Behind The Beat LATE RENT ASCAP BTB Piece Jon Hammond Multimedia Story

September 27, 2016

#WATCHMOVIE HERE: Behind The Beat LATE RENT – ASCAP BTB Piece Jon Hammond Multimedia Story

Jon’s archive https://archive.org/details/BehindTheBeatBTBASCAPAudioPortraitLateRentJonHammondShow

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Youtube https://youtu.be/63ErHjQcRGU

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Topics MNN TV, #ASCAPEXPO, Jon Hammond, Public Access, Melody, Hammond Organ, Sk1, B3, Accordion, Musicians Union, Local 6, Local 802

Jon Hammond with ASCAP’s Seth Saltzman – Protect Your Music! – ASCAP I Create Music Expo Hollywood CA

Jon Hammond in concert Behind the Beat with Landesjugendjazzorchester Mecklenburg-Vorpommern in Zeughaus Wismar

Hillary took the Trump Chump to the Shed last night! No doubt about it:

Jon Hammond television interview with the great Roy Clark in Nashville!

Jon Hammond: Late Rent
by Steve Rosenfeld
Jon Hammond says “the fingers are the singers.’” The latest CD from this exceptional and soulful Hammond organist is the proof. “Late Rent” draws on decades of great recording sessions and top live performances to showcase his own playing and many top jazz and funk artists. It shows why the Hammond organ is one of the most enduring electric instruments and why Hammond is one of its best players.
Late Rent
Label: Ham-Berger-Friz Records
Genre: Jazz
All Jon Hammond profiles…
The Late Rent Story
Jon Hammond waited half his life to make this CD – starting with being an underground TV host.
Swingin’ Funky Jazz & Blues
Jon Hammond describes his style of music and how he learned to play it.
Two Hot Tracks
Jon Hammond recalls one of his first songs – from age 15 – and a great Sunday session.
Sonny’s Advice
A little advice on melody from a great sax player went a long way.
http://behindthebeat.com/2004/12/jon-hammond-late-rent/

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Jon’s archive https://archive.org/details/JonHammondBand2ndSetAfterBirthdayCakeBreak

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Youtube https://youtu.be/o2–TIC-frk

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Jazzkeller, Frankfurt, Musikmesse, Warm Up Party, Hammond Organ, Jon Hammond Band, Jazz, Blues

Note from Jon Hammond
Video: Tino Pavlis​
https://www.facebook.com/notes/jon-hammond-band/best-party-of-the-year-jon-hammonds-annual-musikmesse-warm-up-party-in-jazzkelle/1107482975950736
Best Party of The Year! Jon Hammond’s annual musikmesse​ Warm Up Party in Jazzkeller​ Tuesday April 5th 2016 celebrating 30 years
Jon Hammond​ – organ Joe Berger​ – guitar Peter Klohmann​ – saxophone Giovanni Totò Gulino​ – drums Mr. Hammond has toured worldwide since 1991 using the incredible Sk1 organ by Hammond Suzuki..™ “Classic Hammond Sound…In A Suitcase!” The Jon Hammond Show is a funky swinging instrumental revue, featuring top international soloists. The show has universal appeal. Big Hammond orgel sound – 100% organic – Jon’s birthday cake by Saray Pastanesi​ Jon Hammond Band​

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Bringing Back Sony Tape Recorder Audio Transfer Project Jon Hammond rock band Hades 1971 recordings Archive at CHRS

Radio Clinic at California Historical Radio Society, Elmo disassembles Jon Hammond’s TC-366 tape deck on the bench from Kozo Ohsone Sony Tape Recorder

Division to play back 40 year old archive recording Berkeley El Cerrito based band HADES recorded live at Provo Park in Berkeley and at rehearsal garage

on Carlson Blvd. Richmond recorded on a TC-366 sound on sound reel to reel tape deck, here is the machine on the bench with Elmo:

Elmo discussing remedy for glazed pinch roller with radio engineer Art Lieberman:

AMPEX 354 Tape Deck in KRE dubbing studio:

CHRS President Steve Kushman at the GATES Audio Board transferring from Analog to Digital:

Sony TC-366 project machine:

http://www.archive.org/details/HammondCast_19_1

HammondCast 19 starts out in Frankfurt Germany recording in AFN Europe Headquarters on one big tube microphone featuring Hungarian tenor saxophone star TONY LAKATOS, now a member of the HR Radio Big Band. And a slow rainy day Blues featuring guitarist JOE BERGER and RAY GRAPPONE drums, Jon on the XB-2 organ/bass. Also a 35 year-old recording of my old rock band HADES and a shout out to the bass player STEVE WRIGHT who is recuperating from a stroke and heart attack but is now starting to speak again, get better Steve! From there to 1995 recording in LE BAR BAT NYC playing Jon’s tune “Pocket Funk”. A song I recorded with Eddie Money that is close to Eddie’s heart: “I’ve Been Lovin’ You Too Long” for all the Eddie Money freaks out there. I just saw Eddie in NY and he’s doin’ fine, still touring in a city near you! And finally ending up back in AFN Europe Headquarters playing Jon Hammond’s theme song: “LATE RENT”, dedicated to YOU of KYOU the your Rent will never be Late! http://www.HammondCast.com

HADES R to L: Steve Wright bass vocals, Jimmy Thorsen guitar vocals, Dave Danza drums, Jon Hammond organ electric piano

Earlier version of Hades Blues Works L to R: Jim Thorsen, Jon Hammond Greg Boykin drums R.I.P. Eddie Sanchez, Steve Wright picture outside Carlson Blvd. Richmond rehearsal space, Jerry Figone was manager at that time, road crew – Kent & Gary Leone:

Jon’s archive https://archive.org/details/TrainSongMusikmesseWarmUpParty

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Youtube https://youtu.be/ibPxc0shd8Y

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Jon Hammond original composition “Train Song” performed at Jon’s annual musikmesse Warm Up Party in the world famousJazzkeller Frankfurt

– Jon Hammond Band: Giovanni Totò Gulino drums, Peter Klohmann tenor saxophone, Joe Berger guitar, Jon Hammond Sk1 Hammond organ – special thanks to Frank Poehl for operating the camera – http://www.HammondCast.com/ ©JH INTL ASCAP Publishing JON HAMMOND International

Producer Jon Hammond
Language English

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Topics Train, Song, Hammond organ, Warm Up Party, Jon Hammond, jazzkeller, Frankfurt, Jazz, musikmesse, Peter Klohmann, Giovanni Totò Gulino, Joe Berger, ASCAP Composer

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Jon’s archive https://archive.org/details/JonHammond_TributetoVictimsof9_11_JONHAMMONDBand

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Youtube https://youtu.be/OzRVyWFhkek

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TONY LAKATOS-tenor sax HEINZ LICHIUS-drums JOE BERGER-guitar JON HAMMOND-XB-2 Organ/Bass *at JAZZKELLER Frankfurt
Special Thanks Eugen Hahn jazzkeller

Get Back in The Groove composed by Jon Hammond ©JH INTL Jon Hammond International ASCAP

Jon’s archive https://archive.org/details/JonHammondJazzKneipeFrankfurtJonHammondBandFunkyHeadPhone

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Youtube https://youtu.be/uwm1evylatI

3,226 views
#3226

Rare Footage from inside Jazz Kneipe Frankfurt!

I played 207 gigs in the famous JAZZ KNEIPE Frankfurt at Berlinerstr. 70 until Regina the boss finally closed the doors and moved to Spain a few years ago, usually in Duo, sometimes as Trio but more often than not as Solo. This was a special occasion because my bandmates from California came over so I had them on the gig with addition of Sgt. Al Wittig of U.S. Air Force on tenor, James Preston of Sons of Champlin band drums, Barry Finnerty gtr., myself Jon Hammond at XB-2 Hammond organ. This was a very special place frequented by all the musicians after there gigs. A 5 hour gig until wee hours of the morning, Live Music 7 days a week in rotation with musicians like Piano George, Izio Gross, Wilson de Oliveira and members of HR Bigband. Regina introduced me to Tony Lakatos the Hungarian tenor saxophonist who I play with still today. The club was not large but it had a great atmosphere and was always a safe place to hang out until as late as 5AM. Sadly the Jazz Kneipe is still shuttered there on Berlinerstr. directly behind the Frankfurter Hof Hotel. All musicians tip their hat when they pass by. There’s a lot of music in those walls!

Jon Hammond Band original composition “Head Phone” with Atilla Zoller (RIP) in the house that night. ©)JHIntl. Jon Hammond International http://www.HammondCast.com

Facebook video https://www.facebook.com/hammondcast/videos/10150741062342102/

Jon’s archive https://archive.org/details/JonHammondTAKAonHammondCastNarita

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Topics TAKA, Takamitsu Yashiro, Blue Groove Sessions, Harley Davidson, Fender Telecaster, Jon Hammond, HammondCast, Kamakura, Japan

TAKA Blue Groove Sessions on HammondCast KYOU Radio interview with Jon Hammond in Narita Japan. Guitarist producer and Harley Daivdson chopper from Kamakura

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Youtube https://youtu.be/mzlEIFvJPV4

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Interviews Sennheiser Jon Hammond Headphones Microphones Organ Accordion Music Archive NAMM Musikmesse
http://jonhammondband.com/blog.html/interviews_sennheiser_jon_hammond_headphones_microphones_organ_accordion_music_archive_namm_musikmesse/ – Jon Hammond

L to R Dr. Andreas Sennheiser, Jon Hammond, Daniel Sennheiser

Parking lot of Sennheiser Headquarters in Wedemark Germany, Knut Benzner of NDR with 421 mic and Norbert Hilbich long-time Sennheiser man!

Jon Hammond using Sennheiser e855 evolution microphone on interview with Tommy Denander and Mathias Melo in Hollywood

Menlo Park Facebook https://www.facebook.com/hammondcast

#MenloPark #Facebook

Behind The Beat, Late Rent, Jon Hammond, #ASCAP #Facebook #MenloPark #Multimedia #HammondOrgan

Flashback to good old MPCS on 57th Street Jon Hammond Cocktail Piano Reception

September 27, 2016

#WATCHMOVIE HERE: Flashback to good old MPCS on 57th Street Jon Hammond

Jon’s archive https://archive.org/details/JonHammondFlashbacksLarge540p

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Youtube https://youtu.be/nT0P7U_UTj8

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Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics cocktail piano, jon hammond, mpcs, manhattan, standards, studios

Flashing back a few years to playing cocktail piano at a cocktail party in the old MPCS Studios on West 57th Street on Video Row in Manhattan NYC – Jon Hammond camera by Joe Berger was a nice party http://www.HammondCast.com/ — at Manhattan, NY.

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Jon’s archive https://archive.org/details/JonHammondBandAtXK5OrganDebutHammondOrganUSAPartySoundCheckNashville

Youtube of https://youtu.be/Zse4xuv6-eg

Jon Hammond Band at XK-5 Organ Debut Hammond Organ USA Party SoundCheck Nashville: Kayleigh Moyer drums, Chuggy Carter congas percussion, Joe Berger guitar, Jon Hammond at the new XK-5 organ – Summer NAMM 2016 fifth Sound Soul Summit Hammond Organ USA co-sponsored by Keyboard magazine and SoundCheck Nashville
LLC, Nashville – Event: “the first public showing of Hammond’s new XK-5
organ and Heritage Series expanded systems, which represent the cutting
edge of technology applied to recreating the precise touch, feel, and sound of the classic Hammond B-3.

Jon’s archive https://archive.org/details/MelodyWithoutNameByJonHammondBand

Melody Without Name by Jon Hammond Band in Jon’s annual musikmesse Warm Up Party in the world famous Jazzkeller Frankfurt – Joe Berger guitar, Giovanni Totò Gulino drums, Peter Klohmann tenor saxophone, Jon Hammond at the Hammond Sk1 organ http://www.HammondCast.com Video: Tino Pavlis

Youtube https://youtu.be/LJTgPjiu-uw

Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics Melody, Warm Up Party, jazzkeller, Frankfurt, Musikmesse, Hammond Organ, Jon Hammond Band

Hammond XK-5 aka Flexi-B Top Secret Organ Programmable Multi Contact Keys with MTW 1 Modeled Tone Wheel Generator

Hammond Flexi-B Top Secret Organ
with 9 contact keyboards! – Jon Hammond at musikmesse with Suzuki Musical Instruments Prototype Debut

Jon’s archive https://archive.org/details/MichaelFalkensteinAndJonHammondMusikmesse

Flashbacks, MPCS New York, 57th Street, #CocktailPiano #Manhattan #ProVideo #HammondOrgan

Moscow Russia Jazz Concert LYDIA’S TUNE Jon Hammond Trio with Igor Butman sax Ed Zizak drums

September 27, 2016

#WATCHMOVIE HERE: Moscow Russia Jazz Concert LYDIA’S TUNE Jon Hammond Trio with Igor Butman sax Ed Zizak drums

Jon’s archive https://archive.org/details/TheMoscowConcertsLydiasTuneByJonHammond

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Youtube https://youtu.be/4t4AIMAK5pw

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Topics Moscow Concerts, #JonHammond #IgorButman #HammondOrgan #Lydia #BossaNova #ASCAP

Moscow Russia — “Lydia’s Tune” by Jon Hammond – Jon Hammond Trio: Eduard Zizak​ drums, Igor Butman tenor saxophone, Jon Hammond​ organ http://www.HammondCast.com ©JON HAMMOND International
– Member ASCAP, AFM Local 6, Associated Musicians of Greater New York, Local 802 AFM

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Jon’s archive https://archive.org/details/Hammondcast202TheJonHammondShowAudioFromJonsRadioShow

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Youtube https://youtu.be/aJzR5uizk6Y

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HammondCast 202 The Jon Hammond Show audio from Jon Hammond’s radio program special retrospective with audio from a recording he made while on the house band led by Lou Colombo at The Wychmere Harbor Club in Harwich Port Cape Cod MA in 1978. Jon made the recording with his Nakamichi 550 tape deck, it is a remarkable recording of the Lou Colombo Band which played nightly for luminaries such as Speaker of The House Tip O’Neill for all his private parties and the Kennedy Clan.

Visuals from Jon Hammond Show long-running cable access TV program in New York City personally shot by Mr. Hammond with Video by LORI special graphics and FX. Kick back and enjoy! http://www.HammondCast.com
For full audio of HammondCast 202:
AUDIO: http://www.archive.org/details/JonHammondHammondCast202KYOURadio
HammondCast 202 KYOU Radio special edition with part 2 of recording from Wychmere Harbor Club when Jon played B3 organ on the Lou Colombo Band, the house band at Wychmere Harbor Club in Harwich Port Cape Cod MA. First backing up a feature dance duo with cha cha and then Emily waltz, Saturday Night Fever followed by the chaser ‘California Here I Come’, then Summertime, Hello Dolly medley, Bossa nova medley Watch What Happens in to Wave and then a cooking “In The Mood” taking it home with Jon’s “Lydia’s Tune” and some of Sidewinder – ©JH INTL

Music
Tags:
Jon Hammond Show, Lou Colombo, Wychmere Harbor Club, B3 organ, Tip O’neill, Kennedy clan, cape cod, private club

Run time 14 minutes 58 seconds
Producer Jon Hammond
Audio/Visual sound

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Topics Jon Hammond Show, Lou Colombo, Wychmere Harbor Club, B3 organ, Tip O’neill, Kennedy clan, cape cod, private club

Folks, something told me I had better get on down to see my main man Lou Colombo last week

in Fort Myers FL, I played on Lou’s band for 2.5 years in Cape Cod at the Wychmere Harbor Club

and Thompson’s Clam Bar in Harwich Port MA. It was an important time of my life and career and

he was always very generous to me, kept me on my toes throwing tunes at me in all keys the music

never stopped once we hit.

I just saw Lou a few days ago in Fort Myers FL at the gig he was playing at his Daughter Sherri’s restaurant

and hub Marc Neeley – Roadhouse Cafe, he was at the top of his game, playing great as ever and looking like a

million dollars. I am deeply saddened to receive terrible tragic news this morning from Lou’s fine trombonist

Nelson E. Foucht that Lou was tragically killed last night just 4 blocks from Roadhouse Cafe coming home from the

gig. My deepest condolences to the Colombo Family, Lou’s Wife Noel, daughters Lori, Sherri, David all his 6 kids, extended

Family of friends and musicians. I am totally blown away, thankful that I had the opportunity to know him and play with

him nightly back in the 70’s and then to see and hear him again at the end of his life, thanks Lou!

Here are some photos from just a few days taken by my long-time great girlfriend Jennifer and myself at his gig,

R.I.P. Big Lou – Louis Colombo the greatest trumpet player bandleader baseball slugger and golfer ever!

I used to go with Lou to the golf course where he had the snack concession in Yarmouth just to watch him drive

balls in to outer space. I couldn’t believe how far and hard he could hit the ball. Lou would put on black

executioner gloves and hit the ball and it would disappear, just keep on sailing in to the sky like Lou’s spirit

must be now. His music and great memories will live on forever.

Sincerely,

Jon Hammond – Member AFM Local 802 and Local 6 Musicians Union

*Note: Lou’s band the other night at Roadhouse Cafe were so great, I’m so sorry cats:

Nelson Foucht on trombone, F.L. “Woody” Brubaker piano and keyboard bass, Richard Iannuzzi drums and Gil DiBenedetto tenor saxophone and clarinet.

