Posts Tagged ‘Down Home Music Store’

Jon Hammond Show 0520

May 17, 2017

#WATCHMOVIE HERE: Jon Hammond Show 0520

Jon’s archive https://archive.org/details/JonHammondShow0520

Jon Hammond Show 0520
MNN TV – Air Time: 01:30 AM EST – 05/20
Music, Travel, Soft News, 34rh year
http://www.HammondCast.com
Manhattan Neighborhood Network -MNN
©JON HAMMOND International

First segment #WATCHMOVIE HERE: Center Stage Lee Oskar Feature Jon Hammond Allstars Jon’s archive https://archive.org/details/CenterStageLeeOskarFeatureOnJonHammondAllstarsLydiasTune

Youtube https://youtu.be/JlIyZ2m47oM

Vimeo https://vimeo.com/216658133

Frankfurt Germany — Center Stage musikmesse Lee Oskar Feature on Jon Hammond Allstars Band “Lydia’s Tune” written by Jon Hammond in Paris – Peter Klohmann tenor, Giovanni Totò Gulino drums, Joe Berger gitarre, Jon Hammond Sk1 organ + bass with photos by Andreas Meer at end ©JON HAMMOND International
Second segment #WATCHMOVIE HERE: Pocket Funk Pictures Video

Youtube https://youtu.be/7RW56iYzPSQ

Vimeo https://vimeo.com/216416280

Jon Hammond Allstar Band with special guest Lee Oskar Center Stage concert musikmesse ProLight + Sound 2017 with photographs by master photographers Andreas Meer and Dita Vollmond also Bernie Capicchiano. Peter Klohmann tenor saxophone, Giovanni Totò Gulino drums, Joe Berger guitar, Jon Hammond organ + bass, Lee Oskar harmonica
Third segment DOWN HOME IN-STORE PERFORMANCE: JON HAMMOND & MARC BAUM Funky Jazz & Blues + Free Red Beans & Rice – FRIDAY MAY 12th at 5PM by JC Garrett

LINK: http://www.downhomemusic.com/down-home-in-store-performance-jon-hammond-marc-baum-funky-jazz-blues-free-red-beans-rice-friday-may-12th-at-5pm/#
Filed Under:

Store Events
#HammondOrgan #DownHome, Accordion, Blues, Down Home Music Store, Drums, El Cerrito,Funky Jazz, Hammond Organ, Saxophone

Producer Jon Hammond
Audio/Visual sound, color
Language English

Jon’s archive https://archive.org/details/MelodyWithoutNameJonHammondBandJazzkeller

Youtube https://youtu.be/4UYxuEL7eFA

Vimeo https://vimeo.com/212913221

Melody Without Name Jon Hammond Band Jazzkeller Frankfurt – Note: Jon’s organ is powered by Markbass Bass Amps house combo bass amp only – Joe Berger guitar, Peter Klohmann tenor saxophone, Giovanni Totò Gulino drums, Jon Hammond Sk1 Hammond organ – this is Jon Hammond and Joe Berger’s 31st consecutive musikmesse traditional warm up party and Jon’s 64th birthday party with many friends in the house in world famous jazzkeller Frankfurt
Jon’s birthday Chocolate Chocolate Cake baked by the best bakery in Frankfurt Saray Pastanesi

http://www.HammondCast.com original composition by Jon Hammond ©JON HAMMOND International

Producer Jon Hammond
Photos by master photographer Elmar Lemes

http://www.jazzkeller.com/programm/calendar.htm

Di. 04.04.

“The FINGERS…are the SINGERS!”
Musikmesse “Warm Up Party”
Jon Hammond & Band

Jon Hammond – organ
Joe Berger – guitar
Peter Klohmann – saxophone
Giovanni Gulino – drums

Mr. Hammond has toured worldwide since 1991 using the incredible Sk1 organ by Hammond Suzuki..™ “Classic Hammond Sound…In A Suitcase!”
The Jon Hammond Show is a funky swinging instrumental revue, featuring top international soloists. The show has universal appeal. Big Hammond orgel sound – 100% organic jonhammondband.com/music

http://behindthebeat.com/2006/05/jon-hammond-the-ndr-sessions-projekt/

Jon Hammond: The NDR Sessions Projekt

Jon Hammond’s “The NDR Sessions Projekt” brings the soulful jazz organist back to Hamburg to record a collection of standards and originals featuring Lutz Buchner on saxophones, Joe Gallardo on trombone and Heinz Lichius on drums. Recorded in one of Germany’s best studios, the quartet present rich, heartfelt perfomances and infuse the music with a fresh and vibrant sound.

