Archive for May, 2015

Get Back In The Groove Musikmessesession

May 31, 2015

*WATCH THE FILM HERE: Get Back In The Groove Musikmessesession

Jon’s archive https://archive.org/details/GetBackInTheGrooveMusikmessesession

by Jon Hammond

Published May 29, 2015
Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics #HammondOrgan #Musikmesse2015 #Hofheim #Groove Jon Hammond Session #ASCAPExpo Composer #SoulMusic

“Get Back in The Groove” musikmessesession in Jazzkeller Hofheim – Peter Klohmann ts Giovanni Totó Gulino d Joe Berger g Jon Hammond o http://www.HammondCast.com ©JON HAMMOND International ASCAP

Producer Jon Hammond
Language English

Youtube https://youtu.be/D-dNDA0bUuI

CNN iReport http://ireport.cnn.com/docs/DOC-1245601

Vimeo https://vimeo.com/129340567

Jon Hammond Band Facebook https://www.facebook.com/jonhammondband/videos/vb.133709526657853/1065785310116932/?type=3&theater

Air France Airbus A380 – aka “Flying Forehead”! – Jon Hammond

“Some unofficial nicknames of Airbus A380 are flying forehead, mammoth jet, Whale Jet flying.

Green Giant is also unofficial nickname of Airbus A380. Low fuel consumption of the engines and pollutant levels far below the levels required by the strictest of standards are behind the justifying of this name.”
http://en.wikipedia.org/wiki/Airbus_A380
The Airbus A380 is a double-deck, wide-body, four-engine jet airliner manufactured by Airbus. It is the world’s largest passenger airliner, and the airports at which it operates have upgraded facilities to accommodate it. It was initially named Airbus A3XX and designed to challenge Boeing’s monopoly in the large-aircraft market. The A380 made its first flight on 27 April 2005 and entered commercial service in October 2007 with Singapore Airlines.

The A380’s upper deck extends along the entire length of the fuselage, with a width equivalent to a wide-body aircraft. This gives the A380-800’s cabin 478 square metres (5,145.1 sq ft) of usable floor space, 40% more than the next largest airliner, the Boeing 747-8,[4] and provides seating for 525 people in a typical three-class configuration or up to 853 people in an all-economy class configuration. The A380-800 has a design range of 8,500 nautical miles (15,700 km)

Taillights at Dusk – do we have enough cars yet?

Jon Hammond — at San Francisco-Oakland Bay Bridge.

Bring on The Freight! – Port of Oakland,

Jon Hammond — at Port of Oakland.

No X Cess Baggage Blues Jon Hammond​ with NDR Horns Hamburg Auster Bar

http://hammondcast.blog.ca/2015/05/30/no-x-cess-baggage-blues-jon-hammond-with-ndr-horns-hamburg-auster-bar-20485799/

Jon Hammond Late Rent Session Men w/ Bernard Purdie MIKELL’S *LINK: https://youtu.be/6FSQrnuKDLU

Jon’s archive https://archive.org/details/JonHammondEDDIEMONEY_JONHAMMONDonHammondCastKYOURadio

Jon Hammond and Eddie Money go back over 35 years in just over 6 minutes in this radio interview on Jon’s daily radio program HammondCast on KYOU Radio 1550 AM, onboard Eddie’s tour bus just before doing a show to a packed house at BB King’s Club in New York City for a hometown crowd of diehard Eddie Money fans friends and family in from Long Island, Queens, and Jon now lives in Times Square. A menagerie of images from Jon Hammond’s personal archives going back to the ’70’s and the night of the concert accompanies the audio as heard on HammondCast KYOU Radio 1550 AM and streaming worldwide ©JON HAMMOND International http://www.HammondCast.com

Baby Hold On, Two Tickets to Paradise, Take Me Home Tonight, Shakin’, Trinidad, I Wanna Go Back, Walk on Water, Think I’m in Love, Wanna Be a Rock ‘N’ Roll Star, We Should Be Sleeping, No Control, Where’s The Party, I’ll Get By, You Don’t Know Me

Jon’s archive https://archive.org/details/6842260411

Youtube https://youtu.be/FfOCHD1TkV8

Jon Hammond Show Preview MNN Channel 1 on air 04/04 featuring original Jazz Blues and Soft News – first segment filmed in Hamburg Eimsbüttel live in Auster Bar Jon Hammond Band with NDR Horns musical director Michael Leuschner trumpet, Lutz Büchner tenor saxophone, Fiete Felsch alto saxophone, Funky Heinz Lichius drums feature on this one, Joe Berger guitar, Jon Hammond organ + bass http://www.HammondCast.com/ Auster Jazz Series – then to Anaheim California special showcase Jon Hammond Band featuring Bernard Purdie on Jon’s original funky jazz composition “Head Phone” with Bernard Purdie fatback drum, Koei Tanaka Suzuki Harmonica star, Alex Budman tenor, Joe Berger guitar, Jon Hammond at the New B3 Mk2 Portable organ with high-power model 3300 Leslie speaker covering the bass as well – musical history here at The NAMM Show

JON HAMMOND AT JAZZKELLER, FRANKFURT – COMPLETE ALBUM: https://marcostachikawafotografia.wordpress.com/2013/04/19/jon-hammond-at-jazzkeller-frankfurt-complete-album/comment-page-1/#comment-895

do jazz já se apresentaram ali e as fotos de muitos deles decoram suas velhas paredes.

Já na entrada percebe-se que o local não é para grandes agitos e nem tão pouco é o melhor local para se jogar conversa fora ou para se fazer happy-hour. Não. Ali se respira jazz, e dos melhores.

Na noite em que fomos estava lá o Jon Hammond. Enquanto descia a íngreme escadaria, percebi que deveria ter levado mais lentes, mais baterias, mais cartões de memória… rsrsrsrs… Logo na entrada pedi a autorização do proprietário da casa para fazer algumas fotos, no que recebi um largo sorriso como resposta e o aguardado “…as many as you want, my friend!” E pronto, fiz as fotos dos amigos que estavam por lá só por educação (rsrsrsrsrsrsrs!! …que nada, essas fotos foram devidamente publicadas nas redes sociais) e assim que pude, saí pra curtir e fotografar esse lendário tecladista.

Abaixo, algumas das fotos, espero que gostem!

Os amigos que estavam comigo? Sei lá, nem vi a hora em que foram embora… rsrsrs…

Um abraço,

Marcos Tachikawa

Jon’s archive https://archive.org/details/ImprovedAudioUndergroundFrankfurtJonHammondBandIntimBarLissania1

Jon Hammond Band circa 1992 Underground Frankfurt Scene Night Shows in Europa Intim Bar and Lissania in Frankfurt’s Red Light District during musikmesse.

Original Funk tunes “Pocket Funk” and “Nu Funk” aka “Hip Hop Chitlins” Note: sadly funky drummer James Preston has passed, long-time drummer in various formations of Jon Hammond Band, Sons of Champlin, Cold Blood with Lydia Pense, RIP Jimmy – Al Allen Wittig tenor saxophone, Barry Finnerty guitar, Jon Hammond organ, funky James Preston drums – special thanks to Joe Berger Hans Romanov Europa INTIM Bar ElbeStrasse 34, 60329 Frankfurt and Stefan Hantel aka Shantel Lissania on the Kaiserstrasse

Youtube http://youtu.be/3wjgB0moazk

– as seen on cable access show The Jon Hammond Show now in 31st year – all music ©JON HAMMOND International ASCAP http://www.HammondCast.com/ — with James Preston and Jon Hammond at KiezPraline

CNN iReport http://ireport.cnn.com/docs/DOC-1188407

Dailymotion http://www.dailymotion.com/video/x2a7z74_underground-frankfurt-jon-hammond-band-intim-bar-lissania_music

Jon Hammond Band Facebook https://www.facebook.com/video.php?v=936450226383775

Jon’s archive https://archive.org/details/JonHammondAndFriendsJazzSpotSwing

Youtube http://youtu.be/x6a8MHYESqc

Jon Hammond and Friends drop in to Taipei night spot JAZZ SPOT SWING organ lounge,

Jon at Mr. Nobuki Kuwahara’s Hammond Sk2 organ with house musicians – Kenichi Toyoda piano

– special thanks to Nico, Shannon, Letitia – Superlux Taiwan,

P. Mauriat Europe Pmauriat Albest Team!

http://www.HammondCast.com/ – Jazz Spot Swing

Vimeo http://vimeo.com/110027287

CNN iReport http://ireport.cnn.com/docs/DOC-1182889

Jon Hammond Band Facebook https://www.facebook.com/video.php?v=924772564218208

Koei Tanaka and Jon Hammond – special NAMM Lunch Set NAMM Show Center Stage Jon Hammond Band photo by Lawrence Gay

HammondCast – CNN iReport – http://ireport.cnn.com/docs/DOC-1231127
MNN Channel 1 Jon Hammond Show Preview 04/11 Original Jazz Blues and Soft News

My Mom’s Rose plant is in bloom – Jon Hammond

Mr. Shuji Suzuki and Jon Hammond – MNN

Jon Hammond’s new ultra-bright flashlight from Maglite now on the job “Mini Maglite Pro LED Flashlight NEW Ultra Bright 226 Lumens” – now on tour – Silver

The Famous Tall Paul of West Oakland:

The Famous Tall Orange Bicycle Man of West Oakland Sighted today aka “Tall Paul” – Jon Hammond​ “THIS MAN IS TRANSFORMING OAKLAND ONE AWESOME CUSTOM BIKE AT A TIME”

Photo: ©JON HAMMOND International
http://www.thebolditalic.com/articles/7062-this-man-is-transforming-oakland-one-awesome-custom-bike-at-a-time
by R. A. SCHUETZ
Mar 20 at 6am
I first met Tall Paul as he was walking out of the Oakland Home Depot toting a giraffe of a bike. It was orange with gold accents — pedals, spokes, and pinwheel-shaped mags — and its body was made of interlocking triangles stacked so tall the handlebars stood at roughly my height. I was impressed and asked if I could take a closer look. “Of course,” he said, and began showing it off.
Tall Paul is tall — over six feet — with soft, dark curls he usually hides under a baseball cap. He’s cordial, but when he starts talking bikes, a kind of electric and childlike wonder steals over him. You can’t help but feel enthusiastic too. When I asked how he mounts such an ungainly ride, he demonstrated by giving it a shove as he jogged a few steps beside it, then he clambered up the triangles of the frame like they were a ladder. “Where did you get it?” I asked him. “I made it,” he said.
Patting his bike, he explained: “Last fall, I was out with one of the double-stackers when I saw a couple of kids cutting school. They were about 10 years old; I saw them cutting class all of the time. And when I saw the kids, I saw they were excited about the bike. They were like, ‘Wow!’ And I thought, ‘Hey, that might be something I can do to get them back in class.’”
Paul made the two boys an offer: if they went back to school and got three A’s on their next report cards, he’d give each of them a bike. “And it worked,” he said, laughing. “They turned out to be really smart kids. They just got caught up messing around in the streets and cutting school and stuff. They’d been doing it for a while.”
Now Paul has a standing offer to reward any kid who makes three A’s on his or her report card. While Paul doesn’t have the resources to give everyone a bike, if an A student brings him a frame to work with — even if it’s so rusted it no longer runs — he restores and customizes it.
He invited me to come by and watch him work on his bikes sometime. He lives near the Home Depot in a mobile home “parked illegally,” which, I later learned, means he stays put for street sweeping because he’s cultivated relationships with city employees, who sometimes chip in a few dollars for the bikes he’s fixing up for students. That he’s able to stay in one location is part of what’s made him a neighborhood fixture — even beyond Oakland, parents from San Jose and Hayward know to bring their kids’ report cards to him.
On the day I visited, his place was instantly recognizable by the bikes stacked on the roof. When Paul saw me, he greeted me with a hug and began hauling bikes out of his home and propping them on the sidewalk. One after another, there they were: double-stacks, choppers, and, finally, the little black-and-gold frame of a child’s bike with its wheels in disrepair.
This bike, painted in Paul’s signature colors, is to be the prototype that introduces his bike program to schools in the area, starting with Prescott Elementary in Oakland. Paul’s idea is to donate a tricked-out ride every report card season, which the school would prominently display. Every A on a student’s report card would be an entry into a raffle to win the bike. If schools take to it, his goal is to work with as many as he can.
Tall Paul started tinkering with bikes when he was just a child himself — as he remembers it, he was five years old. His mother had saved up to buy him and his six brothers and five sisters bikes for Christmas. While everyone else was out riding theirs, Paul took his down to the basement and dismantled it. “I wanted to see what made it work,” he said.
The passion for taking bikes apart and putting them back together hasn’t left him. “I like everything about it,” he said. “It’s an art.” One of his passions is sanding down the metal of a rusty bike and erasing the ravages of time until the frame gleams. “You see, when you sand it, you take your hand, and you feel the bike. You don’t want to feel a scratch; you don’t want to feel a nick; you don’t want to feel nothing. Like a baby’s butt — smooth.” When he’s finished, he puts it all back together and makes sure it runs well, then carefully paints each piece down to the spokes in the white-walled wheels, then buffs everything to a lustrous shine. For his own bikes, his finishing touch is a rhinestone “TP” (for “Tall Paul”) affixed between the handlebars. He also plans to add gears to his double-stacks.
A few pigeons milled about on the sidewalk where Paul was working. He said the birds know him, just like the rest of the neighborhood does. “They recognize me,” he said. “I could ride my bike right to the corner and stop, and birds will fly down from everywhere and come to it.” He took a break to coax them near. That day there were maybe a dozen, but he explained that on Sunday there’s inevitably a flock around him.
Crouching among the birds, he told me he also dreams of opening a shop so that he can scale his operation. Although the bikes he hasn’t started restoring yet can rest atop his mobile home, he has to take all of his finished and in-progress bikes inside when he’s not working on them. Plus, he has several bikes of his own. This means he usually accepts only two bikes at a time from children and tells others to come back in two days. With a shop, he’d have space to store bikes and tools, as well as a location for business. “I’d love to get this program into every school in the world for all the kids,” he said, referring to his bike raffle. But he’s taking it one step at a time.
For now, he’s on the lookout for any bike that people have given up on and are selling for scrap metal, which he can buy for a few dollars. “I get whole bicycles that probably come off a bush or somewhere. They have all these leaves in them and chains so rusted, you can’t even turn them. But I bring them back to life.”

*Note: photos must be credited ©JON HAMMOND International / Jon Hammond – Jon’s photos on Alcatraz Island Federal Penitentiary attending Art Exhibit of Chinese Dissident Artist Ai Weiwei huge installation on “The Rock” while celebrating birthday and prepping for 29th trip to Frankfurt to play musikmesse and both jazzkeller’s, jazzkeller Frankfurt and Jazzkeller-Hofheim with organ combo Jon Hammond Band – it was an amazing experience, met with Mr. William Baker Former Inmate / Author *see photos with Bill Baker “Old ex-con back at the Rock, telling prison stories” “He’s been a car thief, a jailhouse rioter, an escape artist.” Alcatraz 1259.” That was his number on the Rock.

https://www.facebook.com/photo.php?fbid=10152676219332102&set=a.10152676219282102.1073741881.558692101&type=3&theater

Ai Weiwei at Large #AiWeiWeiAlcatraz
Ai Wei Wei at Large Exhibit on Alcatraz Island
http://en.wikipedia.org/wiki/Alcatraz_Island
Alcatraz Island is located in the San Francisco Bay, 1.5 miles (2.4 km) offshore from San Francisco, California, United States.[2] Often referred to as “The Rock”, the small island was developed with facilities for a lighthouse, a military fortification, a military prison (1868), and a federal prison from 1933 until 1963.[5] Beginning in November 1969, the island was occupied for more than 19 months by a group of aboriginal people from San Francisco who were part of a wave of Native activism across the nation with public protests through the 1970s. In 1972, Alcatraz became a national recreation area and received designation as a National Historic Landmark in 1986.
http://jonhammondband.com/blog.html
Returning 19th year Fr 17. April 2015 Musikmessesession mit Jon Hammond Jazzkeller Hofheim
Posted on March 24, 2015
Eastside Sound Studios Sunday Session
Posted on March 23, 2015
Jon Hammond Show MNN Ch. 1 Broadcast 03/28/2015 Funk Soul Blues & Soft News
Posted on March 20, 2015
Public Access TV: Jon Hammond Show MNN Community Channel 1, Funk Soul Blues and Soft News
Posted on March 18, 2015

Wie jedes Jahr zur Musikmesse die Warm Up Party im Jazzkeller Frankfurt mit der Jon Hammond Band
14. APRIL 2015 um 21 Uhr
#frankfurt #jazz #live #music #musikmesse2015

Like every year at the Musikmesse the warm up party in the Jazzkeller Frankfurt Jon Hammond band
APRIL 14, 2015 at 9: 00
#frankfurt #jazz #live #music #musikmesse2015

James Oscar Smith aka Jimmy Smith photos by Jon Hammond
Taken in Long Beach, California
Long Beach CA — James Oscar Smith aka Jimmy Smith photos by Jon Hammond one month before he passed away, just after receiving the prestigious NEA Jazz Master Award.
http://en.wikipedia.org/wiki/Jimmy_Smith_(musician)
James Oscar “Jimmy” Smith (December 8, 1925[1] or 1928[2] – February 8, 2005)[1][2] was an American jazz musician who achieved the rare distinction of releasing a series of instrumental jazz albums that often charted on Billboard. Smith helped popularize the Hammond B-3 electric organ, creating an indelible link between sixties soul and jazz improvisation.

