Posts Tagged ‘Bernard Purdie’

HEAD PHONE at Sound Soul Summit Hammond Organ NAMM Showcase

May 15, 2017

#WATCHMOVIE HERE: HEAD PHONE at Sound Soul Summit Hammond Organ NAMM Showcase

Jon’s archive https://archive.org/details/THESOUNDSOULSUMMITAllStarJamJonHammondBandFeaturingBernardPurdie

Youtube https://youtu.be/7TApELTO1XI

Head Phone – Jon Hammond Band THE SOUND SOUL SUMMIT All-Star Jam Video Movie

Bernard Purdie on Jon Hammond Band “Head Phone”

Koei Tanaka (harmonica) on Jon Hammond Band “Head Phone”

Bernie Capicchiano, Shuji Suzuki, Shigeyuki Ohtaka, Jon Hammond, Jon Lord – Hammond Suzuki

Pre Summit Hammond Party – last public appearance of Keith Emerson sadly – pictured here with Hammond endorsees

Keith Emerson playing just after Jon Hammond on Sound Soul Summit NAMM Showcase

Bernard Purdie on Jon Hammond Band “Head Phone” does a little dance after feature funk solo

Jon Hammond and Dr. Lonnie Smith at Hammond Sound Soul Summit

Joe Lamond President CEO NAMM awards Shuji Suzuki, Stephen Fortner and Gregg Gronowski – photo Jon Hammond

Jon Hammond and Steve Simmons – Hammond Organ Co. USA at NAMM

Lawrence Gay master photographer and Jon Hammond at Hammond Organ Co. USA stand at NAMM

Jon Hammond – Portable New B3 “Head Phone” Hammond Sound Soul Summit

Peter Nguyen and Jon Hammond – Hammond Organ Co. USA stand at NAMM

Jon’s Band Featuring Bernard “Pretty” Purdie, Alex Budman, Joe Berger2, Koei Tanaka, Jon Hammond Organ Group — with Stephen Fortner, Scott May, Joe Berger, Koei Tanaka and Jon Hammond at NAMM Anaheim Convention Center Hilton Anaheim Lobby Special Program on 80th Anniversary of Hammond Organ USA – Front of House / FOH Mix by Brian English – Denny Mack Audio – announcement – Stephen Fortner – Editor Keyboard Magazine Jon Hammond Organ Group *Note: “Head Phone” composed by Jon Hammond ©JON HAMMOND Intl. ASCAP recorded with Bernard Purdie originally on Jon’s album Late Rent in year of 1989 – Big Special Thanks toJay Dittamo for standin’ in the cuff for Bernard, thanks Jay! special thanks to Scott May and Gregg Gregory Gronowski – Hammond Suzuki Musical Instruments Team Mr. M. Terada, Shuji Suzuki, Yu Beniya, Shigeyuki Ohtaka, Jeff Guilford JJ Guitars UK
— with Joe Berger, Alex Budman, Stephen Fortner,Jay Dittamo, Bernard Purdie, Denny Mack and Brian English, Koei Tanaka, Hilton Anaheim
http://www.jonhammondband.com

Jon Hammond Band Makes Trade Show History with Joe Lamond President CEO of NAMM on the band at musikmesse Photos Just In from Andreas Meer

*Note: Andreas Meer the great Master Rock Photographer lives in Frankfurt Germany – thanks for these fine photos Andreas!

L to R:

Special Events Announcer Eleftherios Mavros aka Mavros Freitag, Joe Berger the guitarist, Peter Klohmann tenor saxophonist, Jon Hammond leader-organist + bass, Joe Lamond President CEO of NAMM ex Tommy Tutone Band drums, Michael Falkenstein keyboards, Giovanni Totò Gulino drums – on Center Stage musikmesse ProLight + Sound – special thanks:
Wolfgang Lücke director Special Events & Entertainment Musikmesse and Prolight + Sound:

Jon’s archive https://archive.org/details/MusikmesseJonHammondAllstarBandSpecialGuestsCenterStage

musikmesse Jon Hammond Allstar Band Special Guests Center Stage: Joe Lamond d. from Tommy Tutone Band, Michael Falkenstein p. from James Brown – Band: Peter Klohmann t.s., Giovanni Totò Gulino d., Joe Berger g., Jon Hammond o. b. – Special Events Announcer
Eleftherios Mavros aka Mavros Freitag – Special Thanks Wolfgang Lücke Messe Frankfurt musikmesse Prolight + Sound Team

Michael Birk Veranstaltungslogistik GmbH Stage Crew

photo credit Bernie Capicchiano / Bernies Music Land of Australia

With Joe Lamond and Giovanni Totò Gulino – Photo by Andreas Meer:

Jon Hammond and Bernard Purdie – NAMM Show

Bernard Purdie, Fatback drums, Jon Hammond, 80th Anniversary of Hammond Organs, NAMM Show, Hilton Hotel, Koei Tanaka, Suzuki Musical Instruments, ASCAP, Head Phone, Alex Budman, Joe Berger, Local 802, #HammondOrgan #Purdie #NAMM #JonHammond

POCKET FUNK Jon Hammond Original with Bernard Purdie Friends NAMM Show

August 28, 2016

#WATCHMOVIE HERE: POCKET FUNK Jon Hammond Original with Bernard Purdie Friends NAMM Show

Jon’s archive https://archive.org/details/JonHammondPocketFunkBernardPurdieandFriendsWinterNAMM2010_0

Views
674
#674

Youtube https://youtu.be/afTagFhYOCo

3,168 views
#3168

Bernard Purdie and Friends Winter NAMM 2010 Hilton Hotel Anaheim
Pocket Funk by Jon Hammond © JH INTL ASCAP

Bernard Purdie drums
Joe Berger guitar
Jon Hammond organ
Shea Marshall sax
Winston Byrd trumpet
http://www.HammondCast.com
Special thanks NAMM, Hilton Hotel Anaheim

512KB MPEG4 download
download 1 file MPEG4 download
download 1 file OGG VIDEO download
download 1 file TORRENT download
download 26 Files
download 4 Original

by Jon Hammond

Usage Attribution-NonCommercial-NoDerivs
Topics Bernard Purdie, Winter NAMM 2010, Jon Hammond Joe Berger, Funk, Soul, Blues, Organ, ASCAP, HammondCast, XK-1, KYOU Radio

Producer Jon Hammond
Audio/Visual sound, color

Jon’s archive https://archive.org/details/LeoFenderWithJonHammondAndJoeBerger

Youtube https://youtu.be/Xgzz9pZMDUQ

Frankfurt 1988 — TWA Flight with Leo Fender, Phyllis Fender, Joe Berger, Jon Hammond – Leo’s long-time business partner Dale Hyatt and Richard Nixon’s lighter! – Happy Birthday Leo Fender August 10th! – Jon Hammond Band
Coming back from musikmesse in March of 1988

http://www.HammondCast.com

Facebook video https://www.facebook.com/hammondcast/videos/10153646305977102/

TWA 747 Jumbo Jet, waiting to board for flight from Frankfurt to Kennedy Airport – March 1988 returning from Musikmesse

Leo Fender, Dale Hyatt, Phyllis Fender, Joe Berger, Jon Hammond, TWA Airlines, Frankfurt Musikmesse – Leo Fender’s birthday today August 10th!

Jon’s archive https://archive.org/details/GetBackInTheGrooveJonHammondBandInJazzkeller_201604

by Jon Hammond

Jon Hammond Band live in Jazzkeller celebrating 30 years musikmesse Warm
Up Party – “Get Back in The Groove” – Peter Klohmann tenor saxo, Joe
Berger guitar, Giovanni Totò Gulino drums, Jon Hammond at the Hammond
Sk1 organ with many special friends in the house jonhammondband.com – video Tino Pavlis

Producer Jon Hammond
Language English

Youtube https://youtu.be/Tm2ZFE5V4As

Vimeo https://vimeo.com/164279506

Facebook video https://www.facebook.com/jonhammondband/videos/1271197279575733/

Getting ready for my 10th ASCAP “I Create Music” EXPO – Hollywood CA!
Jon Hammond

#ASCAPExpo ASCAP Audio Portrait: Jon Hammond http://www.ascap.com/audioportraits/h/jon_hammond_rent.aspx

Jon Hammond
Late Rent
Jon Hammond says “the fingers are the singers.'” The latest CD from this exceptional and soulful Hammond organist is the proof. “Late Rent” draws on decades of great recording sessions and top live performances to showcase his own playing and many top jazz and funk artists. It shows why the Hammond organ is one of the most enduring electric instruments and why Hammond is one of its best players.

Jon Hammond Rent
The Late Rent Story
Swingin’ Funky Jazz & Blues
Two Hot Tracks
Sonny’s Advice

11th edition of the ASCAP “I Create Music” EXPO, April 28th – 30th, 2016 in Los Angeles at the Loews Hollywood Hotel

American Association of Independent Music (A2IM)
American Composers Forum (ACF)
American Federation of Musicians (AFM)
Association of Independent Music Publishers (AIMP)
Berklee College of Music Alumni Association
Berklee Online
California Copyright Conference (CCC)

Jon’s archive https://archive.org/details/JonHammondShowPreview0709

Jon Hammond Show Preview, air date 07 09 on MNN TV – first segment
Roy Clark Television Interview with Jon Hammond just before Roy appeared on the American Eagle Awards in Nashville Tennessee during Summer NAMM Show – Roy Clark an American Living Legend and long-time member of The Grand Ole Opry and The Country Music Hall of Fame – Roy’s wiki https://en.wikipedia.org/wiki/Roy_Clark Roy Linwood Clark (born April 15, 1933) is an American country music musician and performer. He is best known for hosting Hee Haw, a nationally televised country variety show, from 1969 to 1992. Roy Clark has been an important and influential figure in country music, both as a performer and helping to popularize the genre.
During the 1970s, Clark frequently guest-hosted for Johnny Carson on The Tonight Show and enjoyed a 30-million viewership for Hee Haw. Clark is highly regarded and renowned as a guitarist and banjo player, and is also skilled on classical guitar and several other instruments. Although he has had hit songs as a pop vocalist (e.g., “Yesterday, When I Was Young” and “Thank God and Greyhound”), his instrumental skill has had an enormous effect on generations of bluegrass and country musicians. He has been a member of the Grand Ole Opry, since 1987[1][2] and The Country Music Hall of Fame. BIOGRAPHY: Born in Meherrin, Virginia, Clark lived as a teenager in southeast Washington, D.C., where his father worked at the Washington Navy Yard. At 14, Clark began playing banjo, guitar, and mandolin, and by age 15 he had already won two National Banjo Championships[3] and world banjo/guitar flatpick championships. He was simultaneously pursuing a sporting career, first as a baseball player and then as a boxer, before dedicating himself solely to music. At 17, he had his first appearance on the Grand Ole Opry.
At the age of 23, Clark obtained his pilot’s license and then bought a 1953 Piper Tri-Pacer (N1132C), which he flew for many years. This plane was raffled off on December 17, 2012, to benefit the charity Wings of Hope.[4] He has owned other planes, including a Mitsubishi MU-2, Stearman PT-17[5] and Mitsubishi MU-300 Diamond 1A bizjet.
2nd segment:
Lydia’s Tune – Jon Hammond Funk Unit on Nissan Stage Nashville https://www.namm.org/thenammshow/2016/events/jon-hammond-funk-unit Nashville, Tennessee​ Music City Center, front line: Lee Oskar​ harmonica, Joe Berger​ guitar, Cord Martin​ tenor, Roland Barber​ trombone, Jon Hammond​ organ, Rhythm section Chuggy Carter​ congas & percussion, Louis Flip Winfield​ drums
3rd segment:
Published on Jul 3, 2016
Nashville Tennessee Nissan Stage Summer NAMM Show — Head Phone Late Rent Nissan Stage Jon Hammond Funk Unit with special guest Lee Oskar, Roland Barber trombone, Cord Martin tenor saxophone, Chuggy Carter congas & percussion, Joe Berger guitar (TV Jones guitar and pickups), Louis Flip Winfield drums, Jon Hammond Sk1 Hammond organ and bass
http://www.HammondCast.com

Producer Jon Hammond
Language English

Jon’s archive https://archive.org/details/JonHammondBandAtXK5OrganDebutHammondOrganUSAPartySoundCheckNashville

Youtube of https://youtu.be/Zse4xuv6-eg

Jon Hammond Band at XK-5 Organ Debut Hammond Organ USA Party SoundCheck Nashville: Kayleigh Moyer drums, Chuggy Carter congas percussion, Joe Berger guitar, Jon Hammond at the new XK-5 organ – Summer NAMM 2016 fifth Sound Soul Summit Hammond Organ USA co-sponsored by Keyboard magazine and SoundCheck Nashville
LLC, Nashville – Event: “the first public showing of Hammond’s new XK-5
organ and Heritage Series expanded systems, which represent the cutting
edge of technology applied to recreating the precise touch, feel, and sound of the classic Hammond B-3

Jon’s archive http://ia601507.us.archive.org/7/items/HeadPhoneStickWithSennheiser/Head%20Phone%20stick%20with%20Sennheiser.mp4

Sennheiser (headphones) Momentum series

with tribute to Lutz Büchner on solo section:
Head Phone stick with Sennheiser (headphones) Jon Hammond’s 20th annual Musikmesse Session in Jazzkeller Hofheim – funky jazz with Giovanni Totò Gulino drums, Peter Klohmann tenor saxo, Joe Berger guitar, Jon Hammond at the Sk1 Hammond organ – Jon’s keyboard stand by
Bespeco Professional, Audio: Philipp, Konrad Neupert, Marvin Gans Jazzkeller Hofheim Team – special thanks Jeff Guilford / JJ guitars for operating the camera http://www.HammondCast.com

Sennheiser HD 25-1

Vimeo https://vimeo.com/163154149

Youtube https://youtu.be/bWUOjMJx_Cg

Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics Head Phone, Sennheiser, Momentum Headphones, Funky Jazz, Musikmesse, Session, Hofheim am Taunus, Jazzkeller Hofheim, Bespeco Professional, #HammondOrgan #CNNiReport

Suzuki “The Name You Know” – Kartoffel – Breakfast of Champions (and lunch and dinner)!

Dankeschön Philipp for the Audio – and my favorite old Peavey Bass Amp!

