Posts Tagged ‘Rock Band’

Jon Hammond Show 1111

November 4, 2017

#WATCHMOVIE HERE: Jon Hammond Show 1111

Jon’s archive


Jon Hammond with the Petrof Piano Family in Frankfurt Germany – musikmesse #musikmesse #PetrofPianos

Jon Hammond Show 1111 air time 01:30 AM on 11/11 Manhattan Neighborhood Network – MNNChannel 1
First segment:
Jon Hammond Band musikmesse-Session: Getting Back in The Groove in Jazzkeller Hofheim –
Peter Klohmann t.s., Giovanni Totò Gulino d., Joe Berger g. Jon Hammond o.
Jazzkeller Hofheim
“Get Back in The Groove” by Jon Hammond ©JON HAMMOND International
American Society of Composers, Authors & Publishers (ASCAP)
#HammondOrgan #Groove #SoulMusic #Hofheim #Musikmesse 
Second segment:
CZECHOSLOVAKIAN SALSA SONG Ellington Room Session – co-written with Saul Salsakovitch & Jon Hammond – performed here in Times Square, New York City Ellington Room, Musicians: Chuggy Carter percussion, Joe Berger
guitar, Todd Anderson tenor saxophone, Ray Grappone drums, Jon Hammond 
at his 1959 Hammond B3 organ + Super Leslie speaker built for Jon in 
1971 by Bill Beer Keyboard Products of Los Angeles with JBL Speaker 
& Horn, 250 watts rms Solid-State Bi-Amplification system – Audio 
recorded on Jon Hammond’s 1976 Nakamichi 550 (Sennheiser microphones) 
newly refurbished by Willy Hermann Services, also special thanks Scott 
Robinson & Joe Selkregg California Historical Radio Society – ©JON 
HAMMOND International American Society of Composers, Authors & Publishers (ASCAP)
Third segment:

LATE RENT Theme Song Ellington Room Session – Jon Hammond’s TV Show 
theme performed by Jon Hammond Band live in Times Square, New York City 
in the Ellington Room – Todd Anderson tenor saxophone, Joe Berger 
guitar, Ray Grappone drums, Chuggy Carter GON BOPS
congas percussion, Jon Hammond at his 1959 B3 Organ Super Leslie 
Speaker built for Jon in 1971 by Bill Beer Keyboard Products Los Angeles
with JBL horn and speaker, specially designed 250 watts rms solid-state
bi-amplification system – as seen on MNN TV / Manhattan Neighborhood 
Network – MNN channel 1 every Friday night for 34 years The Jon Hammond 
Show, Swinging Funky Jazz and Blues – Music, Travel and Soft News ©JON 
HAMMOND International American Society of Composers, Authors & 
Publishers (ASCAP)

Harry Shearer Interview With Jon Hammond

August 28, 2017

#WATCHMOVIE HERE: Harry Shearer Interview With Jon Hammond

Jon’s archive



Nashville Tennessee — Harry Shearer Interview with Jon Hammond just before Harry accepted the American Eagle Award along with Crystal Gayle and Patti Smith from the US National Music Council during Summer NAMM Show – for broadcast on Jon Hammond Show on MNN TV Channel 1 in Manhattan – Harry’s Wiki

“Harry Julius Shearer (born December 23, 1943) is an American actor, voice actor, comedian, writer, musician, author, radio host, director and producer. He is known for his long-running roles on The Simpsons, his work on Saturday Night Live, the comedy band Spinal Tap and his radio program Le Show. Born in Los Angeles, California, Shearer began his career as a child actor. From 1969 to 1976, Shearer was a member of The Credibility Gap, a radio comedy group. Following the breakup of the group, Shearer co-wrote the film Real Life with Albert Brooks and started writing for Martin Mull’s television series Fernwood 2 Night.

He was a cast member on Saturday Night Live on two occasions, between 1979–80, and 1984–85. Shearer co-created, co-wrote and co-starred in the 1984 film This Is Spinal Tap, a satirical rockumentary, which became a cult hit. In 1989, Shearer joined the cast of The Simpsons; he provides voices for numerous characters, including Mr. Burns, Waylon Smithers, Principal Skinner, Ned Flanders, Reverend Lovejoy, Kent Brockman, Dr. Hibbert and more. Shearer has appeared in several films, including A Mighty Wind and The Truman Show, has directed two, Teddy Bears’ Picnic and The Big Uneasy, and has written three books. Since 1983, Shearer has been the host of the public radio comedy/music program Le Show, a hodgepodge of satirical news commentary, music, and sketch comedy.

Shearer has won a Primetime Emmy Award, has a star on the Hollywood Walk of Fame in the radio category, and has received several other Emmy and Grammy Award nominations. He has been married to singer-songwriter Judith Owen since 1993. He is currently “artist in residence” at Loyola University, New Orleans. Shearer was born December 23, 1943 in Los Angeles, the son of Dora Warren (née Kohn) (d. 2008), a bookkeeper, and Mack Shearer.[2] His parents were Jewish immigrants from Austria and Poland.[3][4] Starting when Shearer was four years old, he had a piano teacher whose daughter worked as a child actress. The piano teacher later decided to make a career change and become a children’s agent, as she knew people in the business through her daughter’s work. The teacher asked Shearer’s parents for permission to take him to an audition. Several months later, she called Shearer’s parents and told them that she had gotten Shearer an audition for the radio show The Jack Benny Program. Shearer received the role when he was seven years old.[5] He described Jack Benny as “very warm and approachable […] He was a guy who dug the idea of other people on the show getting laughs, which sort of spoiled me for other people in comedy.”[6] Shearer said in an interview that one person who “took him under his wing” and was one of his best friends during his early days in show business was voice actor Mel Blanc, who voiced many animated characters, including Bugs Bunny, Daffy Duck and Barney Rubble.[7] Shearer made his film debut in the 1953 film Abbott and Costello Go to Mars, in which he only had a small part. Later that year, he made his first big film performance in The Robe.[6] Throughout his childhood and teenage years he worked in television, film, and radio.[6] In 1957, Shearer played the precursor to the Eddie Haskell character in the pilot episode of the television series Leave It to Beaver. After the filming, Shearer’s parents said they did not want him to be a regular in a series. Instead they wanted him to just do occasional work so that he could have a normal childhood. Shearer and his parents made the decision not to accept the role in the series if it was picked up by a television network.[6]