Jon Hammond and Lou Colombo

**Note: Lou Colombo and my neighbor Leo Ball (R.I.P.) also a fine trumpet player member of Local 802 were born on the same day in Brockton MA

*Note: Lou called me on my cell phone when I was at the airport just about to fly out of Tampa TPA Airport, he told me he really dug

my album that I had given him “NDR SESSIONS Projekt” my first record of mostly standards, it was inspired much by him actually. Lou

was talking about the horn players on it, Lutz Buechner and Joe “Jo” Gallardo, he really dug them and he told me we were going to do

something back up in the Cape for sure. I was very touched by his call and he had called me on my previous birthday last year, I got

all choked up when he told me that. Thanks a million Lou!

Jon Hammond

http://www.archive.org/details/JonHammondLouColomboMoviebyJonHammond

Lou Colombo and Jon Hammond – 02/23/2012

1978 Photo of Lou Colombo Band with Jon Hammond on B3 organ House Band at private club Wychmere Harbor Club in Harwich Port Cape Cod MA
L to R: Frank Shea drums, Lou Colombo trumpet, Jack Pena guitar, Jon Hammond B3 organ

http://www.youtube.com/watch?v=JkqBaFIAXn4

Jon Hammond here…I just came back from visiting my main man Lou Colombo the great trumpet player bandleader and former Pro Baseball player in Fort Myers Florida. I played on Lou’s band for 2.5 years in the late 70’s in house band at the Wychmere Harbor Club in Cape Cod. Lou is going strong happy to report, playing regularly at the restaurant of his daughter Sherri and son inlaw Marc Neeley – Roadhouse Cafe during winter months and in the summer he plays at his son David’s Roadhouse Cafe in Hyannis MA on Cape Cod. I schlepped my Hammond Sk1 organ all the way down there in hopes I could sit in with Lou for a couple of tunes but unfortunately that wasn’t possible, however I shot some video of Lou and his fine group, so enjoy the music and personality of Lou Colombo, one of the all-time greats on his instrument!
The musicians on Lou’s band here at Roadhouse Cafe are Nelson Foucht on trombone, F.L. “Woody” Brubaker piano and keyboard bass, Richard Iannuzzi drums and Gil DiBenedetto tenor saxophone and clarinet.
Plus a little bit of flashback audio from our gig in 1978 near the end some photos, old and new from just a few days ago. Enjoy folks! sincerely, Jon Hammond

*Note: Some Baseball Stats for Louis Colombo as a player – he played pro baseball until breaking ankle at age 24 –

Louis Colombo:
1953 Newport News Dodgers Statistics — Minor Leagues – Baseball …
www.baseball-reference.com › Minor Leagues › Teams
Affiliation: Brooklyn Dodgers-NL Manager: … 6, Louis Colombo*, 26, 123, 432, 134, 20, 1, 4 .310 .389, 168. 7,

1945 Brooklyn Dodgers Minor League Affiliations – Baseball …
www.baseball-reference.com › Minor Leagues › Affiliates
1945 Brooklyn Dodgers Minor League Affiliates. Other Years: 1944 ….. 49, Louis Colombo*, 18, NNW, B, 56, 213, 66, 12, 2, 3 .310 .427, 91. 50,

*Member Local 802 and Local 6 Musicans Union

Jon’s archive https://archive.org/details/JonHammondPIA747FlightDeckFootageofJonHammondTour_SingingofStarSpangledBanneratP_0

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Youtube https://youtu.be/G1-Nh_oteRs

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Personally shot film by Jon Hammond while on tour in Germany and in cockpit of PIA 747 Jumbo (Pakistan International Airlines) flying with Pakistani VIP’s to New York for Pakistan – American Friendship Day Celebration with singing of our National Anthem “The Star Spangled Banner” and showing of patriotism that will touch your heart. This is a must-see. Look closely for quick cameo appearances of radio legend Al Jazzbeaux Collins and Ruth Messinger former Manhattan Borough President.

*Note: Jon Hammond would like to say a special thanks to Pakistan International Airlines Crew, Pakistan Minister of Culture/Poetess Kishwar Naheed, Remin Kart-A-Bag USA, FRAport, Pakistan American Friendship Commitee. Jon Hammond’s is Host of daily radio program HammondCast Show on KYOURADIO KYCY 1550AM ©2009 http://www.jonhammondband.com/news.html

by Jon Hammond

Usage Attribution
Topics Kishwar Naheed, Pakistan American Friendship, PIA 747 Flight Deck, Jon Hammond, HammondCast, Ruth Messinger, Jazzbeaux, Ambassador, KYOU Radio

Producer Jon Hammond
Audio/Visual sound, color

Jon’s archive https://archive.org/details/LeoFenderWithJonHammondAndJoeBerger

Youtube https://youtu.be/Xgzz9pZMDUQ

Frankfurt 1988 — TWA Flight with Leo Fender, Phyllis Fender, Joe Berger, Jon Hammond – Leo’s long-time business partner Dale Hyatt and Richard Nixon’s lighter! – Happy Birthday Leo Fender August 10th! – Jon Hammond Band
Coming back from musikmesse in March of 1988

http://www.HammondCast.com

Facebook video https://www.facebook.com/hammondcast/videos/10153646305977102/

TWA 747 Jumbo Jet, waiting to board for flight from Frankfurt to Kennedy Airport – March 1988 returning from Musikmesse

Leo Fender, Dale Hyatt, Phyllis Fender, Joe Berger, Jon Hammond, TWA Airlines, Frankfurt Musikmesse – Leo Fender’s birthday today August 10th!

Jon’s archive https://archive.org/details/GetBackInTheGrooveJonHammondBandInJazzkeller_201604

by Jon Hammond

Jon Hammond Band live in Jazzkeller celebrating 30 years musikmesse Warm
Up Party – “Get Back in The Groove” – Peter Klohmann tenor saxo, Joe
Berger guitar, Giovanni Totò Gulino drums, Jon Hammond at the Hammond
Sk1 organ with many special friends in the house jonhammondband.com – video Tino Pavlis

Jon’s archive https://archive.org/details/JonHammondWhenIFallInLoveinThejazzkellerFrankfurt

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Youtube https://youtu.be/5bwqe0YbzSY

1,189 views
#1189

Annual musikmesse Warm Up Party in Jazzkeller Frankfurt hosted by Jon Hammond Band

Tony Lakatos tenor sax
Jon Hammond organ
Giovanni Gulino drums
Joe Berger guitar
When I Fall In Love
special thanks Eugen Hahn Jazzkeller Frankfurt Team, Musikmesse, Waichiro Tachikawa Suzuki Hammond, Michael Maier Falkenstein Hammond Suzuki Deutschland
Jon Hammond is a member of AFM Local 802 Musicians Union and Local 6
http://www.jonhammondband.com

Producer Jon Hammond
Audio/Visual sound, color

Jon’s archive https://archive.org/details/JonHammondManJumpsOverCarNYConHammondCast

Youtube https://youtu.be/SnF8w477zf0

Incredible street footage of Man Jumping Over Car with flip in NYC

82,407 views
#82407

*as seen on Jon Hammond Show TV show and HammondCast! This is a Must-See! Jon Hammond’s official site: http://www.HammondCast.com

Facebook video https://www.facebook.com/hammondcast/videos/4303432101/?pnref=story

Incredible street footage of Man Jumping Over Car with flip in NYC *as seen on Jon Hammond Show TV show and HammondCast!

This is a Must-See – JH

Jon’s archive https://archive.org/details/FailedSidekickReplacementKINLaunchMicrosoftHammondCast

Free Waffles! – Robbie Bach left Microsoft shortly after this event

“T-Mobile: Don’t Throw Out Your Sidekick Yet, Rumored Modern Version Coming Back – Jon Hammond” WATCH FAILED KIN RELEASE: Failed Sidekick Replacement KIN Launch Microsoft Hammond Cast
Jon’s archive https://archive.org/details/FailedSidekickReplacementKINLaunchMicrosoftHammondCast
Failed Sidekick Replacement KIN Phone Launch Microsoft HammondCast – Jon Hammond coverage of the event, now rumors of modern Sidekick coming back to T-Mobile after failed continuation of the device originally created by Danger, Inc. after being bought up by Microsoft on 11 February 2008 – exclusiveafter lengthy call from John Legere’s Office CEO T-Mobile – Post Failed Sidekick Replacement KIN Phone Launch Microsoft – developing story..#Tmobile #Sidekick #Danger #KIN #Mobile #JohnLegere #NoHeIsNotKidding #RobbieBach #FreeWaffles

Failed Sidekick Replacement KIN Phone Launch Microsoft HammondCast – Jon Hammond coverage of the event, now rumors of modern Sidekick coming back to T-Mobile after failed continuation of the device originally created by Danger, Inc. after being bought up by Microsoft on 11 February 2008 – exclusive http://www.HammondCast.com Danger Hiptop T-Mobile Sidekick 4G by Samsung “Kick It with the Band”
Post Failed Sidekick Replacement KIN Phone Launch Microsoft – developing story..‪#‎Tmobile‬ ‪#‎Sidekick‬ ‪#‎Danger‬ ‪#‎KIN‬ ‪#‎Mobile‬ ‪#‎JohnLegere‬ ‪#‎NoHeIsNotKidding‬

Ina Fried at Failed KIN Phone release event #InaFried

Jon Hammond’s T-Mobile Sidekicks online direct tether #Tmobile #Sidekick #JonHammond

Derek Snyder presentation Failed KIN Phone Press Event after free waffles

Katie Jordan Microsoft PMX Premium Mobile Experiences – #PremiumMobileExperiences #KatieJordan

by Jon Hammond

Jazz Moscow, Lydia’s Tune, Sidekick, #TMobile #Lydia #IgorButman #Zizak #Concert #HammondOrgan

#1001 Jon Hammond Show MNN TV Channel 1 Music Travel Soft News

September 26, 2016

#WATCHMOVIE HERE: #1001 Jon Hammond Show MNN TV Channel 1 Music Travel Soft News

Jon’s archive https://archive.org/details/1001JonHammondShowMNNTVChannel1MusicTravelSoftNews

Youtube https://youtu.be/vSE3_5x-t5Y

Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics Jon Hammond Show, MNN TV, NDR Horns, Original Music, Chicago Blues, Sennheiser evolution microphone, #Sennheiser #Evolution #ChicagoBlues #NDRJazz #HammondOrgan

The Musicians

Jon Hammond flanked by Bernard Purdie and bassist Jerry Jemmott rhythm section finally reunites historic night

Baggage to the Gig – Jon Hammond flies with Briggs & Riley luggage – Marc Baum and Jon Hammondd

Jon Hammond Show #1001 first segment: NDR Horn Section plays Jon Hammond’s No X-Cess Baggage Blues in Hamburg
Jon Hammond Band special dedication to Lufthansa and NDR “No X-Cess Baggage Blues” live performance of track from NDR SESSIONS Projekt album featuring the NDR Horns: Michael Leuschner trumpet, Lutz Büchner tenor saxophone, Fiete Felsch alto saxophone, Heinz Lichius drums, Joe Berger guitar, Jon Hammond organ + bass – concert in Auster Bar Auster Jazz Series – special thanks Nicolai Ditsch for operating the camera – the incredible NDR Musicians and Knut Benzner & Jazz Redaktion Team, Lufthansa Technik Hamburg
2nd segment: Sennheiser evolution microphone Jon Hammond Breakfast Interview with Taka in Narita Japan
Sennheiser evolution microphone Jon Hammond Breakfast Interview with Taka in Narita Japan – Takamitsu Yashiro, Blue Groove Sessions, Harley Davidson, Fender Telecaster, Jon Hammond, HammondCast
3rd segment: Chicago Blues Festival Director Barry Dolins Interview with Jon Hammond in Chicago – presenting the Hoochie Coochie Boys
later that day.
4th segment: Cooking With The NDR Horns Uptempo Blues Shuffle Auster Bar Hamburg
Absolutely cooking session in Hamburg Germany – Jon Hammond Band with The NDR Horns until the last minute when music must stop 10PM / 22:00 Auster Bar is in residential quarter of Eimsbüttel HH, The Musicians: Heinz Lichius drums, Joe Berger guitar, Lutz Büchner tenor saxophone, Fiete Felsch alto saxophone, Michael Leuschner musical director / trumpet, Jon Hammond organ + bass – special thanks Nicolai Ditsch for operating the camera – Auster Bar Team Frank Blume, Torsten Wendt, Musik Rotthoff support, Knut Benzner NDR Redaktion – as seen on MNN TV The Jon Hammond Show http://www.HammondCast.com H.264 download download 1 file MPEG4 download download 1 file OGG VIDEO download download 1 file TORRENT download download 27 Files download 5 Original Producer Jon Hammond
Usage Attribution-Noncommercial-No Derivative Works 3.0 ©JON HAMMOND International All Rights Reserved

Producer Jon Hammond
Language English

Jon Hammond Baggage on the Tracks – Dammtor Bahnhof Hamburg Germany

30th consecutive year Jon Hammond concerts in Frankfurt – all baggage arrived, ready to rock!

Beverly Ann cabin cruiser Port of Oakland San Francisco Bay

Frankfurt Hauptbahnhof – Jon Hammond on the move

Mill Valley CA — Marla Hunt Hanson and Julius Karpen at special gathering celebrating life of Ron Polte who was the manager of Ace of Cups and Quicksilver Messenger Service. Marla Hunt original organist of Ace of Cups and Julius Karpen manager of Big Brother and The Holding Company band with Janis Joplin – long-time associate friend of Chet Helms – photo by Jon Hammond:

Jon’s archive https://archive.org/details/JonHammondJonHammondBandannualMusikmesseWarmUpParty2013Blues

Views
290
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Youtube https://youtu.be/zQBZ1N-xq9Y

262 views
#262

Jon Hammond Band Musikmesse Warm Up Party 2013 Blues
MY HOME AWAY FROM HOME


Jon Hammond zum 27. Mal auf der Musikmesse
Nomen est omen. Der Mann heißt Hammond und spielt eine Hammond. Der Organist aus New York freut sich auf Frankfurt und lädt zur Musikmesse Warm Up Party am 9.4. in den Jazzkeller

Jon Hammond Music Travel and Soft News
http://minicasts.podomatic.com/play/1030803/8180711
By Jon Hammond’s Podcast
3m 46s

– 
JOURNAL FRANKFURT: Was war für Sie zuerst da – die Frankfurter Musikmesse oder Auftritte im Jazzkeller?
Jon Hammond: Die Musikmesse. Ich kam 1987 zum ersten Mal nach Frankfurt, zusammen mit Joe Berger, der auf der Messe für Engl Amplifiers spielte. Wir flogen mit der Lufthansa ein und teilten uns ein Zimmer im berühmten Prinz Otto Hotel am Hauptbahnhof. Schon in der ersten Nacht stellte mir Joe den großen John Entwistle, den Bassisten von The Who vor. Es wurde eine lange Nacht, in der wir Cognac tranken und Erdnüsse knabberten in eiern Suite des Marriott Hotels. Ich habe Joe bei einer Session mit John und Ringo Starrs Sohn Zak Starkey im Dorian Grey Club gefilmt bei einer Soundcheck Party. In den ersten paar Jahren spielte ich nicht oft live weil ich noch keine transportierbare Hammond Orgel hatte vor 1991 als ich den Prototyp einer XB-2 Hammond Orgel bekam mit der ich dann um die Welt reiste. Hauptsächliche dokumenierte ich aber die Messe für meine Cable TV Show in New York, die inzwischen im 29. Jahr als The Jon Hammond Show — Music, Travel and Soft News präsentiert. Die harten Nachrichten überlasse ich CNN und den großen Networks (lacht). Vom ersten Jahr an fühlten wir uns der Musikmesse eng verbunden, haben seitdem eine tolle Zeit hier, kommen jedes Jahr wieder bis wir kleine, alte Männer sind.

Das Jazzkeller-Konzert am Vorabend der Musikmesse ist zu einer netten Tradition geworden – wie kam es dazu, was bedeutet es Ihnen und wir werden Sie dieses Jahr diesen Abend im Jazzkeller zelebrieren?
Ab 1991 lernte ich mehr und mehr Musikmesse-Menschen kennen und die mich und auch einiges von meiner Musik. Einige von ihnen ermunterten mich, doch auch für Auftritte nach Deutschland zu kommen weil es hier doch ein Interesse an Hammond-Orgel-Groove-Music gab. Mit der schon erwähnten, kleinen, kompakten aber sehr kraftvollen Orgel war das alles möglich. Zudem machte ich in New York gerade eine schwere Zeit durch, mein Vater war gestorben und ich hatte das Gefühl, einige Veränderungen könnten meinem Leben gut tun. Also kam ich nach Frankfurt mit meiner XB-2, allerdings mit einem Rückflugticket falls etwas schief gehen würde. Ich rief viele Musiker an, ließ sie wissen, ich bin jetzt da, lasst uns zusammen spielen. Das war für mich der Anfang einer langen, sehr speziellen Beziehung, vor allem zum Frankfurter Publikum nach ersten kleinen erfolgen im Jazzkeller und einer kurzen Auftritt im Hessen Report im Fernsehen. Beatrix Rief verdanke ich dieses “lucky light on me”, eine tolle Erfahrung. Seitdem nenne ich Frankfurt “My Good Luck City” und im Jazzkeller begann auch alles für mich als Musiker. Deshalb liegt mir der Club auch so nah am Herzen, deshalb hatte ich auch die Idee, meine “Musikmesse Warm Up Party” dort zu realisieren, immer in der Nacht bevor die Messe startet was zu einer schönen Tradition wurde. Im ersten Jahr, in dem ich dann auch ein wenig Sponsoring von Philip Morris bekam, konnte ich damit einige Flugtickets für befreundete Musik bezahlen. Darüber war ich sehr glücklich. Dabei rauche ich selbst gar nicht. 
Für ein wenig Promotion für die Musikmesse. Wir nannten das Programm für die AFN “Profile TV “-Show “Sound Police”. Wir hatten viel Spaß. Kein Wunder also, dass ich Frankfurt als my home away from home begreife und ich mich jedes Mal wieder freue zur Musikmesse zu reisen, in diesem Jahr übrigens zum 27. Mal in Folge. Und ich bin diesmal besonders aufgeregt, heim nach Frankfurt zu kommen weil ich gerade 60 Jahre alt geworden bin.