Hammond XK-5 aka Flexi-B Top Secret Organ Programmable Multi Contact Keys with MTW 1 Modeled Tone Wheel Generator

Hammond Flexi-B Top Secret Organ
with 9 contact keyboards! – Jon Hammond at musikmesse with Suzuki Musical Instruments Prototype Debut

Jon’s archive https://archive.org/details/MichaelFalkensteinAndJonHammondMusikmesse

Jon’s archive https://archive.org/details/TopSecretHeadPhoneLiveInJazzkeller

Youtube https://youtu.be/VF7WXWHv1a4

Jon Hammond Band​ getting funky with Head Phone Live in Jazzkeller​ – Jon’s annual musikmesse​ Warm Up Party with Giovanni Totò Gulino​ drums, Joe Berger​ guitar, Peter Klohmann​ tenor saxophone, Jon Hammond​ at the Hammond Sk1 organ – Jon Hammond uses Sennheiser​ Momentum headphones with in-line mic remote http://www.HammondCast.com – Video Directed by Tino Pavlis​ Sennheiser Momentum​

Michael Falkenstein with Prototype Hammond Flexi-B

Pocket Funk, Jon Hammond, Bernard Purdie, Cable TV, #BernardPurdie #NAMMShow #Hammond #HammondOrgan

Enhanced Audio Jon Hammond Show Preview Air Time 01 30 AM On 06 18 MNN TV Cable And Streaming

June 14, 2016

*WATCH THE TV SHOW HERE: Enhanced Audio Jon Hammond Show Preview Air Time 01 30 AM On 06 18 MNN TV Cable And Streaming

Jon’s archive https://archive.org/details/EnhancedAudioJonHammondShowPreviewAirTime0130AMOn0618MNNTVCableAndStreaming1

Facebook Video https://www.facebook.com/hammondcast/videos/10153524137387102/

by Jon Hammond

Jon Hammond Show with enhanced audio cable access TV program late Fri. night / early Sat. morning 01:30 AM Manhattan Neighborhood Network Channel 1 – Music Travel and Soft News with original music and stories from Jon Hammond, 34th year now streaming all over the world, Jon Hammond Band performing internationally on perpetual tour, Jon Hammond’s original compositions Funky Jazz and Blues – Hammond Organist and Accordionist, piano and guitar – member AFM Local 802 and Local 6 ©JON HAMMOND International ASCAP http://www.HammondCast.com – Manhattan Neighborhood Network -MNN – Associated Musicians of Greater New York, Local 802 AFM & AFM Local 6

Producer Jon Hammond
Language English

Jon’s archive https://archive.org/details/JonHammondBirdlandLydia_sTuneJonHammondBand

Missing man formation – very sadly, Lutz Büchner still on the band here – happy night in BIrldand Hamburg! – Jon Hammond
L to R Lutz, Jon, Joe, Heinz

Lydia’s Tune: 
Lutz Büchner tenor saxophone, Heinz Lichius drums
, Joe Berger guitar, 
Jon Hammond organ, return engagement here at Birdland with many friends in the house. – Gärtnerstr. 122 Hamburg Eimsbuttel

NDR release: https://www.ndr.de/orchester_chor/bigband/band/Trauer-um-Lutz-Buechner,buechner146.html

Stand: 12.03.2016 15:00 Uhr – Lesezeit: ca.4 Min.
Trauer um Lutz Büchner

“Lutz Büchner wurde 47 Jahre alt.

Der Saxofonist Lutz Büchner ist am 11. März während einer Japan-Tour der NDR Bigband im Alter von 47 Jahren an den Folgen eines Herzinfarkts verstorben. Es war ein großes Glück für die NDR Bigband, den Menschen und Musiker Lutz Büchner seit 22 Jahren in ihren Reihen zu haben. Er war ein grandioser, ein wahrhaft bedeutender Saxofonist mit einer unverkennbaren, einzigartigen Spielweise, die selbst dem ältesten und schon oft gehörten Jazzstandard immer wieder neue Seiten abgewinnen konnte. Vor allem aber brachte er auch seine Persönlichkeit in die Band ein: seinen Humor, sein ausgeglichenes Temperament und sein großes Interesse an allen Dingen des Lebens, das weit über die Musik hinaus reichte. Lutz Büchner war ein echter Teamplayer, vor und hinter den Kulissen.

Knuth: “Er lebte leidenschaftlich für und mit Musik”

Joachim Knuth, NDR Programmdirektor Hörfunk: “Die Nachricht vom Tod Lutz Büchners macht mich sehr betroffen. Ich habe ihn als einen liebenswürdigen Menschen erlebt, der leidenschaftlich mit und für Musik lebte. Lutz Büchner hatte den Jazz im Blut. Er liebte den spielerischen Umgang mit der Musik, die Improvisation. Der Tod dieses beeindruckenden Saxofonisten ist für die NDR Bigband, für den NDR, ein großer Verlust. Meine Gedanken sind in diesen Stunden bei der Familie und den Freunden Lutz Büchners.”

Fasziniert von Miles Davis
Lutz Büchner wurde am 5. August 1968 in Bremen geboren. Er interessierte sich schon früh für Musik, bekam klassischen Klarinettenunterricht und entdeckte als Teenager nach einem Konzertbesuch den Jazz. Als er den Trompeter Miles Davis hörte, faszinierte ihn die Möglichkeit, sich auch jenseits der geschrieben Noten auf eine ganz persönliche Weise ausdrücken zu können. Dieser improvisierten, sich immer neu erfindenden Musik wollte er sich widmen.

Lutz Büchner kam nach Hamburg und studierte Saxofon bei Herb Geller, dem damals bekanntesten Solisten der NDR Bigband. Schon bald spielte er dort im Saxofonsatz – zunächst als Gast, seit 1994 als festes Mitglied. In den Mittelpunkt zog es ihn, den eher besonnen Menschen, dabei nicht so sehr. Aber wenn das Scheinwerferlicht auf ihn zeigte und er zum Solo ansetzte, dann entwickelte sein Spiel eine ganz besondere Wirkung: Mit geschlossenen Augen stand er da, die Töne flossen ebenso überraschend wie logisch aus seinem Instrument, sein ganzer Körper schien sich dabei in Musik zu verwandeln.

In seinem Spiel steckte besondere Tiefe
Viele Gäste der NDR Bigband haben ihn und sein Spiel so erlebt und geschätzt: Jazzgrößen wie Al Jarreau, Bobby McFerrin, João Bosco, Omar Sosa oder Abdullah Ibrahim genossen es, wenn Lutz Büchner neben ihnen spielte. Der Amerikaner Dale Wilson widmete ihm und seinem Saxofon-Kollegen Fiete Felsch eine ganze Big-Band-Suite, und die Komponistin Maria Schneider wollte ihn nach einem Besuch bei der NDR Bigband am liebsten gleich nach New York mitnehmen. Es waren nicht nur seine technischen Fertigkeiten und seine nahezu grenzenlosen Ausdrucksmöglichkeiten, mit denen Lutz Büchner so begeisterte. In seinem Spiel steckte eine besondere Tiefe. “Es ist sein Sound”, sagte Maria Schneider einmal, “Lutz berührt mich.”

Solistische Höhenflüge und zarte Lyrik
In der Improvisation spiegelt sich ja immer der ganze Mensch. So konnte Lutz Büchner auf dem Tenorsaxofon unendlich packend, mitreißend und kraftvoll spielen. Unvergessen ist sein solistischer Höhenflug in der Duke-Ellington-Hommage “Diminuendo, crescendo and crescendissimo in blue”, in der er minutenlang ein loderndes Feuer immer neu entfachte, bis die Zuschauer bei einem Auftritt der NDR Bigband in New York am Schluss buchstäblich aus den Sitzen gerissen wurden. Seine andere, lyrische Seite war besonders stark auf der Klarinette zu hören, auf der er zu den außergewöhnlichsten Stimmen des modernen Jazz zählte, vielleicht sogar weltweit. Intim und zart, wie gehaucht schwebten die Töne in die Luft, jeder von ihnen hatte Bedeutung.

Nicht nur in der NDR Bigband, auch in eigenen Formationen waren sein ausgeprägtes Spiel und seine ausgefeilten Kompositionen zu hören. Mit seinem Quartett (mit Sandra Hempel, Heinz Lichius und Pepe Berns) trat Lutz Büchner 2005 bei den 2. Hamburger Jazztagen in der Kampnagel-Fabrik auf. Im selben Jahr entstand mit dem Trio Connex (mit Björn Lücker und Philipp Steen) ein gleichnamiges Album, und 2006 erschien seine vielbeachtete, von der Kritik hochgelobte CD “Ring”.

“Mein Ziel ist es”, hat Lutz Büchner einmal gesagt, “ganz im Moment zu spielen.” Wir verdanken ihm viele unvergessliche Momente. Mit ihm verlieren wir einen lieben Menschen, einen großen Künstler und einen wunderbaren Kollegen.

Stefan Gerdes
Redaktion NDR Bigband/Jazzredaktion

Enhanced Audio, Public Access TV, Jon Hammond Show, Funky Jazz, Original Music, Bernard Purdie, Joe Berger, Eddie Money, #HammondOrgan #NAMMShow #Facebook

Jon Hammond Show Preview Air Time 01 30 AM On 06 18 MNN TV Cable And Streaming

June 13, 2016

*WATCH THE TV SHOW HERE: Jon Hammond Show Preview Air Time 01 30 AM On 06 18 MNN TV Cable And Streaming

Jon’s archive https://archive.org/details/JonHammondShowPreviewAirTime0130AMOn0618MNNTVCableAndStreaming

Youtube https://youtu.be/Xyb0IgMQDNM

Jon Hammond Show cable access TV program late Fri. night / early Sat. morning 01:30 AM Manhattan Neighborhood Network Channel 1 – Music Travel and Soft News with original music and stories from Jon Hammond, 34th year now streaming all over the world, Jon Hammond Band performing internationally on perpetual tour, Jon Hammond’s original compositions Funky Jazz and Blues – Hammond Organist and Accordionist, piano and guitar – member AFM Local 802 and Local 6 ©JON HAMMOND International ASCAP http://www.HammondCast.com – Manhattan Neighborhood Network -MNN – Associated Musicians of Greater New York, Local 802 AFM & AFM Local 6

Jon’s archive https://archive.org/details/6842260507

Youtube https://youtu.be/eX6lmFrd1cU

Facebook video https://www.facebook.com/jonhammondband/videos/1276595532369241/

Billboard Magazine Flashback – March 1984 article by Kim Freeman

Billboard Magazine Article about The Jon Hammond Show TV Show from March 17 1984, now The Jon Hammond Show
is in 34th year

Jon Hammond Show Public Access Cable TV Show Preview 05/07
First segment – opener Yachtklub Life James Wes Opener Jon Hammond Band – Hans Romanov Presents
Peter Klohmann tenor saxo
Joe Berger guitar
Giovanni Totò Gulino drums
Jon Hammond Sk1 Hammond organ & bass
Video Tino Pavlis
Audio Johannes Napp, Silvio Cappucci
On the Main River – Frankfurt am Main

2nd segment Hollywood CA — Interview Allison Iraheta and Matthew Hager aka Halo Circus with Jon Hammond at the 11th annual ASCAP “I Create Music” EXPO for Jon Hammond Show – special thanks Kelly MacGaunn kelleemack pr, ‪#‎bobbimarcuspr‬

Jon’s archive https://archive.org/details/AcousticNationNAMMConcertLydiasTuneInNashvilleTennessee1

by Jon Hammond ©JON HAMMOND International ASCAP

Summer NAMM 2016 https://www.namm.org/thenammshow/2016/events/jon-hammond-funk-unit Jon Hammond Funk Unit

Performance Info
Event Information:

Event Date:
Friday, June 24, 2016 – 2:00pm to 2:40pm
Location:
Music City Center, NAMM Nissan Stage on The Terrace
Add to Calendar

Frankfurt — Lydia’s Tune Live in Yachtklub Frankfurt – Hans Romanov Presents

with Dedication to Lutz Büchner long-time member saxophonist of Jon Hammond Band

Lydia’s Tune Live in Yachtklub Frankfurt

Hollywood — Jon’s archive https://archive.org/details/InterviewAllisonIrahetaAndMatthewHagerAkaHaloCircus

Youtube https://youtu.be/yGND5modU8Q

Facebook video https://www.facebook.com/hammondcast/videos/10153441552957102/?l=6086248925586335229

Vimeo https://vimeo.com/165043267

Hollywood CA — Interview Allison Iraheta and Matthew Hager aka Halo Circus with Jon Hammond at the 11th annual ASCAP “I Create Music” EXPO for Jon Hammond Show – special thanks Kelly MacGaunn kelleemack pr, ‪#‎bobbimarcuspr‬ ‪#‎halocircus‬ ‪#‎ASCAPExpo‬ ‪#‎OurASCAP‬ http://www.hammondcast.com

Producer Jon Hammond
Language English

Allison’s wiki https://en.wikipedia.org/wiki/Allison_Iraheta

Allison Iraheta (born April 27, 1992) is an American singer from Los Angeles, California, who was the fourth place finalist on the eighth season of American Idol.[2] Prior to Idol, Iraheta won the Telemundo competition Quinceañera: Mamá Quiero Ser Artista.[3] Following the conclusion of Idol, Iraheta was signed to a record deal with 19 Entertainment and Jive Records.[4] Her debut album Just Like You was released on December 1, 2009.[5] She is currently the lead singer in the band Halo Circus.
April 27, 1992 (age 24)
Glendale, California
Origin Los Angeles, California, U.S.
Genres Pop rock
Occupation(s) Singer
Instruments
Vocals guitar
Iraheta was born in Glendale, California, to Salvadoran immigrants who moved to the United States before she was born.[3] She is the youngest in the family, with two older siblings, Jacki and Carlos Iraheta.[6] According to her family, she has been singing since she was a toddler.[7] In 2001, she began taking voice lessons with Raphael Enriquez at the Los Angeles Music and Art School, a non-profit community school of the arts in East Los Angeles.[8] Before rising to prominence, she was a frequent performer at the local Latin Electronics Store La Curaçao and the Los Angeles Music and Art School’s annual benefit concert, Stars for the Arts.[6] Iraheta attended Los Angeles’ Animo Ralph Bunche Charter High School.[9]

Quinceañera: Mamá Quiero Ser Artista (2006-09)[edit]
In 2007, Iraheta won the reality show, “Quinceañera: Mama Quiero Ser Artista” (Sweet Fifteen: Mom, I Want to be an Artist), a reality TV singing competition that was produced and broadcast in 2006-2007 on Telemundo, where she sang in both English and Spanish.[3]

On the show, a group of teenage girls such as Olivia Bonilla, Brissia Mayagoitia, and others of Hispanic and Latino American background competed in a singing competition for the main prize of $50,000 and a record deal.[10] Iraheta was the first (and only) winner of the competition and received the grand prize, but due to legal problems of the show the recording contract was never finalized and the production of the show was closed…

Matthew’s wiki https://en.wikipedia.org/wiki/Matthew_Hager

Matthew Hager is a multi platinum American record producer, musician and songwriter

Originally from Houston, Texas Hager now lives in Los Angeles. Before moving to Los Angeles, Hager studied at the prestigious Berklee College Of Music. Since then, he has written and produced several number one hit singles as well as several critically acclaimed albums and has worked with many major recording artists. He has achieved unusual success crossing many genres from hard rock to jazz to teen pop.

While working with the Backstreet Boys in the late ’90’s, he was introduced to Mandy Moore and soon became Moore’s musical director. He went on to write and produced her song “When I Talk To You” which is featured on Mandy Moore’s multi-platinum album “Mandy Moore” along with her song “Split Chick” that he also produced. In addition, he produced several acoustic versions of her chart topping hits including “Walk Me Home” and “I Wanna Be With You” and arranged all live versions of her biggest hits for her us and international television performances and touring for her albums “So Real”, “I Wanna Be With You”, “Mandy Moore”, and “A Walk To Remember”.

After his years with Mandy Moore, Hager became a sought after songwriter in Los Angeles and wrote and produced the #1 hit song “Lucy’s”, which was the longest running #1 single for any debut artist in history on the Contemporary Jazz R&R chart, as well as the #1 singles “True Blue” and “Bloom”. He also wrote and produced the Hot AC hit “Stars” for #1 Billboard artist Mindi Abair as well as her top 5 hits “Come As You Are”, “Flirt” and “Smile”. He also wrote and produced her song “Every Time” which was featured in the movie “License To Wed” and “I Can Remember” was featured in the popular Spelling Television series “Summerland”. He wrote and produced the holiday smash “I Can’t Wait For Christmas” with Mindi Abair that has sold nearly a million copies to date. Her chart topping and critically acclaimed albums “It Just Happens That Way”, “Come As You Are”, “Life Less Ordinary” and “Stars” Hager produced in their entirety.