In 2005, Smith was awarded the NEA Jazz Masters Award from the National Endowment for the Arts, the highest honor that the United States bestows upon jazz musicians.
Also known as The Incredible Jimmy Smith
Born December 8, 1925
Norristown, Pennsylvania, United States
Died February 8, 2005 (aged 79)
Scottsdale, Arizona, United States
Genres Hard bop
Mainstream jazz
Jazz-funk
Jazz fusion
Occupation(s) Musician
Instruments Hammond B-3 electric organ

Smith’s birth year is of some confusion, with various sources citing either 1925 or 1928. Born James Oscar Smith in Norristown, Pennsylvania, at the age of six he joined his father doing a song-and-dance routine in clubs. He began teaching himself to play the piano. When he was nine, Smith won a Philadelphia radio talent contest as a boogie-woogie pianist.[5] After a stint in the navy, he began furthering his musical education in 1948, with a year at Royal Hamilton College of Music, then the Leo Ornstein School of Music in Philadelphia in 1949. He began exploring the Hammond organ in 1951. From 1951 to 1954 he played piano, then organ in Philly R&B bands like Don Gardner and the Sonotones. He switched to organ permanently in 1954 after hearing Wild Bill Davis.
He purchased his first Hammond organ, rented a warehouse to practice in and emerged after little more than a year. Upon hearing him playing in a Philadelphia club, Blue Note’s Alfred Lion immediately signed him to the label and his second album, The Champ, quickly established Smith as a new star on the jazz scene. He was a prolific recording artist and, as a leader, dubbed The Incredible Jimmy Smith, he recorded around forty sessions for Blue Note in just eight years beginning in 1956. Albums from this period include The Sermon!, House Party, Home Cookin’, Midnight Special, Back at the Chicken Shack and Prayer Meetin’.

Smith signed to the Verve label in 1962. His first album, Bashin’, sold well and for the first time set Smith with a big band, led by Oliver Nelson. Further big band collaborations followed, most successfully with Lalo Schifrin for The Cat and guitarist Wes Montgomery, with whom he recorded two albums: The Dynamic Duo and Further Adventures Of Jimmy and Wes. Other notable albums from this period include Blue Bash and Organ Grinder Swing with Kenny Burrell, The Boss with George Benson, Who’s Afraid of Virginia Woolf?, Got My Mojo Working, and Root Down.

During the 1950s and 1960s, Smith recorded with some of the great jazz musicians of the day such as Kenny Burrell, George Benson, Grant Green, Stanley Turrentine, Lee Morgan, Lou Donaldson, Tina Brooks, Jackie McLean, Grady Tate and Donald Bailey.

The Jimmy Smith Trio performed “When Johnny Comes Marching Home” and “The Sermon” in the 1964 film Get Yourself a College Girl.

In the 1970s, Smith opened his own supper club in Los Angeles, California, and played there regularly with guitarist Paul C Saenz, Kenny Dixon on drums, Herman Riley and John F. Phillips on saxophone; also included in the band was harmonica/flute player Stanley Behrens. The 1972 album Root Down, considered a seminal influence on later generations of funk and hip-hop musicians, was recorded live at the club, albeit with a different group of backing musicians…

Jon’s archive https://archive.org/details/LateRentJonHammondThemeSong2014

Jon Hammond theme song Late Rent on the occasion of 28th annual musikmesse Warm Up Party in the world famous jazzkeller Frankfurt and Jon’s birthday

with Peter Klohmann tenor saxophone, Giovanni Totò Gulino drums, Joe Berger guitar and Jon Hammond at the Sk1 Hammond organ – Late Rent is the theme song for Jon’s long-running cable TV show in New York City The Jon Hammond Show and HammondCast radio program http://www.HammondCast.com – special thanks to Frank Poehl for operating the camera – Jon Hammond Band

Jon’s archive https://archive.org/details/LateRentJonHammondThemeSong2014

Good time in The Garden Court At The Palace Hotel today, thank you long-time server Maggie and F&B Team!
Jon Hammond

https://hammondcast.wordpress.com/
Palace Hotel 2 New Montgomery Street · San Francisco, CA
See’s Candies Stage Shoreline Amphitheatre Jon Hammond & The Late Rent Session Men
November 11, 2014
*WATCH THE VIDEO HERE: See’s Candies Stage Shoreline Amphitheatre Jon Hammond & The Late Rent Session Men

Jon’s archive https://archive.org/details/SeesCandiesStageShorelineAmphitheatreJonHammondTheLateRentSessionMen
Jon Hammond and The Late Rent Session Men concert on See’s Candies Stage Shoreline Amphitheatre At Mountain View Amphitheater show for Bill Graham Presents
Jon Hammond Band Funk Unit coming up at Winter NAMM Show folks http://www.namm.org/thenammshow/2015/concerts-performances/jon-hammond-funk-unit — at The Garden Court At The Palace Hote

#Groove #HammondOrgan #ASCAPExpo #musikmesse2015 #NAMM #JAZZ #Blues Jon Hammond, ASCAP Composer, Musicians Union, Local 802, Local 6, #Accordion #Hofheim

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Jon Hammond Theme Song Musikmessesession Jazzkeller Hofheim

May 31, 2015

*WATCH THE FILM HERE: Jon Hammond Theme Song Musikmessesession Jazzkeller Hofheim

Jon’s archive https://archive.org/details/JonHammondThemeSongMusikmessesessionJazzkellerHofheim

Attribution-Noncommercial-No Derivative Works 3.0
Topics #HammondOrgan #Musikmesse2015 #Hofheim #Jazz #Blues #ThemeSong Jon Hammond #ASCAPExpo Composer

Jon Hammond Theme Song “LATE RENT”
musikmessesession Jazzkeller Hofheim
Peter Klohmann ts
Giovanni Totó Gulino d
Joe Berger g
Jon Hammond o
©JON HAMMOND International ASCAP
http://www.HammondCast.com

Producer Jon Hammond
Language English

Jon Hammond Band Facebook https://www.facebook.com/jonhammondband/videos/vb.133709526657853/1065573226804807/?type=3&theater

Youtube https://youtu.be/LGOmssWAKfA

CNN iReport http://ireport.cnn.com/docs/DOC-1245397

Jon’s archive https://archive.org/details/JonHammondBandThemeSongLateRent

Attribution-Noncommercial-No Derivative Works 3.0

NAMM Show, Late Rent, Theme Song, Jon Hammond Band, B3 Organ, Hammond Organ Company, Suzuki Musical Instruments, JON HAMMOND International, ASCAP Composer, Jon Hammond Show, Cable Access

Jon Hammond Band very special performance on first ever Hammond night in Hilton Hotel Lobby Winter NAMM Show “Sound Soul Summit”
Jon Hammond Show theme song “Late Rent” with Donny Baldwin drums (from Jefferson Starship & Lydia Pense & Cold Blood), Alex Budman tenor saxophone, Joe Berger guitar, Jon Hammond New B-3 Portable organ Sound mix by Denny Mack http://www.namm.org/thenammshow/2014/concerts-performances/jon-hammond-band The NAMM Show spcl. thanks Hammond Suzuki Musical Instruments, Photos by Lawrence Gay

Alex Budman ts
Joe Berger g
Donny Baldwin d
Jon Hammond o

Jon’s archive https://archive.org/details/THESOUNDSOULSUMMITAllStarJamJonHammondBernardPurdieFatbackDrums

Youtube http://youtu.be/pKgU2J5EopE

Full High Def Youtube http://youtu.be/7TApELTO1XI

“Head Phone” Composed by Jon Hammond ©JON HAMMOND International ASCAP – from Jon Hammond’s album “Late Rent” Ham-Berger-Friz Records

“Head Phone” – Jon Hammond Band THE SOUND SOUL SUMMIT All-Star Jam Video Movie of Jon’s Band Featuring Bernard “Pretty” Purdie, Alex Budman, Joe Berger, Koei Tanaka, Jon Hammond Organ Group — also with appearances by Stephen Fortner, Scott May, Joe Berger, Koei Tanaka and Jon Hammond at NAMM Anaheim Convention Center Hilton Anaheim Lobby Special Program on 80th Anniversary of Hammond Organ USA – Front of House / FOH Mix by Brian English – Denny Mack Audio – announcement – Stephen Fortner – Editor Keyboard Magazine Jon Hammond Organ Group *Note: “Head Phone” composed by Jon Hammond ©JON HAMMOND Intl. ASCAP recorded with Bernard Purdie originally on Jon’s album Late Rent in year of 1989 – Big Special Thanks to Jay Dittamo for standin’ in the cuff for Bernard, thanks Jay! special thanks to Scott May and Gregg Gregory Gronowski – Hammond Suzuki Musical Instruments Team Mr. M. Terada, Shuji Suzuki, Yu Beniya, Shigeyuki Ohtaka, Jeff Guilford JJ Guitars UK — with Joe Berger, Alex Budman, Stephen Fortner, Jay Dittamo, Bernard Purdie, Denny Mack and Koei Tanaka at Hilton Anaheim

Bandstand photograph of Bernard Purdie by Jon Hammond just before hitting ©JON HAMMOND International

©Copyright Notice: These Photos of Jon Hammond Band are copyrighted and embedded with i.d. information – Photographer Lawrence Gay and Jon Hammond Band must be credited and linked back if shared or used or you will certainly hear from us – enjoy, from The Winter NAMM Show http://www.jonhammondband.com/


Dom Famularo Feature On Jon Hammond Band NAMM Show Power Funk Supreme Coverage HammondCast

Jon’s archive: https://archive.org/details/DomFamularoFeatureOnJonHammondBandNAMMShow1

On the Youtube http://youtu.be/0656E-IWDn8

Or on the Youtube http://youtu.be/4c9Hi8-bZ9k

(Higher Quality) Surprise! Bernard Purdie and Jon Hammond reprise “Pocket Funk” on NAMM Center Patio Stage: Koei Tanaka harmonica, Joe Berger guitar, Alex Budman tenor saxophone, Jon Hammond at the organ and Bernard Purdie on the fatback drums! Very special thanks to Dom Famularo (Sabian), Bespeco Accessori, Alex Mingmann Hsieh / P Mauriat HQ Pmauriat Albest saxophones, Suzuki Musical Instruments Instruments, JJ Guitars, The NAMM Show Organization – Greg Herreman Productions –
Bernard Purdie / Bernard “Pretty” Purdie / Koei Tanaka / 田中光栄 – fan site
http://www.jonhammondband.com “Pocket Funk” ©JON HAMMOND International ASCAP Jon Hammond Band / Jon Hammond Organ Group

– special thanks Sabian, JJ Guitars, Suzuki Musical Instruments Instruments, Bespeco Accessori, Alex Mingmann Hsieh Hsieh, Pmauriat Albest – stage crew Evan, Jennifer, April, cameo appearance by Wolfgang Lücke Director Musikmesse Frankfurt am Main Greg Herreman Productions NAMM Organization http://www.jonhammondband.com/ ©Jon Hammond International ASCAP – Jon Hammond Organ Group — with Jon Hammond, Alex Budman, Joe Berger, Dom Famularo, Wolfgang Lücke and Koei Tanaka at NAMM Anaheim Convention Center

Jon’s archive https://archive.org/details/THESOUNDSOULSUMMITAllStarJamJonHammondBandFeaturingBernardPurdie

Head Phone – Jon Hammond Band THE SOUND SOUL SUMMIT All-Star Jam Video Movie of Jon’s Band Featuring Bernard Bernard “Pretty” Purdie, Alex Budman, Joe Berger2, Koei Tanaka, Jon Hammond Organ Group — with Stephen Fortner, Scott May, Joe Berger, Koei Tanaka and Jon Hammond at NAMM Anaheim Convention Center Hilton Anaheim Lobby Special Program on 80th Anniversary of Hammond Organ USA –

Joe Lamond President CEO of NAMM presents special award to Mr. Shuji Suzuki President of Suzuki Musical Instruments Corp. makers
of Hammond organ and Leslie speaker products on the occasion of 80th anniversary of Hammond organs – Jon Hammond

Youtube http://youtu.be/7TApELTO1XI

Front of House / FOH Mix by Brian English – Denny Mack Audio – announcement – Stephen Fortner – Editor Keyboard Magazine Jon Hammond Organ Group *Note: “Head Phone” composed by Jon Hammond ©JON HAMMOND Intl. ASCAP recorded with Bernard Purdie originally on Jon’s album Late Rent in year of 1989 – Big Special Thanks to Joe Lamond and Larry Morton of NAMM – Jay Dittamo for standin’ in the cuff for Bernard, thanks Jay!

Youtube http://youtu.be/YQBxb-K3Ixc

Some NAMM 2013 Highlights from Jon Hammond including Joe Lamond President CEO of NAMM with special guest
Randy Jackson of American Idol TV Show at Breakfast of Champions, NAMM Memorial Tribute including my friend band leader
Lou Colombo the great trumpet player http://www.namm.org/library/oral-history/namm-memoriam-industry-tribute-2013
bag pipers and cameo of Betty Heywood leaving after / and just before Tower of Power kicks it off inaugurating the new Grand Plaza Stage.
12 year old guitarist Ray Goren on Marty Grebb Band rips one on the Hammond Summit Show in Hilton Hotel Lobby, first ever Hammond
night known as “The Sound, the Soul, The Summit”
Jon Hammond Band playing the theme song of The Jon Hammond Show TV program Late Rent and HammondCast radio show
and podcasts vlogcasts, with Donny Baldwin drums from Lydia Pense and Cold Blood and Jefferson Starship, Joe Berger guitar,
Alex Budman tenor saxophone, Jon Hammond at the New B-3 Portable organ with sound mix by Denny Mack. Enjoy this
HammondCast folks, send any photos if you were there, Jon Hammond http://www.HammondCast.com

Jon’s archive https://archive.org/details/6842260307

by Jon Hammond
Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics MNN Channel 1, Cable Access, Funk Soul Blues, Soft News, Hammond Organs, Frankfurt Underground, NAMM, musikmesse, Carvin Audio, Local 802, Musicians Union

Jon Hammond Show MNN Channel 1 with late great funky Bay Area drummer James Preston aka Jimmy Preston on Jon Hammond Band in Europa Intim Bar underground Frankfurt gig for Hans Romanov, Jon Hammond’s annual jazzkeller “musikmesse warm up party”, carvin pro audio session at Winter NAMM Show, cooking encore jazzkeller Frankfurt musikmesse Warm Up Party #HammondOrgan #NAMM #musikmesse Funk Soul Blues and Soft News http://www.HammondCast.com

Producer Jon Hammond
Audio/Visual sound, color
Language English

*Note: All Images Embedded With I.D. Info ©JON HAMMOND International

#ThemeSong #HammondOrgan #musikmesse2015 #Hofheim Jon Hammond, Sk1 organ, Jazz Session, ASCAP Composer, Peavey Bass Amp, Late Rent, MNN TV, Channel 1

No X Cess Baggage Blues Jon Hammond with NDR Horns Hamburg Auster Bar

May 30, 2015

*WATCH THE FILM HERE: No X Cess Baggage Blues Jon Hammond with NDR Horns Hamburg Auster Bar

Jon’s archive https://archive.org/details/NoXCessBaggageByJonHammondSpclThanksLufthansaNDR_201409

vers 2.1, baggage, blues, hammond organ, funky jazz, NDR Horns, Hamburg, Sessions, Auster Bar, Auster Jazz Series, ASCAP Composer, Jon Hammond, Musicians Union, Local 802

vers 2.1
Jon Hammond Band special dedication to Lufthansa and NDR “No X-Cess Baggage Blues” live performance of track from NDR SESSIONS Projekt album featuring the NDR Horns: Michael Leuschner trumpet, Lutz Büchner tenor saxophone, Fiete Felsch alto saxophone, Heinz Lichius drums, Joe Berger guitar, Jon Hammond organ + bass – concert in Auster Bar Auster Jazz Series – special thanks Nicolai Ditsch for operating the camera – the incredible NDR Musicians and Knut Benzner & Jazz Redaktion Team, Lufthansa Technik Hamburg, Apple iTunes https://itunes.apple.com/us/album/ndr-sessions-projekt/id154024761 Ham-Berger-Friz Records ©JH INTL ASCAP – Filmed in High Definition Live at Auster Bar Hamburg Eimsbüttel courtesy of Frank Blume & Torsten Wendt Auster Bar Team

https://hammondjazz.wordpress.com/tag/ndr-sessions-projekt/

Jon’s archive https://archive.org/details/HeadPhone2ndSetMusikmesseWarmUpParty

Jon Hammond’s annual musikmesse Warm Up Party in the world famous jazzkeller Frankfurt – original funk composition by Jon Hammond “Head Phone” – Jon Hammond Band: Joe Berger guitar, Peter Klohmann tenor saxophone, Giovanni Totó Gulino drums, Jon Hammond Sk1 Hammond organ – Special Thanks to Frank Poehl for operating the camera ©JH INTL ASCAP http://www.jonhammondband.com

Youtube http://youtu.be/-QHH6G1w2kY

Vimeo http://vimeo.com/92477592

Jon Hammond Band Facebook http://www.facebook.com/photo.php?v=814737598555039

CNN iReport http://ireport.cnn.com/docs/DOC-1123137

Blip TV http://blip.tv/jon-hammond/head-phone-2nd-set-musikmesse-warm-up-party-6853346

Sara Lee Rainbo Bread Outlet in the twilight,
Jon Hammond

Paul Kantner – time for some morning coffee, SF Chronicle and smoke some cigs in North Beach San Francisco – Jon Hammond
https://en.wikipedia.org/wiki/Paul_Kantner
Paul Lorin Kantner (born March 17, 1941) is an American rock musician, known for co-founding the psychedelic rock band Jefferson Airplane and its spin-off band Jefferson Starship. He was born in San Francisco, California.