Wer wird in diesem Jahr zum Gelingen des Konzertes mit teils komponierter, teils improvisierter Musik, so nehme ich an, beitragen und was für einen Sound wird die Band präsentieren?
Ich habe etwa 90% der Kompositionen geschrieben, die wir spielen werden. Es ist die Musik, die man auch in meiner New Yorker TV-Show hören kann und die mich mehrmals um die Welt getragen hat. Meinen Stil nenne ich “Swinging Funky Jazz and Blues” und featurert die ganz wunderbaren Solisten in meine Band: Tony Lakatos, den großen ungarischen Tenorsaxophonisten, der auch Mitglied in der hr Bigband ist, dann meinen alten Freund Totó Giovanni Gulino, diesen tollen Schlagzeuger, Und das unterziehe ich jetzt einen echten Härttest (lacht).
27. März 2013 Interview: Detlef Kinsler
http://www.jonhammondband.com — with Tony Lakatos, Joe Berger, Totó Giovanni Gulino, Pmauriat Albest, Jon Hammond Band and P Mauriat HQ at Jazzkeller..

Podomatic http://minicasts.podomatic.com/play/1030803/8180711

Jon’s archive https://archive.org/details/JonHammondBand2ndSetAfterBirthdayCakeBreak

Youtube https://youtu.be/o2–TIC-frk

Vimeo https://vimeo.com/166375459

Facebook video https://www.facebook.com/hammondcast/videos/10153459987517102/

Note from Jon Hammond
Video: Tino Pavlis​
https://www.facebook.com/notes/jon-hammond-band/best-party-of-the-year-jon-hammonds-annual-musikmesse-warm-up-party-in-jazzkelle/1107482975950736
Best Party of The Year! Jon Hammond’s annual musikmesse​ Warm Up Party in Jazzkeller​ Tuesday April 5th 2016 celebrating 30 years
Jon Hammond​ – organ Joe Berger​ – guitar Peter Klohmann​ – saxophone Giovanni Totò Gulino​ – drums Mr. Hammond has toured worldwide since 1991 using the incredible Sk1 organ by Hammond Suzuki..™ “Classic Hammond Sound…In A Suitcase!” The Jon Hammond Show is a funky swinging instrumental revue, featuring top international soloists. The show has universal appeal. Big Hammond orgel sound – 100% organic – Jon’s birthday cake by Saray Pastanesi​ Jon Hammond Band​

Frankfurt to Nashville With Detour to Hollywood Musikmesse ASCAP Expo Summer NAMM Show http://kernelpanichammondcast.blogspot.com/2016/05/frankfurt-to-nashville-with-detour-to.html

Jon’s archive https://archive.org/details/TinosHammondOrgan80thAnniversaryFilmDocumentaryTrailer

CNN iReport http://ireport.cnn.com/docs/DOC-1263982

Youtube https://youtu.be/2AX5CRnBWkA

Producer Tino’s Hammond Organ 80th Anniversary Film Documentary Trailer: Tino Pavlis – by Jon Hammond

Published August 13, 2015
Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics Hammond Organs, 80th Anniversary Hammond Organ, Tino Pavlis, Producer, Co-Producer, Joe Berger, Jon Hammond, NAMM Show, musikmesse, Suzuki Musical Instruments, Hamamatsu, B3, New B3mk2, Sk1, #HammondOrgan #80thAnniversary

Tino’s Hammond Organ 80th Anniversary Film Documentary Trailer with cameo appearances Michael Falkenstein, Joe Berger, Jon Hammond, Shuji Suzuki and Suzuki Musical Instuments Hammond Organ Team, Bernie Capicchiano Bernies Music Land Australia Hammond Distributor, Jon Hammond’s annual musikmesse Warm Up Party in world famous historic jazzkeller Frankfurt – Outro music “Organ Meets Bigband” Jon Hammond with Landesjugendjazzorchester LaJazzO MV orchestra – Director/Producer: Tino Pavlis, co-producer Joe Berger http://www.HammondCast.com

Producer Jon Hammond
Language English

Jon’s archive https://archive.org/details/OrganMeetsBigbandRostockKlostergarten

Jon’s archive https://archive.org/details/NoXCessBaggageBluesDankeschonLufthansaAndNDR

Views
33
#33

Youtube https://youtu.be/orpLWd66-Hw

136 views
#136

Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics baggage, blues, hammond organ, shuffle, jon hammond, lufthansa, ndr horns, projekt, sessions, travel, musician, ascap composer, musicians union, local 802

Jon Hammond flies with Gator Cases and Briggs & Riley – floats and flies!

Jon
Hammond Band special dedication to Lufthansa and NDR “No X-Cess Baggage
Blues” live performance of track from NDR SESSIONS Projekt album
featuring the NDR Horns: Michael Leuschner trumpet, Lutz Büchner tenor
saxophone, Fiete Felsch alto saxophone, Heinz Lichius drums, Joe Berger
guitar, Jon Hammond organ + bass – concert in Auster Bar Auster Jazz
Series – special thanks Nicolai Ditsch for operating
the camera – the incredible NDR Musicians and Knut Benzner & Jazz
Redaktion Team, Lufthansa Technik Hamburg, Apple iTunes https://itunes.apple.com/us/album/ndr-sessions-projekt/id154024761
Ham-Berger-Friz Records ©JH INTL ASCAP – Filmed in High Definition Live
at Auster Bar Hamburg Eimsbüttel courtesy of Frank Blume & Torsten
Wendt Auster Bar Team

H.264 download
download 1 file MPEG4 download
download 1 file OGG VIDEO download
download 1 file TORRENT download
download 30 Files
download 5 Original

Challah Hat lady with Sheila Anderson WBGO!

L to R Richard Clements piano, Mike Camoia tenor, Jon Hammond organ, Bob Cunningham bass – early birds session Local 802 NYC

Fits in this Gig Bag! – Jon Hammond

Jon’s archive https://archive.org/details/JonHammondTAKAonHammondCastNarita

Usage Attribution-NonCommercial-NoDerivs
Topics TAKA, Takamitsu Yashiro, Blue Groove Sessions, Harley Davidson, Fender Telecaster, Jon Hammond, HammondCast, Kamakura, Japan

TAKA Blue Groove Sessions on HammondCast KYOU Radio interview with Jon Hammond in Narita Japan. Guitarist producer and Harley Daivdson chopper from Kamakura

Views
82
#82

Youtube https://youtu.be/mzlEIFvJPV4

168 views
#168

Interviews Sennheiser Jon Hammond Headphones Microphones Organ Accordion Music Archive NAMM Musikmesse
http://jonhammondband.com/blog.html/interviews_sennheiser_jon_hammond_headphones_microphones_organ_accordion_music_archive_namm_musikmesse/ – Jon Hammond

L to R Dr. Andreas Sennheiser, Jon Hammond, Daniel Sennheiser

Parking lot of Sennheiser Headquarters in Wedemark Germany, Knut Benzner of NDR with 421 mic and Norbert Hilbich long-time Sennheiser man!

Jon Hammond using Sennheiser e855 evolution microphone on interview with Tommy Denander and Mathias Melo in Hollywood

Nashville Tennessee — Jon Hammond interviewing legendary Roy Clark with Sennheiser evolution e855 microphone

Jon’s archive https://archive.org/details/RoyClarkTelevisionInterviewWithJonHammond

Roy Clark Television Interview with Jon Hammond just before Roy appeared on the American Eagle Awards in Nashville Tennessee during Summer NAMM Show – Roy Clark an American Living Legend and long-time member of The Grand Ole Opry and The Country Music Hall of Fame – Roy’s wiki https://en.wikipedia.org/wiki/Roy_Clark

Roy Linwood Clark (born April 15, 1933) is an American country music musician and performer. He is best known for hosting Hee Haw, a nationally televised country variety show, from 1969 to 1992. Roy Clark has been an important and influential figure in country music, both as a performer and helping to popularize the genre.
During the 1970s, Clark frequently guest-hosted for Johnny Carson on The Tonight Show and enjoyed a 30-million viewership for Hee Haw. Clark is highly regarded and renowned as a guitarist and banjo player, and is also skilled on classical guitar and several other instruments. Although he has had hit songs as a pop vocalist (e.g., “Yesterday, When I Was Young” and “Thank God and Greyhound”), his instrumental skill has had an enormous effect on generations of bluegrass and country musicians. He has been a member of the Grand Ole Opry, since 1987[1][2] and The Country Music Hall of Fame.

Jon’s archive https://archive.org/details/JonHammondJAZZBEAUXSCOTTMUNIWNEWHammondCast

Views
612
#612

Youtube https://youtu.be/7W1zinL5iCQ

4,257 views
#4257

Priceless film inside WNEW 1130AM New York with 2 Radio Legends: Al JAZZBEAUX COLLINS and SCOTT MUNI on JON HAMMOND’S HammondCast: Hear Scott Muni tell Jazzbeaux about his days at “WABeatlesC”

on the date commemorating when the Beatles first hit the shores of USA!
As previously broadcast on Jon’s TV show The Jon Hammond Show (24th year) and HammondCast on CBS’ KYCY/KYOU 1550AM San Francisco California. Enjoy! *Official site: http://www.HammondCast.com c)2006

Usage Attribution-NonCommercial-NoDerivs
Topics WNEW, Jazzbeaux, Scott Muni, HammondCast, BEATLES, WABeatlesC
512KB MPEG4 download
download 1 file MPEG4 download
download 1 file OGG VIDEO download
download 1 file TORRENT download
download 16 Files
download 5 Original

Producer Jon Hammond

Scott Muni wiki https://en.wikipedia.org/wiki/Scott_Muni

Scott Muni (May 10, 1930 – September 28, 2004, aged 74) was an American disc jockey, who worked at the heyday of the AM Top 40 format and then was a pioneer of FM progressive rock radio. Rolling Stone magazine termed him “legendary”
Born Donald Allen Muñoz in Wichita, Kansas, Muni grew up in New Orleans. He joined the United States Marine Corps and began broadcasting there in 1950, reading “Dear John” letters over Radio Guam. After leaving the Corps and having considered acting as a career, he began working as a disc jockey; in 1953 he began working at WSMB in New Orleans. His mentor was Marshall Pearce. In 1955 he began broadcasting at station WAKR in Akron, Ohio, and after that worked in Kankakee, Illinois.

Career[edit]
Muni then spent almost 50 years at stations in New York City. He became a Top 40 broadcaster at 570 WMCA in the late 1950s, just before the start of their “Good Guys” era, and did a number of record hops in the New York area. In 1960, he moved to rival Top 40 station 770 WABC. There he did an early evening show called “Scotland’s Yard” and was among the first WABC DJs to capture the attention of the teenage audience for which the station would become famous. He also participated in the competition to cover The Beatles on their first visits to the United States, and thus began a long association with them.

In 1965, Muni left WABC and ran the Rolling Stone Night Club while doing occasional fill-in work for WMCA. Muni had explored some opportunities beyond radio: for a short time he co-hosted a local weekly television show on WABC-TV 7 with Bruce “Cousin Brucie” Morrow, and he would go on to record the spoken single “Letter to an Unborn Child”, about a soldier with a premonition, which was released in 1967 to little acclaim.

Muni decided to return to radio, and in 1966, he joined 98.7 WOR-FM, one of the earliest stations in the country to program free-form Progressive Rock music. The progressive format did not last at that station. In 1967 Muni moved to 102.7 WNEW-FM, which had been running a format of pop hits and show tunes, hosted by an all-woman staff. This time, the Progressive Rock format really took hold, with WNEW-FM becoming a legendary rock station. Muni stayed there for three decades as the afternoon DJ and sometimes program director. Muni was described by fellow WNEW-FM DJ Dennis Elsas as “the heart and soul of the place”. Under assorted management changes during the 1990s WNEW-FM lost its way, and in 1998 Muni ended up hosting a one-hour noontime classic rock program at WAXQ “Q104.3”, where he worked until suffering a stroke in early 2004.

Muni’s low, gravelly voice was instantly recognizable and often lampooned, both by other disc jockeys and by impressionists such as on Imus in the Morning. He was often known to his listeners by the nicknames “Scottso” or “The Professor”, the latter to emphasize both his rock expertise and his age difference with most of his audience. While he sometimes spoke in roundabout phrases and succumbed to progressive rock radio clichés such as “That was a tasty cut from …”, he also conveyed on the air and in his professional relationships a gruff immediacy that was a by-product of both his time in the Marines and his earlier Top 40 skills.

A bizarre exchange occurred in August 1972 when a hostage-holding bank robber called Muni on the air and engaged him in a long, often nonsensical conversation; the two peppered their post-hippie speech with discussions of Bob Dylan music and requests to hear the Grateful Dead.

Muni specialized in playing records from up-and-coming, or sometimes just-plain-obscure, acts from the United Kingdom on his weekly Friday “Things from England” segment. He also hosted the syndicated radio programs Ticket to Ride and Scott Muni’s World of Rock.

Muni often referred to “we interviewed so and so,” making reference to himself and either “Black” Earl Douglas or another producer. Indeed, Muni was friendly with many of the musicians whom he played, and they would often stop by the studio to visit on-air. He played poker in the studio with the Grateful Dead, and he would let Emerson, Lake & Palmer browse the station’s huge record library and put on whatever they liked. An oft-related story tells that he was interviewing Jimmy Page when the guitarist suddenly passed out from the aftereffects of the Led Zeppelin lifestyle. Muni calmly put on a record, revived Page, and completed the interview on the studio floor.

Muni was close to John Lennon and his family, and after Lennon’s murder he vowed to always open his show with a Lennon or Beatles record, a pledge that he kept for the balance of his career.

In addition to radio broadcasting, Muni also did voice-over work for radio and television; the most known were a commercial for Rolaids antacid (“How do you spell relief?”) and promos for Monday Night Football. His voice is also heard giving the introduction on the 1971 live albums Chicago at Carnegie Hall and Melanie at Carnegie Hall.

Muni also voiced many Radio & TV commercials such as Rolaids, JCPenney, Ricoh, etc. He also voiced episodes of NBC’s Friday Night Videos during 1985-86 and also voiced promos for ABC Sports which included boxing events on Wide World of Sports as well as Monday Night Football, the USFL on ABC, the Pro Bowlers Tour, the Sugar Bowl, the 1994 Stanley Cup Playoffs & Auto Racing including the Indy 500.

Personal life[edit]
Muni had three children with his first wife and two with his second wife, to whom he was married from 1966 until his death in 2004.

Death and legacy[edit]
He died on September 28, 2004 at the age of 74 in New York City and is buried in St. Gertrude’s Roman Catholic Cemetery in Colonia, New Jersey. Muni is included in an exhibit display of important disc jockeys at the Rock and Roll Hall of Fame. The DJs at Q104.3 keep Muni’s promise to New York listeners and still start their noon hour with the “12 o’clock Beatles Block”.

Muni was inducted into the Rock Radio Hall of Fame in the Legends of Rock Radio-Programming” category for his work at WNEW in 2014.

AP Obit for Scott Muni
‘The Professor’ of rock Scott Muni dies – Posted 9/29/2004 3:17 PM Updated 9/29/2004 3:24 PM

Large Size Movie File:
http://ia801302.us.archive.org/32/items/OnAirWithJazzboCollinsAndYoshisJonHammondBandFeb.91994/On%20Air%20with%20Jazzbo%20Collins%20and%20Yoshi’s%20Jon%20Hammond%20Band%20Feb.%209,%201994.m4v

Jon’s archive https://archive.org/details/OnAirWithJazzboCollinsAndYoshisJonHammondBandFeb.91994

CNN iReport http://ireport.cnn.com/docs/DOC-1268257

Youtube https://youtu.be/Hjw0_uLg8-E

Facebook Video https://www.facebook.com/jonhammondband/videos/vb.133709526657853/1122434651118664/?type=3&theater

by Jon Hammond

Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics Jazzbeaux Collins, Al Jazzbo Collins, Jon Hammond, Yoshi’s Oakland, Bennett Friedman, James Preston, Barry Finnerty, #HammondOrgan #AFMLocal6 #MusiciansUnion

On Air with Jazzbo Collins and Yoshi’s Jon Hammond Band Feb. 9, 1994 – Preston pretty much kicked ass on this gig! — Oakland CA — original Yoshi’s Oakland​ Gig Feb. 9th 1994, just after being on-the-air with Al “Jazzbo” Collins​ – watching the film now, sounds real good – Jon Hammond​ / Jon Hammond Band​ (quartet) – thanks Jason Olaine​ for the hit – James Preston​ drums (R.I.P.) Bennett Friedman tenor, Barry Finnerty​ gtr., Jon Hammond Organ Group​ http://www.jonhammondband.com all original music ©JON HAMMOND International Member ASCAP – AFM Local 6​ – Associated Musicians of Greater New York, Local 802 AFM​
Yoshi’s Oakland​ didn’t have any decent lights in those days! Jon Hammond​ – *Note: Broadcasting Legend Al Jazzbeaux Collins opens this film at KCSM 91.1FM, greatly missed!! – Jon Hammond Organ Group​ – https://en.wikipedia.org/wiki/Al_%22Jazzbo%22_Collins
Albert Richard “Jazzbo” Collins (January 4, 1919 – September 30, 1997) was an American disc jockey, radio personality and recording artist who was briefly the host of NBC television’s Tonight show in 1957.
Al “Jazzbo” Collins
Al “Jazzbeaux” Collins
Born Albert Richard Collins
January 4, 1919
Rochester, New York
Died September 30, 1997 (aged 78)
Marin County, California
Born in Rochester, New York in 1919,[1] Collins grew up on Long Island, New York. In 1941, while attending the University of Miami in Florida, he substituted as the announcer on his English teacher’s campus radio program, and decided he wanted to be in radio. Collins began his professional career as the disc jockey at a bluegrass station in Logan, West Virginia; by 1943, he was at WKPA in Pittsburgh, moving in 1945 to WIND in Chicago and in 1946 to Salt Lake City’s KNAK. In 1950, he relocated to New York where he joined the staff of WNEW and became one of the “communicators” on NBC’s Monitor when it began in 1955.

