Posts Tagged ‘Preview’

Vers. 2.0 MNN Ch. 1 Broadcast On Public Access TV Jon Hammond Show

July 27, 2015

*WATCH THE FILM HERE: MNN Ch. 1 Broadcast On Public Access TV Jon Hammond Show

Jon’s archive


Published July 24, 2015
Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics Broadcasting, Public Access, Cable Access, MCTV, Manhattan Neighborhood network, #HammondOrgan Dave Van Ronk, Michael Brecker #MichaelBrecker #BarryFinnerty #musikmesse Alan Pasqua

The Tubes – Band Tonight in Bremen Germany ladies and gentlemen! – Coffee Time with The Tubes’ Rick Anderson and Prairie Prince – Jon Hammond
L to R Rick Andrson, Jon Hammond, Prairie Prince
The Tubes is a San Francisco-based rock band whose 1975 debut album included the hit single “White Punks on Dope”. During its first fifteen years or so, the band’s live performances combined quasi-pornography with wild satires of media, consumerism, and politics.[citation needed] They are perhaps best remembered for their 1983 single “She’s a Beauty”, a top 10 U.S. hit with a frequently-played music video in the early days of MTV; and in the 1980 film Xanadu singing the rock portion of the cross-genre song “Dancin'” opposite a big band.
Phoenix, Arizona, United States
Genres Rock, punk, hard rock
Years active 1972–present
Labels A&M, Capitol
Website Official website
Members Roger Steen
Prairie Prince
Rick Anderson
Fee Waybill
David Medd
Past members Vince Welnick†
Bill Spooner
Michael Cotten
Bob Mcintosh
Re Styles
Mingo Lewis
Jane Dornacker†
David Killingsworth
Gary Cambra
The Tubes started as a group of high school friends from Phoenix and Scottsdale, Arizona. Two Phoenix bands, the Beans and The Red, White and Blues Band, both relocated to San Francisco in 1969 and eventually merged. The new band’s core membership remained largely intact for more than a decade: Fee Waybill (real name John Waldo Waybill) (vocals), Bill “Sputnik” Spooner (guitar, vocals), Roger Steen (guitar), Prairie Prince (real name Charles L. Prince) (drums), Michael Cotten (synthesizer), Vince Welnick (piano), and Rick Anderson (bass). Singer Re Styles (born Shirley Marie MacLeod) (vocals) and ex-Santana percussionist Mingo Lewis were also fixtures for much of the band’s early history.[1]

Show business excess was a common theme of the band’s early work, with Waybill sometimes assuming the onstage persona of “Quay Lewd” (a pun on Quaalude), a drunk, drugged out, barely coherent lead singer, wearing flashing glasses and stilt-like tall platform shoes.

Debut album[edit]
The Tubes’ first self-titled album, The Tubes (1975), was produced by Al Kooper. The track “White Punks on Dope” was an “absurd anthem of wretched excess” and a tribute to their rich, white teenage fan base in San Francisco.[citation needed] Since then the song has been covered by Mötley Crüe, and the German rock musician Nina Hagen took the tune and set new lyrics to it (not a translation of the original lyrics), titled her work TV-Glotzer (“Couch Potato”), and used this song as the opening track of her own debut album Nina Hagen Band, released 1978 on CBS/Germany Records. The album track “What Do You Want from Life?”, which became another of the Tubes’ signature songs, satirizes consumerism and celebrity culture and climaxes in a “hard-sell” monologue by Waybill, which name-checks celebrities such as Bob Dylan, Paul Williams and Randolph Mantooth, as well as well-known products of the period, including the Dynagym exercise machine and a host of American vehicles such as the Winnebago and the Mercury Montclair.

Second album[edit]
The Tubes’ second album, Young and Rich (1976) on A&M Records, was produced by Ken Scott. It featured “Don’t Touch Me There”, a suggestive duet between Waybill and Re Styles, which was arranged in classic “Wall of Sound” style by Jack Nitzsche. The song was co-written by Ron Nagle and Tubes dancer/vocalist Jane Dornacker, who died in a helicopter crash in 1986.

Third album, a live album, fourth album[edit]
The Tubes’ third album gave way to thematic experimentation with Now (1977) and after their live record What Do You Want from Live (1978), recorded during their record breaking run at the Hammersmith Odeon, London, England, the fourth album for A&M, Remote Control (1979) was a concept album produced by Todd Rundgren about a television-addicted idiot-savant. The cover of Remote Control (1979) shows a baby watching American panel game show Hollywood Squares in a specially made “Vidi-Trainer”.

Music videos[edit]
John Tobler opined that with their media savvy and theatrical skills, The Tubes were born to create rock video, but arrived several years too early.[2] However, the band did produce at least one collection of music videos, which were issued on the 1982 Pioneer Artists laserdisc “The Tubes Video” (this videodisc contained versions of twelve of the band’s hits, including “White Punks on Dope”, “Mondo Bondage”, “Talk to Ya Later”, and several others from yet-to-be-completed “The Completion Backwards Principle” album, in slickly produced music videos based on the group’s stage shows).