#HammondOrgan #DownHome, Accordion, Blues, Down Home Music Store, Drums, El Cerrito,Funky Jazz, Hammond Organ, Saxophone, MNN TV, musikmesse, NAMM Show

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DOWN HOME IN-STORE PERFORMANCE: JON HAMMOND & MARC BAUM Funky Jazz & Blues + Free Red Beans & Rice – FRIDAY MAY 12th at 5PM

May 11, 2017

DOWN HOME IN-STORE PERFORMANCE: JON HAMMOND & MARC BAUM Funky Jazz & Blues + Free Red Beans & Rice – FRIDAY MAY 12th at 5PM

by JC Garrett

LINK: http://www.downhomemusic.com/down-home-in-store-performance-jon-hammond-marc-baum-funky-jazz-blues-free-red-beans-rice-friday-may-12th-at-5pm/#

DOWN HOME IN-STORE PERFORMANCE: JON HAMMOND & MARC BAUM Funky Jazz & Blues + Free Red Beans & Rice – FRIDAY MAY 12th at 5PM

Jon Hammond and Marc Baum go back a long long time! – Jon Hammond at the Hammond organ Marc Baum on tenor saxophone, Down Home Music Store – possibly a funky drummer as well folks – c’mon down! Bring a spoon! (we’ll have plastic ones don’t worry), Chef Marc is cooking it up personally!

EVENT https://www.facebook.com/events/211461899357488/

Funky Jazz, Blues, Down Home Music Store, Hammond Organ, Accordion, Saxophone, Drums, El Cerrito, #HammondOrgan #DownHome

DOWN
HOME RECORDS IN-STORE PERFORMANCE: JON HAMMOND and MARC BAUM Funky Jazz
& Blues + Free Red Beans & Rice – FRIDAY MAY 12th at 5PM – El
Cerrito CA
Jon Hammond and Marc Baum go back a long long time! – Jon Hammond at the Hammond organ Marc Baum on tenor saxophone 10341 San Pablo Ave. Down Home Music Store – possibly a funky drummer tba as well folks – c’mon down! Jon Hammond
Downtown El Cerrito CA http://www.downhomemusic.com/
EVENT at Down Home Music Store
on San Pablo Avenue in downton El Cerrito CA – bring a spoon! we’ll
have plastic ones don’t worry, Chef Marc is cooking it up personally!

ASCAP Behind The Beat Late Rent Piece Produced by Steven Rosenfeld of AlterNet about Jon Hammond’s album

*WATCH BTB MOVIE HERE: BTB! Behind The Beat ASCAP Piece “Late Rent”

Jon’s archive https://archive.org/details/BehindTheBeatBTBASCAPAudioPortraitLateRentJonHammondShow

Youtube https://youtu.be/xCVRNf4uw6s

Jon Hammond: Late Rent
by Steve Rosenfeld
Jon Hammond says “the fingers are the singers.’” The latest CD from this exceptional and soulful Hammond organist is the proof. “Late Rent” draws on decades of great recording sessions and top live performances to showcase his own playing and many top jazz and funk artists. It shows why the Hammond organ is one of the most enduring electric instruments and why Hammond is one of its best players.
Late Rent
Label: Ham-Berger-Friz Records
Genre: Jazz
All Jon Hammond profiles…
The Late Rent Story

Jon Hammond waited half his life to make this CD – starting with being an underground TV host.
Swingin’ Funky Jazz & Blues
Jon Hammond describes his style of music and how he learned to play it.
Two Hot Tracks
Jon Hammond recalls one of his first songs – from age 15 – and a great Sunday session.
Sonny’s Advice
A little advice on melody from a great sax player went a long way.
http://behindthebeat.com/2004/12/jon-hammond-late-rent/

Producer Jon Hammond
Audio/Visual sound, color
Language English

Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics MNN TV, #ASCAPEXPO, Jon Hammond, Public Access, Melody, Hammond Organ, Sk1, B3, Accordion, Musicians Union, Local 6, Local 802

Good times with Michael Leuschner & LaJazzO MV Bigband in Zeughaus Wismar! – Jon Hammond – camera by Heinz Lichius
*LINK: https://youtu.be/mN36dsQEFPo

Funky Jazz, Blues, Down Home Music Store, Hammond Organ, Accordion, Saxophone, Drums, El Cerrito, #HammondOrgan