Hamamatsu Japan — Jon Hammond with Manji Suzuki at the New B3mk2 Hammond Organ special concert Jon played for Manji and all the Suzuki Musical Instruments Team at World Headquarters

Jon Hammond Show, Apple iTunes Streaming, Music Tavel, Soft News, #1001 #CableTV #Jazz #NAMM #Sennheiser #HammondOrgan

NDR Horn Section play Jon Hammond’s No X-Cess Baggage Blues in Hamburg

September 26, 2016

#WATCHMOVIE HERE: NDR Horn Section play Jon Hammond’s No X-Cess Baggage Blues in Hamburg

Jon’s archive https://archive.org/details/NoXCessBaggageBluesDankeschonLufthansaAndNDR

Views
33
#33

Youtube https://youtu.be/orpLWd66-Hw

136 views
#136

Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics baggage, blues, hammond organ, shuffle, jon hammond, lufthansa, ndr horns, projekt, sessions, travel, musician, ascap composer, musicians union, local 802

Jon Hammond flies with Gator Cases and Briggs & Riley – floats and flies!

Jon
Hammond Band special dedication to Lufthansa and NDR “No X-Cess Baggage
Blues” live performance of track from NDR SESSIONS Projekt album
featuring the NDR Horns: Michael Leuschner trumpet, Lutz Büchner tenor
saxophone, Fiete Felsch alto saxophone, Heinz Lichius drums, Joe Berger
guitar, Jon Hammond organ + bass – concert in Auster Bar Auster Jazz
Series – special thanks Nicolai Ditsch for operating
the camera – the incredible NDR Musicians and Knut Benzner & Jazz
Redaktion Team, Lufthansa Technik Hamburg, Apple iTunes https://itunes.apple.com/us/album/ndr-sessions-projekt/id154024761
Ham-Berger-Friz Records ©JH INTL ASCAP – Filmed in High Definition Live
at Auster Bar Hamburg Eimsbüttel courtesy of Frank Blume & Torsten
Wendt Auster Bar Team

H.264 download
download 1 file MPEG4 download
download 1 file OGG VIDEO download
download 1 file TORRENT download
download 30 Files
download 5 Original

Challah Hat lady with Sheila Anderson WBGO!

L to R Richard Clements piano, Mike Camoia tenor, Jon Hammond organ, Bob Cunningham bass – early birds session Local 802 NYC

Fits in this Gig Bag! – Jon Hammond

Jon’s archive https://archive.org/details/JonHammondTAKAonHammondCastNarita

Usage Attribution-NonCommercial-NoDerivs
Topics TAKA, Takamitsu Yashiro, Blue Groove Sessions, Harley Davidson, Fender Telecaster, Jon Hammond, HammondCast, Kamakura, Japan

TAKA Blue Groove Sessions on HammondCast KYOU Radio interview with Jon Hammond in Narita Japan. Guitarist producer and Harley Daivdson chopper from Kamakura

Views
82
#82

Youtube https://youtu.be/mzlEIFvJPV4

168 views
#168

Interviews Sennheiser Jon Hammond Headphones Microphones Organ Accordion Music Archive NAMM Musikmesse
http://jonhammondband.com/blog.html/interviews_sennheiser_jon_hammond_headphones_microphones_organ_accordion_music_archive_namm_musikmesse/ – Jon Hammond

L to R Dr. Andreas Sennheiser, Jon Hammond, Daniel Sennheiser

Parking lot of Sennheiser Headquarters in Wedemark Germany, Knut Benzner of NDR with 421 mic and Norbert Hilbich long-time Sennheiser man!

Jon Hammond using Sennheiser e855 evolution microphone on interview with Tommy Denander and Mathias Melo in Hollywood

Nashville Tennessee — Jon Hammond interviewing legendary Roy Clark with Sennheiser evolution e855 microphone

Jon’s archive https://archive.org/details/RoyClarkTelevisionInterviewWithJonHammond

Roy Clark Television Interview with Jon Hammond just before Roy appeared on the American Eagle Awards in Nashville Tennessee during Summer NAMM Show – Roy Clark an American Living Legend and long-time member of The Grand Ole Opry and The Country Music Hall of Fame – Roy’s wiki https://en.wikipedia.org/wiki/Roy_Clark

Roy Linwood Clark (born April 15, 1933) is an American country music musician and performer. He is best known for hosting Hee Haw, a nationally televised country variety show, from 1969 to 1992. Roy Clark has been an important and influential figure in country music, both as a performer and helping to popularize the genre.
During the 1970s, Clark frequently guest-hosted for Johnny Carson on The Tonight Show and enjoyed a 30-million viewership for Hee Haw. Clark is highly regarded and renowned as a guitarist and banjo player, and is also skilled on classical guitar and several other instruments. Although he has had hit songs as a pop vocalist (e.g., “Yesterday, When I Was Young” and “Thank God and Greyhound”), his instrumental skill has had an enormous effect on generations of bluegrass and country musicians. He has been a member of the Grand Ole Opry, since 1987[1][2] and The Country Music Hall of Fame.

Producer Jon Hammond
Language English

Roy Clark and Jon Hammond in Nashville Tennessee at the American Eagle Awards

American Eagle Awards, Roy with awardees Vince Gill & Emmylou Harris, Vince Gill – John Conlee from Grand Ole Opry

Roy Clark playing his famous Gibson Byrdland

Jon Hammond playing his famous Gibson Byrdland

Flip Wilson (December 8, 1933 – November 25, 1998) and Roy Clark

Jon Hammond and Roy Clark in the Green Room at American Eagle Awards

Facebook video

https://www.facebook.com/hammondcast/videos/10153558221872102/

Jon’s archive https://archive.org/details/EastsideSoundSessionLydiasTune

Youtube https://youtu.be/r8A9ABjKe6k

“Lydia’s Tune” by Jon Hammond – organ trio session at Eastside Sound Studios with Joe Berger guitar, Lou Holtzman drums, Jon Hammond at the Hammond Sk1 organ – Sunday afternoon session, special thanks Lou & Mimi Holtzman, Duff Harris and Marcus assisting ©JON HAMMOND International ASCAP http://www.HammondCast.com

Joe, Lou, Jon

CNN iReport http://ireport.cnn.com/docs/DOC-1228515

Jon Hammond Band Facebook https://www.facebook.com/video.php?v=1022871057741691&set=vb.133709526657853&type=3&theater

https://hammondjazz.wordpress.com/tag/ndr-sessions-projekt/

THE NDR SESSIONS PROJEKT

HAMMOND, JON

HAM-BERGER-FRIZ RECORDS — at Auster Bar.

Producer Jon Hammond
Audio/Visual sound, color
Language English

NDR Horn Section, Baggage, Blues, Jazz, #Baggage #NDRHorns #Bluesband #Hamburg #HammondOrgan

Sennheiser evolution microphone Jon Hammond Breakfast Interview with Taka in Narita Japan

September 25, 2016

#WATCHMOVIE HERE: Sennheiser evolution microphone Jon Hammond Breakfast Interview with Taka in Narita Japan

Jon’s archive https://archive.org/details/JonHammondTAKAonHammondCastNarita

Usage Attribution-NonCommercial-NoDerivs
Topics TAKA, Takamitsu Yashiro, Blue Groove Sessions, Harley Davidson, Fender Telecaster, Jon Hammond, HammondCast, Kamakura, Japan

TAKA Blue Groove Sessions on HammondCast KYOU Radio interview with Jon Hammond in Narita Japan. Guitarist producer and Harley Daivdson chopper from Kamakura

Views
82
#82

Youtube https://youtu.be/mzlEIFvJPV4

168 views
#168

Interviews Sennheiser Jon Hammond Headphones Microphones Organ Accordion Music Archive NAMM Musikmesse
http://jonhammondband.com/blog.html/interviews_sennheiser_jon_hammond_headphones_microphones_organ_accordion_music_archive_namm_musikmesse/ – Jon Hammond

L to R Dr. Andreas Sennheiser, Jon Hammond, Daniel Sennheiser

Parking lot of Sennheiser Headquarters in Wedemark Germany, Knut Benzner of NDR with 421 mic and Norbert Hilbich long-time Sennheiser man!

Jon Hammond using Sennheiser e855 evolution microphone on interview with Tommy Denander and Mathias Melo in Hollywood

Nashville Tennessee — Jon Hammond interviewing legendary Roy Clark with Sennheiser evolution e855 microphone

Jon’s archive https://archive.org/details/RoyClarkTelevisionInterviewWithJonHammond

Roy Clark Television Interview with Jon Hammond just before Roy appeared on the American Eagle Awards in Nashville Tennessee during Summer NAMM Show – Roy Clark an American Living Legend and long-time member of The Grand Ole Opry and The Country Music Hall of Fame – Roy’s wiki https://en.wikipedia.org/wiki/Roy_Clark

Roy Linwood Clark (born April 15, 1933) is an American country music musician and performer. He is best known for hosting Hee Haw, a nationally televised country variety show, from 1969 to 1992. Roy Clark has been an important and influential figure in country music, both as a performer and helping to popularize the genre.
During the 1970s, Clark frequently guest-hosted for Johnny Carson on The Tonight Show and enjoyed a 30-million viewership for Hee Haw. Clark is highly regarded and renowned as a guitarist and banjo player, and is also skilled on classical guitar and several other instruments. Although he has had hit songs as a pop vocalist (e.g., “Yesterday, When I Was Young” and “Thank God and Greyhound”), his instrumental skill has had an enormous effect on generations of bluegrass and country musicians. He has been a member of the Grand Ole Opry, since 1987[1][2] and The Country Music Hall of Fame. BIOGRAPHY: Born in Meherrin, Virginia, Clark lived as a teenager in southeast Washington, D.C., where his father worked at the Washington Navy Yard. At 14, Clark began playing banjo, guitar, and mandolin, and by age 15 he had already won two National Banjo Championships[3] and world banjo/guitar flatpick championships. He was simultaneously pursuing a sporting career, first as a baseball player and then as a boxer, before dedicating himself solely to music. At 17, he had his first appearance on the Grand Ole Opry.
At the age of 23, Clark obtained his pilot’s license and then bought a 1953 Piper Tri-Pacer (N1132C), which he flew for many years. This plane was raffled off on December 17, 2012, to benefit the charity Wings of Hope.[4] He has owned other planes, including a Mitsubishi MU-2, Stearman PT-17[5] and Mitsubishi MU-300 Diamond 1A bizjet.[6]
By 1955, he was a regular on Jimmy Dean’s Washington, D.C., television program. Dean, who valued punctuality among musicians in his band, the Texas Wildcats, fired Clark for habitual tardiness, telling him, “You’re the most talented person I’ve ever fired.” Clark married Barbara Joyce Rupard on August 31, 1957.[7] In 1960, Clark went out to Las Vegas, where he worked as a guitarist in a band led by former West Coast Western Swing bandleader-comedian Hank Penny. During the very early 1960s, he was also prominent in the backing band for Wanda Jackson—known as the Party Timers—during the latter part of her rockabilly period.[8]
When Dean was tapped to host The Tonight Show in the early 1960s, he asked Clark to appear, introducing him to a national audience for the first time. Subsequently, Clark appeared on The Beverly Hillbillies as a recurring character (actually two: he played businessman Roy Halsey and Roy’s mother, Myrtle). Once, on an episode of the Sunday evening Jackie Gleason Show dedicated to country music, Clark played a blistering rendition of “Down Home”. Later, he appeared on an episode of The Odd Couple wherein he played “Malagueña”.[9]
In 1963, Clark signed to Capitol Records and had three top ten hits. He switched to Dot Records and again scored hits. He later recorded for ABC Records, which had acquired Dot, and MCA Records, which absorbed the ABC label.
Clark as “Myrtle Halsey” on The Beverly Hillbillies, 1968.
In the mid ’60s, he co-hosted, along with Buck Owens, a weekday daytime country variety series for NBC entitled “Swingin’ Country”, which was cancelled after two seasons. In 1969, Clark and Buck Owens were the hosts of Hee Haw. The show was dropped by CBS Television in 1971 but continued to run in syndication for twenty-one more years. During its tenure, Clark was a member of the Million Dollar Band and participated in a host of comedy sketches. In 1983, Clark opened the Roy Clark Celebrity Theatre in Branson, Missouri, becoming the first country music star to have his own venue there, thus beginning a trend which led to Branson becoming a center of live music performance, as it is today. Many of the celebrities who play in Branson first performed at the Roy Clark Celebrity Theatre.
Clark frequently played in Branson during the 1980s and 1990s. He has since sold the venue (now owned by the Hughes Brothers and renamed the Hughes American Family Theatre) and gone back to a fairly light touring schedule, which usually includes a performance with Ramona Jones and the Jones Family Band at their annual tribute to Clark’s old Hee Haw co-star Grandpa Jones in Mountain View, Arkansas.[citation needed]
In addition to his musical skill, Clark has often displayed his talents as a comedian and actor. During his years on Hee Haw, Clark entertained with numerous comedy sketches, including a recurring feature where he played the clerk of the “Empty Arms Hotel”. Clark released several albums of his comedic performances, to varying critical acclaim and commercial success. Clark is one of the few surviving regular male cast members from the show.[citation needed]
Clark has endorsed Mosrite, Gretsch, and many other brands of guitars during his career. He currently endorses Heritage Guitars, which makes a Roy Clark model. On August 22, 1987, Clark was made a member of the Grand Ole Opry. He plays an annual benefit concert at Longwood University in Farmville, Virginia, the proceeds of which go to fund scholarships for aspiring musicians.[citation needed]
For many years Clark has made his home in Tulsa, Oklahoma. Roy Clark Elementary School in Tulsa’s Union School District was named in his honor in 1978. Fellow Oklahoma resident Mickey Mantle arranged for Clark to sing “Yesterday When I Was Young” at his funeral (which Clark did in 1995).[10]
On May 17, 2009, Clark was inducted into the Country Music Hall of Fame along with Barbara Mandrell and Charlie McCoy. On September 23, 2010, Clark sang “God Bless America” during the seventh-inning stretch at Dodger Stadium in a game featuring the Los Angeles Dodgers versus the San Diego Padres. On April 12, 2011, Clark was honored by the Oklahoma House of Representatives. He will be honored by the Oklahoma Music Hall of Fame as Oklahoma’s Music Ambassador for Children and will be presented with a commendation from Oklahoma Governor Mary Fallin.

Producer Jon Hammond
Language English

Roy Clark and Jon Hammond in Nashville Tennessee at the American Eagle Awards

American Eagle Awards, Roy with awardees Vince Gill & Emmylou Harris, Vince Gill – John Conlee from Grand Ole Opry

Roy Clark playing his famous Gibson Byrdland

Jon Hammond playing his famous Gibson Byrdland

Flip Wilson (December 8, 1933 – November 25, 1998) and Roy Clark

Jon Hammond and Roy Clark in the Green Room at American Eagle Awards

Facebook video

https://www.facebook.com/hammondcast/videos/10153558221872102/

Youtube https://youtu.be/dPFiUlSe-98

Jon Hammond Band at XK-5 Organ Debut Hammond Organ USA Party SoundCheck Nashville

Vimeo https://vimeo.com/172604621

Lydia’s Tune On Nissan Stage Nashville

Jon’s archive https://archive.org/details/LydiasTuneOnNissanStageNashville

Attribution-Noncommercial-No Derivative Works 3.0
Topics Lydia, Summer NAMM Show, Lee Oskar, Harmonica, Jon Hammond, Nashville Tennessee, #HammondOrgan

Lydia’s Tune – Jon Hammond Funk Unit on Nissan Stage Nashville https://www.namm.org/thenammshow/2016/events/jon-hammond-funk-unit Nashville, Tennessee​ Music City Center, front line: Lee Oskar​ harmonica, Joe Berger​ guitar, Cord Martin​ tenor, Roland Barber​ trombone, Jon Hammond​ organ, Rhythm section Chuggy Carter​ congas & percussion, Louis Flip Winfield​ drums

Producer Jon Hammond
Language English

Front Line Jon Hammond Band 2 minutes before hit time on Nissan Stage – Summer NAMM Show Nashville Music City Center

Jon Hammond Nissan Stage – Nashville Music City Center

Jon’s archive http://ia601507.us.archive.org/7/items/HeadPhoneStickWithSennheiser/Head%20Phone%20stick%20with%20Sennheiser.mp4

Sennheiser (headphones) Momentum series

with tribute to Lutz Büchner on solo section:
Head Phone stick with Sennheiser (headphones) Jon Hammond’s 20th annual Musikmesse Session in Jazzkeller Hofheim – funky jazz with Giovanni Totò Gulino drums, Peter Klohmann tenor saxo, Joe Berger guitar, Jon Hammond at the Sk1 Hammond organ – Jon’s keyboard stand by
Bespeco Professional, Audio: Philipp, Konrad Neupert, Marvin Gans Jazzkeller Hofheim Team – special thanks Jeff Guilford / JJ guitars for operating the camera http://www.HammondCast.com

Sennheiser HD 25-1

Vimeo https://vimeo.com/163154149

Youtube https://youtu.be/bWUOjMJx_Cg

Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics Head Phone, Sennheiser, Momentum Headphones, Funky Jazz, Musikmesse, Session, Hofheim am Taunus, Jazzkeller Hofheim, Bespeco Professional, #HammondOrgan #CNNiReport

Suzuki “The Name You Know” – Kartoffel – Breakfast of Champions (and lunch and dinner)!

