Posts Tagged ‘Sennheiser’

Jon Hammond Show 0930

September 24, 2017

#WATCHMOVIE HERE: Jon Hammond Show 0930

Jon’s archive https://archive.org/details/JonHammondShow0930

Youtube https://youtu.be/Hc6ddNTrx6s

Vimeo https://vimeo.com/235221026

Jon Hammond Show – 0930
Manhattan Neighborhood Network – MNN Channel 1
with Jon Hammond Organ Group Live in Times Square, New York City 

Audio recorded on Jon’s Nakamichi 550 with 3 nice Sennheiser microphones
Identifier JonHammondShow0930
Scanner Internet Archive HTML5 Uploader 1.6.3 – by Jon Hammond
Musicians:
Chuggy Carter – percussion
Ray Grappone – drums
Todd Anderson – tenor saxophone
Joe Berger – guitar
Jon Hammond – Hammond B3 + Super Leslie built by Bill Beer Keyboard Products of Los Angeles CA
Jon Hammond Band Ham-Berger-Friz Records Recording Artist 
Publication date 2017-09-24
Usage Attribution-Noncommercial-No Derivative Works 3.0

Topics Jon Hammond Show, Cable Access TV, Hammond B3, Organ, Funky 
Jazz, Percussion, Drums, Saxophone, Electric guitar, Ellington, Times 
Square New York
Language English
FIRST Segment:

Ellington Room Session Pocket Funk

Posted on September 19, 2017

Ellington Room Session – Pocket Funk
by Jon Hammond Band – Jon Hammond B3 Organ + Super Leslie, Todd Anderson tenor saxophone, Chuggy Carter percussion, Joe Berger guitar, Ray Grappone drums ©JON HAMMOND 
SECOND Segment: 

Ellington Room Session LYDIA’ S TUNE

Posted on September 19, 2017

Ellington Room Session – LYDIA’S TUNE – bossa nova original composition by Jon Hammond at his 1959 Hammond B3 organ + Super Leslie, Ray Grappone drums, ‘Chuggy’ Leslie J. Carter percussion, Todd Andersontenor saxophone, Joe Berger guitar – audio recorded live on Jon’s 1976 Nakamichi 550 with Sennheiser microphones
THIRD Segment: 

Ellington Room Session NO X CESS BAGGAGE BLUES

Posted on September 20, 2017

Ellington Room Session NO X CESS BAGGAGE BLUES – Jon Hammond Band, Jon’s ode to Pakistan International Airlines PIA who took Jon on many Transatlantic flights with excessive baggage –  

HEAD PHONE Nakamichi 550 Audio Pics And Video Ellington Room

Posted on September 23, 2017

HEAD PHONE Nakamichi 550 Audio pics and video Ellington Room *Note: I did best job of synching I could do, this is actual audio recorded on my 1976 Nakamichi 550 using Maxell Type II Audio Cassettes, 3 Sennheiser microphones – Jon Hammond at my 1959 Hammond B3 organ + Bill Beer Super Leslie Speaker / Keyboard Electronics of Los Angeles built Leslie for me in 1971 – Ray Grapponedrums, Joe Berger guitar, Todd Anderson tenor saxophone, Chuggy Carter percussion – in the Ellington Room for my neighbors in Times Square, New York City – “Head Phone” composed by Jon Hammond ©JON HAMMOND International / American Society of Composers, Authors & Publishers (ASCAP) #HammondB3 #HeadPhone #Sennheiser #Ellington #Nakamichi #Funk #JazzColor color

Head Phone, Funk, Hammond B3, Ellington, Nakamichi, Jazz, Ascap, Sennheiser, Cassettes, #HammondB3

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HEAD PHONE Nakamichi 550 Audio Pics And Video Ellington Room

September 23, 2017

#WATCHMOVIE HERE: HEAD PHONE Nakamichi 550 Audio Pics And Video Ellington Room

Jon’s archive https://archive.org/details/HEADPHONENakamichi550AudioPicsAndVideoEllingtonRoom

Youtube https://youtu.be/2Ky9gglVU3I

Vimeo https://vimeo.com/235113942

HEAD PHONE Nakamichi 550 Audio pics and video Ellington Room *Note: I did best job of synching I could do, this is actual audio recorded on my 1976 Nakamichi 550 using Maxell Type II Audio Cassettes, 3 Sennheiser microphones – Jon Hammond at my 1959 Hammond B3 organ + Bill Beer Super Leslie Speaker / Keyboard Electronics of Los Angeles built Leslie for me in 1971 – Ray Grapponedrums, Joe Berger guitar, Todd Anderson tenor saxophone, Chuggy Carter percussion – in the Ellington Room for my neighbors in Times Square, New York City – “Head Phone” composed by Jon Hammond ©JON HAMMOND International / American Society of Composers, Authors & Publishers (ASCAP) #HammondB3 #HeadPhone #Sennheiser #Ellington #Nakamichi #Funk #JazzColor color


Publication date 2017-09-23
Language English

Head Phone, Funk, Hammond B3, Ellington, Nakamichi, Jazz, Ascap, Sennheiser, Cassettes #HammondB3

Ellington Room Session LYDIA’ S TUNE

September 19, 2017

#WATCHMOVIE HERE: Ellington Room Session LYDIAS TUNE

Jon’s archive https://archive.org/details/EllingtonRoomSessionLYDIASTUNE

Youtube https://youtu.be/CtAFi8NRDv4

Vimeo https://vimeo.com/234462508

Ellington Room Session – LYDIA’S TUNE – bossa nova original composition by Jon Hammond at his 1959 Hammond B3 organ + Super Leslie, Ray Grappone drums, ‘Chuggy’ Leslie J. Carter percussion, Todd Andersontenor saxophone, Joe Berger guitar – audio recorded live on Jon’s 1976 Nakamichi 550 with Sennheiser microphones


 – as seen on Jon Hammond Show cable access TV show on Manhattan Neighborhood Network – MNNchannel 1 Friday nights EST 01:30 AM (Sat.) Music, Travel, Soft News – #CableTV #HammondB3 #Jazz #Nakamichi

Lydia’s Tune, Bossa Nova, Hammond B3, Organ, Jazz, Written Paris France, Saxophone, Guitar, Drums, Percussion, Sennheiser, Nakamichi
Language English

Jon Hammond Show 0708

July 1, 2017

#WATCHMOVIE HERE: Jon Hammond Show 0708

Jon’s archive https://archive.org/details/JonHammondShow0708

by Jon Hammond

Published July 1, 2017

#WATCHMOVIE HERE: Eric Larsen Quickie Interview With Jon Hammond Jon’s archive https://archive.org/details/EricLarsenQuickieInterviewWithJonHammond Youtube https://youtu.be/P_OzlSMRlpU Vimeo https://vimeo.com/223871146 Eric Larsen and Jon Hammond quickie interview over coffee with TASCAM DR-10X Plug-on Micro Linear PCM Recorder audio and some images of things and people we talked about before we turned on the microphone! Eric had just come back from Fort Wayne Indiana rep’ing TEAC TASCAM at the annual Sweetwater GearFest 2017 Eric Larsen and Jon Hammond at Emery Bay Cafe – thanks James for the photo!