Live shows[edit]
The Tubes put their creativity and art skills mainly into their live performances, in which songs could be full-fledged production numbers, from a beach movie parody for “Sushi Girl”, to leather clad S&M hijinks in “Mondo Bondage”, to the game show antics of “What Do You Want from Life?” At their peak, their live act featured dozens of other performers, including tap dancers and acrobats. The Tubes’ stage productions were choreographed by Kenny Ortega and featured cast members Jane Dornacker, LeRoy Jones, Michael Holman, Michael Springer, Cindi Osborn, Heline Gouax, and Mary Niland from 1975-1977. From 1978-1979, the cast included Sharon Collins, Caty Bevan, and Loryanna Catalano. The Completion Backward tour featured Shelly Pang, Cheryl Hangland, Joey Richards, and Cynthia Rhodes. From 1983-1985, Michelle Gray (who later married Todd Rundgren) and Cheryl Hangland were principal dancers. Several crew members — including Tour Manager Steve “Chopper” Borges, Lee Collins, and Gail Lowe — made frequent appearances on stage in various roles as well.[citation needed]

The Tubes’ live shows in the late 1970s and early 1980s were rife with allusions to mainstream film [Dr. Strangelove (1964), Rollerball (1975), Saturday Night Fever (1977), Grease (1978)] then-forgotten B-movies [Wild Women of Wongo (1958), Attack of the 50 Foot Woman (1958)], music (Tom Jones, punk rock, a medley of Nelson Riddle television themes), contemporary pop culture (Patty Hearst, the Viking program), television (Let’s Make a Deal, Fernwood 2Nite, the anime Raideen), and literature (Nelson Algren’s A Walk on the Wild Side), presaging the subcultural reverence and over-the-top theatricality of later groups like The World/Inferno Friendship Society.[citation needed]

These shows were expensive to produce, however, and while they earned the band a reputation for being one of the most entertaining live acts of the time, by the early 1980s, they found themselves short of money.

Departure from A&M Records and tenure with Capitol Records[edit]
Their fifth studio album, the self-produced Suffer for Sound, was meant to complete the group’s contract with A&M. As its style marked a radical new direction for the band, A&M opted for a more conservative outtakes / B-sides / oddities selection titled T.R.A.S.H. (Tubes Rarities and Smash Hits) (1981).[3] The band was signed to Capitol Records by Bruce Garfield and Bobby Colomby, scaling back the live shows to cut costs and redesigning itself as a leaner ensemble with a view to release more accessible hits.

Fifth and sixth albums[edit]
Suffer For Sound was not released, so their fifth album release was The Completion Backward Principle (1981), another concept album, featuring the classic rock staple “Talk to Ya Later”. The album presented itself as a motivational business document, complete with shocking pictures of the band members cleaned up and wearing suits.[citation needed] The band also had their first Top 40 hit in the United States in 1981, “Don’t Want to Wait Anymore” (recorded almost entirely by Spooner, without Waybill’s participation). The sixth studio album, Outside Inside (1983), followed a few years later and yielded a few hits, including the number 10 (USA) hit “She’s a Beauty”.

Seventh album and departure from Capitol Records[edit]
In 1985, the band teamed up with Todd Rundgren again for their seventh album, Love Bomb. With Bruce Garfield and Bobby Colomby dropped by Capitol in the company-wide layoffs that took place pre-reorganization, like many of their label mates The Tubes also were released, however, this occurred just as they were going on tour in support of the album. The band found it necessary to self-finance the tour as a matter of respect to honor their commitment to their fans. Between this tour’s self-financing and the band’s continued self-financing of their San Francisco recording studio built in 1980, the tour left the band in a half million dollars in debt, obliging them to play lesser expensive and smaller venues for a year to pay off their financial commitments.[3]

Waybill departs[edit]
Fee Waybill had already released an unsuccessful solo album (Read My Lips, Capitol Records) in 1984, but during this time, he had also happily enjoyed a fruitful writing partnership with fellow Capitol Records label mate Richard Marx, their most popular and well known collaboration being “Edge of a Broken Heart”, recorded by the female band Vixen. Waybill left the band in 1986 [“Fee broke up”, one band member said],[citation needed] leaving the band without a lead singer.

Personnel changes[edit]
Later in the year the remaining members of the band took on a longtime friend from Phoenix, Arizona, David Killingsworth, as lead vocalist. Killingsworth was the singer in the Red and White Blues Band with Prairie and Roger. Michael Cotten relocated to New York to pursue a career based on his artwork, stage design and production, and is considered one of the country’s top production designers. In the fall of 1988, Bill Spooner traveled his final tour with the band and left in early 1989. Vince Welnick departed as well to take to the road with Todd Rundgren in 1989 and then joined the Grateful Dead in 1990. Gary Cambra joined on keyboards and guitar in 1989. He and Roger Steen took over most the lead vocal duties after Killingsworth left in early 1990.

Waybill returns[edit]
In 1993, Fee Waybill rejoined the band. This lineup toured Europe and released two albums, a compilation and the 1996 album Genius of America. David Medd joined in 1996 to play keyboards alongside Cambra. In 2001, the band released a live CD, The Tubes World Tour 2001, and continued to tour.