Dankeschön Philipp for the Audio – and my favorite old Peavey Bass Amp!

Jon’s archive https://archive.org/details/JonHammondJonHammondNEAJazzLegendsPhotoShoot_mostimportantJazzPhotosinHistory

Views
1,021
#1021

Jon’s archive http://ia601507.us.archive.org/7/items/HeadPhoneStickWithSennheiser/Head%20Phone%20stick%20with%20Sennheiser.mp4

Sennheiser (headphones) Momentum series

with tribute to Lutz Büchner on solo section:
Head Phone stick with Sennheiser (headphones) Jon Hammond’s 20th annual Musikmesse Session in Jazzkeller Hofheim – funky jazz with Giovanni Totò Gulino drums, Peter Klohmann tenor saxo, Joe Berger guitar, Jon Hammond at the Sk1 Hammond organ – Jon’s keyboard stand by
Bespeco Professional, Audio: Philipp, Konrad Neupert, Marvin Gans Jazzkeller Hofheim Team – special thanks Jeff Guilford / JJ guitars for operating the camera http://www.HammondCast.com

Sennheiser HD 25-1

Vimeo https://vimeo.com/163154149

Youtube https://youtu.be/bWUOjMJx_Cg

Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics Head Phone, Sennheiser, Momentum Headphones, Funky Jazz, Musikmesse, Session, Hofheim am Taunus, Jazzkeller Hofheim, Bespeco Professional, #HammondOrgan #CNNiReport

Suzuki “The Name You Know” – Kartoffel – Breakfast of Champions (and lunch and dinner)!

Dankeschön Philipp for the Audio – and my favorite old Peavey Bass Amp!

Jon’s archive https://archive.org/details/JonHammondJonHammondNEAJazzLegendsPhotoShoot_mostimportantJazzPhotosinHistory

Views
1,021
#1021

Jon Hammond – organ

Joe Berger – guitar

Peter Klohmann – saxophone

Giovanni Totò Gulino – drums

Mr. Hammond has toured worldwide since 1991 using the incredible Sk1 organ by Hammond Suzuki..™ “Classic Hammond Sound…In A Suitcase!” The Jon Hammond Show is a funky swinging instrumental revue, featuring top international soloists. The show has universal appeal. Big Hammond orgel sound – 100% organic

“Werden Sie im Jazzkeller wieder eine Hammond Orgel spielen?
Ja, sicher, das neueste Modell, eine Sk1, die exakt so klingt wie die legendäre B3. Ich liebe sie. Und sie wiegt nur noch sieben Kilo (Anm. des Autors: Das Original, ein echtes Möbel mit viel Holz, mussten immer zwei Menschen mit viel Muskelkraft die Treppen rauf und runter hieven), ein deutliches Indiz, dass wir in der Zukunft angekommen sind. Da stecken viele Jahre Forschung und Entwicklung drin, auch Bühnenerprobungen. Ich ziehe den Hut vor den Ingenieuren von Suzuki, ein unverwüstliches Instrument erschaffen zu haben. Und das unterziehe ich jetzt einen echten Härttest (lacht).”

Interview: Detlef Kinsler

Web: www.jazzkeller.com / www.jonhammondband.com

photo by Lawrence Gay co-producer of West Coast Live Radio Program

Jon’s archive https://archive.org/details/1993HeadPhoneRadioMixAndLiveAtJazzKneipe

CNN iReport http://ireport.cnn.com/docs/DOC-1268006

Youtube https://youtu.be/VhxoMl5UWn4

by Jon Hammond
Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics Head Phone, Sennheiser, Jon Hammond, Victor Owens, Digisonic Studio, Jazz Kneipe, Frankfurt, Marc Baum, Allen Wittig, Barry Finnerty, #Headphone #HammondOrgan

1993 “Head Phone” (by Jon Hammond) Radio Mix in Digisonic Studio Berkeley with Victor Owens & Marc Baum and LIVE “Head Phone” Jon Hammond at Jazz Kneipe Frankfurt with Barry Finnerty guitar, Al Wittig tenor saxophone, James Preston drums, Jon Hammond organ ©JON HAMMOND International http://www.HammondCast.com

Producer Jon Hammond
Language English

FORBES “Sennheiser Takes the Long View When it Comes to Superior Sound”

*LINK: http://www.forbes.com/sites/bradauerbach/2016/09/23/sennheiser-takes-the-long-view-when-it-comes-to-superior-sound/#acb046070427

Brad Auerbach:

“Opinions expressed by Forbes Contributors are their own.

“Sennheiser has been at the apogee of the audio business for decades. When I was growing up, a pair of Sennheiser headphones was the aspiration of any knowledgeable audiophile. I recently had a chance to sit down with brothers Andreas and Daniel Sennheiser. They are the company’s co-CEOs; their grandfather founded the company 72 years ago.

The brothers grew up with high fidelity; audio and sound were always part of their youth. But it was oddly comforting that they shared the parental “turn down the volume” protestations as teenagers.

Both worked elsewhere before joining the family company. Andreas was trained as an engineer and Daniel spent time at Procter & Gamble. Marketing and design have become a larger initiative for the company.

Both executives collaborate across disciplines, and oversee the operation of 2800 employees. Production is based in Germany, with some in Ireland and Albuequerque.

The brothers described how the market has evolved over the decades, and with the rise of smartphones and portable players, the headphone market exploded. “Before it was sitting at home with your hi-fi and headphones. Now, headphones are about portability and fashion,” said Daniel. “Sound has come back as a primary concern for consumers, which is perfect timing for Sennheiser, which has stood for high fidelity for seven decades.”

Andreas pointed out that the MP3 format made it convenient for consumers to enjoy music beyond carrying cassettes or discs, and that is when the big headphone opportunity emerged.

We discussed the conundrum that an entire generation has grown up satisfied with various highly compressed audio formats, but now that full range fidelity is available Sennheiser is at the right place to meet consumer demand for superior fidelity.

The brothers walked me through Sennheiser’s initiative called Ambeo, a three-dimensional audio experience which captures the audio at creation (microphones) and mixing (blueprints for sound processing) and reproduction (speakers or headphones). The goal for Ambeo is to break down the perception barrier between reality and reproduction. “We want to generate the perfect illusion as if you were there at the concert or recording studio,” said Andreas.

Neil Young heard his music through Sennheiser’s industry standard HE1 and was amazed and annoyed that all the sonic information had been buried for years.

With twelve years of research in the field of immersive audio, the Sennheiser brothers are understandably confident that the rise of virtual reality and augmented reality presents a real need for the consumer. Sennheiser is, therefore, working with many VR/AR companies to ensure the audio aligns with the video, to avoid the sensory disconnect resulting in user discomfort.

Daniel refers to Ambeo as not only a quality signature of Sennheiser’s audio experience but also a brand feature with logo (think Dolby Digital or THX in the movie theatre). Consumer awareness of Ambeo is a goal, as the professional market has already embraced Ambeo. For the consumer, Sennhesier is establishing a retail presence at Oculus at the World Trade Center. As the Technical Partner to Westfield World Trade Center, Sennheiser will be opening the Soundscape, a new flagship showroom located in Oculus, New York’s newest retail location. Consumers can experience products like Ambeo and HE1, the hugely expensive headphones that Neil Young used to discover unheard elements in his music.

Andreas told me that “There was a time when convenience mattered and not sound quality, when what the headphone looked like and who was wearing it mattered, now the time has arrived when it all comes together. We have convenience, we have great looking products and it sounds great. No longer is it a compromise, the haptics and even the smell of leather and great sound quality and convenience are all finally available.”

Daniel echoed the sentiment, “The professionals all know Sennheiser, from Broadway productions to broadcast to recording studios, and we want to expose the consumer. We are launching a soundscape in the middle of the Oculus, for consumers to try some products. We are planning a pop-up shop in Soho in October, displaying our innovations over the decades.”

For my cross country flight, I was able to road test the new PXC 550, considered Sennheiser’s flagship travel headphone.

The out-of-the-box experience is very pleasurable. The unit is well packed and comes with a perfectly proportioned carrying case. The headset is remarkably lightweight considering the wealth of technology included. The Bluetooth connectivity is crisp, and the noise cancelling feature is nearly flawless. The supple leather ear cups make for comfortable use for many hours. The power switch is built-in to the design, such that placement back into the sturdy carrying case flips off the headphone’s power. Fortunately, a wired connection is available. I had just rediscovered my long lost iPod and was happy to enjoy my pre-Bluetooth playlists.

I happened on a delightful album by Strawbs called Acoustic Gold. I had not heard it in years, after playing it often upon my initial discovery years ago. I was delighted to hear nuances that escaped my scrutiny earlier. That experience became more frequent as I revisited old favorites. It was not quite my Neil Young moment, but the rediscovery of audio nuances was a delight.

As to Sennheiser’s strategy for distribution, their goals remain global. They remain cautious about where they are carried in retail; a strategy clearly followed by top-line products in other categories. Online has become an important sales channel for Sennheiser, especially in Asia where counterfeits pervade the entire consumer marketplace from drugs to batteries.

The brothers are very diplomatic about naming domestic retailers where they want to be carried, but they admit they are becoming more selective on where Sennheiser products are showcased.

We discussed the law of diminishing returns, which is a balance they always strike. Andreas referred to Formula One as a viable model, where the price of research is almost no object and the learning trickles down to other products. The aforementioned HE1 headphone costs $60,000.

For years it seemed to be a law of physics that a consumer had to choose between strong active noise cancelling or good sound. Sennheiser’s deep research proves it wrong, you can have both. Now they have added Bluetooth when for a long time you could have one or two features, but not these three. All three are available in the PXC 550.

For decades the company has been deeply involved in noise cancelling, from the time it was invented by Sennhesier in the ‘70s. “The last 10% was the toughest to overcome to achieve the perfection,” said Andreas.

Sennheiser was not willing to rest at 90%, and the freedom of being privately owned allowed them to invest for a decade to unlock the key to the last 10%.

“We are our own worst and best competitor,” said Daniel. “We are always aware of the limitations we uncover in our research. Just making great products and trusting people will find them is not enough anymore.” ”

Jon’s archive https://archive.org/details/JonHammondShowCableAccessPreview0829ZeughausWismarMCTV1AirTime130AM

Youtube https://youtu.be/GpYaWbSaUmg

Jon Hammond Field Recording rig with Sennheiser evolution e855 microphone and Nakamichi 550 Dual-Tracer portable two head cassette deck owned since 1976, bought at Harvey Electronics in New York City on 45th Street for $550 cash!

Sennheier evolution, Dr. Andreas Sennheiser, Jon Hammond, Daniel Sennheiser, Headphones, #Headphone #Sennheiser #evolution #HammondOrgan

Cooking With The NDR Horns Uptempo Blues Shuffle Auster Bar Hamburg

September 23, 2016

#WATCHMOVIE HERE: Cooking With The NDR Horns Uptempo Blues Shuffle Auster Bar Hamburg

Jon’s archive https://archive.org/details/CookingAtTheAusterBarJonHammondBandWithNDRHorns

Views
242
#242

Youtube https://youtu.be/BqtFWKBeC0c

202 views
#202

Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics Cooling in Hamburg, NDR Horn Section, Blues, Jazz, Uptempo, Saxophones, Trumpet, Hammond Organ, NDR Radio, MNN TV, Musicians Union, Local 802

Absolutely cooking session in Hamburg Germany – Jon Hammond Band with The NDR Horns until the last minute when music must stop 10PM / 22:00 Auster Bar is in residential quarter of Eimsbüttel HH, The Musicians: Heinz Lichius drums, Joe Berger guitar, Lutz Büchner tenor saxophone, Fiete Felsch alto saxophone, Michael Leuschner musical director / trumpet, Jon Hammond organ + bass – special thanks Nicolai Ditsch for operating the camera – Auster Bar Team Frank Blume, Torsten Wendt, Musik Rotthoff support, Knut Benzner NDR Redaktion – as seen on MNN TV The Jon Hammond Show http://www.HammondCast.com

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Producer Jon Hammond
Language English

Frankfurt Germany — Jon Hammond flanked by Ivana Petrof / Ivana Petrofová and Zuzana Petrof / Zuzana Ceralová Petrofová Celebrating 150
years Petrof Pianos Excellence! – Musikmesse Frankfurt

Mill Valley CA — Marla Hunt Hanson and Julius Karpen at special gathering celebrating life of Ron Polte who was the manager of Ace of Cups and Quicksilver Messenger Service. Marla Hunt original organist of Ace of Cups and Julius Karpen manager of Big Brother and The Holding Company band with Janis Joplin – long-time associate friend of Chet Helms – photo by Jon Hammond

Port of Richmond at Dusk – Jon Hammond

My Mom’s Rose plant – Jon Hammond

— RIP my friend Ron Polte – manager of Quicksilver, Ace of Cups, Wild West Fest – Jon Hammond

(my band opened for Copperhead on one of the very few live gigs they played in 1972 at The Longbranch Saloon)

Tam Junction and Piatti Mill Valley Restaurant – Breakfast with Ron, rest in peace Ron Polte – Jon Hammond : *Note: We had a lot of fun in

the old days at 759 Harrison Street San Francisco when we shared rehearsal space with The Quicksilver Messenger Service at Bruce Hatch’s San

Francisco Radical Laboratories aka SF Rad Lab in years 1968 / 1969 (not to be confused with radiation lab folks! I am still in touch with

QSM guitarist Gary Duncan, sending my condolences Gary! – JH


*Note: This was Ron’s big project some years ago folks:
http://jonhammondband.com/blog.html/jon_hammond_reflections_on_wild_west_festival/
JON HAMMOND REFLECTIONS ON WILD WEST FESTIVAL – LINK: http://kernelpanichammondcast.blogspot.com/2016/09/wow-folks-i-was-there-jon-hammond.html Wow folks, I was there! This was very nearly the biggest Rock Music Festival that almost happened – it was very close. I went to many meetings with Ron Polte and a lot of very heavy San Francisco Rock bands were down to play the “Wild West Festival” (1969) Posters were already made up, we had meetings in the Zoetrope building now owned by Francis Ford Coppola and The Straight Theatre on Haight Street – Ron Polte was part owner of Straight Theatre in addition to being the manager of Quicksilver Messenger Service, Ace of Cups and for a time Sons of Champlin as well. I highly recommend watching and listening to this very rare footage of the press conference with Big Daddy Tom Donahue speaking about the project – Jon Hammond Band​
photo by Jon Hammond​ – breakfast with Ron
I just saw Ron’s obit by Paul Liberatore​ in the Marin IJ:
http://www.marinij.com/article/NO/20160916/NEWS/160919827
“Quicksilver Quicksilver Messenger Service – Band​ manager Ron Polte dies in Mill Valley at 84″
” By Paul Liberatore, Marin Independent Journal

Posted: 09/16/16, 5:53 PM PDT | Updated: 6 hrs ago

Ron Polte, who managed the psychedelic rock band Quicksilver Messenger Service and the all-female quintet the Ace of Cups during the glory days of the San Francisco Sound, died Wednesday at his longtime home in Mill Valley. He was 84.

Mr. Polte had been suffering from multiple health problems and had been under Hospice care since May, said his wife of 20 years, Sally Robert.

“He was a good man,” said Quicksilver band member David Freiberg, speaking by phone from Florida while on tour with the Jefferson Starship. “I could always trust him to do what he thought was right.”

Born on the south side of Chicago into a family of nine children, Mr. Polte had a tough childhood, but managed to turn his life around after being in and out of trouble with the law as a teenager, his wife said.

In Chicago, he became friends with blues singer-songwriter Nick Gravenites (“Born in Chicago,” “Buried Alive in the Blues”) when they were teenagers and followed him out to San Francisco in the early 1960s. They were the first of the Chicago blues crowd, including Mike Bloomfield, Elvin Bishop and Mark Naftalin of the Paul Butterfield Blues Band, to relocate in the Bay Area, most of them settling in Marin and Sonoma counties.