Eric Larsen for TASCAM
2nd Segment: 
#WATCHMOVIE HERE: Jon Hammond Band soundcheck Jon’s archive https://archive.org/details/SoundCheckJonHammondBandArcadaTheatreGigForGreggGregoryGronowskiSt.CharlesIL Sound Check Jon Hammond Band Arcada Theatre Gig for Gregg Gregory Gronowski St. Charles IL – Big Honor to play for Gregg Gregory Gronowski’s family last night with these great musicians – Samuel Jewell drums, Joe Berger, Steve Eisen tenor saxophone – yours truly Jon Hammond at the XK-5 Hammond organ – great to see everybody last night! – Jon Hammond

First part of concert last night in honor of Gregg Gregory Gronowski St. Charles, Illinois at Arcada Theatre Last Night – Dedicated to The Gronowski Family – Lori Kypry Gronowski, Greg Gronowski, Jamie Gronowski Swichtenberg, Theresa Gronowski + Hammond Organ USA, Scott May, Steve Simmons, Suzuki Musical Instruments http://jonhammondband.com/blog.html/jon_hammond_were_going_to_send_up_some_music_power_in_honor_of_gregg_gregory_gronowski_and_his_family_tomorrow_evening__see_you_on_the_bandstand_mr_berger__joe_berger_arcada_theatre_st_charles/ Big Thanks Ron Onesti Onesti Entertainment Corp. ©JON HAMMOND International American Society of Composers, Authors & Publishers (ASCAP) Producer Jon Hammond Language English

3rd Segment:

Melody Without Name Jon Hammond Band Jazzkeller With Photos By Elmar Lemes

#WATCHMOVIE HERE: Melody Without Name Jon Hammond Band Jazzkeller With Photos By Elmar Lemes Jon’s archive https://archive.org/details/MelodyWithoutNameJonHammondBandJazzkellerWithPhotosByElmarLemes Youtube https://youtu.be/Ri90-ZOOtBw Vimeo https://vimeo.com/221879023*with photos by Elmar Lemes — Melody Without Name Jon Hammond Band Jazzkeller Frankfurt – Note: Jon’s organ is powered by Markbass Bass Amps house combo bass amp only – Joe Berger guitar, Peter Klohmann tenor saxophone, Giovanni Totò Gulino drums, Jon Hammond Sk1 Hammond organ – 
this is Jon Hammond and Joe Berger’s 31st consecutive musikmesse traditional warm up party and Jon’s 64th birthday party with many friends in the house in world famous jazzkeller Frankfurt Jon’s birthday Chocolate Chocolate Cake baked by the best bakery in Frankfurt Saray Pastanesi

http://www.HammondCast.com original composition by Jon Hammond ©JON HAMMOND International @hammondcast Photos by Elmar Lemes ©JON HAMMOND International

4th Segment:

Jon Hammond Show LATE RENT Theme Song

#WATCHMOVIE HERE: Jon Hammond Show LATE RENT Theme Song Jon’s archive https://archive.org/details/JonHammondShowLATERENTThemeSong Youtube https://youtu.be/JNiGXL5_-38 Vimeo https://vimeo.com/215566956 Jon Hammond Show LATE RENT Theme Song – annual Musikmesse Session in Jazzkeller Hofheim – swinging funky jazz and blues as seen on cable TV in New York City for 34 years every late Friday night The Jon Hammond Show – featuring Peter Klohmann the tenor saxophonist, Giovanni Totò Gulino the drummer, Joe Berger aka The Berger-Meister is the guitaris and Jon Hammond at the Sk1 Hammond organ + bass – special thanks Konrad Neupert, Bille Zurück for cooking the beautiful food for us, Alex & Phillip the sound men and the whole Jazzkeller Hofheim Team in Hofheim am Taunus – we’ll be back next year! – Jon Hammond & Band – “Musikmesses-Session mit Jon Hammond
Fr 07. April 2017″ — Schon traditionell findet bei uns zur Frankfurter Musikmesse ein Treffen hochkarätiger Musiker statt. Wie auch in den vergangenen Jahren ist der aus New York stammende Orgelspieler Jon Hammond, mit Joe Berger „Berger-meister“, Giovanni Gulino und weiteren Überraschungsgästen, angesagt. Im Spiel geht Jon Hammond absolut in seiner Musik und seiner Leidenschaft für den guten alten Hammond-Sound auf. Mit 18 Jahren kaufte er sich seine erste Hammond B3 und tourte mit der Rockband Hades im Vorprogramm von Tower Of Power oder Michael Bloomfield. Ein regelrechter Genießer: Seinen Kopf wiegt er ständig von einer Seite zur anderen. Die linke Hand ersetzt größtenteils den Part eines Bassisten, zusätzlich zu den verschiedenen Klangfarben, die er manuell justiert. Die Musiker, die die Jon Hammond Show auf der Bühne komplettieren sind Joe Berger und Giovanni Gulino. Der Gitarrist Joe Berger gleicht einem Saiten-Hasardeur. Er spielte bereits mit Who-Bassist John Entwistle und sorgte in dessen Band für den Studio-Mix. Giovanni Gulino ziseliert an den Becken, setzt genaue Akzente auf der Fußtrommel und spielt leichte, luftige Melodien auf der Snare. Jon Hammond – Orgel Joe Berger „Berger-meister“ – Gitarre Giovanni Totò Gulino – Schlagzeug Peter Klohmann – saxofon http://www.jonhammondband.com Late Rent Späte Miete Producer Jon Hammond Language English Jon’s archive https://archive.org/details/MusikmesseSessionInJazzkellerHofheimLydiasTuneJonHammondBand Youtube https://youtu.be/yYc001cb5zc Musikmesse-Session in Jazzkeller Hofheim Lydia’s Tune Jon Hammond & Band – bossa nova tune from Jon’s first album, Peter Klohmann t.s., Giovanni Totò Gulino dr., Joe Berger g., Jon Hammond o.+b.

http://www.HammondCast.com Producer Jon Hammond Language English Jon’s archive https://archive.org/details/BackAtGoodOldJazzkellerHofheimJonHammondMusikmesseSession Youtube https://youtu.be/IYjcA9CdIQY Published April 18, 2017 Usage Attribution-Noncommercial-No Derivative Works 3.0



Producer Jon Hammond
Language English






Attention Jeanne Moos producers at CNN – Submitted 3/22/2017 Low Audio

March 22, 2017

Attention Jeanne Moos producers at CNN – Submitted 3/22/2017 Low Audio

Idea Summary:

Hi Jeanne, Jon Hammond here


– met you a few years ago at Mitchel London’s on Ninth Ave. (now closed) – greetings! I want to tell you that I always try to watch/listen to your pieces on the CNN website, the commercials’ audio comes bombing in – but your audio is so low that you can hardly hear you – the commercials are at least 10 times louder. I have a top-of-the-line MacBook Pro in perfect working order so it’s not my computer. Yes there are a lot of us who can’t get CNN on cable TV, please tell your Web Admin. people to turn your audio up so we can hear you Jeanne! If they are telling you everything is fine, I’m writing to tell you they are shorting you big time on the audio gain – you should be as loud as the darn commercials, or at least half if they insist on cranking the commercials up – when I turn up the volume all the way on your pieces I can just barely hear you – the only way to get a copy is by plugging in my Sennheiser HD 25-1 studio headphones – what they are doing to your sound is ridiculous and disrespectful to your excellent Jouranlism! – Thanks very kindly for your attention, sincerely, Jon Hammond *Member AF of M Local 802 Musicians Union