I just came from 1st Line & 2nd Line parade right down San Pablo Avenue in El Cerrito CA

September 19, 2014

I just came from 1st Line & 2nd Line parade right down San Pablo Avenue in El Cerrito CA – honoring Chris Strachwitz of Arhoolie Records
for his documentary film released this evening indi production called “This Ain’t No Mouse Music” –
tonight’s the night!
Jon Hammond

By Jim Harrington <a href="honoring Chris Strachwitz of Arhoolie Records
for his documentary film released this evening indi production called "This Ain't No Mouse Music" –
tonight's the night!
Jon Hammond
By Jim Harrington http://www.mercurynews.com/entertainment/ci_26552568/review-this-aint-no-mouse-music-fascinating-story
Chris Strachwitz has spent the past 54 years unearthing musical treasures, journeying into the shadows of America to record all sorts of artists who might otherwise never be documented.
His travels have fueled Arhoolie Records, the El Cerrito-based roots-music label that has issued 400-plus albums and more than 6,500 songs since its founding in 1960. Now, Strachwitz's long, strange trip is nicely chronicled in "This Ain't No Mouse Music!"
The documentary illustrates the dramatic impact Strachwitz's efforts have had on the music world — and on "world music." Notably, it shows how the Arhoolie recordings greatly helped popularize Cajun, Tex-Mex, bluegrass and other regional music styles while bringing some much-needed attention to such significant musicians as Tejano accordionist Flaco Jimenez, zydeco titan Clifton Chenier, bluegrass great Del McCoury and Texas bluesman Mance Lipscomb.
Given that impressive list, it shouldn't be a surprise that the soundtrack is one of the best things about "This Ain't No Mouse Music!" It's a remarkably diverse collection of styles and artists that — like the Arhoolie catalog itself — is simply sewn together with the common thread of Strachwitz's personal taste in music.
"I didn't want to record stuff that I didn't like," he explains in the movie, providing a de facto mission statement for his label.
Yet, Strachwitz seems at a loss when he tries to describe exactly what it is that attracts him to a song or artist.
"I don't know why I like it so much," he says about some unnamed piece of music in the film. "It's just got some guts to it. It ain't wimpy, that's for sure. It ain't no mouse music."
Advertisement