*Coffee Time at Caffé Trieste:

Although the band was originally formed by Marty Balin, Kantner eventually became the main man of Jefferson Airplane and captained the group through various successor incarnations of Jefferson Starship. Kantner has the longest continuous membership with the band; at times he was the only founding member still in the band from the original Jefferson Airplane line up.[1] A political anarchist, Kantner once advocated the use of psychedelic drugs such as LSD for mind expansion and spiritual growth, and is a prominent advocate of the legalization of marijuana.[2][3] In a 1986 interview, Kantner shared his thoughts about cocaine and alcohol, saying, “Cocaine, particularly, is a bummer. It’s a noxious drug that turns people into jerks. And alcohol is probably the worst drug of all. As you get older and accomplish more things in life in general, you realize that drugs don’t help, particularly if you abuse them.”[4] When Kantner suffered a cerebral hemorrhage in 1980, his attending physician at Cedars-Sinai, Stephen Levy, was quick to point out it was not a drug-related issue, saying: “There is zero relationship between Paul’s illness and drugs. He doesn’t use drugs.”[5] Kantner’s primary instrument is the rhythm guitar, and he also sings lead or backup vocals. Kantner has three children, sons Gareth and Alexander, and daughter China.[6]

Early years[edit]
The son of Paul and Cora Lee (Fortier) Kantner, Paul had two much older half-siblings: a half-brother and a half-sister. His mother died when he was eight years old, and Kantner remembers not being able to attend her funeral, having been sent to the circus instead.[1] His father, a traveling salesman, sent young Kantner off to Jesuit military school after his mother’s death. It was in the school’s library at age eight or nine where he read his first science fiction book, finding an escape by immersing himself in science fiction novels and music at an early age.[1][2][7] When he became a teenager he went into total revolt against all forms of authority, and became determined to become a protest folk singer in the manner of his musical hero, Pete Seeger.[7] He entered University of Santa Clara and San Jose State College, completing a total of three years before he dropped out to enter the music scene.[1]

1960s–1970s[edit]
Paul Kantner 1972
Kantner in 1972.
Kantner and Grace Slick with Jefferson Starship
Kantner and Grace Slick with Jefferson Starship.
Paul Kantner 1975
Kantner in 1975.
During the summer of 1965 singer Marty Balin saw Kantner perform at the Drinking Gourd, a San Francisco folk club, and recruited him as part of the original Jefferson Airplane.[1][2][8] When the group needed a guitarist, Kantner recommended Jorma Kaukonen, whom he knew from his San Jose days.[1] Kantner would be the only member to appear on all Jefferson Airplane/Starship albums bearing the Jefferson prefix. Kantner’s songwriting often featured whimsical or political lyrics with a science-fiction or fantasy theme, usually set to music that had a hard rock, almost martial sound. Kantner and Jefferson Airplane were among those who played at Woodstock. Forty years later, Kantner recalled: “We were due to be on stage at 10pm on the Saturday night but we didn’t actually get on until 7.30am the following day.”[9] Later in the year, the group also played at Altamont, where Marty Balin was knocked unconscious by a Hell’s Angel member originally hired as security for the concert.[10]

Despite its commercial success, the Airplane was plagued by intra-group fighting, causing the band to begin splintering at the height of its success.[11] Part of the problem was manager Bill Graham, who wanted the group to do more touring and more recording.[12][13] During the transitional period of the early 1970s, as the Airplane started to disintegrate, Kantner recorded Blows Against The Empire, a concept album featuring an ad-hoc group of musicians whom he dubbed Jefferson Starship.[7][11][14][15] This earliest edition of Jefferson Starship included members of Crosby, Stills, Nash & Young (David Crosby and Graham Nash) and members of the Grateful Dead (Jerry Garcia, Bill Kreutzmann, and Mickey Hart), as well as some of the other members of Jefferson Airplane (Grace Slick, Joey Covington, and Jack Casady).

In Blows Against the Empire, Kantner (and Slick) sang about a group of people escaping earth in a hijacked starship. The album was nominated in 1971 for the science fiction Hugo Award.[16] A sequel, The Empire Blows Back, was released in 1983 and included most of the same musicians, performing this time under the name The Planet Earth Rock and Roll Orchestra.[17]

Kanter had been in love with Grace Slick for some time, but she was involved in a relationship with the band’s drummer, Spencer Dryden. After their two-year affair ended, he finally had a chance with Grace.[1][13][18] In 1969, Kantner and Grace Slick began living together publicly as a couple. Rolling Stone magazine called them “the psychedelic John and Yoko.” Slick became pregnant, and a song about their love child’s impending birth “A Child Is Coming” appeared on Blows Against the Empire. Kantner and Slick’s daughter China Kantner was born in 1971.[19][20][21] Slick would later leave Kantner to marry Skip Johnson, a Jefferson Starship roadie.[2] Despite the split, Slick remained with the band.

Kantner and Slick released two follow-up albums. Sunfighter was an environmentalism-tinged album released in 1971 to celebrate China’s birth. He and Grace made news again in 1972, when they were accused of assaulting a policeman after their Akron, Ohio concert.[22][23] 1973’s Baron von Tollbooth and the Chrome Nun was titled after the nicknames David Crosby had given to the couple. Through a songwriter friend Kantner discovered teen-aged guitarist Craig Chaquico during this time, who first appeared on Sunfighter and would play with all of the incarnations of the Starship name through 1991.

After Kaukonen and Casady left the Airplane in 1973 to devote their full attention to Hot Tuna, the musicians on Baron von Tollbooth formed the core of a new Airplane lineup that was formally reborn as “Jefferson Starship” in 1974. Kantner, Slick, and David Freiberg were charter members along with late-Airplane holdovers drummer John Barbata, and fiddler Papa John Creach, along with Pete Sears (who, like Freiberg, played bass and keyboards), and Chaquico. Marty Balin also joined Jefferson Starship while their first album, Dragonfly, was still in the works, co-writing with Kantner the album’s biggest hit “Caroline.”[15][24]

After the 1978 release of the album Earth – to which Kantner contributed just one song – Jefferson Starship endured major personnel changes. Slick took a leave of absence, and Balin quit the group to pursue a solo career. No attempt was made to replace Slick, but Balin was replaced by Mickey Thomas, who was previously successful as a member of the Elvin Bishop Group.[25][26] An album dominated by Kantner compositions called Freedom at Point Zero was released to commercial success. Grace Slick returned for the follow-up album Modern Time which was another record featuring Kantner’s science fiction themes.[2]

1980s–1990s[edit]
In October 1980, Kantner was taken to Cedars-Sinai Medical Center in serious condition from a cerebral hemorrhage.[7] Kantner had been working in Los Angeles on an album when he became ill.[27] He was 39 years old at the time and beat considerable odds with a full recovery without surgery.[28] A year later, Kantner talked about the experience, saying, “If there was a Big Guy up there willing to talk to me, I was willing to listen. But nothing happened. It was all just like a small vacation.” It was his second brush with serious illness or injury, having suffered a serious motorcycle accident in the early 1960s: “I hit a tree at 40 miles an hour head first and nearly shattered my skull. I had a plate in there for a while.”[2] The injury from the motorcycle accident was credited with saving Kantner from serious complications from the cerebral hemorrhage; the hole left by the accident relieved the accompanying cranial pressure.[1]

Kantner in concert with Jefferson Starship, 1996.
In 1984, Kantner (the last founding member of Jefferson Airplane remaining) left the group, complaining that the band had become too commercial and strayed too far from its counterculture roots.[29] Kantner made his decision to leave while Jefferson Starship was in the middle of a tour.[25] Upon quitting Kantner took legal action against his former bandmates over the Jefferson name (the rest of the band wanted to continue as Jefferson Starship).[30] Kantner won his suit, and the group name was reduced to simply “Starship.”[12] Under the terms of the settlement, no group can call itself Jefferson Starship without Paul Kantner as a member, and no group can call itself Jefferson Airplane unless Grace Slick is on board.[31][32] The legal battle had personal repercussions as well, permanently damaging Kantner’s friendships with Mickey Thomas and Craig Chiquico.[33] In a 2007 interview, Kantner related that the legal battles did not put an end to the name issue: “Right now she’s (Grace Slick) suing me for some unknown reason, but generally we get along really well. Twenty years ago, feeling tired of the music business, she signed over her interest in Jefferson Starship to me, and now she’s suing me for using the name. I actually had to go and dig up the piece of paper she signed, and I showed it to her, and she said, “I don’t remember that.””[29][34] The legal issues came to an end in 2008, with Slick and former group manager Bill Thompson being declared the rightful owners of the name, but granting Kantner the right to use it for his band for a fee which was not disclosed.[35]

In 1985, following his departure from Jefferson Starship, Paul Kantner rejoined with Balin and Jack Casady to form the KBC Band, releasing their only album, KBC Band (which included Kantner’s hit, “America”), in 1987 on Arista Records.[11][32] There was a video made for “America” as well as a national KBC tour.[36] In 1986, Kantner headed for court with Slick and her then husband, Skip Johnson, over the taping of some telephone conversations.[37]

With Kantner reunited with Balin and Casady, the KBC Band opened the door to a full-blown Jefferson Airplane reunion. In 1988, during a San Francisco Hot Tuna gig where Kantner was performing, they found themselves joined by Grace Slick. This led to a formal reunion of the original Jefferson Airplane (featuring nearly all the main members, including founder Marty Balin, but without Spencer Dryden, who left in 1970.[38][39] A self-titled album was released by Columbia Records. The accompanying tour was a success, but their revival was short-lived, although the band never formally disbanded.[40] According to Grace Slick, the reunion began as a joke: “We hadn’t even talked for a year, and we were battling legally – in fact, there are still some standing lawsuits between me and Paul, something to do with the Airplane. Anyway, the idea was that I’d just sneak in, stand at the side of the stage and come out and sing ‘White Rabbit’ and see what Paul did. Paul never got the joke, but he liked it, the audience liked it, and that’s how it started.”[41]

1990s–present[edit]
Kantner and his Jefferson Airplane bandmates were inducted into the Rock and Roll Hall of Fame in 1996.[42] The performance at the induction ceremony was the first time original members Marty Balin, Jorma Kaukonen, Jack Casady, Spencer Dryden and Kantner had played together since 1970.[43] Grace Slick had to miss the ceremonies because of a serious leg infection, but sent a message which was delivered by Kantner, “Grace sends her love.”[44]

In 1991 Kantner and Balin reformed Jefferson Starship and Kantner continues to tour and record with the band as of 2013. Today Jefferson Starship is primarily a Paul Kantner solo band, with various former Airplane and Starship members dropping in for tours or specific shows. With their latest female vocalist Cathy Richardson and Kantner’s son Alexander Kantner on bass, Jefferson Starship released their first studio album in a decade, titled Jefferson’s Tree of Liberty in September 2008.[45] The album was a return to Kantner’s musical roots featuring covers of 1950’s and 1960s protest songs.[33][46]

In late 2010 Kantner started to compile collections of “sonic art” performed by him and various artists, including a mix of cover songs, sound effects, and spoken word, releasing multiple volumes under the title “Paul Kantner Windowpane Collective”.[47]

Albums discography[edit]
Jefferson Airplane, Jefferson Starship, Starship, and Jefferson Starship-TNG[edit]
Jefferson Airplane[edit]
Jefferson Airplane Takes Off (1966) – US position: #128
Surrealistic Pillow (1967) – US position: #3 (Breakthrough album featuring “Somebody to Love” and “White Rabbit.”)
After Bathing at Baxter’s (1967) – US position: #17
Crown of Creation (1968) – US position: #6
Bless Its Pointed Little Head (1969) US position: #17 (live)
Volunteers (1969) – US position: #13
The Worst of Jefferson Airplane (1970) – US position: #12 (First greatest hits collection.)
Bark (1971) – US position: #11
Long John Silver (1972) – US position: #20
Thirty Seconds Over Winterland (1973) US position: #52 (live)
Early Flight (1974) (A collection of singles, B-sides, and other non-LP tracks.)
Flight Log, 1966–1976 (1977) (Compilation album, also includes tracks by Jefferson Starship, Hot Tuna, as well as solo tracks.)
Time Machine (1984) (Compilation album.)
2400 Fulton Street| (1987) (Compilation album.)
Jefferson Airplane (1989) (1989 “reunion” album.)
White Rabbit & Other Hits (1990) (Compilation album.)
Jefferson Airplane Loves You (1991) (Three-disc boxed set.)
Best of Jefferson Airplane (1993) (Compilation album.)
Live at the Monterey Festival (1995) (Live recording, British release of Jefferson Airplane’s performance at the June 1967 Monterey Pop Festival.)
Journey: The Best of Jefferson Airplane (1996) (British compilation album.)
Live at the Fillmore East (1998) (Live recording of 1968 performance at the Fillmore East in New York City.)
The Roar of Jefferson Airplane (2001) (Compilation album.)
Platinum & Gold Collection (2003) (Compilation album.)
The Essential Jefferson Airplane (2005) (Compilation album.)
Paul Kantner and Jefferson Starship[edit]
Blows Against The Empire (1970) US position: #20
Jefferson Starship[edit]
Dragon Fly (1974) US position: #11
Red Octopus (1975) US position: #1 (Best-selling album for any incarnation of the Airplane/Starship.)
Spitfire (1976) US position: #3
Earth (1978) US position: #5 (Last album w/ Marty Balin until 1995.)
Gold (1979) US position: #20 (Compilation album.)
Freedom at Point Zero (1979) US position: #10
Modern Times (1981) US position: #26
Winds of Change (1982) US position: #26
Nuclear Furniture (1984) US position: #28
Jefferson Starship at Their Best (1993) (Compilation album.)
Deep Space / Virgin Sky (1995) (Live album.)
Miracles (1995) (Live album.)
Windows of Heaven (1999)
Greatest Hits: Live at the Fillmore (1999) (Live album.)
Extended Versions (2000) (Live album.)
Across the Sea of Suns (2001) (Live album)
Jefferson’s Tree of Liberty (2008)
Compilation albums credited to “Jefferson Airplane/Jefferson Starship/Starship”[edit]
Hits (1998)
VH1 Behind the Music (2000)
Love Songs (2000)
Selected solo, duo and trio efforts[edit]
Paul Kantner/Grace Slick[edit]
Sunfighter (1971) US position: #89
Baron von Tollbooth and the Chrome Nun (1973) US position: #120 (By Paul Kantner, Grace Slick, and David Freiberg.)
Paul Kantner[edit]
Planet Earth Rock and Roll Orchestra (1983; remastered and reissued 2005)
Windowpane Collective Vol. 1 – A Martian Christmas (2010)
Windowpane Collective Vol. 2 – Venusian Love Songs (2011)
The KBC Band[edit]
Includes Paul Kantner, Marty Balin, and Jack Casady.