Submitted By:

Jon Hammond, Local 802 Musicians Union

322 W. 48th Street

New York,New York 10036

United States of America

*WATCH THE MOVIE HERE: HEAD PHONE Podcast Meetinghouse Jazz Orchestra Session

Jon’s archive https://archive.org/details/HEADPHONEPodcastMeetinghouseJazzOrchestraSession

by Jon Hammond

Published October 23, 2015
Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics Head Phone, Sennheiser, Superlux, Meetinghouse Jazz Orchestra, Todd Anderson, Bob Rosen, Jon Hammond, Horn Section, Funky Jazz, Friends Seminary, #HammondOrgan #HeadPhones

CNN iReport http://ireport.cnn.com/docs/DOC-1278572

Vimeo https://vimeo.com/143461502

Youtube https://youtu.be/c57WST4w-qQ

Facebook Video Vers. 2.0 Ultra HighDef HEAD PHONE Podcast Meetinghouse Jazz Orchestra + #HammondOrgan Hammond Organist Jon Hammond covering bass: https://www.facebook.com/jonhammondband/videos/1148019035226892/

“Head Phone” was written by organist Jon Hammond and Arranged by Todd Anderson – Podcast of Session with Meetinghouse Jazz Orchestra from the inner sanctum of Friends Seminary, 230 year old school K-12 on Manhattan’s East Side – Bob Rosen presiding over the Music Department. On guitar David Acker, drums Mike Campenni, Greg Ruvolo trumpet, Jim Piela saxophone, Jon Hammond organ & bass, Pat Hall, Art Baron, Alfredo Marques trombones, Charles Lee alto, more names coming! ©JON HAMMOND International ASCAP http://www.HammondCast.com – Associated Musicians of Greater New York, Local 802 AFM – AFM Local 6 – TV Producers of Manhattan Neighborhood Network [MNN] Manhattan Neighborhood Network
Published October 24, 2015
Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics Head Phone, Sennheiser, Superlux, Meetinghouse Jazz Orchestra, Todd Anderson, Bob Rosen, Jon Hammond, Horn Section, Funky Jazz, Friends Seminary, ‪#‎HammondOrgan‬ ‪#‎HeadPhones‬
Producer Jon Hammond
Language English

This is my Lucky Day folks…I just had breakfast in Manhattan with Lee Houskeeper, friends from ‘real San Francisco CA’! Lee knows everybody worth knowing and is Chief Editor San Francisco Stories – Press Agent extraordinaire! Great to see you on this side of the good ol’ US of A Lee!

Jon Hammond *Note: Folks, Lee worked with some of my all-time favorite musical and political activist heroes including the late great Phil Ochs who was a huge inspiration to me, greatly missed! *Wiki:”Kansas City Bomber” is a song by Phil Ochs, a U.S. singer-songwriter best known for the protest songs he wrote in the 1960s.
In 1972, record producer Lee Housekeeper asked Ochs to write the theme song for the film Kansas City Bomber, a film about roller derby starring Raquel Welch.[1][2] Although Ochs enjoyed watching the sport on television, composing the song proved difficult, as Ochs was suffering from writer’s block.[1][2] At last, he made a demo, on which Micky Dolenz of The Monkees sang back-up vocals.[3]
Months later, Ochs was traveling in Australia. Housekeeper told him the film’s producers liked his demo, but it was not exactly what they were looking for. Ochs decided to make a new recording of the song, backed by the Australian rock band Daddy Cool.[4][5]
Ultimately, the film’s producers chose not to use the Ochs song in the soundtrack.[6] Nevertheless, he convinced his record company, A&M Records, to release it as a single. The record sold poorly.[6]
In the only known review of “Kansas City Bomber (song)”, Record World wrote that “progressives will find this a moody change of pace.”[7] Billboard included the single in its “Also Recommended” column.[8]
In 2001, writer Mark Brend described “Kansas City Bomber” as “unremarkable”.[9] Biographer Michael Schumacher wrote in 1996 that the song “was neither an admirable work nor an embarrassment”.[10]
Many Ochs fans never heard “Kansas City Bomber” before it was included in 1988’s The War Is Over: The Best of Phil Ochs. The song was also included in the 1997 collection American Troubadour.”

Jon’s archive https://archive.org/details/LYDIASTUNEMeetinghouseJazzOrchestraPodcast

by Jon Hammond

Jeanne Moos, Low Audio, CNN Website, Jon Hammond, Headphone, Sennheiser, #CNN #JeanneMoos #Audio

Interviews Sennheiser Jon Hammond Headphones Microphones Organ Accordion Music Archive NAMM Musikmesse

September 22, 2016

Interviews Sennheiser Jon Hammond Headphones Microphones Organ Accordion Music Archive NAMM Musikmesse

L to R Dr. Andreas Sennheiser, Jon Hammond, Daniel Sennheiser

*WATCH THE FILM HERE: Head Phone Stick with Sennheiser

Jon’s archive http://ia601507.us.archive.org/7/items/HeadPhoneStickWithSennheiser/Head%20Phone%20stick%20with%20Sennheiser.mp4

Sennheiser (headphones) Momentum series

with tribute to Lutz Büchner on solo section:
Head Phone stick with Sennheiser (headphones) Jon Hammond’s 20th annual Musikmesse Session in Jazzkeller Hofheim – funky jazz with Giovanni Totò Gulino drums, Peter Klohmann tenor saxo, Joe Berger guitar, Jon Hammond at the Sk1 Hammond organ – Jon’s keyboard stand by
Bespeco Professional, Audio: Philipp, Konrad Neupert, Marvin Gans Jazzkeller Hofheim Team – special thanks Jeff Guilford / JJ guitars for operating the camera http://www.HammondCast.com

Sennheiser HD 25-1

NAMM Oral History Interview Jon Hammond by Dan Del Fiorentino and Tony Arambarri

Jon’s archive https://archive.org/details/JonHammondJonHammond_NAMM.orgOralHistoryInterviewDate_January13_2011FullVersion_0

Views
144
#144

Youtube https://youtu.be/Faq_A58v4sE

275 views
#275

Usage Attribution-NonCommercial-NoDerivs
Topics NAMM Oral History, Musikmesse, Mini-B, NAMM, G37, G27, Leslie Speaker, Onions, Jazz, Blues, Musicians Union, Local 802, ASCAP, KYOU Radio, Anaheim, Frankfurt, B3 Organ, XB-2, Leslie Speaker

Jon Hammond | NAMM.org Oral History Interview Date: January 13, 2011

namm.org/ library/ oral-history/ jon-hammond

Jon Hammond
Interview Date: January 13, 2011
Job Title: President and Founder
Company: Jon Hammond & Associates
accordions electric organs Hammond B-3 Hammond Organs Jazz Music Manufacturing Musicians

Jon Hammond


Jon Hammond has successfully created a career based on his musical talents and his passion for the music industry! As a musician Jon has performed with many legendary players and as a clinician and product artist he has introduced many innovative products to music stores and their customers over the last 30 plus years. Jon is closely identified with the two main products of his career, the Excelsior Accordion and the Digital B3 Organ.