The film never really defines "mouse music," but we're given the impression that it's music of the overly produced, highly commercial variety. And, yes, it's a safe bet that you won't hear "mouse music" on an Arhoolie record.
The film begins — much like Strachwitz's career in music — with the blues. Strachwitz is shown walking through the Arhoolie offices, housed in the back of his low-key record shop Down Home Music on San Pablo Avenue in El Cerrito, with an album in hand. He takes it over to the turntable and drops the needle — unleashing Lightnin' Hopkins' "Big Mama Jump" — and then smiles like a kid in a candy store.
He's not just mugging for the camera. That's Strachwitz in a nutshell — a man who still dearly loves listening to music after more than a half-century in the business. And that's a mighty rare situation in the music industry.
"This Ain't No Mouse Music" works, in large part, because of Strachwitz's unbridled — and some would say unrivaled — enthusiasm for Americana music. He comes across on film exactly like he does in person: passionate, opinionated, motivated and incredibly down to earth. I interviewed Strachwitz in 2011, on the occasion of Arhoolie's 50th anniversary celebration, and the quotes from that chat read like slices of dialogue from this documentary.
He's a natural storyteller, blessed with many great yarns as well as a magnetic presence in front of the camera. Directors-producers Chris Simon and Maureen Gosling wisely keep the focus on him, fleshing out the briskly paced film with short interviews from other members of Arhoolie's extended family and representative music clips.
The film devotes the bare minimum to Strachwitz' boyhood in Germany and the family's flight in the 1940s to America, where he fell in love with the cornucopia of sounds coming out of his radio — hillbilly country, Mexican music, gospel, blues, etc. The film really takes flight after he moves to the Bay Area to attend UC Berkeley and embarks on series of musical treasure hunts to record artists deserving of wider exposure. The first Arhoolie release was the blues record "Mance Lipscomb: Texas Sharecropper and Songster" in 1960.
Watching people work in a recording studio can be as interesting as watching paint dry. Fortunately, Strachwitz favors "field recordings" — where an artist is taped in his or her local environs, no matter how rustic — which makes for some fascinating footage.
"My stuff isn't produced. I just catch it as it is," he says in the film. "I never had a studio — I never wanted a studio. Because I knew that the music I liked was all over the place."
Follow Jim Harrington at Twitter.com/jimthecritic and Facebook.com/jim.bayareanews.
‘This Ain’t No Mouse Music!’
Documentary about music historian Chris Strachwitz, founder of Arhoolie Records in El Cerrito
* * *
Rating: not ratedDirectors: Chris Simon and Maureen Gosling
Running Time: 1 hour, 32 minutes
Also: Elmwood Theatre in Berkeley will host a Q&A with Chris Strachwitz and musical performance following the 7 p.m. screening on Friday (www.rialtocinemas.com); the Roxie Theatre in San Francisco will host a Q&A with filmmakers Chris Simon and Maureen Gosling and live music after 7 p.m. screenings Friday and Saturday.”>http://www.mercurynews.com/entertainment/ci_26552568/review-this-aint-no-mouse-music-fascinating-story
Chris Strachwitz has spent the past 54 years unearthing musical treasures, journeying into the shadows of America to record all sorts of artists who might otherwise never be documented.
His travels have fueled Arhoolie Records, the El Cerrito-based roots-music label that has issued 400-plus albums and more than 6,500 songs since its founding in 1960. Now, Strachwitz’s long, strange trip is nicely chronicled in “This Ain’t No Mouse Music!”
The documentary illustrates the dramatic impact Strachwitz’s efforts have had on the music world — and on “world music.” Notably, it shows how the Arhoolie recordings greatly helped popularize Cajun, Tex-Mex, bluegrass and other regional music styles while bringing some much-needed attention to such significant musicians as Tejano accordionist Flaco Jimenez, zydeco titan Clifton Chenier, bluegrass great Del McCoury and Texas bluesman Mance Lipscomb.
Given that impressive list, it shouldn’t be a surprise that the soundtrack is one of the best things about “This Ain’t No Mouse Music!” It’s a remarkably diverse collection of styles and artists that — like the Arhoolie catalog itself — is simply sewn together with the common thread of Strachwitz’s personal taste in music.
“I didn’t want to record stuff that I didn’t like,” he explains in the movie, providing a de facto mission statement for his label.
Yet, Strachwitz seems at a loss when he tries to describe exactly what it is that attracts him to a song or artist.
“I don’t know why I like it so much,” he says about some unnamed piece of music in the film. “It’s just got some guts to it. It ain’t wimpy, that’s for sure. It ain’t no mouse music.”

The film never really defines “mouse music,” but we’re given the impression that it’s music of the overly produced, highly commercial variety. And, yes, it’s a safe bet that you won’t hear “mouse music” on an Arhoolie record.
The film begins — much like Strachwitz’s career in music — with the blues. Strachwitz is shown walking through the Arhoolie offices, housed in the back of his low-key record shop Down Home Music on San Pablo Avenue in El Cerrito, with an album in hand. He takes it over to the turntable and drops the needle — unleashing Lightnin’ Hopkins’ “Big Mama Jump” — and then smiles like a kid in a candy store.
He’s not just mugging for the camera. That’s Strachwitz in a nutshell — a man who still dearly loves listening to music after more than a half-century in the business. And that’s a mighty rare situation in the music industry.
“This Ain’t No Mouse Music” works, in large part, because of Strachwitz’s unbridled — and some would say unrivaled — enthusiasm for Americana music. He comes across on film exactly like he does in person: passionate, opinionated, motivated and incredibly down to earth. I interviewed Strachwitz in 2011, on the occasion of Arhoolie’s 50th anniversary celebration, and the quotes from that chat read like slices of dialogue from this documentary.
He’s a natural storyteller, blessed with many great yarns as well as a magnetic presence in front of the camera. Directors-producers Chris Simon and Maureen Gosling wisely keep the focus on him, fleshing out the briskly paced film with short interviews from other members of Arhoolie’s extended family and representative music clips.
The film devotes the bare minimum to Strachwitz’ boyhood in Germany and the family’s flight in the 1940s to America, where he fell in love with the cornucopia of sounds coming out of his radio — hillbilly country, Mexican music, gospel, blues, etc. The film really takes flight after he moves to the Bay Area to attend UC Berkeley and embarks on series of musical treasure hunts to record artists deserving of wider exposure. The first Arhoolie release was the blues record “Mance Lipscomb: Texas Sharecropper and Songster” in 1960.
Watching people work in a recording studio can be as interesting as watching paint dry. Fortunately, Strachwitz favors “field recordings” — where an artist is taped in his or her local environs, no matter how rustic — which makes for some fascinating footage.
“My stuff isn’t produced. I just catch it as it is,” he says in the film. “I never had a studio — I never wanted a studio. Because I knew that the music I liked was all over the place.”
Follow Jim Harrington at Twitter.com/jimthecritic and Facebook.com/jim.bayareanews.
‘This Ain’t No Mouse Music!’
Documentary about music historian Chris Strachwitz, founder of Arhoolie Records in El Cerrito
* * *
Rating: not ratedDirectors: Chris Simon and Maureen Gosling
Running Time: 1 hour, 32 minutes
Also: Elmwood Theatre in Berkeley will host a Q&A with Chris Strachwitz and musical performance following the 7 p.m. screening on Friday (www.rialtocinemas.com); the Roxie Theatre in San Francisco will host a Q&A with filmmakers Chris Simon and Maureen Gosling and live music after 7 p.m. screenings Friday and Saturday.

