Posts Tagged ‘Organ combo’

Mothertone Party First Night White Onions

August 1, 2017

#WATCHMOVIE HERE: Mothertone Party First Night White Onions

Jon’s archive https://archive.org/details/MothertonePartyFirstNightWhiteOnions_201707

Youtube https://youtu.be/-7Ma7rA881g

Mothertone Party first night White Onions by Jon Hammond Band organ combo with Chuggy Carter percussion, Kayleigh Moyer drums, Joe Berger guitar, Jon Hammond Sk1 organ bass – spcl. thanks Michael TurnerDawn MoyerBig Shotz Nashville – mix Skylar Leigh Duval – first night of Summer NAMM Show http://www.HammondCast.com
#Mothertone #SummerNAMM #BigShotzNashville #HammondOrgan #Onions
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Jon Hammond Show 0805

July 30, 2017

#WATCHMOVIE HERE: Jon Hammond Show 0805

Jon’s archive https://archive.org/details/JonHammondShow0805


Publication date 2017-07-30
Language English
Jon Hammond Show cable access TV weekly program on MNN TV Manhattan Neighborhood Network Channel 1, 34th year for 0805 –

First segment
Mothertone Party first night White Onions by Jon Hammond Band organ combo with Chuggy Carter percussion, Kayleigh Moyer drums, Joe Berger guitar, Jon Hammond Sk1 organ bass – spcl. thanks Michael TurnerDawn MoyerBig Shotz Nashville – mix Skylar Leigh Duval – first night of Summer NAMM Show http://www.HammondCast.com
#Mothertone #SummerNAMM #BigShotzNashville #HammondOrgan #Onions
Second segment
Czechoslovakian Salsa in Nashville Summer NAMM Hammond Stand Number 523 – Jon Hammond at the Hammond XK-5 System organ, with Joe Berger guitar, Steven Eaklor XK-5, Chuggy Carter percussion on the Mothertone cajón, John “Sax” Williams alto – special thanks Steve Simmons Hammond Organ USA, Thomas Pistone & John Riddle https://www.namm.org/summer/2017/events/jon-hammond-funk-unit #SummerNAMM #NAMMShow #HammondOrgans #XK5 — at Nashville Music City Center
Third segment

Jon Hammond Funk Unit Reverb Stage, Summer NAMM, Nashville Tennessee, Funk, Jazz, Blues https://www.namm.org/summer/2017/events/jon-hammond-funk-unit
Joe Berger Guitarist
Cord Martin Tenor Saxoponist
Roland Barber Trombonist
Louis Flip Winfield Drummer
Chuggy Carter Percussionist
Jon Jon Hammond Organ
*Audio recorded on TASCAM #DR100MKIII – special thanks Greg Herreman & Ken Freeman production managers, Crash & Brian audio board and stage crew
As Seen on Jon Hammond Show Television Show 34th year
Reverb Stage Summer NAMM Show Nashville Music City Center

— at NAMM

Fourth segment
exclusive interview Harry Shearer and Jon Hammond at American Eagle Awards during Summer NAMM Show – honorees, Crystal Gayle, Patti Smith & Harry Shearer
Fifth Segment
Melody Without Name (with photos by Elmar Lemes) Jon Hammond Band

*with photos by Elmar Lemes — Melody Without Name Jon Hammond BandJazzkeller Frankfurt – Note: Jon’s organ is powered by Markbass Bass Amps house combo bass amp only – Joe Berger guitar, Peter Klohmann tenor saxophone, Giovanni Totò Gulino drums, Jon Hammond
Sk1 Hammond organ – this is Jon Hammond and Joe Berger’s 31st
consecutive musikmesse traditional warm up party and Jon’s 64th birthday
party with many friends in the house in world famous jazzkeller Frankfurt
Jon’s birthday Chocolate Chocolate Cake baked by the best bakery in Frankfurt Saray Pastanesi on the Mainzer Landstrasse Frankfurt, Germany
http://www.HammondCast.com/ original composition by Jon Hammond ©JON HAMMOND International @hammondcast

— with Peter Klohmann and Joe Berger at Jazzkeller

3 Tunes on Nissan NAMM Show Stage – Jon Hammond Funk Unit

January 30, 2017

3 Tunes on Nissan NAMM Show Stage – Jon Hammond Funk Unit Lydia’s Tune, Head Phone, Late Rent

*WATCH FULL HighDef MOVIE: HighDef MOVIE

Jon’s archive https://archive.org/details/LydiasTuneHeadPhoneLateRentJonHammondFunkUnitNissanStage

First song: Lydia’s Tune – Jon Hammond Funk Unit on Nissan Stage Nashville https://www.namm.org/thenammshow/2016/events/jon-hammond-funk-unit Nashville Music City Center, front line: Lee Oskar harmonica, Joe Berger guitar, Cord Martin tenor, Roland Barber trombone, Jon Hammond organ, Rhythm section Chuggy Carter congas & percussion, Louis Flip Winfield drums — Head Phone Late Rent Nissan Stage Jon Hammond Funk Unit

Nashville Tennessee Nissan Stage Summer NAMM Show — Head Phone Late Rent Nissan Stage Jon Hammond Funk Unit with special guest Lee Oskar, Roland Barber trombone, Cord Martin tenor saxophone, Chuggy Carter congas & percussion, Joe Berger guitar (TV Jones guitar and pickups), Louis Flip Winfield drums, Jon Hammond Sk1 Hammond organ and bass Greg Herreman productions manager, Michael Apodaca & Alex Moore audio / Sound Image Nashville, Tennessee – The NAMM Show Summer NAMM Show Nissan Stage – Jon Hammond Band — with Cord Martin, Lee Oskar, Joe Berger, Louis Flip Winfield, Roland Barber and Leslie J. Carter at The NAMM Show. – all compositions composed & published by JON HAMMOND International ASCAP #NAMMShow #SummerNAMM #FunkBand #HammondOrgan #Nissan #Nashville #NashvilleMusicCityCenter

Producer Jon Hammond
Language English

Jon’s archive https://archive.org/details/NAMMShowCanopusDrumsSession

Youtube https://youtu.be/noZRV3WW7OQ

Vimeo https://vimeo.com/200553239

NAMM Show 2017, Camera Credit: Jesse Gay, thanks Jesse! — Thanks to our good friends at Canopus Drums for the Organ Trio Session today with Heinz Lichius drums, Arno Haas tenor saxophone, Jon Hammond organ – powered by TecAmp USA neo bass cabinet – and beautiful Italian designer Keyboard Stand by Bespeco Professional, Alex Mingmann Hsieh / P. Mauriat 保爾‧莫莉亞 Taiwan

Thanks to Shinichi Usuda President Canopus Co., Ltd. and Canopus Team: Taxi Okuyama, Joey Klaparda, Taka Matsumoto
TecAmp USA Glenn Kawamoto, Bespeco Professional S.r.l. Team, Silvia, Ettore, Francesco, Alessandro, Corrado – P.Mauriat Saxophones Alex Hsieh “Go For The Sound”, Thomas Pistone NAMM Security, Joe Lamond NAMM President CEO

http://www.HammondCast.com #NAMMShow #CanopusDrums #Bespeco #TecAmpUSA #HammondOrgan Pmauriat Albest​

Producer Jon Hammond
Language English

Photos by Lawrence Gay

Hammond B3 Of The Future XK5 Slated to Make Daily Appearances Jon Hammond Organ Group Winter NAMM Musikmesse ProLight + Sound

Jon Hammond Organ Demo Hammond B3 of The Future XK-5 as seen at Tokyo Big Sight Japan Musical Instruments Fair

Jon’s archive https://archive.org/details/JonHammondShowPreview1126FromTokyoJapanFunkSoulMusicNewXK5HammondOrganAndB3

Youtube https://youtu.be/uY7y-uLol2o

Facebook video https://www.facebook.com/hammondcast/videos/10153902968662102/

Published November 19, 2016
Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics Japan Music Fair, Manhattan Neighborhood Network, Tokyo, Jon Hammond Show, Funk Soul Music, Chromatic Harmonica, B3 organ, XK5 Hammond, Modeled Tonewheel 1, #HammondOrgan

Tokyo Japan — Jon Hammond Broadcast for MNN TV Cable Access, 34th year Friday nights at 01:30AM (Sat.) Channel 1 – first segment
from Tokyo Big Sight Japan — Very special dedication at Musical Instruments Fair Japan Second Day to my good friend Waichiro Tachikawa aka Tachi – reprising 10 years later Mercy Mercy with the great Suzuki Chromatic harmonica masters Koei Tanaka and Tokuichi Inoue (Stevie Wonder’s friends and harmonica makers!), Joe Berger playing custom guitar built by Tor Arne Engdal and Jon Hammond at the exciting new Hammond organ product, the XK-5 aka XK5 presented in the full blown version Heritage Pro System with high power model 3300 Leslie Speaker daily onstage in the Suzuki Musical Instruments stand – enjoy this Full High Definition Film that will bring you right there to the bi-annual fair in the Big Sight convention and exhibition center in Tokyo, Japan – the largest one in the country! See you again in 2018 folks! These instruments are available now from your local Hammond Suzuki representitives – Jon Hammond
*Note: We will also be appearing at Winter NAMM Show, Frankfurt musikmesse Prolight + Sound and Summer NAMM Show 31st year – this is the New B3 of the Future, now! “The New Original” – JH
Jon Hammond is playing the New Hammond XK-5 Organ product from Suzuki Musical Instruments with “Modelled Tone Wheel 1” (MTW1)
Tone Generator. MTW™ (Modeled Tone Wheels)
Second segment: Japan Music Fair LIVE Get Back in The Groove XK5 featuring Koei Tanaka and Joe Berger plus special guest Tokuichi Inoue chromatic Harmonica Masters from Suzuki Musical Instruments – Jon Hammond is playing the new XK-5 Hammond organ and high power Leslie Speaker, the new standard in Hammond B3 digital organ, best modern Hammond organ in history, enjoy! Jon Hammond photo Steve aka Shunichi Horiuchi!

Third segment: Shinjuku-ku, Tokyo — LATE RENT Theme Song in famous Hammond orgasm​ #Hammondorgasm Rock Club Tokyo Japan – Hammond B3 organ lounge where the late great Keith Emerson used to hang out – MUSICIANS: KOEI TANAKA harmonica, – Koei Tanaka​ JOE BERGER guitar, – Joe Berger​ KIMIAKI TOBE drums, – Kimiaki Tobe​ JON HAMMOND B3 organ – Jon Hammond


Special thanks: George Massahillo Oya​ & Atsuko Oya​ – Hammond orgasm Team – Shinjuku Tokyo – “Shinjuku is a special ward in Tokyo, Japan. It is a major commercial and administrative centre, housing the busiest railway station in the world and the Tokyo Metropolitan Government Building,”
Producer: Jon Hammond ©JON HAMMOND Intl.

Interviews Sennheiser Jon Hammond Headphones Microphones Organ Accordion Music Archive NAMM Musikmesse
http://jonhammondband.com/blog.html/interviews_sennheiser_jon_hammond_headphones_microphones_organ_accordion_music_archive_namm_musikmesse/ – Jon Hammond

L to R Dr. Andreas Sennheiser, Jon Hammond, Daniel Sennheiser

Parking lot of Sennheiser Headquarters in Wedemark Germany, Knut Benzner of NDR with 421 mic and Norbert Hilbich long-time Sennheiser man!