Subject Info Jon Hammond Interview Date: January 13, 2011 Job Title: President and Founder Jon Hammond & Associates Jon Hammond has successfully created a … of his career, the Excelsior Accordion and the Digital B3Organ. (accordions, electric organs, Hammond B-3, Hammond Organs)

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“Interview: Co-CEO Dr Andreas Sennheiser” credit: PSN Europe http://www.psneurope.com/interview-co-ceo-dr-andreas-sennheiser/

“Dr Andreas Sennheiser took over the running of his family business with his brother Daniel in May of 2013. In the three years since, the company has released some notable technology – but there have been some serious changes at the company along the way. In an wide-ranging and candid interview, Dave Robinson discovers what the young co-CEO thinks about the $50k Orpheus headphones, the restructuring of the company, the fiercely competitive marketplace and what gets him out of bed in a morning…

Let’s begin with AMBEO, your 3D, immersive audio concept.

Dr Andreas Sennheiser: At CES, we launched something we’ve been working on for the last 5-7 years: algorithms for ‘immersive audio’. When we started research, we thought it was going to be relevant: it was a gut feeling that what exists wasn’t good enough. While we did research on these algorithms, we didn’t know where it was going to go, but with big content providers such as Universal and Red Bull Media embarking in 360-degree video and immersive audio recordings in the last 12-18 months, suddenly a huge new world has opened up for us. So, we’ve started to compile all the technology into distinct solutions for recording, mixing, processing, playing back. And that’s what we showed with the AMBEO brand at CES [and NAMM and PL+S]. It’s the starting point of something we will develop with our customers.

We really are positioning ourselves to take advantage of whatever 3D format emerges, a format with a higher emotional impact. Many artists have said to us, the only way to really connect with the audience the way they want to is to play live – but if they had a format that captured that, so that users at home could listen to it in a way similar to actually being there, then they would have a higher engagement with the listeners. That’s when we got serious about bringing AMBEO to the market.

At NAMM you demonstrated a surround-style ‘tetra mic’, with its ‘virtual miking technique’ software, which could change the way things are recorded…

The interesting thing about this is that we have to combine different technologies in order to make the immersive experience perfect; to integrate different technologies to make the transition from reality to virtual reality seamless.

With third party involvement?

By presenting it in its initial stage, it’s an invitation to our customers to think ahead, whether that’s a possible approach for them, how they would use it, and to find new applications for it. It’s all software based at the moment – we have a virtualisation algorithm, an upmix algorithm – we don’t really have a hardware decoder at this point, but if we see a stronger need, we can go in that direction, too.

Let’s talk about Orpheus, the HE 1, the ‘world’s most expensive headphone’.

The HE 1 for us is a product, a statement, and an indication of our innovation culture, to a certain extent. We could have said, we still have the Orpheus from 1991, it’s still considered the best headphone in the world, why do something better? But part of our culture is to not be happy with anything that exists now, regardless of whether we invented it or not. About 10 years ago, we decided it was the time for the world to experience the next level. On one hand, it’s beyond common sense. But, on the other, by being so intensively on the limits of physics, we learn so much for other applications.

You make it sound like the Space Programme…

Yes, exactly, and this pushes the entire Sennheiser culture into new ways. Think about the effect this has at the company when a group of people bring out a flagship that will be there for another couple of decades. That has a huge motivational impact on the other employees; at the same time, it tells the industry that what exists is not good enough for Sennheiser, so we will push it forward.

I’ve heard the HE 1s. They make sound ‘visceral’, I would suggest.

People have ‘seen’ things, heard things which they haven’t heard before, or been able to describe.

Do you think they are worth $50,000?

[Immediately] Absolutely. No doubt.

What sort of reaction have you had to them?

A product like this is dividing: people who rave about it, others who say, Is it worth the money? But to me, it’s not the point: it’s about buying into an exclusivity which sets you apart, in a positive way, from the masses. It’s connoisseurship. From the feedback we’ve got, most of the customers who are interested in the HE 1 are audiophiles who say, Audio is my life.

The original Orpheus had a run of some 300 units. When HE 1 ships later this year, will that be limited to 300 too?

We are not planning any limitation this time: but it is limited by the price and the capacity – making one per day – and the level of customisation. We have significant requests for customised versions.

You mean I can have them in pink?

Someone wants it in solid jade instead of marble, for instance. The exclusivity includes the concept of a one-off product, as long as the sound properties are not affected.

How many do you think you’ll be making?

We have more than 50 ordered. I don’t believe it’s going to stop at 100 or 200. I personally believe that it’s something that’s going to be with you for life, and we will offer servicing on it so it will be with you as long as you want to enjoy it.

Turning to the other end of the market, consumer headphones: it’s an increasingly aggressive and crowded marketplace. What is Sennheiser doing there?

We’re trying to be more focused on specific target groups. With the Momentum line, for example, we are targeting a specific type of personality, people who have a certain style and way of expressing themselves. We’re not just looking at price points and shelf space, and that will set us apart from just having X metres of headphone hangers.

You put into place a ‘selective distribution’ model a couple of years ago – other makes have done that too…

It ensures that the brand is represented in the appropriate way. If [our models] were at a cash-and-carry checkout for five pounds [six euros], it would just damage the brand. You can’t credibly have a product like that and the HE 1.

Are you worried that brands like Beats are changing the market?

It’s not necessarily a concern – it is, rather, keeping us on our toes. That increasingly competitive environment was beneficial in two ways: one, it grew the market; two, it forced us to think what Sennheiser is all about, what is at our core, what is our heritage. We’re the only ones to have the 1968 invention of the open-back HD 414 headphone; we’re the only one that has the innovation culture and heritage. How can we use that to be more relevant and have a higher value for the customer? So, with the success of the Momentum line, the higher end HD 800 line, the professional headphones – the HD 25 still being an icon – this process has been healthy for us because it gave us a stronger sense of identity which we are able to communicate.

How successful has the D9000 digital wireless system been?

It’s a huge success, especially in the last year where the ‘Digital Dividend’ [spectrum sell-off] in Japan gave us extra demand and business. Digital 9000 is successful beyond our initial imagination for a simple reason: we positioned and developed it as a system to be used on stage for singers and touring, because it was so flexible. But the corporate world has discovered it, because of its high-level encryption and flexibility in use. We saw a lot of companies adopt it, such as a major American retail chain. There’s a huge market there.

Since you and your brother Daniel became joint CEOs three years ago, you’ve restructured the company. I get the impression, some of that has been easy, and some of it has been hard. Is that correct?

We went from a territorial approach to a sales channel approach. In Europe, there’s no borders for commerce. Consumer is one part, professional is another, and so on.

In a reorganisation like that, you always have a working assumption. Sometimes you assume, sometimes you just hope for the best. The reorganisation was a great success, especially with the feedback we got from our customers. Did everything work out like we planned? With a change of that magnitude, we discovered things we had to fine-tune. That was a learning experience. For us it was more important to go in the direction that makes sense for the future rather than stay with something we know but might not be any longer relevant.