Hager recorded “Cry Baby Cry” produced by Timbaland and “Falling Down” produced by Justin Timberlake for Duran Duran’s album Red Carpet Massacre. He wrote and produced the international hit “6000 Miles” with John Taylor from Duran Duran and produced and wrote a majority of his solo album “Techno For Two”. He produced the U.S. hit “Perfect Love” for Simply Red. He wrote and produced the top 20 hit “How Does It Feel” for Columbia recording artist Peter White and also performed his own song “Enough” under his name in the hit movie A Walk to Remember.

He wrote and produced the Radio Disney hit Make History by Alyson Stoner. Make History is also the opening song being performed on the Jonas Brothers, Demi Lovato, Camp Rock world tour. He also wrote and produced the single “Strange Life” for the rock band Tickle Me Pink.

According to John Taylor, Matthew is working on tracks for the February 2011 release “All You Need Is Now” from the band Duran Duran..

http://www.ascap.com/audioportraits/h/jon_hammond_ndr.aspx

Jon Hammond: The NDR Sessions Projekt
The NDR Sessions Projekt
Jon Hammond’s “The NDR Sessions Projekt” brings the soulful jazz organist back to Hamburg to record a collection of standards and originals featuring Lutz Buchner on saxophones, Joe Gallardo on trombone and Heinz Lichius on drums. Recorded in one of Germany’s best studios, the quartet present rich, heartfelt perfomances and infuse the music with a fresh and vibrant sound.

ASCAP Audio Portrait: Jon Hammond http://www.ascap.com/audioportraits/h/jon_hammond_rent.aspx

Summer NAMM Show Nashville

L to R Shuji Suzuki, Billy Cox bass player with Jimi Hendrix, Jon Hammond, Yu Beniya

Original Music, Funky Jazz, Public Access TV, MNN TV, Jon Hammond, Bernard Purdie, Joe Berger, #HammondOrgan #musikmesse #NAMMShow

Wishing Bernard Purdie another very happy healthy birthday folks! June 11 – Jon Hammond

June 11, 2016

Bernard Purdie Happy Birrthday (June 11 today 2016) – – here on Jon Hammond Band at Mikell’s
Photo ©JON HAMMOND International – Wishing Bernard Purdie another very happy healthy birthday folks!
Here on my band on a hot summer night in Manhattan at good old Mikell’s! – Jon Hammond
https://en.wikipedia.org/wiki/Bernard_Purdie
Bernard Lee “Pretty” Purdie (born June 11, 1941) is an American groove drummer, and is considered an influential and innovative exponent of funk.[1] He is known for his precise musical time keeping[2] and his signature use of triplets against a half-time backbeat: the “Purdie Shuffle.”[3] He was inducted into the Modern Drummer Hall of Fame in 2013…

Photo ©JON HAMMOND International – Bernard Purdie on Jon Hammond Band at Mikell’s – circa August 28, 1989

*LISTEN TO THE AUDIO HERE: HammondCast 7 KYOU Radio Dot Org

Jon’s archive http://kyouradio.org/music-14.html

JON HAMMOND: Music
HammondCast 7 *note: Crank it WAY up, these are very old recordings!

Going in to the Jon Hammond Archives, live recordings with Bernard Purdie on the Jon Hammond Band, my old rock band HADES from a 1971 recording in Provo Park Berkeley CA. Get Back In The Groove with Frank Biner on vocals from a DTI Records recording 1981 and dedicated to the hurricane victims…and a track I recorded with Eddie Money: “I’ve Been Lovin’ You Too Long”.
HammondCast 7 http://www.HammondCast.com

On HammondCast 7 you’ll hear some great pieces from my archives with Bernard Purdie live on my band at Kimball’s East in Emeryville California, also a live recording from my old rock band HADES that was recorded live in Provo Park Berkeley CA all the way back in 1971..before some of you were born I’m sure. And a track with EDDIE MONEY and also a song I wrote and recorded for DTI Records that I’d like to dedicate to the recent victims of Hurricanes Katrina & RIta…HammondCast 7 – spcl. thanks KALX Anthony Bonet © 2015 JON HAMMOND

*Note: Entire 51 minutes in KALX from Jon Hammond *LINK: https://archive.org/details/InStudioRadioInterviewWithJonHammondAndBernardPurdieAtKalxWith

In Studio Radio Interview with Jon Hammond and Bernard Purdie at KALX with Anthony Bonet
by Jon Hammond

Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics bernard purdie, jon hammond, soul music, kalx, anthony bonet, interview, radio, cocodrie, kimball’s east, drums, b3 organ
Run time 50 minutes 37 seconds
Producer Jon Hammond
Audio/Visual sound

51 Minutes In-Studio Radio Interview with organist Jon Hammond and studio drummer Bernard Purdie with host producer Anthony Bonet aka “Sex 14s”. This interview took place
on October 8th 1998 the day before Jon Hammond and The Late Rent Session Men performed 2 concerts at Cocodrie Club in North Beach San Francisco and at Kimball’s East Nightclub and Restaurant in Emeryville, both clubs are closed now. Hear Jon and
Bernard talk about their long musical careers and the music and musicians on the band the next day, saxophonist Bennett Friedman, guitarist Barry Finnerty, Bernard Purdie aka “Pretty Purdie” or “The Hit Maker” on drums and Jon Hammond at the B3 organ.
Very special thanks to host producer Anthony Bonet aka “Sex 14s” of KALX and Bottom of The Hill club for having us in and also to Scott Rootenberg of The Cocodrie Club,
Jon Hammond
http://www.jonhammondband.com
Note: Bernard Purdie is perhaps the most recorded drummer in the music business
http://en.wikipedia.org/wiki/Bernard_Purdie
Bernard Lee “Pretty” Purdie (born June 11, 1939) is an American session drummer, and is considered an influential and innovative exponent of funk. He is known for his strict musical time keeping and “The Purdie Shuffle”
James Brown, Jeff Beck, Hummingbird, Steely Dan, Aretha Franklin, Gil Scott-Heron, King Curtis, The Rolling Stones, Miles Davis, Dizzy Gillespie, Randy Brecker, Quincy Jones, Hall & Oates, Isaac Hayes, Cat Stevens, Hair, Sgt. Pepper’s Lonely Hearts Club Band (soundtrack), Jon Hammond Late Rent album
Behind The Beat Story of Late Rent http://behindthebeat.com/2004/12/jon-hammond-late-rent/

Jon Hammond: Late Rent – by Steve Rosenfeld

Jon Hammond says “the fingers are the singers.’” The latest CD from this exceptional and soulful Hammond organist is the proof. “Late Rent” draws on decades of great recording sessions and top live performances to showcase his own playing and many top jazz and funk artists. It shows why the Hammond organ is one of the most enduring electric instruments and why Hammond is one of its best players.

The Late Rent Story
Jon Hammond waited half his life to make this CD – starting with being an underground TV host.
Swingin’ Funky Jazz & Blues
Jon Hammond describes his style of music and how he learned to play it.
Two Hot Tracks
Jon Hammond recalls one of his first songs – from age 15 – and a great Sunday session.
Sonny’s Advice
A little advice on melody from a great sax player went a long way.

HammondCast 41 Jon Hammond’s Journal http://kyouradio.org/blog.html/hammondcast_41_jon_hammonds_journal/

Accordions Worldwide Breaking News: Jon Hammond Funk Unit Featured, Summer NAMM, Nashville, Tennessee – USA
by Holda Paoletti-kampl

Jon Hammond Funk Unit Featured, Summer NAMM, Nashville, Tennessee – USA by Holda Paoletti-kampl

http://www.accordions.com/news.aspx?d=27-May-2016&lang=en#art11769

Sylvia Pagni, Holda Paoletti-Kampl, Jon Hammond in Musikmesse Frankfurt

Jon Hammond, Holda Paoletti-kampl Accordions Worldwide Editor http://accordions.com/, Joe Berger, Nello Gabrielloni in halle 3.0 at Musikmesse

Accordion Radio News http://accordionradio.com/news.html

Jon Hammond Funk Unit Featured, Summer NAMM, Nashville, Tennessee – USA
by Holda Paoletti-Kampl

Jon Hammond’s Hammond Funk Unit quintet is performing a 40 minute set of his original compositions as part of the Summer NAMM Showcase at the famous Music City Center, Nashville.

The concert is on Friday June 24th, 2pm to 2.40pm. California-based Jon Hammond is a jazz musician and radio presenter, best-known nowadays as an organist who regularly uses accordion in his group and for hospital and old folks concerts (picture below).

Jon Hammond wrote:
“Three of the musicians are Nashville based: R Barber (trombone), Louis ‘Flip’ Winfield (drums), Cord Martin (tenor saxophone) plus my long-time guitarist Joe Berger and myself on Hamond organ – both Joe and myself are officially from New York City, although I am also in California a lot – I’m still a New Yorker!

There is a very strong chance that Lee Oskar will be joining us as Special Guest. I can’t guarantee that Lee will be onstage with us. We recently talked about doing it when we met at the ASCAP Pop Awards in Hollywood last month. He told me that he will be there and is going to try to make it, so we are going to have the stage set up for that, we have played together several times over the years.

Lee was an award recipient at the ASCAP Pop Awards and besides being the original member of the legendary band WAR, he manufactures his own line of Lee Oskar Harmonicas that have been very popular with Blues and Rock performers for years.

Here we are in Hollywood a couple of weeks ago, with Lee wearing the medal he was awarded.”

Jon’s archive https://archive.org/details/GetBackInTheGrooveJonHammondBand

Jon Hammond Band Facebook https://www.facebook.com/video.php?v=940444542651010

Youtube http://youtu.be/eKZ8vQGJq8Y

Jon Hammond’s composition “Get Back in The Groove” very special performance Jon Hammond Band in Jazzkeller Frankfurt Jon’s annual musikmesse Warm Up Party with many close friends in attendance – Tony Lakatos on tenor saxophone, Joe Berger guitar, Giovanni Totò Gulino drums, special guest Lee Oskar harmonica, Jon Hammond organ / bass

Jon’s archive https://archive.org/details/6842260604

Hello New York! Jon Hammond Show 28 Minutes Preview 06/04 MNN TV – First segment: Jon Hammond’s annual musikmesse Warm Up Party in the world famous jazzkeller Frankfurt – LATE RENT Jon Hammond Theme Song – Jon Hammond Band: Peter Klohmann tenor, Giovanni Totò Gulino drums, Joe Berger guitar, Jon Hammond organ – Video: Tino Pavlis – Second segment: First playing of the Todd Anderson arrangement of “Lydia’s Tune” by Jon Hammond – Organist Jon Hammond composed this song in Paris France after flying there aboard Air France Concorde in year 1981, played here now with Meeting House Jazz Orchestra – #hammondcast Arranged and Conducted by tenor saxophonist Todd Anderson. Bob Rosen (tenor) presiding over the Music Program at Friends Seminary​ 230 year old school established on Manhattan’s East Side – David Zalud trumpet, Greg Ruvolo trumpet, Jim Piela saxophone, Pat Hall, Art Baron​, Alfredo Marques trombones, (guitar solo): David Acker guitar, Mike Campenni drums, Charles Lee alto, more names coming! Thank you for playing my song and those listening and watching this Podcast folks! Jon Hammond​ ©JON HAMMOND International ASCAP http://www.HammondCast.com/
TV Producers of Manhattan Neighborhood Network [MNN]​ – Manhattan Neighborhood Network​ – Associated Musicians of Greater New York, Local 802 AFM​ of Greater New York, Local 802 AFM AFM Local 6 PROFILE http://afm6.org/member-profile/jon-hammond-wheres-the-gig/ — with Alfredo Marques, Bob Rosen, Greg Ruvolo, Todd Anderson, Mike Campenni, Art Baron, David Acker, Charles Lee and AFM Local 6 at Friends Seminary.
3rd segment: Jon Hammond Band​ – Czechoslovakian Salsa Song by Jon Hammond (organ) Video Tino Pavlis
Note: https://www.facebook.com/notes/jon-hammond-band/best-party-of-the-year-jon-hammonds-annual-musikmesse-warm-up-party-in-jazzkelle/1107482975950736
Best Party of The Year! Jon Hammond’s annual musikmesse​ Warm Up Party in Jazzkeller​ Tuesday April 5th 2016 celebrating 30 years
Jon Hammond​ – organ Joe Berger​ – guitar Peter Klohmann​ – saxophone Giovanni Totò Gulino​ – drums Mr. Hammond has toured worldwide since 1991 using the incredible Sk1 organ by Hammond Suzuki..™ “Classic Hammond Sound…In A Suitcase!” The Jon Hammond Show is a funky swinging instrumental revue, featuring top international soloists. The show has universal appeal. Big Hammond orgel sound – 100% organic
©JON HAMMOND International – JJ Guitars​ Suzuki Musical Instruments​
4th segment: As Seen On MNN TV The Jon Hammond Show – Filmed in High Definition – Pocket Funk with NDR Horns – Jon Hammond Band special Auster Jazz Series – musical director Michael Leuschner trumpet, Lutz Büchner tenor saxophone, Ernst-Friedrich Fiete Felsch alto saxophone, Funky Heinz Lichius drums feature on this one, Joe Berger guitar, Jon Hammond organ + bass http://www.HammondCast.com/ special thanks dankeschön to Knut Simon and Lukas Aaron Hambrecht AutoBild Redaktion Team for bringing the Borgward, Nicolai Ditsch for operating the camera (also a fine drummer) and all the Hamburg people who came to this party session, Auster Bar Team Frank Blume & Torsten Wendt – support from Musik Rotthoff, Joe Berger is playing Futhark Guitars, Jon Hammond the Sk1 Hammond manufactured by Suzuki Musical Instruments – Auster Bar Hamburg Eimsbüttel #hammondcast

Producer Jon Hammond
Language English

Youtube https://youtu.be/HHyh9Hqj_bE

Jon Hammond with his trusty Sennheiser HD 25-1 headphones

x

Duo Gig today: Marc Baum & Jon Hammond after the gig with dueling famous Remin Kart-A-Bag wheels, it’s a wrap folks!

http://jonhammondband.com/blog.html/

AFM Local 6 Member Profile JON HAMMOND: “WHERE’S THE GIG?” — by ALEX WALSH

https://afm6.org/member-profile/jon-hammond-wheres-the-gig/

Jon Hammond is a musician, composer, bandleader, publisher, journalist, TV show host, radio DJ, and multi-media entrepreneur. He currently travels the world, playing gigs and attending trade shows.

THE EARLY YEARS
Jon Hammond was born in Chicago in 1953. His father was a doctor and his mother was a housewife. They both played the piano. In 1957, his parents moved Jon and his four sisters to Berkeley, CA, where his father worked in a hospital as head of the emergency room. When he was nine, Jon started accordion lessons. “In those days, they had studios where parents would drop their kids off after school for tap dancing and accordion lessons. There were accordion bands and they would compete against each other.”

“Every time I see a musician walking down the street I say, ‘Hey, where’s the gig?’ Because it doesn’t matter what kind of music you play, if you’re carrying an instrument–going to a rehearsal, or coming back from a repair shop, whatever it is–we all need our gigs. And that’s what the union is all about. Hopefully, we can all keep working and be supportive of everybody’s gigs. There’s room for everybody.”

