Posts Tagged ‘Dot Org’

Eddie Money on HammondCast Jon Hammond’s Journal KYOU Radio Dot Org

December 20, 2015

*LISTEN TO THE AUDIO HERE: Eddie Money on HammondCast

Jon’s archive http://kyouradio.org/music-11.html KYOU Radio dot org

My old friend Eddie Money steppin’ up to the mic on Jon Hammond Show – photos: Remembering Eddie Sorensen (center):

On JFK Aircraft Carrier with “Just Jill” Jill Nicolini on PIX TV – Jon Hammond

Jon Hammond and Eddie Money on top of the Empire State Building on very cold day

Eddie Money, Julian Money, Laurie Money in taxi cab on 42nd Street – Jon Hammond

Eddie with Prevost tour bus – Jon Hammond

Eddie Money with his daughter Jesse Money – Jon Hammond

Jon’s Journal http://jonhammondband.com/music-121.html

HammondCast 104 for KYOU Radio 1550 AM, with special guest: BERNARD PURDIE at the mic and the drums with Jon, he recounts how he began until now and a live performance in Emeryville CA. Jon Hammond’s old rock band HADES 1971 recording live in Provo Park Berkeley and an exclusive recording with EDDIE MONEY
Jumping over to Hamburg Germany, at ‘Music Club Live’, Funk, Soul and Blues for the Night People! ©2007 *official site: http://www.HammondCast.com 45 minutes

NO MSG – L to R Stephen Page, Jon Hammond, Jon Russell – KYOU Radio and KYCY 1550 AM #CNNiReport

Showtime! – Penzlin Burginnenhof Landesjugendjazzorchester MV Jon Hammond Jazzorgel – High Definition Movie
http://jonhammondband.com/blog.html/showtime__penzlin_burginnenhof_landesjugendjazzorchester_mv_jon_hammond_jazzorgel__high_definition_movie/
*WATCH THE MOVIE HERE: Showtime! – Penzlin Burginnenhof Landesjugendjazzorchester MV Jon Hammond​ Jazzorgel – High Definition Movie Jon’s archive https://archive.org/details/PenzlinBurginnenhofLandesjugendjazzorchesterMVJonHammondJazzorgel1 Penzlin, Germany — Showtime!

My 1965 Blackface Fender Band-Master head on the bench, great amp for everything! – Jon Hammond

Good looking Cheesecake at Paris Baguette shop! – Millbrae CA
Jon Hammond

AghaRTA Prague Jazz Festival in AghaRTA Jazz Centrum, Prague – Jon Hammond

It was fun being on-the-air with Jesse Chuy Varela at Kcsm Jazz 91.1 FM – some real nice Sennheiser MD 421 microphones in the studio, one of my favorite mics to broadcast on –

Jon Hammond — with Jesse Chuy Varela at KCSM Jazz 91

Heinz Lichius’ first New York gig – L to R Joe Berger g., Heinz Lichius d. Jon Hammond o. – Cleopatra’s Needle club NYC #CNNiReport

— with Joe Berger and Heinz Lichius at Cleopatra’s Needle

Jazzkeller action shot a few years ago maybe 1992, the cable coming out of my organ on the left was my lucky glow-in-the-dark Whirlwind cable I used for 35 years before it finally disintegrated – my friends at Whirlwind tried to fix it but it couldn’t be fixed, original military plugs – it served me well! –

Jon Hammond — at JazzKeller

Bruno’s – Ron Smith d.
Charles McNeal t.s.
Jon Hammond o.

— at Bruno’s Nightclub

Shoreline Amphitheatre – L to R Barry Finnerty, Larry Schneider, James Preston, Marc the sound man, Jon Hammond front
Jon Hammond and The Late Rent Session Men — with Barry Finnerty, Larry Schneider and James Preston

at Shoreline Amphitheatre At Mountain View

Joe Berger on the dusty trail with John Entwistle a few years ago – Jon Hammond

— with Joe Berger at Slim’s

Special Lunch Show in front of San Francisco City Hall
Jon Hammond organ
James Preston drums
Steve Campos flugelhorn
Harvey Wainapel tenor
Barry Finnerty guitar

— with Steve Campos, Barry Finnerty and James Preston at San Francisco City Hall

Studio 1 NDR Info – Jon Hammond

— at NDR

Thanksgiving with the late great Joe Franklin – Joe fed a lot of folks at the old Show World on 42nd & Eighth, including myself! – Jon Hammond
VIDEO: https://youtu.be/b_-mYcrxtTo

*some comments:
brought to you by Martin Paints

jjm1965 7 years ago
I saw Joe Franklin at a show at Danbury Municipal Airport in the early 1980s (Tiny Tim was there , too). Very funny guy. What a wealth of knowledge on pop music from the first half of the 20th century. Truly a national tresure.
-Martin Paints: It ain’t just paints.

Good news: The gig comes with dinner!

Jon Hammond et Boris Blanchet, Amaury Blanchard – Paris
‪#‎CNNiReport‬

Bruno’s Lounge – Jon Hammond

Bruno’s Mission District San Francisco CA

Just about to get on the bus – no Air Conditioning on this one!
Jon Hammond

Regione Marche​ — Great to see my friend Nello Gabrielloni in Italy! King of All Accordions! http://www.accordions-agenziaitalia.com
Tutto quanto può servire per la fisarmonica !

L’esperienza di quattro generazioni nel mondo della fisarmonica è la testimonianza del nostro amore per questo strumento:
Fisarmoniche Nuove ed Usate
Strumenti Speciali su misura
Accessori e parti di Ricambio
Riparazioni di vecchi strumenti
Modifiche e Ricostruzioni
Jon Hammond​

Jon’s archive https://archive.org/details/OnAirWithJazzboCollinsAndYoshisJonHammondBandFeb.91994

CNN iReport http://ireport.cnn.com/docs/DOC-1268257

Youtube https://youtu.be/Hjw0_uLg8-E

Facebook Video https://www.facebook.com/jonhammondband/videos/vb.133709526657853/1122434651118664/?type=3&theater

by Jon Hammond

Published September 2, 2015
Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics Jazzbeaux Collins, Al Jazzbo Collins, Jon Hammond, Yoshi’s Oakland, Bennett Friedman, James Preston, Barry Finnerty, #HammondOrgan #AFMLocal6 #MusiciansUnion