Jon Hammond using Sennheiser e855 evolution microphone on interview with Tommy Denander and Mathias Melo in Hollywood

Nashville Tennessee — Jon Hammond interviewing legendary Roy Clark with Sennheiser evolution e855 microphone

Manhattan Neighborhood Network Channel 1
Jon’s Big Boxing Match first segment – Chicago IL — Jon’s Big Boxing Match – Behind The Beat soundtrack – special thanks Steven Rosenfeld – Jon Hammond
Jon’s archive https://archive.org/details/TVShow0903PreviewJonHammondShow

next up, 2PM Nissan Stage Kick Off – 2PM EST Jon Hammond Funk Unit kicking it off on the Nissan Stage at Summer NAMM Show Nashville Music City Center
Roland Barber – trombone, trumpet, sea shell
Cord Martin – tenor saxophone
Chuggy Carter – percussion
Louis Flip Winfield – drums
Lee Oskar – harmonica
Joe Berger – guitar
Jon Hammond – organ + bass
http://www.jonhammondband.com
‪#NAMMShow ‪#SummerNAMM ‪#NissanStage#HammondOrgan

Next: Jazz Funk Tribute to Cannonball Adderley and Lutz Büchner with NDR Horns Jon Hammond Band
Jazz Funk Tribute to Cannonball Adderley and Lutz Büchner​ NDR Horns Jon Hammond Band​ – Auster Jazz Series concert Hamburg Eimsbüttel. Funky Heinz Lichius​ drums, Michael Leuschner​ trumpet, Lutz Büchner tenor, Ernst-Friedrich Fiete Felsch​ alto, Joe Berger​ guitar, Jon Hammond​ organ bass – special thanks Nicolai Ditsch for operating the camera, this concert was filmed in High Definition – Frank Blume, Torsten Wendt – Knut Benzner NDR Redaktion – Musik Rotthoff​ support – Gideon Schier / Baltic Soul Weekender in Auster Bar​ #LutzBüchner#NDRJazz#MichaelLeuschner

Producer Jon Hammond

Announcing Special Guest Lee Oskar for big Center Stage at musikmesse First Day 12 Noon on Jon Hammond All Star Band

Folks, I’m happy to announce that our friend Lee Oskar will be joining us onstage on the big Center Stage at musikmesse first day Wednesday April 5th with Joe Berger, Peter Klohmann Giovanni Totò Gulino! See you there, my 31st consecutive year – Jon Hammond
*Showtime: High Noon 12PM!

Three Tunes, Nissan Stage, Organ Combo, Lee Oskar, Jon Hammond, #Funk #NAMMShow #HammondOrgan

LATE RENT Jon Hammond Theme Song jazzkeller

May 25, 2016

*WATCH THE MOVIE HERE: LATE RENT Jon Hammond Theme Song

Jon’s archive https://archive.org/details/LATERENTJonHammondThemeSong

Youtube https://youtu.be/q9P2CLCW6RU

Vimeo https://vimeo.com/168027875

Facebook video https://www.facebook.com/hammondcast/videos/10153484591607102/

Jon Hammond’s annual musikmesse Warm Up Party in the world famous jazzkeller Frankfurt

– LATE RENT Jon Hammond Theme Song – Jon Hammond Band: Peter Klohmann tenor, Giovanni Totò Gulino drums, Joe Berger guitar, Jon Hammond organ – Video: Tino Pavlis http://www.HammondCast.com

Jon’s archive https://archive.org/details/GetBackInTheGrooveJonHammondBandInJazzkeller_201604

by Jon Hammond

Jon Hammond Band live in Jazzkeller celebrating 30 years musikmesse Warm
Up Party – “Get Back in The Groove” – Peter Klohmann tenor saxo, Joe
Berger guitar, Giovanni Totò Gulino drums, Jon Hammond at the Hammond
Sk1 organ with many special friends in the house jonhammondband.com – video Tino Pavlis

Producer Jon Hammond
Language English

Youtube https://youtu.be/Tm2ZFE5V4As

Vimeo https://vimeo.com/164279506

Facebook video https://www.facebook.com/jonhammondband/videos/1271197279575733/

Getting ready for my 10th ASCAP “I Create Music” EXPO – Hollywood CA!
Jon Hammond

#ASCAPExpo ASCAP Audio Portrait: Jon Hammond http://www.ascap.com/audioportraits/h/jon_hammond_rent.aspx

Jon Hammond
Late Rent
Jon Hammond says “the fingers are the singers.'” The latest CD from this exceptional and soulful Hammond organist is the proof. “Late Rent” draws on decades of great recording sessions and top live performances to showcase his own playing and many top jazz and funk artists. It shows why the Hammond organ is one of the most enduring electric instruments and why Hammond is one of its best players.

Jon Hammond Rent
The Late Rent Story
Swingin’ Funky Jazz & Blues
Two Hot Tracks
Sonny’s Advice

11th edition of the ASCAP “I Create Music” EXPO, April 28th – 30th, 2016 in Los Angeles at the Loews Hollywood Hotel

American Association of Independent Music (A2IM)
American Composers Forum (ACF)
American Federation of Musicians (AFM)
Association of Independent Music Publishers (AIMP)
Berklee College of Music Alumni Association
Berklee Online
California Copyright Conference (CCC)
Canadian Music Week
Foreign Performing Rights Organizations (PRO)
Girls Rock & Girls Rule
GoGirlsMusic.com
International Film Festival Summit (IFFS)
International Music Festival Conference (IMFCON)
International Songwriting Competition (ISC)
Los Angeles Women in Music (LAWIM)
Music Publishers Association (MPA)
Nashville Songwriters Association International (NSAI)
National Music Publishers Association (NMPA)
New Music USA
The Recording Academy (NARAS)
Regional/State/Local Songwriter Associations
SAG-AFTRA
SOCAN
Society of Composers and Lyricists (SCL)
SongNet
Songwriters Guild of America (SGA)
Songwriters Hall of Fame (SHOF)
Student/University Music Programs
TAXI
USA Songwriting Competition
West Coast Songwriters

Jon’s archive https://archive.org/details/6842260423

AFM Local 6 Member Jon Hammond https://afm6.org/member-profile/jon-hammond-wheres-the-gig/

JON HAMMOND: “WHERE’S THE GIG?” – Alex Walsh

Jon Hammond is a musician, composer, bandleader, publisher, journalist, TV show host, radio DJ, and multi-media entrepreneur. He currently travels the world, playing gigs and attending trade shows.

“Every time I see a musician walking down the street I say, ‘Hey, where’s the gig?’ Because it doesn’t matter what kind of music you play, if you’re carrying an instrument–going to a rehearsal, or coming back from a repair shop, whatever it is–we all need our gigs. And that’s what the union is all about. Hopefully, we can all keep working and be supportive of everybody’s gigs. There’s room for everybody.”

THE EARLY YEARS
Jon Hammond was born in Chicago in 1953. His father was a doctor and his mother was a housewife. They both played the piano. In 1957, his parents moved Jon and his four sisters to Berkeley, CA, where his father worked in a hospital as head of the emergency room. When he was nine, Jon started accordion lessons. “In those days, they had studios where parents would drop their kids off after school for tap dancing and accordion lessons. There were accordion bands and they would compete against each other.”

Jon played his first gig at a senior citizens luncheon when he was eleven. Not only did he get a free lunch but he was paid $25 –a lot of money in those days. Jon says his father was supportive, but did not want him to pursue a music career. “He told me that music was a great hobby. He got me a wonderful professional accordion for my Bar Mitzvah, directly from John Molinari, one of the greatest accordionists who ever lived. It was a Guilietti Professional Tone Chamber accordion. That’s the accordion I won Jr. Jazz Champion on in 1966.”

In high school, Jon attended a private boys school in San Francisco. He was a class clown, and when it got to the point where he was going to be expelled, Jon took his accordion and ran away from home. He immersed himself in the San Francisco music scene and started playing organ in several bands. By 1971 he was in a four piece rock group called Hades which shared a rehearsal space with Quicksilver Messenger Service. “I was friends with their manager, Ron Polte, who also managed guitarist John Cipollina. We got to open for his band, Copperhead.”

Jon continued to play gigs in the Bay Area in different configurations, including a few gigs with a young Eddie Money. By this time Jon had become frustrated with the Bay Area scene. One night while playing a biker bar he got into a fight and his band didn’t come to his defense. “That was the last straw. I was angry and I said I wasn’t coming back.”

Jon in the early 70s

Jon moved to Boston in 1973 to attend the Berklee School of Music. He also got a gig playing in Boston’s Combat Zone backing up burlesque shows. When Jon saw one of his idols, pianist Keith Jarrett play in New York he told him he was going to Berklee and asked him for advice. “Keith looked me right in the eye and said ‘Berklee can be very dangerous for your music.’ It was like he popped this huge bubble. Years later I came to understand what he was talking about. You have to learn the fundamentals, but the music itself comes from a much deeper place. They can’t teach that, you have to find it yourself.”

When Jon’s teachers began sitting in on his gigs in Boston, he questioned why he was in school if the teachers were coming to play with him. He quit school, moved to Cape Cod and started playing with bandleader Lou Colombo. “He did all the private parties for Tip O’Neill. We played what they used to call the business man’s beat. On the gig it was forbidden to swing. It was like swing cut in half. So if you tried to go with the four, Lou would say, ‘Don’t swing it, don’t swing it.’ He pounded it into my head night after night.”

LATE RENT
In 1981 Jon took a trip to Paris where he broke through his writers block and wrote some of his best music. He returned to New York with his new tunes and started a production company with the idea of getting a record deal for a friend that had played on a #1 hit record. After months of pounding the pavement with no results, Jon realized he had better work on his own music before his money ran out. He took the last of his savings, including his upcoming rent money, and went into the studio to record what came to be known as “The Late Rent Sessions”.

The session had Todd Anderson on tenor sax, Barry Finnerty on guitar, Stephen Ferrone on drums, and Jon on B3. They recorded at Intergalactic, the last studio that John Lennon recorded in. Jon had no luck getting a record deal for his new project, but he did get gigs in New York with his band Jon Hammond and the Late Rent Session Men.

Jon Hammond Band Onstage at NAMM, 2014: Joe Berger, Dom Famularo, Alex Budman, Koei Tanaka, Jon Hammond

In 1982, Jon found out about public access television and the idea that anyone could produce a show and get it on TV. He started broadcasting on Manhattan’s public station in 1984. “I decided I was going to produce a radio show on TV. The first episodes showed just my tapping foot and my voice. It was a gimmick. We had graphics that were synchronized to go with the music. It worked out well. People dug it.” Within a few weeks, Jon was interviewed and featured in Billboard Magazine. The Jon Hammond Show was considered an alternative to the clips on Cable TV. “MTV was still in its infancy. We had a concept that was revolutionary. My phone started ringing and we were the hot kids on the block.”

LIVING ABROAD
Jon continued to play gigs in New York and produce his TV show. In 1987, he went to his first trade show (NAMM) where he was introduced to Mr. Julio Guilietti, the man who built his accordion. He then began traveling to trade shows and making contacts with musicians and companies around the world, including Hammond Suzuki. “They gave me the Hammond XB-2, the first really powerful portable Hammond organ. Glenn Derringer, one of my all-time heroes, presented it to me. I got one of the first. Paul Shaffer from the Letterman Show got the other. At the time there was only one EXP-100 expression pedal–we had to share the pedal. I used the pedal for my gigs and when Paul needed it I would bring it over to him at 30 Rockefeller Center on my bicycle.”

In the early 90s, when his New York gigs began drying up, Jon was encouraged to go to Germany. “It was a hard time. My father had just died and there were very few gigs. I got the XB-2 organ right when I needed it, so I decided to take a chance. I bought a roundtrip ticket to Frankfurt with an open return. I went with 50 bucks and stayed for a year. When I came back, I had 100 bucks.”

Jon stayed at a friend’s house and played a borrowed accordion on the street until he could get a band together. “I played on the street until my fingers turned blue and would collect enough money to get some fish soup. After about two weeks I got a call—I had put a band together and had 3 gigs coming up. A TV show had heard my story and wanted to do a story on me. At the first gig 19 people came; the second only 15 people came. Then I got the little spot on TV. When I came to the third gig people were lined up down the street. When I walked up I thought they were having an art exhibit. When they said, ‘No, they’re waiting for you.’ I choked up, I couldn’t even talk. So I’ve been playing there every year since. The people in Germany really saved my musical career at a time when very few things were happening for me in New York or San Francisco. I have a really good following in Europe. I keep busy as a musician in the States, playing hospitals and assisted living places, but my band dates I pretty much play overseas.”

Jon’s Late Rent Sessions was eventually released on a German label and received modest airplay. During the 90s he travelled back and forth to Europe, spending a year playing gigs in Paris, and eventually settling in Hamburg. Since then he has released two more albums and has played gigs in Moscow, Shanghai, and Australia. With the help of the internet, Jon is able to produce his TV show anywhere.