Jon played his first gig at a senior citizens luncheon when he was eleven. Not only did he get a free lunch but he was paid $25 –a lot of money in those days. Jon says his father was supportive, but did not want him to pursue a music career. “He told me that music was a great hobby. He got me a wonderful professional accordion for my Bar Mitzvah, directly from John Molinari, one of the greatest accordionists who ever lived. It was a Guilietti Professional Tone Chamber accordion. That’s the accordion I won Jr. Jazz Champion on in 1966.”

In high school, Jon attended a private boys school in San Francisco. He was a class clown, and when it got to the point where he was going to be expelled, Jon took his accordion and ran away from home. He immersed himself in the San Francisco music scene and started playing organ in several bands. By 1971 he was in a four piece rock group called Hades which shared a rehearsal space with Quicksilver Messenger Service. “I was friends with their manager, Ron Polte, who also managed guitarist John Cipollina. We got to open for his band, Copperhead.”

Jon continued to play gigs in the Bay Area in different configurations, including a few gigs with a young Eddie Money. By this time Jon had become frustrated with the Bay Area scene. One night while playing a biker bar he got into a fight and his band didn’t come to his defense. “That was the last straw. I was angry and I said I wasn’t coming back.”

Jon in the early 70s

Jon moved to Boston in 1973 to attend the Berklee School of Music. He also got a gig playing in Boston’s Combat Zone backing up burlesque shows. When Jon saw one of his idols, pianist Keith Jarrett play in New York he told him he was going to Berklee and asked him for advice. “Keith looked me right in the eye and said ‘Berklee can be very dangerous for your music.’ It was like he popped this huge bubble. Years later I came to understand what he was talking about. You have to learn the fundamentals, but the music itself comes from a much deeper place. They can’t teach that, you have to find it yourself.”

When Jon’s teachers began sitting in on his gigs in Boston, he questioned why he was in school if the teachers were coming to play with him. He quit school, moved to Cape Cod and started playing with bandleader Lou Colombo. “He did all the private parties for Tip O’Neill. We played what they used to call the business man’s beat. On the gig it was forbidden to swing. It was like swing cut in half. So if you tried to go with the four, Lou would say, ‘Don’t swing it, don’t swing it.’ He pounded it into my head night after night.”

LATE RENT

In 1981 Jon took a trip to Paris where he broke through his writers block and wrote some of his best music. He returned to New York with his new tunes and started a production company with the idea of getting a record deal for a friend that had played on a #1 hit record. After months of pounding the pavement with no results, Jon realized he had better work on his own music before his money ran out. He took the last of his savings, including his upcoming rent money, and went into the studio to record what came to be known as “The Late Rent Sessions”.

The session had Todd Anderson on tenor sax, Barry Finnerty on guitar, Stephen Ferrone on drums, and Jon on B3. They recorded at Intergalactic, the last studio that John Lennon recorded in. Jon had no luck getting a record deal for his new project, but he did get gigs in New York with his band Jon Hammond and the Late Rent Session Men.

Jon Hammond Band Onstage at NAMM, 2014: Joe Berger, Dom Famularo, Alex Budman, Koei Tanaka, Jon Hammond

n 1982, Jon found out about public access television and the idea that anyone could produce a show and get it on TV. He started broadcasting on Manhattan’s public station in 1984. “I decided I was going to produce a radio show on TV. The first episodes showed just my tapping foot and my voice. It was a gimmick. We had graphics that were synchronized to go with the music. It worked out well. People dug it.” Within a few weeks, Jon was interviewed and featured in Billboard Magazine. The Jon Hammond Show was considered an alternative to the clips on Cable TV. “MTV was still in its infancy. We had a concept that was revolutionary. My phone started ringing and we were the hot kids on the block.”

LIVING ABROAD

Jon continued to play gigs in New York and produce his TV show. In 1987, he went to his first trade show (NAMM) where he was introduced to Mr. Julio Guilietti, the man who built his accordion. He then began traveling to trade shows and making contacts with musicians and companies around the world, including Hammond Suzuki. “They gave me the Hammond XB-2, the first really powerful portable Hammond organ. Glenn Derringer, one of my all-time heroes, presented it to me. I got one of the first. Paul Shaffer from the Letterman Show got the other. At the time there was only one EXP-100 expression pedal–we had to share the pedal. I used the pedal for my gigs and when Paul needed it I would bring it over to him at 30 Rockefeller Center on my bicycle.”

In the early 90s, when his New York gigs began drying up, Jon was encouraged to go to Germany. “It was a hard time. My father had just died and there were very few gigs. I got the XB-2 organ right when I needed it, so I decided to take a chance. I bought a roundtrip ticket to Frankfurt with an open return. I went with 50 bucks and stayed for a year. When I came back, I had 100 bucks.”

Jon stayed at a friend’s house and played a borrowed accordion on the street until he could get a band together. “I played on the street until my fingers turned blue and would collect enough money to get some fish soup. After about two weeks I got a call—I had put a band together and had 3 gigs coming up. A TV show had heard my story and wanted to do a story on me. At the first gig 19 people came; the second only 15 people came. Then I got the little spot on TV. When I came to the third gig people were lined up down the street. When I walked up I thought they were having an art exhibit. When they said, ‘No, they’re waiting for you.’ I choked up, I couldn’t even talk. So I’ve been playing there every year since. The people in Germany really saved my musical career at a time when very few things were happening for me in New York or San Francisco. I have a really good following in Europe. I keep busy as a musician in the States, playing hospitals and assisted living places, but my band dates I pretty much play overseas.”

Jon’s Late Rent Sessions was eventually released on a German label and received modest airplay. During the 90s he travelled back and forth to Europe, spending a year playing gigs in Paris, and eventually settling in Hamburg. Since then he has released two more albums and has played gigs in Moscow, Shanghai, and Australia. With the help of the internet, Jon is able to produce his TV show anywhere.

PRESENT DAY

In the mid-2000s Jon produced Hammondcast, a radio program for CBS that aired in San Francisco at four in the morning and was rebroadcast before Oakland A’s games. “When the baseball games played in the afternoon, my show would play for about 20 minutes and then it was pre-empted. I had a lot of fun with that.” His guests included Danny Glover, Barry Melton from Country Joe & the Fish, and many local people. “It took me awhile to figure out that I had permission to broadcast anything I wanted. I could play the London Philharmonic or Stevie Wonder. My tag line was ‘Hello, Hello, Hello! Wake up or go back to sleep…’”

Today, Jon continues to visit tradeshows and is determined to keep doing everything he does as long as he can. “I made a pact with my longtime co-producer, guitarist Joe Berger, that we are going to go to these trade shows until we are little old men with canes.”

Jon has released four CDs

Jon Hammond Entertaining on Excelsior Accordion in Bernal Heights SF Neighborhood Center — photo by Cheryl Fippen Local 6

Location:
NAMM Sheraton Park Hotel at the Anaheim Resort Acoustic Stage
Jon Hammond Funk Unit

Event Date:
Thursday, January 21, 2016 – 9:00pm to 9:40pm
Genre:
Rock
Website:
http://www.jonhammondband.com
Facebook:
http://www.facebook.com/jonhammondband
Add to Calendar
https://www.namm.org/thenammshow/2016/events/jon-hammond-funk-unit-0
Artist Info
Jon
Jon Hammond
Organ / Organist Leader
Joe
Joe Berger
guitar / guitarist

#TheNAMMShow #HammondOrgan #NAMM #Sheraton – The NAMM Show

Event Date:
Thursday, January 21, 2016 – 9:00pm to 9:40pm
Add to Calendar

Jon’s archive https://archive.org/details/TinosHammondOrgan80thAnniversaryFilmDocumentaryTrailer

CNN iReport http://ireport.cnn.com/docs/DOC-1263982

Youtube https://youtu.be/2AX5CRnBWkA

Producer Tino’s Hammond Organ 80th Anniversary Film Documentary Trailer: Tino Pavlis – by Jon Hammond

Published August 13, 2015
Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics Hammond Organs, 80th Anniversary Hammond Organ, Tino Pavlis, Producer, Co-Producer, Joe Berger, Jon Hammond, NAMM Show, musikmesse, Suzuki Musical Instruments, Hamamatsu, B3, New B3mk2, Sk1, #HammondOrgan #80thAnniversary

Tino’s Hammond Organ 80th Anniversary Film Documentary Trailer with cameo appearances Michael Falkenstein, Joe Berger, Jon Hammond, Shuji Suzuki and Suzuki Musical Instuments Hammond Organ Team, Bernie Capicchiano Bernies Music Land Australia Hammond Distributor, Jon Hammond’s annual musikmesse Warm Up Party in world famous historic jazzkeller Frankfurt – Outro music “Organ Meets Bigband” Jon Hammond with Landesjugendjazzorchester LaJazzO MV orchestra – Director/Producer: Tino Pavlis, co-producer Joe Berger http://www.HammondCast.com

Producer Jon Hammond
Language English

Jon’s archive https://archive.org/details/OrganMeetsBigbandRostockKlostergarten

by Jon Hammond

Published August 8, 2015
Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics LaJazzO MV, Organ Meets Bigband, Klostergarten, Rostock, Jazz Orchestra, Jimmy Smith, Steve Gray, Michael Leuschner, Landesjugendorchester Mecklenburg-Vorpommern, #HammondOrgan #Jazz #Blues

„Organ meets Bigband“ das LaJJazzO M-V LandesJugendJazzOrchester Mecklenburg-Vorpommern https://www.facebook.com/events/846845685410695/ Am 01.08.2015 ist das Landesjugendjazzorchester Mecklenburg-Vorpommern (LaJazzO MV) mit seinem diesjährigen Solisten Jon Hammond wieder im Klostergarten Rostock zu Gast. Covering Jimmy Smith’s Back at The Chicken Shack and The Sermon – Nachdem sich in den vergangenen Jahren das LaJazzO MV mit den in der Big Band vorkommenden Instrumenten musikalisch auseinandersetzte, wird in 2015 die Jazzorgel musikalisch thematisiert werden. Unter dem Titel “Organ meets Big Band” wird dieses sehr traditionsreiche Instrument der Jazzgeschichte in den Mittelpunkt der Konzertreihe im folgenden Jahr gestellt. Als Jazzinstrument wurde es von Fats Waller in den 30er Jahren eingeführt und hatte seine Hochzeit in den 50er Jahren durch seine Vertreter wie Jimmy Smith. Der international renommierte New Yorker Jazzorganist Jon Hammond wird zusammen mit dem LaJazzO MV unter der Leitung von Michael Leuschner den besonderen Charme dieses Instrumentes wieder zum Leben erwecken. Im Programm sind unter anderem Titel von Jimmy Smith, arrangiert von Steve Gray – eine Leihgabe aus dem Archiv der NDR-Bigband.

Jon Hammond studierte in den siebziger Jahren am Berklee College of Music und am City College San Francisco. Konzertreisen führten ihn quer durch die Vereinigten Staaten und Kanada. In seiner eigenen ‘Jon Hammond Show’ spielte er mit Musikern wie Dizzy Gillespie, Paul Butterfield, Jaco Pastorius, John Entwistle, Sammy Davis Jr., Percy Sledge und vielen anderen. Auch in Europa fand und findet seine Musik unverändert viele Anhänger. Die Medien berichten wiederholt von einem unverwechselbaren und prägenden Sound. Jon Hammond hat u.a. auf der 20. Frankfurter Musikmesse mitgewirkt und tritt vornehmlich in Hamburg auf. “The Jon Hammond Show” is a funky, swinging Jazz instrumental revue, featuring notable international soloists and reflecting the influences of Miles Davis, The Crusaders and Jimmy Smith.
http://www.HammondCast.com
Programm: “Organ meets Bigband”
Leitung: Michael Leuschner
Samstag, d. 01.08.2015, 20:30 Klostergarten Rostock

Producer Jon Hammond
Language English

Facebook video https://www.facebook.com/jonhammondband/videos/vb.133709526657853/1105371389491657/?type=3&theater

Youtube https://youtu.be/gX-6UczeyII

Vimeo https://vimeo.com/135785907

CNN iReport http://ireport.cnn.com/docs/DOC-1262828

Leader Michael Leuschner and Jon Hammond with the famous poster for “Organ Meets Bigband” – NDR Jazz archives special arrangements of Steve Gray come back to life here:

Bernard Purdie, Pretty Purdie, June 11, Jon Hammond, Interview, #PrettyPurdie #NAMMShow #HammondOrgan #Drums

Head Phone Hilton Hotel

June 8, 2016

*WATCH THE MOVIE HERE: Head Phone Hilton Hotel

Jon’s archive https://archive.org/details/HeadPhoneHiltonHotel

Youtube https://youtu.be/Z_z8CXY_OfY

Enhanced Audio – NAMM Show Special: Jon Hammond Band plays Jon’s funk composition “Head Phone” at the Anaheim Hilton Hotel with Bernard Purdie drums, Koei Tanaka chromatic harmonica, Alex Budman tenor saxophone, Joe Berger guitar, Jon Hammond at the Hammond B3 http://www.HammondCast.com ©JON HAMMOND International

Vimeo https://vimeo.com/169866926

Facebook video https://www.facebook.com/jonhammondband/videos/1304222282939899/

Accordions Worldwide Breaking News: Jon Hammond Funk Unit Featured, Summer NAMM, Nashville, Tennessee – USA
by Holda Paoletti-kampl

Jon Hammond Funk Unit Featured, Summer NAMM, Nashville, Tennessee – USA by Holda Paoletti-kampl

http://www.accordions.com/news.aspx?d=27-May-2016&lang=en#art11769

Sylvia Pagni, Holda Paoletti-Kampl, Jon Hammond in Musikmesse Frankfurt

Jon Hammond, Holda Paoletti-kampl Accordions Worldwide Editor http://accordions.com/, Joe Berger, Nello Gabrielloni in halle 3.0 at Musikmesse

Accordion Radio News http://accordionradio.com/news.html

Jon Hammond Funk Unit Featured, Summer NAMM, Nashville, Tennessee – USA
by Holda Paoletti-Kampl

Jon Hammond’s Hammond Funk Unit quintet is performing a 40 minute set of his original compositions as part of the Summer NAMM Showcase at the famous Music City Center, Nashville.

The concert is on Friday June 24th, 2pm to 2.40pm. California-based Jon Hammond is a jazz musician and radio presenter, best-known nowadays as an organist who regularly uses accordion in his group and for hospital and old folks concerts (picture below).

Jon Hammond wrote:
“Three of the musicians are Nashville based: R Barber (trombone), Louis ‘Flip’ Winfield (drums), Cord Martin (tenor saxophone) plus my long-time guitarist Joe Berger and myself on Hamond organ – both Joe and myself are officially from New York City, although I am also in California a lot – I’m still a New Yorker!

There is a very strong chance that Lee Oskar will be joining us as Special Guest. I can’t guarantee that Lee will be onstage with us. We recently talked about doing it when we met at the ASCAP Pop Awards in Hollywood last month. He told me that he will be there and is going to try to make it, so we are going to have the stage set up for that, we have played together several times over the years.

Lee was an award recipient at the ASCAP Pop Awards and besides being the original member of the legendary band WAR, he manufactures his own line of Lee Oskar Harmonicas that have been very popular with Blues and Rock performers for years.

Here we are in Hollywood a couple of weeks ago, with Lee wearing the medal he was awarded.”

AFM Local 6 Member Profile JON HAMMOND: “WHERE’S THE GIG?” — by ALEX WALSH

https://afm6.org/member-profile/jon-hammond-wheres-the-gig/

Jon Hammond is a musician, composer, bandleader, publisher, journalist, TV show host, radio DJ, and multi-media entrepreneur. He currently travels the world, playing gigs and attending trade shows.