On Air with Jazzbo Collins and Yoshi’s Jon Hammond Band Feb. 9, 1994 – Preston pretty much kicked ass on this gig! — Oakland CA — original Yoshi’s Oakland​ Gig Feb. 9th 1994, just after being on-the-air with Al “Jazzbo” Collins​ – watching the film now, sounds real good – Jon Hammond​ / Jon Hammond Band​ (quartet) – thanks Jason Olaine​ for the hit – James Preston​ drums (R.I.P.) Bennett Friedman tenor, Barry Finnerty​ gtr., Jon Hammond Organ Group​ http://www.jonhammondband.com all original music ©JON HAMMOND International Member ASCAP – AFM Local 6​ – Associated Musicians of Greater New York, Local 802 AFM​
Yoshi’s Oakland​ didn’t have any decent lights in those days! Jon Hammond​ – *Note: Broadcasting Legend Al Jazzbeaux Collins opens this film at KCSM 91.1FM, greatly missed!! – Jon Hammond Organ Group​ – https://en.wikipedia.org/wiki/Al_%22Jazzbo%22_Collins
Albert Richard “Jazzbo” Collins (January 4, 1919 – September 30, 1997) was an American disc jockey, radio personality and recording artist who was briefly the host of NBC television’s Tonight show in 1957.
Al “Jazzbo” Collins
Al “Jazzbeaux” Collins
Born Albert Richard Collins
January 4, 1919
Rochester, New York
Died September 30, 1997 (aged 78)
Marin County, California
Born in Rochester, New York in 1919,[1] Collins grew up on Long Island, New York. In 1941, while attending the University of Miami in Florida, he substituted as the announcer on his English teacher’s campus radio program, and decided he wanted to be in radio. Collins began his professional career as the disc jockey at a bluegrass station in Logan, West Virginia; by 1943, he was at WKPA in Pittsburgh, moving in 1945 to WIND in Chicago and in 1946 to Salt Lake City’s KNAK. In 1950, he relocated to New York where he joined the staff of WNEW and became one of the “communicators” on NBC’s Monitor when it began in 1955.

Collins made several appearances on The Tonight Show with Steve Allen in the early 50s (and even briefly took over the show after Allen’s departure; see below). In 1953, Allen adapted several nursery rhymes (including Little Red Riding Hood) into jazz-flavoured recitations, with Collins on vocals and Lou Stein on piano.

“Jazzbo”
The name “Jazzbo” derived from a product Collins had seen, a clip-on bowtie named Jazzbows. Just as Martin Block created the illusion that he was speaking from the Make Believe Ballroom, Collins claimed to be broadcasting from his inner sanctum, a place known as the Purple Grotto, an imaginary setting suggested by radio station WNEW’s interior design, as Collins explained:

I started my broadcast in Studio One which was painted all kinds of tints and shades of purple on huge polycylindricals which were vertically placed around the walls of the room to deflect the sound. It just happened to be that way. And with the turntables and desk and console and the lights turned down low, it had a very cavelike appearance to my imagination. So I got on the air, and the first thing I said was, “Hi, it’s Jazzbo in the Purple Grotto.” You never know where your thoughts are coming from, but the way it came out was that I was in a grotto, in this atmosphere with stalagtites and a lake and no telephones. I was using Nat Cole underneath me with “Easy Listening Blues” playing piano in the background.
The Tonight Show and later work
In 1957, NBC-TV installed him for five weeks as the host of the Tonight show when it was known as Tonight! America After Dark in the period between hosts Steve Allen and Jack Paar.[2]

Also in 1957, Collins starred in (as himself) an episode of NBC radio’s science fiction radio series X Minus One. By 1959, he was with KSFO in San Francisco, hanging out with the beatnik hipsters in North Beach. On-air, Jazzbo would say that he was broadcasting “from the purpleness of the Grotto”, often mentioning his assistant “Harrison, the long-tailed purple Tasmanian owl”. On the TV side, Collins hosted “The Al Collins Show,” that aired mornings on KGO-TV. The format included light talk and guest appearances by local celebrities such as Moe Howard of The Three Stooges. Later in the 1960s, he was the host of Jazz for the Asking (VOA), and he worked with several Los Angeles stations during the late in the decade: KMET (1966), KFI (1967) and KGBS (1968).

He officially changed the spelling of his name to Jazzbeaux when he went to Pittsburgh’s WTAE in 1969. He moved to WIXZ in Pittsburgh (1973) before heading back to the West Coast three years later. While in Pittsburgh, he briefly hosted a late night television show entitled “Jazzbeauxz (with a ‘z’) Rehearsal”, an eclectic sampling of anything that caught Collins’ interest at the time, including a long-running hard-boiled-egg spinning contest. He conducted the program from a barber chair, as he had on a previous TV show.

“Stinking badges”[edit]
A popular segment on his show was the “no stinkin’ badges” routine, a play on the famous exchange in the 1948 film The Treasure of the Sierra Madre. Al would politely request that the main guest for that day don a Mexican bandit costume, complete with ammo belts crossing the chest, six-guns in holsters, a huge sombrero and large fake mustache. The guest then had to pose in front of cameras and for the TV audience. With pistols pointing at the camera lens the guest had to say (with emphasis) “I don’t got to show you no stinkin’ badges.” If the guest did not say it with sufficient sinister tone Collins made him or her repeat it until in Al’s opinion the guest got it right.

1970s and beyond[edit]
In 1976 Al Collins returned to San Francisco, working at KMPX, followed by a three-year all-night run at KGO which drew callers throughout the West Coast; he always opened his program with Count Basie’s “Blues in Hoss Flat”. He also worked a late night shift at KKIS AM (in Pittsburg, California, ironically) in 1980. After a stint in New York and WNEW (1981), Jazzbo was back in San Francisco at KSFO (1983) and KFRC (1986). Then came one more run at WNEW (1986–90), then KAPX (Marin County, California) in 1990, and finally a weekly jazz show at KCSM (College of San Mateo, California) from 1993 to his death.

Al Collins died on September 30, 1997, at the age of 78, from pancreatic cancer.

Producer Jon Hammond
Language English

Jon’s archive https://archive.org/details/KlostergartenLaJazzOMVConcertFilmLaJazzOMVUnterDerLeitungVonMichaelLeuschner

CNN iReport http://ireport.cnn.com/docs/DOC-1266743

Facebook video https://www.facebook.com/hammondcast/videos/10152982546567102/?l=1292399109873475047

by Jon Hammond

Published August 25, 2015
Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics Concert Event, LaJazzO MV, Klostergarten, Michael Leuschner, Bigband, Landesjugendjazzorchester, Jon Hammond, Mecklenburg Vorpommern, #Rostock

Klostergarten LaJazzO MV Concert Film LaJazzO MV unter der Leitung von Michael Leuschner​ CONCERT EVENT https://www.facebook.com/events/846845685410695/ – Am 01.08.2015 ist das Landesjugendjazzorchester​ Mecklenburg-Vorpommern (LaJazzO MV) mit seinem diesjährigen Solisten Jon Hammond wieder im Klostergarten​ Rostock zu Gast. http://www.HammondCast.com – Landesjugendorchester Mecklenburg Vorpommern​ – film from Jon *nice solos from Matthis Rasche and Al Tobias

Producer Jon Hammond
Language German

Jon’s archive https://archive.org/details/OrganMeetsBigbandInRostockKlostergartenLaJazzOMVAndFullLandesjugendjazzorchester

Eddie Money, KYOU Radio, Dot Org, Organist, Jazz, #Blues #TheNAMMShow #HammondOrgan #Money

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HammondCast 7 Purdie tells story of how he played trumpet and flute before drums, original music and talk

December 15, 2015

*LISTEN TO THE AUDIO HERE: HammondCast 7 KYOU Radio Dot Org

Jon’s archive http://kyouradio.org/music-14.html

JON HAMMOND: Music
HammondCast 7 *note: Crank it WAY up, these are very old recordings!