In 1967, Mr. Polte took over management of Quicksilver and the Ace of Cups after their original manager, Ambrose Hollingworth, was seriously injured in a car crash near Muir Beach.

“When we needed somebody, there he was,” Freiberg said.

Quicksilver was the last of the San Francisco hippie bands to ink a major label deal when they signed with Capitol Records in late 1967.

“He took it slow and steady and wouldn’t take a deal if he didn’t think it was right,” Freiberg recalled. “It took a while, but we got a really good deal with Capitol.”

Mr. Polte was known as a dutiful and resourceful manager who did what he could to meet the needs of the young musicians in his bands. Freiberg remembered that when he and his Quicksilver bandmates were living together in a house in Mill Valley, they informed him of their desire to move onto a farm in the country with a barn where they could rehearse. Mr. Polte wasted no time making that wish come true.

“Within a week and a half, we were living on an old dairy farm in Olema,” Freiberg recalled, chuckling. “He really cared about making sure everybody was taken care of.”
Diane Vitalich of Novato, drummer for the Ace of Cups, recalled that when she and her bandmates needed transportation, Mr. Polte went to an auction of state vehicles at San Quentin and bought cars for all of them.

“He bought us five 1963 Dodge Darts,” she said. “They were all blue and all looked the same.”

During this time, Mr. Polte started Westpole, a booking agency that handled Big Brother and the Holding Company with Janis Joplin, the Sons of Champlin and other seminal Bay Area rock groups.

He’s also credited with inspiring the name of the band Electric Flag, a short-lived supergroup formed by Bloomfield, Gravenites, keyboardist Barry Goldberg, bassist Harvey Brooks and drummer Buddy Miles. According to Gravenites, Quicksilver had somehow come into possession of a light-up electric flag after a gig at a veterans hall.

“He brought it over to where we were all living and rehearsing in Tam Valley,” he recalled. “We plugged it in and it lit up and started waving. We said, ‘Hey, look at that. Let’s call ourselves the Electric Flag.’”

Eventually, Mr. Polte escaped from the hard living and tumult of the music business, spending time on a remote lodge in the New Mexico wilderness owned by Frank Werber, the charismatic manager of the Kingston Trio and owner of the Trident, a legendary Sausalito restaurant.

Through it all, he never lost the values that defined the ‘60s generation in San Francisco.

“All the altruistic thinking that came out of that era he agreed with a thousand percent,” Gravenites said. “He remained a firm defender of all the idealism from those years.”

In addition to his wife, Mr. Polte is survived by two daughters, Pamela Polte of Sutter Creek, Amador County, and Patti Ann Lindecker of Chicago; two sons, Thomas Polte of Chicago and Jeremy Polte of Dunsmuir, Siskiyou County, and two sisters, Marilyn McMinn and Nancy Brunanchon of Pine Grove, Amador County.”

JON HAMMOND REFLECTIONS ON WILD WEST FESTIVAL – LINK: http://kernelpanichammondcast.blogspot.com/2016/09/wow-folks-i-was-there-jon-hammond.html

Wow folks, I was there! This was very nearly the biggest Rock Music Festival that almost happened – it was very close. I went to many meetings with Ron Polte and a lot of very heavy San Francisco Rock bands were down to play the “Wild West Festival” (1969) Posters were already made up, we had meetings in the Zoetrope building now owned by Francis Ford Coppola and The Straight Theatre on Haight Street – Ron Polte was part owner of Straight Theatre in addition to being the manager of Quicksilver Messenger Service, Ace of Cups and for a time Sons of Champlin as well. I highly recommend watching and listening to this very rare footage of the press conference with Big Daddy Tom Donahue speaking about the project – Jon Hammond *long-time member Local 6 Musicians Union (but not then!)

*LINK: https://diva.sfsu.edu/collections/sfbatv/bundles/201631 **From KQED piece:

” KQED News report from 1969 featuring a press conference by
Tom Donahue (1928-75), who discusses the Wild West Rock Festival that was to have taken place in Golden Gate Park but was cancelled due to protests by locals. Donahue believes that even though the concert never happened, this was a positive experience for the San Francisco community. He states that: “We also felt that a great deal of the good things that have come out of the artistic community in this country have originated in San Francisco. That it’s a starting point. Thay may sound chauvanistic but I also think it’s the truth.” Ends with brief comments from another spokesman, who refers to the “unecessary and … unwarranted paranoia” that the Wild West project had to deal with. It is worth noting that Donahue was inducted into the Rock and Roll Hall of Fame in 1996 as a non-peformer, one of only three disc jockeys to receive that honor to date (2011). Tags: golden gate park, kqn 486, news cameras, rock concerts, ron polte, tom donahue, wild west festival Added to San Francisco Bay Area Television Archive on November 18, 2011. ”

Tom Donahue on the Wild West Festival (1969) (Updated over a year ago)

#HammondCast #GoldenGatePark #HammondOrgan, Big Daddy, Jon Hammond, Local 6, Musicians Union, Ron Polte, San Francisco, Tom Donahue, Wild West Festival

L to R Heinz Lichius, Michael Leuschner, Lutz Büchner, Jon Hammond, Fiete Felsch – Auster Bar Eimsbüttel Hamburg Germany

Cooking Blues, Westpole Agency, Bands, Jon Hammond, #RonPolte #WildWestFest #PetrofPianos #HammondOrgan

Party Celebrating 30 Years Musikmesse Warm Up in Famous Jazzkeller Massive Chocolate Cake

September 23, 2016

#WATCHMOVIE HERE: Party Celebrating 30 Years Musikmesse Warm Up in Famous Jazzkeller Massive Chocolate Cake

Jon’s archive https://archive.org/details/JonHammondBand2ndSetAfterBirthdayCakeBreak

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45
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Youtube https://youtu.be/o2–TIC-frk

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#24

Usage Attribution-Noncommercial-No Derivative Works 3.0
Jazzkeller, Frankfurt, Musikmesse, Warm Up Party, Hammond Organ, Jon Hammond Band, Jazz, Blues

Note from Jon Hammond
Video: Tino Pavlis​
https://www.facebook.com/notes/jon-hammond-band/best-party-of-the-year-jon-hammonds-annual-musikmesse-warm-up-party-in-jazzkelle/1107482975950736
Best Party of The Year! Jon Hammond’s annual musikmesse​ Warm Up Party in Jazzkeller​ Tuesday April 5th 2016 celebrating 30 years
Jon Hammond​ – organ Joe Berger​ – guitar Peter Klohmann​ – saxophone Giovanni Totò Gulino​ – drums Mr. Hammond has toured worldwide since 1991 using the incredible Sk1 organ by Hammond Suzuki..™ “Classic Hammond Sound…In A Suitcase!” The Jon Hammond Show is a funky swinging instrumental revue, featuring top international soloists. The show has universal appeal. Big Hammond orgel sound – 100% organic – Jon’s birthday cake by Saray Pastanesi​ Jon Hammond Band​

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Producer Jon Hammond
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Bringing Back Sony Tape Recorder Audio Transfer Project Jon Hammond rock band Hades 1971 recordings Archive at CHRS

Radio Clinic at California Historical Radio Society, Elmo disassembles Jon Hammond’s TC-366 tape deck on the bench from Kozo Ohsone Sony Tape Recorder

Division to play back 40 year old archive recording Berkeley El Cerrito based band HADES recorded live at Provo Park in Berkeley and at rehearsal garage

on Carlson Blvd. Richmond recorded on a TC-366 sound on sound reel to reel tape deck, here is the machine on the bench with Elmo:

Elmo discussing remedy for glazed pinch roller with radio engineer Art Lieberman:

AMPEX 354 Tape Deck in KRE dubbing studio:

CHRS President Steve Kushman at the GATES Audio Board transferring from Analog to Digital:

Sony TC-366 project machine:

http://www.archive.org/details/HammondCast_19_1

HammondCast 19 starts out in Frankfurt Germany recording in AFN Europe Headquarters on one big tube microphone featuring Hungarian tenor saxophone star TONY LAKATOS, now a member of the HR Radio Big Band. And a slow rainy day Blues featuring guitarist JOE BERGER and RAY GRAPPONE drums, Jon on the XB-2 organ/bass. Also a 35 year-old recording of my old rock band HADES and a shout out to the bass player STEVE WRIGHT who is recuperating from a stroke and heart attack but is now starting to speak again, get better Steve! From there to 1995 recording in LE BAR BAT NYC playing Jon’s tune “Pocket Funk”. A song I recorded with Eddie Money that is close to Eddie’s heart: “I’ve Been Lovin’ You Too Long” for all the Eddie Money freaks out there. I just saw Eddie in NY and he’s doin’ fine, still touring in a city near you! And finally ending up back in AFN Europe Headquarters playing Jon Hammond’s theme song: “LATE RENT”, dedicated to YOU of KYOU the your Rent will never be Late! http://www.HammondCast.com

HADES R to L: Steve Wright bass vocals, Jimmy Thorsen guitar vocals, Dave Danza drums, Jon Hammond organ electric piano

Earlier version of Hades Blues Works L to R: Jim Thorsen, Jon Hammond Greg Boykin drums R.I.P. Eddie Sanchez, Steve Wright picture outside Carlson Blvd. Richmond rehearsal space, Jerry Figone was manager at that time, road crew – Kent & Gary Leone:

http://blip.tv/scripts/pokkariPlayer.js?ver=d0f9134 http://blip.tv/syndication/write_player?skin=js&posts_id=5313804&source=3&autoplay=true&file_type=flv&player_width=&player_height=

Sk1 James and Wes Blues Jon Hammond Band Jon Hammond on Hammond Sk1 World’s First Road Test of ultra-portable Hammond Sk1 with Jon Hammond Band in Germany at Jon’s annual Musikmesse-Session in Jazzkeller Hofheim April 8, 2011 Special Thanks Suzuki Musical Instruments, Ken Atsumi, Waichiro ‘Tachi’ Tachikawa, Hiromitsu Ono, Yu Beniya, Shigeyuki Ohtaka, Shuji Suzuki, Bernie Capicchiano, Malc Deakin Hammond Suzuki UK Europe, Michael Falkenstein Hammond Suzuki Germany, camera: Jennifer Joe Berger guitar, Giovanni Gulino drums, Peter Klohmann tenor sax, Jon Hammond Sk1 Hammond Stage Keyboard http://www.jonhammondband.com Sk1 Sk2 Hammond Suzuki Musikmesse Blues Organ Hofheim Hamamatsu Japan Category: Music Tags: Sk1 Sk2 Hammond Suzuki Musikmesse Blues Organ Hofheim Hamamatsu Japan

*WATCH THE VIDEO: Sk1 James and Wes Blues Jon Hammond Band

http://www.archive.org/details/JonHammondSk1JamesandWesBluesJonHammondBand/

http://www.youtube.com/watch?v=o8tItPfKVOQ

Jon’s archive https://archive.org/details/HammondPartyNightPocketFunkShakingOutTheNewXK5OrganInNashville

Vimeo https://vimeo.com/hammondcast

Jon Hammond Band at the Hammond Party for the new XK-5 Hammond organ, playing Jon’s tune Pocket Funk in Full HighDef on the new prototype organ with Kayleigh Moyer on the Sleishman Drum Co Mothertone drums, Chuggy Carter congas GON BOPS, Joe Berger guitar, Jon Hammond at the XK5 (plays just like a B3 with Multi Contact keys!)

first night of Summer NAMM Show Nashville, Tennessee at the famous studios of SoundCheck Nashville- Pocket Funk as seen on Jon’s TV show Jon Hammond Show 34 years on Manhattan Neighborhood Network channel 1 – special thanks to Hammond Organ USA Gregory Gronowski & Scott May, Ray Gerlich long-time Hammond Technical Supervisor since 1976! also Mark Prentice M.D. for the evening, known as “Sound Soul Summit V” fine players all night long on the new org – Thanks to my friend Chuck Rainey the great studio bassist for coming and hanging with us all night long! And the Suzuki Musical Instruments Team makers of Hammond Organs and Leslie Speakers *from Hamamatsu-shi, Shizuoka, Japan http://www.HammondCast.com ‪#‎XK5‬ ‪#‎NAMMShow‬ ‪#‎Nashville‬ ‪#‎SummerNAMM‬ ‪#‎HammondOrgan‬

Producer Jon Hammond
Language English

Youtube https://youtu.be/Ng5WijIR7h8

Facebook video https://www.facebook.com/hammondcast/videos/10153597145217102/

Jon’s archive https://archive.org/details/JonHammondShowPreview0709

FaceBook Video https://www.facebook.com/hammondcast/videos/10153555094272102/

‪NAMM Show, Summer NAMM, Hammond Organ, XK-5 Hammond, Funk Band, Kayleigh Moyer, drums, SoundCheck Nashville, Hammond Organ USA #‎SummerNAMM‬ ‪#‎NAMMShow‬ ‪#‎HammondOrgan‬ #XK5

L to R Jon Hammond, Kayleigh Moyer, Frank Alkyer, Joe Berger – Summer NAMM Show Nashville

Pocket Funk!

Jon’s archive https://archive.org/details/2PMKickOffNissanStageSummerNAMMShow

Famous Jazzkeller, 30 Year Celebration, Sk1, XK5, Jon Hammond, #Musikmesse #NAMM #ChocolateCake #Jazzkeller #HammondOrgan

Donald Meade Jazz Historian Film Hang JEN Atlanta with Jon Hammond Javon Jackson Larry Ridley Martin Mueller Joe Chambers

September 22, 2016

#WATCHMOVIE HERE: RIP Donald Meade Griot Jazz Historian filmed by Jon Hammond

Jon’s archive https://archive.org/details/JonHammondDonaldMeadeImpromptuJazzStoriesatJENConferenceAtlanta

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Youtube https://youtu.be/pF3Rl3H-u1k

67 views
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Topics Jazz Griot, Donald Meade, JEN Atlanta, Historian, Impromptu, Education, Chitlin Circuit

Atlanta GA — Jazz Historian Donald Meade here at the Jazz Education Network conference 2013 telling some wonderful jazz stories, and actually explains how the Chitlin Circuit got it’s name! This was totally impromptu at a table including Jon Hammond, Javon Jackson, Joe Chambers, and Martin W. Mueller from The New School for Contemporary & Jazz Music – listening to Jazz Griot Award Recipient Donald Meade tell these fascinating stories in his engaging style, enjoy folks!
Jon Hammond
https://hammondcast.wordpress.com/2013/01/08/us-army-blues-pershings-own-precious-lord-take-my-hand-at-jen-2013-atlanta-jons-journal-january-8-2013/

Jazz Griot, Donald Meade, JEN Atlanta, Historian, Impromptu, Education, Chitlin Circuit

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Donald Meade Jazz Griot December 8, 1928 – May 22, 2015

Meade, born December 8, 1928 in Joliet Illinois, was raised in Joliet and later in the Watertown area of East Moline during the time when jazz was coming of age. Meade speaks fondly of growing up musically in the time of Duke Ellington. Nat Cole. Pat Patrick. Louis Armstrong. Clark Terry- and many other pioneers and innovators of the day. He has been a lifelong friend and confidant to many of the jazz legends and innovators, and has traveled extensively with jazz giants such as Ed Thigpen. Ray Brown. Oscar Peterson. Milt Jackson. Cedar Walton, the Heath Brothers. Art Farmer, and Ella Fitzgerald to name a few. “At one time jazz was the popular music” he says.

A friend and mentor to many, as well as a great jazz historian, Donald “Papa” Meade passed away on May 22, 2015. Donald’s spirit and dreams live on through those friends, mentees and the recipients of the Donald Meade Griot Award.

— RIP my friend Ron Polte – manager of Quicksilver, Ace of Cups, Wild West Fest – Jon Hammond

(my band opened for Copperhead on one of the very few live gigs they played in 1972 at The Longbranch Saloon)

Tam Junction and Piatti Mill Valley Restaurant – Breakfast with Ron, rest in peace Ron Polte – Jon Hammond : *Note: We had a lot of fun in

the old days at 759 Harrison Street San Francisco when we shared rehearsal space with The Quicksilver Messenger Service at Bruce Hatch’s San

Francisco Radical Laboratories aka SF Rad Lab in years 1968 / 1969 (not to be confused with radiation lab folks! I am still in touch with

QSM guitarist Gary Duncan, sending my condolences Gary! – JH


*Note: This was Ron’s big project some years ago folks:
http://jonhammondband.com/blog.html/jon_hammond_reflections_on_wild_west_festival/
JON HAMMOND REFLECTIONS ON WILD WEST FESTIVAL – LINK: http://kernelpanichammondcast.blogspot.com/2016/09/wow-folks-i-was-there-jon-hammond.html Wow folks, I was there! This was very nearly the biggest Rock Music Festival that almost happened – it was very close. I went to many meetings with Ron Polte and a lot of very heavy San Francisco Rock bands were down to play the “Wild West Festival” (1969) Posters were already made up, we had meetings in the Zoetrope building now owned by Francis Ford Coppola and The Straight Theatre on Haight Street – Ron Polte was part owner of Straight Theatre in addition to being the manager of Quicksilver Messenger Service, Ace of Cups and for a time Sons of Champlin as well. I highly recommend watching and listening to this very rare footage of the press conference with Big Daddy Tom Donahue speaking about the project – Jon Hammond Band​
photo by Jon Hammond​ – breakfast with Ron
I just saw Ron’s obit by Paul Liberatore​ in the Marin IJ:
http://www.marinij.com/article/NO/20160916/NEWS/160919827
“Quicksilver Quicksilver Messenger Service – Band​ manager Ron Polte dies in Mill Valley at 84″
” By Paul Liberatore, Marin Independent Journal

Posted: 09/16/16, 5:53 PM PDT | Updated: 6 hrs ago

Ron Polte, who managed the psychedelic rock band Quicksilver Messenger Service and the all-female quintet the Ace of Cups during the glory days of the San Francisco Sound, died Wednesday at his longtime home in Mill Valley. He was 84.