PRESENT DAY
In the mid-2000s Jon produced Hammondcast, a radio program for CBS that aired in San Francisco at four in the morning and was rebroadcast before Oakland A’s games. “When the baseball games played in the afternoon, my show would play for about 20 minutes and then it was pre-empted. I had a lot of fun with that.” His guests included Danny Glover, Barry Melton from Country Joe & the Fish, and many local people. “It took me awhile to figure out that I had permission to broadcast anything I wanted. I could play the London Philharmonic or Stevie Wonder. My tag line was ‘Hello, Hello, Hello! Wake up or go back to sleep…’”

Today, Jon continues to visit tradeshows and is determined to keep doing everything he does as long as he can. “I made a pact with my longtime co-producer, guitarist Joe Berger, that we are going to go to these trade shows until we are little old men with canes.”

Jon has released four CDs

For more info visit www.jonhammondband.com

Jon Hammond Funk Unit https://www.namm.org/summer/2015/events/jon-hammond-funk-unit

JON HAMMOND Instruments: Organ, Accordion, Piano, Guitar Attended: Berklee College of Music 1974, City College San Francisco Languages: English, German Jon is closely identified with the two main products of his career, the Excelsior Accordion and the Hammond Organ. Musician: Jon Hammond is one of the premier B3 PLAYERS in the world. Jon has played professionally since age 12. Beginning as a solo accordionist, he later played Hammond B3 organ in a number of important San Francisco bands. His all original group HADES opened shows for Tower of Power, Quicksilver Messenger Service and Michael Bloomfield. Eddie Money and Barry Finnerty became musical associates. Moving East he attended Berklee College of Music and played venues as diverse as Boston’s “Combat Zone” in the striptease clubs during the ’70’s and the exclusive Wychmere Harbor Club in Cape Cod, where he was house organist with the late great trumpet player Lou Colombo and developed a lasting friendship with House Speaker Tip O’Neill. He also toured the Northeast and Canada with the successful show revue “Easy Living”, and continued his appearances at nightclubs in Boston and New York. Subsequently Hammond lived and traveled in Europe, where he has an enthusiastic following. TV/Video Producer: In 1981 Jon formed BackBeat Productions. Assisted by Lori Friedman (Video by LORI), the innovative TV show “The Jon Hammond Show” became a Manhattan Cable TV favorite. Jon’s “Live on the street” video style included news events, as well as live music/video clips of Dizzy Gillespie, Paul Butterfield, Jaco Pastorius, John Entwistle, Sammy Davis Jr., Percy Sledge and many others. The weekly show is now in it’s 30th year and has influenced the broadcasts of David Letterman and others. Billboard Magazine hailed Jon’s show as “The Alternative to MTV”. LINK http://youtu.be/7TApELTO1XI Head Phone – Jon Hammond Band THE SOUND SOUL SUMMIT All-Star Jam Video Movie of Jon’s Band Featuring Bernard Bernard “Pretty” Purdie, Alex Budman, Joe Berger2, Koei Tanaka, Jon Hammond Organ Group

funky jazz

http://www.journal-frankfurt.de/funkyjazz

Tuesday, April 5 at 9 PM Musikmesse Warm Up Party celebrating 30 years

Best Party of The Year! Jon Hammond’s annual musikmesse Warm Up Party in jazzkeller Tuesday April 5th 2016 celebrating 30 years

Jon Hammond’s annual musikmesse Warm Up Party in jazzkeller Tuesday April 5th 2016 celebrating 30 years

Jon’s archive https://archive.org/details/JonHammondsMusikmesseWarmUpPartyJazzkeller

Jon Hammond – organ

Joe Berger – guitar

Peter Klohmann – saxophone

Giovanni Totò Gulino – drums

Mr. Hammond has toured worldwide since 1991 using the incredible Sk1 organ by Hammond Suzuki..™ “Classic Hammond Sound…In A Suitcase!” The Jon Hammond Show is a funky swinging instrumental revue, featuring top international soloists. The show has universal appeal. Big Hammond orgel sound – 100% organic

“Werden Sie im Jazzkeller wieder eine Hammond Orgel spielen?
Ja, sicher, das neueste Modell, eine Sk1, die exakt so klingt wie die legendäre B3. Ich liebe sie. Und sie wiegt nur noch sieben Kilo (Anm. des Autors: Das Original, ein echtes Möbel mit viel Holz, mussten immer zwei Menschen mit viel Muskelkraft die Treppen rauf und runter hieven), ein deutliches Indiz, dass wir in der Zukunft angekommen sind. Da stecken viele Jahre Forschung und Entwicklung drin, auch Bühnenerprobungen. Ich ziehe den Hut vor den Ingenieuren von Suzuki, ein unverwüstliches Instrument erschaffen zu haben. Und das unterziehe ich jetzt einen echten Härttest (lacht).”

Interview: Detlef Kinsler

Web: www.jazzkeller.com / www.jonhammondband.com

photo by Lawrence Gay co-producer of West Coast Live Radio Program

Late Rent, Theme Song, Jon Hammond, Jazz, jazzkeller, Frankfurt, Musikmesse, Organ Combo, #HammondOrgan #Musikmesse #NAMMShow

Hammondcast: Spotlight on Lou Colombo the late great Trumpet Player recorded on bandstand by organist Jon Hammond 1978

May 29, 2015

*LISTEN TO THE AUDIO HERE: Spotlight on Lou Colombo the late great Trumpet Player recorded on bandstand by organist Jon Hammond 1978

Jon’s archive http://ia700407.us.archive.org/3/items/JonHammondHammondCast201KYOURadio/HammondCast201.mp3

Lou Colombo, KYOU Radio, Wychmere Harbor Club, Harwich Port MA, B3 Organ, Frank Shea, Trumpet, Jazz, Standards, Tip O’Neill, Cape Cod

Attribution-NonCommercial-NoDerivs

Lou Colombo House Band at Wychmere Harbor Club L to R Frank Shea d, Lou Colombo t, Jack Pena g, Jon Hammond o

Picnic Time in the Colombo’s Backyard – South Yarmouth MA Cape Cod

HammondCast 201 KYOU Radio, today Jon Hammond puts the spotlight on Lou Colombo trumpet player band leader originally from Brockton MA, Jon played organ with Lou for 2.5 years on the house band at the exclusive Wychmere Harbor Club and Thompson’s Clam Bar in Harwich Port Cape Cod MA – a recently discovered recording from the bandstand with Lou Colombo, Jon Hammond on B3 organ, Frank Shea drums and 2 additional horns on a big Saturday night at the legendary Wychmere Harbor Club in Harwich Port! ©JON HAMMOND International

Berklee College of Music — Re-discovered recordings with Lou Colombo: HammondCast 202 Pt 2 Spotlight on Lou Colombo KYOU Radio:

LINK: https://www.berklee.edu/news/re-discovered-recordings-lou-colombo-hammondcast-202-pt-2-spotlight-lou-colombo-kyou-radio

Podomatic http://hammondcast.podomatic.com/entry/2011-02-23T03_07_43-08_00

Mr. and Mrs. Lee Berk founder of Berklee College of Music were in the house and Tip O’Neill Speaker of The House on a big Saturday night at the Wychmere Harbor Club in Harwich Port Cape Cod MA:

AUDIO: http://ia700404.us.archive.org/26/items/JonHammondHammondCast202KYOURadio/HammondCast202.mp3

HammondCast 202 KYOU Radio special edition with part 2 of recording from Wychmere Harbor Club when Jon played B3 organ on the Lou Colombo Band, the house band at Wychmere Harbor Club in Harwich Port Cape Cod MA. First backing up a feature dance duo with cha cha …

Fort Myers Florida — Lou Colombo and Jon Hammond just a few days before Lou was tragically killed while driving home from his gig
March 2012

http://blog.sfgate.com/jon-hammond/2015/03/05/hammondcast-202-the-jon-hammond-show-audio-from-jons-radio-show/


Wikipedia in Deutsch
http://de.wikipedia.org/wiki/Lou_Colombo

Lou Colombo (* 22. August 1927 in Brockton, Massachusetts[1]; † 3. März 2012 in Fort Myers, Florida) war ein US-amerikanischer Musiker (Trompete, Kornett, Flügelhorn) im Bereich des Swing und Mainstream Jazz.

Colombo begann mit zwölf Jahre Trompete zu spielen, war zunächst sieben Jahre Baseball-Profispieler bei den Brooklyn Dodgers, bevor ihn mit 24 Jahren eine Knieverletzung zwang, seine Sportlerkarriere zu beenden. Er arbeitete danach als Vollzeitmusiker meist als Ensemblespieler und Studiomusiker, u. a. in den Big Bands von Dizzy Gillespie, Artie Shaw, Benny Goodman, Buddy Morrow und Perez Prado, außerdem bei Sessions mit Meredith D’Ambrosio (South to a Warmer Place, 1989), George Masso (That Old Gang of Mine, 1996) und Jerry Jerome (Something Borrowed, Something Blue).[3] Unter eigenem Namen spielte er einige Alben ein, darunter 1990 bei Concord Records ein Tributalbum für Bobby Hackett ein, an dem u. a. auch Dave McKenna und Keith Copeland mitwirkten. Colombo, der fünf Jahrzehnte in der Jazzszene von Cape Cod aktiv war, starb Anfang März 2012 im Alter von 84 Jahren an den Folgen eines Verkehrsunfalls.

Jon’s archive https://archive.org/details/NAMMMemorialTributeIndustryLeadersLostHammondCastCoverage

Youtube http://youtu.be/934LYZwSpxs

Jon Hammond’s coverage of the annual NAMM in Memoriam Tribute to Industry Leaders Lost. Always near the end of day 1 we take time to reflect, NAMM Historians Dan Del Fiorentino and Tony Arambarri put together a special reel showing members of the NAMM Community who have passed, L.A. Bagpipers play – on this clip the audio is original music from Jon Hammond “Lydia’s Tune” since Youtube flags the bagpiper’s track – for complete NAMM Memorial: https://www.namm.org/library/oral-history/namm-memoriam-industry-tribute-2015 – HammondCast http://www.HammondCast.com #NAMM

CNN iReport http://ireport.cnn.com/docs/DOC-1213472

Vimeo http://vimeo.com/118886655

NAMM Show Day 1 — Greg Herreman Event Producer directing operations on the big GoPro Stage just before the annual NAMM Tribute to Industry Leaders Lost – like Secret Service with a microphone in his sleeve, super slick!

– Jon Hammond — with Greg Herreman at The NAMM Show.

Getting closer to hit time for NAMM Memoriam Industry Tribute – NAMM Chairman Larry Morton also Kevin Cranley and Debbi Cranley are talking with Dan Del Fiorentino – spotlights are moving in to place, Hats On…Bagpipers ready!

– Jon Hammond — with Dan Del Fiorentino at The NAMM Show.

Dailymotion http://www.dailymotion.com/video/x2gj8lw_namm-memorial-tribute-industry-leaders-lost-hammondcast-coverage_music

Head Phone Funk Masterpiece
Jon Hammond Band With Bernard Purdie Side Camera
*WATCH THE VIDEO HERE: Head Phone Funk Masterpiece Jon Hammond Band With Bernard Purdie Side Camera
Jon’s archive https://archive.org/details/HeadPhoneFunkMasterpieceJonHammondBandWithBernardPurdieSideCamera
Head Phone Funk Masterpiece Jon Hammond Band with Bernard Purdie side camera – special thanks to Tino Pavlis and Joachim Wiesel for this side view camera footage of Jon Hammond Band NAMM Showcase
– Jon Hammond original funk composition “Head Phone” featuring legendary Fatback Funk drummer Bernard “Pretty” Bernard “Pretty” Purdie and Jon’s long-time colleague Joe Berger on guitar, from Tokyo Japan Koei Tanaka Suzuki Harmonica artist Suzuki Harmonica – Official Facebook Page – Official Facebook Page Alex Budman tenor saxophone and Jon Hammond at the B3mk2 organ and high-power model 3300 Leslie Speaker with FOH mix by Brian English Audio Denny Mack – this is The Jon Hammond Organ Group – Funk Masterpiece performance with announcement by Stephen Fortner Editor of Keyboard Magazine on a big Friday Night in the Anaheim Hilton Hotel Lobby, enjoy! © JON HAMMOND International, INC. ASCAP – Suzuki Musical Instruments
YouTube http://youtu.be/1r0SSgNoJXU

Jon Hammond Band Facebook https://www.facebook.com/video.php?v=989931187702345

Funk Masterpiece performance with announcement by Stephen Fortner Editor of Keyboard Magazine on a big Friday Night in the Anaheim Hilton Hotel Lobby, enjoy! © JON HAMMOND International, INC. ASCAP

YouTube http://youtu.be/1r0SSgNoJXU – Suzuki Musical Instruments — with Jon Hammond, Joe Berger and Bernard Purdie at The NAMM Show.