Shearer attended UCLA as a political science major in the early 1960s and decided to quit show business to become a “serious person”.[5] However, he says this lasted approximately a month, and he joined the staff of the Daily Bruin, UCLA’s school newspaper, during his first year.[5] and as editor of the college humor magazine (Satyr) including the June 1964 parody, Preyboy [8] He also worked as a newscaster at KRLA, a top 40 radio station in Pasadena, during this period. According to Shearer, after graduating, he had “a very serious agenda going on, and it was ‘Stay Out of the Draft’.”[5] He attended graduate school at Harvard University for one year and worked at the state legislature in Sacramento. In 1967 and 1968, he was a high school teacher, teaching English and social studies. He left teaching following “disagreements with the administration.”[5]

From 1969 to 1976, Shearer was a member of The Credibility Gap, a radio comedy group that included David Lander, Richard Beebe and Michael McKean.[9] The group consisted of “a bunch of newsmen” at KRLA 1110, “the number two station” in Los Angeles.[6] They wanted to do more than just straight news, so they hired comedians who were talented vocalists. Shearer heard about it from a friend so he brought over a tape to the station and nervously gave it to the receptionist. By the time he got home, there was a message on his answering machine asking, “Can you come to work tomorrow?”[6] The group’s radio show was canceled in 1970 by KRLA and in 1971 by KPPC-FM, so they started performing in various clubs and concert venues.[5] While at KRLA, Shearer also interviewed Creedence Clearwater Revival for the Pop Chronicles music documentary.[10] In 1973, Shearer appeared as Jim Houseafire on How Time Flys, an album by The Firesign Theatre’s David Ossman. The Credibility Gap broke up 1976 when Lander and McKean left to perform in the sitcom Laverne & Shirley.[5] Shearer started working with Albert Brooks, producing one of Brooks’ albums and co-writing the film Real Life. Shearer also started writing for Martin Mull’s television series Fernwood 2 Night.[5] In the mid-1970s, he started working with Rob Reiner on a pilot for ABC. The show, which starred Christopher Guest, Tom Leopold and McKean, was not picked up.[5]

Saturday Night Live[edit]
In August 1979, Shearer was hired as a writer and cast member on Saturday Night Live, one of the first additions to the cast,[6] and an unofficial replacement for John Belushi and Dan Aykroyd, who were both leaving the show.[11] Al Franken recommended Shearer to Saturday Night Live creator Lorne Michaels.[12] Shearer describes his experience on the show as a “living hell” and “not a real pleasant place to work.”[11] He did not get along well with the other writers and cast members and states that he was not included with the cast in the opening montage (although he was added to the montage for latter episodes of the 1979-80 season) and that Lorne Michaels had told the rest of the cast that he was just a writer.[13] Michaels left Saturday Night Live at the end of the fifth season, taking the entire cast with him.[14] Shearer told new executive producer Jean Doumanian that he was “not a fan of Lorne’s” and offered to stay with the show if he was given the chance to overhaul the program and bring in experienced comedians, like Christopher Guest. However, Doumanian turned him down, so he decided to leave with the rest of the cast.[15]

When I left, Dick [Ebersol] issued a press release, saying “creative differences.” And the first person who called me for a comment on it read me that and I blurted out, “Yeah, I was creative and they were different.”
—Harry Shearer[16]
In 1984, while promoting the film This Is Spinal Tap, Shearer, Christopher Guest and Michael McKean had a performance on Saturday Night Live. All three members were offered the chance to join to the show in the 1984–1985 season. Shearer accepted because he was treated well by the producers and he thought the backstage environment had improved[11] but later stated that he “didn’t realize that guests are treated better than the regulars.”[17] Guest also accepted the offer while McKean rejected it, although he would join the cast in 1994. Dick Ebersol, who replaced Lorne Michaels as the show’s producer, said that Shearer was “a gifted performer but a pain in the butt. He’s just so demanding on the preciseness of things and he’s very, very hard on the working people. He’s just a nightmare-to-deal-with person.”[18] In January 1985, Shearer left the show for good,[11] partially because he felt he was not being used enough.[16] Martin Short said Shearer “wanted to be creative and Dick [Ebersol] wanted something else. […] I think he felt his voice wasn’t getting represented on the show. When he wouldn’t get that chance, it made him very upset.”[19]

Spinal Tap[edit]
Shearer co-created, co-wrote and co-starred in Rob Reiner’s 1984 film This Is Spinal Tap.[6] Shearer, Reiner, Michael McKean and Christopher Guest received a deal to write a first draft of a screenplay for a company called Marble Arch. They decided that the film could not be written and instead filmed a 20-minute demo of what they wanted to do.[11] It was eventually greenlighted by Norman Lear and Jerry Perenchio at Embassy Pictures.[11] The film satirizes the wild personal behavior and musical pretensions of hard rock and heavy metal bands, as well as the hagiographic tendencies of rockumentaries of the time. The three core members of the band Spinal Tap—David St. Hubbins, Derek Smalls and Nigel Tufnel—were portrayed by McKean, Shearer and Guest respectively. The three actors play their musical instruments and speak with mock English accents throughout the film. There was no script, although there was a written breakdown of most of the scenes, and many of the lines were ad-libbed.[11] It was filmed in 25 days.[11]

Shearer said in an interview that “The animating impulse was to do rock ‘n’ roll right. The four of us had been around rock ‘n’ roll and we were just amazed by how relentlessly the movies got it wrong. Because we were funny people it was going to be a funny film, but we wanted to get it right.”[2] When they tried to sell it to various Hollywood studios, they were told that the film would not work. The group kept saying, “No, this is a story that’s pretty familiar to people. We’re not introducing them to anything they don’t really know,” so Shearer thought it would at least have some resonance with the public.[6] The film was only a modest success upon its initial release but found greater success, and a cult following, after its video release. In 2000, the film was ranked 29th on the American Film Institute’s list of the top 100 comedy movies in American cinema[20] and it was selected for preservation in the United States National Film Registry by the Library of Congress as being “culturally, historically, or aesthetically significant”.[21]

Shearer, Guest and McKean have since worked on several projects as their Spinal Tap characters. They released three albums: This Is Spinal Tap (1984), Break Like the Wind (1992) and Back From The Dead (2009).[22] In 1992, Spinal Tap appeared in an episode of The Simpsons called “The Otto Show”.[23] The band has played several concerts, including at Live Earth in London on July 7, 2007. In anticipation of the show, Rob Reiner directed a short film entitled Spinal Tap.[24] In 2009, the band released Back from the Dead to commemorate the 25th anniversary of the release of the film.[25] The album features re-recorded versions of songs featured in This Is Spinal Tap and its soundtrack, and five new songs.[26][27] The band performed a one date “world tour” at London’s Wembley Arena on June 30, 2009. The Folksmen, a mock band featured in the film A Mighty Wind that is also made up of characters played by Shearer, McKean and Guest – was the opening act for the show.[28]