KBC Band (1986) US position: #75
Filmography[edit]
In 2004, a documentary containing 13 Jefferson Airplane performances and bandmember interviews was released on DVD.

Fly Jefferson Airplane (2004) — with Paul Kantner at Caffe Trieste

Bernard Purdie Plays Pocket Funk – by Jon Hammond: YOUTUBE: http://youtu.be/4c9Hi8-bZ9k

Jon Hammond Band – The NAMM Show
Bernard Purdie and Jon Hammond reprise “Pocket Funk” on NAMM Center Patio Stage: Koei Tanaka harmonica, Joe Berger guitar, Alex Budman tenor saxophone, Jon Hammond at the organ and Bernard Purdie on the fatback drums! Very special thanks to Dom Famularo (Sabian), Bespeco Accessori, Alex Mingmann Hsieh / P Mauriat HQ Pmauriat Albest saxophones, Suzuki Musical Instruments Instruments, JJ Guitars, The NAMM Show Organization – Greg Herreman Productions – Suzuki Musical Instruments http://www.jonhammondband.com/ “Pocket Funk” ©JON HAMMOND International ASCAP

Rick Heins from Fender Scottsdale AZ for 60th Anniversary of Stratocaster – Jon Hammond

Jon’s archive https://archive.org/details/P.MauriatActionBluesWithJonHammond

(Higher Quality) P.Mauriat HQ / Pmauriat Albest action with Jon Hammond Blues All Afternoon at The NAMM Show with P.Mauriat Artists and guests Arno Haas, Hailey Niswanger, James Carter, Joshua Quinlan, Juan Alzate, Ryan Montano – Jon Hammond at the Sk1 organ http://www.HammondCast.com/

with Hailey Niswanger, Jon Hammond, PMauriat Saxophones, Pmauriat Albest, Arno Haas, Reggie Padilla and Ryan Montano at NAMM Anaheim Convention Center

Youtube http://youtu.be/4rGrMhFPbrU

Vimeo http://vimeo.com/88162571

#Baggage #Blues #Hamburg #NDRHorns #HammondOrgan ASCAP Composer, Jon Hammond, Auster Jazz, Michael Leuschner, Lutz Büchner, Fiete Felsch, Heinz Lichius, Eimsbüttel

Hammondcast: Spotlight on Lou Colombo the late great Trumpet Player recorded on bandstand by organist Jon Hammond 1978

May 29, 2015

*LISTEN TO THE AUDIO HERE: Spotlight on Lou Colombo the late great Trumpet Player recorded on bandstand by organist Jon Hammond 1978

Jon’s archive http://ia700407.us.archive.org/3/items/JonHammondHammondCast201KYOURadio/HammondCast201.mp3

Lou Colombo, KYOU Radio, Wychmere Harbor Club, Harwich Port MA, B3 Organ, Frank Shea, Trumpet, Jazz, Standards, Tip O’Neill, Cape Cod

Attribution-NonCommercial-NoDerivs

Lou Colombo House Band at Wychmere Harbor Club L to R Frank Shea d, Lou Colombo t, Jack Pena g, Jon Hammond o

Picnic Time in the Colombo’s Backyard – South Yarmouth MA Cape Cod

HammondCast 201 KYOU Radio, today Jon Hammond puts the spotlight on Lou Colombo trumpet player band leader originally from Brockton MA, Jon played organ with Lou for 2.5 years on the house band at the exclusive Wychmere Harbor Club and Thompson’s Clam Bar in Harwich Port Cape Cod MA – a recently discovered recording from the bandstand with Lou Colombo, Jon Hammond on B3 organ, Frank Shea drums and 2 additional horns on a big Saturday night at the legendary Wychmere Harbor Club in Harwich Port! ©JON HAMMOND International

Berklee College of Music — Re-discovered recordings with Lou Colombo: HammondCast 202 Pt 2 Spotlight on Lou Colombo KYOU Radio:

LINK: https://www.berklee.edu/news/re-discovered-recordings-lou-colombo-hammondcast-202-pt-2-spotlight-lou-colombo-kyou-radio

Podomatic http://hammondcast.podomatic.com/entry/2011-02-23T03_07_43-08_00

Mr. and Mrs. Lee Berk founder of Berklee College of Music were in the house and Tip O’Neill Speaker of The House on a big Saturday night at the Wychmere Harbor Club in Harwich Port Cape Cod MA:

AUDIO: http://ia700404.us.archive.org/26/items/JonHammondHammondCast202KYOURadio/HammondCast202.mp3

HammondCast 202 KYOU Radio special edition with part 2 of recording from Wychmere Harbor Club when Jon played B3 organ on the Lou Colombo Band, the house band at Wychmere Harbor Club in Harwich Port Cape Cod MA. First backing up a feature dance duo with cha cha …

Fort Myers Florida — Lou Colombo and Jon Hammond just a few days before Lou was tragically killed while driving home from his gig
March 2012

http://blog.sfgate.com/jon-hammond/2015/03/05/hammondcast-202-the-jon-hammond-show-audio-from-jons-radio-show/


Wikipedia in Deutsch
http://de.wikipedia.org/wiki/Lou_Colombo

Lou Colombo (* 22. August 1927 in Brockton, Massachusetts[1]; † 3. März 2012 in Fort Myers, Florida) war ein US-amerikanischer Musiker (Trompete, Kornett, Flügelhorn) im Bereich des Swing und Mainstream Jazz.

Colombo begann mit zwölf Jahre Trompete zu spielen, war zunächst sieben Jahre Baseball-Profispieler bei den Brooklyn Dodgers, bevor ihn mit 24 Jahren eine Knieverletzung zwang, seine Sportlerkarriere zu beenden. Er arbeitete danach als Vollzeitmusiker meist als Ensemblespieler und Studiomusiker, u. a. in den Big Bands von Dizzy Gillespie, Artie Shaw, Benny Goodman, Buddy Morrow und Perez Prado, außerdem bei Sessions mit Meredith D’Ambrosio (South to a Warmer Place, 1989), George Masso (That Old Gang of Mine, 1996) und Jerry Jerome (Something Borrowed, Something Blue).[3] Unter eigenem Namen spielte er einige Alben ein, darunter 1990 bei Concord Records ein Tributalbum für Bobby Hackett ein, an dem u. a. auch Dave McKenna und Keith Copeland mitwirkten. Colombo, der fünf Jahrzehnte in der Jazzszene von Cape Cod aktiv war, starb Anfang März 2012 im Alter von 84 Jahren an den Folgen eines Verkehrsunfalls.

Jon’s archive https://archive.org/details/NAMMMemorialTributeIndustryLeadersLostHammondCastCoverage

Youtube http://youtu.be/934LYZwSpxs

Jon Hammond’s coverage of the annual NAMM in Memoriam Tribute to Industry Leaders Lost. Always near the end of day 1 we take time to reflect, NAMM Historians Dan Del Fiorentino and Tony Arambarri put together a special reel showing members of the NAMM Community who have passed, L.A. Bagpipers play – on this clip the audio is original music from Jon Hammond “Lydia’s Tune” since Youtube flags the bagpiper’s track – for complete NAMM Memorial: https://www.namm.org/library/oral-history/namm-memoriam-industry-tribute-2015 – HammondCast http://www.HammondCast.com #NAMM

CNN iReport http://ireport.cnn.com/docs/DOC-1213472

Vimeo http://vimeo.com/118886655

NAMM Show Day 1 — Greg Herreman Event Producer directing operations on the big GoPro Stage just before the annual NAMM Tribute to Industry Leaders Lost – like Secret Service with a microphone in his sleeve, super slick!

– Jon Hammond — with Greg Herreman at The NAMM Show.

Getting closer to hit time for NAMM Memoriam Industry Tribute – NAMM Chairman Larry Morton also Kevin Cranley and Debbi Cranley are talking with Dan Del Fiorentino – spotlights are moving in to place, Hats On…Bagpipers ready!

– Jon Hammond — with Dan Del Fiorentino at The NAMM Show.

Dailymotion http://www.dailymotion.com/video/x2gj8lw_namm-memorial-tribute-industry-leaders-lost-hammondcast-coverage_music

Head Phone Funk Masterpiece
Jon Hammond Band With Bernard Purdie Side Camera
*WATCH THE VIDEO HERE: Head Phone Funk Masterpiece Jon Hammond Band With Bernard Purdie Side Camera
Jon’s archive https://archive.org/details/HeadPhoneFunkMasterpieceJonHammondBandWithBernardPurdieSideCamera
Head Phone Funk Masterpiece Jon Hammond Band with Bernard Purdie side camera – special thanks to Tino Pavlis and Joachim Wiesel for this side view camera footage of Jon Hammond Band NAMM Showcase
– Jon Hammond original funk composition “Head Phone” featuring legendary Fatback Funk drummer Bernard “Pretty” Bernard “Pretty” Purdie and Jon’s long-time colleague Joe Berger on guitar, from Tokyo Japan Koei Tanaka Suzuki Harmonica artist Suzuki Harmonica – Official Facebook Page – Official Facebook Page Alex Budman tenor saxophone and Jon Hammond at the B3mk2 organ and high-power model 3300 Leslie Speaker with FOH mix by Brian English Audio Denny Mack – this is The Jon Hammond Organ Group – Funk Masterpiece performance with announcement by Stephen Fortner Editor of Keyboard Magazine on a big Friday Night in the Anaheim Hilton Hotel Lobby, enjoy! © JON HAMMOND International, INC. ASCAP – Suzuki Musical Instruments
YouTube http://youtu.be/1r0SSgNoJXU

Jon Hammond Band Facebook https://www.facebook.com/video.php?v=989931187702345

Funk Masterpiece performance with announcement by Stephen Fortner Editor of Keyboard Magazine on a big Friday Night in the Anaheim Hilton Hotel Lobby, enjoy! © JON HAMMOND International, INC. ASCAP

YouTube http://youtu.be/1r0SSgNoJXU – Suzuki Musical Instruments — with Jon Hammond, Joe Berger and Bernard Purdie at The NAMM Show.

Jon Hammond on the scene covering Joe Franklin’s annual Thanksgiving show and free turkey dinner at Laugh Factory NYC, a great tradition, Miracle on 42nd St.! Owner Richard Basciano an icon of Times Square says “By giving this holiday gift we want to give our thanks to the people NYC for making us what we are today .”
No one should be alone on this day of giving thanks and all are invited. Come out for a day of food and fun and share good times with friends. Happy Thanksgiving from Times Square Arts Center and The World Famous Laugh Factory. Enjoy Joe Franklin legend of Radio & TV here! jh

#Spotlight #LouColombo #Wychmere #Harwich #HammondOrgan Jon Hammond, Jazz Music, Organ Combo, B3 organ, NAMM Memorial, musikmesse, Local 802, Musicians Union

RADIO BROADCAST AUDIO “Indie Pool” Show Jon Russell on Jon Hammond Interview and Music

May 28, 2015

*LISTEN TO THE AUDIO HERE: RADIO BROADCAST AUDIO “Indie Pool” Show Jon Russell on Jon Hammond Interview and Music

Jon’s archive https://archive.org/details/JonHammondINDIEPOOLKYOURadioSpecialJonRussellHostingJonHammondofHammondCastShow

Jon Russell Indie Pool KYOU Radio Jazz Blues Radio CBS Network Chicago San Francisco

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The Indie Pool: Jon Russell Hosts Jon Hammond KYOURADIO San Francisco CA–
Not just another interview show with music. More like an audio magazine that digs deeper so you’ll come away with a better understanding of the featured artists and bands and their music. Every couple of weeks the Indie Pool presents a new installment giving you an opportunity to come away with a better understanding of who’s making today’s music and why. The Indie Pool showcases: Jon Hammond
With music from Jon Hammond played live in the studios of KYOU Radio with Host Jon Russell and tracks from Jon’a album NDR SESSIONS Projekt on Ham-Beger-Friz Records ©JON HAMMOND International

Jon’s special archive http://archive.org/details/HammondCast_22

Al Jazzbo Collins

Chris Cortez and Jon Hammond

This episode of HammondCast on KYOU 1550 AM Radio features some historic recordings of Jon Hammond with radio & tv legend AL “JAZZBEAUX” COLLINS, this will blow your socks off! Al does a complete recitation of his Hipster version of “Little Red Ridinghood” accompanied by Jon on the Hammond organ live. Also radio host CHRIS CORTEZ talking about how Jon and Jazzbeaux almost blew up the transmitter for the radio station by plugging the Hammond organ directly in as a late-night experiment on the Bay Area station…wooops! All worked out ok, but the Chief Engineer and Station Manager were a little bit upset the next day.
Going back even a few more years, Al Jazzbeaux breaks Jon’s recording of “Sidewinder” on the now defunct but legendary and most powerful station of New York City-WNEW 1130 AM. For Al Jazzbeaux Collins freaks, this HammondCast episode is a MUST.
Jon Hammond is a member of Local 802 & Local 6 Musicians Unions and an ASCAP Composer/Publisher-JON HAMMOND International, Inc.
No singers on Mr. Hammond’s band…”The FINGERS…are the SINGERS!”
http://www.HammondCast.com

Anaheim California — This was a great P.Mauriat Party! at Winter NAMM a years ago – here with Alejandro Chiabrando and Alex Mingmann Hsieh – Jon Hammond — with Alejandro Chiabrando and Alex Mingmann Hsieh at Clarion Hotel Anaheim.

It’s not Simon and Garfunkle..Tino Pavlis and Joe Berger!
Jon Hammond — with Tino Pavlis and Joe Berger at musikmesse

From my first CD booklet – first release of “Late Rent” on Hotwire Records – collector edition! Jon Hammond

August 28, 1989 – Alex Foster on the Saxophone Chair in my band “Jon Hammond and The Late Rent Session Men at Mikell’s on Columbus Avenue NYC, sounded great Alex! – JH

http://youtu.be/BIvQDISkOF0
Based on a TRUE story, Hammond wrote this song first performed Aug. 28th 1989 at Mikell’s NYC: PARTY IS FORBIDDEN HERE! This film features drummers Bernard Purdie & Chuggy Leslie J. Carter, the Power-House Rhythm Section getting down! Jon Hammond at his 1959 B3 organ along with Alex Foster tenor sax..

21 years old – I found out my first day at Berklee College of Music in 1973 that I could not have accordion or Hammond organ as my principle instrument, I was sure mad about that! They sent me to the piano practice rooms with the broken out-of-tune Kawaii pianos with cigarette burns all over them, saxophone players playing scales on either side in the practice booths and drummers, it was nuts – Jon Hammond http://www.accordionradio.com/news.html — at Berklee College of Music

This is the Gretel & Alfons on the Große Freiheit 29, 22767 Hamburg where The Beatles hung out and drank beers back in the days when they were playing long nights at The Star Club just steps away. My friend Horst Jankowiak (R.I.P.) who was the owner told me that Paul McCartney returned there in 1989 and paid up their outstanding tab for beers leftover from 1961, and gave the house a pretty good tip as well. Very sad to hear that Horst has died, he had myself and Joe Berger sign in the house guest book on the next page over from where Jimi Hendrix had signed it – I met Lee Curtis there in Gretel & Alfons and Lee walked with me and showed me the place where Star Club had burnt down – Lee Curtis (from Liverpool) played The Star Club more than any other performer – quite a legacy there folks! Jon Hammond

http://www.noz.de/artikel/2232056/bei-gretel-alfons-stand-paul-mccartney-in-der-kreide
Bei Gretel & Alfons stand Paul McCartney in der Kreide
Hier muss es gewesen sein, genau hier in diesem roten Backsteingebäude. Und richtig, eine goldene Tafel am Eingang konserviert das Ereignis in wenigen Zeilen: Am 17. 9. 1960 betraten die Beatles die Bühne des „Indra”. Es war ihr erstes Deutschland-Engagement und der Beginn einer großen Karriere. Wer sich hier in Hamburg-St. Pauli in der Straße „Große Freiheit” abseits der Reeperbahn umsieht und Ulf Krügers „Beatles-Guide Hamburg” dabei hat, erfährt mehr: Zum Beispiel, dass John, Paul und George damals noch ohne Ringo, dafür aber mit Schlagzeuger Pete Best und Bassist Stuart -Sut-cliffe spielten. Vier bis sechs Stunden die Nacht für 30 Mark pro Beatle. Dafür boten sie krächzigen Rock n Roll, doch den wollte kaum jemand hören.
Nach erledigtem Job und dem einen oder anderen „Absacker” in einer der zahlreichen Kiez-Bars mussten die Beatles auf dem Weg ins Bett die auch heute noch schmuddelige Große Freiheit bis ans Ende laufen und links abbiegen in die Paul-Roosen-Straße 33. Zwei fensterlose Räume mit Matratzen auf Metallgestellen mehr gabs nicht, erzählt der Beatles-Guide. Und dass für die Katzenwäsche ein Mini-Waschbecken auf der Herrentoilette des „Bambi-Kinos” zur Verfügung stand.