Jon Hammond on the scene covering Joe Franklin’s annual Thanksgiving show and free turkey dinner at Laugh Factory NYC, a great tradition, Miracle on 42nd St.! Owner Richard Basciano an icon of Times Square says “By giving this holiday gift we want to give our thanks to the people NYC for making us what we are today .”
No one should be alone on this day of giving thanks and all are invited. Come out for a day of food and fun and share good times with friends. Happy Thanksgiving from Times Square Arts Center and The World Famous Laugh Factory. Enjoy Joe Franklin legend of Radio & TV here! jh

#Spotlight #LouColombo #Wychmere #Harwich #HammondOrgan Jon Hammond, Jazz Music, Organ Combo, B3 organ, NAMM Memorial, musikmesse, Local 802, Musicians Union

Jon Hammond Group In Louisville Kentucky Cosmo Lane

November 28, 2014

*WATCH THE VIDEO HERE: Jon Hammond Group In Louisville Kentucky Cosmo Lane

Jon’s archive https://archive.org/details/JonHammondGroupInLouisvilleKentuckyCosmoLane

Youtube http://youtu.be/opXHVLH3Q-U

CNN iReport http://ireport.cnn.com/docs/DOC-1192721

One night only Jon Hammond Organ Group in Louisville Kentucky – “Cosmo Lane” by Jon Hammond: Alex Budman tenor saxophone, Ronnie Smith drums, John Bishop guitar, Jon Hammond organ ©JON HAMMOND International ASCAP – from the Hammond’s Bolero album

http://www.HammondCast.com/ — with Jon Hammond Organ Group

Dailymotion http://www.dailymotion.com/video/x2bavxk_jon-hammond-group-in-louisville-kentucky-cosmo-lane_music

Jon Hammond Band Facebook https://www.facebook.com/video.php?v=944057908956340

Vimeo http://vimeo.com/113099921

Jon’s archive https://archive.org/details/ImprovedAudioUndergroundFrankfurtJonHammondBandIntimBarLissania1

Jon Hammond Band circa 1992 Underground Frankfurt Scene Night Shows in Europa Intim Bar and Lissania in Frankfurt’s Red Light District during musikmesse.

Original Funk tunes “Pocket Funk” and “Nu Funk” aka “Hip Hop Chitlins” Note: sadly funky drummer James Preston has passed, long-time drummer in various formations of Jon Hammond Band, Sons of Champlin, Cold Blood with Lydia Pense, RIP Jimmy – Al Allen Wittig tenor saxophone, Barry Finnerty guitar, Jon Hammond organ, funky James Preston drums – special thanks to Joe Berger Hans Romanov Europa INTIM Bar ElbeStrasse 34, 60329 Frankfurt and Stefan Hantel aka Shantel Lissania on the Kaiserstrasse

Youtube http://youtu.be/3wjgB0moazk

– as seen on cable access show The Jon Hammond Show now in 31st year – all music ©JON HAMMOND International ASCAP http://www.HammondCast.com/ — with James Preston and Jon Hammond at KiezPraline

CNN iReport http://ireport.cnn.com/docs/DOC-1188407

Dailymotion http://www.dailymotion.com/video/x2a7z74_underground-frankfurt-jon-hammond-band-intim-bar-lissania_music

Jon Hammond Band Facebook https://www.facebook.com/video.php?v=936450226383775

Jon’s archive https://archive.org/details/JonHammondAndFriendsJazzSpotSwing

Youtube http://youtu.be/x6a8MHYESqc

Jon Hammond and Friends drop in to Taipei night spot JAZZ SPOT SWING organ lounge,

Jon at Mr. Nobuki Kuwahara’s Hammond Sk2 organ with house musicians – Kenichi Toyoda piano

– special thanks to Nico, Shannon, Letitia – Superlux Taiwan,

P. Mauriat Europe Pmauriat Albest Team!

http://www.HammondCast.com/ – Jazz Spot Swing

Vimeo http://vimeo.com/110027287

CNN iReport http://ireport.cnn.com/docs/DOC-1182889

Jon Hammond Band Facebook https://www.facebook.com/video.php?v=924772564218208

James Oscar Smith aka Jimmy Smith photos by Jon Hammond
Taken in Long Beach, California
Long Beach CA — James Oscar Smith aka Jimmy Smith photos by Jon Hammond one month before he passed away, just after receiving the prestigious NEA Jazz Master Award.
http://en.wikipedia.org/wiki/Jimmy_Smith_(musician)
James Oscar “Jimmy” Smith (December 8, 1925[1] or 1928[2] – February 8, 2005)[1][2] was an American jazz musician who achieved the rare distinction of releasing a series of instrumental jazz albums that often charted on Billboard. Smith helped popularize the Hammond B-3 electric organ, creating an indelible link between sixties soul and jazz improvisation.

In 2005, Smith was awarded the NEA Jazz Masters Award from the National Endowment for the Arts, the highest honor that the United States bestows upon jazz musicians.
Also known as The Incredible Jimmy Smith
Born December 8, 1925
Norristown, Pennsylvania, United States
Died February 8, 2005 (aged 79)
Scottsdale, Arizona, United States
Genres Hard bop
Mainstream jazz
Jazz-funk
Jazz fusion
Occupation(s) Musician
Instruments Hammond B-3 electric organ

Smith’s birth year is of some confusion, with various sources citing either 1925 or 1928. Born James Oscar Smith in Norristown, Pennsylvania, at the age of six he joined his father doing a song-and-dance routine in clubs. He began teaching himself to play the piano. When he was nine, Smith won a Philadelphia radio talent contest as a boogie-woogie pianist.[5] After a stint in the navy, he began furthering his musical education in 1948, with a year at Royal Hamilton College of Music, then the Leo Ornstein School of Music in Philadelphia in 1949. He began exploring the Hammond organ in 1951. From 1951 to 1954 he played piano, then organ in Philly R&B bands like Don Gardner and the Sonotones. He switched to organ permanently in 1954 after hearing Wild Bill Davis.
He purchased his first Hammond organ, rented a warehouse to practice in and emerged after little more than a year. Upon hearing him playing in a Philadelphia club, Blue Note’s Alfred Lion immediately signed him to the label and his second album, The Champ, quickly established Smith as a new star on the jazz scene. He was a prolific recording artist and, as a leader, dubbed The Incredible Jimmy Smith, he recorded around forty sessions for Blue Note in just eight years beginning in 1956. Albums from this period include The Sermon!, House Party, Home Cookin’, Midnight Special, Back at the Chicken Shack and Prayer Meetin’.

Smith signed to the Verve label in 1962. His first album, Bashin’, sold well and for the first time set Smith with a big band, led by Oliver Nelson. Further big band collaborations followed, most successfully with Lalo Schifrin for The Cat and guitarist Wes Montgomery, with whom he recorded two albums: The Dynamic Duo and Further Adventures Of Jimmy and Wes. Other notable albums from this period include Blue Bash and Organ Grinder Swing with Kenny Burrell, The Boss with George Benson, Who’s Afraid of Virginia Woolf?, Got My Mojo Working, and Root Down.

During the 1950s and 1960s, Smith recorded with some of the great jazz musicians of the day such as Kenny Burrell, George Benson, Grant Green, Stanley Turrentine, Lee Morgan, Lou Donaldson, Tina Brooks, Jackie McLean, Grady Tate and Donald Bailey.

The Jimmy Smith Trio performed “When Johnny Comes Marching Home” and “The Sermon” in the 1964 film Get Yourself a College Girl.

In the 1970s, Smith opened his own supper club in Los Angeles, California, and played there regularly with guitarist Paul C Saenz, Kenny Dixon on drums, Herman Riley and John F. Phillips on saxophone; also included in the band was harmonica/flute player Stanley Behrens. The 1972 album Root Down, considered a seminal influence on later generations of funk and hip-hop musicians, was recorded live at the club, albeit with a different group of backing musicians…

Jon’s archive https://archive.org/details/LateRentJonHammondThemeSong2014

Jon Hammond theme song Late Rent on the occasion of 28th annual musikmesse Warm Up Party in the world famous jazzkeller Frankfurt and Jon’s birthday

with Peter Klohmann tenor saxophone, Giovanni Totò Gulino drums, Joe Berger guitar and Jon Hammond at the Sk1 Hammond organ – Late Rent is the theme song for Jon’s long-running cable TV show in New York City The Jon Hammond Show and HammondCast radio program http://www.HammondCast.com – special thanks to Frank Poehl for operating the camera – Jon Hammond Band

Jon’s archive https://archive.org/details/LateRentJonHammondThemeSong2014

Good time in The Garden Court At The Palace Hotel today, thank you long-time server Maggie and F&B Team!
Jon Hammond

https://hammondcast.wordpress.com/
Palace Hotel 2 New Montgomery Street · San Francisco, CA
See’s Candies Stage Shoreline Amphitheatre Jon Hammond & The Late Rent Session Men
November 11, 2014
*WATCH THE VIDEO HERE: See’s Candies Stage Shoreline Amphitheatre Jon Hammond & The Late Rent Session Men

Jon’s archive https://archive.org/details/SeesCandiesStageShorelineAmphitheatreJonHammondTheLateRentSessionMen
Jon Hammond and The Late Rent Session Men concert on See’s Candies Stage Shoreline Amphitheatre At Mountain View Amphitheater show for Bill Graham Presents
Jon Hammond Band Funk Unit coming up at Winter NAMM Show folks http://www.namm.org/thenammshow/2015/concerts-performances/jon-hammond-funk-unit — at The Garden Court At The Palace Hote

Jon Hammond theme song Late Rent on the occasion of 28th annual musikmesse Warm Up Party in the world famous jazzkeller Frankfurt and Jon’s birthday

with Peter Klohmann tenor saxophone, Giovanni Totò Gulino drums, Joe Berger guitar and Jon Hammond at the Sk1 Hammond organ – Late Rent is the theme song for Jon’s long-running cable TV show in New York City The Jon Hammond Show and HammondCast radio program http://www.HammondCast.com – special thanks to Frank Poehl for operating the camera – Jon Hammond Band

Youtube http://youtu.be/5shPL3IOYlU

NuMuBu http://www.numubu.com/153010-videos.html?VIDEO_ID=23971

CNN iReport http://ireport.cnn.com/docs/DOC-1117717

Vimeo http://vimeo.com/91332204

Dailymotion http://www.dailymotion.com/video/x1mn3pb_late-rent-jon-hammond-theme-song-2014_music

Jon Hammond Band Facebook http://www.facebook.com/photo.php?v=806846682677464

Blip TV http://blip.tv/jon-hammond/late-rent-jon-hammond-theme-song-2014-6818982

“The FINGERS…are the SINGERS!”
Musikmesse “Warm Up Party”
Jon Hammond & Band

Jon Hammond (aus New York City) – organ
Joe Berger – guitar
Peter Klohmann – saxophone
Giovanni Gulino – drums

Mr. Hammond has toured worldwide since 1991 using the incredible Sk1 organ by Hammond Suzuki..™ “Classic Hammond Sound…In A Suitcase!”
The Jon Hammond Show is a funky swinging instrumental revue, featuring top international soloists. The show has universal appeal. Big Hammond orgel sound – 100% organic

Jon Hammond in P.Mauriat Pmauriat Albest Pro Shop Taipei Taiwan

Journal Frankfurt article by Detlef Kinsler

LINK: http://journal-frankfurt.de/funkyjazz

Kultur

MY HOME AWAY FROM HOME

Nomen est omen. Der Mann heißt Hammond und spielt eine Hammond. Der Organist aus New York freut sich auf Frankfurt und lädt zur Musikmesse Warm Up Party am 9.4. in den Jazzkeller ein.
JOURNAL FRANKFURT: Was war für Sie zuerst da – die Frankfurter Musikmesse oder Auftritte im Jazzkeller?
Jon Hammond: Die Musikmesse. Ich kam 1987 zum ersten Mal nach Frankfurt, zusammen mit Joe Berger, der auf der Messe für Engl Amplifiers spielte. Wir flogen mit der Lufthansa ein und teilten uns ein Zimmer im berühmten Prinz Otto Hotel am Hauptbahnhof. Schon in der ersten Nacht stellte mir Joe den großen John Entwistle, den Bassisten von The Who vor. Es wurde eine lange Nacht, in der wir Cognac tranken und Erdnüsse knabberten in eiern Suite des Marriott Hotels. Ich habe Joe bei einer Session mit John und Ringo Starrs Sohn Zak Starkey im Dorian Grey Club gefilmt bei einer Soundcheck Party. In den ersten paar Jahren spielte ich nicht oft live weil ich noch keine transportierbare Hammond Orgel hatte vor 1991 als ich den Prototyp einer XB-2 Hammond Orgel bekam mit der ich dann um die Welt reiste. Hauptsächliche dokumenierte ich aber die Messe für meine Cable TV Show in New York, die inzwischen im 29. Jahr als The Jon Hammond Show — Music, Travel and Soft News präsentiert. Die harten Nachrichten überlasse ich CNN und den großen Networks (lacht). Vom ersten Jahr an fühlten wir uns der Musikmesse eng verbunden, haben seitdem eine tolle Zeit hier, kommen jedes Jahr wieder bis wir kleine, alte Männer sind.