The Simpsons[edit]
Shearer is also known for his prolific work as a voice actor on The Simpsons. Matt Groening, the creator of the show, was a fan of Shearer’s work, while Shearer was a fan of a column Groening used to write.[29] Shearer was asked if he wanted to be in the series, but he was initially reluctant because he thought the recording sessions would be too much trouble.[29] He felt voice acting was “not a lot of fun” because traditionally, voice actors record their parts separately.[7] He was told that the actors would record their lines together[7] and after three calls, executive producer James L. Brooks managed to convince Shearer to join the cast.[2] Shearer’s first impression of The Simpsons was that it was funny. Shearer, who thought it was a “pretty cool” way to work, found it peculiar that the members of the cast were adamant about not being known to the public as the people behind the voices.[6]

Shearer provides voices for Principal Skinner, Kent Brockman, Mr. Burns, Waylon Smithers, Ned Flanders, Reverend Lovejoy, Dr. Hibbert, Lenny Leonard, Otto Mann, Rainier Wolfcastle, Scratchy, Kang, Dr. Marvin Monroe, Judge Snyder and many others.[30] He has described all of his regular characters’ voices as “easy to slip into. […] I wouldn’t do them if they weren’t easy.”[29] Shearer modeled Mr. Burns’s voice on the two actors Lionel Barrymore and Ronald Reagan.[31] Shearer says that Burns is the most difficult character for him to voice because it is rough on his vocal cords and he often needs to drink tea and honey to soothe his voice.[32] He describes Burns as his favorite character, saying he “like[s] Mr. Burns because he is pure evil. A lot of evil people make the mistake of diluting it. Never adulterate your evil.”[33] Shearer is also the voice of Burns’ assistant Smithers, and is able to perform dialogue between the two characters in one take. In the episode “Bart’s Inner Child”, Harry Shearer said “wow” in the voice of Otto, which was then used when Otto was seen jumping on a trampoline.[34] Ned Flanders had been meant to be just a neighbor that Homer was jealous of, but because Shearer used “such a sweet voice” for him, Flanders was broadened to become a Christian and a sweet guy that someone would prefer to live next to over Homer.[35] Dr. Marvin Monroe’s voice was based on psychiatrist David Viscott.[36] Monroe has been retired since the seventh season because voicing the character strained Shearer’s throat.[37]

In 2004, Shearer criticized what he perceived as the show’s declining quality: “I rate the last three seasons as among the worst, so season four looks very good to me now.”[38] Shearer has also been vocal about “The Principal and the Pauper” (season nine, 1997) one of the most controversial episodes of The Simpsons. Many fans and critics reacted negatively to the revelation that Principal Seymour Skinner, a recurring character since the first season, was an impostor. The episode has been criticized by both Shearer and Groening. In a 2001 interview, Shearer recalled that after reading the script, he told the writers, “That’s so wrong. You’re taking something that an audience has built eight years or nine years of investment in and just tossed it in the trash can for no good reason, for a story we’ve done before with other characters. It’s so arbitrary and gratuitous, and it’s disrespectful to the audience.”[39] Due to scheduling and availability conflicts, Shearer decided not to participate in The Simpsons Ride, which opened in 2008, so none of his characters have vocal parts and many do not appear in the ride at all.[40] In a 2010 interview on The Howard Stern Show, Shearer alluded that the reason he was not part of the ride was because he would not be getting paid for it.[41]

Until 1998, Shearer was paid $30,000 per episode. During a pay dispute in 1998, Fox threatened to replace the six main voice actors with new actors, going as far as preparing for casting of new voices.[42] The dispute, however, was resolved and Shearer received $125,000 per episode until 2004, when the voice actors demanded that they be paid $360,000 an episode.[42] The dispute was resolved a month later,[43] and Shearer’s pay rose to $250,000 per episode.[44] After salary re-negotiations in 2008, the voice actors received $400,000 per episode.[45] Three years later, with Fox threatening to cancel the series unless production costs were cut, Shearer and the other cast members accepted a 30 percent pay cut, down to just over $300,000 per episode.[46] On May 13, 2015, Shearer announced he was leaving the show. After the other voice actors signed a contract for the same pay, Shearer refused, stating it was not enough. Al Jean made a statement from the producers saying “the show must go on,” but did not elaborate on what might happen to the characters Shearer voiced.[47] On July 7, 2015, Shearer agreed to continue with the show, on the same terms as the other voice actors.[48]

Le Show and radio work[edit]
“Because I don’t do stand-up, radio has always been my equivalent, a place to stay in connection with the public and force myself to write every week and come up with new characters. Plus it’s a medium that – having grown up with it and putting myself to sleep with a radio under my pillow [as a kid] – I love. No matter what picture you want to create in the listener’s mind, a few minutes of work gets it done.”
—Harry Shearer[49]
Since 1983, Shearer has been the host of the public radio comedy/music program Le Show. The program is a hodgepodge of satirical news commentary, music, and sketch comedy that takes aim at the “mega morons of the mighty media”.[50] It is carried on many National Public Radio and other public radio stations throughout the United States.[51] Since the merger of SIRIUS and XM satellite radio services the program is no longer available on either.[52] The show has also been made available as a podcast on iTunes[53] and by WWNO. On the weekly program Shearer alternates between DJing, reading and commenting on the news of the day after the manner of Mort Sahl, and performing original (mostly political) comedy sketches and songs. In 2008, Shearer released a music CD called Songs of the Bushmen, consisting of his satirical numbers about former President George W. Bush on Le Show.[2] Shearer says he criticizes both Republicans and Democrats equally, and also says that “the iron law of doing comedy about politics is you make fun of whoever is running the place”[54] and that “everyone else is just running around talking. They are the ones who are actually doing something, changing people’s lives for better or for worse. Other people the media calls ‘satirists’ don’t work that way.”[55]