Some of your ideas were quite radical: staff had to look at their roles within the company and say, this is what I do, and this is what I want to do…

You are spot on. We had hundreds of people in new roles, so there was an element of change management.

…Which can be difficult.

Absolutely! And I have empathy with people who are uncertain for a period, who have to find their role and it’s not all clear from Day One. But part of our culture is to go through changes with our employees, and that means everyone can design their future and their fate, which brings the downside of uncertainty with it.

But some people don’t want to do that.

Yes, but it’s part of our nature to involve people in their own destiny rather than giving them 100% certainty but no influence.

The impression I got from the staff video, made for the company’s 70th anniversary last year, is that your employees are pleased to be a part of the Sennheiser phenomenon. The smiles from the people in the factory were natural, not forced.

The passion and commitment, the joy of what we do is everywhere at Sennheiser. And that’s really part of my personal motivation. Seeing people committed to that extent gives me a reason to go forward.

Do you ever feel the burden of the family legacy, though? When you wake up, do you ever think, [in panicked voice] ‘Oh God, I’m running Sennheiser!’…?

[Smiling broadly] With great responsibility comes a certain weight. You have to think about what is good for the company, the customers, the employees. There are moments of doubt and pressure, but all-in-all, what makes me so confident of getting up in the morning is that I’m not alone here, there are 2,700 people who are highly committed and enjoy what they do. It’s not on my shoulders, it’s on 2,700 pairs of shoulders making their own destiny. With that in my mind, it’s easy to get up and assume that responsibility.

Good answer! What do you think you still need to do at the company?

Become quicker, more nimble to reacting to customer feedback.

Sennheiser seems to think about what it’s going to do, thinks some more, and then makes its move. It took you ages to adopt Dante, for instance. That approach can be positive – but negative too.

If 80% of our decisions are well-thought through and strategically directed, that’s exactly what we need. In hindsight, we could have taken some decisions earlier. On the other hand, ‘German engineering and thinking’ takes time. What our next challenge will be, is to preserve the thoroughness of where we want to go, but add an element of ‘start-up’ activity. A start-up culture with 70 years of experience, if you will. If we can do that, then we will be even quicker when supplying the customers with what they want.

Last question: the factory is on fire – you run in and grab three items. What are they?

First, the photo of my grandfather [Fritz Sennheiser, who started the company]. Second, the Emmy Award. [In 2013, Sennheiser was awarded the Philo T. Farnsworth Award, presented to a company whose “contributions over time have significantly impacted television technology and engineering”.] Third, my trolley, which holds all the stuff I use for daily work…

But which one product do you put on that trolley?

The D9000.

Not a classic microphone or headphone?

D9000 is a statement of innovation, and is ‘classic’ at the same time. It’s one of a kind. It’s an icon. It shows all the competency that’s in this company.

www.sennheiser.com

Sennheiser Wiki https://en.wikipedia.org/wiki/Sennheiser

Sennheiser electronic GmbH & Co. KG (/ˈsɛnhaɪzər/; branded Sennheiser) is a private German audio company specializing in the design and production of a wide range of both consumer and high fidelity products, including microphones, headphones, telephony accessories, and avionics headsets for consumer, professional, and business applications.

ndustry Audio electronics
Founded 1945 (as Labor W)
Headquarters Wedemark, Hanover, Lower Saxony, Germany
Key people
Fritz Sennheiser, founder
Daniel Sennheiser, CEO and Chairman of the Board
Products Audio electronics for consumer, professional, and business uses
Owner Sennheiser family
Number of employees
2,183 as of 2011

The company was founded in 1945, just a few weeks after the end of World War II, by Fritz Sennheiser (1912–2010)[2][3] and seven fellow engineers of the University of Hannover in a laboratory called Laboratorium Wennebostel (shortened, “Lab W”). The laboratory was named after the village of Wennebostel in the municipality of Wedemark to where it had been moved due to the war. Its first product was a voltmeter.[1] Lab W began building microphones in 1946 with the DM1, and began developing them in 1947 with the DM2. By 1955, the company had 250 employees, and had begun production of many products including but not limited to: geophysical equipment, the Noise-Compensated microphone (DM4), microphone transformers, mixers, and miniature magnetic headphones. Labor W was renamed ‘Sennheiser electronic’ in 1958.[citation needed]

In 1968, Sennheiser released the world’s first open headphones.[4] The introduction of open headphones affected the headphone market as they were able to produce a more natural sound that many users preferred.[5]

Sennheiser was transformed into a limited partnership (KG) in 1973. In 1980, the company entered the aviation market, supplying Lufthansa with headsets.[6][7]

The company began producing modern wireless microphones in 1982, the same year when founder Fritz Sennheiser handed the management of the company over to his son, Jörg Sennheiser. In 1987, Sennheiser was awarded at the 59th Academy Awards for its MKH 816 shotgun microphone.

Also in 1991, Georg Neumann GmbH, Berlin, which builds studio microphones, became a part of Sennheiser.[8][9]

In 1996, Sennheiser received an Emmy Award for its advancements in RF wireless technology.[10] Also in 1996, Sennheiser became a private limited company (GmbH and Co. KG). Since then, Sennheiser has maintained its tradition of high quality audio technology, and still maintains those high standards today. Professor Dr. Fritz Sennheiser died in 2010.

On July 1, 2013, Daniel Sennheiser and Andreas Sennheiser were promoted to the position of CEO responsible for Sennheiser electronic GmbH & Co. KG.[11]

In October 2013, Sennheiser received the prestigious Philo T. Farnsworth Award at the 65th Primetime Emmy®Engineering Awards in Hollywood.[12] In May 2014, Sennheiser founded a new competence center for innovative streaming solutions, Sennheiser Streaming Technology GmbH (SST).
Locations

Sennheiser is headquartered in the municipality of Wedemark, Germany (near Hannover). Its United States headquarters is located in Old Lyme, Connecticut. The company has factories in Wennebostel (Wedemark, near Hanover); Tullamore, Ireland (since 1990); and Albuquerque, New Mexico (since 2000). Sennheiser’s R&D facilities are located in Germany, Denmark, Switzerland, Singapore and San Francisco, California.
Products
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Sennheiser is mainly known for its consumer headphones and professional microphones. The most famous microphones by Sennheiser are the MKH 416 short shotgun, which came to be the Hollywood standard shotgun microphone, and the 816, similar in design with longer reach. Its also makes wireless microphones. Subsidiary products include aviation, multimedia and gaming headsets, micro-Hifi systems, conferencing systems, speakers and amplifiers.