Das Jazzkeller-Konzert am Vorabend der Musikmesse ist zu einer netten Tradition geworden – wie kam es dazu, was bedeutet es Ihnen und wir werden Sie dieses Jahr diesen Abend im Jazzkeller zelebrieren?
Ab 1991 lernte ich mehr und mehr Musikmesse-Menschen kennen und die mich und auch einiges von meiner Musik. Einige von ihnen ermunterten mich, doch auch für Auftritte nach Deutschland zu kommen weil es hier doch ein Interesse an Hammond-Orgel-Groove-Music gab. Mit der schon erwähnten, kleinen, kompakten aber sehr kraftvollen Orgel war das alles möglich. Zudem machte ich in New York gerade eine schwere Zeit durch, mein Vater war gestorben und ich hatte das Gefühl, einige Veränderungen könnten meinem Leben gut tun. Also kam ich nach Frankfurt mit meiner XB-2, allerdings mit einem Rückflugticket falls etwas schief gehen würde. Ich rief viele Musiker an, ließ sie wissen, ich bin jetzt da, lasst uns zusammen spielen. Das war für mich der Anfang einer langen, sehr speziellen Beziehung, vor allem zum Frankfurter Publikum nach ersten kleinen erfolgen im Jazzkeller und einer kurzen Auftritt im Hessen Report im Fernsehen. Beatrix Rief verdanke ich dieses “lucky light on me”, eine tolle Erfahrung. Seitdem nenne ich Frankfurt “My Good Luck City” und im Jazzkeller begann auch alles für mich als Musiker. Deshalb liegt mir der Club auch so nah am Herzen, deshalb hatte ich auch die Idee, meine “Musikmesse Warm Up Party” dort zu realisieren, immer in der Nacht bevor die Messe startet was zu einer schönen Tradition wurde. Im ersten Jahr, in dem ich dann auch ein wenig Sponsoring von Philip Morris bekam, konnte ich damit einige Flugtickets für befreundete Musik bezahlen. Darüber war ich sehr glücklich. Dabei rauche ich selbst gar nicht.

Wie würden Sie Ihr persönliches Verhältnis zu Deutschland und Frankfurt beschrieben?
Lassen Sie es mich so sagen: ich liebe Frankfurt und die Frankfurter waren immer gut zu mir in all den Jahren. Ich könnte ein ganzes Buch über die Zeit schreiben, in der ich in Bornheim wohnte und Nacht für Nacht in der alten Jazzkneipe in der Berliner Straße auftrat. Das war der Treffpunkt, wo auch die Musiker der HR Bigband hinkamen und es gab eine generöse Chefin in der kleinen Kneipe. Auch Regine Dobberschütz und Eugen Hahn im Jazzkeller waren wahre Jazzengel für mich, die mir so vieles ermöglichten in der Zeit. Wir konnten auch in den Studios von AFN Radio spielen, waren die einzigen Musiker, die das – mit einer Sondergenehmigung des US Militärs – durften. Für ein wenig Promotion für die Musikmesse. Wir nannten das Programm für die AFN “Profile TV “-Show “Sound Police”. Wir hatten viel Spaß. Kein Wunder also, dass ich Frankfurt als my home away from home begreife und ich mich jedes Mal wieder freue zur Musikmesse zu reisen, in diesem Jahr übrigens zum 27. Mal in Folge. Und ich bin diesmal besonders aufgeregt, heim nach Frankfurt zu kommen weil ich gerade 60 Jahre alt geworden bin.

Wer wird in diesem Jahr zum Gelingen des Konzertes mit teils komponierter, teils improvisierter Musik, so nehme ich an, beitragen und was für einen Sound wird die Band präsentieren?
Ich habe etwa 90% der Kompositionen geschrieben, die wir spielen werden. Es ist die Musik, die man auch in meiner New Yorker TV-Show hören kann und die mich mehrmals um die Welt getragen hat. Meinen Stil nenne ich “Swinging Funky Jazz and Blues” und featurert die ganz wunderbaren Solisten in meine Band: Tony Lakatos, den großen ungarischen Tenorsaxophonisten, der auch Mitglied in der hr Bigband ist, dann meinen alten Freund Giovanni Gulino, diesen tollen Schlagzeuger, der schon für fast alle Großen der Szene getrommelt hat. Ich liebe diese Jungs. Als Gitarrist ist mein alten Freund und Kollege Joe Berger dabei, den man auch als The Berger-Meister kennt. Auf diese Formation bin ich wirklich stolz.

Werden Sie im Jazzkeller wieder eine Hammond Orgel spielen?
Ja, sicher, das neueste Modell, eine Sk1, die exakt so klingt wie die legendäre B3. Ich liebe sie. Und sie wiegt nur noch sieben Kilo (Anm. des Autors: Das Original, ein echtes Möbel mit viel Holz, mussten immer zwei Menschen mit viel Muskelkraft die Treppen rauf und runter hieven), ein deutliches Indiz, dass wir in der Zukunft angekommen sind. Da stecken viele Jahre Forschung und Entwicklung drin, auch Bühnenerprobungen. Ich ziehe den Hut vor den Ingenieuren von Suzuki, ein unverwüstliches Instrument erschaffen zu haben. Und das unterziehe ich jetzt einen echten Härttest (lacht). — Interview: Detlef Kinsler

P.Mauriat Action Blues With Jon Hammond Pmauriat / Albest Music

Jon’s archive https://archive.org/details/P.MauriatActionBluesWithJonHammond

(Higher Quality) P.Mauriat HQ / Pmauriat Albest action with Jon Hammond Blues All Afternoon at The NAMM Show with P.Mauriat Artists and guests Arno Haas, Hailey Niswanger, James Carter, Joshua Quinlan, Juan Alzate, Ryan Montano – Jon Hammond at the Sk1 organ http://www.HammondCast.com/

Louisville Kentucky, ASCAP Composer, Jon Hammond, CNN iReport, MNN TV, Channel 1, Cosmo Lane, Funky Jazz, Organ combo, Local 802, Musicians Union

Spiceyball Late Rent Moscow

November 26, 2014

*WATCH THE VIDEO HERE: Spiceyball Late Rent Moscow

Jon’s archive https://archive.org/details/SpiceyballLateRentMoscow

Jon Hammond NuMuBu Video http://www.numubu.com/153010-videos.html?VIDEO_ID=28814

Youtube http://youtu.be/Hd5xgF1h98s

Jon Hammond Trio with Igor Butman and Eduard Zizak in Moscow – Jon’s first time in Moscow playing Jon’s composition Late Rent – Jon mispronounced Спасибо! as Spiceyball! Spiceyball Late Rent – Igor Butman tenor saxophone, Ed Zizak drums, Jon Hammond organ http://www.HammondCast.com/ – as seen on The Jon Hammond Show MNN TV Channel 1 ©JON HAMMOND International ASCAP

– Jon Hammond Band / Jon Hammond Organ Group – Special thanks Marat Garipov and Faina Cobham — with Eduard Zizak and Jon Hammond in Moscow, Russia.

Daillymotion http://www.dailymotion.com/video/x2b4tgr_spiceyball-late-rent-moscow_music

Jon Hammond Band Facebook https://www.facebook.com/video.php?v=943004472395017

Vimeo http://vimeo.com/112935747

CNN iReport http://ireport.cnn.com/docs/DOC-1192107

Jon’s archive https://archive.org/details/JazzkellerMusikmesseWarmUpPartySpecialGuestLeeOskar

Youtube http://youtu.be/mlb7DV5MbII

Jon Hammond’s annual musikmesse Warm Up Party in Jazzkeller Frankfurt – Jon’s special guest on the Jon Hammond Band: Lee Oskar. The Musicians: Tony Lakatos – tenor saxophone, Giovanni Totò Gulino – drums, Joe Berger – guitar, Lee Oskar – harmonica, Jon Hammond at the Sk1 Hammond organ – special thanks to Alex P. Mauriat HQ Pmauriat Albest Saxophones and Thomas Eich TecAmp – Bass Player’s Gear powering Jon’s organ – Suzuki Musical Instruments <a

href=”http://www.HammondCast.com/”>http://www.HammondCast.com/ — with Tony Lakatos, Jon Hammond, Joe Berger, Giovanni Totò Gulino, Lee Oskar and Pmauriat Albest at Jazzkeller.

CNN iReport http://ireport.cnn.com/docs/DOC-1189715

Jon Hammond Band Facebook https://www.facebook.com/video.php?v=939124982782966

Jon’s archive https://archive.org/details/P.MauriatNAMMSessionJonHammondWithPmauriatArtists

Youtube http://youtu.be/elTx7Dy-F-k

P.Mauriat NAMM Session as seen in DownBeat Magazine Magazine’s “Best of NAMM” article, oldest jazz magazine in USA – Jon Hammond at the organ with Pmauriat Albest artists and guest players joining in – great way to end 4 day NAMM Show!
http://pmauriatmusic.com/us/news/4-events-news/257-p-mauriat-booth-in-qbest-of-the-namm-showq-2013-feature-article-of-downbeat-magazine
Thanks to P Mauriat International Team, players Alejandro Chiabrando, Tim Green, Jason Palmer, Greg Osby, Juan Alzate and all the cats – also Bag End Speakers amplification –

this session appears on Jon Hammond Show MNN TV http://www.HammondCast.com/ – Anaheim California The NAMM Show — with Pmauriat Albest
P. Mauriat Musical Instruments
Musical Instrument
Tim Green
PMauriat Saxophones
Greg Osby
Jason Palmer
Alejandro Chiabrando

CNN iReport http://ireport.cnn.com/docs/DOC-1188946

Dailymotion http://www.dailymotion.com/video/x2afjox_p-mauriat-namm-session-jon-hammond-with-pmauriat-artists_music

Vimeo http://vimeo.com/112036992

Jon Hammond Band Facebook https://www.facebook.com/video.php?v=937701906258607

Jon’s archive https://archive.org/details/JonHammondAndFriendsJazzSpotSwing

Youtube http://youtu.be/x6a8MHYESqc

Jon Hammond and Friends drop in to Taipei night spot JAZZ SPOT SWING organ lounge,

Jon at Mr. Nobuki Kuwahara’s Hammond Sk2 organ with house musicians – Kenichi Toyoda piano