Since encountering satellite news feeds when he worked on Saturday Night Live, Shearer has been fascinated with the contents of the video that does not air. Shearer refers to these clips as found objects. “I thought, wow, there is just an unending supply of this material, and it’s wonderful and fascinating and funny and sometimes haunting – but it’s always good,” said Shearer.[56] He collects this material and uses it on Le Show[57][58] and on his website.[59] In 2008, he assembled video clips of newsmakers from this collection into an art installation titled “The Silent Echo Chamber” which was exhibited at The Aldrich Contemporary Art Museum in Ridgefield, Connecticut.[56] The exhibit was also displayed in 2009 at Institut Valencià d’Art Modern (IVAM) in Valencia, Spain[60][61] and in 2010 at the New Orleans Contemporary Arts Center.[62]

In 2006 Shearer appeared with Brian Hayes in four episodes of the BBC Radio 4 sitcom Not Today, Thank You, playing Nostrils, a man so ugly he cannot stand to be in his own presence.[63] He was originally scheduled to appear in all six episodes but had to withdraw from recording two due to a problem with his work permit.[64] On June 19, 2008, it was announced that Shearer would receive a star on the Hollywood Walk of Fame in the radio category.[65] The date of the ceremony where his star will be put in place has yet to be announced.[66]

Further career[edit]

Shearer performing in April 2009
In 2002, Shearer directed his first feature film Teddy Bears’ Picnic, which he also wrote. The plot is based on Bohemian Grove, which hosts a three-week encampment of some of the most powerful men in the world. The film was not well received by critics. It garnered a 0% approval rating on Rotten Tomatoes, with all 19 reviews being determined as negative[67] and received a rating of 32 out of 100 (signifying “generally negative reviews”) on Metacritic from 10 reviews.[68] In 2003, he co-wrote J. Edgar! The Musical with Tom Leopold, which spoofed J. Edgar Hoover’s relationship with Clyde Tolson.[69] It premiered at the U.S. Comedy Arts Festival in Aspen, Colorado and starred Kelsey Grammer and John Goodman.[70]

In 2003, Shearer, Guest and McKean starred in the folk music mockumentary A Mighty Wind, portraying a band called The Folksmen. The film was written by Guest and Eugene Levy, and directed by Guest.[6] Shearer had a major role in the Guest-directed parody of Oscar politicking For Your Consideration in 2006. He played Victor Allan Miller, a veteran actor who is convinced that he is going to be nominated for an Academy Award.[71] He also appeared as a news anchor in Godzilla with fellow The Simpsons cast members Hank Azaria and Nancy Cartwright.[72] His other film appearances include The Right Stuff, Portrait of a White Marriage, The Fisher King, The Truman Show, EdTV and Small Soldiers.[73]

Shearer has also worked as a columnist for the Los Angeles Times Magazine, but decided that it “became such a waste of time to bother with it.”[55] His columns have also been published in Slate and Newsweek.[74] Since May 2005 he has been a contributing blogger at The Huffington Post.[73] Shearer has written three books. Man Bites Town, published in 1993, is a collection of columns that he wrote for The Los Angeles Times between 1989 and 1992.[39] Published in 1999, It’s the Stupidity, Stupid analyzed the hatred some people had for then-President Bill Clinton.[75] Shearer believes that Clinton became disliked because he had an affair with “the least powerful, least credentialed women cleared into his official compound.”[39] His most recent book is Not Enough Indians, his first novel. Published in 2006, it is a comic novel about Native Americans and gambling.[73] Without the “pleasures of collaboration” and “spontaneity and improvisation which characterize his other projects”, Not Enough Indians was a “struggle” for Shearer to write. He said that “the only fun thing about it was having written it. It was lonely, I had no deal for it and it took six years to do. It was a profoundly disturbing act of self-discipline.”[2]

Shearer has released five solo comedy albums: It Must Have Been Something I Said (1994), Dropping Anchors (2006), Songs Pointed and Pointless (2007), Songs of the Bushmen (2008) and Greed and Fear (2010).[76] His most recent CD, Greed and Fear is mainly about Wall Street economic issues, rather than politics like his previous albums. Shearer decided to make the album when he”started getting amused by the language of the economic meltdown – when ‘toxic assets’ suddenly became ‘troubled assets,’ going from something poisoning the system to just a bunch of delinquent youth with dirty faces that needed not removal from the system but just…understanding.”[77] In May 2006, Shearer received an honorary doctorate from Goucher College.[78] #HarryShearer #ThisIsSpinalTap #JonHammond #Nashville #TVShow

The Big Uneasy[edit]
Shearer is the director of The Big Uneasy (2010), a documentary film about the impacts of Hurricane Katrina on New Orleans. Narrated by actor John Goodman, the film describes levee failures and catastrophic flooding in the New Orleans metropolitan area, and includes extended interviews with former LSU professor Ivor Van Heerden, Robert Bea, an engineering professor at the University of California at Berkeley, and Maria Garzino, an engineer and contract specialist for the Los Angeles district of the U.S. Army Corps of Engineers. The film is critical of the U.S. Army Corps of Engineers and its management of flood protection projects in Southern Louisiana.[79][80][81][82][83] Shearer draws on numerous technical experts to maintain that Hurricane Katrina’s “…tragic floods creating widespread damage were caused by manmade errors in engineering and judgment.”[84] Shearer’s film currently has a 74% rating on Rotten Tomatoes, based on twenty-three reviews by approved critics.[83]

Personal life[edit]
Shearer married Penelope Nichols in 1974. They divorced in 1977. He has been married to singer-songwriter Judith Owen since 1993.[2] In 2005, the couple launched their own record label called Courgette Records.[85] Shearer has homes in Santa Monica, California, the French Quarter of New Orleans, Louisiana, and London. He first went to New Orleans in 1988 and has attended every edition of New Orleans Jazz & Heritage Festival since.[86]

Shearer often speaks and writes about the failure of the Federal levee system which flooded New Orleans during Hurricane Katrina, belittling the coverage of it in the mainstream media[87] and criticizing the role of the United States Army Corps of Engineers.[88][89] Prior to the DVD release of his film, The Big Uneasy, Shearer would hold screenings of the film at different venues and take questions from audience members ”
Identifier HarryShearerInterviewWithJonHammond
Scanner Internet Archive HTML5 Uploader 1.6.3

Language English
Publication date 2017-08-26
Usage Attribution-Noncommercial-No Derivative Works 3.0

Topics Harry Shearer, Nashville, New Orleans, NAMM Show, This is Spinal Tap, Podcast, Jack Benny, The Simpsons, Rock Band, Jon Hammond, Cable Access TV, MNN TV, Channel 1, #HarryShearer #HammondOrgan #Rocker

Lew Soloff Celebration Movie Part 4 From Jon Hammond Documenting From The House

June 26, 2015

*WATCH THE FILM HERE: Lew Soloff Celebration Movie Part 4 From Jon Hammond Documenting From The House