On April 22, 2005, a reunion show took place at the Rio Theater in Santa Cruz, CA, with Waybill, Steen, Anderson, Spooner, Welnick and Cotten. 2005 also saw the release of their live album Wild in London.

In July 2015, the Tubes started a European and U.S. tour, including dates in Germany, Sweden, the UK and the United States and featured 5 band members (Fee Waybill, Roger Steen, Prairie Prince, Rick Anderson & David Medd).

The Tubes Project and other milestones[edit]
Michael Cotten started “The Tubes Project” in 2005, to save and digitize the band’s reel to reel and video tape archive. The collection had been kept in the closet of Tubes fan club president Marylin Wood’s son after being discarded in the late 1980s. Included in the vault are full color shows taped for TV at Bimbos in San Francisco, 1975 and VARA TV from the 1977 European tour. Over 70 interviews were conducted with band members, crew, managers, cast and colleagues such as Re Styles, Todd Rundgren, Al Kooper, Devo and David Foster. Hundreds of photos were scanned and compiled from band members and fan collections for use in the hour and half documentary.

After leaving the band, Jane Dornacker formed the band Leila and the Snakes and later worked as a traffic reporter. She was killed in a helicopter crash in 1986, whilst giving a live report.

In April 2005, the band reunited for a concert at the Rio Theatre in Santa Cruz, California. It would be the last performance of The Tubes to include Vince Welnick, and the last time the full line up appeared in public.

Pianist Vince Welnick, who suffered from depression, committed suicide on June 2, 2006.

Gary Cambra left the band in 2006 leaving David Medd as their sole keyboardist.

On September 23, 2007, the remaining members of the Tubes reunited in Phoenix for their induction into the Arizona Music & Entertainment Hall of Fame.

On November 10, 2009, “Mondo Birthmark” a CD of previously unreleased rarities was released through the label Fuel 2000. The package was designed by Michael Cotten and Prairie Prince with rare photos and interviews of the group. The demos also feature former member Bob Macintosh on drums.
1972: Tubes appear in Mitchell brothers pornographic film Resurrection of Eve as Jesus Bongo and the Millionaires.
1973: Opened for the New York Dolls at the Matrix, Iggy Pop at Bimbos, and Led Zeppelin at Kezar Stadium in San Francisco.
1974: Tubes shoot “video demo” at California Hall, which lands a record deal at A&M Records, Cotten/Prince paint “Flying Record” mural on A&M sound stage.
1975: Tubes play for two weeks of shows at David Allen’s nightclub The Boarding House in San Francisco, several sell-out dates at The Roxy in Los Angeles and The Bottom Line in New York. On December 31, they sell out Bill Graham’s Winterland Ballroom.[4]
1976: Held residency at Bimbos in San Francisco for one month, Prairie Prince dubbed “The One, The Only” by columnist Herb Caen. Tubes hold “Talent Hunt” at the Boarding House hosted by Martin Mull; Robin Williams is contestant but loses.
1977: Held residency at the Palace of Fine Arts in San Francisco for one month, the Whisky a Go Go nightclub in Los Angeles for two shows a night for one month, and Hammersmith Odeon in London for a week.
1978: Headlined the Knebworth Festival with Frank Zappa and Peter Gabriel. On April 3, The Tubes performed live with Dolly Parton on Cher… Special, in the “Musical Battle to Save Cher’s Soul Medley”. As the title would imply, the performance was a duel between the forces of good and evil to determine where Cher would spend her eternal destiny. Dolly Parton was dressed in white and, with a team of brightly clad singers, portrayed an angelic host while The Tubes, dressed in black leather and performing “Mondo Bondage”, battled to send Cher’s soul into eternal damnation. The band also performed the song “Smoke (La Vie en Fumér)”, about a guy in a trenchcoat winning over a girl at a bar with his cigarette smoking technique, which employed giant, twelve-foot inflatable cigarettes. At the end of the number the dancers would bash singer Waybill with the giant cigarettes until he was crushed into the ground.[5]
1979: Tubes play Japan; Cotten/Welnick/Prince/Styles appear on Japanese soap opera. Tubes appear in Andy Warhol’s Interview magazine.
1980: Made an appearance in the film Xanadu singing the rock portion of the cross-genre song “Dancin'” opposite a big band.
1980: Sold out the Roxy Theatre for 12 shows
1981: Record Grammy nominated “The Tubes Video” at Shepperton Studios, one of the first long form video discs.
1981: Sang “Sushi Girl” and “Talk to Ya Later” on the television sketch comedy program SCTV, Episode #86 airing July 24.
1981: Appeared and sang, “Sushi Girl” and “Don’t Want to Wait Anymore” on Tomorrow with Tom Snyder.
1981: Compose the song “Road Map of My Tears” for the film Ladies and Gentlemen, The Fabulous Stains, in which Waybill and Welnick appear, among other musicians, as the fictional rock group The Metal Corpses.
1982: Appeared in a commercial for Activision’s video game Megamania.
1983: Opened several dates for David Bowie on the Serious Moonlight tour and on this tour, among other highlights, they were the first artists to ever play the newly opened Tacoma Dome in Tacoma, Washington. At the end of the Bowie tour, they played a few shows featuring their classic no-holds-barred theatrics in Portland, Oregon, and other west-coast cities.
1985: Tour with Todd Rundgren’s Utopia, play Radio City Music Hall.
1975 The Tubes
Label: A&M
113 —
1976 Young and Rich
Label: A&M
46 —
1977 Now
Released: May 1977
Label: A&M
122 —
1979 Remote Control
Label: A&M
46 40
1981 The Completion Backward Principle
Label: Capitol
36 — CAN: Gold[6]
1983 Outside Inside
Label: Capitol
18 77
1985 Love Bomb
Label: Capitol
87 —
1996 Genius of America
Released: October 15, 1996
Label: Critique
— —
2002 Hoods from Outer Space
Released: May 22, 2002
Label: Brilliant
Format: 1 Audio CD
— —
2003 White Punks on Dope
Released: November 24, 2003
Label: Acadia Records (UK)
Budget re-release of The Tubes and Young and Rich
Format: 1 Audio CD
— —
2009 Mondo Birthmark
Released: November 10, 2009
Label: Fuel
Format: Audio CD
1981 T.R.A.S.H. (Tubes Rarities and Smash Hits)
Label: A&M
148 —
1992 The Best of the Tubes
Released: November 17, 1992
Label: Capitol
Format: 1 Audio CD
— —
2000 Millennium Collection: The Tubes
Released: October 17, 2000
Label: [A&M]
Format: 1 Audio CD
1978 What Do You Want from Live
82 38
2001 The Tubes World Tour 2001 (live)
Released: October 10, 2000
Label: CMC
Format: 1 Audio CD; 1 Cassette
— —
2005 Wild in London
Released: October 2, 2006
Label: Snapper
— —
2006 Alive in America
Released: ’76 live broadcast from LA Shrine
Label: (unsanctioned) Renaissance
Format: Audio CD
— —
Year Song Peak chart positions Album
Rock UK
1976 “Don’t Touch Me There” 61 — — Young and Rich
1977 “White Punks on Dope” — — 28 The Tubes
1979 “Prime Time” — — 34 Remote Control
1981 “Don’t Want to Wait Anymore” 35 22 60 The Completion Backward Principle
“Talk to Ya Later” 101 7 —
“Gonna Get It Next Time” — — — Sports Fans
1983 “She’s a Beauty” 10 1 79 Outside Inside
“Tip of My Tongue” 52 — —
“The Monkey Time” 68 16 —
1985 “Piece by Piece” 87 25 — Love Bomb
“—” denotes releases that did not chart.
Video albums[edit]
Year Video details
1981 The Tubes Video
Released: November 15, 1981
Label: Thorn EMI Video (Betamax and VHS), Pioneer Artists (LaserDisc), RCA Corporation (CED)
Format: Betamax, VHS, LaserDisc, CED
Nominated for a Grammy
1982 The Tubes: Live at the Greek
Released: November 1982
Label: Monterey Home Video
Format: Betamax, VHS