Jon’s archive https://archive.org/details/JoeBergerNammOralHistoryInterviewUneditedLongVersionOfficial55

Youtube https://youtu.be/uFFMVHCkZ8w

Joe Berger NAMM Oral History Interview Unedited Long Version Official 55 minutes 4 seconds
by Jon Hammond

Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics concert production, electric guitars, namm show, frankfurt musikmesse, joe berger, oral history, john entwistle, concert tours

Joe Berger
Interview Date: January 20, 2012
Job Title: Musician, Product Endorser – short version here also
http://www.namm.org/library/oral-history/joe-berger
Joe Berger knows sound! Joe has been mixing sound for over 30 years and he stopped counting at 35,000 bands! Also a virtuoso guitar player with his own definitive, unique playing style and “ear”, Joe has jammed with the likes of John Entwistle and Jack Bruce. He has also been a fixture at music trade shows for decades as a guitar demonstrator, having set a record for most hours played at a single trade show.
Tony Arambarri, Dan Del Fiorentino – NAMM Historians
Categories:
concert production
electric guitars
Guitars-Amps-Fretted
Jon Hammond
mixing consoles
Musicians
Musik Messe Frankfurt
NAMM Show
New York City NY
product endorsers

Run time 55 minutes 4 seconds
Audio/Visual sound

Jon’s archive https://archive.org/details/JonHammondsMusikmesseWarmUpPartyJazzkeller

Alpha Jon Hammondhttp://hammondcast.tumblr.com

Add to Calendar: Tuesday April 5, 2016 in the famous jazzkeller Frankfurt – Jon Hammond Band performs at 9PM

Celebrating 30 Years, As Seen On Cable TV 32 Years Jon Hammond Show MNN TV Channel 1 and Streaming Worldwide

FULL HIGH DEFINITION VERSION
29th Year! Jon Hammond’s musikmesse Warm Up Party jazzkeller – Big Special Thanks to my good friend Saray Pastanesi for absolute Masterpiece Birthday & 29th musikmesse Chocolate Chocolate cake!! It was delicious, every morsel was consumed and enjoyed!

Journal Frankfurt http://www.journal-frankfurt.de/journal_news/Kultur-9/My-home-away-from-home-Jon-Hammond-zum-27-Mal-auf-der-Musikmesse-18308.html

MY HOME AWAY FROM HOME

Jon Hammond zum 27. Mal auf der Musikmesse
Nomen est omen. Der Mann heißt Hammond und spielt eine Hammond. Der Organist aus New York freut sich auf Frankfurt und lädt zur Musikmesse Warm Up Party am 9.4. in den Jazzkeller ein.

JOURNAL FRANKFURT: Was war für Sie zuerst da – die Frankfurter Musikmesse oder Auftritte im Jazzkeller?
Jon Hammond: Die Musikmesse. Ich kam 1987 zum ersten Mal nach Frankfurt, zusammen mit Joe Berger, der auf der Messe für Engl Amplifiers spielte. Wir flogen mit der Lufthansa ein und teilten uns ein Zimmer im berühmten Prinz Otto Hotel am Hauptbahnhof. Schon in der ersten Nacht stellte mir Joe den großen John Entwistle, den Bassisten von The Who vor. Es wurde eine lange Nacht, in der wir Cognac tranken und Erdnüsse knabberten in eiern Suite des Marriott Hotels. Ich habe Joe bei einer Session mit John und Ringo Starrs Sohn Zak Starkey im Dorian Grey Club gefilmt bei einer Soundcheck Party. In den ersten paar Jahren spielte ich nicht oft live weil ich noch keine transportierbare Hammond Orgel hatte vor 1991 als ich den Prototyp einer XB-2 Hammond Orgel bekam mit der ich dann um die Welt reiste. Hauptsächliche dokumenierte ich aber die Messe für meine Cable TV Show in New York, die inzwischen im 29. Jahr als The Jon Hammond Show — Music, Travel and Soft News präsentiert. Die harten Nachrichten überlasse ich CNN und den großen Networks (lacht). Vom ersten Jahr an fühlten wir uns der Musikmesse eng verbunden, haben seitdem eine tolle Zeit hier, kommen jedes Jahr wieder bis wir kleine, alte Männer sind.

Das Jazzkeller-Konzert am Vorabend der Musikmesse ist zu einer netten Tradition geworden – wie kam es dazu, was bedeutet es Ihnen und wir werden Sie dieses Jahr diesen Abend im Jazzkeller zelebrieren?
Ab 1991 lernte ich mehr und mehr Musikmesse-Menschen kennen und die mich und auch einiges von meiner Musik. Einige von ihnen ermunterten mich, doch auch für Auftritte nach Deutschland zu kommen weil es hier doch ein Interesse an Hammond-Orgel-Groove-Music gab. Mit der schon erwähnten, kleinen, kompakten aber sehr kraftvollen Orgel war das alles möglich. Zudem machte ich in New York gerade eine schwere Zeit durch, mein Vater war gestorben und ich hatte das Gefühl, einige Veränderungen könnten meinem Leben gut tun. Also kam ich nach Frankfurt mit meiner XB-2, allerdings mit einem Rückflugticket falls etwas schief gehen würde. Ich rief viele Musiker an, ließ sie wissen, ich bin jetzt da, lasst uns zusammen spielen. Das war für mich der Anfang einer langen, sehr speziellen Beziehung, vor allem zum Frankfurter Publikum nach ersten kleinen erfolgen im Jazzkeller und einer kurzen Auftritt im Hessen Report im Fernsehen. Beatrix Rief verdanke ich dieses “lucky light on me”, eine tolle Erfahrung. Seitdem nenne ich Frankfurt “My Good Luck City” und im Jazzkeller begann auch alles für mich als Musiker. Deshalb liegt mir der Club auch so nah am Herzen, deshalb hatte ich auch die Idee, meine “Musikmesse Warm Up Party” dort zu realisieren, immer in der Nacht bevor die Messe startet was zu einer schönen Tradition wurde. Im ersten Jahr, in dem ich dann auch ein wenig Sponsoring von Philip Morris bekam, konnte ich damit einige Flugtickets für befreundete Musik bezahlen. Darüber war ich sehr glücklich. Dabei rauche ich selbst gar nicht.

Wie würden Sie Ihr persönliches Verhältnis zu Deutschland und Frankfurt beschrieben?
Lassen Sie es mich so sagen: ich liebe Frankfurt und die Frankfurter waren immer gut zu mir in all den Jahren. Ich könnte ein ganzes Buch über die Zeit schreiben, in der ich in Bornheim wohnte und Nacht für Nacht in der alten Jazzkneipe in der Berliner Straße auftrat. Das war der Treffpunkt, wo auch die Musiker der HR Bigband hinkamen und es gab eine generöse Chefin in der kleinen Kneipe. Auch Regine Dobberschütz und Eugen Hahn im Jazzkeller waren wahre Jazzengel für mich, die mir so vieles ermöglichten in der Zeit. Wir konnten auch in den Studios von AFN Radio spielen, waren die einzigen Musiker, die das – mit einer Sondergenehmigung des US Militärs – durften. Für ein wenig Promotion für die Musikmesse. Wir nannten das Programm für die AFN “Profile TV “-Show “Sound Police”. Wir hatten viel Spaß. Kein Wunder also, dass ich Frankfurt als my home away from home begreife und ich mich jedes Mal wieder freue zur Musikmesse zu reisen, in diesem Jahr übrigens zum 27. Mal in Folge. Und ich bin diesmal besonders aufgeregt, heim nach Frankfurt zu kommen weil ich gerade 60 Jahre alt geworden bin.