Jon’s archive


CNN iReport

Facebook Video

Published June 24, 2015
Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics Lew Soloff, Trumpeter, Celebration Concert, Memorial, All Star Musicians, Protoge, Blood Sweat and Tears, Chris Rogers, Gil Evans Orchestra, Local 802, Musicians, Educator, Manhattan School of Music, Tom Bones Malone, Blue Lou Marini, Randy Brecker, Adam Mandela Walden, Part 4, Condensed Clip

Lew Soloff Celebration Movie Part 4 condensed clip from Jon Hammond Documenting from The House – June 8, 2015 in the John C. Borden Auditorium Manhattan School of Music – with astounding heartfelt musical perfromances by cellist Adam Mandela Walden accompanied by Kyung-Eun Na piano, NEA Award Winning trumpeter Jimmy Owens, Emily Mitchell piano + Jesse Levy cellist in duo, remembrances by Blue Lou Marini plaing with Randy Brecker and all star rhythm section, Danny Gottlieb, Mark Egan, Pete Levin, Gil Evans Orchestra, Chris Rogers feature protoge of Lew’s – top musicians in New York – greatest musical tribute perhaps ever to celebrate the life of Lew Soloff the much loved world-renowned Trumpeter, Father, Educator, in memory of Lew Soloff, sincerely, Jon Hammond
Event Producer – Noah Evans

Press Release from Lew’s manager Nancy Meyer, LINK:

New York – A prestigious group of the jazz world’s finest players will pay tribute to their colleague, legendary trumpet player Lew Soloff (Feb. 20, 1944-Mar 8, 2015) on Monday, June 8, 2015 at the John C. Borden Auditorium, located at the Manhattan School of Music (MSM). For further
information please contact Caryn Freitag – camera: Jon Hammond

Jon’s archive

CNN iReport

by Jon Hammond

Published June 22, 2015
Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics Lew Soloff, Celebration Concert, Memorial, Trumpet player, Local 802 Musicians, Manhattan School of Music, Jon Hammond, Jon Faddis, Gil Evans Orchestra, Brandon Soloff, Film

Part 3 Lew Soloff Celebration Movie by Jon Hammond from my chair – MC’d by Paul Shaffer, with remembrance and solo piece by Jon Faddis, “The Lew Chant” led by Paul, Gil Evans Orchestra piece conducted by Bill Warfield​ – part 4 will be forthcoming folks, R.I.P Lew Soloff​. Sincerely, Jon Hammond​ *memb. Associated Musicians of Greater New York, Local 802 AFM​ Link to release from Lew’s agent: Nancy Meyer: – Gil Evans Page​ at Manhattan School of Music​ on June 8, 2015 – camera by Jon Hammond
Tom Bones Malone, Alex Sipiagin, Lew Soloff, David Taylor, Bill Warfield, Lena Soloff, Laura Solomon, Blue Lou Marini, Alex Foster, Shunzo Ohno, John Clark, Jon Faddis, Rob Scheps, Adam Nussbaum, Paul Shaffer, Conrad Herwig, Sammy Figueroa, Beth Gottlieb, Brandon Soloff, Grace Kelly, Chris Rogers

Producer Jon Hammond
Language English

Facebook Video Part 3 Lew Soloff Celebration Movie By Jon Hammond From My Chair

Jon’s archive


by Jon Hammond

Published June 18, 2015
Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics Al Jazzbeaux Collins, Documentary, Jon Hammond, Movie, Jazz 91, Mississippi Mud, Jazzbo Collins, WNEW 1130 AM, Jazz Radio, #HammondOrgan

The late great radio and TV broadcaster personality Al Jazzbeaux Collins in the studios of KCSM Jazz 91 with organist Jon Hammond – aka Al Jazzbo Collins, one of the greatest and most definitely coolest broadcasters who ever lived. *Note: I dearly miss Jazzbeaux, he was a huge inspiration to me personally. He broke out my music on the air back in New York on WNEW 1130AM huge powerful door he opened for me, we had a lot of fun together on both coasts – he introduced me to folks like Lionel Hampton, David Panama Francis, Lew Anderson band leader and Clarabell the Clown from It’s Howdy Doody Time! TV Show, Joe Bushkin pianist, and his Family the Collins Family – he knew every door man garbage man and taxi drivers on the street – rest in peace Albert! sincerely, Jon Hammond *including a clip from Live performance in Horizons Sausalito with funky James Preston drums on Jon Hammond Band Albert Richard “Jazzbo” Collins (born January 4, 1919, Rochester, New York[1] — d. September 30, 1997, Marin County, California) was an American disc jockey, radio personality and recording artist who was briefly the host of NBC television’s Tonight show in 1957.

The name “Jazzbo” derived from a product Collins had seen, a clip-on bowtie named Jazzbows. Just as Martin Block created the illusion that he was speaking from the Make Believe Ballroom, Collins claimed to be broadcasting from his inner sanctum, a place known as the Purple Grotto, an imaginary setting suggested by radio station WNEW’s interior design, as Collins explained:

I started my broadcast in Studio One which was painted all kinds of tints and shades of purple on huge polycylindricals which were vertically placed around the walls of the room to deflect the sound. It just happened to be that way. And with the turntables and desk and console and the lights turned down low, it had a very cavelike appearance to my imagination. So I got on the air, and the first thing I said was, “Hi, it’s Jazzbo in the Purple Grotto.” You never know where your thoughts are coming from, but the way it came out was that I was in a grotto, in this atmosphere with stalagtites and a lake and no telephones. I was using Nat Cole underneath me with “Easy Listening Blues” playing piano in the background.
Collins grew up on Long Island, New York. In 1941, while attending the University of Miami in Florida, he substituted as the announcer on his English teacher’s campus radio program, and decided he wanted to be in radio. He began his professional career as the disc jockey at a bluegrass station in Logan, West Virginia. By 1943, Collins was broadcasting at WKPA in Pittsburgh, moving in 1945 to WIND in Chicago and in 1946 to Salt Lake City’s KNAK. In 1950, he relocated to New York where he joined the staff of WNEW and became one of the “communicators” on NBC’s Monitor when it began in 1955. Two years later, NBC-TV installed him for five weeks as the host of the Tonight show when it was known as Tonight! America After Dark in the period between hosts Steve Allen and Jack Paar.[2]

In 1957, Collins appeared, as himself, as the star of an episode of NBC radio’s science fiction radio series X Minus One. He also hung out with the beatnik hipsters in North Beach during that time. In 1959, he was with KSFO in San Francisco. While at KSFO he would often say that he was broadcasting “from the purpleness of the Grotto”. He often mentioned his assistant “Harrison, the long-tailed purple Tasmanian owl”. During the 1960s, he was the host of Jazz for the Asking (VOA), and he worked with several Los Angeles stations during the late 1960s: KMET (1966), KFI (1967) and KGBS (1968).