Going in to the Jon Hammond Archives, live recordings with Bernard Purdie on the Jon Hammond Band, my old rock band HADES from a 1971 recording in Provo Park Berkeley CA. Get Back In The Groove with Frank Biner on vocals from a DTI Records recording 1981 and dedicated to the hurricane victims…and a track I recorded with Eddie Money: “I’ve Been Lovin’ You Too Long”.
HammondCast 7 http://www.HammondCast.com

On HammondCast 7 you’ll hear some great pieces from my archives with Bernard Purdie live on my band at Kimball’s East in Emeryville California, also a live recording from my old rock band HADES that was recorded live in Provo Park Berkeley CA all the way back in 1971..before some of you were born I’m sure. And a track with EDDIE MONEY and also a song I wrote and recorded for DTI Records that I’d like to dedicate to the recent victims of Hurricanes Katrina & RIta…HammondCast 7 – spcl. thanks KALX Anthony Bonet © 2015 JON HAMMOND

*Note: Entire 51 minutes in KALX from Jon Hammond *LINK: https://archive.org/details/InStudioRadioInterviewWithJonHammondAndBernardPurdieAtKalxWith

In Studio Radio Interview with Jon Hammond and Bernard Purdie at KALX with Anthony Bonet
by Jon Hammond

Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics bernard purdie, jon hammond, soul music, kalx, anthony bonet, interview, radio, cocodrie, kimball’s east, drums, b3 organ
Run time 50 minutes 37 seconds
Producer Jon Hammond
Audio/Visual sound

51 Minutes In-Studio Radio Interview with organist Jon Hammond and studio drummer Bernard Purdie with host producer Anthony Bonet aka “Sex 14s”. This interview took place
on October 8th 1998 the day before Jon Hammond and The Late Rent Session Men performed 2 concerts at Cocodrie Club in North Beach San Francisco and at Kimball’s East Nightclub and Restaurant in Emeryville, both clubs are closed now. Hear Jon and
Bernard talk about their long musical careers and the music and musicians on the band the next day, saxophonist Bennett Friedman, guitarist Barry Finnerty, Bernard Purdie aka “Pretty Purdie” or “The Hit Maker” on drums and Jon Hammond at the B3 organ.
Very special thanks to host producer Anthony Bonet aka “Sex 14s” of KALX and Bottom of The Hill club for having us in and also to Scott Rootenberg of The Cocodrie Club,
Jon Hammond
http://www.jonhammondband.com
Note: Bernard Purdie is perhaps the most recorded drummer in the music business
http://en.wikipedia.org/wiki/Bernard_Purdie
Bernard Lee “Pretty” Purdie (born June 11, 1939) is an American session drummer, and is considered an influential and innovative exponent of funk. He is known for his strict musical time keeping and “The Purdie Shuffle”
James Brown, Jeff Beck, Hummingbird, Steely Dan, Aretha Franklin, Gil Scott-Heron, King Curtis, The Rolling Stones, Miles Davis, Dizzy Gillespie, Randy Brecker, Quincy Jones, Hall & Oates, Isaac Hayes, Cat Stevens, Hair, Sgt. Pepper’s Lonely Hearts Club Band (soundtrack), Jon Hammond Late Rent album
Behind The Beat Story of Late Rent http://behindthebeat.com/2004/12/jon-hammond-late-rent/

Jon Hammond: Late Rent – by Steve Rosenfeld

Jon Hammond says “the fingers are the singers.’” The latest CD from this exceptional and soulful Hammond organist is the proof. “Late Rent” draws on decades of great recording sessions and top live performances to showcase his own playing and many top jazz and funk artists. It shows why the Hammond organ is one of the most enduring electric instruments and why Hammond is one of its best players.

The Late Rent Story
Jon Hammond waited half his life to make this CD – starting with being an underground TV host.
Swingin’ Funky Jazz & Blues
Jon Hammond describes his style of music and how he learned to play it.
Two Hot Tracks
Jon Hammond recalls one of his first songs – from age 15 – and a great Sunday session.
Sonny’s Advice
A little advice on melody from a great sax player went a long way.

HammondCast 41 Jon Hammond’s Journal http://kyouradio.org/blog.html/hammondcast_41_jon_hammonds_journal/

Location:
NAMM Sheraton Park Hotel at the Anaheim Resort Acoustic Stage
Jon Hammond Funk Unit

Event Date:
Thursday, January 21, 2016 – 9:00pm to 9:40pm
Genre:
Rock
Website:
http://www.jonhammondband.com
Facebook:
http://www.facebook.com/jonhammondband
Add to Calendar
https://www.namm.org/thenammshow/2016/events/jon-hammond-funk-unit-0
Artist Info
Jon
Jon Hammond
Organ / Organist Leader
Joe
Joe Berger
guitar / guitarist

#TheNAMMShow #HammondOrgan #NAMM #Sheraton – The NAMM Show

Event Date:
Thursday, January 21, 2016 – 9:00pm to 9:40pm
Add to Calendar

Jon’s archive https://archive.org/details/TinosHammondOrgan80thAnniversaryFilmDocumentaryTrailer

CNN iReport http://ireport.cnn.com/docs/DOC-1263982

Youtube https://youtu.be/2AX5CRnBWkA

Producer Tino’s Hammond Organ 80th Anniversary Film Documentary Trailer: Tino Pavlis – by Jon Hammond

Published August 13, 2015
Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics Hammond Organs, 80th Anniversary Hammond Organ, Tino Pavlis, Producer, Co-Producer, Joe Berger, Jon Hammond, NAMM Show, musikmesse, Suzuki Musical Instruments, Hamamatsu, B3, New B3mk2, Sk1, #HammondOrgan #80thAnniversary

Tino’s Hammond Organ 80th Anniversary Film Documentary Trailer with cameo appearances Michael Falkenstein, Joe Berger, Jon Hammond, Shuji Suzuki and Suzuki Musical Instuments Hammond Organ Team, Bernie Capicchiano Bernies Music Land Australia Hammond Distributor, Jon Hammond’s annual musikmesse Warm Up Party in world famous historic jazzkeller Frankfurt – Outro music “Organ Meets Bigband” Jon Hammond with Landesjugendjazzorchester LaJazzO MV orchestra – Director/Producer: Tino Pavlis, co-producer Joe Berger http://www.HammondCast.com

