eddie Bert, Donald Byrd – many of these cats have passed on sadly, special appearance by Little Jimmy Heath conducting and playing soprano saxophone. Julian Junior Mance at the piano with Billy Harper on tenor sax – graduating saxophonist Walter Blanding Jr. played his old saxophone held together by rubber bands for the last time that night, as Cab Calloway personally presented him with a new Yamaha tenor saxophone which he immediately played “You’ve Changed” joined by the all-star band and Little Jimmy Scott vocals – Bill Cosby hosted the entire night and participated in the music with gusto – incredible historic evening that I personally documented – the project is now back in-progress 23 years later, Jon Hammond — with Bernard Purdie and Bernard Purdie at The New School for Jazz and Contemporary Music
New York NY — Martin W. Mueller Executive Director of The New School for Jazz and Contemporary Music program last night – 2 images with special jazz friends of mine also, first image with Howard Mandel – President of Jazz Journalists Association, Author, Producer/Host on NPR Radio & Professor at NYU –
2nd image, Martin with Jason Olaine – Jason is currently Director of Programming at JALC Jazz At Lincoln Center, he worked for a long time with Monterey Jazz Festival as General Manager and created a label there – before that he booked Yoshi’s in Oakland CA and gave me a nice gig at the old Yoshi’s on Claremont Ave. when I had just come back from living in Paris France back in 1994, good to see these cats at this very special VIP reception for the Jazz Journalists Association hosted by New School for Jazz and Contemporary Music at a place in the Village known as LPR Le Poisson Rouge 158 Bleecker Street in the heart of the Village, good party, thanks Martin! Jon Hammond — with Martin W. Mueller and Howard Mandel at (le) poisson rouge
VIP Dinner Reception May 7, 1990 for Cab Calloway at Garvin’s Restaurant in Greenwich Village Soho, L to R: Bill Cosby, Cab Calloway seated, Little Jimmy Scott, Joe Williams the famous singer who shot to fame with the Count Basie Orchestra
- this was just before joining a host of legendary musicians and the first graduating class of The New School for Jazz and Contemporary Music in the little theatre on 13th St., Mayor David N. Dinkins proclaimed May 7th as Cab Calloway Day in New York – and Cab was presented The Beacons in Jazz Award by jazz historian Phil Schaap – an incredible evening with concert including Jazz Survivors Band with Panama Francis, Milt Hinton, Eddie Barefield and more legends – then a large ensemble powered by the rhythm section of Bernard Purdie with Reggie Workman bass – horn section including the late great Arnie Lawrence, also Eddie Bert, Donald Byrd – many of these cats have passed on sadly, special appearance by Little Jimmy Heath conducting and playing soprano saxophone. Julian Junior Mance at the piano with Billy Harper on tenor sax – graduating saxophonist Walter Blanding Jr. played his old saxophone held together by rubber bands for the last time that night, as Cab Calloway personally presented him with a new Yamaha tenor saxophone which he immediately played “You’ve Changed” joined by the all-star band and Little Jimmy Scott vocals – Bill Cosby hosted the entire night and participated in the music with gusto – incredible historic evening that I personally documented – the project is now back in-progress 23 years later, Jon Hammond — with Bill Cosby, Bill Cosby, Cab Calloway, Little Jimmy Scott and Joe Williams
Beacons in Jazz, Cab Calloway, Bernard Purdie, Martin W. Mueller, Parsons New School, Jon Hammond, Bill Cosby, Mayor David Dinkins, Jazzkeller, Musikmesse, Local 802, Musicians Union
Atlanta GA — A very special performance by US Army Blues Pershing’s Own Jazz Band at the JEN Jazz Education Network Conference 2013. A wonderful arrangement by SFC Graham Breedlove – Trumpet Chair of this fine ensemble. You can actually see and read down SFC Graham Breedlove’s trumpet part online – for PDF of his music: http://www.usarmyband.com/recording_notes/pdf/blues-something-old/precious-lord-score-and-parts/precious-lord-trumpet-1.pdf
Director Conductor: Chief Warrant Officer Four Gordon K. Kippola
video by Jon Hammond at evening concert Jazz Education Network Conference in the ballroom of Hyatt Regency Atlanta GA. Special thanks to these fine musicians and Mary Jo Papich
**Really great solos from SSG Victor Barranco trombone and SFC Graham Breedlove trumpet – JH
THE U.S. ARMY BLUES PERSONNEL ROSTER
CW4 Gordon K. Kippola, Seabeck, WA, DIRECTOR
The U.S. Army Blues
SAXOPHONE
SFC Antonio L. Orta, Guanica, PR
SFC Bill E. Linney, Buies Creek, NC
SFC Joseph D. Henson, Rock Hill, SC
MSG John W. DeSalme, Iowa City, IA *
MSG David T. Brown, Ballston Lake, NY
TRUMPET
SFC Mark A. Wood, Gainesville, FL
SFC Kenneth W. McGee, Stafford, VA