MNN Ch 1 Broadcast on Public Access TV Jon Hammond Show preview air time 08/01 1:30 AM Original Music Travel and Soft News long running cable access on Manhattan Neighborhood Network 32nd year, this episode classic Jon Hammond Show opening with Lloyd Lindsay Young then weather man on WOR, followed by a spirited performance of Jon Hammond Band “Get Back in The Groove” in world famous jazzkeller Frankfurt for Jon’s annual musikmesse Warm Up Party with Joe Berger guitar, Heinz Lichius drums, Tony Lakatos tenor saxophone, Jon Hammond at the organ – then the late great Dave Van Ronk exclusive on Jon Hammond Show from days of MCTV Manhattan Cable TV, interview with Alan Pasqua – pianist: Alan speaks about playing with ALLAN HOLDSWORTH & TONY WILLIAMS, studying at New England Conservatory with JAKI BAYARD and studio work with numerous artists including KENNY ROGERS, EDDIE MONEY and many more. Currently on-tour with guitarist ALLAN HOLDSWORTH, bassist JIMMY HASLIP and drummer CHAD WACKERMAN – then back in time to a 1984 performance of Barry Finnerty band with the late great tenor saxophonist Michael Brecker in the club “Seventh Avenue South” that was owned by Michael and his brother Randy Brecker in Greenwich Village. Followed by Joe Franklin king of Radio and TV recently sadly passed away promoting Jon Hammond Show HammondCast ©JON HAMMOND International

Producer Jon Hammond
Language English

Jon’s archive

by Jon Hammond

Published July 12, 2015
Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics Groove Music, Soul Music, Nashville Tennessee, NAMM Show, Roland Barber, Trombone, Cord Martin, Tenor saxophone, Guitar, Joe Berger, #HammondOrgan #Sk1 Jon Hammond #ASCAP