He officially changed the spelling of his name to Jazzbeaux when he went to Pittsburgh’s WTAE in 1969. He moved to WIXZ in Pittsburgh (1973) before heading back to the West Coast three years later. While in Pittsburgh, he briefly hosted a late night television show entitled “Jazzbeauxz (he spelled the possessive with a ‘z.’) Rehearsal”. The show had nothing to do with any actual rehearsal, and was entirely an eclectic sampling of anything that caught Collins’ interest at the time. One of those “interests” was a long-running hard-boiled-egg spinning contest. He conducted the program from a barber chair, as he had on a previous TV show.

In the early 1960s Collins hosted a morning TV program, “The Al Collins Show,” that aired on KGO-TV in San Francisco (the ABC affiliate). The format included light talk and guest appearances. The guest lineup typically included local or state-wide celebrities, and B-list actors, such as Moe Howard of The Three Stooges.

A popular segment on his show was the “no stinkin’ badges” routine. Al would politely request the main guest for that day don a Mexican bandit costume, complete with ammo belts crossing the chest, six-guns in holsters, a huge sombrero and large fake mustache. The guest then had to pose in front of cameras and for the TV audience. With pistols pointing at the camera lens the guest had to say (with emphasis) “I don’t got to show you no stinkin’ badges.” If the guest did not say it with sufficient sinister tone Collins made him or her repeat it until in Al’s opinion the guest got it right. Collins’ bit was a play on a famous exchange in the 1948 film The Treasure of the Sierra Madre. In one scene some obviously very bad bandidos try to pass themselves off to Bogart as federales (police). Humphrey Bogart’s character knows they are not federales but nevertheless asks to see some badges. The bandito-in-charge responds “Badges?! I don’t got no badges. We don’t need no badges! I don’t have to show you any stinkin’ badge.” Collins reduced the guest bandit’s lines to the single phrase so it was easy for the guest to recite.

In 1976 Al Collins returned to San Francisco working at KMPX, followed by a three-year all-night run at KGO which drew callers throughout the West Coast. He always opened with Count Basie’s “Blues in Hoss flat”. He also worked a late night shift at KKIS AM in Pittsburg, CA in 1980. After returning to New York and WNEW (1981), he was back in San Francisco at KSFO (1983) and KFRC (1986). Then came one more run at WNEW (1986–90), and then he joined KAPX (Marin County, California) in 1990, and from 1993 until his death, Jazzbeaux did a weekly jazz show at KCSM (College of San Mateo, California).

He died on September 30, 1997, at the age of 78, from pancreatic cancer. — with Al “Jazzbo” Collins, Al “Jazzbo” Collins and James Preston at KCSM Jazz 91

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Jon’s archive from 2014 Nashville Summer NAMM


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First time on the band: Cord Martin tenor sax!:

Artist Info
Joe Berger: Guitar
Roland Barber: Trombone
Louis Flip Winfield: Percussion
Evan Cobb: Tenor Saxophone
Jon Hammond: Organ
Cord Martin : Tenor Saxophone

Artist Bio:
JON HAMMOND Instruments: Organ, Accordion, Piano, Guitar Attended: Berklee College of Music 1974, City College San Francisco Languages: English, German Jon is closely identified with the two main products of his career, the Excelsior Accordion and the Hammond Organ. Musician: Jon Hammond is one of the premier B3 PLAYERS in the world. Jon has played professionally since age 12. Beginning as a solo accordionist, he later played Hammond B3 organ in a number of important San Francisco bands. His all original group HADES opened shows for Tower of Power, Quicksilver Messenger Service and Michael Bloomfield. Eddie Money and Barry Finnerty became musical associates. Moving East he attended Berklee College of Music and played venues as diverse as Boston’s “Combat Zone” in the striptease clubs during the ’70’s and the exclusive Wychmere Harbor Club in Cape Cod, where he was house organist with the late great trumpet player Lou Colombo and developed a lasting friendship with House Speaker Tip O’Neill. He also toured the Northeast and Canada with the successful show revue “Easy Living”, and continued his appearances at nightclubs in Boston and New York. Subsequently Hammond lived and traveled in Europe, where he has an enthusiastic following. TV/Video Producer: In 1981 Jon formed BackBeat Productions. Assisted by Lori Friedman (Video by LORI), the innovative TV show “The Jon Hammond Show” became a Manhattan Cable TV favorite. Jon’s “Live on the street” video style included news events, as well as live music/video clips of Dizzy Gillespie, Paul Butterfield, Jaco Pastorius, John Entwistle, Sammy Davis Jr., Percy Sledge and many others. The weekly show is now in it’s 30th year and has influenced the broadcasts of David Letterman and others. Billboard Magazine hailed Jon’s show as “The Alternative to MTV”. LINK Head Phone

Jon’s archive

Jon Hammond theme song Late Rent on the occasion of 28th annual musikmesse Warm Up Party in the world famous jazzkeller Frankfurt and Jon’s birthday

with Peter Klohmann tenor saxophone, Giovanni Totò Gulino drums, Joe Berger guitar and Jon Hammond at the Sk1 Hammond organ – Late Rent is the theme song for Jon’s long-running cable TV show in New York City The Jon Hammond Show and HammondCast radio program – special thanks to Frank Poehl for operating the camera – Jon Hammond Band

Lew Soloff, Trumpeter, Celebration Concert, Condensed Clip, Educator, Father, Concert Musician, Rock Band, Blood Sweat and Tears, #HammondOrgan #Trumpet Local 802, Musicians Union

Jane Dornacker Excerpt From Jon Hammond Show and Journal August 13, 2012

August 13, 2012

*WATCH THE VIDEO HERE: Jane Dornacker Excerpt From Jon Hammond Show


R.I.P. Jane Dornacker, Jane died tragically in the NBC Helicopter on October 22, 1986 while on-air with Joey Reynolds on WNBC. I shot this with Jane less than a month before on Sept. 27th ’86, she was a huge talent and good person greatly missed! Jon Hammond
*excerpt from my cable tv show – The Jon Hammond Show
Jame’s Wiki
People & Blogs
Jane Dornacker, Tubes, WNBC, Leila And The Snakes, Jon Hammond Show, Joey Reynolds

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Jane Dornacker – Broadcaster, Comedienne, Composer here in performance from Jon Hammond on Vimeo.