Heute erinnert hier nur noch eine vergilbte Tafel mit vier verblichenen Beatles-Fotos und ein lieblos gestaltetes Schaufenster an diese erste „Suite” der Fab Four. Schade, denn in dieser efeuumrankten Fassade steckt mehr Geschichte. Zum Beispiel eine kleine Dummheit mit großen Folgen, festgehalten im Beatles-Guide: Paul McCartney zündete beim Auszug aus diesem unwirtlichen Loch im Dezember 1960 ein Kondom an und verbrannte es im Flur. Bruno Koschmider zeigte ihn wegen Brandstiftung an. Die Folge: Paul und Pete Best muss-ten eine Nacht in einer Zelle der berühmten Davidswache auf der Reeperbahn verbringen, bevor sie nach Großbritannien ausgewiesen wurden.
Offensichtlich ein mieser Trick im rüden Rock-n-Roll-Geschäft auf dem Kiez. Die -Beatles hatten nämlich erstens im „Kaiserkeller” Erfolg und zweitens bereits George Harrison verloren, der im November 1960 ausgewiesen worden war, weil er noch nicht volljährig war. Anfang Dezember 1960 waren John, Paul, Pete und Stu Sutcliffe aus dem „Kaiserkeller” abgeworben worden und sollten zukünftig im neu eröffneten „Top Ten” auf der Reeperbahn auftreten. Diesen Plan durchkreuzte „Kaiserkeller”-Manager Bruno Koschmider erfolgreich mit seiner Anzeige wegen Brandstiftung. Doch im März 1961 waren die Beatles wieder da und traten nun mit Tony Sheridan zusammen im „Top Ten” auf der Reeperbahn 136 auf. Der Fußmarsch hierhin lohnt heute jedoch nicht mehr, denn in der jetzt im ehemaligen „Top-Ten” beheimateten Disco „La Cage” finden sich keine Beatles-Spuren.

Dafür aber im Beatles-Guide: Kurz und anschaulich beschreibt Ulf Krüger, wie Tony Sheridan selbst mithalf, hier die Bühne zu bauen, wie die Beatles nun für immerhin 40 Mark pro Nacht darauf umjubelte Auftritte hinlegten und ab Frühjahr 1961 ihre Fans aus dem „Kaiserkeller” ins „Top Ten” rüberzogen. Darunter auch Grafiker und Bassist Klaus Voormann und Astrid Kirchherr, die die später berühmt gewordenen Fotos der Beatles auf dem nah gelegenen Heiligengeistfeld mach-te und angeblich die Pilzkopffrisuren erfand. Und noch einer hörte von diesen angeblich fabelhaften Beatles, kam ins „Top Ten” und buchte die Band sofort für Aufnahmen: Bert Kaempfert, der Big-Band-Leader.
Er nahm die Beatles sogar unter Vertrag, den er erst auf Bitten des späteren Managers Brian Epstein löste. -Kaempfert ahnte nicht, dass er einen Millionendeal verschenkte. Der Beatles-Guide lotst seine Leser wieder zurück in die Große Freiheit, vorbei an diversen Table-Dance-Bars, Kontakthöfen, Thai-Clubs und anderen Rotlicht-Schuppen. Das Ziel: die Hausnummer 39, schräg gegenüber vom ehemaligen „Kaiserkeller”. Hier eröffnete ein gewisser Manfred Weißleder, zuvor Betriebselektriker auf dem Kiez, im April 1962 den „Star-Club” und warb die Beatles aus dem „Top Ten” ab. Drei Gastspiele absolvierten sie in dem zum Musikclub umgebauten Stern-Kino. Letzter Auftritt: 31. Dezember 1962. Danach gings zurück auf die britische Insel, denn zwischenzeitlich war ein Telegramm aus Liverpool angekommen: „Glückwunsch, Jungs Plattenfirma EMI möchte Aufnahmen mit euch.”

Aha, und den Star-Club -gibts also immer noch, denkt der Beatles-Spurensucher, wenn er vor der Großen Freiheit Nummer 39 angekommen ist. Doch ein Blick in Krügers Beatles-Guide macht auch hier schlau: Was da heute unter Star-Club firmiert, ist nur eine billige Kopie. Das letzte Konzert im ursprünglichen Star-Club ging bereits am Neujahrstag 1970 über die Bühne, danach war hier 13 Jahre lang das Sex-Theater „Salambo”, bis das Gebäude 1983 abbrannte und 1987 schließlich abgerissen wurde. Dafür finden sich im Beatles-Guide noch jede Menge Erinnerungen: Star-Club-Autogrammkarten der Beatles, ein Foto vom alten Eingang und besonders schön: eine Gagenquittung, ausgestellt für John Lennon über 425 Mark. Viele dieser erstmals veröffentlichten Exponate stammen von Ulf Krüger, der einst Schlagzeuger im Star-Club war, einer der besten Kenner der damaligen Szene ist und eine bemerkenswerte Privatsammlung mit Stücken aus der Zeit des „Hamburg Sound” besitzt.
Die würde er sogar für interessiertes Publikum zur Verfügung stellen, doch bisher sind alle Ideen, etwa ein Beatles-Museum auf dem Kiez zu eröffnen, im Sande verlaufen. Und aufdrängen möchte Krüger sich auch nicht, deutet aber doch ein bisschen wehmütig nach Liverpool: „Dort gibt es ,Cavern City Tours, Stadtrundfahrten auf den Spuren der Beatles”, erzählt er und schwärmt von der jährlich stattfindenden „Beatle-Week”: „Allein zum Abschlusstag dieser Festwoche kommen 250 000 Menschen! Ich glaube, die Stadt Hamburg weiß gar nicht, was für ein touristischer Magnet die Beatles sein könnten, wenn man ihre Vergangenheit hier nur richtig präsentieren würde.”

Und so bleibt der „Beatles-Guide” ein erster zaghafter Versuch im Westentaschenformat. Das macht die Sache spannender für Spurensucher: Denn Zeitzeugen wie Horst Jankowiak warten nicht in einem Hamburger Beatles-Museum als Wärter auf Besucher, nein, einen wie ihn muss man auf dem Kiez aufspüren, um Geschichten aus den Sixties zu hören. Kleiner Tipp: Mal im Lokal „Gretel und Alfons” in der Großen Freiheit 29 vorbeischauen. Hat Paul McCartney im Jahre 1989 auch gemacht. Denn hier, im „Wohnzimmer” der Star-Club-Musiker, hatte er 1962 gewohnt und beim Auszug Schulden hinterlassen. Die hat Paule nach 27 Jahren bei Horst Jankowiak mit Zins und Zinseszins bezahlt und ein Poster signiert, das heute natürlich einen Ehrenplatz bei „Gretel und Alfons” hat.

Frank Siemers Photographs of Jon Hammond in Hamburg Morning with trusty Sk1 organ on tour

The amateur photog (me/Jon Hammond) shoots a picture of the real Professional Photographer –

http://www.franksiemers.com/swf/base.html Frank Siemers standing next to my well traveled Hammond Sk1 organ in the Gator case on my Super 600 Kart-A-Bag™ wheels in the early morning in Hamburg

– thanks for the great spontaneous photos Frank, a real pleasure and fun time in good old Hamburg, Jon Hammond

Jon Hammond Hamburg Morning photographs by great photographer Frank Siemers, dankeschön Frank!

great to be back in good old Hamburg in the North – Jon

Musik Rotthoff shop – Claus-Dieter Rotthoff’s Father sold Paul McCartney his famous Höfner ‘Beatle Bass’ and John Lennon his
signature Rickenbacker electric guitar and VOX amps – now Claus’ Son Mike is also working in Musik Rotthoff and we will see them in Frankfurt Musikmesse – Father and Son Claus & Mike here in one of the rooms packed with choice guitars amps and accessories – photo

by Jon Hammond — Musik Rotthoff by night

Auster Bar Concert Jon Hammond Band with Heinz Lichius drums, Lutz Büchner tenor saxophone, Michael Leuschner trumpet & flugelhorn,
Jon Hammond at Sk1 Hammond organ

P.Mauriat Booth in “Best of The NAMM Show” 2013 Feature Article of DownBeat Magazine

LINK: http://www.pmauriatmusic.com/en/news/4-events-news/257-p-mauriat-booth-in-qbest-of-the-namm-showq-2013-feature-article-of-downbeat-magazine

P.Mauriat booth was featured as “BEST of The NAMM Show” 2013 in April edition of DownBeat magazine. P.Mauriat fans
and 2013 NAMM’s visitors had opportunity to witness an incredible jam session organized at P.Mauriat booth.

Kultur
JOURNAL FRANKFURT Alle Nachrichten Kultur My home away from home
MY HOME AWAY FROM HOME

Jon Hammond zum 27. Mal auf der Musikmesse
http://www.journal-frankfurt.de/journal_news/Kultur-9/My-home-away-from-home-Jon-Hammond-zum-27-Mal-auf-der-Musikmesse-18308.html?src=funkyjazz&id=&rewrite_titel=
Jon Hammond zum 27. Mal auf der Musikmesse
Nomen est omen. Der Mann heißt Hammond und spielt eine Hammond. Der Organist aus New York freut sich auf Frankfurt und lädt zur Musikmesse Warm Up Party am 9.4. in den Jazzkeller ein.
JOURNAL FRANKFURT: Was war für Sie zuerst da – die Frankfurter Musikmesse oder Auftritte im Jazzkeller?
Jon Hammond: Die Musikmesse. Ich kam 1987 zum ersten Mal nach Frankfurt, zusammen mit Joe Berger, der auf der Messe für Engl Amplifiers spielte. Wir flogen mit der Lufthansa ein und teilten uns ein Zimmer im berühmten Prinz Otto Hotel am Hauptbahnhof. Schon in der ersten Nacht stellte mir Joe den großen John Entwistle, den Bassisten von The Who vor. Es wurde eine lange Nacht, in der wir Cognac tranken und Erdnüsse knabberten in eiern Suite des Marriott Hotels. Ich habe Joe bei einer Session mit John und Ringo Starrs Sohn Zak Starkey im Dorian Grey Club gefilmt bei einer Soundcheck Party. In den ersten paar Jahren spielte ich nicht oft live weil ich noch keine transportierbare Hammond Orgel hatte vor 1991 als ich den Prototyp einer XB-2 Hammond Orgel bekam mit der ich dann um die Welt reiste. Hauptsächliche dokumenierte ich aber die Messe für meine Cable TV Show in New York, die inzwischen im 29. Jahr als The Jon Hammond Show — Music, Travel and Soft News präsentiert. Die harten Nachrichten überlasse ich CNN und den großen Networks (lacht). Vom ersten Jahr an fühlten wir uns der Musikmesse eng verbunden, haben seitdem eine tolle Zeit hier, kommen jedes Jahr wieder bis wir kleine, alte Männer sind.

Das Jazzkeller-Konzert am Vorabend der Musikmesse ist zu einer netten Tradition geworden – wie kam es dazu, was bedeutet es Ihnen und wir werden Sie dieses Jahr diesen Abend im Jazzkeller zelebrieren?
Ab 1991 lernte ich mehr und mehr Musikmesse-Menschen kennen und die mich und auch einiges von meiner Musik. Einige von ihnen ermunterten mich, doch auch für Auftritte nach Deutschland zu kommen weil es hier doch ein Interesse an Hammond-Orgel-Groove-Music gab. Mit der schon erwähnten, kleinen, kompakten aber sehr kraftvollen Orgel war das alles möglich. Zudem machte ich in New York gerade eine schwere Zeit durch, mein Vater war gestorben und ich hatte das Gefühl, einige Veränderungen könnten meinem Leben gut tun. Also kam ich nach Frankfurt mit meiner XB-2, allerdings mit einem Rückflugticket falls etwas schief gehen würde. Ich rief viele Musiker an, ließ sie wissen, ich bin jetzt da, lasst uns zusammen spielen. Das war für mich der Anfang einer langen, sehr speziellen Beziehung, vor allem zum Frankfurter Publikum nach ersten kleinen erfolgen im Jazzkeller und einer kurzen Auftritt im Hessen Report im Fernsehen. Beatrix Rief verdanke ich dieses “lucky light on me”, eine tolle Erfahrung. Seitdem nenne ich Frankfurt “My Good Luck City” und im Jazzkeller begann auch alles für mich als Musiker. Deshalb liegt mir der Club auch so nah am Herzen, deshalb hatte ich auch die Idee, meine “Musikmesse Warm Up Party” dort zu realisieren, immer in der Nacht bevor die Messe startet was zu einer schönen Tradition wurde. Im ersten Jahr, in dem ich dann auch ein wenig Sponsoring von Philip Morris bekam, konnte ich damit einige Flugtickets für befreundete Musik bezahlen. Darüber war ich sehr glücklich. Dabei rauche ich selbst gar nicht.

Wie würden Sie Ihr persönliches Verhältnis zu Deutschland und Frankfurt beschrieben?
Lassen Sie es mich so sagen: ich liebe Frankfurt und die Frankfurter waren immer gut zu mir in all den Jahren. Ich könnte ein ganzes Buch über die Zeit schreiben, in der ich in Bornheim wohnte und Nacht für Nacht in der alten Jazzkneipe in der Berliner Straße auftrat. Das war der Treffpunkt, wo auch die Musiker der HR Bigband hinkamen und es gab eine generöse Chefin in der kleinen Kneipe. Auch Regine Dobberschütz und Eugen Hahn im Jazzkeller waren wahre Jazzengel für mich, die mir so vieles ermöglichten in der Zeit. Wir konnten auch in den Studios von AFN Radio spielen, waren die einzigen Musiker, die das – mit einer Sondergenehmigung des US Militärs – durften. Für ein wenig Promotion für die Musikmesse. Wir nannten das Programm für die AFN “Profile TV “-Show “Sound Police”. Wir hatten viel Spaß. Kein Wunder also, dass ich Frankfurt als my home away from home begreife und ich mich jedes Mal wieder freue zur Musikmesse zu reisen, in diesem Jahr übrigens zum 27. Mal in Folge. Und ich bin diesmal besonders aufgeregt, heim nach Frankfurt zu kommen weil ich gerade 60 Jahre alt geworden bin.

Wer wird in diesem Jahr zum Gelingen des Konzertes mit teils komponierter, teils improvisierter Musik, so nehme ich an, beitragen und was für einen Sound wird die Band präsentieren?
Ich habe etwa 90% der Kompositionen geschrieben, die wir spielen werden. Es ist die Musik, die man auch in meiner New Yorker TV-Show hören kann und die mich mehrmals um die Welt getragen hat. Meinen Stil nenne ich “Swinging Funky Jazz and Blues” und featurert die ganz wunderbaren Solisten in meine Band: Tony Lakatos, den großen ungarischen Tenorsaxophonisten, der auch Mitglied in der hr Bigband ist, dann meinen alten Freund Giovanni Gulino, diesen tollen Schlagzeuger, der schon für fast alle Großen der Szene getrommelt hat. Ich liebe diese Jungs. Als Gitarrist ist mein alten Freund und Kollege Joe Berger dabei, den man auch als The Berger-Meister kennt. Auf diese Formation bin ich wirklich stolz.

Werden Sie im Jazzkeller wieder eine Hammond Orgel spielen?
Ja, sicher, das neueste Modell, eine Sk1, die exakt so klingt wie die legendäre B3. Ich liebe sie. Und sie wiegt nur noch sieben Kilo (Anm. des Autors: Das Original, ein echtes Möbel mit viel Holz, mussten immer zwei Menschen mit viel Muskelkraft die Treppen rauf und runter hieven), ein deutliches Indiz, dass wir in der Zukunft angekommen sind. Da stecken viele Jahre Forschung und Entwicklung drin, auch Bühnenerprobungen. Ich ziehe den Hut vor den Ingenieuren von Suzuki, ein unverwüstliches Instrument erschaffen zu haben. Und das unterziehe ich jetzt einen echten Härttest (lacht).
27. März 2013 Interview: Detlef Kinsler
Web: www.jazzkeller.com / www.jonhammondband.com

Top 3 KONZERTE JAZZ I ETHNO – JAZZ Jon Hammond & Band

Rock / Pop / Jazz

3 — Frankfurt – home away from home
Jon Hammond –
funky

Seit 27 Jahren auf der Musikmesse und immer wieder gerne in Frankfurt.