Get Back In The Groove by Jon Hammond Funk Unit on the Acoustic Nation NAMM Stage in Concert – Artist Info
Joe Berger: Guitar
Roland Barber: Trombone
Louis Flip Winfield: Percussion
Jon Hammond: Organ
Cord Martin : Tenor Saxophone
Jazz JON HAMMOND Instruments: Organ, Accordion, Piano, Guitar Attended: Berklee College of Music 1974, City College San Francisco Languages: English, German Jon is closely identified with the two main products of his career, the Excelsior Accordion and the Hammond Organ. Musician: Jon Hammond is one of the premier B3 PLAYERS in the world. Jon has played professionally since age 12. Beginning as a solo accordionist, he later played Hammond B3 organ in a number of important San Francisco bands. His all original group HADES opened shows for Tower of Power, Quicksilver Messenger Service and Michael Bloomfield. Eddie Money and Barry Finnerty became musical associates. Moving East he attended Berklee College of Music and played venues as diverse as Boston’s “Combat Zone” in the striptease clubs during the ’70’s and the exclusive Wychmere Harbor Club in Cape Cod, where he was house organist with the late great trumpet player Lou Colombo and developed a lasting friendship with House Speaker Tip O’Neill. He also toured the Northeast and Canada with the successful show revue “Easy Living”, and continued his appearances at nightclubs in Boston and New York. Subsequently Hammond lived and traveled in Europe, where he has an enthusiastic following. TV/Video Producer: In 1981 Jon formed BackBeat Productions. Assisted by Lori Friedman (Video by LORI), the innovative TV show “The Jon Hammond Show” became a Manhattan Cable TV favorite. Jon’s “Live on the street” video style included news events, as well as live music/video clips of Dizzy Gillespie, Paul Butterfield, Jaco Pastorius, John Entwistle, Sammy Davis Jr., Percy Sledge and many others. The weekly show is now in it’s 32ns year and has influenced the broadcasts of David Letterman and others. Billboard Magazine hailed Jon’s show as “The Alternative to MTV”

CNN iReport



Jon Hammond Band Facebook Video

Jon’s archive

Attribution-Noncommercial-No Derivative Works 3.0

NAMM Show, Late Rent, Theme Song, Jon Hammond Band, B3 Organ, Hammond Organ Company, Suzuki Musical Instruments, JON HAMMOND International, ASCAP Composer, Jon Hammond Show, Cable Access

Jon Hammond Band very special performance on first ever Hammond night in Hilton Hotel Lobby Winter NAMM Show “Sound Soul Summit”
Jon Hammond Show theme song “Late Rent” with Donny Baldwin drums (from Jefferson Starship & Lydia Pense & Cold Blood), Alex Budman tenor saxophone, Joe Berger guitar, Jon Hammond New B-3 Portable organ Sound mix by Denny Mack The NAMM Show spcl. thanks Hammond Suzuki Musical Instruments, Photos by Lawrence Gay

Alex Budman ts
Joe Berger g
Donny Baldwin d
Jon Hammond o

Jon’s archive


Full High Def Youtube

“Head Phone” Composed by Jon Hammond ©JON HAMMOND International ASCAP – from Jon Hammond’s album “Late Rent” Ham-Berger-Friz Records

“Head Phone” – Jon Hammond Band THE SOUND SOUL SUMMIT All-Star Jam Video Movie of Jon’s Band Featuring Bernard “Pretty” Purdie, Alex Budman, Joe Berger, Koei Tanaka, Jon Hammond Organ Group — also with appearances by Stephen Fortner, Scott May, Joe Berger, Koei Tanaka and Jon Hammond at NAMM Anaheim Convention Center Hilton Anaheim Lobby Special Program on 80th Anniversary of Hammond Organ USA – Front of House / FOH Mix by Brian English – Denny Mack Audio – announcement – Stephen Fortner – Editor Keyboard Magazine Jon Hammond Organ Group *Note: “Head Phone” composed by Jon Hammond ©JON HAMMOND Intl. ASCAP recorded with Bernard Purdie originally on Jon’s album Late Rent in year of 1989 – Big Special Thanks to Jay Dittamo for standin’ in the cuff for Bernard, thanks Jay! special thanks to Scott May and Gregg Gregory Gronowski – Hammond Suzuki Musical Instruments Team Mr. M. Terada, Shuji Suzuki, Yu Beniya, Shigeyuki Ohtaka, Jeff Guilford JJ Guitars UK — with Joe Berger, Alex Budman, Stephen Fortner, Jay Dittamo, Bernard Purdie, Denny Mack and Koei Tanaka at Hilton Anaheim

Bandstand photograph of Bernard Purdie by Jon Hammond just before hitting ©JON HAMMOND International

©Copyright Notice: These Photos of Jon Hammond Band are copyrighted and embedded with i.d. information – Photographer Lawrence Gay and Jon Hammond Band must be credited and linked back if shared or used or you will certainly hear from us – enjoy, from The Winter NAMM Show

Vers. 2.0, MNN TV, Preview, Cable Access TV, Jon Hammond Show, #B3 #HammondOrgan #MichaelBrecker #musikmesse ASCAP Composer