Producer Jon Hammond
Language English

Jon’s archive https://archive.org/details/OrganMeetsBigbandRostockKlostergarten

by Jon Hammond

Published August 8, 2015
Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics LaJazzO MV, Organ Meets Bigband, Klostergarten, Rostock, Jazz Orchestra, Jimmy Smith, Steve Gray, Michael Leuschner, Landesjugendorchester Mecklenburg-Vorpommern, #HammondOrgan #Jazz #Blues

„Organ meets Bigband“ das LaJJazzO M-V LandesJugendJazzOrchester Mecklenburg-Vorpommern https://www.facebook.com/events/846845685410695/ Am 01.08.2015 ist das Landesjugendjazzorchester Mecklenburg-Vorpommern (LaJazzO MV) mit seinem diesjährigen Solisten Jon Hammond wieder im Klostergarten Rostock zu Gast. Covering Jimmy Smith’s Back at The Chicken Shack and The Sermon – Nachdem sich in den vergangenen Jahren das LaJazzO MV mit den in der Big Band vorkommenden Instrumenten musikalisch auseinandersetzte, wird in 2015 die Jazzorgel musikalisch thematisiert werden. Unter dem Titel “Organ meets Big Band” wird dieses sehr traditionsreiche Instrument der Jazzgeschichte in den Mittelpunkt der Konzertreihe im folgenden Jahr gestellt. Als Jazzinstrument wurde es von Fats Waller in den 30er Jahren eingeführt und hatte seine Hochzeit in den 50er Jahren durch seine Vertreter wie Jimmy Smith. Der international renommierte New Yorker Jazzorganist Jon Hammond wird zusammen mit dem LaJazzO MV unter der Leitung von Michael Leuschner den besonderen Charme dieses Instrumentes wieder zum Leben erwecken. Im Programm sind unter anderem Titel von Jimmy Smith, arrangiert von Steve Gray – eine Leihgabe aus dem Archiv der NDR-Bigband.

Jon Hammond studierte in den siebziger Jahren am Berklee College of Music und am City College San Francisco. Konzertreisen führten ihn quer durch die Vereinigten Staaten und Kanada. In seiner eigenen ‘Jon Hammond Show’ spielte er mit Musikern wie Dizzy Gillespie, Paul Butterfield, Jaco Pastorius, John Entwistle, Sammy Davis Jr., Percy Sledge und vielen anderen. Auch in Europa fand und findet seine Musik unverändert viele Anhänger. Die Medien berichten wiederholt von einem unverwechselbaren und prägenden Sound. Jon Hammond hat u.a. auf der 20. Frankfurter Musikmesse mitgewirkt und tritt vornehmlich in Hamburg auf. “The Jon Hammond Show” is a funky, swinging Jazz instrumental revue, featuring notable international soloists and reflecting the influences of Miles Davis, The Crusaders and Jimmy Smith.
http://www.HammondCast.com
Programm: “Organ meets Bigband”
Leitung: Michael Leuschner
Samstag, d. 01.08.2015, 20:30 Klostergarten Rostock

Producer Jon Hammond
Language English

Facebook video https://www.facebook.com/jonhammondband/videos/vb.133709526657853/1105371389491657/?type=3&theater

Youtube https://youtu.be/gX-6UczeyII

Vimeo https://vimeo.com/135785907

CNN iReport http://ireport.cnn.com/docs/DOC-1262828

Leader Michael Leuschner and Jon Hammond with the famous poster for “Organ Meets Bigband” – NDR Jazz archives special arrangements of Steve Gray come back to life here:

HammondCast, KYOU Radio, Dot Org, #Flute, Trumpet, #Purdie, #Drums #HammondOrgan

HammondCast 10 KYOU Radio Dot Org Jon Hammond’s Journal

December 15, 2015

*LISTEN TO THE AUDIO HERE: HammondCast 10

Jon’s archive http://kyouradio.org/music-17.html

From AFN Europe Radio broadcast-“Hip Hop Chitlins” and Late Rent signoff for KYOU 1550 AM and http://www.kyouradio.org

Just back from Shanghai China gigs! Story of Hairy Crabs, Late Rent, Pocket Funk…Lydia’s Tune in Paris.
Chuggy Carter-congas/bongos.

4AM in the morning plenty of action at the Papaya Dog on 42nd Street,
Jon Hammond – I like the potato knishes with brown mustard!


Papaya Dog Enterprises 42 Ny LLC.

Good night San Francisco Bay Area! – Jon Hammond​

http://hammondcast.over-blog.com/2014/11/tommy-denander-jam-band-with-last-hits-with-ricky-lawson.html – Remembering Ricky Lawson​ last hits
WATCH THE VIDEO HERE: Tommy Denander Jam Band With Last Hits With Ricky Lawson Jon’s archive https://archive.org/details/TommyDenanderJamBandWithLastHitsWithRickyLawson

Youtube

http://youtu.be/S4fht3jrT5s

Frankfurt Germany — Tommy Denander Jam Band with the late great drummer Ricky Lawson paying tribute to Jimi Hendrix on the Agora Stage at Frankfurt musikmesse​ – from organist Jon Hammond

48 Minute Jazz Big Band Documentary
Youtube https://youtu.be/2mcykc-OHTg
Jon Hammond Compositions with Meetinghouse Jazz Orchestra – arranged and conducted by Todd Anderson
“Head Phone” by Jon Hammond arranged by Todd Anderson
“Lydia’s Tune” by Jon Hammond arranged by Todd Anderson
“Late Rent” by Jon Hammond arranged by Todd Anderson
“Pocket Funk” by Jon Hammond arranged by Todd Anderson
“Have a Nice Day Blues” by Todd Anderson arranged by Todd Anderson

Next annual musikmesse Warm Up Party date:
Tuesday April 5, 2016 in the famous Jazzkeller
add to calendar – Jon Hammond

Joe Berger g
Giovanni Totò Gulino d
Peter Klohmann ts
Jon Hammond o
Celebrating 30 years – Jon Hammond Band

12/12 This Is Your Lucky Day! – Jon Hammond​

http://laterent.blogspot.com/2012/12/pt-4-intelligent-relevant-television.html
Pt 4 Intelligent Relevant Television Talk Jon’s Journal December 12 2012
*WATCH THE VIDEO HERE: Pt 4 Intelligent Relevant Television Talk http://archive.org/details/JonHammondConversationsWithHaroldChannerPt4JonHammondInterview

My old 1965 Hammond B3 Organ with twin Leslie stack, one stock 122 and my Bill Beer Super Leslie – mostly stock, but a few special mods. from Bill – including a spring reverb unit
Jon Hammond​ –