SFC Graham E. Breedlove, Lafayette, LA ‡‡
SGM Craig C. Fraedrich, Menomonee Falls, WI ††
MSG Kenneth R. Rittenhouse, Fairmont, WV *
TROMBONE
MSG Matthew F. Niess, Levittown, PA
MSG William L. Holmes, Philadelphia, PA *
SSG Victor Barranco, North Pole, AK
SFC Jeffrey J. Cortazzo, Palmerton, PA ‡‡
PIANO
SGM Anthony W. Nalker, Lewisburg, WV †
GUITAR
SGM James F. Roberts, Washington, DC ‡
BASS
SSG Regan Brough, Orem, UT
DRUMS
MSG Steve Fidyk, Wilkes-Barre, PA
Atlanta GA — CNN Center as seen from 60 floors up – Jon Hammond
http://en.wikipedia.org/wiki/CNN_Center
The CNN Center is the world headquarters of the Cable News Network (CNN). The main newsrooms and studios for several of CNN’s news channels are located in the building. The facility’s commercial office space is occupied entirely by CNN and its parent company, Turner Broadcasting System, a division of Time Warner. The CNN Center is located in Downtown Atlanta, Georgia, adjacent to Centennial Olympic Park.
The CNN Center opened in 1976 as the Omni Hotel, which was a development by Cousins Properties Inc. as that was unsuccessful until CNN moved its headquarters there in 1987 from its Midtown Atlanta site (old home of the Progressive Club on 1050 Techwood Drive and home to Turner Broadcasting System).[1] The facility originally offered office space to various business tenants, as well as consulates over the years. The main floor featured an indoor ice skating rink, as well as a small number of restaurants and a Gold Mine video arcade. More famously, Sid and Marty Krofft built an indoor amusement park called The World of Sid and Marty Krofft, inspired by the creations of the popular children’s television producers. The park was the first indoor theme park and opened in 1976, it closed within six months. The complex also featured a multi-screen movie theater. For years, the theater offered showings of Gone with the Wind, Ted Turner’s favorite movie. The theater was replaced during renovations to put in a new newsroom for CNN’s website operations. The ice skating rink was filled in and a mosaic map of the world replaced it (featuring brass markers indicating the locations of CNN bureaus around the world). When CNN networks moved in in 1987, CNN Headline News (now known as HLN) was the first network to broadcast a show from it at 3.00 ET with its program # 96,115. Their sister channel started live programming at 6.00 ET of that day.
Debris from tornado in front of CNN Center
On March 14, 2008, a EF-2 [2] tornado passed through downtown Atlanta, damaging the CNN Center and leaving water and dust in the upper floors. The ceiling of the atrium was also damaged, causing water to pour in and partially flood the food court. CNN’s library was damaged, although it is unknown at the moment how much of its archives were damaged.[3] Numerous injuries and widespread damage were reported overall. The Omni Hotel, attached to the CNN Center, was evacuated as a precaution, and more than 400 rooms had to be emptied of occupancy for two weeks.
Atlanta GA from 60 floors up – Atlanta is the official capital of Georgia and is a city of Skyscrapers – Jon Hammond from 60 floors above Atlanta
List of tallest buildings in Atlanta: http://en.wikipedia.org/wiki/List_of_tallest_buildings_in_Atlanta
Atlanta, the capital and largest city of the U.S. state of Georgia, is home to 256 completed high-rises,[1] 37 of which stand taller than 400 feet (122 m). The majority of the city’s skyscrapers are clustered around Peachtree Street in the Downtown, Midtown, and Buckhead neighborhoods, with the suburban city of Sandy Springs also being the site of several skyscrapers. The tallest building in Atlanta is the 55-story Bank of America Plaza, which rises 1,023 feet (312 m) and was completed in 1992.[2] The Bank of America Plaza is also the tallest building in the United States outside of New York City and Chicago,[3] and the 9th-tallest building in the U.S. overall. The second-tallest building in Atlanta is SunTrust Plaza, which rises 871 feet (265 m).[4]
The history of skyscrapers in Atlanta began with the completion in 1892 of the Equitable Building.[5] The city later went through a major building boom that began in the 1980s and continued until the mid-1990s; the majority of the city’s skyscrapers, including its four tallest, have all been completed since 1985. Overall, Atlanta is the site of 15 completed buildings that are at least 492 feet (150 m) high. As of 2012, the skyline of Atlanta is ranked second in the Southeastern United States (behind Miami), seventh in the United States and 30th in the world with 56 buildings rising at least 330 feet (100 m) in height.[6] Of the 20 tallest buildings in Georgia, 18 are located in Atlanta;[7] the other two, Concourse Corporate Center V & VI are located in the neighboring city of Sandy Springs and stand as the tallest suburban buildings in the country.