On Air Preview: Jon Hammond Show 04/18 MNN Channel 1

April 6, 2015

*WATCH THE VIDEO HERE: On Air Preview: Jon Hammond Show 04/18 MNN Channel 1

Jon’s archive


On Air Preview: Jon Hammond Show 04/18 MNN Channel 1 starts out in Club Room of Local 802 Jon Hammond playing solo early bird set on the Hammond Sk1 organ with Jon’s pictures assembled by Jon himself over the years, 32nd year on cable access TV The Jon Hammond Show now on again in the original late Friday night / early Saturday morning slot 1:30AM on Channel 1 Community Channel MNN TV in Manhattan on Time Warner, RCN and Verizon FiOS and streaming around the world all images ©JON HAMMOND International “The FINGERS…are The SINGERS!”™- Local 802 Associated Musicians of Greater New York — from the Jon Hammond archive – photos of Bernard Purdie, Michael Pratt, Art Baron, Fred Staton, Jon Hammond Band, Jon Hammond Organ Group, Todd Anderson, Joe Berger, Bay Area Funk drummer James Preston (RIP) at Associated Musicians of Greater New York, Local 802 AFM – 322 W. 48th Street New York, NY – then over to Frankfurt Germany for Jon Hammond’s annual musikmesse Warm Up Party in Frankfurt Germany at jazzkeller Frankfurt
Jon Hammond Band with Joe Berger guitar, Giovanni Totó Gulino drums, Peter Klohmann tenor saxophone, Jon Hammond at the Sk1 Hammond organ with photos from Andreas Meer – then from Frankfurt to Anaheim CA: This film starts out at the annual NAMM Believe In Music Awards and immediately afterwards Jon Hammond ran to the Center Patio Stage for a Jon Hammond Band performance with the inventor of “The Purdie Shuffle” Bernard Purdie! – Koei Tanaka / 田中光栄 – fan site from Tokyo on harmonica, Alex Budman tenor sax, Joe Berger guitar, Jon Hammond at the Hammond Sk1 organ covering the bass also through a Fender Super Bassman amp. ©JON HAMMOND International


CNN iReport


photos ©JON HAMMOND International

Bill Gates onstage for Windows 2000 presentation – the giant laptop actually had Carlos Santana Band inside – it opened up and voilá! Full stage setup, nice gig! – Jon Hammond
“Copies of Windows 2000 are now available for business customers in more than 60 countries around the world.
SAN FRANCISCO, Feb. 17, 2000 — With a giant laptop computer providing the backdrop at the venerable Bill Graham Civic Auditorium, Microsoft Chairman Bill Gates officially launched Windows 2000 today at the Windows 2000 Conference & Expo.

“Today we unveil the future of computing. Companies of all sizes are already deploying Windows 2000 for its scalability, reliability and performance,
“said Gates.”
Windows 2000 represents a significant industrywide effort. More than 1,000 partners, over $1 billion in engineering and more than 5,000 individuals rallied together to make this product the platform that companies can bet their businesses on. Windows 2000 truly begins the next generation of computing.”

The Microsoft co-founder was assisted by rock guitarist Carlos Santana, whose band began playing its hit single,
on stage after Gates concluded his keynote address, filled with Windows 2000 videos and demonstrations.

Windows 2000 is broadly available in more than 60 countries and 10 languages, including English, German, Japanese (two versions), French, Spanish, Italian, Swedish, Dutch, Korean and Brazilian Portuguese.

Microsoft has invested more than $1 billion in the development of Windows 2000, and more than 5,000 employees worked on the new platform, Gates said.

Some 500 person-years were devoted to making Windows 2000 the most reliable operating system today for businesses and Web sites, meaning that 500 people worked full-time for an entire year on reliability enhancements, Gates continued…”

Paris France — circa 1981 down in the Metro with a couple of nefarious characters, we are on our way to Radio Tomate – Jon Hammond

Félix Guattari, participates in the creation of Radio Tomate which aims at a ” individual and collective reappropriation […] interactive use of information machines, communications, intelligence, art and culture. ”

The radio is run by activists, particularly from the autonomous movement. It aims to open new spaces for debate and policy information, and to fight against repression of social movements. The first Radio Tomate lasts only two years.

The project is then reactivated in 1988, still on the principle of giving voice to people in struggle. The antenna transmits on 106.7 MHz in Paris, and shares the frequency, and therefore airtime, with several other radios. Tomato radio hosts at the time five programs on issues of housing rights, precariousness, of double jeopardy, anti-prison struggles (free Parlor), and a punk show.

Lorsqu’émerge in 1991 the largest of a community radio project assuming a full frequency, the hosts of Radio Tomate decided to bring their energy on the creation of this new antenna. Tomato radio disappears in 1992 to give birth to Paris Plurielle frequency.

Jon Hammond – Radio Tomate

Jon Hammond​ Flashback – Grateful Dead front line, Jerry Garcia, Bob Weir, Phil Lesh – 1981 – Jon Hammond The Hippodrome, Paris, (10/17/81)

Tumblr – hammondcast – Jon Hammond

Poster: “musikmesse Warm Up Party” 29th year – hosted by Jon Hammond Band in the famous jazzkeller Frankfurt Tuesday night April 14th:

NMB Live updating – – Jon Hammond NDR Info – Jon Hammond Organ Group

Sydney, Australia — Sun Rising over Sydney Harbor – Jon Hammond

Sydney, Australia — Walking to the Apple Store, Sydney, Australia in Downtown Sydney (George Street), looking real good! – Jon Hammond

BEFORE THE ORGAN Sydney, Australia

— I walked to the Apple Store, Sydney, Australia – Downtown Sydney George Street is looking real good! – Jon Hammond – playing the Giant Accordion from Castelfidardo — at Apple Store, Sydney.