– special thanks to Nico, Shannon, Letitia – Superlux Taiwan,

P. Mauriat Europe Pmauriat Albest Team!

http://www.HammondCast.com/ – Jazz Spot Swing

Vimeo http://vimeo.com/110027287

CNN iReport http://ireport.cnn.com/docs/DOC-1182889

Jon Hammond Band Facebook https://www.facebook.com/video.php?v=924772564218208

Jon’s archive https://archive.org/details/LateRentJonHammondThemeSong2014

Jon Hammond theme song Late Rent on the occasion of 28th annual musikmesse Warm Up Party in the world famous jazzkeller Frankfurt and Jon’s birthday

with Peter Klohmann tenor saxophone, Giovanni Totò Gulino drums, Joe Berger guitar and Jon Hammond at the Sk1 Hammond organ – Late Rent is the theme song for Jon’s long-running cable TV show in New York City The Jon Hammond Show and HammondCast radio program http://www.HammondCast.com – special thanks to Frank Poehl for operating the camera – Jon Hammond Band

Jon’s archive https://archive.org/details/LateRentJonHammondThemeSong2014

Jon Hammond theme song Late Rent on the occasion of 28th annual musikmesse Warm Up Party in the world famous jazzkeller Frankfurt and Jon’s birthday

with Peter Klohmann tenor saxophone, Giovanni Totò Gulino drums, Joe Berger guitar and Jon Hammond at the Sk1 Hammond organ – Late Rent is the theme song for Jon’s long-running cable TV show in New York City The Jon Hammond Show and HammondCast radio program http://www.HammondCast.com – special thanks to Frank Poehl for operating the camera – Jon Hammond Band

Youtube http://youtu.be/5shPL3IOYlU

Spiceyball, Late Rent, Theme Song, Moscow, Igor Butman, Eduard Zizak, Jazz Music, Organ combo, Jon Hammond, ASCAP Composer, MNN TV, Local 802, Musicians Union

Vers. 2.0 Pocket Funk Musikmesse Warm Up Party

November 21, 2014

*WATCH THE VIDEO HERE: Vers. 2.0 Pocket Funk Musikmesse Warm Up Party

Jon’s archive https://archive.org/details/Vers.2.0PocketFunkMusikmesseWarmUpParty

Jon’s original funk composition “Pocket Funk” as seen on The Jon Hammond Show 31st year MNN TV – annual musikmesse Warm Up Party in Jazzkeller Frankfurt – Jon Hammond Band with special guest Lee Oskar harmonica, Giovanni Totò Gulino drums, Joe Berger guitar, Tony Lakatos tenor saxophone, Jon Hammond organ (and bass) Sk1 Hammond organ ©JON HAMMOND International ASCAP ASCAP “I Create Music” EXPO special thanks to Alex P Mauriat HQ Pmauriat Albest Saxophones and Thomas EichTecAmp – Bass Player’s Gear powering Jon’s organ – Suzuki Musical Instruments

http://www.HammondCast.com/ — with Giovanni Totò Gulino, Joe Berger, Tony Lakatos, Jon Hammond, Lee Oskar, PMauriat Saxophones, Jon Hammond Organ Group and Pmauriat Albest at Jazzkeller.

Youtube http://youtu.be/AYBIe9q6ZZM

CNN iReport http://ireport.cnn.com/docs/DOC-1190092

Dailymotion http://www.dailymotion.com/video/x2ap3yy_vers-2-0-pocket-funk-musikmesse-warm-up-party_music

Jon Hammond Band Facebook https://www.facebook.com/video.php?v=939612182734246

Jon’s archive https://archive.org/details/GetBackInTheGroovePerformedByJonHammond

Get Back in the Groove performed by Jon Hammond
Youtube http://youtu.be/7bg1F_QY4nw
Published on Aug 24, 2014
“Get Back in the Groove” performed by Jon Hammond live at Bernies Music Land on the 14/8/14
Jon dedicated this performance to the memory of that great comic talent Robin Williams.

– AE Music Productions / Mike Wallis
Jon Hammond is one of the premier Hammond B3 players in the world. Jon
has played professionally since the age of twelve. Beginning as a solo
accordionist, he later played Hammond B3 organ in a number of important
San Francisco bands. Today, Jon plays and tours extensively and has a
large international following. Jon has also hosted a number of popular
radio and TV shows.
Jon Hammond Organ Group
https://www.youtube.com/user/JonHammondBand
https://www.facebook.com/jonhammondband
*note from Jon: When
I got back to San Francisco I felt compelled to drive over to Robin’s
house and pay my respects: Robin Williams’ Sea Cliff San Francisco home –
farewell my old neighbor. My girlfriend and I met him one rainy night
just about here from where I took
this photo. He was sitting in his Volvo SUV wagon with bike rack on the
back. When we walked by the driver door with umbrella suddenly the door
popped open and out jumped Robin – he said “Hey Kids! Be careful when
you walk around here at night, the cars come around the corner fast!” He
was still wearing the fatigues from his USO Tour – we talked for a long
time standing in the rain there near China Beach and then he said good
night and walked across the street and went in his house. RIP Robin
Williams #RobinWilliams – JH

Jon’s archive https://archive.org/details/AusterJazzHeadPhoneNDRHornsFunkyHeinz

Jon Hammond Band L to R: Joe Berger, Michael Leuschner, Heinz Lichius, Lutz Büchner, Jon Hammond, Fiete Felsch

Youtube http://youtu.be/5pvfVZhXaoc

Auster Jazz Head Phone NDR Horns Funky Heinz – 3 + 3

Jon Hammond Band Live in Auster Bar Hamburg with funky Heinz Lichius drums, NDR Horns: Michael Leuschner trumpet, Lutz Büchner tenor sax, Fiete Felsch alto sax, Joe Berger guitar, Jon Hammond organ + bass – http://www.HammondCast.com/ Note: Joe Berger is playing Futhark Guitars – Jon Hammond – Hammond organ made by Suzuki Musical Instruments – special thanks to our friend and excellent drummer Nicolai Ditsch for operating the camera! & Auster Bar Team Frank Blume & Torsten Wendt

Vimeo http://vimeo.com/105020455

CNN iReport http://ireport.cnn.com/docs/DOC-1167042

Dailymotion http://www.dailymotion.com/video/x253oxm_auster-jazz-head-phone-ndr-horns-funky-heinz_music

Jon Hammond Band Facebook https://www.facebook.com/video.php?v=892204304141701

Vers. 2.0, Funky Jazz music, Laundry, jazzkeller, Frankfurt, musikmesse party, organ combo, Sk1, Jon Hammond, P.Mauriat saxophone, Tony Lakatos, Lee Oskar, ASCAP Composer

Downtown Bluesclub White Onions

November 19, 2014

*WATCH THE VIDEO HERE: Downtown Bluesclub White Onions

Jon’s archive https://archive.org/details/DowntownBluesclubWhiteOnions

Youtube http://youtu.be/4j2MJm8RDWs

CNN iReport http://ireport.cnn.com/docs/DOC-1189376

Hamburg Germany — Jon Hammond Band original shuffle “White Onions” with Lutz Büchner tenor saxophone, Heinz Lichius drums, Joe Berger guitar, Jon Hammond organ

– in Downtown Bluesclub Landhaus Walter special thanks Uwe Mamminga http://www.HammondCast.com/ — with Joe Berger and 2 others at Downtown Bluesclub.

Vimeo http://vimeo.com/112245187

Jon Hammond Band Facebook https://www.facebook.com/video.php?v=938732919488839

Jon’s archive https://archive.org/details/JonHammondAndFriendsJazzSpotSwing

Youtube http://youtu.be/x6a8MHYESqc

Jon Hammond and Friends drop in to Taipei night spot JAZZ SPOT SWING organ lounge,

Jon at Mr. Nobuki Kuwahara’s Hammond Sk2 organ with house musicians – Kenichi Toyoda piano

– special thanks to Nico, Shannon, Letitia – Superlux Taiwan,

P. Mauriat Europe Pmauriat Albest Team!

http://www.HammondCast.com/ – Jazz Spot Swing

Vimeo http://vimeo.com/110027287

CNN iReport http://ireport.cnn.com/docs/DOC-1182889

Jon Hammond Band Facebook https://www.facebook.com/video.php?v=924772564218208

Jon’s archive https://archive.org/details/LateRentJonHammondThemeSong2014

Jon Hammond theme song Late Rent on the occasion of 28th annual musikmesse Warm Up Party in the world famous jazzkeller Frankfurt and Jon’s birthday

with Peter Klohmann tenor saxophone, Giovanni Totò Gulino drums, Joe Berger guitar and Jon Hammond at the Sk1 Hammond organ – Late Rent is the theme song for Jon’s long-running cable TV show in New York City The Jon Hammond Show and HammondCast radio program http://www.HammondCast.com – special thanks to Frank Poehl for operating the camera – Jon Hammond Band

Jon’s archive https://archive.org/details/LateRentJonHammondThemeSong2014

Jon Hammond theme song Late Rent on the occasion of 28th annual musikmesse Warm Up Party in the world famous jazzkeller Frankfurt and Jon’s birthday

with Peter Klohmann tenor saxophone, Giovanni Totò Gulino drums, Joe Berger guitar and Jon Hammond at the Sk1 Hammond organ – Late Rent is the theme song for Jon’s long-running cable TV show in New York City The Jon Hammond Show and HammondCast radio program http://www.HammondCast.com – special thanks to Frank Poehl for operating the camera – Jon Hammond Band

Youtube http://youtu.be/5shPL3IOYlU

NuMuBu http://www.numubu.com/153010-videos.html?VIDEO_ID=23971

CNN iReport http://ireport.cnn.com/docs/DOC-1117717

Vimeo http://vimeo.com/91332204

Dailymotion http://www.dailymotion.com/video/x1mn3pb_late-rent-jon-hammond-theme-song-2014_music

Jon Hammond Band Facebook http://www.facebook.com/photo.php?v=806846682677464

Blip TV http://blip.tv/jon-hammond/late-rent-jon-hammond-theme-song-2014-6818982

“The FINGERS…are the SINGERS!”
Musikmesse “Warm Up Party”
Jon Hammond & Band

Jon Hammond (aus New York City) – organ
Joe Berger – guitar
Peter Klohmann – saxophone
Giovanni Gulino – drums

Mr. Hammond has toured worldwide since 1991 using the incredible Sk1 organ by Hammond Suzuki..™ “Classic Hammond Sound…In A Suitcase!”
The Jon Hammond Show is a funky swinging instrumental revue, featuring top international soloists. The show has universal appeal. Big Hammond orgel sound – 100% organic

Jon Hammond in P.Mauriat Pmauriat Albest Pro Shop Taipei Taiwan

Journal Frankfurt article by Detlef Kinsler

LINK: http://journal-frankfurt.de/funkyjazz

Kultur

MY HOME AWAY FROM HOME

Nomen est omen. Der Mann heißt Hammond und spielt eine Hammond. Der Organist aus New York freut sich auf Frankfurt und lädt zur Musikmesse Warm Up Party am 9.4. in den Jazzkeller ein.
JOURNAL FRANKFURT: Was war für Sie zuerst da – die Frankfurter Musikmesse oder Auftritte im Jazzkeller?
Jon Hammond: Die Musikmesse. Ich kam 1987 zum ersten Mal nach Frankfurt, zusammen mit Joe Berger, der auf der Messe für Engl Amplifiers spielte. Wir flogen mit der Lufthansa ein und teilten uns ein Zimmer im berühmten Prinz Otto Hotel am Hauptbahnhof. Schon in der ersten Nacht stellte mir Joe den großen John Entwistle, den Bassisten von The Who vor. Es wurde eine lange Nacht, in der wir Cognac tranken und Erdnüsse knabberten in eiern Suite des Marriott Hotels. Ich habe Joe bei einer Session mit John und Ringo Starrs Sohn Zak Starkey im Dorian Grey Club gefilmt bei einer Soundcheck Party. In den ersten paar Jahren spielte ich nicht oft live weil ich noch keine transportierbare Hammond Orgel hatte vor 1991 als ich den Prototyp einer XB-2 Hammond Orgel bekam mit der ich dann um die Welt reiste. Hauptsächliche dokumenierte ich aber die Messe für meine Cable TV Show in New York, die inzwischen im 29. Jahr als The Jon Hammond Show — Music, Travel and Soft News präsentiert. Die harten Nachrichten überlasse ich CNN und den großen Networks (lacht). Vom ersten Jahr an fühlten wir uns der Musikmesse eng verbunden, haben seitdem eine tolle Zeit hier, kommen jedes Jahr wieder bis wir kleine, alte Männer sind.