Journal Frankfurt

JAZZ
Jon Hammond & Band

Wenn einer Orgel spielt, kann er sich auch gleich Hammond nennen, und hat dann seine Visitenkarte gleich als Logo auf dem Instrument. Seinen Sound dazu als “100% organic” anzukündigen, ist eine feine Doppelsinnigkeit. Seit 1987 kommt Hammond zur Musikmesse, vier Jahre später starb sein Vater und er siedelte kurzerhand nach Frankfurt über, die seine “Good Luck City” wurde, wohnte in Bornheim, spielte im Jazzkeller, fand dort Freunde und installierte die “Musikmesse Warm Up Party”, die er – längst zurück in NYC – alljährlich mit “Swinging Funky Jazz and Blues” bespielt, mit “fine instrumentalists”, seinen Freunden Tony Lakatos (Saxophon) von der hr Bigband, Giovanni Gulino (Schlagzeug) und seinen alten Kollegen, Gitarrist Joe Berger.
dk
Seit 27 Jahren auf der Musikmesse und immer wieder gerne in Frankfurt.
Genre: Jazz
Location: Jazzkeller
Adresse: Frankfurt am Main, Kleine Bockenheimer Straße 18
Eintritt: 10,- €
Mit dem RMV zu dieser Veranstaltung

Dienstag, 9.4.2013, 21:00 Uhr

Photo from Larry Gay of The West Coast Live Radio Program

Frankfurt – home away from home
Jon Hammond –
funky
Wenn einer Orgel spielt, kann er sich auch Hammond nennen und hat seine Visitenkarte als logo auf dem Instrument. Seinen Sound als „100 percent organic“ anzukündi- gen, ist eine feine Doppelsinnigkeit. Seit 1987 kommt er zur Musikmes- se, vier Jahre später siedelte er nach Frankfurt über, die seine „Good
Jon Hammond & Band, Funk/Jazz/ Blues, Ffm: Jazzkeller, Kleine Bockenheimer Straße 18a, 9.4., 21 Uhr, Eintritt: 10,–
luck City” wurde, spielte im Jazz- keller, fand Freunde und installier- te die „Musikmesse Warm up Par- ty”, die er – längst zurück in nYC – alljährlich mit „Swinging Funky Jazz and Blues“ bespielt, mit „fine instrumentalists“, seinen Freunden tony lakatos (Saxophon), Giovanni Gulino (Schlagzeug) und dem alten kollegen Joe Berger als Gitarrist.
>> Seit 27 Jahren auf der Musik- messe und immer wieder gerne in Frankfurt. dk *dankeschön Hr. Kinsler! – Jon Hammond

Mehr zu Joe Hammond unter www.journal-frankfurt.de/funkyjazz

Jon’s archive https://archive.org/details/6842260530

Public Access Program for MNN TV Ch. 1 Air Time Preview Jon Hammond Show 05/30 opens in Hofheim am Taunus Germany Jon Hammond + Band performing Jon’s original composition “No X-Cess Baggage Blues” 19th consecutive year musikmessesession in Jazzkeller Hofheim: Peter Klohmann tenor sax, Joe Berger guitar, Giovanni Toto Gulino drums, Jon Hammond Sk1 Hammond Organ
©JON HAMMOND International ASCAP
http://jazzkeller-hofheim.de/veranstaltungen/musikmessesession-mit-jon-hammond/ Schon traditionell findet bei uns zur Frankfurter Musikmesse ein Treffen hochkarätiger Musiker statt. Wie auch in den vergangenen Jahren ist der aus New York stammende Orgelspieler Jon Hammond, mit Joe Berger „Berger-meister“, Peter Klohmann und Giovanni Gulino, angesagt. Im Spiel geht Jon Hammond absolut in seiner Musik und seiner Leidenschaft für den guten alten Hammond-Sound auf.

Mit 18 Jah-ren kaufte er sich seine erste Hammond B3 und tourte mit der Rockband Hades im Vorprogramm von Tower Of Power oder Michael Bloomfield. Der Gitarrist Joe Berger gleicht einem Saiten-Hasardeur. Er spielte bereits mit Who-Bassist John Entwistle und sorgte in dessen Band für den Studiomix. Peter Klohmann ist ein junger talentierter Tenorsaxophonist. Giovanni Gulino ziseliert an den Becken, setzt Akzente auf der Fußtrommel und spielt leichte, luftige Melodien auf der Snare. followed by Jon’s composition “Lydia’s Tune” written in Paris France after flying there on the Concorde Jet – flight time 3 hours and 26 minutes JFK to CDG Paris – then to Anaheim California Winter NAMM Show Lunch Time Showcase – #TheNAMMShow “White Onions” Jon Hammond Funk Unit NAMM Showcase lunch set https://www.namm.org/thenammshow/2015/events/jon-hammond-funk-unit NAMM Center Stage January 23rd 2015 reprising 1989 Late Rent Sessions recording with special guest Bernard Purdie drums, Leslie J. Carter percussion Jon Hammond organ (original members on record) featuring Koei Tanaka chromatic harmonica from Tokyo Japan Suzuki world star, Joe Berger guitar JJ guitars, Alex Budman tenor saxophone Dom Famularo returning to the NAMM Stage – special thanks NAMM President CEO Joe Lamond, KHS Hercules folding stands – congratulations KHS America: Announces Acquisition of Hohner Inc. USA
KHS America, Inc. has announced plans to acquire Hohner Inc. from Matth. Hohner GmbH in Trossingen, Germany. Hohner, Inc. is the exclusive North American provider of Hohner branded Harmonicas, Accordians, Melodicas, Guitars and Bluegrass Instruments; SONOR Drums and Orff Instruments, Lanikai and Kohala Ukuleles, H. Jimenez Guitars, Hohner Airboard, as well as Hohner Kids and Greentones children’s instrument brands. Transfer of ownership will take place today, January 12, 2015 – Jupiter Wind Instruments, XO Professional Brass, Mapex Drums, Majestic Concert Percussion, Hercules Stands and Aaltus Professional Flutes, the new KHS America
— with Joe Berger, Leslie J. Carter, Alex Mingmann Hsieh, Bernard Purdie and Koei Tanaka at The NAMM Show. Next up is Jon’s composition “Jennifer’s Song” specially cut for Jon Hammond Show with Jon’s own photographs in New York Harbor and Lower Manhattan at Sunset on a gorgeous NYC night – streaming around the world from MNN TV, for more info http://www.HammondCast.com ©JON HAMMOND International ASCAP

Radio Broadcast, Audio, KYOU, KYCY, #Audio #HammondOrgan #Jazz #Blues #SoulMusic Jon Hammond #ASCAPExpo Composer, Musicians Union, Local 802

Jon Hammond Band “Get Back in The Groove” with special guest Lee Oskar

May 28, 2015

*WATCH THE FILM HERE: Jon Hammond Band “Get Back in The Groove” with special guest Lee Oskar

Jon’s archive https://archive.org/details/GetBackInTheGrooveJonHammondBand

Attribution-Noncommercial-No Derivative Works 3.0 ©JON HAMMOND International ASCAP

Frankfurt Germany — World Famous jazzkeller at Jon Hammond’s annual musikmesse Warm Up Party
very special performance Jon Hammond Band in Jazzkeller Frankfurt “Get BAck in The Groove” by Jon Hammond

Jon Hammond Band: Tony Lakatos t.s. Joe Berger g. Giovanni Totò Gulino d. special guest: Lee Oskar harmonica Jon Hammond Sk1 organ covering the bass

http://www.jonhammondband.com

Thanks to Thomas Eich for lending me his personal TecAmp bass amp for my Sk1 Hammond Organ

Jon’s archive https://archive.org/details/TheCarvinProAudioSessionsNAMMShow

Youtube http://youtu.be/zUT9Ubt7ugQ

The Carvin Pro Audio Sessions Winter NAMM Show with Jon Hammond at the organ “White Onions” Joe Berger playing custom “Wildman” JJ Guitar with one Bill Lawrence pickup Gold hardware, Chuggy Carter / Leslie J. Carter percussion – special thanks Carson Kiesel and Carvin Pro Audio Team http://www.carvinguitars.com/ Hercules Folding Stands, JJ Guitars http://www.HammondCast.com/ ©JON HAMMOND International ASCAP

Dailymotion http://www.dailymotion.com/video/x2g3pe5_the-carvin-pro-audio-sessions-nammshow_music

CNN iReport http://ireport.cnn.com/docs/DOC-1211139

Jon Hammond Band Facebook https://www.facebook.com/video.php?v=987046917990772

Jon’s archive https://archive.org/details/JonHammondFunkUnitHEADPHONE

Youtube http://youtu.be/csw4JVGbnDs

Jon Hammond Funk Unit “Head Phone” lunch set and Bernard Purdie Book Commercial – his new book “Let The Drums Speak!” – Jon Hammond leader at the Hammond organ, Dom Famularo drums, Joe Berger guitar, Koei Tanaka harmonica, Alex Budman tenor saxophone, Leslie J. Carter aka Chuggy Carter percussion Winter NAMM Show Anaheim California NAMM Center Stage

*NOTE: This photo by Jon Hammond appears on page 125 in the Bernard Purdie book “Let The Drums Speak” – since I wasn’t credited I will give my own credit. I have the original photograph – JH

Soundcheck Time at BB King’s 42nd Street with Bernard Purdie flanked by Miho Nobuzane from Osaka – piano and Tetsuya Sato from Tokyo – bass –
Jon Hammond – 7.30PM hit tonight with a second set at 10PM – Bernard just put up his signature Sabian cymbals – looks like he is playing some Canopus drums ce soir (this evening) – no cell phone reception down in BB King’s folks,

http://www.HammondCast.com/
#TheNAMMShow — with Bernard Purdie, Koei Tanaka, Leslie J. Carter, Dom Famularo, Alex Budman, Bernard Purdie, Chuggy Carter, Koei Tanaka / 田中光栄 – fan site and Joe Berger at The NAMM Show.

CNN iReport http://ireport.cnn.com/docs/DOC-1210951

Vimeo http://vimeo.com/118254029

Dailymotion http://www.dailymotion.com/video/x2g0e3i_jon-hammond-funk-unit-head-phone_music

Jon Hammond Band Facebook https://www.facebook.com/video.php?v=986429621385835

I played my Hammond organ through this badass bass amp from
Eden Bass Amps on my lunch time NAMM Showcase, some real nice basso profundo! – Jon Hammond

http://kernelpanichammondcast.blogspot.com/2015/01/thenammshow-white-onions-jon-hammond.html
#TheNAMMShow “White Onions” Jon Hammond Funk Unit NAMM Showcase
*WATCH THE VIDEO HERE: #TheNAMMShow “White Onions” Jon Hammond Funk Unit NAMM Showcase Jon’s archive https://archive.org/details/TheNAMMShowWhiteOnionsJonHammondFunkUnitNAMMShowcase Youtube http://youtu.be/EKavYAXYYw4 #TheNAMMShow “White Onions” Jon Hammond Funk Unit NAMM Showcase lunch set https://www.namm.org/thenammshow/2015/events/jon-hammond-funk-unit 23rd 2015 reprising 1989 Late Rent Sessions recording ©JON HAMMOND International ASCAP with special guest Bernard Purdie drums, Leslie J. Carter percussion Jon Hammond organ (original members on record) featuring Koei Tanaka chromatic harmonica from Tokyo Japan Suzuki world star, Joe Berger guitar JJ guitars, Alex Budman tenor saxophone Dom Famularo returning to the NAMM Stage

Jon’s archive https://archive.org/details/CafeKLEMMFlashbackGigForHansRomanovNowTheCafeCrumble

Youtube http://youtu.be/1CD4XABvE4Y

CNN iReport http://ireport.cnn.com/docs/DOC-1194867

Vimeo http://vimeo.com/113770094

Dailymotion http://www.dailymotion.com/video/x2bvkdp_cafe-klemm-flashback-gig-for-hans-romanov-now-the-cafe-crumble_music

Jon Hammond Band Facebook https://www.facebook.com/video.php?v=948891765139621

Frankfurt Bockenheim — Jon Hammond Flashback Gig for Hans Romanov in the Café KLEMM now called Café Crumble Kiesstraße 41 60486 Frankfurt am Main, Germany – Jon Hammond Band featuring some fine tenor saxophone playing by Harry Petersen, Heiko Himmighoffen drums / schlagzeug – Jon Hammond at the organ & bass through a Marshall Amp courtesy of a friend of Hans – special thanks dankeschön Stefan Klemm and Hans Romanov

http://www.HammondCast.com/ – Jon Hammond Band — with Jon Hammond, Harry Petersen, Heiko Himmighoffen and Hans Romanov at Café Crumble.

Flashback: Jam with Hary Lin & Joe Berger!

Jon Hammond at Frankfurt musikmesse — with Joe Berger and Hary Lin

Jon’s archive https://archive.org/details/JonHammondAndFriendsJazzSpotSwing

Youtube http://youtu.be/x6a8MHYESqc

Jon Hammond and Friends drop in to Taipei night spot JAZZ SPOT SWING organ lounge,

Jon at Mr. Nobuki Kuwahara’s Hammond Sk2 organ with house musicians – Kenichi Toyoda piano

– special thanks to Nico, Shannon, Letitia – Superlux Taiwan,

P. Mauriat Europe Pmauriat Albest Team!

http://www.HammondCast.com/ – Jazz Spot Swing

Vimeo http://vimeo.com/110027287

CNN iReport http://ireport.cnn.com/docs/DOC-1182889

Jon Hammond Band Facebook https://www.facebook.com/video.php?v=924772564218208

Jon’s archive https://archive.org/details/LateRentJonHammondThemeSong2014

Jon Hammond theme song Late Rent on the occasion of 28th annual musikmesse Warm Up Party in the world famous jazzkeller Frankfurt and Jon’s birthday

with Peter Klohmann tenor saxophone, Giovanni Totò Gulino drums, Joe Berger guitar and Jon Hammond at the Sk1 Hammond organ – Late Rent is the theme song for Jon’s long-running cable TV show in New York City The Jon Hammond Show and HammondCast radio program http://www.HammondCast.com – special thanks to Frank Poehl for operating the camera – Jon Hammond Band

#LeeOskar #Harmonica #HammondOrgan #musikmesse #SoulMusic Jon Hammond, #ASCAPExpo, Taipei Taiwan, #NAMMShow Musicians Union, Local 802, Local 4

Donny Baldwin on The Jon Hammond Band at NAMM Show “Late Rent” Theme Song

May 27, 2015

*WATCH THE FILM HERE: Donny Baldwin on The Jon Hammond Band at NAMM Show “Late Rent” Theme Song

Jon’s archive https://archive.org/details/JonHammondBandThemeSongLateRent

Attribution-Noncommercial-No Derivative Works 3.0

NAMM Show, Late Rent, Theme Song, Jon Hammond Band, B3 Organ, Hammond Organ Company, Suzuki Musical Instruments, JON HAMMOND International, ASCAP Composer, Jon Hammond Show, Cable Access

Jon Hammond Band very special performance on first ever Hammond night in Hilton Hotel Lobby Winter NAMM Show “Sound Soul Summit”
Jon Hammond Show theme song “Late Rent” with Donny Baldwin drums (from Jefferson Starship & Lydia Pense & Cold Blood), Alex Budman tenor saxophone, Joe Berger guitar, Jon Hammond New B-3 Portable organ Sound mix by Denny Mack http://www.namm.org/thenammshow/2014/concerts-performances/jon-hammond-band The NAMM Show spcl. thanks Hammond Suzuki Musical Instruments, Photos by Lawrence Gay

Alex Budman ts
Joe Berger g
Donny Baldwin d
Jon Hammond o

Jon’s archive https://archive.org/details/THESOUNDSOULSUMMITAllStarJamJonHammondBernardPurdieFatbackDrums

Youtube http://youtu.be/pKgU2J5EopE

Full High Def Youtube http://youtu.be/7TApELTO1XI

“Head Phone” Composed by Jon Hammond ©JON HAMMOND International ASCAP – from Jon Hammond’s album “Late Rent” Ham-Berger-Friz Records