Jon Hammond​ Jon Hammond Band​ Official
To listen to an audio podcast, mouse over the title and click Play. Open iTunes to download and subscribe to podcasts.

St. Pauli HH — It seems like I always see the same guy walking around town, next time I’ll have to say hi!

– nice Schimmel grand at the old Pianohaus Trübger, Ihr Spezialist für Flügel und Klaviere in Hamburg – Jon Hammond

Frankfurt Germany — Yes we’re coming back SOON to celebrate 29 years musikmesse Warm Up Party with my band Jon Hammond Band at the good old Jazzkeller Frankfurt – Tuesday April 14th folks! – Jon Hammond – LINK:…/jazzkeller_programm_the_finger…/
*WATCH THE VIDEO HERE: jazzkeller Programm: “The FINGERS…are the SINGERS!” Musikmesse “Warm Up Party” Jon Hammond & Band Jon’s archive
Di. 14.04.
“The FINGERS…are the SINGERS!”
Musikmesse “Warm Up Party”
Jon Hammond & Band
Jon Hammond – organ
Joe Berger – guitar
Peter Klohmann – saxophone
Giovanni Totò Gulino – drums
Mr. Hammond has toured worldwide since 1991 using the incredible Sk1 organ by Hammond Suzuki..™ “Classic Hammond Sound…In A Suitcase!”
The Jon Hammond Show is a funky swinging instrumental revue, featuring top international soloists. The show has universal appeal. Big Hammond orgel sound – 100% organic

NMB Live – Jon Hammond / Jon Hammond Band / Jon Hammond Organ Group

Disco! – Jon Hammond

Jon’s archive


Jon Hammond Show Preview MNN Channel 1 on air 04/04 featuring original Jazz Blues and Soft News – first segment filmed in Hamburg Eimsbüttel live in Auster Bar Jon Hammond Band with NDR Horns musical director Michael Leuschner trumpet, Lutz Büchner tenor saxophone, Fiete Felsch alto saxophone, Funky Heinz Lichius drums feature on this one, Joe Berger guitar, Jon Hammond organ + bass Auster Jazz Series – then to Anaheim California special showcase Jon Hammond Band featuring Bernard Purdie on Jon’s original funky jazz composition “Head Phone” with Bernard Purdie fatback drum, Koei Tanaka Suzuki Harmonica star, Alex Budman tenor, Joe Berger guitar, Jon Hammond at the New B3 Mk2 Portable organ with high-power model 3300 Leslie speaker covering the bass as well – musical history here at The NAMM Show


do jazz já se apresentaram ali e as fotos de muitos deles decoram suas velhas paredes.

Já na entrada percebe-se que o local não é para grandes agitos e nem tão pouco é o melhor local para se jogar conversa fora ou para se fazer happy-hour. Não. Ali se respira jazz, e dos melhores.

Na noite em que fomos estava lá o Jon Hammond. Enquanto descia a íngreme escadaria, percebi que deveria ter levado mais lentes, mais baterias, mais cartões de memória… rsrsrsrs… Logo na entrada pedi a autorização do proprietário da casa para fazer algumas fotos, no que recebi um largo sorriso como resposta e o aguardado “…as many as you want, my friend!” E pronto, fiz as fotos dos amigos que estavam por lá só por educação (rsrsrsrsrsrsrs!! …que nada, essas fotos foram devidamente publicadas nas redes sociais) e assim que pude, saí pra curtir e fotografar esse lendário tecladista.

Abaixo, algumas das fotos, espero que gostem!

Os amigos que estavam comigo? Sei lá, nem vi a hora em que foram embora… rsrsrs…

Um abraço,

Marcos Tachikawa

Jon’s archive

Jon Hammond Band circa 1992 Underground Frankfurt Scene Night Shows in Europa Intim Bar and Lissania in Frankfurt’s Red Light District during musikmesse.

Original Funk tunes “Pocket Funk” and “Nu Funk” aka “Hip Hop Chitlins” Note: sadly funky drummer James Preston has passed, long-time drummer in various formations of Jon Hammond Band, Sons of Champlin, Cold Blood with Lydia Pense, RIP Jimmy – Al Allen Wittig tenor saxophone, Barry Finnerty guitar, Jon Hammond organ, funky James Preston drums – special thanks to Joe Berger Hans Romanov Europa INTIM Bar ElbeStrasse 34, 60329 Frankfurt and Stefan Hantel aka Shantel Lissania on the Kaiserstrasse


– as seen on cable access show The Jon Hammond Show now in 31st year – all music ©JON HAMMOND International ASCAP — with James Preston and Jon Hammond at KiezPraline

CNN iReport


Jon Hammond Band Facebook

Jon’s archive


Jon Hammond and Friends drop in to Taipei night spot JAZZ SPOT SWING organ lounge,

Jon at Mr. Nobuki Kuwahara’s Hammond Sk2 organ with house musicians – Kenichi Toyoda piano