NEA Jazz Master Dave Liebman burning it up with The University of Miami Frost Concert Jazz Band at 4th annual JEN Jazz Education Network Conference
- Atlanta GA – Jon Hammond
This is a priceless photo: Gary Campbell great tenor saxophonist, composer, bandleader, educator
http://www.garycampbelljazz.com/ receiving a visit from his teacher – Dr. David N. Baker http://www.davidbakermusic.org/ past president of IAJE, author, world renowned musician educator – at 4th annual JEN Jazz Education Network Conference Atlanta GA after Gary’s quartet concert which was superb! Jon Hammond — at Hyatt Regency Atlanta
Jon Hammond with Javon Jackson Donald Meade Jazz Historian, Joe Chambers, Martin W. Mueller Exec. Director New School Contemporary Jazz Program
- here at the 4th annual JEN Jazz Education Network Conference – Atlanta GA – wonderful stories at this table folks! JH — with Javon Jackson and Martin W. Mueller at Hyatt Regency Atlanta
Martin W. Mueller Executive Director of New School Contemporary Jazz Program with one of his outstanding Alums – saxophonist composer bandleader Alex Graham, now living in Nashville – Alex has done well for himself and has a beautiful family – smokin’ quartet performance today here in Atlanta GA at 4th annual JEN Jazz Education Network Conference – Alex is a Jupiter endorsee
- Jon Hammond — with Martin W. Mueller and Alex Graham at Hyatt Regency Atlanta
Benjamin Toman
Cynthia Cawthorne
Graceland University
Jessica McAuliffe Graham
Boston, Massachusetts
Dixie Thompson
Pensacola, Florida
Bob Hull
Attorney at Law at Lewitt Hackman
Andrew Nichols
Musician/Private Woodwinds Instructor at Myself
Kimberly Lotoszinski Turrell
East Lansing, Michigan
Valerie Porter
Homemaker at None
Bill Liebold
Monika Ryan
Steve Urick
Shizuoka-shi, Shizuoka, Japan
Leron Thomas
The New School for Jazz and Contemporary Music
George D. Goodman
Eastern Michigan University
Steven Oberndorf
Counsel at McKay Hochman Company, Inc.
Paul Jobin
Financial Advisor at MassMutual
Gene Perry
Northern Michigan University
Jon Hammond with the great Wycliffe Gordon playing his famous soprano trombone – incredible and super-soulful musician & vocalist / composer arranger folks! *Feature performer with US Army Blues “Pershing’s Own” Jazz Orchestra at 4th annual JEN Jazz Education Network Conference – Atlanta GA , bravo Wycliffe!!
- JH — with Wycliffe Gordon at Hyatt Regency Atlanta
Blues Brothers from Different Mothers – Tom Bones Malone and Jon Hammond at 4th annual JEN Jazz Education Network Conference – Atlanta GA *video of Tom’s concert to come..
Tom interview with Jon backstage Ed Sullivan Theatre:
Youtube http://youtu.be/bxLx2tXAAZw
Tom Bones Malone of Paul Shaffer and the CBS Orchestra Late Show with David Letterman on HammondCast Show KYOURADIO interview with Jon Hammond and Tom, covering his entire career including 10 years with Saturday Night Live as Musician and Music Director. Long time association with Gil Evans, Doc Severensen, featured in movie “Blues Brothers” and tours. Arranger, multi-instrumentalist speaking with Jon just prior to daily taping of Late Show in the Ed Sullivan Theater dressing rooms.
— with Tom Bones Malone and Tom ‘Bones’ Malone at Hyatt Regency Atlanta
Bob Cranshaw the great Jazz bassist, recording artist, educator and Local 802 Jazz Consultant Executive Board Member here interviewed by Jon Hammond at the 2013 JEN Jazz Education Network Conference in Atlanta GA. Bob tells an incredible story about the recording date with Lee Morgan on the classic album The Sidewinder.