Wer wird in diesem Jahr zum Gelingen des Konzertes mit teils komponierter, teils improvisierter Musik, so nehme ich an, beitragen und was für einen Sound wird die Band präsentieren?
Ich habe etwa 90% der Kompositionen geschrieben, die wir spielen werden. Es ist die Musik, die man auch in meiner New Yorker TV-Show hören kann und die mich mehrmals um die Welt getragen hat. Meinen Stil nenne ich “Swinging Funky Jazz and Blues” und featurert die ganz wunderbaren Solisten in meine Band: Tony Lakatos, den großen ungarischen Tenorsaxophonisten, der auch Mitglied in der hr Bigband ist, dann meinen alten Freund Giovanni Gulino, diesen tollen Schlagzeuger, der schon für fast alle Großen der Szene getrommelt hat. Ich liebe diese Jungs. Als Gitarrist ist mein alten Freund und Kollege Joe Berger dabei, den man auch als The Berger-Meister kennt. Auf diese Formation bin ich wirklich stolz.

Werden Sie im Jazzkeller wieder eine Hammond Orgel spielen?
Ja, sicher, das neueste Modell, eine Sk1, die exakt so klingt wie die legendäre B3. Ich liebe sie. Und sie wiegt nur noch sieben Kilo (Anm. des Autors: Das Original, ein echtes Möbel mit viel Holz, mussten immer zwei Menschen mit viel Muskelkraft die Treppen rauf und runter hieven), ein deutliches Indiz, dass wir in der Zukunft angekommen sind. Da stecken viele Jahre Forschung und Entwicklung drin, auch Bühnenerprobungen. Ich ziehe den Hut vor den Ingenieuren von Suzuki, ein unverwüstliches Instrument erschaffen zu haben. Und das unterziehe ich jetzt einen echten Härttest (lacht).

Interview: Detlef Kinsler

Jon Hammond – organ Joe Berger – guitar Peter Klohmann – saxophone Giovanni Gulino – drums Mr. Hammond has toured worldwide since 1991 using the incredible Sk1 organ by Hammond Suzuki..™ “Classic Hammond Sound…In A Suitcase!” The Jon Hammond Show is a funky swinging instrumental revue, featuring top international soloists. The show has universal appeal. Big Hammond orgel sound – 100% organic

As seen on MNN TV Cable TV Show The Jon Hammond Show 32nd year — Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics Journal Frankfurt, Journalkalendar, Jon Hammond, musikmesse, Warm Up Party, Hammond Organs, Frankfurt, Blues, Jazz, Soft News, MNN TV Channel 1 – Jazz Party of The Year! #JazzParty #CNNiReport

Producer Jon Hammond
Language English

Jon’s archive https://archive.org/details/48MinuteDocumentaryJazzMovieBigBandWithOrganistJonHammond

by Jon Hammond

48 minute Documentary movie of Tuesday night session at Friends Seminary School in Manhattan, 5 original compositions!
“Head Phone” by Jon Hammond arranged by Todd Anderson
“Lydia’s Tune” by Jon Hammond arranged by Todd Anderson
“Late Rent” by Jon Hammond arranged by Todd Anderson
“Pocket Funk” by Jon Hammond arranged by Todd Anderson
“Have a Nice Day Blues” by Todd Anderson arranged by Todd Anderson
*Note: Tenor Saxophonist Arranger Todd Anderson was Jon Hammond’s teacher for Arranging and Compostion at Berklee College of Music in Boston MA in 1973. 10 years later they recorded this music for TV Show “The Jon Hammond Show” still on TV every week for 32 years, the recording session went down at Intergalactic Recording Studios where John Lennon did some of his last recording dates. The big band here is presided over by Professor Bob Rosen in charge of the music program at Friends Seminary School on Manhattan’s East Side, 230 year old school K – 12th grade. Top sight reading musicians gather weekly – more info: http://www.HammondCast.com ©JON HAMMOND International ASCAP / BMI

Photographs Courtesy of Elmar Lemes

Youtube https://youtu.be/2mcykc-OHTg

Interviews, NAMM Oral History, Sennheiser, Headphones, Microphones, Jon Hammond, #Interviews #Music #NAMM #Musikmesse #HammondOrgan

Jon Hammond Funk Unit Live on Nissan Stage Nashville Tennessee

September 21, 2016

#WATCHMOVIE HERE: Jon Hammond Funk Unit Live on Nissan Stage Nashville Tennessee

Jon’s archive https://archive.org/details/LydiasTuneHeadPhoneLateRentJonHammondFunkUnitNissanStage

Views
22
#22

Youtube https://youtu.be/qKjYrk0fOFw

61 views
#61

Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics Lydia, Head Phone, Late Rent, Funk Band, Jon Hammond, Lee Oskar, Harmonica, Hammond Organ, Nashville, NAMM Show, Nissan

First song: Lydia’s Tune – Jon Hammond Funk Unit on Nissan Stage Nashville https://www.namm.org/thenammshow/2016/events/jon-hammond-funk-unit Nashville Music City Center, front line: Lee Oskar harmonica, Joe Berger guitar, Cord Martin tenor, Roland Barber trombone, Jon Hammond organ, Rhythm section Chuggy Carter congas & percussion, Louis Flip WInfield drums — Head Phone Late Rent Nissan Stage Jon Hammond Funk Unit
Nashville Tennessee Nissan Stage Summer NAMM Show — Head Phone Late Rent Nissan Stage Jon Hammond Funk Unit with special guest Lee Oskar, Roland Barber trombone, Cord Martin tenor saxophone, Chuggy Carter congas & percussion, Joe Berger guitar (TV Jones guitar and pickups), Louis Flip Winfield drums, Jon Hammond Sk1 Hammond organ and bass Greg Herreman productions manager, Michael Apodaca & Alex Moore audio / Sound Image Nashville, Tennessee – The NAMM Show Summer NAMM Show Nissan Stage – Jon Hammond Band — with Cord Martin, Lee Oskar, Joe Berger, Louis Flip Winfield, Roland Barber and Leslie J. Carter at The NAMM Show. – all compositions composed & published by JON HAMMOND International ASCAP #NAMMShow #SummerNAMM #FunkBand #HammondOrgan #Nissan #Nashville #NashvilleMusicCityCenter

H.264 download
download 1 file MPEG4 download
download 1 file OGG VIDEO download
download 1 file TORRENT download
download 25 Files
download 5 Original
Producer Jon Hammond
Language English

Jon’s archive http://ia601507.us.archive.org/7/items/HeadPhoneStickWithSennheiser/Head%20Phone%20stick%20with%20Sennheiser.mp4

Sennheiser (headphones) Momentum series

with tribute to Lutz Büchner on solo section:
Head Phone stick with Sennheiser (headphones) Jon Hammond’s 20th annual Musikmesse Session in Jazzkeller Hofheim – funky jazz with Giovanni Totò Gulino drums, Peter Klohmann tenor saxo, Joe Berger guitar, Jon Hammond at the Sk1 Hammond organ – Jon’s keyboard stand by
Bespeco Professional, Audio: Philipp, Konrad Neupert, Marvin Gans Jazzkeller Hofheim Team – special thanks Jeff Guilford / JJ guitars for operating the camera http://www.HammondCast.com

Sennheiser HD 25-1

Vimeo https://vimeo.com/163154149

Youtube https://youtu.be/bWUOjMJx_Cg

Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics Head Phone, Sennheiser, Momentum Headphones, Funky Jazz, Musikmesse, Session, Hofheim am Taunus, Jazzkeller Hofheim, Bespeco Professional, #HammondOrgan #CNNiReport

Suzuki “The Name You Know” – Kartoffel – Breakfast of Champions (and lunch and dinner)!