Mr. Polte had been suffering from multiple health problems and had been under Hospice care since May, said his wife of 20 years, Sally Robert.

“He was a good man,” said Quicksilver band member David Freiberg, speaking by phone from Florida while on tour with the Jefferson Starship. “I could always trust him to do what he thought was right.”

Born on the south side of Chicago into a family of nine children, Mr. Polte had a tough childhood, but managed to turn his life around after being in and out of trouble with the law as a teenager, his wife said.

In Chicago, he became friends with blues singer-songwriter Nick Gravenites (“Born in Chicago,” “Buried Alive in the Blues”) when they were teenagers and followed him out to San Francisco in the early 1960s. They were the first of the Chicago blues crowd, including Mike Bloomfield, Elvin Bishop and Mark Naftalin of the Paul Butterfield Blues Band, to relocate in the Bay Area, most of them settling in Marin and Sonoma counties.

In 1967, Mr. Polte took over management of Quicksilver and the Ace of Cups after their original manager, Ambrose Hollingworth, was seriously injured in a car crash near Muir Beach.

“When we needed somebody, there he was,” Freiberg said.

Quicksilver was the last of the San Francisco hippie bands to ink a major label deal when they signed with Capitol Records in late 1967.

“He took it slow and steady and wouldn’t take a deal if he didn’t think it was right,” Freiberg recalled. “It took a while, but we got a really good deal with Capitol.”

Mr. Polte was known as a dutiful and resourceful manager who did what he could to meet the needs of the young musicians in his bands. Freiberg remembered that when he and his Quicksilver bandmates were living together in a house in Mill Valley, they informed him of their desire to move onto a farm in the country with a barn where they could rehearse. Mr. Polte wasted no time making that wish come true.

“Within a week and a half, we were living on an old dairy farm in Olema,” Freiberg recalled, chuckling. “He really cared about making sure everybody was taken care of.”
Diane Vitalich of Novato, drummer for the Ace of Cups, recalled that when she and her bandmates needed transportation, Mr. Polte went to an auction of state vehicles at San Quentin and bought cars for all of them.

“He bought us five 1963 Dodge Darts,” she said. “They were all blue and all looked the same.”

During this time, Mr. Polte started Westpole, a booking agency that handled Big Brother and the Holding Company with Janis Joplin, the Sons of Champlin and other seminal Bay Area rock groups.

He’s also credited with inspiring the name of the band Electric Flag, a short-lived supergroup formed by Bloomfield, Gravenites, keyboardist Barry Goldberg, bassist Harvey Brooks and drummer Buddy Miles. According to Gravenites, Quicksilver had somehow come into possession of a light-up electric flag after a gig at a veterans hall.

“He brought it over to where we were all living and rehearsing in Tam Valley,” he recalled. “We plugged it in and it lit up and started waving. We said, ‘Hey, look at that. Let’s call ourselves the Electric Flag.’”

Eventually, Mr. Polte escaped from the hard living and tumult of the music business, spending time on a remote lodge in the New Mexico wilderness owned by Frank Werber, the charismatic manager of the Kingston Trio and owner of the Trident, a legendary Sausalito restaurant.

Through it all, he never lost the values that defined the ‘60s generation in San Francisco.

“All the altruistic thinking that came out of that era he agreed with a thousand percent,” Gravenites said. “He remained a firm defender of all the idealism from those years.”

In addition to his wife, Mr. Polte is survived by two daughters, Pamela Polte of Sutter Creek, Amador County, and Patti Ann Lindecker of Chicago; two sons, Thomas Polte of Chicago and Jeremy Polte of Dunsmuir, Siskiyou County, and two sisters, Marilyn McMinn and Nancy Brunanchon of Pine Grove, Amador County.

A private memorial service is being planned. ”

JON HAMMOND REFLECTIONS ON WILD WEST FESTIVAL – LINK: http://kernelpanichammondcast.blogspot.com/2016/09/wow-folks-i-was-there-jon-hammond.html

Wow folks, I was there! This was very nearly the biggest Rock Music Festival that almost happened – it was very close. I went to many meetings with Ron Polte and a lot of very heavy San Francisco Rock bands were down to play the “Wild West Festival” (1969) Posters were already made up, we had meetings in the Zoetrope building now owned by Francis Ford Coppola and The Straight Theatre on Haight Street – Ron Polte was part owner of Straight Theatre in addition to being the manager of Quicksilver Messenger Service, Ace of Cups and for a time Sons of Champlin as well. I highly recommend watching and listening to this very rare footage of the press conference with Big Daddy Tom Donahue speaking about the project – Jon Hammond *long-time member Local 6 Musicians Union (but not then!)

*LINK: https://diva.sfsu.edu/collections/sfbatv/bundles/201631 **From KQED piece:

” KQED News report from 1969 featuring a press conference by
Tom Donahue (1928-75), who discusses the Wild West Rock Festival that was to have taken place in Golden Gate Park but was cancelled due to protests by locals. Donahue believes that even though the concert never happened, this was a positive experience for the San Francisco community. He states that: “We also felt that a great deal of the good things that have come out of the artistic community in this country have originated in San Francisco. That it’s a starting point. Thay may sound chauvanistic but I also think it’s the truth.” Ends with brief comments from another spokesman, who refers to the “unecessary and … unwarranted paranoia” that the Wild West project had to deal with. It is worth noting that Donahue was inducted into the Rock and Roll Hall of Fame in 1996 as a non-peformer, one of only three disc jockeys to receive that honor to date (2011). Tags: golden gate park, kqn 486, news cameras, rock concerts, ron polte, tom donahue, wild west festival Added to San Francisco Bay Area Television Archive on November 18, 2011. ”

Tom Donahue on the Wild West Festival (1969) (Updated over a year ago)

Jon’s archive https://archive.org/details/JonHammondChicoHamiltononHammondCastKYOURadio

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747
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Youtube https://youtu.be/wBJf8J9lNik

1,109 views
#1109

Drummer, Bandleader, NEA Jazz Master Award Recipient CHICO HAMILTON on HammondCast KYOU Radio, excerpted from interview by Jon Hammond, organist and host of HammondCast Show 7 mornings a week on KYOU. ©2008 *Info: http://www.HammondCast.com Jon’s MySpace: http://www.myspace.com/jonhammondshow Visit Chico’s MySpace site: http://www.myspace.com/chicohamilton


Most Important Jazz Photos In Recent History by Jon Hammond and Film:
http://kernelpanichammondcast.blogspot.com/2016/09/most-important-jazz-photos-in-recent.html

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Topics Chico Hamilton, Drums, NEA, Jazz Master, Jon Hammond, Fred Katz, Sammy Davis Jr., Fred Astaire, HammondCast, Lena Horne, Tony Bennett, Danny Kaye, KYOU Radio

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9/11/2016 — SFO International Airport is lit up in the Red White and Blue tonight in honor of and tribute to 9/11 folks, god bless the souls of those lost – Jon Hammond

Donald Meade, Jazz Historian, Archive, #JEN #GRIOT #Jazz #HammondOrgan #Atlanta

Interviews Sennheiser Jon Hammond Headphones Microphones Organ Accordion Music Archive NAMM Musikmesse

September 22, 2016

Interviews Sennheiser Jon Hammond Headphones Microphones Organ Accordion Music Archive NAMM Musikmesse

L to R Dr. Andreas Sennheiser, Jon Hammond, Daniel Sennheiser

*WATCH THE FILM HERE: Head Phone Stick with Sennheiser

Jon’s archive http://ia601507.us.archive.org/7/items/HeadPhoneStickWithSennheiser/Head%20Phone%20stick%20with%20Sennheiser.mp4

Sennheiser (headphones) Momentum series

with tribute to Lutz Büchner on solo section:
Head Phone stick with Sennheiser (headphones) Jon Hammond’s 20th annual Musikmesse Session in Jazzkeller Hofheim – funky jazz with Giovanni Totò Gulino drums, Peter Klohmann tenor saxo, Joe Berger guitar, Jon Hammond at the Sk1 Hammond organ – Jon’s keyboard stand by
Bespeco Professional, Audio: Philipp, Konrad Neupert, Marvin Gans Jazzkeller Hofheim Team – special thanks Jeff Guilford / JJ guitars for operating the camera http://www.HammondCast.com

Sennheiser HD 25-1

NAMM Oral History Interview Jon Hammond by Dan Del Fiorentino and Tony Arambarri

Jon’s archive https://archive.org/details/JonHammondJonHammond_NAMM.orgOralHistoryInterviewDate_January13_2011FullVersion_0

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Youtube https://youtu.be/Faq_A58v4sE

275 views
#275

Usage Attribution-NonCommercial-NoDerivs
Topics NAMM Oral History, Musikmesse, Mini-B, NAMM, G37, G27, Leslie Speaker, Onions, Jazz, Blues, Musicians Union, Local 802, ASCAP, KYOU Radio, Anaheim, Frankfurt, B3 Organ, XB-2, Leslie Speaker

Jon Hammond | NAMM.org Oral History Interview Date: January 13, 2011

namm.org/ library/ oral-history/ jon-hammond

Jon Hammond
Interview Date: January 13, 2011
Job Title: President and Founder
Company: Jon Hammond & Associates
accordions electric organs Hammond B-3 Hammond Organs Jazz Music Manufacturing Musicians

Jon Hammond


Jon Hammond has successfully created a career based on his musical talents and his passion for the music industry! As a musician Jon has performed with many legendary players and as a clinician and product artist he has introduced many innovative products to music stores and their customers over the last 30 plus years. Jon is closely identified with the two main products of his career, the Excelsior Accordion and the Digital B3 Organ.

Subject Info Jon Hammond Interview Date: January 13, 2011 Job Title: President and Founder Jon Hammond & Associates Jon Hammond has successfully created a … of his career, the Excelsior Accordion and the Digital B3Organ. (accordions, electric organs, Hammond B-3, Hammond Organs)

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“Interview: Co-CEO Dr Andreas Sennheiser” credit: PSN Europe http://www.psneurope.com/interview-co-ceo-dr-andreas-sennheiser/

“Dr Andreas Sennheiser took over the running of his family business with his brother Daniel in May of 2013. In the three years since, the company has released some notable technology – but there have been some serious changes at the company along the way. In an wide-ranging and candid interview, Dave Robinson discovers what the young co-CEO thinks about the $50k Orpheus headphones, the restructuring of the company, the fiercely competitive marketplace and what gets him out of bed in a morning…

Let’s begin with AMBEO, your 3D, immersive audio concept.

Dr Andreas Sennheiser: At CES, we launched something we’ve been working on for the last 5-7 years: algorithms for ‘immersive audio’. When we started research, we thought it was going to be relevant: it was a gut feeling that what exists wasn’t good enough. While we did research on these algorithms, we didn’t know where it was going to go, but with big content providers such as Universal and Red Bull Media embarking in 360-degree video and immersive audio recordings in the last 12-18 months, suddenly a huge new world has opened up for us. So, we’ve started to compile all the technology into distinct solutions for recording, mixing, processing, playing back. And that’s what we showed with the AMBEO brand at CES [and NAMM and PL+S]. It’s the starting point of something we will develop with our customers.

We really are positioning ourselves to take advantage of whatever 3D format emerges, a format with a higher emotional impact. Many artists have said to us, the only way to really connect with the audience the way they want to is to play live – but if they had a format that captured that, so that users at home could listen to it in a way similar to actually being there, then they would have a higher engagement with the listeners. That’s when we got serious about bringing AMBEO to the market.

At NAMM you demonstrated a surround-style ‘tetra mic’, with its ‘virtual miking technique’ software, which could change the way things are recorded…

The interesting thing about this is that we have to combine different technologies in order to make the immersive experience perfect; to integrate different technologies to make the transition from reality to virtual reality seamless.

With third party involvement?

By presenting it in its initial stage, it’s an invitation to our customers to think ahead, whether that’s a possible approach for them, how they would use it, and to find new applications for it. It’s all software based at the moment – we have a virtualisation algorithm, an upmix algorithm – we don’t really have a hardware decoder at this point, but if we see a stronger need, we can go in that direction, too.

Let’s talk about Orpheus, the HE 1, the ‘world’s most expensive headphone’.

The HE 1 for us is a product, a statement, and an indication of our innovation culture, to a certain extent. We could have said, we still have the Orpheus from 1991, it’s still considered the best headphone in the world, why do something better? But part of our culture is to not be happy with anything that exists now, regardless of whether we invented it or not. About 10 years ago, we decided it was the time for the world to experience the next level. On one hand, it’s beyond common sense. But, on the other, by being so intensively on the limits of physics, we learn so much for other applications.

You make it sound like the Space Programme…

Yes, exactly, and this pushes the entire Sennheiser culture into new ways. Think about the effect this has at the company when a group of people bring out a flagship that will be there for another couple of decades. That has a huge motivational impact on the other employees; at the same time, it tells the industry that what exists is not good enough for Sennheiser, so we will push it forward.

I’ve heard the HE 1s. They make sound ‘visceral’, I would suggest.

People have ‘seen’ things, heard things which they haven’t heard before, or been able to describe.

Do you think they are worth $50,000?

[Immediately] Absolutely. No doubt.

What sort of reaction have you had to them?

A product like this is dividing: people who rave about it, others who say, Is it worth the money? But to me, it’s not the point: it’s about buying into an exclusivity which sets you apart, in a positive way, from the masses. It’s connoisseurship. From the feedback we’ve got, most of the customers who are interested in the HE 1 are audiophiles who say, Audio is my life.

The original Orpheus had a run of some 300 units. When HE 1 ships later this year, will that be limited to 300 too?

We are not planning any limitation this time: but it is limited by the price and the capacity – making one per day – and the level of customisation. We have significant requests for customised versions.

You mean I can have them in pink?

Someone wants it in solid jade instead of marble, for instance. The exclusivity includes the concept of a one-off product, as long as the sound properties are not affected.

How many do you think you’ll be making?

We have more than 50 ordered. I don’t believe it’s going to stop at 100 or 200. I personally believe that it’s something that’s going to be with you for life, and we will offer servicing on it so it will be with you as long as you want to enjoy it.

Turning to the other end of the market, consumer headphones: it’s an increasingly aggressive and crowded marketplace. What is Sennheiser doing there?

We’re trying to be more focused on specific target groups. With the Momentum line, for example, we are targeting a specific type of personality, people who have a certain style and way of expressing themselves. We’re not just looking at price points and shelf space, and that will set us apart from just having X metres of headphone hangers.

You put into place a ‘selective distribution’ model a couple of years ago – other makes have done that too…

It ensures that the brand is represented in the appropriate way. If [our models] were at a cash-and-carry checkout for five pounds [six euros], it would just damage the brand. You can’t credibly have a product like that and the HE 1.

Are you worried that brands like Beats are changing the market?

It’s not necessarily a concern – it is, rather, keeping us on our toes. That increasingly competitive environment was beneficial in two ways: one, it grew the market; two, it forced us to think what Sennheiser is all about, what is at our core, what is our heritage. We’re the only ones to have the 1968 invention of the open-back HD 414 headphone; we’re the only one that has the innovation culture and heritage. How can we use that to be more relevant and have a higher value for the customer? So, with the success of the Momentum line, the higher end HD 800 line, the professional headphones – the HD 25 still being an icon – this process has been healthy for us because it gave us a stronger sense of identity which we are able to communicate.

How successful has the D9000 digital wireless system been?

It’s a huge success, especially in the last year where the ‘Digital Dividend’ [spectrum sell-off] in Japan gave us extra demand and business. Digital 9000 is successful beyond our initial imagination for a simple reason: we positioned and developed it as a system to be used on stage for singers and touring, because it was so flexible. But the corporate world has discovered it, because of its high-level encryption and flexibility in use. We saw a lot of companies adopt it, such as a major American retail chain. There’s a huge market there.

Since you and your brother Daniel became joint CEOs three years ago, you’ve restructured the company. I get the impression, some of that has been easy, and some of it has been hard. Is that correct?

We went from a territorial approach to a sales channel approach. In Europe, there’s no borders for commerce. Consumer is one part, professional is another, and so on.

In a reorganisation like that, you always have a working assumption. Sometimes you assume, sometimes you just hope for the best. The reorganisation was a great success, especially with the feedback we got from our customers. Did everything work out like we planned? With a change of that magnitude, we discovered things we had to fine-tune. That was a learning experience. For us it was more important to go in the direction that makes sense for the future rather than stay with something we know but might not be any longer relevant.

Some of your ideas were quite radical: staff had to look at their roles within the company and say, this is what I do, and this is what I want to do…

You are spot on. We had hundreds of people in new roles, so there was an element of change management.

…Which can be difficult.

Absolutely! And I have empathy with people who are uncertain for a period, who have to find their role and it’s not all clear from Day One. But part of our culture is to go through changes with our employees, and that means everyone can design their future and their fate, which brings the downside of uncertainty with it.

But some people don’t want to do that.

Yes, but it’s part of our nature to involve people in their own destiny rather than giving them 100% certainty but no influence.