THE EARLY YEARS
Jon Hammond was born in Chicago in 1953. His father was a doctor and his mother was a housewife. They both played the piano. In 1957, his parents moved Jon and his four sisters to Berkeley, CA, where his father worked in a hospital as head of the emergency room. When he was nine, Jon started accordion lessons. “In those days, they had studios where parents would drop their kids off after school for tap dancing and accordion lessons. There were accordion bands and they would compete against each other.”

“Every time I see a musician walking down the street I say, ‘Hey, where’s the gig?’ Because it doesn’t matter what kind of music you play, if you’re carrying an instrument–going to a rehearsal, or coming back from a repair shop, whatever it is–we all need our gigs. And that’s what the union is all about. Hopefully, we can all keep working and be supportive of everybody’s gigs. There’s room for everybody.”

Jon played his first gig at a senior citizens luncheon when he was eleven. Not only did he get a free lunch but he was paid $25 –a lot of money in those days. Jon says his father was supportive, but did not want him to pursue a music career. “He told me that music was a great hobby. He got me a wonderful professional accordion for my Bar Mitzvah, directly from John Molinari, one of the greatest accordionists who ever lived. It was a Guilietti Professional Tone Chamber accordion. That’s the accordion I won Jr. Jazz Champion on in 1966.”

In high school, Jon attended a private boys school in San Francisco. He was a class clown, and when it got to the point where he was going to be expelled, Jon took his accordion and ran away from home. He immersed himself in the San Francisco music scene and started playing organ in several bands. By 1971 he was in a four piece rock group called Hades which shared a rehearsal space with Quicksilver Messenger Service. “I was friends with their manager, Ron Polte, who also managed guitarist John Cipollina. We got to open for his band, Copperhead.”

Jon continued to play gigs in the Bay Area in different configurations, including a few gigs with a young Eddie Money. By this time Jon had become frustrated with the Bay Area scene. One night while playing a biker bar he got into a fight and his band didn’t come to his defense. “That was the last straw. I was angry and I said I wasn’t coming back.”

Jon in the early 70s

Jon moved to Boston in 1973 to attend the Berklee School of Music. He also got a gig playing in Boston’s Combat Zone backing up burlesque shows. When Jon saw one of his idols, pianist Keith Jarrett play in New York he told him he was going to Berklee and asked him for advice. “Keith looked me right in the eye and said ‘Berklee can be very dangerous for your music.’ It was like he popped this huge bubble. Years later I came to understand what he was talking about. You have to learn the fundamentals, but the music itself comes from a much deeper place. They can’t teach that, you have to find it yourself.”

When Jon’s teachers began sitting in on his gigs in Boston, he questioned why he was in school if the teachers were coming to play with him. He quit school, moved to Cape Cod and started playing with bandleader Lou Colombo. “He did all the private parties for Tip O’Neill. We played what they used to call the business man’s beat. On the gig it was forbidden to swing. It was like swing cut in half. So if you tried to go with the four, Lou would say, ‘Don’t swing it, don’t swing it.’ He pounded it into my head night after night.”

LATE RENT

In 1981 Jon took a trip to Paris where he broke through his writers block and wrote some of his best music. He returned to New York with his new tunes and started a production company with the idea of getting a record deal for a friend that had played on a #1 hit record. After months of pounding the pavement with no results, Jon realized he had better work on his own music before his money ran out. He took the last of his savings, including his upcoming rent money, and went into the studio to record what came to be known as “The Late Rent Sessions”.

The session had Todd Anderson on tenor sax, Barry Finnerty on guitar, Stephen Ferrone on drums, and Jon on B3. They recorded at Intergalactic, the last studio that John Lennon recorded in. Jon had no luck getting a record deal for his new project, but he did get gigs in New York with his band Jon Hammond and the Late Rent Session Men.

Jon Hammond Band Onstage at NAMM, 2014: Joe Berger, Dom Famularo, Alex Budman, Koei Tanaka, Jon Hammond

n 1982, Jon found out about public access television and the idea that anyone could produce a show and get it on TV. He started broadcasting on Manhattan’s public station in 1984. “I decided I was going to produce a radio show on TV. The first episodes showed just my tapping foot and my voice. It was a gimmick. We had graphics that were synchronized to go with the music. It worked out well. People dug it.” Within a few weeks, Jon was interviewed and featured in Billboard Magazine. The Jon Hammond Show was considered an alternative to the clips on Cable TV. “MTV was still in its infancy. We had a concept that was revolutionary. My phone started ringing and we were the hot kids on the block.”

LIVING ABROAD

Jon continued to play gigs in New York and produce his TV show. In 1987, he went to his first trade show (NAMM) where he was introduced to Mr. Julio Guilietti, the man who built his accordion. He then began traveling to trade shows and making contacts with musicians and companies around the world, including Hammond Suzuki. “They gave me the Hammond XB-2, the first really powerful portable Hammond organ. Glenn Derringer, one of my all-time heroes, presented it to me. I got one of the first. Paul Shaffer from the Letterman Show got the other. At the time there was only one EXP-100 expression pedal–we had to share the pedal. I used the pedal for my gigs and when Paul needed it I would bring it over to him at 30 Rockefeller Center on my bicycle.”

In the early 90s, when his New York gigs began drying up, Jon was encouraged to go to Germany. “It was a hard time. My father had just died and there were very few gigs. I got the XB-2 organ right when I needed it, so I decided to take a chance. I bought a roundtrip ticket to Frankfurt with an open return. I went with 50 bucks and stayed for a year. When I came back, I had 100 bucks.”

Jon stayed at a friend’s house and played a borrowed accordion on the street until he could get a band together. “I played on the street until my fingers turned blue and would collect enough money to get some fish soup. After about two weeks I got a call—I had put a band together and had 3 gigs coming up. A TV show had heard my story and wanted to do a story on me. At the first gig 19 people came; the second only 15 people came. Then I got the little spot on TV. When I came to the third gig people were lined up down the street. When I walked up I thought they were having an art exhibit. When they said, ‘No, they’re waiting for you.’ I choked up, I couldn’t even talk. So I’ve been playing there every year since. The people in Germany really saved my musical career at a time when very few things were happening for me in New York or San Francisco. I have a really good following in Europe. I keep busy as a musician in the States, playing hospitals and assisted living places, but my band dates I pretty much play overseas.”

Jon’s Late Rent Sessions was eventually released on a German label and received modest airplay. During the 90s he travelled back and forth to Europe, spending a year playing gigs in Paris, and eventually settling in Hamburg. Since then he has released two more albums and has played gigs in Moscow, Shanghai, and Australia. With the help of the internet, Jon is able to produce his TV show anywhere.

PRESENT DAY

In the mid-2000s Jon produced Hammondcast, a radio program for CBS that aired in San Francisco at four in the morning and was rebroadcast before Oakland A’s games. “When the baseball games played in the afternoon, my show would play for about 20 minutes and then it was pre-empted. I had a lot of fun with that.” His guests included Danny Glover, Barry Melton from Country Joe & the Fish, and many local people. “It took me awhile to figure out that I had permission to broadcast anything I wanted. I could play the London Philharmonic or Stevie Wonder. My tag line was ‘Hello, Hello, Hello! Wake up or go back to sleep…’”

Today, Jon continues to visit tradeshows and is determined to keep doing everything he does as long as he can. “I made a pact with my longtime co-producer, guitarist Joe Berger, that we are going to go to these trade shows until we are little old men with canes.”

Jon has released four CDs

Jon Hammond at Summer NAMM in Nashville Music City Center

Head Phone, NAMM Show Special, B3 Organ, Hilton Hotel, Bernard Purdie, Fatback Drums, Joe Berger, Cable Access Show, #HammondOrgan #NAMMShow

HammondCast 16 Jon Hammond’s Journal KYOU Radio Dot Org

December 12, 2015

*LISTEN TO THE AUDIO HERE: HammondCast 16

Jon’s archive http://kyouradio.org/music-23.html

HammondCast 16

This episode of HammondCast will feature Organ Shuffle Blues Grooves and is coming from Hamburg St. Pauli Germany just hours before going in to the famous Studio 1 of NDR Radio to record my new Jon Hammond Band album.
Recordings with drummers Bernard Purdie and Ronnie Smith Jr. on the band.
The first track was recorded live at Kimball’s East Club in Emeryville California in 1998. A fine example of Bernard Purdie’s “Purdie Shuffle” that he is known for with Hammond playing for a hometown crowd on a real B3 organ with spinning Leslie speakers. Also 2 blues shuffle tracks from Jon’s “Hammond’s Bolero” album: “F.P. Blues” and “Cannonball ’99…One More Time!” plus 2 public service announcements I did in Zurich Switzerland that are played at the end of the night to encourage patrons of dance clubs to take a taxi if they had too much to drink.
Jon Hammond is an organ player & accordion player member of Local 802 & Local 6 Musicians Union and ASCAP
Composer/Publisher: JON HAMMOND International, Inc.

All music on HammondCast is original and instrumental. “The FINGERS…are the SINGERS!”

http://www.HammondCast.com

Jon Hammond solo accordion for my good friends in Bernal Heights Neighborhood Center (BHNC)

– photo credit for this precious photograph: Cheryl Fippen – AFM Local 6 – Excelsior Accordions
http://www.accordionradio.com/

Jon’s archive https://archive.org/details/HEADPHONEPodcastMeetinghouseJazzOrchestraSession

by Jon Hammond

Published October 23, 2015
Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics Head Phone, Sennheiser, Superlux, Meetinghouse Jazz Orchestra, Todd Anderson, Bob Rosen, Jon Hammond, Horn Section, Funky Jazz, Friends Seminary, #HammondOrgan #HeadPhones

CNN iReport http://ireport.cnn.com/docs/DOC-1278572

Vimeo https://vimeo.com/143461502

Youtube https://youtu.be/c57WST4w-qQ

New York NY — We just had a ferocious 2 hour rehearsal, Joe Berger​ and myself Jon Hammond​ in famous Room B – we’re getting ready for The NAMM Show​ folks!

Looking forward to seeing all our NAMM head friends, and we’ll be breaking in the new NAMM Stage at the Sheraton Park Hotel at the Anaheim Resort *LINK: https://www.namm.org/thenammshow/2016/events/jon-hammond-funk-unit-0
Event Information:
Location:
NAMM Sheraton Acoustic Stage
Event Date:
Thursday, January 21, 2016 – 9:00pm to 9:40pm
Add to Calendar
Associated Musicians of Greater New York, Local 802 AFM​

Facebook Video Vers. 2.0 Ultra HighDef HEAD PHONE Podcast Meetinghouse Jazz Orchestra + #HammondOrgan Hammond Organist Jon Hammond covering bass: https://www.facebook.com/jonhammondband/videos/1148019035226892/

“Head Phone” was written by organist Jon Hammond and Arranged by Todd Anderson – Podcast of Session with Meetinghouse Jazz Orchestra from the inner sanctum of Friends Seminary, 230 year old school K-12 on Manhattan’s East Side – Bob Rosen presiding over the Music Department. On guitar David Acker, drums Mike Campenni, Greg Ruvolo trumpet, Jim Piela saxophone, Jon Hammond organ & bass, Pat Hall, Art Baron, Alfredo Marques trombones, Charles Lee alto, more names coming! ©JON HAMMOND International ASCAP http://www.HammondCast.com – Associated Musicians of Greater New York, Local 802 AFM – AFM Local 6 – TV Producers of Manhattan Neighborhood Network [MNN] Manhattan Neighborhood Network
Published October 24, 2015
Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics Head Phone, Sennheiser, Superlux, Meetinghouse Jazz Orchestra, Todd Anderson, Bob Rosen, Jon Hammond, Horn Section, Funky Jazz, Friends Seminary, ‪#‎HammondOrgan‬ ‪#‎HeadPhones‬
Producer Jon Hammond
Language English

This is my Lucky Day folks…I just had breakfast in Manhattan with Lee Houskeeper, friends from ‘real San Francisco CA’! Lee knows everybody worth knowing and is Chief Editor San Francisco Stories – Press Agent extraordinaire! Great to see you on this side of the good ol’ US of A Lee!

Jon Hammond *Note: Folks, Lee worked with some of my all-time favorite musical and political activist heroes including the late great Phil Ochs who was a huge inspiration to me, greatly missed! *Wiki:”Kansas City Bomber” is a song by Phil Ochs, a U.S. singer-songwriter best known for the protest songs he wrote in the 1960s.
In 1972, record producer Lee Housekeeper asked Ochs to write the theme song for the film Kansas City Bomber, a film about roller derby starring Raquel Welch.[1][2] Although Ochs enjoyed watching the sport on television, composing the song proved difficult, as Ochs was suffering from writer’s block.[1][2] At last, he made a demo, on which Micky Dolenz of The Monkees sang back-up vocals.[3]
Months later, Ochs was traveling in Australia. Housekeeper told him the film’s producers liked his demo, but it was not exactly what they were looking for. Ochs decided to make a new recording of the song, backed by the Australian rock band Daddy Cool.[4][5]
Ultimately, the film’s producers chose not to use the Ochs song in the soundtrack.[6] Nevertheless, he convinced his record company, A&M Records, to release it as a single. The record sold poorly.[6]
In the only known review of “Kansas City Bomber (song)”, Record World wrote that “progressives will find this a moody change of pace.”[7] Billboard included the single in its “Also Recommended” column.[8]
In 2001, writer Mark Brend described “Kansas City Bomber” as “unremarkable”.[9] Biographer Michael Schumacher wrote in 1996 that the song “was neither an admirable work nor an embarrassment”.[10]
Many Ochs fans never heard “Kansas City Bomber” before it was included in 1988’s The War Is Over: The Best of Phil Ochs. The song was also included in the 1997 collection American Troubadour.”