Chronicles of my 1965 Hammond B3 Organ last reported at sea on container ship
https://hammondjazz.wordpress.com/2011/10/02/chronicles-of-my-1965-hammond-b3-organ-last-reported-at-sea/

Daybreak 42nd Street as The Chrysler Building needle pierces the sky and The New York Times Building – Jon Hammond
https://en.wikipedia.org/wiki/Chrysler_Building

The Chrysler Building is an Art Deco style skyscraper located on the East Side of Midtown Manhattan in New York City, at the intersection of 42nd Street and Lexington Avenue in the Turtle Bay neighborhood. At 1,046 feet (319 m),[4][6][7] the structure was the world’s tallest building for 11 months before it was surpassed by the Empire State Building in 1931.[8] It is still the tallest brick building in the world, albeit with an internal steel skeleton. After the destruction of the World Trade Center, it was again the second-tallest building in New York City until December 2007, when the spire was raised on the 1,200-foot (365.8 m) Bank of America Tower, pushing the Chrysler Building into third position. In addition, The New York Times Building, which opened in 2007, is exactly level with the Chrysler Building in height.[9] Both buildings were then pushed into 4th position, when the under construction One World Trade Center surpassed their height.
The Chrysler Building is a classic example of Art Deco architecture and considered by many contemporary architects to be one of the finest buildings in New York City. In 2007, it was ranked ninth on the List of America’s Favorite Architecture by the American Institute of Architects.[10] It was the headquarters of the Chrysler Corporation from 1930 until the mid-1950s. Although the building was built and designed specifically for the car manufacturer, the corporation did not pay for the construction of it and never owned it, as Walter P. Chrysler decided to pay for it himself, so that his children could inherit it…

New York NY — We just had a ferocious 2 hour rehearsal, Joe Berger​ and myself Jon Hammond​ in famous Room B – we’re getting ready for The NAMM Show​ folks! Looking forward to seeing all our NAMM head friends, and we’ll be breaking in the new NAMM Stage at the Sheraton Park Hotel at the Anaheim Resort *LINK: https://www.namm.org/thenammshow/2016/events/jon-hammond-funk-unit-0

Event Information:
Location:
NAMM Sheraton Acoustic Stage
Event Date:
Thursday, January 21, 2016 – 9:00pm to 9:40pm
Add to Calendar
Associated Musicians of Greater New York, Local 802 AFM​

AFM Local 6 Member Profile JON HAMMOND: “WHERE’S THE GIG?” — by ALEX WALSH

https://afm6.org/member-profile/jon-hammond-wheres-the-gig/

Jon Hammond is a musician, composer, bandleader, publisher, journalist, TV show host, radio DJ, and multi-media entrepreneur. He currently travels the world, playing gigs and attending trade shows.

THE EARLY YEARS
Jon Hammond was born in Chicago in 1953. His father was a doctor and his mother was a housewife. They both played the piano. In 1957, his parents moved Jon and his four sisters to Berkeley, CA, where his father worked in a hospital as head of the emergency room. When he was nine, Jon started accordion lessons. “In those days, they had studios where parents would drop their kids off after school for tap dancing and accordion lessons. There were accordion bands and they would compete against each other.”

“Every time I see a musician walking down the street I say, ‘Hey, where’s the gig?’ Because it doesn’t matter what kind of music you play, if you’re carrying an instrument–going to a rehearsal, or coming back from a repair shop, whatever it is–we all need our gigs. And that’s what the union is all about. Hopefully, we can all keep working and be supportive of everybody’s gigs. There’s room for everybody.”

Jon played his first gig at a senior citizens luncheon when he was eleven. Not only did he get a free lunch but he was paid $25 –a lot of money in those days. Jon says his father was supportive, but did not want him to pursue a music career. “He told me that music was a great hobby. He got me a wonderful professional accordion for my Bar Mitzvah, directly from John Molinari, one of the greatest accordionists who ever lived. It was a Guilietti Professional Tone Chamber accordion. That’s the accordion I won Jr. Jazz Champion on in 1966.”

In high school, Jon attended a private boys school in San Francisco. He was a class clown, and when it got to the point where he was going to be expelled, Jon took his accordion and ran away from home. He immersed himself in the San Francisco music scene and started playing organ in several bands. By 1971 he was in a four piece rock group called Hades which shared a rehearsal space with Quicksilver Messenger Service. “I was friends with their manager, Ron Polte, who also managed guitarist John Cipollina. We got to open for his band, Copperhead.”

Jon continued to play gigs in the Bay Area in different configurations, including a few gigs with a young Eddie Money. By this time Jon had become frustrated with the Bay Area scene. One night while playing a biker bar he got into a fight and his band didn’t come to his defense. “That was the last straw. I was angry and I said I wasn’t coming back.”

Jon in the early 70s

Jon moved to Boston in 1973 to attend the Berklee School of Music. He also got a gig playing in Boston’s Combat Zone backing up burlesque shows. When Jon saw one of his idols, pianist Keith Jarrett play in New York he told him he was going to Berklee and asked him for advice. “Keith looked me right in the eye and said ‘Berklee can be very dangerous for your music.’ It was like he popped this huge bubble. Years later I came to understand what he was talking about. You have to learn the fundamentals, but the music itself comes from a much deeper place. They can’t teach that, you have to find it yourself.”

When Jon’s teachers began sitting in on his gigs in Boston, he questioned why he was in school if the teachers were coming to play with him. He quit school, moved to Cape Cod and started playing with bandleader Lou Colombo. “He did all the private parties for Tip O’Neill. We played what they used to call the business man’s beat. On the gig it was forbidden to swing. It was like swing cut in half. So if you tried to go with the four, Lou would say, ‘Don’t swing it, don’t swing it.’ He pounded it into my head night after night.”

LATE RENT

In 1981 Jon took a trip to Paris where he broke through his writers block and wrote some of his best music. He returned to New York with his new tunes and started a production company with the idea of getting a record deal for a friend that had played on a #1 hit record. After months of pounding the pavement with no results, Jon realized he had better work on his own music before his money ran out. He took the last of his savings, including his upcoming rent money, and went into the studio to record what came to be known as “The Late Rent Sessions”.

The session had Todd Anderson on tenor sax, Barry Finnerty on guitar, Stephen Ferrone on drums, and Jon on B3. They recorded at Intergalactic, the last studio that John Lennon recorded in. Jon had no luck getting a record deal for his new project, but he did get gigs in New York with his band Jon Hammond and the Late Rent Session Men.

Jon Hammond Band Onstage at NAMM, 2014: Joe Berger, Dom Famularo, Alex Budman, Koei Tanaka, Jon Hammond

n 1982, Jon found out about public access television and the idea that anyone could produce a show and get it on TV. He started broadcasting on Manhattan’s public station in 1984. “I decided I was going to produce a radio show on TV. The first episodes showed just my tapping foot and my voice. It was a gimmick. We had graphics that were synchronized to go with the music. It worked out well. People dug it.” Within a few weeks, Jon was interviewed and featured in Billboard Magazine. The Jon Hammond Show was considered an alternative to the clips on Cable TV. “MTV was still in its infancy. We had a concept that was revolutionary. My phone started ringing and we were the hot kids on the block.”