“Head Phone” – Jon Hammond Band THE SOUND SOUL SUMMIT All-Star Jam Video Movie of Jon’s Band Featuring Bernard “Pretty” Purdie, Alex Budman, Joe Berger, Koei Tanaka, Jon Hammond Organ Group — also with appearances by Stephen Fortner, Scott May, Joe Berger, Koei Tanaka and Jon Hammond at NAMM Anaheim Convention Center Hilton Anaheim Lobby Special Program on 80th Anniversary of Hammond Organ USA – Front of House / FOH Mix by Brian English – Denny Mack Audio – announcement – Stephen Fortner – Editor Keyboard Magazine Jon Hammond Organ Group *Note: “Head Phone” composed by Jon Hammond ©JON HAMMOND Intl. ASCAP recorded with Bernard Purdie originally on Jon’s album Late Rent in year of 1989 – Big Special Thanks to Jay Dittamo for standin’ in the cuff for Bernard, thanks Jay! special thanks to Scott May and Gregg Gregory Gronowski – Hammond Suzuki Musical Instruments Team Mr. M. Terada, Shuji Suzuki, Yu Beniya, Shigeyuki Ohtaka, Jeff Guilford JJ Guitars UK — with Joe Berger, Alex Budman, Stephen Fortner, Jay Dittamo, Bernard Purdie, Denny Mack and Koei Tanaka at Hilton Anaheim

Bandstand photograph of Bernard Purdie by Jon Hammond just before hitting ©JON HAMMOND International

©Copyright Notice: These Photos of Jon Hammond Band are copyrighted and embedded with i.d. information – Photographer Lawrence Gay and Jon Hammond Band must be credited and linked back if shared or used or you will certainly hear from us – enjoy, from The Winter NAMM Show http://www.jonhammondband.com/


Dom Famularo Feature On Jon Hammond Band NAMM Show Power Funk Supreme Coverage HammondCast

Jon’s archive: https://archive.org/details/DomFamularoFeatureOnJonHammondBandNAMMShow1

On the Youtube http://youtu.be/0656E-IWDn8

Or on the Youtube http://youtu.be/4c9Hi8-bZ9k

(Higher Quality) Surprise! Bernard Purdie and Jon Hammond reprise “Pocket Funk” on NAMM Center Patio Stage: Koei Tanaka harmonica, Joe Berger guitar, Alex Budman tenor saxophone, Jon Hammond at the organ and Bernard Purdie on the fatback drums! Very special thanks to Dom Famularo (Sabian), Bespeco Accessori, Alex Mingmann Hsieh / P Mauriat HQ Pmauriat Albest saxophones, Suzuki Musical Instruments Instruments, JJ Guitars, The NAMM Show Organization – Greg Herreman Productions –
Bernard Purdie / Bernard “Pretty” Purdie / Koei Tanaka / 田中光栄 – fan site
http://www.jonhammondband.com “Pocket Funk” ©JON HAMMOND International ASCAP Jon Hammond Band / Jon Hammond Organ Group

– special thanks Sabian, JJ Guitars, Suzuki Musical Instruments Instruments, Bespeco Accessori, Alex Mingmann Hsieh Hsieh, Pmauriat Albest – stage crew Evan, Jennifer, April, cameo appearance by Wolfgang Lücke Director Musikmesse Frankfurt am Main Greg Herreman Productions NAMM Organization http://www.jonhammondband.com/ ©Jon Hammond International ASCAP – Jon Hammond Organ Group — with Jon Hammond, Alex Budman, Joe Berger, Dom Famularo, Wolfgang Lücke and Koei Tanaka at NAMM Anaheim Convention Center

Jon’s archive https://archive.org/details/THESOUNDSOULSUMMITAllStarJamJonHammondBandFeaturingBernardPurdie

Head Phone – Jon Hammond Band THE SOUND SOUL SUMMIT All-Star Jam Video Movie of Jon’s Band Featuring Bernard Bernard “Pretty” Purdie, Alex Budman, Joe Berger2, Koei Tanaka, Jon Hammond Organ Group — with Stephen Fortner, Scott May, Joe Berger, Koei Tanaka and Jon Hammond at NAMM Anaheim Convention Center Hilton Anaheim Lobby Special Program on 80th Anniversary of Hammond Organ USA –

Joe Lamond President CEO of NAMM presents special award to Mr. Shuji Suzuki President of Suzuki Musical Instruments Corp. makers
of Hammond organ and Leslie speaker products on the occasion of 80th anniversary of Hammond organs – Jon Hammond

Youtube http://youtu.be/7TApELTO1XI

Front of House / FOH Mix by Brian English – Denny Mack Audio – announcement – Stephen Fortner – Editor Keyboard Magazine Jon Hammond Organ Group *Note: “Head Phone” composed by Jon Hammond ©JON HAMMOND Intl. ASCAP recorded with Bernard Purdie originally on Jon’s album Late Rent in year of 1989 – Big Special Thanks to Joe Lamond and Larry Morton of NAMM – Jay Dittamo for standin’ in the cuff for Bernard, thanks Jay!

Youtube http://youtu.be/YQBxb-K3Ixc

Some NAMM 2013 Highlights from Jon Hammond including Joe Lamond President CEO of NAMM with special guest
Randy Jackson of American Idol TV Show at Breakfast of Champions, NAMM Memorial Tribute including my friend band leader
Lou Colombo the great trumpet player http://www.namm.org/library/oral-history/namm-memoriam-industry-tribute-2013
bag pipers and cameo of Betty Heywood leaving after / and just before Tower of Power kicks it off inaugurating the new Grand Plaza Stage.
12 year old guitarist Ray Goren on Marty Grebb Band rips one on the Hammond Summit Show in Hilton Hotel Lobby, first ever Hammond
night known as “The Sound, the Soul, The Summit”
Jon Hammond Band playing the theme song of The Jon Hammond Show TV program Late Rent and HammondCast radio show
and podcasts vlogcasts, with Donny Baldwin drums from Lydia Pense and Cold Blood and Jefferson Starship, Joe Berger guitar,
Alex Budman tenor saxophone, Jon Hammond at the New B-3 Portable organ with sound mix by Denny Mack. Enjoy this
HammondCast folks, send any photos if you were there, Jon Hammond http://www.HammondCast.com

Jon’s archive https://archive.org/details/6842260307

by Jon Hammond
Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics MNN Channel 1, Cable Access, Funk Soul Blues, Soft News, Hammond Organs, Frankfurt Underground, NAMM, musikmesse, Carvin Audio, Local 802, Musicians Union

Jon Hammond Show MNN Channel 1 with late great funky Bay Area drummer James Preston aka Jimmy Preston on Jon Hammond Band in Europa Intim Bar underground Frankfurt gig for Hans Romanov, Jon Hammond’s annual jazzkeller “musikmesse warm up party”, carvin pro audio session at Winter NAMM Show, cooking encore jazzkeller Frankfurt musikmesse Warm Up Party #HammondOrgan #NAMM #musikmesse Funk Soul Blues and Soft News http://www.HammondCast.com

Producer Jon Hammond
Audio/Visual sound, color
Language English

*Note: All Images Embedded With I.D. Info ©JON HAMMOND International

Jon’s archive https://archive.org/details/6842260411_201504

Youtube https://youtu.be/jFve8PM-TgQ

On Air Preview: Jon Hammond Show 04/18 MNN Channel 1 starts out in Club Room of Local 802 Jon Hammond playing solo early bird set on the Hammond Sk1 organ with Jon’s pictures assembled by Jon himself over the years, 32nd year on cable access TV The Jon Hammond Show now on again in the original late Friday night / early Saturday morning slot 1:30AM on Channel 1 Community Channel MNN TV in Manhattan on Time Warner, RCN and Verizon FiOS and streaming around the world all images ©JON HAMMOND International “The FINGERS…are The SINGERS!”™- Local 802 Associated Musicians of Greater New York — from the Jon Hammond archive – photos of Bernard Purdie, Michael Pratt, Art Baron, Fred Staton, Jon Hammond Band, Jon Hammond Organ Group, Todd Anderson, Joe Berger, Bay Area Funk drummer James Preston (RIP) at Associated Musicians of Greater New York, Local 802 AFM – 322 W. 48th Street New York, NY – then over to Frankfurt Germany for Jon Hammond’s annual musikmesse Warm Up Party in Frankfurt Germany at jazzkeller Frankfurt
Jon Hammond Band with Joe Berger guitar, Giovanni Totó Gulino drums, Peter Klohmann tenor saxophone, Jon Hammond at the Sk1 Hammond organ with photos from Andreas Meer – then from Frankfurt to Anaheim CA: This film starts out at the annual NAMM Believe In Music Awards and immediately afterwards Jon Hammond ran to the Center Patio Stage for a Jon Hammond Band performance with the inventor of “The Purdie Shuffle” Bernard Purdie! – Koei Tanaka / 田中光栄 – fan site from Tokyo on harmonica, Alex Budman tenor sax, Joe Berger guitar, Jon Hammond at the Hammond Sk1 organ covering the bass also through a Fender Super Bassman amp. ©JON HAMMOND International http://www.HammondCast.com

Dailymotion http://www.dailymotion.com/video/x2ltsuk_on-air-preview-jon-hammond-show-04-18-mnn-channel-1_music

CNN iReport http://ireport.cnn.com/docs/DOC-1231384

Facebook http://www.facebook.com/jonhammondband

photos ©JON HAMMOND International

Bill Gates onstage for Windows 2000 presentation – the giant laptop actually had Carlos Santana Band inside – it opened up and voilá! Full stage setup, nice gig! – Jon Hammond
http://news.microsoft.com/2000/02/17/windows-2000-now-broadly-available/
“Copies of Windows 2000 are now available for business customers in more than 60 countries around the world.
SAN FRANCISCO, Feb. 17, 2000 — With a giant laptop computer providing the backdrop at the venerable Bill Graham Civic Auditorium, Microsoft Chairman Bill Gates officially launched Windows 2000 today at the Windows 2000 Conference & Expo.

“Today we unveil the future of computing. Companies of all sizes are already deploying Windows 2000 for its scalability, reliability and performance,
“said Gates.”
Windows 2000 represents a significant industrywide effort. More than 1,000 partners, over $1 billion in engineering and more than 5,000 individuals rallied together to make this product the platform that companies can bet their businesses on. Windows 2000 truly begins the next generation of computing.”

The Microsoft co-founder was assisted by rock guitarist Carlos Santana, whose band began playing its hit single,
“Smooth,”
on stage after Gates concluded his keynote address, filled with Windows 2000 videos and demonstrations.

Windows 2000 is broadly available in more than 60 countries and 10 languages, including English, German, Japanese (two versions), French, Spanish, Italian, Swedish, Dutch, Korean and Brazilian Portuguese.

Microsoft has invested more than $1 billion in the development of Windows 2000, and more than 5,000 employees worked on the new platform, Gates said.

Some 500 person-years were devoted to making Windows 2000 the most reliable operating system today for businesses and Web sites, meaning that 500 people worked full-time for an entire year on reliability enhancements, Gates continued…”

Paris France — circa 1981 down in the Metro with a couple of nefarious characters, we are on our way to Radio Tomate – Jon Hammond
http://fr.wikipedia.org/wiki/Radio_Tomate

Félix Guattari, participates in the creation of Radio Tomate which aims at a ” individual and collective reappropriation […] interactive use of information machines, communications, intelligence, art and culture. ”

The radio is run by activists, particularly from the autonomous movement. It aims to open new spaces for debate and policy information, and to fight against repression of social movements. The first Radio Tomate lasts only two years.

The project is then reactivated in 1988, still on the principle of giving voice to people in struggle. The antenna transmits on 106.7 MHz in Paris, and shares the frequency, and therefore airtime, with several other radios. Tomato radio hosts at the time five programs on issues of housing rights, precariousness, of double jeopardy, anti-prison struggles (free Parlor), and a punk show.

Lorsqu’émerge in 1991 the largest of a community radio project assuming a full frequency, the hosts of Radio Tomate decided to bring their energy on the creation of this new antenna. Tomato radio disappears in 1992 to give birth to Paris Plurielle frequency.

Jon Hammond – Radio Tomate

Jon Hammond​ Flashback – Grateful Dead front line, Jerry Garcia, Bob Weir, Phil Lesh – 1981 – Jon Hammond The Hippodrome, Paris, (10/17/81)
http://kernelpanichammondcast.blogspot.com/2012_11_01_archive.html

Tumblr – hammondcast – Jon Hammond
http://hammondcast.tumblr.com

#HammondOrgan #Musikmesse2015 #NAMMShow Jon Hammond Band, Funk Unit, Suzuki Musical Instruments, B3 organ, Sk1 organ, #ASCAPExpo ASCAP Composer, Musicians Union, Local 802

MNN TV Ch. 1 Air Time Preview Jon Hammond Show 05/30

May 25, 2015

*WATCH THE FILM HERE: MNN TV Ch. 1 Air Time Preview Jon Hammond Show 05/30

Jon’s archive https://archive.org/details/6842260530

Public Access Program for MNN TV Ch. 1 Air Time Preview Jon Hammond Show 05/30 opens in Hofheim am Taunus Germany Jon Hammond + Band performing Jon’s original composition “No X-Cess Baggage Blues” 19th consecutive year musikmessesession in Jazzkeller Hofheim: Peter Klohmann tenor sax, Joe Berger guitar, Giovanni Toto Gulino drums, Jon Hammond Sk1 Hammond Organ
©JON HAMMOND International ASCAP
http://jazzkeller-hofheim.de/veranstaltungen/musikmessesession-mit-jon-hammond/ Schon traditionell findet bei uns zur Frankfurter Musikmesse ein Treffen hochkarätiger Musiker statt. Wie auch in den vergangenen Jahren ist der aus New York stammende Orgelspieler Jon Hammond, mit Joe Berger „Berger-meister“, Peter Klohmann und Giovanni Gulino, angesagt. Im Spiel geht Jon Hammond absolut in seiner Musik und seiner Leidenschaft für den guten alten Hammond-Sound auf.

Mit 18 Jah-ren kaufte er sich seine erste Hammond B3 und tourte mit der Rockband Hades im Vorprogramm von Tower Of Power oder Michael Bloomfield. Der Gitarrist Joe Berger gleicht einem Saiten-Hasardeur. Er spielte bereits mit Who-Bassist John Entwistle und sorgte in dessen Band für den Studiomix. Peter Klohmann ist ein junger talentierter Tenorsaxophonist. Giovanni Gulino ziseliert an den Becken, setzt Akzente auf der Fußtrommel und spielt leichte, luftige Melodien auf der Snare. followed by Jon’s composition “Lydia’s Tune” written in Paris France after flying there on the Concorde Jet – flight time 3 hours and 26 minutes JFK to CDG Paris – then to Anaheim California Winter NAMM Show Lunch Time Showcase – #TheNAMMShow “White Onions” Jon Hammond Funk Unit NAMM Showcase lunch set https://www.namm.org/thenammshow/2015/events/jon-hammond-funk-unit NAMM Center Stage January 23rd 2015 reprising 1989 Late Rent Sessions recording with special guest Bernard Purdie drums, Leslie J. Carter percussion Jon Hammond organ (original members on record) featuring Koei Tanaka chromatic harmonica from Tokyo Japan Suzuki world star, Joe Berger guitar JJ guitars, Alex Budman tenor saxophone Dom Famularo returning to the NAMM Stage – special thanks NAMM President CEO Joe Lamond, KHS Hercules folding stands – congratulations KHS America: Announces Acquisition of Hohner Inc. USA
KHS America, Inc. has announced plans to acquire Hohner Inc. from Matth. Hohner GmbH in Trossingen, Germany. Hohner, Inc. is the exclusive North American provider of Hohner branded Harmonicas, Accordians, Melodicas, Guitars and Bluegrass Instruments; SONOR Drums and Orff Instruments, Lanikai and Kohala Ukuleles, H. Jimenez Guitars, Hohner Airboard, as well as Hohner Kids and Greentones children’s instrument brands. Transfer of ownership will take place today, January 12, 2015 – Jupiter Wind Instruments, XO Professional Brass, Mapex Drums, Majestic Concert Percussion, Hercules Stands and Aaltus Professional Flutes, the new KHS America
— with Joe Berger, Leslie J. Carter, Alex Mingmann Hsieh, Bernard Purdie and Koei Tanaka at The NAMM Show. Next up is Jon’s composition “Jennifer’s Song” specially cut for Jon Hammond Show with Jon’s own photographs in New York Harbor and Lower Manhattan at Sunset on a gorgeous NYC night – streaming around the world from MNN TV, for more info http://www.HammondCast.com ©JON HAMMOND International ASCAP

Breaking Suzuki Musical Instruments Hammond Global News – REPORT http://www.suzuki-music.co.jp/hammond/index.html