Jon’s archive https://archive.org/details/LYDIASTUNEMeetinghouseJazzOrchestraPodcast

by Jon Hammond

Published October 22, 2015
Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics Lydia’s Tune, Meetinghouse Jazz Orchestra, Todd Anderson Arrangement, Hammond Organist, Jon Hammond, Friends Seminary, 230 year old school, Manhattan, Paris France, Jon Hammond, #HammondOrgan

Jon Hammond Funk Unit
https://www.namm.org/thenammshow/2016/events/jon-hammond-funk-unit-0
Artist Info
Jon
Jon Hammond
Organ / Organist Leader
Joe
Berger
guitar / guitarist
Dom
Famularo
drums / drummer
Alex
Budman
Tenor Saxophone / Saxophonist
Koei
Tanaka
Chromatic Harmonica / Master Chromatic Harmonica Player
Chuggy
Carter
Percussion / Percussionist
Genre:
Rock
Website:
http://www.jonhammondband.com
Facebook:
http://www.facebook.com/jonhammondband
Endorsed By:
Hammond Suzuki
Artist Bio:
*WATCH THE VIDEO HERE: #TheNAMMShow “White Onions” Jon Hammond Funk Unit NAMM Showcase Jon’s archive https://archive.org/details/TheNAMMShowWhiteOnionsJonHammondFunkUnitNAMMShowcase

Youtube http://youtu.be/EKavYAXYYw4

#TheNAMMShow “White Onions” Jon Hammond Funk Unit NAMM Showcase lunch set https://www.namm.org/thenammshow/2015/events/jon-hammond-funk-unit 23rd 2015 reprising 1989 Late Rent Sessions recording ©JON HAMMOND International ASCAP with special guest Bernard Purdie drums, Leslie J. Carter percussion Jon Hammond organ (original members on record) featuring Koei Tanaka chromatic harmonica from Tokyo Japan Suzuki world star, Joe Berger guitar JJ guitars, Alex Budman tenor saxophone Dom Famularo returning to the NAMM Stage – special thanks NAMM President CEO Joe Lamond, KHS Hercules folding stands – congratulations KHS America: Announces Acquisition of Hohner Inc. USA KHS America, Inc. has announced plans to acquire Hohner Inc. from Matth. Hohner GmbH in Trossingen, Germany. Hohner, Inc. is the exclusive North American provider of Hohner branded Harmonicas, Accordians, Melodicas, Guitars and Bluegrass Instruments; SONOR Drums and Orff Instruments, Lanikai and Kohala Ukuleles, H. Jimenez Guitars, Hohner Airboard, as well as Hohner Kids and Greentones children’s instrument brands. Transfer of ownership will take place today, January 12, 2015 – Jupiter Wind Instruments, XO Professional Brass, Mapex Drums, Majestic Concert Percussion, Hercules Stands and Aaltus Professional Flutes, the new KHS America Vimeo http://vimeo.com/117661543

CNN iReport http://ireport.cnn.com/docs/DOC-1208955

Jon Hammond Funk Unit Facebook https://www.facebook.com/video.php?v=10152557856517102

FOR IMMEDIATE RELEASE: Hammond Organ NAMM Extravaganza to take place Friday January 23 2015 Center Stage 12 Noon All Star Band Anaheim Convention Center

Organist Jon Hammond composed this song in Paris France after flying there aboard Air France Concorde​ in year 1981, played here now with Meeting House Jazz Orchestra – Arranged and Conducted by tenor saxophonist Todd Anderson​. Bob Rosen​ (tenor) presiding over the Music Program at Friends Seminary​ 230 year old school on Manhattan’s East Side – Greg Ruvolo​ takes the flugelhorn solo, Jim Piela saxophone, Pat Hall, Art Baron​, Alfredo Marques​ trombones, David Acker​ guitar, Mike Campenni drums, Charles Lee alto, more names coming! Thank you for playing my song and those listening and watching this Podcast folks! Jon Hammond​ ©JON HAMMOND International ASCAP http://www.HammondCast.com
TV Producers of Manhattan Neighborhood Network [MNN]​ – Manhattan Neighborhood Network​ – Associated Musicians of Greater New York, Local 802 AFM​ AFM Local 6​ PROFILE http://afm6.org/member-profile/jon-hammond-wheres-the-gig/

Producer Jon Hammond
Language English

Youtube https://youtu.be/idKeKk2v_xU

CNN iReport http://ireport.cnn.com/docs/DOC-1278353

Vimeo https://vimeo.com/143381440

Facebook Video https://www.facebook.com/jonhammondband/videos/vb.133709526657853/1147576505271145/?type=3&theater

*Photos courtesy of Elmar Lemes ©Elmar Lemes / Jon Hammond — with Jon Hammond at Friends Seminary.

Jon’s archive https://archive.org/details/FirstPlayDownOfLATERENTMeetinghouseJazzOrchestra

Al Jazzbeaux Collins aka Al Jazzbo Collins on the air at KCSM Jazz 91

Happy Birthday Jon Hammond’s Annual musikmesse Warm Up Party Chocolate Chocolate Cake in the famous jazzkeller Frankfurt

Full HD – *WATCH THE FILM HERE: #TheNAMMShow White Onions Jon Hammond Funk Unit NAMM Showcase Jon’s archive https://archive.org/details/TheNAMMShowWhiteOnionsJonHammondFunkUnitNAMMShowcase Usage Attribution-Noncommercial-No Derivative Works 3.0
http://jonhammondband.com/blog.html/jon_hammond_funk_unit_namm_showcase_namm_show_white_onions/
#TheNAMMShow “White Onions” Jon Hammond Funk Unit NAMM Showcase lunch set https://www.namm.org/thenammshow/2015/events/jon-hammond-funk-unit 23rd 2015 reprising 1989 Late Rent Sessions recording ©JON HAMMOND International ASCAP with special guest Bernard Purdie drums, Leslie J. Carter percussion Jon Hammond organ (original members on record) featuring Koei Tanaka chromatic harmonica from Tokyo Japan Suzuki world star, Joe Berger guitar JJ guitars, Alex Budman tenor saxophone Dom Famularo returning to the NAMM Stage – special thanks NAMM President CEO Joe Lamond, KHS Hercules folding stands – Location: NAMM Sheraton Park Hotel at the Anaheim Resort Acoustic Stage Jon Hammond Funk Unit Event Date: Thursday, January 21, 2016 – 9:00pm to 9:40pm Genre: Rock #CNNiReport

AFM Local 6 Member Profile JON HAMMOND: “WHERE’S THE GIG?” — by ALEX WALSH

https://afm6.org/member-profile/jon-hammond-wheres-the-gig/

Jon Hammond is a musician, composer, bandleader, publisher, journalist, TV show host, radio DJ, and multi-media entrepreneur. He currently travels the world, playing gigs and attending trade shows.

THE EARLY YEARS
Jon Hammond was born in Chicago in 1953. His father was a doctor and his mother was a housewife. They both played the piano. In 1957, his parents moved Jon and his four sisters to Berkeley, CA, where his father worked in a hospital as head of the emergency room. When he was nine, Jon started accordion lessons. “In those days, they had studios where parents would drop their kids off after school for tap dancing and accordion lessons. There were accordion bands and they would compete against each other.”

“Every time I see a musician walking down the street I say, ‘Hey, where’s the gig?’ Because it doesn’t matter what kind of music you play, if you’re carrying an instrument–going to a rehearsal, or coming back from a repair shop, whatever it is–we all need our gigs. And that’s what the union is all about. Hopefully, we can all keep working and be supportive of everybody’s gigs. There’s room for everybody.”

Jon played his first gig at a senior citizens luncheon when he was eleven. Not only did he get a free lunch but he was paid $25 –a lot of money in those days. Jon says his father was supportive, but did not want him to pursue a music career. “He told me that music was a great hobby. He got me a wonderful professional accordion for my Bar Mitzvah, directly from John Molinari, one of the greatest accordionists who ever lived. It was a Guilietti Professional Tone Chamber accordion. That’s the accordion I won Jr. Jazz Champion on in 1966.”

In high school, Jon attended a private boys school in San Francisco. He was a class clown, and when it got to the point where he was going to be expelled, Jon took his accordion and ran away from home. He immersed himself in the San Francisco music scene and started playing organ in several bands. By 1971 he was in a four piece rock group called Hades which shared a rehearsal space with Quicksilver Messenger Service. “I was friends with their manager, Ron Polte, who also managed guitarist John Cipollina. We got to open for his band, Copperhead.”

Jon continued to play gigs in the Bay Area in different configurations, including a few gigs with a young Eddie Money. By this time Jon had become frustrated with the Bay Area scene. One night while playing a biker bar he got into a fight and his band didn’t come to his defense. “That was the last straw. I was angry and I said I wasn’t coming back.”

Jon in the early 70s

Jon moved to Boston in 1973 to attend the Berklee School of Music. He also got a gig playing in Boston’s Combat Zone backing up burlesque shows. When Jon saw one of his idols, pianist Keith Jarrett play in New York he told him he was going to Berklee and asked him for advice. “Keith looked me right in the eye and said ‘Berklee can be very dangerous for your music.’ It was like he popped this huge bubble. Years later I came to understand what he was talking about. You have to learn the fundamentals, but the music itself comes from a much deeper place. They can’t teach that, you have to find it yourself.”

When Jon’s teachers began sitting in on his gigs in Boston, he questioned why he was in school if the teachers were coming to play with him. He quit school, moved to Cape Cod and started playing with bandleader Lou Colombo. “He did all the private parties for Tip O’Neill. We played what they used to call the business man’s beat. On the gig it was forbidden to swing. It was like swing cut in half. So if you tried to go with the four, Lou would say, ‘Don’t swing it, don’t swing it.’ He pounded it into my head night after night.”

LATE RENT

In 1981 Jon took a trip to Paris where he broke through his writers block and wrote some of his best music. He returned to New York with his new tunes and started a production company with the idea of getting a record deal for a friend that had played on a #1 hit record. After months of pounding the pavement with no results, Jon realized he had better work on his own music before his money ran out. He took the last of his savings, including his upcoming rent money, and went into the studio to record what came to be known as “The Late Rent Sessions”.

The session had Todd Anderson on tenor sax, Barry Finnerty on guitar, Stephen Ferrone on drums, and Jon on B3. They recorded at Intergalactic, the last studio that John Lennon recorded in. Jon had no luck getting a record deal for his new project, but he did get gigs in New York with his band Jon Hammond and the Late Rent Session Men.

Jon Hammond Band Onstage at NAMM, 2014: Joe Berger, Dom Famularo, Alex Budman, Koei Tanaka, Jon Hammond

n 1982, Jon found out about public access television and the idea that anyone could produce a show and get it on TV. He started broadcasting on Manhattan’s public station in 1984. “I decided I was going to produce a radio show on TV. The first episodes showed just my tapping foot and my voice. It was a gimmick. We had graphics that were synchronized to go with the music. It worked out well. People dug it.” Within a few weeks, Jon was interviewed and featured in Billboard Magazine. The Jon Hammond Show was considered an alternative to the clips on Cable TV. “MTV was still in its infancy. We had a concept that was revolutionary. My phone started ringing and we were the hot kids on the block.”

LIVING ABROAD

Jon continued to play gigs in New York and produce his TV show. In 1987, he went to his first trade show (NAMM) where he was introduced to Mr. Julio Guilietti, the man who built his accordion. He then began traveling to trade shows and making contacts with musicians and companies around the world, including Hammond Suzuki. “They gave me the Hammond XB-2, the first really powerful portable Hammond organ. Glenn Derringer, one of my all-time heroes, presented it to me. I got one of the first. Paul Shaffer from the Letterman Show got the other. At the time there was only one EXP-100 expression pedal–we had to share the pedal. I used the pedal for my gigs and when Paul needed it I would bring it over to him at 30 Rockefeller Center on my bicycle.”

In the early 90s, when his New York gigs began drying up, Jon was encouraged to go to Germany. “It was a hard time. My father had just died and there were very few gigs. I got the XB-2 organ right when I needed it, so I decided to take a chance. I bought a roundtrip ticket to Frankfurt with an open return. I went with 50 bucks and stayed for a year. When I came back, I had 100 bucks.”

Jon stayed at a friend’s house and played a borrowed accordion on the street until he could get a band together. “I played on the street until my fingers turned blue and would collect enough money to get some fish soup. After about two weeks I got a call—I had put a band together and had 3 gigs coming up. A TV show had heard my story and wanted to do a story on me. At the first gig 19 people came; the second only 15 people came. Then I got the little spot on TV. When I came to the third gig people were lined up down the street. When I walked up I thought they were having an art exhibit. When they said, ‘No, they’re waiting for you.’ I choked up, I couldn’t even talk. So I’ve been playing there every year since. The people in Germany really saved my musical career at a time when very few things were happening for me in New York or San Francisco. I have a really good following in Europe. I keep busy as a musician in the States, playing hospitals and assisted living places, but my band dates I pretty much play overseas.”

Jon’s Late Rent Sessions was eventually released on a German label and received modest airplay. During the 90s he travelled back and forth to Europe, spending a year playing gigs in Paris, and eventually settling in Hamburg. Since then he has released two more albums and has played gigs in Moscow, Shanghai, and Australia. With the help of the internet, Jon is able to produce his TV show anywhere.

PRESENT DAY

In the mid-2000s Jon produced Hammondcast, a radio program for CBS that aired in San Francisco at four in the morning and was rebroadcast before Oakland A’s games. “When the baseball games played in the afternoon, my show would play for about 20 minutes and then it was pre-empted. I had a lot of fun with that.” His guests included Danny Glover, Barry Melton from Country Joe & the Fish, and many local people. “It took me awhile to figure out that I had permission to broadcast anything I wanted. I could play the London Philharmonic or Stevie Wonder. My tag line was ‘Hello, Hello, Hello! Wake up or go back to sleep…’”

Today, Jon continues to visit tradeshows and is determined to keep doing everything he does as long as he can. “I made a pact with my longtime co-producer, guitarist Joe Berger, that we are going to go to these trade shows until we are little old men with canes.”

Jon has released four CDs

Jon Hammond Entertaining on Excelsior Accordion in Bernal Heights SF Neighborhood Center — photo by Cheryl Fippen Local 6

Kimball’s East, CBS Radio, Jon Hammond Show, Bernard Purdie, NAMM Show, Cable TV, #LeslieSpeaker #HammondOrgan #Zürich #CableTV

NAMM Showcase and Believe in Music Awards – Jon Hammond’s Journal

December 1, 2015

*WATCH THE MOVIE HERE: NAMM Showcase and Believe in Music Awards – Jon Hammond

Jon’s archive https://archive.org/details/NAMMBelieveInMusicAwardsAndPurdieShuffleBrunchSet

Location:
NAMM Sheraton Park Hotel at the Anaheim Resort Acoustic Stage
Jon Hammond Funk Unit

Event Date:
Thursday, January 21, 2016 – 9:00pm to 9:40pm
Genre:
Rock
Website:
http://www.jonhammondband.com
Facebook:
http://www.facebook.com/jonhammondband
Add to Calendar
https://www.namm.org/thenammshow/2016/events/jon-hammond-funk-unit-0
Artist Info
Jon
Jon Hammond
Organ / Organist Leader
Joe
Joe Berger
guitar / guitarist

#TheNAMMShow #HammondOrgan #NAMM #Sheraton – The NAMM Show

Event Date:
Thursday, January 21, 2016 – 9:00pm to 9:40pm
Add to Calendar

Jon’s archive https://archive.org/details/TinosHammondOrgan80thAnniversaryFilmDocumentaryTrailer

CNN iReport http://ireport.cnn.com/docs/DOC-1263982

Youtube https://youtu.be/2AX5CRnBWkA

Producer Tino’s Hammond Organ 80th Anniversary Film Documentary Trailer: Tino Pavlis – by Jon Hammond

Published August 13, 2015
Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics Hammond Organs, 80th Anniversary Hammond Organ, Tino Pavlis, Producer, Co-Producer, Joe Berger, Jon Hammond, NAMM Show, musikmesse, Suzuki Musical Instruments, Hamamatsu, B3, New B3mk2, Sk1, #HammondOrgan #80thAnniversary

Tino’s Hammond Organ 80th Anniversary Film Documentary Trailer with cameo appearances Michael Falkenstein, Joe Berger, Jon Hammond, Shuji Suzuki and Suzuki Musical Instuments Hammond Organ Team, Bernie Capicchiano Bernies Music Land Australia Hammond Distributor, Jon Hammond’s annual musikmesse Warm Up Party in world famous historic jazzkeller Frankfurt – Outro music “Organ Meets Bigband” Jon Hammond with Landesjugendjazzorchester LaJazzO MV orchestra – Director/Producer: Tino Pavlis, co-producer Joe Berger http://www.HammondCast.com