New York NY — R.I.P. Jane Dornacker, Jane died tragically in the NBC Helicopter on October 22, 1986 while on-air with Joey Reynolds.
I shot this with Jane less than a month before on Sept. 27th ’86, she was a huge talent and good person greatly missed! Jon Hammond

Jane Dornacker (October 1, 1947 – October 22, 1986) was an American rock musician, actress, and comedienne turned traffic reporter.
In 1986, while working for WNBC 660 AM Radio in New York City (which became WFAN in 1988), Dornacker was aboard during two unrelated crashes of the helicopters leased to WNBC. She survived the first crash, but was killed in the second crash into the Hudson River, which occurred as she was in the middle of a live traffic report. Her death came shortly after that of her husband, Bob Knickerbocker, orphaning their 16-year-old daughter. The NTSB investigation determined the cause of the fatal crash to have been use of improper parts and poor maintenance on the part of Spectrum Helicopters of Ridgefield Park, New Jersey.

Music and acting
Dornacker was the tall lead singer (Leila), keyboardist, and songwriter of the 1970s/1980s San Francisco “tack” rock group Leila and the Snakes. Pearl Gates and Pamela Wood provided supporting vocals. Their repertoire included “Rock and Roll Weirdos,” “Pyramid Power” and a spoof version of Peggy Lee’s “Is That All There Is?” Gates later left (and took the band with her) to form Pearl Harbor and the Explosions. Guitarist Miles Corbin went on to form the surf instrumental band the Aqua Velvets.
Dornacker provided lead vocals on “Christopher Columbus” (1978), a song by R. Crumb & His Cheap Suit Serenaders. With Ron Nagle, she co-wrote the humorous hit song “Don’t Touch Me There” for The Tubes. The song was sung by Re Styles and appeared on The Tubes’ second studio album, Young and Rich (1976), and was released as a 7″ single in the US, the UK, and Holland. The B-side was “Proud to Be an American”. Jane had also toured with The Tubes as a backing singer and dancer.
Dornacker was also an actress. She appeared in playwright Sam Shepard’s jazz opera Inacoma at San Francisco’s Magic Theatre (1977) and was featured in other works by the Overtone Theatre. She appeared in The Stand-Up, Anita Sperm and as the mysterious Nurse Murch in the film The Right Stuff.
[edit]Stand up comedy and radio
Dornacker developed a successful career as a stand-up comic on the San Francisco circuit and did her first work as a traffic reporter in the early-mid-1980s for KFRC, a popular Top 40 radio station. She worked with Don Rose, who was that station’s morning disc jockey at the time. She was noted for her exceptionally fast speech, so fast it required concentration to understand her. As she did traffic, she would tell her daughter Naomi to get up and get to school. She moved to New York City to become a much-loved, raspy-voiced “trafficologist” and “Jane-in-a-plane.” After Dornacker died, Rose arranged several tributes to establish a college fund for Naomi.
Dornacker survived one helicopter crash only to die in a second helicopter crash in the same year. On April 18, 1986, Dornacker was reporting from a WNBC helicopter over the Hackensack River in New Jersey when the aircraft crashed into the river. She and the pilot survived and were able to swim to shore.

On October 22, 1986, at 4:44 PM, while Dornacker was giving one of the station’s N-Copter traffic reports during the Joey Reynolds Show on WNBC Radio in New York City, the Enstrom F-28 helicopter she was reporting from plunged into the Hudson River from an altitude of roughly 75 feet. On her final radio broadcast she was giving a report of an accident involving a tractor-trailer and a car as well as a car fire. She also stated that the outbound Holland Tunnel was heavy with traffic and that the Lincoln Tunnel was much better with traffic and a car fire. Dornacker was starting her report for incoming New Jersey traffic when the helicopter suffered mechanical failure in mid broadcast and crashed. Her last words were “Hit the water, hit the water, hit the water!”
The F-28 helicopter nose-dived, struck the top of a chain link fence at a river pier, crashed into the Hudson River very near to the Manhattan shore and sank in 15 to 20 feet of water. Both occupants were trapped for nearly 10–15 minutes before help arrived. Dornacker died on her way to Saint Vincent’s Hospital. She was 39 years old. Her pilot and the only other occupant, Bill Pate, was severely injured but survived.
In the subsequent investigation, the NTSB found that the sprag clutch that was installed in the helicopter, which was on lease to WNBC Radio by Spectrum Helicopters of Ridgefield Park, New Jersey, was a military surplus part which was not designed for use in a civilian aircraft, and that the part had not been adequately lubricated. It directly led to a mid-air seizure of the main rotor blades. The staff of WNBC were so appalled at the revelation of this malpractice at Spectrum Helicopters that at one point they threatened to resign en masse.[citation needed]
[edit]Final crash transcript
Aircheck of the incident
“ Joey Reynolds: “Okay, here’s Jane Dornacker now in the N-Copter”
(NBC chimes)
Dornacker: “Thank you very much, Joey. There was indeed an accident southbound on the Major Deegan at the Mosholu Parkway, an accident, a serious accident involving a tractor trailer and a car. It has been pushed off to the shoulder, but now watch out there now, because another flatbed truck is going to have to come to clear it, so yield right-of-way. Northbound on the BQE, we’ve spotted that disabled vehicle in the right-hand lane before the Kosciuszko, not causing much of a backup, but further northbound there on the BQE, traffic is very heavy, past the Kosciuszko all the way over to the LIE. The outbound Holland Tunnel extra-heavy for you right now; earlier there was a car fire at Hudson and Canal Street. It has been cleared out, except heading to New Jersey, the outbound Lincoln Tunnel looks a lot better for you. In New Jersey…
(helicopter engine overspeed)
Hit the water! Hit the water! Hit the water!
(Brief static followed by five seconds of dead air)
Reynolds: Okay, we’re gonna play some, uh, some music here I think. Find out what’s going on with the helicopter. Something happened there. It’s, uh, quarter of 5; 16 ’til 5 on WNBC, on the Joey Reynolds show. We’re taking an N-Copter report from Jane Dornacker; let’s check in and see how they’re doing there, and then we’ll come right back at you.
(Hip to Be Square plays)
Reynolds: I hope nothing happened with Jane. We had, uh, a helicopter report, from the N-Copter. Of course, you know, once before, we had this happen. A few months ago, she went down in the, uh, in the drink. Not she, I mean, she has a… pilot. Jane is, uh…
Other voice: Well, until we find out what’s going on, we’ll just…
Reynolds: Jane was up there just now giving us a report, and sometimes it just gets cut off, too, you know. It’s just an electronic thing. But, uh, this time she said, uh, “hit the water,” or something like that. So we’re going to find out what’s going on there, so stay tuned. We hope nothing… say a little prayer, hope nothing’s, nothing’s wrong. That’s really a… (deep breath) that’s a hard, hard job.