Frankfurt Germany — Thanks very much Kiyota Yamauchi​ for showing me some absolutely astounding performances on Suzuki Melodions​ on iPad! – Jon Hammond​ – musikmesse​
2015年3月20日
メロディオンフェスティバルin東京(1/24)ダイジェスト映像公開中!
2015年3月12日
【4月12日 (日)】 ハモンドサウンドキャラバン 2015 in 大阪 開催!
2015年1月14日
ハモンドSKシリーズ特設ページ「音色ライブラリ」に【Pf & Symphonic Strings】を追加しました。
http://www.suzukiharmonicaworld.com/
Apple iTunes HammondCast FEED Official
https://itunes.apple.com/us/podcast/jon-hammond-band-official/id352184978?mt=2

Report from Hamamatsu Japan この日は何故なのかトリプルブッキング。プライベートで日本に立ち寄られ Jon Hammond

ジョン・ハモンドさんはショービジネスの表舞台に出てくることは少ないが、フランクフルトメッセでは25年、ナムショーでもレギュラーのように演奏されているエンドーサーである。今回も鈴木会長に唯会いたいという一念で来日された律儀なお人柄です。

L to R: Mr. M. Terada, Jon Hammond, Yu Beniya

Downloaded 998 times

http://archive.org/details/JonHammondSuzukiWorldHeadquartersInHouseConcertJonHammondPt3of3

Jon played a special concert there
http://www.youtube.com/watch?v=E0f_cH1U5jc
Mercy Mercy played by Suzuki Artists Koei Tanaka and Jon Hammond for President Founder Manji Suzuki and Company in Suzuki Hall at Suzuki World Headquarters in Hamamatsu Japan. 2 camera shoot by S. Ohtaka and Jennifer
Master of Ceremonies Waichiro ‘Tachi’ Tachikawa, Jon Hammond at the new B3mk2 organ and wooden model 3300 high power Leslie Speaker, Koei Tanaka Suzuki harmonica
*Special Note: Sincerest condolences to Mr. Suzuki and all Suzuki Team on the recent passing of Mrs. Suzuki – Jon Hammond — with Koki Tanaka in Hamamatsu-shi, Shizuoka

On the bench of the incredible New B3mk2 with President Founder of Suzuki and Hammond Suzuki – Manji Suzuki, Jon Hammond and Suzuki Harmonica star Koei Tanaka in Suzuki Hall at the factory in Hamamatsu Japan

Public Access Program, Jazz, Blues, Travel, Soft News, #HammondOrgan #Accordion #ASCAPExpo Composer, Musicians Union, Local 802, Local 6, musikmesse, NAMM Show, MNN TV, Manhattan, FRA Flughafen #Musikmesse2015

No X Cess Baggage Blues Musikmessesession High Definition Film

May 25, 2015

*WATCH THE FILM HERE: No X Cess Baggage Blues Musikmessesession High Definition Film

Jon’s archive https://archive.org/details/NoXCessBaggageBluesMusikmessesession

Youtube https://youtu.be/YziCEa8e77c

CNN iReport http://ireport.cnn.com/people/hammondcast

Vimeo https://vimeo.com/128746073

Jon Hammond Band Facebook https://www.facebook.com/jonhammondband/videos/vb.133709526657853/1060373460658117/?type=3&theater

Dailymotion http://www.dailymotion.com/video/x2rd0oa_no-x-cess-baggage-blues-musikmessesession_music

Jon Hammond + Band performing Jon’s original composition “No X-Cess Baggage Blues” 19th consecutive year musikmessesession in Jazzkeller Hofheim: Peter Klohmann tenor sax, Joe Berger guitar, Giovanni Toto Gulino drums, Jon Hammond Sk1 Hammond Organ
©JON HAMMOND International ASCAP
http://jazzkeller-hofheim.de/veranstaltungen/musikmessesession-mit-jon-hammond/ Schon traditionell findet bei uns zur Frankfurter Musikmesse ein Treffen hochkarätiger Musiker statt. Wie auch in den vergangenen Jahren ist der aus New York stammende Orgelspieler Jon Hammond, mit Joe Berger „Berger-meister“, Peter Klohmann und Giovanni Gulino, angesagt. Im Spiel geht Jon Hammond absolut in seiner Musik und seiner Leidenschaft für den guten alten Hammond-Sound auf.

Mit 18 Jah-ren kaufte er sich seine erste Hammond B3 und tourte mit der Rockband Hades im Vorprogramm von Tower Of Power oder Michael Bloomfield. Der Gitarrist Joe Berger gleicht einem Saiten-Hasardeur. Er spielte bereits mit Who-Bassist John Entwistle und sorgte in dessen Band für den Studiomix. Peter Klohmann ist ein junger talentierter Tenorsaxophonist. Giovanni Gulino ziseliert an den Becken, setzt Akzente auf der Fußtrommel und spielt leichte, luftige Melodien auf der Snare.

Jon’s archive https://archive.org/details/CarvinAudioNAMMSessionGetBackInTheGroove

Youtube https://youtu.be/W-Pwk58M5Ns

CNN iReport Anaheim California — Carvin Audio NAMM Session with Joe Berger guitar and Jon Hammond at the Sk1 Hammond organ playing through Carvin powered speaker system, Jon Hammond’s “Get Back in The Groove” ‘Tribute to 9/11’ – special thanks Carson Kiesel and Carvin Audio Team, HERCULES STANDS ©JON HAMMOND International ASCAP http://www.HammondCast.com Associated Musicians of Greater New York, Local 802 AFM Manhattan Neighborhood Network TV Producers of Manhattan Neighborhood Network [MNN] – Jon Hammond Band / Jon Hammond Organ Group

Vimeo https://vimeo.com/123500759

Jon Hammond Band Facebook https://www.facebook.com/video.php?v=1023843857644411&set=vb.133709526657853&type=3&theater

Dailymotion http://www.dailymotion.com/video/x2kxmbv_carvin-audio-namm-session-get-back-in-the-groove_music

Jon’s archive https://archive.org/details/6842260328

Jon Hammond Show cable access TV show broadcast for 03/28/2015, Jon’s band performing in jazzkeller Frankfurt original composition “Get Back in The Groove” – exclusive footage from Jon Hammond Show of the late great Dave Van Ronk followed by radio interview footage with Alan Pasqua and Jon Hammond just before Alan’s concert with Allan Holdsworth recorded for DVD, then never-before-seen footage Jon filmed of Michael Brecker, the late great jazz tenor saxophonist in performance with Barry Finnerty’s band in Michael’s club Seventh Avenue South he co-owned with his brother Randy Brecker in Greenwich Village – wrapping up the show, a wonderful segment of Joe Franklin on mic with Jon Hammond, Joe Franklin was the King of Radio & TV

– 32nd year Jon Hammond Show, FSB, Funk Soul Blues and soft news – enjoy folks http://www.HammondCast.com

Youtube https://youtu.be/pafohvr4CGE

CNN iReport http://ireport.cnn.com/docs/DOC-1226569

Dailymotion http://www.dailymotion.com/video/x2k4t4c_jon-hammond-show-mnn-ch-1-broadcast-03-28-2015-funk-soul-blues-soft-news_music

Vimeo https://vimeo.com/122796412

Jon Hammond Band Facebook http://www.facebook.com/jonhammondband

Jon’s archive https://archive.org/details/JonHammondCakeFlowersandLateRent25YearsMusikmesseWarmUpPartyinJazzkeller

Youtube http://youtu.be/hozrJpHvV-4

Jon Hammond Band Facebook https://www.facebook.com/video.php?v=1011779378850859&pnref=story

Dankeschön / Thanks for the flowers Musikmesse Team! and all my friends who came out for this very special evening – Jon Hammond
Chocolate on Chocolate Cake at Jon Hammond’s annual musikmesse Warm Up Party in jazzkeller Frankfurt with Jon Hammond Band and special guests for this special occasion celebrating 25 years in Musikmesse. Special acknowledgement of Wilhelm P. “Charly” Hosenseidl R.I.P. who was the Director of musikmesse years 1989-2008 now Directed by Wolfgang Luecke, special thanks to Messe Frankfurt Projekt and Presse Team!
Jon Hammond Band:
Joe Berger guitar
Tony Lakatos tenor saxophone
Giovanni Totò Gulino drums
Jon Hammond – XB-2 Hammond Organ – special thanks Hiromitsu Ono Chief Engineer Suzuki Musical Instruments designed my instrument which took me all around the world many times

“Late Rent” Jon Hammond theme song for Jon Hammond Show MNNTV and HammondCast Show KYOU Radio San Francisco CBS Radio Network
Thanks Joe Lamond President CEO NAMM, TecAmp Jürgen Kunze and Thomas Eich – Puma Combo bass amp powering Jon Hammond’s organ
Dankeschoen to Yücel Atiker, Tino Pavlis, Poehl, Bernie Capicchiano, Michael Falkenstein Hammond Suzuki Deutschland, Peggy Behling, Christine Vogel Messe Frankfurt,
Saray Pastanesı Baeckerei & Konditorei for Chocolate on Chocolate
25 Years Musikmesse Celebration Cake – Mainzer Landstrasse 131, 60327 Frankfurt am Main, Eugen Hahn Jazzkeller Frankfurt Team Kleine Bockenheimerstr. 18a Frankfurt
http://www.HammondCast.com/

Journal Frankfurt Article by Detlef Kinsler, LINK: http://journal-frankfurt.de/funkyjazz

Baggage, Flughafen, Hofheim am Taunus, Jazzkeller Hofheim, Blues, Shuffle, Jon Hammond, musikmesse Session, 19th year, ASCAP Composer, Musicians Union, Local 802

Lydia’s Tune Jon Hammond’s 19th Year Musikmessesession

May 24, 2015

*WATCH THE FILM HERE: Lydia’s Tune Jon Hammond’s 19th Year Musikmessesession

Jon’s archive https://archive.org/details/LydiasTuneJonHammonds19thYearMusikmessesession

Attribution-Noncommercial-No Derivative Works 3.0
Topics Jazz Session, Concorde Jet, Lydia, Bossa Nova, Musikmesse, Jazzkeller Hofheim, 19th Year, Jon Hammond, #HammondOrgan #ASCAP #Hofheim

Youtube https://youtu.be/cMwsE34mjf0

“Lydia’s Tune” from Jon Hammond’s first album written in Paris 1981 after flying aboard the Concorde​ – performed here at Jon Hammond’s 19th annual musikmesse​session in Jazzkeller Hofheim​ with the tenor saxophonist Peter Klohmann​, Giovanni Totò Gulino​ drums, Joe Berger​ guitar, Jon Hammond​ at the Sk1 Hammond organ ©JON HAMMOND International ASCAP http://www.HammondCast.com
Member AFM Local 6​ & Associated Musicians of Greater New York, Local 802 AFM​ – as seen on Manhattan Neighborhood Network​ channel 1
TV Producers of Manhattan Neighborhood Network [MNN]​

Jon Hammond Band Facebook https://www.facebook.com/jonhammondband/videos/vb.133709526657853/1058397320855731/?type=3&theater

CNN iReport http://ireport.cnn.com/docs/DOC-1244126

Jon’s archive https://archive.org/details/PizzaSoundcheck19thYearJazzkellerHofheim

by Jon Hammond

Published May 12, 2015
Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics Jazzkeller Hofheim, Soundcheck, Musikmesse Session, Hammond Organ, Futhark guitar, Sk1, Duo, Six Year Itch

Hofheim am Taunus — Jon Hammond’s Musikmessesession 19th year in Jazzkeller Hofheim, Joe Berger & Jon Hammond playing in duo while Giovanni sets up drums, before house sound system is up – Jon’s favorite old Peavey amp onstage, same amp every year – good to be back in Jazzkeller Hofheim! Six Year Itch before pizza break and gig – http://www.HammondCast.com

CNN iReport http://ireport.cnn.com/docs/DOC-1241317

Vimeo https://vimeo.com/127720863

Jon Hammond Band Facebook https://www.facebook.com/jonhammondband/videos/vb.133709526657853/1049501121745351/?type=3&theater

Youtube https://youtu.be/EnLzhXtRSjM

San Francisco CA — It was a really fun gig!
Jon Hammond
http://www.accordionradio.com – Excelsior Accordions

Wow look at these guys suspended out there in a basket doing the demolition job on the old San Francisco-Oakland Bay Bridge ghost bridge, amazing! – Jon Hammond

http://baybridgeinfo.org/demolition
Crews have begun to carefully dismantle the 77-year old East Span section-by-section, in roughly the reverse order of how it was built in the mid-1930s.

Demolition of the nearly 2-mile long original East Span will take place in three phases over three to five years. Crews will first work in the westward direction toward Yerba Buena Island, taking apart the cantilever section and demolishing the S-Curve, before moving east to dismantle the 504’ and the 288’ truss spans. The demolition team will then head to the waterline to remove the piers, pilings and foundations that support the span. When the entire demolition project is complete, over 58,000 tons of steel and 245,000 tons of concrete will have been removed.

PHASE ONE: SEPARATING AND DISMANTLING THE CANTILEVER TRUSS TO YERBA BUENA ISLAND
The first phase of the demolition process: Cut the cantilever section at its center and begin dismantling both sides.

This work is well underway, with a 800-foot gap in the middle of the cantilever span easily visible from the new East Span. The 576-foot-long middle (suspended) section of the cantilever has been completely removed.

Before the demolition team cut through the cantilever and separated its two halves, preparations were made to reduce structural tension and pull the suspended span on each end toward the rest of the bridge. Without these precautions, the two halves would have collapsed and fallen into the water below.

Crews have also begun to demolish the temporary bypass known as the S-Curve. This section of the original span along is being cleared first in order to allow contractors to complete the bicycle and pedestrian path and to construct the permanent eastbound on-ramp from Yerba Buena Island.

Hollywood Swingin’ with the cats from Sweden! http://blog.sfgate.com/jon-hammond/2015/05/08/ascap-we-create-music-from-hollywood-by-jon-hammond/ – Jon Hammond​ – ASCAP “I Create Music” EXPO​ #ASCAPEXPO

Jon’s archive https://archive.org/details/MathiasMeloAndTommyDenanderHammondCastInterviewAtASCAPExpo

Youtube https://youtu.be/Jw0MKNAAP5A

Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics X-Level Studios, Records, Jon Hammond, Mathias Melo, Tommy Denander, Fritsla Sweden, ASCAP Expo, Mels Diner Hollywood, Songwriter, MNN TV, Channel 1, hammondcast

Tommy Denander, Mathias Melo and Jon Hammond take a lunch time break during ASCAP “I Create Music Expo” to do an interview for broadcast with X-Level Studios recording artist from Sweden about music and career plans in collaboration with veteran producer / studio musician Tommy Denander – special thanks to Mels Diner in Hollywood Blvd and ASCAP

CNN iReport http://ireport.cnn.com/docs/DOC-1238719

HammondCast Facebook https://www.facebook.com/hammondcast/videos/vb.558692101/10152751664007102/?type=3&theater

Vimeo https://vimeo.com/126719293

Jon’s archive https://archive.org/details/ASCAPWeCreateMusicFromHollywood

CNN iReport http://ireport.cnn.com/docs/DOC-1240227

Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics ASCAP #ASCAPEXPO #ASCAPPOP Swigin’, Funky, Blues, Hollywood, Songwriters, Music Makers, Jon Hammond, John Titta, Frances Richard, Steve Rosenfeld, Behind The Beat

#ASCAPEXPO #ASCAPPOP Jon Hammond’s HammondCast just after 10th annual ASCAP Expo, ASCAP Music Makers – special thanks Fran Richard, Steve Rosenfeld for the excellent Audio Portrait “Behind The Beat” the actual story of Late Rent featured on ASCAP’s website, LINK: http://www.ascap.com/audioportraits/h/jon_hammond_rent.aspx “Jon Hammond says “the fingers are the singers.'” The latest CD from this exceptional and soulful Hammond organist is the proof. “Late Rent” draws on decades of great recording sessions and top live performances to showcase his own playing and many top jazz and funk artists. It shows why the Hammond organ is one of the most enduring electric instruments and why Hammond is one of its best players.” and the traditional Thursday night ‘in the round’ brief clips of ASCAP Songwriter greats Mike Reid The Hanson Brothers, fine evening of music and song introduced and moderated by ASCAP’s John Titta – also appeared and performed the great Valerie Simpson of Ashford & Simpson and Kevin Cronin (REO Speedwagon) Jon Hammond has been covering the ASCAP I Create Music Expo and ASCAP Pop Music Awards on his cable TV show Jon Hammond Show for 9 of the 10 years on MNN TV Channel 1 Manhattan Cable TV and streaming around the world http://www.HammondCast.com

Vimeo https://vimeo.com/127232232

#Jazz #HammondOrgan #ConcordeJet Jazzkeller Hofheim, 19th Year, Bossa Nova, ASCAP Composer, Musicians Union, Local 802, Local 6, #Musikmesse2015