Producer Jon Hammond
Language English

Jon’s archive https://archive.org/details/48MinuteDocumentaryJazzMovieBigBandWithOrganistJonHammond

by Jon Hammond

48 minute Documentary movie of Tuesday night session at Friends Seminary School in Manhattan, 5 original compositions!
“Head Phone” by Jon Hammond arranged by Todd Anderson
“Lydia’s Tune” by Jon Hammond arranged by Todd Anderson
“Late Rent” by Jon Hammond arranged by Todd Anderson
“Pocket Funk” by Jon Hammond arranged by Todd Anderson
“Have a Nice Day Blues” by Todd Anderson arranged by Todd Anderson
*Note: Tenor Saxophonist Arranger Todd Anderson was Jon Hammond’s teacher for Arranging and Compostion at Berklee College of Music in Boston MA in 1973. 10 years later they recorded this music for TV Show “The Jon Hammond Show” still on TV every week for 32 years, the recording session went down at Intergalactic Recording Studios where John Lennon did some of his last recording dates. The big band here is presided over by Professor Bob Rosen in charge of the music program at Friends Seminary School on Manhattan’s East Side, 230 year old school K – 12th grade. Top sight reading musicians gather weekly – more info: http://www.HammondCast.com ©JON HAMMOND International ASCAP / BMI

Photographs Courtesy of Elmar Lemes

Youtube https://youtu.be/2mcykc-OHTg

Believe in Music Awards, Roy Burns, NAMM Show, Joe Lamond, Dom Famularo, Jon Hammond, Bernard Purdie, Funky Jazz, Blues, Hammond Organ, Suzuki Musical Instruments, ASCAP Composer, Musicians Union, Associated Musicians of Greater New York, Local 802 AFM #CNNiReport

Jon Hammond Head Phone Funk Hilton Lobby Bernard Purdie Fatback Drum

August 14, 2015

*WATCH THE FILM HERE: Jon Hammond Head Phone Funk Hilton Lobby Bernard Purdie Fatback Drum

Jon’s archive https://archive.org/details/JonHammondHeadPhoneFunkHiltonLobbyBernardPurdieFatbackDrum

by Jon Hammond

Published August 13, 2015
Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics Jon Hammond, Head Phone, Sennheiser, Joe Berger, NAMM Show, Bernard Purdie, Fatback Drum, Koei Tanaka, 80th Anniversary Hammond Organs, #HammondOrgan #KoeiTanaka

Jon Hammond “Head Phone” Funk original composition by Jon Hammond in the Anaheim Hilton Lobby – Hammond Organ 80th Anniversary Film – with Bernard Purdie​ Fatback Drum, Joe Berger​ guitar, Koei Tanaka​ harmonica, Alex Budman​ tenor sax, Jon Hammond​ at New B3mk2 including photo collage from Jon’s archive with Bernard going back through the decades – side camera special thanks Tino Pavlis​ and Joachim Wiesel, some photos by Lawrence Gay as seen on The Jon Hammond Show 32 years every Friday night in Manhattan MNN TV Channel 1 at 1:30AM (Sat. early) all images and music copyright property ©JON HAMMOND International ASCAP http://www.HammondCast.com – TV Producers of Manhattan Neighborhood Network [MNN]​ – Manhattan Neighborhood Network​ – Associated Musicians of Greater New York, Local 802 AFM​ AFM Musicians Union Local 6​ – The NAMM Show​ JJ Guitars​ Koei Tanaka / 田中光栄 – fan site​ Suzuki Musical Instruments​

Producer Jon Hammond
Language English

Youtube https://youtu.be/ekXyNV-APnA

CNN iReport http://ireport.cnn.com/docs/DOC-1263821

Jon’s archive https://archive.org/details/OrganMeetsBigbandFeat.JonHammondInAlteBurgPenzlin

Youtube https://youtu.be/4n1WEq-l-Cs

by Jon Hammond

Published August 1, 2015
Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics LaJazzO MV, #HammondOrgan #Bigband Jon Hammond #NDR NDR Jazz, Hamburg, Rostock, B3 organ, Sk1, Steve Grey, Arrangements

YouTube! https://youtu.be/4n1WEq-l-Cs

Der international renommierte New Yorker Jazzorganist Jon Hammond wird
zusammen mit dem LaJazzO MV unter der Leitung von Michael Leuschner den
besonderen Charme dieses Instrumentes wieder zum Leben erwecken. Im
Programm sind unter anderem Titel von Jimmy Smith, arrangiert von Steve
Grey – eine Leihgabe aus dem Archiv der NDR-Bigband.
das
Landesjugendjazzorchester Mecklenburg-Vorpommern (LaJazzO MV) mit seinem
diesjährigen Solisten Jon Hammond – AFM Local 6 Member Associated
Musicians of Greater New York, Local 802 AFM http://www.HammondCast.com

We just played an amazing concert with for sure the Best Band in The
Land! In 13th Century Castle under the full moon rising, it was totally
magical – the musicians played so great under the direction of Michael
Leuschner, the pride of The North – Das LaJazzO / Das
Landesjugendjazzorchester M-V, this is the Future of Music Folks! In the
tradition of the legendary jazz big bands of Duke Ellington, Count
Basie, NDR Bigband – we played the arrangements of the late great
Britische Komponist und Arrangeur Steve Gray written for Jimmy Smith’s
last concert with NDR, this band did everybody proud! Dankeschön,
tonight we play in Rostock! Be there or be square…and “Don’t Forget
Your Hat!” – Jon Hammond
https://www.facebook.com/events/846845685410695/
“Organ meets Bigband” feat. Jon Hammond:
Today at 8:30pm
Starts in about 11 hours · 59°F Mostly Cloudy

Am 01.08.2015 ist das Landesjugendjazzorchester Mecklenburg-Vorpommern
(LaJazzO MV) mit seinem diesjährigen Solisten Jon Hammond wieder im
Klostergarten Rostock zu Gast.
Nachdem sich in den vergangenen
Jahren das LaJazzO MV mit den in der Big Band vorkommenden Instrumenten
musikalisch auseinandersetzte, wird in 2015 die Jazzorgel musikalisch
thematisiert werden. Unter dem Titel “Organ meets Big Band” wird dieses
sehr traditionsreiche Instrument der Jazzgeschichte in den Mittelpunkt
der Konzertreihe im folgenden Jahr gestellt. Als Jazzinstrument wurde es
von Fats Waller in den 30er Jahren eingeführt und hatte seine Hochzeit
in den 50er Jahren durch seine Vertreter wie Jimmy Smith. Der
international renommierte New Yorker Jazzorganist Jon Hammond wird
zusammen mit dem LaJazzO MV unter der Leitung von Michael Leuschner den
besonderen Charme dieses Instrumentes wieder zum Leben erwecken. Im
Programm sind unter anderem Titel von Jimmy Smith, arrangiert von Steve
Grey – eine Leihgabe aus dem Archiv der NDR-Bigband.
Jon Hammond
studierte in den siebziger Jahren am Berklee College of Music und am
City College San Francisco. Konzertreisen führten ihn quer durch die
Vereinigten Staaten und Kanada. In seiner eigenen ‘Jon Hammond Show’
spielte er mit Musikern wie Dizzy Gillespie, Paul Butterfield, Jaco
Pastorius, John Entwistle, Sammy Davis Jr., Percy Sledge und vielen
anderen. Auch in Europa fand und findet seine Musik unverändert viele
Anhänger. Die Medien berichten wiederholt von einem unverwechselbaren
und prägenden Sound. Jon Hammond
hat u.a. auf der 20. Frankfurter Musikmesse mitgewirkt und tritt
vornehmlich in Hamburg auf. “The Jon Hammond Show” is a funky, swinging
Jazz instrumental revue, featuring notable international soloists and
reflecting the influences of Miles Davis, The Crusaders and Jimmy Smith –
Verve Records.
Programm: “Organ meets Bigband”
Leitung: Michael Leuschner

Producer Jon Hammond
Language English

Jon’s archive https://archive.org/details/GetBackInTheGrooveJonHammondFunkUnitAcousticNationNAMMConcert1

by Jon Hammond

Published July 12, 2015
Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics Groove Music, Soul Music, Nashville Tennessee, NAMM Show, Roland Barber, Trombone, Cord Martin, Tenor saxophone, Guitar, Joe Berger, #HammondOrgan #Sk1 Jon Hammond #ASCAP

Get Back In The Groove by Jon Hammond Funk Unit on the Acoustic Nation NAMM Stage in Concert – Artist Info
https://www.namm.org/summer/2015/events/jon-hammond-funk-unit
Joe Berger: Guitar
Roland Barber: Trombone
Louis Flip Winfield: Percussion
Jon Hammond: Organ
Cord Martin : Tenor Saxophone
Genre:
Jazz JON HAMMOND Instruments: Organ, Accordion, Piano, Guitar Attended: Berklee College of Music 1974, City College San Francisco Languages: English, German Jon is closely identified with the two main products of his career, the Excelsior Accordion and the Hammond Organ. Musician: Jon Hammond is one of the premier B3 PLAYERS in the world. Jon has played professionally since age 12. Beginning as a solo accordionist, he later played Hammond B3 organ in a number of important San Francisco bands. His all original group HADES opened shows for Tower of Power, Quicksilver Messenger Service and Michael Bloomfield. Eddie Money and Barry Finnerty became musical associates. Moving East he attended Berklee College of Music and played venues as diverse as Boston’s “Combat Zone” in the striptease clubs during the ’70’s and the exclusive Wychmere Harbor Club in Cape Cod, where he was house organist with the late great trumpet player Lou Colombo and developed a lasting friendship with House Speaker Tip O’Neill. He also toured the Northeast and Canada with the successful show revue “Easy Living”, and continued his appearances at nightclubs in Boston and New York. Subsequently Hammond lived and traveled in Europe, where he has an enthusiastic following. TV/Video Producer: In 1981 Jon formed BackBeat Productions. Assisted by Lori Friedman (Video by LORI), the innovative TV show “The Jon Hammond Show” became a Manhattan Cable TV favorite. Jon’s “Live on the street” video style included news events, as well as live music/video clips of Dizzy Gillespie, Paul Butterfield, Jaco Pastorius, John Entwistle, Sammy Davis Jr., Percy Sledge and many others. The weekly show is now in it’s 32ns year and has influenced the broadcasts of David Letterman and others. Billboard Magazine hailed Jon’s show as “The Alternative to MTV”

CNN iReport http://ireport.cnn.com/docs/DOC-1257128

Youtube https://youtu.be/cwRgiMGhyUc

Vimeo https://vimeo.com/133350902

Jon Hammond Band Facebook Video https://www.facebook.com/jonhammondband/videos/vb.133709526657853/1090842704277859/?type=3&theater

Jon’s archive https://archive.org/details/JonHammondBandThemeSongLateRent

Attribution-Noncommercial-No Derivative Works 3.0

80th Anniversary Hammond Organs, Jon Hammond, Hilton Lobby, Photographs, Jon Hammond Show, Bernard Purdie, Koei Tanaka, Fatback, ASCAP Composition, AFM Local 6, The NAMM Show, #80thAnniversary #HammondOrgan

Organ Lounge with 3 Kings of Chitlin Circuit: Bernard Purdie, David Fathead Newman, Jon Hammond at the B3

May 19, 2015

*WATCH THE FILM HERE: Organ Lounge with 3 Kings of Chitlin Circuit: Bernard Purdie, David Fathead Newman, Jon Hammond at the B3

Jon’s archive https://archive.org/details/JonHammondKingsofChitlinCircuit-JonHammondBand

at Zanzibar and Grill NYC – 550 Third Avenue next to Sarge’s Delicatessen – as seen on The Jon Hammond Show – MNN TV Channel 1

The late great David Fathead Newman – David’s wiki http://en.wikipedia.org/wiki/David_%22Fathead%22_Newman

David “Fathead” Newman (February 24, 1933 – January 20, 2009) was an American jazz and rhythm-and-blues saxophonist who made numerous recordings as a session musician and leader, but is best known for his work as a sideman on seminal 1950s and early 1960s recordings by singer-pianist Ray Charles.

The All Music Guide to Jazz wrote that “there have not been many saxophonists and flutists more naturally soulful than David “Fathead” Newman,” and that “one of jazz’s and popular music’s great pleasures is to hear, during a vocalist’s break, the gorgeous, huge Newman tones filling the space . . . .”[1] Newman is sometimes cited as a leading exponent of the so-called “Texas Tenor” saxophone style, which refers to the many big-toned, bluesy jazz tenor players from that state.

Newman was born in Corsicana, Texas, on February 24, 1933, but grew up in Dallas, where he studied first the piano and then the saxophone.[3] According to one account, he got his nickname “Fathead” in school when “an outraged music instructor used it as an epithet after catching Mr. Newman playing a Sousa march from memory rather than from reading the sheet music, which rested upside down on the stand.”[4]

Inspired by the jump blues bandleader Louis Jordan, Newman took up the alto saxophone in the seventh grade, and was mentored by former Count Basie saxophonist Buster Smith.[5] He went off to Jarvis Christian College on a music and theology scholarship but quit school after three years and began playing professionally, mostly jazz and blues, with a number of musicians, including Smith, pianist Lloyd Glenn, and guitarist bandleaders Lowell Fulson and T-Bone Walker.[3]

Sideman and soloist with Ray Charles[edit]
Newman met and befriended Ray Charles in early 1951 when Charles was playing piano and singing with the Lowell Fulson band.[5] Newman joined Charles’ band in 1954 as a baritone saxophone player, but later switched to tenor and became Charles’ principal saxophone soloist after tenor saxophonist Don Wilkerson left the band.[5][6]

Many of Charles’ seminal recordings during the 1950s and early 1960s feature a saxophone solo by Newman. These include hits such as “Lonely Avenue,” “Swanee River Rock,” “Ain’t That Love,” “The Right Time” (with Newman on alto sax), and “Unchain My Heart”.[7] Although his solos were short in duration, they became, as the New York Times later noted, “crucial to the Ray Charles sound.”[8] Atlantic Records’ producer Jerry Wexler, who signed Charles to the label, called Newman Charles’ “alter ego on tenor.”[9] Charles said that Newman “could make his sax sing the song like no one else.”[10] As Newman himself put it, “I became famous for playing 8-bar and 12-bar solos!”[5]

In 1959, Newman released his debut album as a leader, Fathead: Ray Charles Presents David Newman, with Charles playing piano.[5] He stayed with Charles’ band until 1964, and rejoined the group in 1970–1971.

Bernard Purdie’s wiki http://en.wikipedia.org/wiki/Bernard_Purdie

Bernard Lee “Pretty” Purdie (born June 11, 1939) is an American session drummer, and is considered an influential and innovative exponent of funk.[1] He is known for his precise musical time keeping[2] and his signature use of triplets against a half-time backbeat: the “Purdie Shuffle.”[3]

Purdie recorded Soul Drums (1968) as a band leader and although he went on to record Alexander’s Ragtime Band, the album remained unreleased until Soul Drums was reissued on CD in 2009 with the Alexander’s Ragtime Band sessions. Other solo albums include Purdie Good (1971), Soul Is … Pretty Purdie (1972) and the soundtrack for the blaxploitation film Lialeh (1973).