Das Jazzkeller-Konzert am Vorabend der Musikmesse ist zu einer netten Tradition geworden – wie kam es dazu, was bedeutet es Ihnen und wir werden Sie dieses Jahr diesen Abend im Jazzkeller zelebrieren?
Ab 1991 lernte ich mehr und mehr Musikmesse-Menschen kennen und die mich und auch einiges von meiner Musik. Einige von ihnen ermunterten mich, doch auch für Auftritte nach Deutschland zu kommen weil es hier doch ein Interesse an Hammond-Orgel-Groove-Music gab. Mit der schon erwähnten, kleinen, kompakten aber sehr kraftvollen Orgel war das alles möglich. Zudem machte ich in New York gerade eine schwere Zeit durch, mein Vater war gestorben und ich hatte das Gefühl, einige Veränderungen könnten meinem Leben gut tun. Also kam ich nach Frankfurt mit meiner XB-2, allerdings mit einem Rückflugticket falls etwas schief gehen würde. Ich rief viele Musiker an, ließ sie wissen, ich bin jetzt da, lasst uns zusammen spielen. Das war für mich der Anfang einer langen, sehr speziellen Beziehung, vor allem zum Frankfurter Publikum nach ersten kleinen erfolgen im Jazzkeller und einer kurzen Auftritt im Hessen Report im Fernsehen. Beatrix Rief verdanke ich dieses “lucky light on me”, eine tolle Erfahrung. Seitdem nenne ich Frankfurt “My Good Luck City” und im Jazzkeller begann auch alles für mich als Musiker. Deshalb liegt mir der Club auch so nah am Herzen, deshalb hatte ich auch die Idee, meine “Musikmesse Warm Up Party” dort zu realisieren, immer in der Nacht bevor die Messe startet was zu einer schönen Tradition wurde. Im ersten Jahr, in dem ich dann auch ein wenig Sponsoring von Philip Morris bekam, konnte ich damit einige Flugtickets für befreundete Musik bezahlen. Darüber war ich sehr glücklich. Dabei rauche ich selbst gar nicht.

Wie würden Sie Ihr persönliches Verhältnis zu Deutschland und Frankfurt beschrieben?
Lassen Sie es mich so sagen: ich liebe Frankfurt und die Frankfurter waren immer gut zu mir in all den Jahren. Ich könnte ein ganzes Buch über die Zeit schreiben, in der ich in Bornheim wohnte und Nacht für Nacht in der alten Jazzkneipe in der Berliner Straße auftrat. Das war der Treffpunkt, wo auch die Musiker der HR Bigband hinkamen und es gab eine generöse Chefin in der kleinen Kneipe. Auch Regine Dobberschütz und Eugen Hahn im Jazzkeller waren wahre Jazzengel für mich, die mir so vieles ermöglichten in der Zeit. Wir konnten auch in den Studios von AFN Radio spielen, waren die einzigen Musiker, die das – mit einer Sondergenehmigung des US Militärs – durften. Für ein wenig Promotion für die Musikmesse. Wir nannten das Programm für die AFN “Profile TV “-Show “Sound Police”. Wir hatten viel Spaß. Kein Wunder also, dass ich Frankfurt als my home away from home begreife und ich mich jedes Mal wieder freue zur Musikmesse zu reisen, in diesem Jahr übrigens zum 27. Mal in Folge. Und ich bin diesmal besonders aufgeregt, heim nach Frankfurt zu kommen weil ich gerade 60 Jahre alt geworden bin.

Wer wird in diesem Jahr zum Gelingen des Konzertes mit teils komponierter, teils improvisierter Musik, so nehme ich an, beitragen und was für einen Sound wird die Band präsentieren?
Ich habe etwa 90% der Kompositionen geschrieben, die wir spielen werden. Es ist die Musik, die man auch in meiner New Yorker TV-Show hören kann und die mich mehrmals um die Welt getragen hat. Meinen Stil nenne ich “Swinging Funky Jazz and Blues” und featurert die ganz wunderbaren Solisten in meine Band: Tony Lakatos, den großen ungarischen Tenorsaxophonisten, der auch Mitglied in der hr Bigband ist, dann meinen alten Freund Giovanni Gulino, diesen tollen Schlagzeuger, der schon für fast alle Großen der Szene getrommelt hat. Ich liebe diese Jungs. Als Gitarrist ist mein alten Freund und Kollege Joe Berger dabei, den man auch als The Berger-Meister kennt. Auf diese Formation bin ich wirklich stolz.

Werden Sie im Jazzkeller wieder eine Hammond Orgel spielen?
Ja, sicher, das neueste Modell, eine Sk1, die exakt so klingt wie die legendäre B3. Ich liebe sie. Und sie wiegt nur noch sieben Kilo (Anm. des Autors: Das Original, ein echtes Möbel mit viel Holz, mussten immer zwei Menschen mit viel Muskelkraft die Treppen rauf und runter hieven), ein deutliches Indiz, dass wir in der Zukunft angekommen sind. Da stecken viele Jahre Forschung und Entwicklung drin, auch Bühnenerprobungen. Ich ziehe den Hut vor den Ingenieuren von Suzuki, ein unverwüstliches Instrument erschaffen zu haben. Und das unterziehe ich jetzt einen echten Härttest (lacht). — Interview: Detlef Kinsler

P.Mauriat Action Blues With Jon Hammond Pmauriat / Albest Music

Jon’s archive https://archive.org/details/P.MauriatActionBluesWithJonHammond

(Higher Quality) P.Mauriat HQ / Pmauriat Albest action with Jon Hammond Blues All Afternoon at The NAMM Show with P.Mauriat Artists and guests Arno Haas, Hailey Niswanger, James Carter, Joshua Quinlan, Juan Alzate, Ryan Montano – Jon Hammond at the Sk1 organ http://www.HammondCast.com/

with Hailey Niswanger, Jon Hammond, PMauriat Saxophones, Pmauriat Albest, Arno Haas, Reggie Padilla and Ryan Montano at NAMM Anaheim Convention Center

Youtube http://youtu.be/4rGrMhFPbrU

Vimeo http://vimeo.com/88162571

Downtown Bluesclub, Hamburg, Uwe Mamminga, Landhaus Walter, White Onions, Jon Hammond, Organ combo, Blues Band, Funky Jazz, ASCAP Composer, Local 802, Musicians Union

Improved Audio Underground Frankfurt Jon Hammond Band Intim Bar & Lissania

November 15, 2014

*WATCH THE VIDEO HERE: Improved Audio Underground Frankfurt Jon Hammond Band Intim Bar & Lissania

Jon’s archive https://archive.org/details/ImprovedAudioUndergroundFrankfurtJonHammondBandIntimBarLissania1

Jon Hammond Band circa 1992 Underground Frankfurt Scene Night Shows in Europa Intim Bar and Lissania in Frankfurt’s Red Light District during musikmesse.

Original Funk tunes “Pocket Funk” and “Nu Funk” aka “Hip Hop Chitlins” Note: sadly funky drummer James Preston has passed, long-time drummer in various formations of Jon Hammond Band, Sons of Champlin, Cold Blood with Lydia Pense, RIP Jimmy – Al Allen Wittig tenor saxophone, Barry Finnerty guitar, Jon Hammond organ, funky James Preston drums – special thanks to Joe Berger Hans Romanov Europa INTIM Bar ElbeStrasse 34, 60329 Frankfurt and Stefan Hantel aka Shantel Lissania on the Kaiserstrasse

Youtube http://youtu.be/3wjgB0moazk

– as seen on cable access show The Jon Hammond Show now in 31st year – all music ©JON HAMMOND International ASCAP http://www.HammondCast.com/ — with James Preston and Jon Hammond at KiezPraline

CNN iReport http://ireport.cnn.com/docs/DOC-1188407

Dailymotion http://www.dailymotion.com/video/x2a7z74_underground-frankfurt-jon-hammond-band-intim-bar-lissania_music

Jon Hammond Band Facebook https://www.facebook.com/video.php?v=936450226383775

Jon’s archive https://archive.org/details/JonHammondAndFriendsJazzSpotSwing

Youtube http://youtu.be/x6a8MHYESqc

Jon Hammond and Friends drop in to Taipei night spot JAZZ SPOT SWING organ lounge,

Jon at Mr. Nobuki Kuwahara’s Hammond Sk2 organ with house musicians – Kenichi Toyoda piano

– special thanks to Nico, Shannon, Letitia – Superlux Taiwan,

P. Mauriat Europe Pmauriat Albest Team!

http://www.HammondCast.com/ – Jazz Spot Swing

Vimeo http://vimeo.com/110027287

CNN iReport http://ireport.cnn.com/docs/DOC-1182889

Jon Hammond Band Facebook https://www.facebook.com/video.php?v=924772564218208

James Oscar Smith aka Jimmy Smith photos by Jon Hammond
Taken in Long Beach, California
Long Beach CA — James Oscar Smith aka Jimmy Smith photos by Jon Hammond one month before he passed away, just after receiving the prestigious NEA Jazz Master Award.
http://en.wikipedia.org/wiki/Jimmy_Smith_(musician)
James Oscar “Jimmy” Smith (December 8, 1925[1] or 1928[2] – February 8, 2005)[1][2] was an American jazz musician who achieved the rare distinction of releasing a series of instrumental jazz albums that often charted on Billboard. Smith helped popularize the Hammond B-3 electric organ, creating an indelible link between sixties soul and jazz improvisation.

In 2005, Smith was awarded the NEA Jazz Masters Award from the National Endowment for the Arts, the highest honor that the United States bestows upon jazz musicians.
Also known as The Incredible Jimmy Smith
Born December 8, 1925
Norristown, Pennsylvania, United States
Died February 8, 2005 (aged 79)
Scottsdale, Arizona, United States
Genres Hard bop
Mainstream jazz
Jazz-funk
Jazz fusion
Occupation(s) Musician
Instruments Hammond B-3 electric organ

Smith’s birth year is of some confusion, with various sources citing either 1925 or 1928. Born James Oscar Smith in Norristown, Pennsylvania, at the age of six he joined his father doing a song-and-dance routine in clubs. He began teaching himself to play the piano. When he was nine, Smith won a Philadelphia radio talent contest as a boogie-woogie pianist.[5] After a stint in the navy, he began furthering his musical education in 1948, with a year at Royal Hamilton College of Music, then the Leo Ornstein School of Music in Philadelphia in 1949. He began exploring the Hammond organ in 1951. From 1951 to 1954 he played piano, then organ in Philly R&B bands like Don Gardner and the Sonotones. He switched to organ permanently in 1954 after hearing Wild Bill Davis.
He purchased his first Hammond organ, rented a warehouse to practice in and emerged after little more than a year. Upon hearing him playing in a Philadelphia club, Blue Note’s Alfred Lion immediately signed him to the label and his second album, The Champ, quickly established Smith as a new star on the jazz scene. He was a prolific recording artist and, as a leader, dubbed The Incredible Jimmy Smith, he recorded around forty sessions for Blue Note in just eight years beginning in 1956. Albums from this period include The Sermon!, House Party, Home Cookin’, Midnight Special, Back at the Chicken Shack and Prayer Meetin’.

Smith signed to the Verve label in 1962. His first album, Bashin’, sold well and for the first time set Smith with a big band, led by Oliver Nelson. Further big band collaborations followed, most successfully with Lalo Schifrin for The Cat and guitarist Wes Montgomery, with whom he recorded two albums: The Dynamic Duo and Further Adventures Of Jimmy and Wes. Other notable albums from this period include Blue Bash and Organ Grinder Swing with Kenny Burrell, The Boss with George Benson, Who’s Afraid of Virginia Woolf?, Got My Mojo Working, and Root Down.

During the 1950s and 1960s, Smith recorded with some of the great jazz musicians of the day such as Kenny Burrell, George Benson, Grant Green, Stanley Turrentine, Lee Morgan, Lou Donaldson, Tina Brooks, Jackie McLean, Grady Tate and Donald Bailey.