The impression I got from the staff video, made for the company’s 70th anniversary last year, is that your employees are pleased to be a part of the Sennheiser phenomenon. The smiles from the people in the factory were natural, not forced.

The passion and commitment, the joy of what we do is everywhere at Sennheiser. And that’s really part of my personal motivation. Seeing people committed to that extent gives me a reason to go forward.

Do you ever feel the burden of the family legacy, though? When you wake up, do you ever think, [in panicked voice] ‘Oh God, I’m running Sennheiser!’…?

[Smiling broadly] With great responsibility comes a certain weight. You have to think about what is good for the company, the customers, the employees. There are moments of doubt and pressure, but all-in-all, what makes me so confident of getting up in the morning is that I’m not alone here, there are 2,700 people who are highly committed and enjoy what they do. It’s not on my shoulders, it’s on 2,700 pairs of shoulders making their own destiny. With that in my mind, it’s easy to get up and assume that responsibility.

Good answer! What do you think you still need to do at the company?

Become quicker, more nimble to reacting to customer feedback.

Sennheiser seems to think about what it’s going to do, thinks some more, and then makes its move. It took you ages to adopt Dante, for instance. That approach can be positive – but negative too.

If 80% of our decisions are well-thought through and strategically directed, that’s exactly what we need. In hindsight, we could have taken some decisions earlier. On the other hand, ‘German engineering and thinking’ takes time. What our next challenge will be, is to preserve the thoroughness of where we want to go, but add an element of ‘start-up’ activity. A start-up culture with 70 years of experience, if you will. If we can do that, then we will be even quicker when supplying the customers with what they want.

Last question: the factory is on fire – you run in and grab three items. What are they?

First, the photo of my grandfather [Fritz Sennheiser, who started the company]. Second, the Emmy Award. [In 2013, Sennheiser was awarded the Philo T. Farnsworth Award, presented to a company whose “contributions over time have significantly impacted television technology and engineering”.] Third, my trolley, which holds all the stuff I use for daily work…

But which one product do you put on that trolley?

The D9000.

Not a classic microphone or headphone?

D9000 is a statement of innovation, and is ‘classic’ at the same time. It’s one of a kind. It’s an icon. It shows all the competency that’s in this company.

www.sennheiser.com

Sennheiser Wiki https://en.wikipedia.org/wiki/Sennheiser

Sennheiser electronic GmbH & Co. KG (/ˈsɛnhaɪzər/; branded Sennheiser) is a private German audio company specializing in the design and production of a wide range of both consumer and high fidelity products, including microphones, headphones, telephony accessories, and avionics headsets for consumer, professional, and business applications.

ndustry Audio electronics
Founded 1945 (as Labor W)
Headquarters Wedemark, Hanover, Lower Saxony, Germany
Key people
Fritz Sennheiser, founder
Daniel Sennheiser, CEO and Chairman of the Board
Products Audio electronics for consumer, professional, and business uses
Owner Sennheiser family
Number of employees
2,183 as of 2011

The company was founded in 1945, just a few weeks after the end of World War II, by Fritz Sennheiser (1912–2010)[2][3] and seven fellow engineers of the University of Hannover in a laboratory called Laboratorium Wennebostel (shortened, “Lab W”). The laboratory was named after the village of Wennebostel in the municipality of Wedemark to where it had been moved due to the war. Its first product was a voltmeter.[1] Lab W began building microphones in 1946 with the DM1, and began developing them in 1947 with the DM2. By 1955, the company had 250 employees, and had begun production of many products including but not limited to: geophysical equipment, the Noise-Compensated microphone (DM4), microphone transformers, mixers, and miniature magnetic headphones. Labor W was renamed ‘Sennheiser electronic’ in 1958.[citation needed]

In 1968, Sennheiser released the world’s first open headphones.[4] The introduction of open headphones affected the headphone market as they were able to produce a more natural sound that many users preferred.[5]

Sennheiser was transformed into a limited partnership (KG) in 1973. In 1980, the company entered the aviation market, supplying Lufthansa with headsets.[6][7]

The company began producing modern wireless microphones in 1982, the same year when founder Fritz Sennheiser handed the management of the company over to his son, Jörg Sennheiser. In 1987, Sennheiser was awarded at the 59th Academy Awards for its MKH 816 shotgun microphone.

Also in 1991, Georg Neumann GmbH, Berlin, which builds studio microphones, became a part of Sennheiser.[8][9]

In 1996, Sennheiser received an Emmy Award for its advancements in RF wireless technology.[10] Also in 1996, Sennheiser became a private limited company (GmbH and Co. KG). Since then, Sennheiser has maintained its tradition of high quality audio technology, and still maintains those high standards today. Professor Dr. Fritz Sennheiser died in 2010.

On July 1, 2013, Daniel Sennheiser and Andreas Sennheiser were promoted to the position of CEO responsible for Sennheiser electronic GmbH & Co. KG.[11]

In October 2013, Sennheiser received the prestigious Philo T. Farnsworth Award at the 65th Primetime Emmy®Engineering Awards in Hollywood.[12] In May 2014, Sennheiser founded a new competence center for innovative streaming solutions, Sennheiser Streaming Technology GmbH (SST).
Locations

Sennheiser is headquartered in the municipality of Wedemark, Germany (near Hannover). Its United States headquarters is located in Old Lyme, Connecticut. The company has factories in Wennebostel (Wedemark, near Hanover); Tullamore, Ireland (since 1990); and Albuquerque, New Mexico (since 2000). Sennheiser’s R&D facilities are located in Germany, Denmark, Switzerland, Singapore and San Francisco, California.
Products
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Sennheiser is mainly known for its consumer headphones and professional microphones. The most famous microphones by Sennheiser are the MKH 416 short shotgun, which came to be the Hollywood standard shotgun microphone, and the 816, similar in design with longer reach. Its also makes wireless microphones. Subsidiary products include aviation, multimedia and gaming headsets, micro-Hifi systems, conferencing systems, speakers and amplifiers.

Jon’s archive https://archive.org/details/JoeBergerNammOralHistoryInterviewUneditedLongVersionOfficial55

Youtube https://youtu.be/uFFMVHCkZ8w

Joe Berger NAMM Oral History Interview Unedited Long Version Official 55 minutes 4 seconds
by Jon Hammond

Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics concert production, electric guitars, namm show, frankfurt musikmesse, joe berger, oral history, john entwistle, concert tours

Joe Berger
Interview Date: January 20, 2012
Job Title: Musician, Product Endorser – short version here also
http://www.namm.org/library/oral-history/joe-berger
Joe Berger knows sound! Joe has been mixing sound for over 30 years and he stopped counting at 35,000 bands! Also a virtuoso guitar player with his own definitive, unique playing style and “ear”, Joe has jammed with the likes of John Entwistle and Jack Bruce. He has also been a fixture at music trade shows for decades as a guitar demonstrator, having set a record for most hours played at a single trade show.
Tony Arambarri, Dan Del Fiorentino – NAMM Historians
Categories:
concert production
electric guitars
Guitars-Amps-Fretted
Jon Hammond
mixing consoles
Musicians
Musik Messe Frankfurt
NAMM Show
New York City NY
product endorsers

Run time 55 minutes 4 seconds
Audio/Visual sound

Jon’s archive https://archive.org/details/JonHammondsMusikmesseWarmUpPartyJazzkeller

Alpha Jon Hammondhttp://hammondcast.tumblr.com

Add to Calendar: Tuesday April 5, 2016 in the famous jazzkeller Frankfurt – Jon Hammond Band performs at 9PM

Celebrating 30 Years, As Seen On Cable TV 32 Years Jon Hammond Show MNN TV Channel 1 and Streaming Worldwide

FULL HIGH DEFINITION VERSION
29th Year! Jon Hammond’s musikmesse Warm Up Party jazzkeller – Big Special Thanks to my good friend Saray Pastanesi for absolute Masterpiece Birthday & 29th musikmesse Chocolate Chocolate cake!! It was delicious, every morsel was consumed and enjoyed!

Journal Frankfurt http://www.journal-frankfurt.de/journal_news/Kultur-9/My-home-away-from-home-Jon-Hammond-zum-27-Mal-auf-der-Musikmesse-18308.html

MY HOME AWAY FROM HOME

Jon Hammond zum 27. Mal auf der Musikmesse
Nomen est omen. Der Mann heißt Hammond und spielt eine Hammond. Der Organist aus New York freut sich auf Frankfurt und lädt zur Musikmesse Warm Up Party am 9.4. in den Jazzkeller ein.

JOURNAL FRANKFURT: Was war für Sie zuerst da – die Frankfurter Musikmesse oder Auftritte im Jazzkeller?
Jon Hammond: Die Musikmesse. Ich kam 1987 zum ersten Mal nach Frankfurt, zusammen mit Joe Berger, der auf der Messe für Engl Amplifiers spielte. Wir flogen mit der Lufthansa ein und teilten uns ein Zimmer im berühmten Prinz Otto Hotel am Hauptbahnhof. Schon in der ersten Nacht stellte mir Joe den großen John Entwistle, den Bassisten von The Who vor. Es wurde eine lange Nacht, in der wir Cognac tranken und Erdnüsse knabberten in eiern Suite des Marriott Hotels. Ich habe Joe bei einer Session mit John und Ringo Starrs Sohn Zak Starkey im Dorian Grey Club gefilmt bei einer Soundcheck Party. In den ersten paar Jahren spielte ich nicht oft live weil ich noch keine transportierbare Hammond Orgel hatte vor 1991 als ich den Prototyp einer XB-2 Hammond Orgel bekam mit der ich dann um die Welt reiste. Hauptsächliche dokumenierte ich aber die Messe für meine Cable TV Show in New York, die inzwischen im 29. Jahr als The Jon Hammond Show — Music, Travel and Soft News präsentiert. Die harten Nachrichten überlasse ich CNN und den großen Networks (lacht). Vom ersten Jahr an fühlten wir uns der Musikmesse eng verbunden, haben seitdem eine tolle Zeit hier, kommen jedes Jahr wieder bis wir kleine, alte Männer sind.

Das Jazzkeller-Konzert am Vorabend der Musikmesse ist zu einer netten Tradition geworden – wie kam es dazu, was bedeutet es Ihnen und wir werden Sie dieses Jahr diesen Abend im Jazzkeller zelebrieren?
Ab 1991 lernte ich mehr und mehr Musikmesse-Menschen kennen und die mich und auch einiges von meiner Musik. Einige von ihnen ermunterten mich, doch auch für Auftritte nach Deutschland zu kommen weil es hier doch ein Interesse an Hammond-Orgel-Groove-Music gab. Mit der schon erwähnten, kleinen, kompakten aber sehr kraftvollen Orgel war das alles möglich. Zudem machte ich in New York gerade eine schwere Zeit durch, mein Vater war gestorben und ich hatte das Gefühl, einige Veränderungen könnten meinem Leben gut tun. Also kam ich nach Frankfurt mit meiner XB-2, allerdings mit einem Rückflugticket falls etwas schief gehen würde. Ich rief viele Musiker an, ließ sie wissen, ich bin jetzt da, lasst uns zusammen spielen. Das war für mich der Anfang einer langen, sehr speziellen Beziehung, vor allem zum Frankfurter Publikum nach ersten kleinen erfolgen im Jazzkeller und einer kurzen Auftritt im Hessen Report im Fernsehen. Beatrix Rief verdanke ich dieses “lucky light on me”, eine tolle Erfahrung. Seitdem nenne ich Frankfurt “My Good Luck City” und im Jazzkeller begann auch alles für mich als Musiker. Deshalb liegt mir der Club auch so nah am Herzen, deshalb hatte ich auch die Idee, meine “Musikmesse Warm Up Party” dort zu realisieren, immer in der Nacht bevor die Messe startet was zu einer schönen Tradition wurde. Im ersten Jahr, in dem ich dann auch ein wenig Sponsoring von Philip Morris bekam, konnte ich damit einige Flugtickets für befreundete Musik bezahlen. Darüber war ich sehr glücklich. Dabei rauche ich selbst gar nicht.

Wie würden Sie Ihr persönliches Verhältnis zu Deutschland und Frankfurt beschrieben?
Lassen Sie es mich so sagen: ich liebe Frankfurt und die Frankfurter waren immer gut zu mir in all den Jahren. Ich könnte ein ganzes Buch über die Zeit schreiben, in der ich in Bornheim wohnte und Nacht für Nacht in der alten Jazzkneipe in der Berliner Straße auftrat. Das war der Treffpunkt, wo auch die Musiker der HR Bigband hinkamen und es gab eine generöse Chefin in der kleinen Kneipe. Auch Regine Dobberschütz und Eugen Hahn im Jazzkeller waren wahre Jazzengel für mich, die mir so vieles ermöglichten in der Zeit. Wir konnten auch in den Studios von AFN Radio spielen, waren die einzigen Musiker, die das – mit einer Sondergenehmigung des US Militärs – durften. Für ein wenig Promotion für die Musikmesse. Wir nannten das Programm für die AFN “Profile TV “-Show “Sound Police”. Wir hatten viel Spaß. Kein Wunder also, dass ich Frankfurt als my home away from home begreife und ich mich jedes Mal wieder freue zur Musikmesse zu reisen, in diesem Jahr übrigens zum 27. Mal in Folge. Und ich bin diesmal besonders aufgeregt, heim nach Frankfurt zu kommen weil ich gerade 60 Jahre alt geworden bin.

Wer wird in diesem Jahr zum Gelingen des Konzertes mit teils komponierter, teils improvisierter Musik, so nehme ich an, beitragen und was für einen Sound wird die Band präsentieren?
Ich habe etwa 90% der Kompositionen geschrieben, die wir spielen werden. Es ist die Musik, die man auch in meiner New Yorker TV-Show hören kann und die mich mehrmals um die Welt getragen hat. Meinen Stil nenne ich “Swinging Funky Jazz and Blues” und featurert die ganz wunderbaren Solisten in meine Band: Tony Lakatos, den großen ungarischen Tenorsaxophonisten, der auch Mitglied in der hr Bigband ist, dann meinen alten Freund Giovanni Gulino, diesen tollen Schlagzeuger, der schon für fast alle Großen der Szene getrommelt hat. Ich liebe diese Jungs. Als Gitarrist ist mein alten Freund und Kollege Joe Berger dabei, den man auch als The Berger-Meister kennt. Auf diese Formation bin ich wirklich stolz.

Werden Sie im Jazzkeller wieder eine Hammond Orgel spielen?
Ja, sicher, das neueste Modell, eine Sk1, die exakt so klingt wie die legendäre B3. Ich liebe sie. Und sie wiegt nur noch sieben Kilo (Anm. des Autors: Das Original, ein echtes Möbel mit viel Holz, mussten immer zwei Menschen mit viel Muskelkraft die Treppen rauf und runter hieven), ein deutliches Indiz, dass wir in der Zukunft angekommen sind. Da stecken viele Jahre Forschung und Entwicklung drin, auch Bühnenerprobungen. Ich ziehe den Hut vor den Ingenieuren von Suzuki, ein unverwüstliches Instrument erschaffen zu haben. Und das unterziehe ich jetzt einen echten Härttest (lacht).

Interview: Detlef Kinsler

Jon Hammond – organ Joe Berger – guitar Peter Klohmann – saxophone Giovanni Gulino – drums Mr. Hammond has toured worldwide since 1991 using the incredible Sk1 organ by Hammond Suzuki..™ “Classic Hammond Sound…In A Suitcase!” The Jon Hammond Show is a funky swinging instrumental revue, featuring top international soloists. The show has universal appeal. Big Hammond orgel sound – 100% organic

As seen on MNN TV Cable TV Show The Jon Hammond Show 32nd year — Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics Journal Frankfurt, Journalkalendar, Jon Hammond, musikmesse, Warm Up Party, Hammond Organs, Frankfurt, Blues, Jazz, Soft News, MNN TV Channel 1 – Jazz Party of The Year! #JazzParty #CNNiReport

Producer Jon Hammond
Language English

Jon’s archive https://archive.org/details/48MinuteDocumentaryJazzMovieBigBandWithOrganistJonHammond

by Jon Hammond

48 minute Documentary movie of Tuesday night session at Friends Seminary School in Manhattan, 5 original compositions!
“Head Phone” by Jon Hammond arranged by Todd Anderson
“Lydia’s Tune” by Jon Hammond arranged by Todd Anderson
“Late Rent” by Jon Hammond arranged by Todd Anderson
“Pocket Funk” by Jon Hammond arranged by Todd Anderson
“Have a Nice Day Blues” by Todd Anderson arranged by Todd Anderson
*Note: Tenor Saxophonist Arranger Todd Anderson was Jon Hammond’s teacher for Arranging and Compostion at Berklee College of Music in Boston MA in 1973. 10 years later they recorded this music for TV Show “The Jon Hammond Show” still on TV every week for 32 years, the recording session went down at Intergalactic Recording Studios where John Lennon did some of his last recording dates. The big band here is presided over by Professor Bob Rosen in charge of the music program at Friends Seminary School on Manhattan’s East Side, 230 year old school K – 12th grade. Top sight reading musicians gather weekly – more info: http://www.HammondCast.com ©JON HAMMOND International ASCAP / BMI

Photographs Courtesy of Elmar Lemes

Youtube https://youtu.be/2mcykc-OHTg

Interviews, NAMM Oral History, Sennheiser, Headphones, Microphones, Jon Hammond, #Interviews #Music #NAMM #Musikmesse #HammondOrgan