*LISTEN TO THE AUDIO HERE: HammondCast 15

Jon’s archive https://archive.org/details/HammondCast_15

HammondCast 15 for KYOU Radio, this show just before Jon blasts over to Hamburg Germany to record a new album at NDR Radio. Special guest recordings of Jon with radio legend Al Jazzbeaux Collins telling the story of Jon’s composition “Train Song” and with Chuy Varela talking about the meaning of Jon’s song “Get Back In The Groove” played 2 different ways: from “Hammond’s Bolero” CD 2003 release (instrumental) and a 1981 version from DTI Records label with Frank Biner on vocals and Jon covering all the instruments + Dave Danza on the drums. Last song: “Czechoslovakian Salsa Song”-JON HAMMOND Trio.
HammondCast is the music of Organist/Accordionist Jon Hammond *Member American Federation of Musicians Union Local 802/Local 6/ASCAP Publishing-JON HAMMOND International, Inc. “The FINGERS…are the SINGERS!”
http://www.HammondCast.com
Music, Travel & “Soft-News”

Reviewer: Bobby Kimball – 5.00 out of 5 stars5.00 out of 5 stars5.00 out of 5 stars5.00 out of 5 stars5.00 out of 5 stars – August 29, 2012
Subject: Jon Hammond is pure genius….
I love Jon’s music, and he’s also one of the nicest, most talented guys I’ve ever met. God Bless you Jon. Keep that “Best Music” coming….Bobby

Youtubes of every song we played in Auster Bar Hamburg going backwards Jon Hammond Band

http://youtu.be/BqtFWKBeC0c “Cooking at The Auster Bar”

http://youtu.be/9P8yZiXgWfI “Tribute to Cannonball – Mercy Mercy Mercy”

http://youtu.be/MdQi8mAslzE “Tribute to Bobby Timmons – Moanin’ / Blues”

http://youtu.be/jtAaQLH_BYk “Late Rent – Them Song”

http://youtu.be/orpLWd66-Hw “No X-Cess Baggage Blues”

http://youtu.be/LFhxrDs6PbQ “Lydia’s Tune – Bossa Nova”

http://youtu.be/MxpIJesOJXQ “Pocket Funk”

http://youtu.be/q4_lNnwzxrU “Auster Blues and Jazz

Jon’s archive http://ia802300.us.archive.org/27/items/CookingAtTheAusterBarJonHammondBandWithNDRHorns/Cooking%20at%20The%20Auster%20Bar%20Jon%20Hammond%20Band%20With%20NDR%20Horns.mp4

Jon’s archive https://archive.org/details/AwesomeFunkyJazzTributeToCannonballNDRHornsJonHammondBand

Full High Definition Version:
Awesome Funky Jazz Tribute to Cannonball NDR Horns feature on Jon Hammond Band Auster Bar Jazz Series concert Hamburg Eimsbüttel.

Welcome Knut Benzner – NDR Redaktion!

NDR Horns on Jon Hammond Band: L to R Michael Leuschner t., Lutz Büchner t.s., Fiete Felsch a.s.

Funky Heinz Lichius drums, Michael Leuschner trumpet, Lutz Büchner tenor, Friedrich Fiete Felsch alto, Joe Berger guitar, Jon Hammond organ + bass

Chris Strachwitz, Arhoolie Records, Down Home Music Store, El Cerrito CA, San Pablo Ave., Jon Hammond, Blues, Jazz, Cajun, Zydeco, Clifton Chenier, Organ, Accordion