Bob Cranshaw Wiki http://en.wikipedia.org/wiki/Bob_Cranshaw
special thanks to Mary Jo Papich, Rick Condit – Jazz Education Network http://www.HammondCast.com
Atlanta GA — Army Blues “Pershing’s Own” with Wycliffe Gordon – incredible smokin’ concert last night at 4th Annual JEN Jazz Education Network Conference 2013 – Jon Hammond
— with Wycliffe Gordon at Hyatt Regency Atlanta
2 of my favorite musician Bob’s: Bassist Bob Cranshaw and tenor saxophonist Bob Mintzer in Atlanta GA at the 4th annual JEN Jazz Education Network Conference
- Jon Hammond
Jon Hammond and Frank Alkyer at the very prestigious DownBeat Magazine Stand
at 4th annual JEN Jazz Education Network Conference – Atlanta GA http://www.namm.org/nammu/presenters/frank-alkyer
Frank Alkyer is the publisher of DownBeat, Music Inc. and UpBeat Daily magazines–all produced by Maher Publications, a family-owned company based in Elmhurst, Ill. He joined the company as editorial director in 1989 and he was named associate publisher in 1992 and publisher in 2003.
Alkyer began his career as a newspaper reporter. In the early 1980s, he served as statehouse reporter for the Youngstown Vindicator in Youngstown, Ohio. He then served as a general assignment reporter for the Jersey Journal in Jersey City, New Jersey, where he covered everything from police and city hall to entertainment and business.
He is a founding board member of Jazz Alliance International and the Jazz Education Network as well as an advisory board member of the Thelonius Monk Institute of Jazz and the Litchfield Jazz Festival. He is also a member of American Society of Business Publication Editors.
He has proudly hosted Best In Show at NAMM since its inception in 2005.
Alkyer lives in the Chicago area with his wife and daughter. Every now and again, he still finds time to go into the basement and play a little guitar. He plans to get really good when he retires in about 30 years and has more time.
Teruo Goto
Works at Dirty old Musician
Elizabeth Levy
Works at 3rd satellite from our Sun
Joe Berger
King at Self employed
Gale Nudelman
Works at Gap
Lori Helfand
The Ohio State University
Andrew Hadro
Musician at Freelance
Gary Burton
Entertainment at ABC News Radio
Dalya Azaria
Katherine White
The Ohio State University
Pete Gamber
Educational Rep Southern California at Music & Arts
Sue Neely Hagedorn
Albion College
Mark J Williamson
Owner/ President at Williamson Music Co.
John Hasse
Curator of American Music at Smithsonian Institution, National Museum of American History
Tom Olsen
Marietta, Georgia
Yoichiro Hamahara
代表取締役 at 株式会社エス・ディ・アイ
Shari Giddens Helmer
Hod HaSharon
Katie Maher
Once upon a time at Maher Publications aka Down Beat
The great Brazilian bassist Nilson Matta thanking the owner of the beautiful seasoned acoustic bass, before playing the hell out of it “Samba Meets Jazz!” at 4th annual JEN Jazz Education Network Conference – Atlanta GA
http://en.wikipedia.org/wiki/Nilson_Matta
Nilson Matta is a premier Brazilian bassist and composer. He has been based in New York City since 1985. He is also known for his work with Trio Da Paz, Don Pullen African Brazilian Connection, Joe Henderson, Yo Yo Ma and Nilson Matta’s Brazilian Voyage.
Nilson’s latest project, called Nilson Matta’s Brazilian Voyage, is an exciting group playing many of Matta’s original songs mixed with Brazilian standards. For this album, Nilson called Harry Allen, Anne Drummond, Klaus Mueller, Ze Mauricio and Mauricio Zotterelli into the studio. The album, produced by Nilson and Luisa Matta is dedicated to his native country of Brazil. It literally takes the listener on a “Brazilian Voyage” through the many regions of that country.
Jon Hammond, bassist Bob Cranshaw, trumpeter Blake Martin at Local 802 Musicians Union stand at 4th annual JEN Jazz Education Network Conference – Bob Cranshaw’s career career spans the heyday of Blue Note Records to his recent involvement with the Musicians Union –
known to many as long-time bassist on Sesame Street TV Show – http://en.wikipedia.org/wiki/Bob_Cranshaw
Melbourne R. “Bob” Cranshaw (born December 10, 1932, in Evanston, Illinois) is an American jazz bassist. His career spans the heyday of Blue Note Records to his recent involvement with the Musicians Union. He is perhaps best known for his long association with Sonny Rollins. Cranshaw has been in Rollins’s working band on and off for almost five decades, starting with the 1962 album The Bridge.