LIVING ABROAD

Jon continued to play gigs in New York and produce his TV show. In 1987, he went to his first trade show (NAMM) where he was introduced to Mr. Julio Guilietti, the man who built his accordion. He then began traveling to trade shows and making contacts with musicians and companies around the world, including Hammond Suzuki. “They gave me the Hammond XB-2, the first really powerful portable Hammond organ. Glenn Derringer, one of my all-time heroes, presented it to me. I got one of the first. Paul Shaffer from the Letterman Show got the other. At the time there was only one EXP-100 expression pedal–we had to share the pedal. I used the pedal for my gigs and when Paul needed it I would bring it over to him at 30 Rockefeller Center on my bicycle.”

In the early 90s, when his New York gigs began drying up, Jon was encouraged to go to Germany. “It was a hard time. My father had just died and there were very few gigs. I got the XB-2 organ right when I needed it, so I decided to take a chance. I bought a roundtrip ticket to Frankfurt with an open return. I went with 50 bucks and stayed for a year. When I came back, I had 100 bucks.”

Jon stayed at a friend’s house and played a borrowed accordion on the street until he could get a band together. “I played on the street until my fingers turned blue and would collect enough money to get some fish soup. After about two weeks I got a call—I had put a band together and had 3 gigs coming up. A TV show had heard my story and wanted to do a story on me. At the first gig 19 people came; the second only 15 people came. Then I got the little spot on TV. When I came to the third gig people were lined up down the street. When I walked up I thought they were having an art exhibit. When they said, ‘No, they’re waiting for you.’ I choked up, I couldn’t even talk. So I’ve been playing there every year since. The people in Germany really saved my musical career at a time when very few things were happening for me in New York or San Francisco. I have a really good following in Europe. I keep busy as a musician in the States, playing hospitals and assisted living places, but my band dates I pretty much play overseas.”

Jon’s Late Rent Sessions was eventually released on a German label and received modest airplay. During the 90s he travelled back and forth to Europe, spending a year playing gigs in Paris, and eventually settling in Hamburg. Since then he has released two more albums and has played gigs in Moscow, Shanghai, and Australia. With the help of the internet, Jon is able to produce his TV show anywhere.

PRESENT DAY

In the mid-2000s Jon produced Hammondcast, a radio program for CBS that aired in San Francisco at four in the morning and was rebroadcast before Oakland A’s games. “When the baseball games played in the afternoon, my show would play for about 20 minutes and then it was pre-empted. I had a lot of fun with that.” His guests included Danny Glover, Barry Melton from Country Joe & the Fish, and many local people. “It took me awhile to figure out that I had permission to broadcast anything I wanted. I could play the London Philharmonic or Stevie Wonder. My tag line was ‘Hello, Hello, Hello! Wake up or go back to sleep…’”

Today, Jon continues to visit tradeshows and is determined to keep doing everything he does as long as he can. “I made a pact with my longtime co-producer, guitarist Joe Berger, that we are going to go to these trade shows until we are little old men with canes.”

Jon has released four CDs

Jon Hammond Entertaining on Excelsior Accordion in Bernal Heights SF Neighborhood Center — photo by Cheryl Fippen Local 6

AFN Powerlite, Dot Org, #HammondOrgan #Radio #musikmesse #NAMMShow

HammondCast 22 KYOU Radio Dot Org Jon’s Journal

December 9, 2015

*LISTEN TO THE AUDIO HERE: HammondCast 22

Jon’s archive http://kyouradio.org/music-32.html KYOU Radio Dot Org

This episode of HammondCast on KYOU 1550 AM Radio features some historic recordings of Jon Hammond with radio & tv legend AL “JAZZBEAUX” COLLINS, this will blow your socks off! Al does a complete recitation of his Hipster version of “Little Red Ridinghood” accompanied by Jon on the Hammond organ live. Also radio host CHRIS CORTEZ talking about how Jon and Jazzbeaux almost blew up the transmitter for the radio station by plugging the Hammond organ directly in as a late-night experiment on the Bay Area station…wooops! All worked out ok, but the Chief Engineer and Station Manager were a little bit upset the next day…

Chris Cortez and Jon Hammond in KCSM where they did the historic broadcast with Al Jazzbo Collins some years before

Al Jazzbeaux Collins aka Al Jazzbo Collins on the air at KCSM Jazz 91

Happy Birthday Jon Hammond’s Annual musikmesse Warm Up Party Chocolate Chocolate Cake in the famous jazzkeller Frankfurt

Full HD – *WATCH THE FILM HERE: #TheNAMMShow White Onions Jon Hammond Funk Unit NAMM Showcase Jon’s archive https://archive.org/details/TheNAMMShowWhiteOnionsJonHammondFunkUnitNAMMShowcase Usage Attribution-Noncommercial-No Derivative Works 3.0
http://jonhammondband.com/blog.html/jon_hammond_funk_unit_namm_showcase_namm_show_white_onions/
#TheNAMMShow “White Onions” Jon Hammond Funk Unit NAMM Showcase lunch set https://www.namm.org/thenammshow/2015/events/jon-hammond-funk-unit 23rd 2015 reprising 1989 Late Rent Sessions recording ©JON HAMMOND International ASCAP with special guest Bernard Purdie drums, Leslie J. Carter percussion Jon Hammond organ (original members on record) featuring Koei Tanaka chromatic harmonica from Tokyo Japan Suzuki world star, Joe Berger guitar JJ guitars, Alex Budman tenor saxophone Dom Famularo returning to the NAMM Stage – special thanks NAMM President CEO Joe Lamond, KHS Hercules folding stands – Location: NAMM Sheraton Park Hotel at the Anaheim Resort Acoustic Stage Jon Hammond Funk Unit Event Date: Thursday, January 21, 2016 – 9:00pm to 9:40pm Genre: Rock #CNNiReport

AFM Local 6 Member Profile JON HAMMOND: “WHERE’S THE GIG?” — by ALEX WALSH

https://afm6.org/member-profile/jon-hammond-wheres-the-gig/

Jon Hammond is a musician, composer, bandleader, publisher, journalist, TV show host, radio DJ, and multi-media entrepreneur. He currently travels the world, playing gigs and attending trade shows.

THE EARLY YEARS
Jon Hammond was born in Chicago in 1953. His father was a doctor and his mother was a housewife. They both played the piano. In 1957, his parents moved Jon and his four sisters to Berkeley, CA, where his father worked in a hospital as head of the emergency room. When he was nine, Jon started accordion lessons. “In those days, they had studios where parents would drop their kids off after school for tap dancing and accordion lessons. There were accordion bands and they would compete against each other.”