The Jimmy Smith Trio performed “When Johnny Comes Marching Home” and “The Sermon” in the 1964 film Get Yourself a College Girl.

In the 1970s, Smith opened his own supper club in Los Angeles, California, and played there regularly with guitarist Paul C Saenz, Kenny Dixon on drums, Herman Riley and John F. Phillips on saxophone; also included in the band was harmonica/flute player Stanley Behrens. The 1972 album Root Down, considered a seminal influence on later generations of funk and hip-hop musicians, was recorded live at the club, albeit with a different group of backing musicians…

Jon’s archive https://archive.org/details/LateRentJonHammondThemeSong2014

Jon Hammond theme song Late Rent on the occasion of 28th annual musikmesse Warm Up Party in the world famous jazzkeller Frankfurt and Jon’s birthday

with Peter Klohmann tenor saxophone, Giovanni Totò Gulino drums, Joe Berger guitar and Jon Hammond at the Sk1 Hammond organ – Late Rent is the theme song for Jon’s long-running cable TV show in New York City The Jon Hammond Show and HammondCast radio program http://www.HammondCast.com – special thanks to Frank Poehl for operating the camera – Jon Hammond Band

Jon’s archive https://archive.org/details/LateRentJonHammondThemeSong2014

Good time in The Garden Court At The Palace Hotel today, thank you long-time server Maggie and F&B Team!
Jon Hammond

https://hammondcast.wordpress.com/
Palace Hotel 2 New Montgomery Street · San Francisco, CA
See’s Candies Stage Shoreline Amphitheatre Jon Hammond & The Late Rent Session Men
November 11, 2014
*WATCH THE VIDEO HERE: See’s Candies Stage Shoreline Amphitheatre Jon Hammond & The Late Rent Session Men

Jon’s archive https://archive.org/details/SeesCandiesStageShorelineAmphitheatreJonHammondTheLateRentSessionMen
Jon Hammond and The Late Rent Session Men concert on See’s Candies Stage Shoreline Amphitheatre At Mountain View Amphitheater show for Bill Graham Presents
Jon Hammond Band Funk Unit coming up at Winter NAMM Show folks http://www.namm.org/thenammshow/2015/concerts-performances/jon-hammond-funk-unit — at The Garden Court At The Palace Hote

Jon Hammond theme song Late Rent on the occasion of 28th annual musikmesse Warm Up Party in the world famous jazzkeller Frankfurt and Jon’s birthday

with Peter Klohmann tenor saxophone, Giovanni Totò Gulino drums, Joe Berger guitar and Jon Hammond at the Sk1 Hammond organ – Late Rent is the theme song for Jon’s long-running cable TV show in New York City The Jon Hammond Show and HammondCast radio program http://www.HammondCast.com – special thanks to Frank Poehl for operating the camera – Jon Hammond Band

Youtube http://youtu.be/5shPL3IOYlU

NuMuBu http://www.numubu.com/153010-videos.html?VIDEO_ID=23971

CNN iReport http://ireport.cnn.com/docs/DOC-1117717

Vimeo http://vimeo.com/91332204

Dailymotion http://www.dailymotion.com/video/x1mn3pb_late-rent-jon-hammond-theme-song-2014_music

Jon Hammond Band Facebook http://www.facebook.com/photo.php?v=806846682677464

Blip TV http://blip.tv/jon-hammond/late-rent-jon-hammond-theme-song-2014-6818982

“The FINGERS…are the SINGERS!”
Musikmesse “Warm Up Party”
Jon Hammond & Band

Jon Hammond (aus New York City) – organ
Joe Berger – guitar
Peter Klohmann – saxophone
Giovanni Gulino – drums

Mr. Hammond has toured worldwide since 1991 using the incredible Sk1 organ by Hammond Suzuki..™ “Classic Hammond Sound…In A Suitcase!”
The Jon Hammond Show is a funky swinging instrumental revue, featuring top international soloists. The show has universal appeal. Big Hammond orgel sound – 100% organic

Jon Hammond in P.Mauriat Pmauriat Albest Pro Shop Taipei Taiwan

Journal Frankfurt article by Detlef Kinsler

LINK: http://journal-frankfurt.de/funkyjazz

Kultur

MY HOME AWAY FROM HOME

Nomen est omen. Der Mann heißt Hammond und spielt eine Hammond. Der Organist aus New York freut sich auf Frankfurt und lädt zur Musikmesse Warm Up Party am 9.4. in den Jazzkeller ein.
JOURNAL FRANKFURT: Was war für Sie zuerst da – die Frankfurter Musikmesse oder Auftritte im Jazzkeller?
Jon Hammond: Die Musikmesse. Ich kam 1987 zum ersten Mal nach Frankfurt, zusammen mit Joe Berger, der auf der Messe für Engl Amplifiers spielte. Wir flogen mit der Lufthansa ein und teilten uns ein Zimmer im berühmten Prinz Otto Hotel am Hauptbahnhof. Schon in der ersten Nacht stellte mir Joe den großen John Entwistle, den Bassisten von The Who vor. Es wurde eine lange Nacht, in der wir Cognac tranken und Erdnüsse knabberten in eiern Suite des Marriott Hotels. Ich habe Joe bei einer Session mit John und Ringo Starrs Sohn Zak Starkey im Dorian Grey Club gefilmt bei einer Soundcheck Party. In den ersten paar Jahren spielte ich nicht oft live weil ich noch keine transportierbare Hammond Orgel hatte vor 1991 als ich den Prototyp einer XB-2 Hammond Orgel bekam mit der ich dann um die Welt reiste. Hauptsächliche dokumenierte ich aber die Messe für meine Cable TV Show in New York, die inzwischen im 29. Jahr als The Jon Hammond Show — Music, Travel and Soft News präsentiert. Die harten Nachrichten überlasse ich CNN und den großen Networks (lacht). Vom ersten Jahr an fühlten wir uns der Musikmesse eng verbunden, haben seitdem eine tolle Zeit hier, kommen jedes Jahr wieder bis wir kleine, alte Männer sind.

Das Jazzkeller-Konzert am Vorabend der Musikmesse ist zu einer netten Tradition geworden – wie kam es dazu, was bedeutet es Ihnen und wir werden Sie dieses Jahr diesen Abend im Jazzkeller zelebrieren?
Ab 1991 lernte ich mehr und mehr Musikmesse-Menschen kennen und die mich und auch einiges von meiner Musik. Einige von ihnen ermunterten mich, doch auch für Auftritte nach Deutschland zu kommen weil es hier doch ein Interesse an Hammond-Orgel-Groove-Music gab. Mit der schon erwähnten, kleinen, kompakten aber sehr kraftvollen Orgel war das alles möglich. Zudem machte ich in New York gerade eine schwere Zeit durch, mein Vater war gestorben und ich hatte das Gefühl, einige Veränderungen könnten meinem Leben gut tun. Also kam ich nach Frankfurt mit meiner XB-2, allerdings mit einem Rückflugticket falls etwas schief gehen würde. Ich rief viele Musiker an, ließ sie wissen, ich bin jetzt da, lasst uns zusammen spielen. Das war für mich der Anfang einer langen, sehr speziellen Beziehung, vor allem zum Frankfurter Publikum nach ersten kleinen erfolgen im Jazzkeller und einer kurzen Auftritt im Hessen Report im Fernsehen. Beatrix Rief verdanke ich dieses “lucky light on me”, eine tolle Erfahrung. Seitdem nenne ich Frankfurt “My Good Luck City” und im Jazzkeller begann auch alles für mich als Musiker. Deshalb liegt mir der Club auch so nah am Herzen, deshalb hatte ich auch die Idee, meine “Musikmesse Warm Up Party” dort zu realisieren, immer in der Nacht bevor die Messe startet was zu einer schönen Tradition wurde. Im ersten Jahr, in dem ich dann auch ein wenig Sponsoring von Philip Morris bekam, konnte ich damit einige Flugtickets für befreundete Musik bezahlen. Darüber war ich sehr glücklich. Dabei rauche ich selbst gar nicht.

Wie würden Sie Ihr persönliches Verhältnis zu Deutschland und Frankfurt beschrieben?
Lassen Sie es mich so sagen: ich liebe Frankfurt und die Frankfurter waren immer gut zu mir in all den Jahren. Ich könnte ein ganzes Buch über die Zeit schreiben, in der ich in Bornheim wohnte und Nacht für Nacht in der alten Jazzkneipe in der Berliner Straße auftrat. Das war der Treffpunkt, wo auch die Musiker der HR Bigband hinkamen und es gab eine generöse Chefin in der kleinen Kneipe. Auch Regine Dobberschütz und Eugen Hahn im Jazzkeller waren wahre Jazzengel für mich, die mir so vieles ermöglichten in der Zeit. Wir konnten auch in den Studios von AFN Radio spielen, waren die einzigen Musiker, die das – mit einer Sondergenehmigung des US Militärs – durften. Für ein wenig Promotion für die Musikmesse. Wir nannten das Programm für die AFN “Profile TV “-Show “Sound Police”. Wir hatten viel Spaß. Kein Wunder also, dass ich Frankfurt als my home away from home begreife und ich mich jedes Mal wieder freue zur Musikmesse zu reisen, in diesem Jahr übrigens zum 27. Mal in Folge. Und ich bin diesmal besonders aufgeregt, heim nach Frankfurt zu kommen weil ich gerade 60 Jahre alt geworden bin.

Wer wird in diesem Jahr zum Gelingen des Konzertes mit teils komponierter, teils improvisierter Musik, so nehme ich an, beitragen und was für einen Sound wird die Band präsentieren?
Ich habe etwa 90% der Kompositionen geschrieben, die wir spielen werden. Es ist die Musik, die man auch in meiner New Yorker TV-Show hören kann und die mich mehrmals um die Welt getragen hat. Meinen Stil nenne ich “Swinging Funky Jazz and Blues” und featurert die ganz wunderbaren Solisten in meine Band: Tony Lakatos, den großen ungarischen Tenorsaxophonisten, der auch Mitglied in der hr Bigband ist, dann meinen alten Freund Giovanni Gulino, diesen tollen Schlagzeuger, der schon für fast alle Großen der Szene getrommelt hat. Ich liebe diese Jungs. Als Gitarrist ist mein alten Freund und Kollege Joe Berger dabei, den man auch als The Berger-Meister kennt. Auf diese Formation bin ich wirklich stolz.

Werden Sie im Jazzkeller wieder eine Hammond Orgel spielen?
Ja, sicher, das neueste Modell, eine Sk1, die exakt so klingt wie die legendäre B3. Ich liebe sie. Und sie wiegt nur noch sieben Kilo (Anm. des Autors: Das Original, ein echtes Möbel mit viel Holz, mussten immer zwei Menschen mit viel Muskelkraft die Treppen rauf und runter hieven), ein deutliches Indiz, dass wir in der Zukunft angekommen sind. Da stecken viele Jahre Forschung und Entwicklung drin, auch Bühnenerprobungen. Ich ziehe den Hut vor den Ingenieuren von Suzuki, ein unverwüstliches Instrument erschaffen zu haben. Und das unterziehe ich jetzt einen echten Härttest (lacht). — Interview: Detlef Kinsler

P.Mauriat Action Blues With Jon Hammond Pmauriat / Albest Music

Jon’s archive https://archive.org/details/P.MauriatActionBluesWithJonHammond

(Higher Quality) P.Mauriat HQ / Pmauriat Albest action with Jon Hammond Blues All Afternoon at The NAMM Show with P.Mauriat Artists and guests Arno Haas, Hailey Niswanger, James Carter, Joshua Quinlan, Juan Alzate, Ryan Montano – Jon Hammond at the Sk1 organ http://www.HammondCast.com/

with Hailey Niswanger, Jon Hammond, PMauriat Saxophones, Pmauriat Albest, Arno Haas, Reggie Padilla and Ryan Montano at NAMM Anaheim Convention Center

Frankfurt Underground, Scene, musikmesse, Organ Combo, Funky drummer, RIP, James Preston, Hammond Organ, ASCAP Composer, Hans Romanov, Europa Intim Bar