Some of Cranshaw’s best-known performances include on Lee Morgan’s The Sidewinder and Grant Green’s Idle Moments. Cranshaw also served as the sole session bassist to Sesame Street and The Electric Company songwriter and composer Joe Raposo, and played bass guitar on all songs, tracks, buttons and cues recorded by the Children’s Television Workshop during Raposo’s tenure.
Although he lacks the name recognition of other bassists, Cranshaw has performed and recorded with a wide range of leading jazz artists, including Ella Fitzgerald, Dexter Gordon, Grant Green, Coleman Hawkins, Jimmy Heath, Joe Henderson, Johnny Hodges, Freddie Hubbard, Bobby Hutcherson, J. J. Johnson, Jackie McLean, Hank Mobley, Thelonious Monk, James Moody, Lee Morgan, Wes Montgomery, Oscar Peterson, Buddy Rich, George Shearing, Wayne Shorter, Horace Silver, Shirley Scott, Stanley Turrentine, McCoy Tyner, Sonny Rollins, George Benson, and Joe Williams.
Along with Wes Montgomery’s brother Monk, Cranshaw was among the early jazz bassists to trade his upright bass for an electric bass. He was criticized for this by jazz purists, although he was forced to switch by a back injury incurred in a serious auto accident.
Throughout his long and distinguished career he has also performed on hundreds of television shows and film and television scores. He appears on The Blue Note Story, a 90-minute documentary of the famed jazz label.
Cranshaw was also a founding member of the short-lived MJT + 3 (Modern Jazz Two) that included Frank Strozier on alto saxophone, Harold Mabern on piano, Willie Thomas on trumpet, and Walter Perkins on drums. The Chicago-based group produced several albums, a number for Vee-Jay Records. Another vintage Cranshaw jam, 1964′s Blue Flames, featuring Shirley Scott, Stanley Turrentine and Otis Finch, was recorded for Prestige Records. Cranshaw also played live shows for tap dancer Maurice Hines, along with friend and drummer Paul Goldberg.
US Army Blues, Pershing’s Own, Precious Lord, JEN 2013, Jazz Education Network, Hyatt Regency Atlanta, Spiritual, Victor Barranco, Graham Breedlove, Gordon K. Kippola, Musicians Union
Manhattan by Night, Louis Vuitton, Bulgari, Apple Store Fifth Ave., Times Square, Mickey Mouse, Local 802, Musicians Union, Organ, Jazz, Blues, Soft News
Duo Session, Last night, Richard Clements, 802 bandstand, Jon Hammond, Jazz, Organ, Blues, Manhattan, distinguished career, music
NDR Sessions
Jon Hammond at the Sk1 organ with great players Greg Osby alto, Juan Alzate tenor, Willie Bradley trumpet, Jason Palmer trumpet, Tim Green alto, Alejandro Chiabrando tenor and more – special thanks Alex Mingmann Hsieh, Yao Shake, Agnieszka Obrebska and all Team P.Mauriat, Jim Wischmeyer Bag End Powered Speakers – see you next year at NAMM 2014, go for the sound! Jon Hammond 
Blip TV 
P.Mauriat, Go For The Sound, Sunday Blues Session, Saxophones, Trumpets, Organ, NAMM Jam, Anaheim *WATCH THE VIDEO HERE: 
new slogan “The Sound, The Soul, The One” and a “neo-retro” look – forego the imposters and say “Make Mine Hammond” 
Blip TV 
Denny Mack and Scott May – photo: Jon Hammond 
Chester Thompson flanked by Jon Hammond and Scott May 
Power Shot L to R: Masato Tomie, Jon Hammond, Scott May, Yu Beniya, Masuo Terada 
Power Shot L to R: Jon Hammond, Masuo Terada, Shuji Suzuki 
Drummer Jay Dittamo speaking with Dr. Lonnie Smith on the bandstand, while Leo Stillo checks messages by the console 
Chester Thompson, Doc Lonnie, Jay Dittamo in action – Jon Hammond 
Jim Wischmeyer Bag End Speakers and Jon Hammond >
*WATCH THE VIDEO HERE: 
Yao Shake (謝瑤) and Jon Hammond 
Jon Hammond at the Sk1 organ with great players Greg Osby alto, Juan Alzate tenor, Willie Bradley trumpet, Jason Palmer trumpet, Tim Green alto, Alejandro Chiabrando tenor and more – special thanks Alex Mingmann Hsieh, Yao Shake, Agnieszka Obrebska and all Team P.Mauriat, Jim Wischmeyer Bag End Powered Speakers – see you next year at NAMM 2014, go for the sound! Jon Hammond 