– special thanks to Nico, Shannon, Letitia – Superlux Taiwan,

P. Mauriat Europe Pmauriat Albest Team! – Jazz Spot Swing


CNN iReport

Jon Hammond Band Facebook

Koei Tanaka and Jon Hammond – special NAMM Lunch Set NAMM Show Center Stage Jon Hammond Band photo by Lawrence Gay

HammondCast – CNN iReport –
MNN Channel 1 Jon Hammond Show Preview 04/11 Original Jazz Blues and Soft News

My Mom’s Rose plant is in bloom – Jon Hammond

Mr. Shuji Suzuki and Jon Hammond – MNN

Jon Hammond’s new ultra-bright flashlight from Maglite now on the job “Mini Maglite Pro LED Flashlight NEW Ultra Bright 226 Lumens” – now on tour – Silver

The Famous Tall Paul of West Oakland:

The Famous Tall Orange Bicycle Man of West Oakland Sighted today aka “Tall Paul” – Jon Hammond​ “THIS MAN IS TRANSFORMING OAKLAND ONE AWESOME CUSTOM BIKE AT A TIME”

Photo: ©JON HAMMOND International
Mar 20 at 6am
I first met Tall Paul as he was walking out of the Oakland Home Depot toting a giraffe of a bike. It was orange with gold accents — pedals, spokes, and pinwheel-shaped mags — and its body was made of interlocking triangles stacked so tall the handlebars stood at roughly my height. I was impressed and asked if I could take a closer look. “Of course,” he said, and began showing it off.
Tall Paul is tall — over six feet — with soft, dark curls he usually hides under a baseball cap. He’s cordial, but when he starts talking bikes, a kind of electric and childlike wonder steals over him. You can’t help but feel enthusiastic too. When I asked how he mounts such an ungainly ride, he demonstrated by giving it a shove as he jogged a few steps beside it, then he clambered up the triangles of the frame like they were a ladder. “Where did you get it?” I asked him. “I made it,” he said.

*Note: photos must be credited ©JON HAMMOND International / Jon Hammond – Jon’s photos on Alcatraz Island Federal Penitentiary attending Art Exhibit of Chinese Dissident Artist Ai Weiwei huge installation on “The Rock” while celebrating birthday and prepping for 29th trip to Frankfurt to play musikmesse and both jazzkeller’s, jazzkeller Frankfurt and Jazzkeller-Hofheim with organ combo Jon Hammond Band – it was an amazing experience, met with Mr. William Baker Former Inmate / Author *see photos with Bill Baker “Old ex-con back at the Rock, telling prison stories” “He’s been a car thief, a jailhouse rioter, an escape artist.” Alcatraz 1259.” That was his number on the Rock.

Ai Weiwei at Large #AiWeiWeiAlcatraz
Ai Wei Wei at Large Exhibit on Alcatraz Island
Alcatraz Island is located in the San Francisco Bay, 1.5 miles (2.4 km) offshore from San Francisco, California, United States.[2] Often referred to as “The Rock”, the small island was developed with facilities for a lighthouse, a military fortification, a military prison (1868), and a federal prison from 1933 until 1963.[5] Beginning in November 1969, the island was occupied for more than 19 months by a group of aboriginal people from San Francisco who were part of a wave of Native activism across the nation with public protests through the 1970s. In 1972, Alcatraz became a national recreation area and received designation as a National Historic Landmark in 1986.
Returning 19th year Fr 17. April 2015 Musikmessesession mit Jon Hammond Jazzkeller Hofheim
Posted on March 24, 2015
Eastside Sound Studios Sunday Session
Posted on March 23, 2015
Jon Hammond Show MNN Ch. 1 Broadcast 03/28/2015 Funk Soul Blues & Soft News
Posted on March 20, 2015
Public Access TV: Jon Hammond Show MNN Community Channel 1, Funk Soul Blues and Soft News
Posted on March 18, 2015

Wie jedes Jahr zur Musikmesse die Warm Up Party im Jazzkeller Frankfurt mit der Jon Hammond Band
14. APRIL 2015 um 21 Uhr
#frankfurt #jazz #live #music #musikmesse2015

Like every year at the Musikmesse the warm up party in the Jazzkeller Frankfurt Jon Hammond band
APRIL 14, 2015 at 9: 00
#frankfurt #jazz #live #music #musikmesse2015

Jon’s archive

Jon Hammond theme song Late Rent on the occasion of 28th annual musikmesse Warm Up Party in the world famous jazzkeller Frankfurt and Jon’s birthday

with Peter Klohmann tenor saxophone, Giovanni Totò Gulino drums, Joe Berger guitar and Jon Hammond at the Sk1 Hammond organ – Late Rent is the theme song for Jon’s long-running cable TV show in New York City The Jon Hammond Show and HammondCast radio program – special thanks to Frank Poehl for operating the camera – Jon Hammond Band

Jon’s archive

Good time in The Garden Court At The Palace Hotel today, thank you long-time server Maggie and F&B Team!
Jon Hammond

On Air, Preview, musikmesse, NAMM Show, Hammond Organs, Famous jazzkeller, Warm Up Party, Jon Hammond, Jazz, Blues, Soft News, MNN Channel 1,
Musicians Union, Local 802