In the mid-1990s he was a member of The 3B’s, with Bross Townsend and Bob Cunningham.

t an early age Purdie began hitting cans with sticks and learned the elements of drumming techniques from overhearing lessons being given by Leonard Heywood. He later took lessons from Heywood and played in Heywood’s big band. Purdie’s other influences at that time were Papa Jo Jones, Buddy Rich, Gene Krupa, Joe Marshall, Art Blakey,[4] as well as Cozy Cole, Sticks Evans, Panama Francis, Louis Bellson, and Herbie Lovelle.[5]

In 1961 he moved from his home town of Elkton, Maryland, to New York. In order to be able to obtain a licence to perform in public (minimum age 21), Purdie claimed he was born in 1939, while in fact he was born in 1941. There he played sessions with Mickey and Sylvia and regularly visited the Turf Club on 50th and Broadway, where musicians, agents, and promoters met and touted for business. It was during this period that he played for the saxophonist Buddy Lucas (musician), who nicknamed him ‘Mississippi Bigfoot’. Eventually Barney Richmond contracted him to play session work.[4] In a 1978 interview, Purdie claimed to have added drum overdubs to “several [tracks] of the Beatles’ Hamburg recording” with Tony Sheridan,[6] including “Ain’t She Sweet”, “Take Out Some Insurance on Me Baby” and “Sweet Georgia Brown”,[7] to give them a punchier sound for the US market.[8]

Purdie was contracted by arranger Sammy Lowe to play a session with James Brown in 1965 and recording session records also show that Purdie played on “Ain’t That A Groove”[9] at the same session.[4] This was one of several sessions he played with Brown and the track “Kansas City” from Brown’s album Cold Sweat (1967), displays one of the most sophisticated and driving shuffles recorded for Brown’s catalogue. Purdie is also credited on the albums Say It Loud-I’m Black and I’m Proud (1969)[10] and Get on the Good Foot (1972).[11]

Purdie started working with Aretha Franklin as musical director in 1970 and held that position for five years,[1] as well as drumming for Franklin’s opening act, King Curtis and The King Pins. In 1970 he performed with both bands at the Fillmore West; the resulting live recordings were released as Aretha Live at the Fillmore West (1971) and King Curtis’s Live at Fillmore West (1971).[12] His best known track with Franklin was “Rock Steady”,[13] on which he played what he described as “a funky and low down beat”. Of his time with Franklin he once commented that “backing her was like floating in seventh heaven”.[4]

Purdie was credited on the soundtrack album for Sgt. Pepper’s Lonely Hearts Club Band (1978) and more recently he was the drummer for the 2009 Broadway revival of Hair and appeared on the associated Broadway cast recording.[14]

Purdie has been a resident of New Jersey, living in Edison, Teaneck and Springfield Township.

Usage Attribution-NonCommercial-NoDerivs
Topics Jon Hammond Band, B3 organ, Funky Jazz, Mercy, David Fathead Newman, Bernard Purdie, cable access show, Local 802, Musicians Union

Jon’s archive https://archive.org/details/6842260328

Jon Hammond Show cable access TV show broadcast for 03/28/2015, Jon’s band performing in jazzkeller Frankfurt original composition “Get Back in The Groove” – exclusive footage from Jon Hammond Show of the late great Dave Van Ronk followed by radio interview footage with Alan Pasqua and Jon Hammond just before Alan’s concert with Allan Holdsworth recorded for DVD, then never-before-seen footage Jon filmed of Michael Brecker, the late great jazz tenor saxophonist in performance with Barry Finnerty’s band in Michael’s club Seventh Avenue South he co-owned with his brother Randy Brecker in Greenwich Village – wrapping up the show, a wonderful segment of Joe Franklin on mic with Jon Hammond, Joe Franklin was the King of Radio & TV

– 32nd year Jon Hammond Show, FSB, Funk Soul Blues and soft news – enjoy folks http://www.HammondCast.com

Youtube https://youtu.be/pafohvr4CGE

CNN iReport http://ireport.cnn.com/docs/DOC-1226569

Dailymotion http://www.dailymotion.com/video/x2k4t4c_jon-hammond-show-mnn-ch-1-broadcast-03-28-2015-funk-soul-blues-soft-news_music

Vimeo https://vimeo.com/122796412

Jon Hammond Band Facebook http://www.facebook.com/jonhammondband

Jon’s archive https://archive.org/details/JonHammondCakeFlowersandLateRent25YearsMusikmesseWarmUpPartyinJazzkeller

Youtube http://youtu.be/hozrJpHvV-4

Jon Hammond Band Facebook https://www.facebook.com/video.php?v=1011779378850859&pnref=story

Dankeschön / Thanks for the flowers Musikmesse Team! and all my friends who came out for this very special evening – Jon Hammond
Chocolate on Chocolate Cake at Jon Hammond’s annual musikmesse Warm Up Party in jazzkeller Frankfurt with Jon Hammond Band and special guests for this special occasion celebrating 25 years in Musikmesse. Special acknowledgement of Wilhelm P. “Charly” Hosenseidl R.I.P. who was the Director of musikmesse years 1989-2008 now Directed by Wolfgang Luecke, special thanks to Messe Frankfurt Projekt and Presse Team!
Jon Hammond Band:
Joe Berger guitar
Tony Lakatos tenor saxophone
Giovanni Totò Gulino drums
Jon Hammond – XB-2 Hammond Organ – special thanks Hiromitsu Ono Chief Engineer Suzuki Musical Instruments designed my instrument which took me all around the world many times

“Late Rent” Jon Hammond theme song for Jon Hammond Show MNNTV and HammondCast Show KYOU Radio San Francisco CBS Radio Network
Thanks Joe Lamond President CEO NAMM, TecAmp Jürgen Kunze and Thomas Eich – Puma Combo bass amp powering Jon Hammond’s organ
Dankeschoen to Yücel Atiker, Tino Pavlis, Poehl, Bernie Capicchiano, Michael Falkenstein Hammond Suzuki Deutschland, Peggy Behling, Christine Vogel Messe Frankfurt,
Saray Pastanesı Baeckerei & Konditorei for Chocolate on Chocolate
25 Years Musikmesse Celebration Cake – Mainzer Landstrasse 131, 60327 Frankfurt am Main, Eugen Hahn Jazzkeller Frankfurt Team Kleine Bockenheimerstr. 18a Frankfurt
http://www.HammondCast.com/

Journal Frankfurt Article by Detlef Kinsler, LINK: http://journal-frankfurt.de/funkyjazz

Kultur
StartseiteAlle NachrichtenKultur

My home away from home 
 
MY HOME AWAY FROM HOME 

0
Jon Hammond zum 27. Mal auf der Musikmesse
Nomen est omen. Der Mann heißt Hammond und spielt eine Hammond. Der Organist aus New York freut sich auf Frankfurt und lädt zur Musikmesse Warm Up Party am 9.4. in den Jazzkeller ein.
JOURNAL FRANKFURT: Was war für Sie zuerst da – die Frankfurter Musikmesse oder Auftritte im Jazzkeller?
Jon Hammond: Die Musikmesse. Ich kam 1987 zum ersten Mal nach Frankfurt, zusammen mit Joe Berger, der auf der Messe für Engl Amplifiers spielte. Wir flogen mit der Lufthansa ein und teilten uns ein Zimmer im berühmten Prinz Otto Hotel am Hauptbahnhof. Schon in der ersten Nacht stellte mir Joe den großen John Entwistle, den Bassisten von The Who vor. Es wurde eine lange Nacht, in der wir Cognac tranken und Erdnüsse knabberten in eiern Suite des Marriott Hotels. Ich habe Joe bei einer Session mit John und Ringo Starrs Sohn Zak Starkey im Dorian Grey Club gefilmt bei einer Soundcheck Party. In den ersten paar Jahren spielte ich nicht oft live weil ich noch keine transportierbare Hammond Orgel hatte vor 1991 als ich den Prototyp einer XB-2 Hammond Orgel bekam mit der ich dann um die Welt reiste. Hauptsächliche dokumenierte ich aber die Messe für meine Cable TV Show in New York, die inzwischen im 29. Jahr als The Jon Hammond Show — Music, Travel and Soft News präsentiert. Die harten Nachrichten überlasse ich CNN und den großen Networks (lacht). Vom ersten Jahr an fühlten wir uns der Musikmesse eng verbunden, haben seitdem eine tolle Zeit hier, kommen jedes Jahr wieder bis wir kleine, alte Männer sind.

Das Jazzkeller-Konzert am Vorabend der Musikmesse ist zu einer netten Tradition geworden – wie kam es dazu, was bedeutet es Ihnen und wir werden Sie dieses Jahr diesen Abend im Jazzkeller zelebrieren?
Ab 1991 lernte ich mehr und mehr Musikmesse-Menschen kennen und die mich und auch einiges von meiner Musik. Einige von ihnen ermunterten mich, doch auch für Auftritte nach Deutschland zu kommen weil es hier doch ein Interesse an Hammond-Orgel-Groove-Music gab. Mit der schon erwähnten, kleinen, kompakten aber sehr kraftvollen Orgel war das alles möglich. Zudem machte ich in New York gerade eine schwere Zeit durch, mein Vater war gestorben und ich hatte das Gefühl, einige Veränderungen könnten meinem Leben gut tun. Also kam ich nach Frankfurt mit meiner XB-2, allerdings mit einem Rückflugticket falls etwas schief gehen würde. Ich rief viele Musiker an, ließ sie wissen, ich bin jetzt da, lasst uns zusammen spielen. Das war für mich der Anfang einer langen, sehr speziellen Beziehung, vor allem zum Frankfurter Publikum nach ersten kleinen erfolgen im Jazzkeller und einer kurzen Auftritt im Hessen Report im Fernsehen. Beatrix Rief verdanke ich dieses “lucky light on me”, eine tolle Erfahrung. Seitdem nenne ich Frankfurt “My Good Luck City” und im Jazzkeller begann auch alles für mich als Musiker. Deshalb liegt mir der Club auch so nah am Herzen, deshalb hatte ich auch die Idee, meine “Musikmesse Warm Up Party” dort zu realisieren, immer in der Nacht bevor die Messe startet was zu einer schönen Tradition wurde. Im ersten Jahr, in dem ich dann auch ein wenig Sponsoring von Philip Morris bekam, konnte ich damit einige Flugtickets für befreundete Musik bezahlen. Darüber war ich sehr glücklich. Dabei rauche ich selbst gar nicht.

Wie würden Sie Ihr persönliches Verhältnis zu Deutschland und Frankfurt beschrieben?
Lassen Sie es mich so sagen: ich liebe Frankfurt und die Frankfurter waren immer gut zu mir in all den Jahren. Ich könnte ein ganzes Buch über die Zeit schreiben, in der ich in Bornheim wohnte und Nacht für Nacht in der alten Jazzkneipe in der Berliner Straße auftrat. Das war der Treffpunkt, wo auch die Musiker der HR Bigband hinkamen und es gab eine generöse Chefin in der kleinen Kneipe. Auch Regine Dobberschütz und Eugen Hahn im Jazzkeller waren wahre Jazzengel für mich, die mir so vieles ermöglichten in der Zeit. Wir konnten auch in den Studios von AFN Radio spielen, waren die einzigen Musiker, die das – mit einer Sondergenehmigung des US Militärs – durften. Für ein wenig Promotion für die Musikmesse. Wir nannten das Programm für die AFN “Profile TV “-Show “Sound Police”. Wir hatten viel Spaß. Kein Wunder also, dass ich Frankfurt als my home away from home begreife und ich mich jedes Mal wieder freue zur Musikmesse zu reisen, in diesem Jahr übrigens zum 27. Mal in Folge. Und ich bin diesmal besonders aufgeregt, heim nach Frankfurt zu kommen weil ich gerade 60 Jahre alt geworden bin.

Wer wird in diesem Jahr zum Gelingen des Konzertes mit teils komponierter, teils improvisierter Musik, so nehme ich an, beitragen und was für einen Sound wird die Band präsentieren?
Ich habe etwa 90% der Kompositionen geschrieben, die wir spielen werden. Es ist die Musik, die man auch in meiner New Yorker TV-Show hören kann und die mich mehrmals um die Welt getragen hat. Meinen Stil nenne ich “Swinging Funky Jazz and Blues” und featurert die ganz wunderbaren Solisten in meine Band: Tony Lakatos, den großen ungarischen Tenorsaxophonisten, der auch Mitglied in der hr Bigband ist, dann meinen alten Freund Giovanni Gulino, diesen tollen Schlagzeuger, der schon für fast alle Großen der Szene getrommelt hat. Ich liebe diese Jungs. Als Gitarrist ist mein alten Freund und Kollege Joe Berger dabei, den man auch als The Berger-Meister kennt. Auf diese Formation bin ich wirklich stolz.

Werden Sie im Jazzkeller wieder eine Hammond Orgel spielen?
Ja, sicher, das neueste Modell, eine Sk1, die exakt so klingt wie die legendäre B3. Ich liebe sie. Und sie wiegt nur noch sieben Kilo (Anm. des Autors: Das Original, ein echtes Möbel mit viel Holz, mussten immer zwei Menschen mit viel Muskelkraft die Treppen rauf und runter hieven), ein deutliches Indiz, dass wir in der Zukunft angekommen sind. Da stecken viele Jahre Forschung und Entwicklung drin, auch Bühnenerprobungen. Ich ziehe den Hut vor den Ingenieuren von Suzuki, ein unverwüstliches Instrument erschaffen zu haben. Und das unterziehe ich jetzt einen echten Härttest (lacht).

27. März 2013
Interview: Detlef Kinsler

Briggs & Riley Travelware added 2 new photos – https://www.facebook.com/BriggsandRiley/posts/10153116135768914

Iconic jazz and blues keyboardist and television/music radio show host and producer (CBS’s “Jon Hammond’s Afternoon Slide” on KYCY 1550 AM) Jon Hammond writes us: “Nothing like riding the old S-Bahn with my Briggs & Riley Travelware.” We do love hearing from you, Mr. Hammond. Happy travels on tour and keep on tinkling those ivories!!

Musician and media personality Jon Hammond in Frankfurt photographing his Briggs & Riley bags.

Keyboard master Jon Hammond on tour.

People Who Like This:

Chuck Scheper

In Pursuit of Travel / Alicia Anderson

Amanda Griffiths

Briggs & Riley Travelware

Paradise Baggage Company and Luggage Repair – Colorado

Julie Goetz Hoffman

Aymun Hassan

Bernie Maduzia

Ralph Ron DiGennaro

Lilliam Ugalde Wyer

Alinda Soria

Jon Hammond Band http://www.facebook.com/jonhammondband

Dailymotion http://www.dailymotion.com/video/x1skk2s_train-song-musikmesse-warm-up-party-jon-s-journal_music

Jon’s archive https://archive.org/details/LateRent2013MusikmesseWarmUpPartyJonHammondBand

http://www.jazzkeller.com/programm/nextmonth.htm

Di. 14.04. 
“The FINGERS…are the SINGERS!”
Musikmesse “Warm Up Party”
Jon Hammond & Band

Jon Hammond – organ
Joe Berger – guitar
Peter Klohmann – saxophone
Giovanni Gulino – drums

Mr. Hammond has toured worldwide since 1991 using the incredible Sk1 organ by Hammond Suzuki..™ “Classic Hammond Sound…In A Suitcase!”
The Jon Hammond Show is a funky swinging instrumental revue, featuring top international soloists. The show has universal appeal. Big Hammond orgel sound – 100% organic 
jonhammondband.com/music

More Jon Hammond, klick: http://behindthebeat

 

Poster: “The FINGERS…are the SINGERS!” Musikmesse “Warm Up Party” Jon Hammond & Band

Cable Access: Jon Hammond Show Broadcast 03/14/2015 MNN Channel 1

Jon’s archive https://archive.org/details/6842260314

#ChitlinCircuit #Fathead #B3 #HammondOrgan #Local802 Zanzibar and Grill, Public Access Program, MNN TV, Channel 1, Jon Hammond, Bernard Purdie, #Funk #Soul