“Every time I see a musician walking down the street I say, ‘Hey, where’s the gig?’ Because it doesn’t matter what kind of music you play, if you’re carrying an instrument–going to a rehearsal, or coming back from a repair shop, whatever it is–we all need our gigs. And that’s what the union is all about. Hopefully, we can all keep working and be supportive of everybody’s gigs. There’s room for everybody.”

Jon played his first gig at a senior citizens luncheon when he was eleven. Not only did he get a free lunch but he was paid $25 –a lot of money in those days. Jon says his father was supportive, but did not want him to pursue a music career. “He told me that music was a great hobby. He got me a wonderful professional accordion for my Bar Mitzvah, directly from John Molinari, one of the greatest accordionists who ever lived. It was a Guilietti Professional Tone Chamber accordion. That’s the accordion I won Jr. Jazz Champion on in 1966.”

In high school, Jon attended a private boys school in San Francisco. He was a class clown, and when it got to the point where he was going to be expelled, Jon took his accordion and ran away from home. He immersed himself in the San Francisco music scene and started playing organ in several bands. By 1971 he was in a four piece rock group called Hades which shared a rehearsal space with Quicksilver Messenger Service. “I was friends with their manager, Ron Polte, who also managed guitarist John Cipollina. We got to open for his band, Copperhead.”

Jon continued to play gigs in the Bay Area in different configurations, including a few gigs with a young Eddie Money. By this time Jon had become frustrated with the Bay Area scene. One night while playing a biker bar he got into a fight and his band didn’t come to his defense. “That was the last straw. I was angry and I said I wasn’t coming back.”

Jon in the early 70s

Jon moved to Boston in 1973 to attend the Berklee School of Music. He also got a gig playing in Boston’s Combat Zone backing up burlesque shows. When Jon saw one of his idols, pianist Keith Jarrett play in New York he told him he was going to Berklee and asked him for advice. “Keith looked me right in the eye and said ‘Berklee can be very dangerous for your music.’ It was like he popped this huge bubble. Years later I came to understand what he was talking about. You have to learn the fundamentals, but the music itself comes from a much deeper place. They can’t teach that, you have to find it yourself.”

When Jon’s teachers began sitting in on his gigs in Boston, he questioned why he was in school if the teachers were coming to play with him. He quit school, moved to Cape Cod and started playing with bandleader Lou Colombo. “He did all the private parties for Tip O’Neill. We played what they used to call the business man’s beat. On the gig it was forbidden to swing. It was like swing cut in half. So if you tried to go with the four, Lou would say, ‘Don’t swing it, don’t swing it.’ He pounded it into my head night after night.”

LATE RENT

In 1981 Jon took a trip to Paris where he broke through his writers block and wrote some of his best music. He returned to New York with his new tunes and started a production company with the idea of getting a record deal for a friend that had played on a #1 hit record. After months of pounding the pavement with no results, Jon realized he had better work on his own music before his money ran out. He took the last of his savings, including his upcoming rent money, and went into the studio to record what came to be known as “The Late Rent Sessions”.

The session had Todd Anderson on tenor sax, Barry Finnerty on guitar, Stephen Ferrone on drums, and Jon on B3. They recorded at Intergalactic, the last studio that John Lennon recorded in. Jon had no luck getting a record deal for his new project, but he did get gigs in New York with his band Jon Hammond and the Late Rent Session Men.

Jon Hammond Band Onstage at NAMM, 2014: Joe Berger, Dom Famularo, Alex Budman, Koei Tanaka, Jon Hammond

n 1982, Jon found out about public access television and the idea that anyone could produce a show and get it on TV. He started broadcasting on Manhattan’s public station in 1984. “I decided I was going to produce a radio show on TV. The first episodes showed just my tapping foot and my voice. It was a gimmick. We had graphics that were synchronized to go with the music. It worked out well. People dug it.” Within a few weeks, Jon was interviewed and featured in Billboard Magazine. The Jon Hammond Show was considered an alternative to the clips on Cable TV. “MTV was still in its infancy. We had a concept that was revolutionary. My phone started ringing and we were the hot kids on the block.”

LIVING ABROAD

Jon continued to play gigs in New York and produce his TV show. In 1987, he went to his first trade show (NAMM) where he was introduced to Mr. Julio Guilietti, the man who built his accordion. He then began traveling to trade shows and making contacts with musicians and companies around the world, including Hammond Suzuki. “They gave me the Hammond XB-2, the first really powerful portable Hammond organ. Glenn Derringer, one of my all-time heroes, presented it to me. I got one of the first. Paul Shaffer from the Letterman Show got the other. At the time there was only one EXP-100 expression pedal–we had to share the pedal. I used the pedal for my gigs and when Paul needed it I would bring it over to him at 30 Rockefeller Center on my bicycle.”

In the early 90s, when his New York gigs began drying up, Jon was encouraged to go to Germany. “It was a hard time. My father had just died and there were very few gigs. I got the XB-2 organ right when I needed it, so I decided to take a chance. I bought a roundtrip ticket to Frankfurt with an open return. I went with 50 bucks and stayed for a year. When I came back, I had 100 bucks.”

Jon stayed at a friend’s house and played a borrowed accordion on the street until he could get a band together. “I played on the street until my fingers turned blue and would collect enough money to get some fish soup. After about two weeks I got a call—I had put a band together and had 3 gigs coming up. A TV show had heard my story and wanted to do a story on me. At the first gig 19 people came; the second only 15 people came. Then I got the little spot on TV. When I came to the third gig people were lined up down the street. When I walked up I thought they were having an art exhibit. When they said, ‘No, they’re waiting for you.’ I choked up, I couldn’t even talk. So I’ve been playing there every year since. The people in Germany really saved my musical career at a time when very few things were happening for me in New York or San Francisco. I have a really good following in Europe. I keep busy as a musician in the States, playing hospitals and assisted living places, but my band dates I pretty much play overseas.”

Jon’s Late Rent Sessions was eventually released on a German label and received modest airplay. During the 90s he travelled back and forth to Europe, spending a year playing gigs in Paris, and eventually settling in Hamburg. Since then he has released two more albums and has played gigs in Moscow, Shanghai, and Australia. With the help of the internet, Jon is able to produce his TV show anywhere.

PRESENT DAY

In the mid-2000s Jon produced Hammondcast, a radio program for CBS that aired in San Francisco at four in the morning and was rebroadcast before Oakland A’s games. “When the baseball games played in the afternoon, my show would play for about 20 minutes and then it was pre-empted. I had a lot of fun with that.” His guests included Danny Glover, Barry Melton from Country Joe & the Fish, and many local people. “It took me awhile to figure out that I had permission to broadcast anything I wanted. I could play the London Philharmonic or Stevie Wonder. My tag line was ‘Hello, Hello, Hello! Wake up or go back to sleep…’”

Today, Jon continues to visit tradeshows and is determined to keep doing everything he does as long as he can. “I made a pact with my longtime co-producer, guitarist Joe Berger, that we are going to go to these trade shows until we are little old men with canes.”

