Posts Tagged ‘Atlantic Records’

Bernard Purdie Plays Pocket Funk Jon Hammond Band NAMM Show Brunch Set Center Patio

February 1, 2014

*WATCH THE VIDEO HERE: Bernard Purdie Plays Pocket Funk Jon Hammond Band NAMM Show Brunch Set Center Patio

Jon’s archive https://archive.org/details/BernardPurdiePlaysPocketFunkNAMMCenterPatio

Or on the Youtube http://youtu.be/4c9Hi8-bZ9k

(Higher Quality) Surprise! Bernard Purdie and Jon Hammond reprise “Pocket Funk” on NAMM Center Patio Stage: Koei Tanaka harmonica, Joe Berger guitar, Alex Budman tenor saxophone, Jon Hammond at the organ and Bernard Purdie on the fatback drums! Very special thanks to Dom Famularo (Sabian), Bespeco Accessori, Alex Mingmann Hsieh / P Mauriat HQ Pmauriat Albest saxophones, Suzuki Musical Instruments Instruments, JJ Guitars, The NAMM Show Organization – Greg Herreman Productions –
Bernard Purdie / Bernard “Pretty” Purdie / Koei Tanaka / 田中光栄 – fan site
http://www.jonhammondband.com “Pocket Funk” ©JON HAMMOND International ASCAP Jon Hammond Band / Jon Hammond Organ Group

On Blip TV http://blip.tv/jon-hammond/bernard-purdie-plays-pocket-funk-namm-center-patio-jon-hammond-band-6721909

The Bernard Purdie Story – NAMM Oral History excerpt http://www.namm.org/library/oral-history/bernard-purdie

Big special thanks to NAMM Archivist Tony Arambarri for these beautiful photographs! *Image 1: Jon Hammond receiving “Believe In Music Award” from Joe Lamond President CEO of NAMM –

*Image 2: Joe Berger guitar and Dom Famularo drums on NAMM Center Patio Stage playing JJ Guitar designed by Jeff Gulford / JJ Guitars UK
The Joe Berger Story – NAMM Oral History excerpt http://www.namm.org/library/oral-history/joe-berger

*Image 3: From Tokyo – Koei Tanaka / Koei Tanaka / 田中光栄 – fan site harmonica and Jon Hammond at the organ on NAMM Center Patio Stage – Thank you!!
Jon / Jon Hammond Band

Official NAMM Photo: Big special thanks to NAMM Archivist Tony Arambarri for these beautiful photographs!

*Image 1: Jon Hammond receiving “Believe In Music Award” from Joe Lamond President CEO of NAMM — with Jon Hammond at NAMM Anaheim Convention Center

Official NAMM Photo: *Image 2: Joe Berger guitar and Dom Famularo drums on NAMM Center Patio Stage

— with Joe Berger and Dom Famularo at NAMM Anaheim Convention Center

Official NAMM Photo: *Image 3: From Tokyo – Koei Tanaka / Koei Tanaka / 田中光栄 – fan site harmonica and Jon Hammond at the organ on NAMM Center Patio Stage

– Jon Hammond Band — with Koei Tanaka and Jon Hammond at NAMM Anaheim Convention Center

NAMM Believe In Music Awards

I am extremely proud and humbled to be amongst this year’s recipients of NAMM’s prestigious “Believe In Music Award” presented by Joe Lamond President CEO of NAMM and NAMM’s Historian and Archivist Dan Del Fiorentino and Tony Arambarri – I was speaking with Roy Burns who told me he has attended NAMM every year since 1960, and he’s looking great! The Roy Burns Story, NAMM Oral History excerpt: http://www.namm.org/library/oral-history/roy-burns *see photo

– Frank Alkyer & Kevin Maher publishers of DownBeat Magazine and NAMM Daily among other publications,

a list will become available soon

The Jon Hammond Story – NAMM Oral History excerpt: http://www.namm.org/library/oral-history/jon-hammond

– thank you for this beautiful and meaningful award! Sincerely, Jon Hammond

NAMM Oral History, Believe In Music Awards, Roy Burns, Joe Berger, Jon Hammond, Bernard Purdie, Fatback drums, Pocket Funk, Late Rent Sessions, ASCAP, Atlantic Records, Local 802, Musicians Union, Joe Lamond, Dan Del Fiorentino, Tony Arambarri

HammondCast Ahmet Ertegun Special Eulogy To My Brother Nesuhi

September 19, 2009

*LISTEN TO AUDIO OF HammondCast Early Edition KYOU Radio, STAN GETZ “Darn That Dream” in tribute to Ertegun Brothers Ahmet & Neshui, also SYLVIA SYMS “Skylark” backed up by BOBBY SHORT and PHIL COLLINS solo “In The Air Tonight” JON at piano “Witchcraft” & “Misty” Vintage ‘Blues Hour’ on NYC Street, Jon’s band at Birdland “BBQ Lily” in Hamburg, Studio Jam and HORACE SILVER “Liberated Brother”, Jon’s group “Girl From Ipanema”

http://www.kyouradio.com/media/mpeg-2007122507331198596792.mp3


*WATCH THE VIDEO HERE:

*WATCH THE VIDEO HERE:

http://ia341037.us.archive.org/1/items/JonHammondAhmetErtegunEulogyToMyBrotherNesuhi/AhmetErtegunEulogyToNesuhi_512kb.mp4

http://www.youtube.com/watch?v=XiEHOvVqAqw

From Jon Hammond N.Y., NY: I was honored to be invited to be with friends, family and Atlantic Records WEA and so many Musicians on this day in 1989 in Lincoln Center. I arrived with Bernard Purdie long-time Atlantic recording artist and we sat together amongst the Musicians, in concert were Modern Jazz Quartet, Roberta Flack, Phil Collins, Manhattan Transfer, Ron Carter, Sylvia Simms and at end after Ahmet’s eulogy George Wein played a piano blues with Claude Nobbs on harmonica. Cocktail reception followed, it was somber but warm and joyful at the same time. Now Ahmet has passed RIP, he was always nice to me so I pass this on in their memory.
Sincerely,
Jon Hammond
© www.HammondCast.com
*Ahmet Ertegun was “one of the most significant figures in the modern recording industry” who “co-founded Atlantic Records in 1947 with partner Herb Abramson. Atlantic was at the forefront of great independent labels that sprang up in the late Forties, challenging the primacy of the major labels of the time (RCA, Columbia and Decca) by discovering, developing and nurturing new talent. Under the guiding hand of Ertegun – the son of a career diplomat and a lifelong jazz and blues aficionado – Atlantic became the nation’s premier rhythm & blues label in a few short years. The label’s artist roster in the Fifties reads like an honor roll of R&B talent: Ruth Brown, Big Joe Turner, Ray Charles, LaVern Baker, the Drifters, the Coasters, the Clovers, and many more. During this period, Ertegun produced or coproduced the vast majority of records released on Atlantic. He even wrote songs for Atlantic artists in the early days using the pseudonym “Nugetre” (Ertegun spelled backwards). Though he was less directly involved as a producer, Ertegun continued at the helm of Atlantic in the Sixties and Seventies as the company conquered the realms of soul and rock, from Aretha Franklin to Led Zeppelin, with phenomenal success. Ertegun serves as chairman of Atlantic Records to this day. At the tenth annual Rock and Roll Hall of Fame Induction Dinner in 1995, it was announced that the museum’s main exhibition hall would be named after Ertegun.” (quote from Museum)

Nesuhi Ertegun “spent most of his lifetime working at Atlantic Records and associated labels. He joined Atlantic in 1956, nine years after its founding by his brother Ahmet and Herb Abramson. Nesuhi initially developed Atlantic’s album department and built up the label’s extensive catalog of jazz long-players. The list of jazz artists he produced at Atlantic over the years reads like a who’s who: John Coltrane, Charles Mingus, Ornette Coleman, the Modern Jazz Quartet and more. Nesuhi also became involved with the label’s rhythm & blues and rock and roll roster as well, producing several hit records for Ray Charles, the Drifters, Bobby Darin and Roberta Flack. The son of a Turkish diplomat, Nesuhi acquired his taste for black music while growing up in Washington D.C., where he and Ahmet would frequent the Howard Theater and scour the community for records by their favorite musicians. In 1944, he moved to Los Angeles to run the Jazzman Record Shop. While there he created his own label, Crescent Records (later Jazzman), on which he recorded the likes of Kid Ory and Jelly Roll Morton. Nesuhi also served as editor of Record Changer magazine and taught the first accredited course in jazz offered in the U.S., at UCLA. In addition to founding the jazz division at Atlantic, Nesuhi later went on to spearhead the label’s international operations, expanding the business and opening up new markets overseas. After the merger of the Warner Brothers, Elektra and Atlantic labels in 1971, he headed WEA International. He later oversaw the special projects division of Warner Communications and launched East/West, a Atlantic-distributed label, in 1988.” (quote from Museum)

ASCAP Network Behind The Beat with Jon Hammond “LATE RENT”


Elmar Lemes photo of Jon Hammond playing XK-3 organ at Local 802 Monday Night Jazz Session sponsored by Jazz Foundation of America


Jon Hammond MySpace

HammondCast

ASCAP Network Behind The Beat “NDR SESSIONS Projekt”


Jon Hammond is an endorsed artist of Hammond Suzuki USA

Ahmet Ertegun, Atlantic Records, Funky Jazz, HammondCast, John Coltrane, Jon Hammond, KYOU Radio, Nesuhi, Phil Collins, Rhythm and Blues, Roberta Flack, Ron Carter, B3, XK-3c, Accordion, Local 802 Musicians Union

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AHMET ERTEGUN Eulogy to my brother NESUHI Hammond Cast KYOU Radio

May 23, 2009


*LISTEN TO HammondCast HERE:

HammondCast Early Edition KYOU Radio with special appearance by AHMET ERTEGUN founder of Atlantic Records with Eulogy to My Brother Nesuhi Ertegun, short blues with CLAUDE NOBS & GEORGE WEIN. 1993 recording of Jon with former Sons of Champlin guitarist TERRY HAGGERTY along with BARRY FINNERTY & Sons’ drummer JAMES PRESTON in Ukiah CA, ARETHA FRANKLIN “Do Right Woman”, MAMMA’S AND THE PAPPA’S “This is Dedicated”, HARRY BELAFONTE “Turn Around”, ALBERT KING “I Will Play The Blues For You”, THE MONSTAS with MATT SMITH gtr. ERNIE DURAWA drums © www.HammondCast.com

ASCAP Network Behind The Beat Jon Hammond Late Rent

Photo by Elmar Lemes of Jon Hammond at Local 802 Monday Night Jazz Session at the XK-3 Hammond organ

Jon Hammond MySpace

HammondCast

Ahmet Ertegun, Nesuhi, Atlantic Records, Claude Nobs, George Wein, Jon Hammond, HammondCast, ASCAP Network, Albert King, Harry Belefonte, Malvina Reynolds, B3 organ, XB-2, XK-1, Jazz, Blues

Ahmet Ertegun Eulogy To My Brother Nesuhi

November 25, 2007

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Ahmet Ertegun Eulogy To My Brother Nesuhi

From Jon Hammond N.Y., NY: I was honored to be invited to be with friends, family and Atlantic Records WEA and so many Musicians on this day in 1989 in Lincoln Center. I arrived with Bernard Purdie long-time Atlantic recording artist and we sat together amongst the Musicians, in concert were Modern Jazz Quartet, Roberta Flack, Phil Collins, Manhattan Transfer, Ron Carter, Sylvia Simms and at end after Ahmet’s eulogy George Wein played a piano blues with Claude Nobbs on harmonica. Cocktail reception followed, it was somber but warm and joyful at the same time. Now Ahmet has passed RIP, he was always nice to me so I pass this on in their memory.
Sincerely,
Jon Hammond
http://www.HammondCast.com
*Ahmet Ertegun was “one of the most significant figures in the modern recording industry” who “co-founded Atlantic Records in 1947 with partner Herb Abramson. Atlantic was at the forefront of great independent labels that sprang up in the late Forties, challenging the primacy of the major labels of the time (RCA, Columbia and Decca) by discovering, developing and nurturing new talent. Under the guiding hand of Ertegun – the son of a career diplomat and a lifelong jazz and blues aficionado – Atlantic became the nation’s premier rhythm & blues label in a few short years. The label’s artist roster in the Fifties reads like an honor roll of R&B talent: Ruth Brown, Big Joe Turner, Ray Charles, LaVern Baker, the Drifters, the Coasters, the Clovers, and many more. During this period, Ertegun produced or coproduced the vast majority of records released on Atlantic. He even wrote songs for Atlantic artists in the early days using the pseudonym “Nugetre” (Ertegun spelled backwards). Though he was less directly involved as a producer, Ertegun continued at the helm of Atlantic in the Sixties and Seventies as the company conquered the realms of soul and rock, from Aretha Franklin to Led Zeppelin, with phenomenal success. Ertegun serves as chairman of Atlantic Records to this day. At the tenth annual Rock and Roll Hall of Fame Induction Dinner in 1995, it was announced that the museum’s main exhibition hall would be named after Ertegun.” (quote from Museum)

Nesuhi Ertegun “spent most of his lifetime working at Atlantic Records and associated labels. He joined Atlantic in 1956, nine years after its founding by his brother Ahmet and Herb Abramson. Nesuhi initially developed Atlantic’s album department and built up the label’s extensive catalog of jazz long-players. The list of jazz artists he produced at Atlantic over the years reads like a who’s who: John Coltrane, Charles Mingus, Ornette Coleman, the Modern Jazz Quartet and more. Nesuhi also became involved with the label’s rhythm & blues and rock and roll roster as well, producing several hit records for Ray Charles, the Drifters, Bobby Darin and Roberta Flack. The son of a Turkish diplomat, Nesuhi acquired his taste for black music while growing up in Washington D.C., where he and Ahmet would frequent the Howard Theater and scour the community for records by their favorite musicians. In 1944, he moved to Los Angeles to run the Jazzman Record Shop. While there he created his own label, Crescent Records (later Jazzman), on which he recorded the likes of Kid Ory and Jelly Roll Morton. Nesuhi also served as editor of Record Changer magazine and taught the first accredited course in jazz offered in the U.S., at UCLA. In addition to founding the jazz division at Atlantic, Nesuhi later went on to spearhead the label’s international operations, expanding the business and opening up new markets overseas. After the merger of the Warner Brothers, Elektra and Atlantic labels in 1971, he headed WEA International. He later oversaw the special projects division of Warner Communications and launched East/West, a Atlantic-distributed label, in 1988.” (quote from Museum)