Dornacker’s then 16-year-old daughter, Naomi, received $325,000 in a settlement with owner Spectrum Helicopters of Ridgefield Park, NJ, and the maker of the helicopter. Naomi’s father Bob Knickerbocker died shortly before her mother’s death.
All the New York stations grounded their traffic helicopters for a few days after that accident.
A memorial concert in celebration of Jane took place at the Warfield Theatre in San Francisco on Saturday, November 22, 1986.
There is a memorial to her in Wayne, New Jersey, where Dornacker and her family lived.
Shortly after the incident several on-air interviews with WNBC Radio staff describe the incident and their feelings in detail, including how other news organizations “pumped news” into the WNBC Radio newsroom as they were all in shock. Joey Reynolds broke down on-air when talking about her now orphaned child. WNBC played other interviews with friends and recordings of her talking about the first helicopter crash earlier that same year. Her music was also played during these tribute shows including “Don’t Touch Me There” which she wrote for The Tubes. —

New York NY — Local 802 – R.I.P. Wade Barnes, passed away at only 57, never complained…very nice swingin’ cat! Jon Hammond

*seen here in picture I took with Mike Camoia tenor and Bob Cunningham bass at Local 802 Monday Night Jazz Session
Drummer, Educator Wade Barnes Dies at 57
By Jeff Tamarkin
Wade Barnes, a drummer, composer, producer, bandleader, arranger, educator and executive, passed away March 3 a age 57. The cause and place of death were not reported. Barnes was founder of the Brooklyn Four Plus One, Inc., a nonprofit whose stated mission, according to the organization’s website, is “to bring the highest quality of America’s classical music [jazz] to all ages, races, ethnic groups and socioeconomic levels.”

Originally, the site states, the Brooklyn Four Plus One, Inc. “was a band organized by drummer and educator Wade Barnes in the mid 1990s. The band was comprised of native Brooklynites deeply rooted in America’s musical culture. The ensemble conducted performances, clinics and symposia for a variety of audiences.” The group was later renamed the Brooklyn Repertory Ensemble (B.R.E.) and is now comprised of 17 members and plays for schools and arts organizations, particularly in under-served communities.

Barnes, who received multiple music degrees from colleges and universities, is credited, according to his official biography, with “facilitating a holistic conception which incorporates the entire history of American music.” He led Wade Barnes and the Bottom Line (a 10-member ensemble) and Wade Barnes and Unit Structures. During his career he also performed with “Doc” Cheatham, Earle Warren, Dicky Wells, Howard McGhee; Jimmy Garrison, Bob Cranshaw, Archie Shepp, Sonny Fortune; Jon Faddis and others. In addition, Barnes created clinics, workshops and curricula for the New York City Public Schools.

Barnes appeared on numerous recordings with several ensembles. — with Bob Cunningham at Associated Musicians of Greater New York, Local 802 AFM

The Latest Prank From TSA Airport Inspectors — Ha Hah Ha, very funny!
I traveled yesterday with my instrument in a very special case made by Gator company that has the latest TSA approved lock which I do not use, I never lock my cases ever since 9/11. Often the TSA people do not close the latches properly – 4 latches on the case, I get it back from a flight and 1, 2, or even 3 have not been latched properly, so I have taken to putting green gaffers tape over the latches and I put a very friendly respectful letter inside the case to the TSA to ask them kindly to be careful to close the latches properly. Last night I got home with my case, the TSA Agent decided to lock the case up with his TSA Key, I am not carrying the key since I routinely do not lock the case. No other key will work and I have a lot of keys –

New York NY — God bless the B&H people for letting me use one of their TSA keys to unlock my flight case that the smart-aleck TSA agent locked up when he inspected it, so I didn’t have to break it open. Thank you B&H…B&H Photo Rules! Jon Hammond — at B&H Photo Video Pro Audio

New York NY — It’s a little bit blurry the image, but here is the National Panasonic tube table radio that I hand-carried from California to my friend Mike’s Cupcake Cafe on Ninth Avenue NYC, now installed and rockin’ the cafe!
My girlfriend wrapped it good with bubble-wrap and TLC, it made the trip fine – Vintage National Panasonic RE-784A AM FM Tube Radio – this radio is from the California Historical Radio Society / CHRS. Mike is an avid radio listener, I’m sure he’ll have “The Blues Hour” from WBGO 88.3 FM blaring over it at 3PM tomorrow and I’ll drop in for a cup of coffee and enjoy the sound and good strong coffee! Next stop after: Local 802 Monday Night Jazz Session – Jon Hammond — at Cupcake Cafe
545 9th Avenue (btw 40th & 41st Street)

New York NY — Aston Martin coupe parked out in front of Uncle Jack’s Steakhouse sighted on Ninth Avenue – Jon Hammond

19 Broadway – Jon Hammond Band

*WATCH THE VIDEO HERE: Agora Stage Jam Of The Year

Legendary Jam Of The Year Band 2012 Musikmesse Agora Stage


Led by Guitarist Musical Director Tommy Denander – Legendary Jam Of The Year Band jamming on a Jimi Hendrix tune Little Wing on the Agora Stage.
Chuck Plaisance sings this one with Jekko S. on bass, Jimmy Kresic keys, Pi TTi Hecht percussion, Jon Hammond Sk1 Hammond organ, Ricky Lawson drums, Sky Dangcil harpejji – Bobby Kimball seen at beginning announcing, just sang song before –

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San Lorenzo California — Lydia Pense of Cold Blood interview with Jon Hammond on HammondCast — with Lydia Pense at Starbucks San Lorenzo

owner “Jack” cruising in the 1955 T-Bird – Jon Hammond
(Jack owns series 1955, 1956 and 1957 T-Birds) very cool! JH

Jane Dornacker, Tubes, NBC, Helicopter Crash, Jon Hammond Show, Comeddienne, Joey Reynolds, Traffic Reporter, Jazz, Blues, Rock Band, Don’t touch me there