Jon has released four CDs

Jon Hammond Entertaining on Excelsior Accordion in Bernal Heights SF Neighborhood Center — photo by Cheryl Fippen Local 6

For more info visit www.jonhammondband.com

Jon’s archive https://archive.org/details/48MinuteDocumentaryJazzMovieBigBandWithOrganistJonHammond

by Jon Hammond

48 minute Documentary movie of Tuesday night session at Friends Seminary School in Manhattan, 5 original compositions!
“Head Phone” by Jon Hammond arranged by Todd Anderson
“Lydia’s Tune” by Jon Hammond arranged by Todd Anderson
“Late Rent” by Jon Hammond arranged by Todd Anderson
“Pocket Funk” by Jon Hammond arranged by Todd Anderson
“Have a Nice Day Blues” by Todd Anderson arranged by Todd Anderson
*Note: Tenor Saxophonist Arranger Todd Anderson was Jon Hammond’s teacher for Arranging and Compostion at Berklee College of Music in Boston MA in 1973. 10 years later they recorded this music for TV Show “The Jon Hammond Show” still on TV every week for 32 years, the recording session went down at Intergalactic Recording Studios where John Lennon did some of his last recording dates. The big band here is presided over by Professor Bob Rosen in charge of the music program at Friends Seminary School on Manhattan’s East Side, 230 year old school K – 12th grade. Top sight reading musicians gather weekly – more info: http://www.HammondCast.com ©JON HAMMOND International ASCAP / BMI

Photographs Courtesy of Elmar Lemes

Youtube https://youtu.be/2mcykc-OHTg

these are the names I know at this time – more coming: Mike Campenni drums, Charles Lee a.s., Jim Piela a.s., Bob Rosen t.s., David Zalud trpt., Greg Ruvolo trpt. Todd Anderson t.s., Jon Hammond Hammond Sk1 org., Art Baron trombone, Pat Hall trmb., Alfredo Marques trmb., – entire session documentary ©JON HAMMOND International / Todd Anderson ASCAP / BMI – additional info http://www.HammondCast.com as seen on Manhattan Neighborhood Network Channel 1 community channel and streaming worldwide, late Fri. nights / early Sat. morning at 1:30 AM Eastern Standard Time – Associated Musicians of Greater New York Local 802, Jon is also a dual member of AFM Local 6 Musicians Union San Francisco – the date of this session was October 20, 2015

Jon’s Journal – Logic Pro X – Apple Logic Recording / Playing workshop at The Beacon School conducted by Mark Via w/spcl. guests Joe Berger and yours’ truly Jon Hammond (behind camera & organ:

Put up a little tent that says “Free Cell Phones” and the people will come flocking! Maybe it’s a good name for a band these days – Jon Hammond

Real nice old car just blew my doors off on the 280 Freeway! He had the hammer down, looking real sharp, Jon Hammond

Hamburg Germany — Route 66 Hamburg Street P.R. Team – Mr. Berger and Mr. Hammond, thanks for the super cool T-Shirts Jens! They’ve been seen on TV and all over the place.

‘Return of The Student’ – 40 years later! Jon Hammond sits down with his piano teacher Tony Germain at Berklee College of Music in Boston MA exactly 40 years to the day that they first sat down at the piano together at 1140 Boylston Street in the Beantown – excellent interview! As seen on The Jon Hammond Show – MNN TV – Manhattan Neighborhood Network Channel 1 – TV Producers of Manhattan Neighborhood Network [MNN]

*LINK: https://www.facebook.com/hammondcast/videos/10153098437422102/

High Definition Video inside Tony’s Office at 1140 Boylston Street Boston – the old Berklee College of Music building

Classic episode of Jon Hammond Show known as Val Hal Jazz Pub Special – for my friends in Brooklyn by Brooklyn Academy of Music / BAM and Junior’s Restaurant & Cheesecake deli where the notorious Val Hal Jazz Pub used to me – actual audio from Val Hal gig – Jon Hammond

*LINK: https://www.facebook.com/hammondcast/videos/10153098404357102/

Lazy Larry in the house…one of this century’s most important writers since James Joyce! *as seen on MNN TV Jon Hammond Show
Jon Hammond

Flashback — as seen on The Jon Hammond Show: THE NEGATIVES
Featuring Crazy Barry (everything) and Lazy Larry (nothing)!
MNN Ch. 1 Manhattan Neighborhood Network
https://youtu.be/oMEMSbTl2Lo

Oh wow folks, this really saddens me and took my breath away to read that we lost Steve Campos​ today! I can’t believe it, a nicer cat there never was and beautiful player – I was very fortunate to have Steve play on my band with me at Pete Escovedo​’s club Mr. E’s when I came back from living in Europe along with Bennett Friedman in the horn section – and he did a beautiful job when we played in concert on the lawn right in front of SF City Hall with Harvey Wainapel tenor, James Preston​ (also deceased sadly), Barry Finnerty​ gtr. and myself on Hammond B3 organ *Video of the hit: https://www.facebook.com/jonhammondorgangroup/videos/10151128877882102/ RIP Steve Campos – missing man formation, greatly missed! – Jon Hammond​ / Jon Hammond Band​ – San Francisco City Hall​

RIP Steve Campos – I found this photo: “Jon Hammond Band gig in Pete Escovedo’s club Mr E’s when I came back from living in Europe for a few years – 1998, front line Steve Campos, Bennett Friedman tenor, Jon Hammond organ”

Jon Hammond says: “Attention all Accordion People – Alex Carozza aka ‘Alex Accordions’ is now open for business at swanky new address 250 West 54th Street right above the old legendary Studio 54 – expert repairs, custom modification and sales – best in the business” Good to see my old friends Alex and Juan today! – Alex Musical Instruments
Musical Instrument Store – NEW ADDRESS:
250 West 54th Street
(Saturdays entrance at 244 West 54th Street) – Jon Hammond

Lydia’s Tune Vers. 1.0 Meetinghouse Jazz Orchestra
https://vimeo.com/143952229
Real nice guitar solo from David Acker on Lydia’s Tune with Meetinghouse Jazz Orchestra folks! – Jon Hammond at the Friends Seminary school

HAPPY BIRTHDAY DUCKDUCKGO JON HAMMOND HAMMONDCAST FUNK SOUL BLUES & SOFT NEWS
http://hammondcast.twoday.net/stories/happy-birthday-duckduckgo-jon-hammond-hammondcast-funk-soul-blues-soft/ – Jon Hammond​

KYOU Radio, Dot Org, Alex Carozza, #Accordions #Bigband #NAMMShow #CNNiReport #MNNTV