Dankeschön Philipp for the Audio – and my favorite old Peavey Bass Amp!

Hammond XK-5 aka Flexi-B Top Secret Organ Programmable Multi Contact Keys with MTW 1 Modeled Tone Wheel Generator

Hammond Flexi-B Top Secret Organ
with 9 contact keyboards! – Jon Hammond at musikmesse with Suzuki Musical Instruments Prototype Debut

Jon’s archive https://archive.org/details/MichaelFalkensteinAndJonHammondMusikmesse

Jon’s archive https://archive.org/details/TopSecretHeadPhoneLiveInJazzkeller

Youtube https://youtu.be/VF7WXWHv1a4

Jon Hammond Band​ getting funky with Head Phone Live in Jazzkeller​ – Jon’s annual musikmesse​ Warm Up Party with Giovanni Totò Gulino​ drums, Joe Berger​ guitar, Peter Klohmann​ tenor saxophone, Jon Hammond​ at the Hammond Sk1 organ – Jon Hammond uses Sennheiser​ Momentum headphones with in-line mic remote http://www.HammondCast.com – Video Directed by Tino Pavlis​ Sennheiser Momentum​

Michael Falkenstein with Prototype Hammond XK5 aka XK-5

Masato Tomie Suzuki Hammond Engineer and Guitarist of Black Market Band with Hammond Flexi-B Top Secret Organ Prototype Debut musikmesse

Vimeo https://vimeo.com/162021573 Top Secret Head Phone Live in jazzkeller!

Jon Hammond flanked by Sennheiser CEO’s Dr. Andreas Sennheiser and Daniel Sennheiser – stick with Sennheiser folks! – Jon Hammond

Jon Hammond’s Headphone, Sennheiser, Nashville Nissan Stage, #Sennheiser #HeadPhone #XK5 #Nashville #HammondOrgan

Stevie Wonder Motown Big Influence on Jon Hammond Show Preview 10/31

October 31, 2015

*WATCH THE FILM HERE: Stevie Wonder Motown Big Influence on Jon Hammond Show Preview 10/31

Stevie Wonder and Jon Hammond talking – Shuji Suzuki of Suzuki Musical Instruments looking on at The NAMM Show Anaheim CA

Jon’s archive https://archive.org/details/6842261031

by Jon Hammond

Published October 26, 2015
Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics Public Access TV Program, Music, Jazz Orchestra, Big Band, Manhattan Neighborhood Network, Community Channel 1, Preview, 10/31/2015, Jon Hammond Show, #HammondOrgan #B3

Jon Hammond Show Preview 10/31 MNN TV Channel 1 Community Channel Public Access TV 28 Minute Program – “Head Phone” was written by organist Jon Hammond and Arranged by Todd Anderson – Podcast of Session with Meetinghouse Jazz Orchestra from the inner sanctum of Friends Seminary, 230 year old school K-12 on Manhattan’s East Side – Bob Rosen presiding over the Music Department. On guitar David Acker, drums Mike Campenni, Greg Ruvolo trumpet, Jim Piela saxophone, Pat Hall, Art Baron, Alfredo Marques trombones, Charles Lee alto, more names coming! ©JON HAMMOND International ASCAP http://www.HammondCast.com/ – Associated Musicians of Greater New York, Local 802 AFM – AFM Local 6 – TV Producers of Manhattan Neighborhood Network [MNN] Manhattan Neighborhood Network

David Acker (guitar) in the string section

It was really great to see both of my good friends, the Brothers – Andreas Sennheiser and Daniel Sennheiser recently, taking serious care of Sennheiser business at The NAMM Show…looking real good guys! We are very proud of you! Moving Sennheiser electronics GmbH & Co. KG (and Neumann microphones) in to the Future – Jon Hammond — at The NAMM Show.
Neumann microphones and Sennheiser microphones, wireless systems and headphones

— with Mike Campenni, Todd Anderson, Bob Rosen, Alfredo Marques, David Acker, Greg Ruvolo and Art Baron at Friends Seminary. – next segment “Pocket Funk” by Jon Hammond” The Meetinghouse Jazz Orchestra plays POCKET FUNK by Jon Hammond (organ) – Arrangement by Todd Anderson (tenor saxophone) Bob Rosen (t.s.) Presiding over the Music Program Friends Seminary School – New York NY USA – David Acker guitar, Pat Hall trombone, Alfredo Marques trombone, Jim Piela saxophone, Charles Lee saxophone, Mike Campenni drums, Greg Ruvolo trumpet, Art Baron trombone – more names coming – info: http://www.HammondCast.com ©JON HAMMOND International ASCAP – Associated Musicians of Greater New York, Local 802 AFM – TV Producers of Manhattan Neighborhood Network [MNN] – Manhattan Neighborhood Network – next: “Lydia’s Tune” by Jon Hammond – Organist Jon Hammond composed this song in Paris France after flying there aboard Air France Concorde in year 1981, played here now with Meeting House Jazz Orchestra – Arranged and Conducted by tenor saxophonist Todd Anderson. Bob Rosen (tenor) presiding over the Music Program at Friends Seminary 230 year old school on Manhattan’s East Side – Greg Ruvolo takes the flugelhorn solo, Jim Piela saxophone, Pat Hall, Art Baron, Alfredo Marques trombones, David Acker guitar, Mike Campenni drums, Charles Lee alto, more names coming! Thank you for playing my song and those listening and watching this Podcast folks! Jon Hammond ©JON HAMMOND International ASCAP http://www.HammondCast.com/
TV Producers of Manhattan Neighborhood Network [MNN] – Manhattan Neighborhood Network – Associated Musicians of Greater New York, Local 802 AFM AFM Local 6 PROFILE http://afm6.org/member-profile/jon-hammond-wheres-the-gig/ — with Alfredo Marques, Bob Rosen, Greg Ruvolo, Todd Anderson, Mike Campenni, Art Baron, David Acker, Charles Lee and AFM Local 6 at Friends Seminary. – next segment: “Have a Nice Day Blues” by Todd Anderson – Meetinghouse Jazz Orchestra In Session: Have A Nice Day Blues © Todd Anderson – Friends Seminary School New York New York – Bob Rosen presiding over the Music Department, Jon Hammond at the organ, David Acker guitar, Mike Campenni drums, trombones: Pat Hall, Art Baron, Alfredo Marques, saxophones: Bob Rosen, Jim Piela, Charles Lee, Todd Anderson, trumpet section: Greg Ruvolo *more names coming! http://www.HammondCast.com
Associated Musicians of Greater New York, Local 802 AFM

Producer Jon Hammond
Language English

Jon’s archive https://archive.org/details/JonHammondShowCableAccessPreview0829ZeughausWismarMCTV1AirTime130AM

Youtube https://youtu.be/GpYaWbSaUmg

Vimeo https://vimeo.com/137107773

by Jon Hammond

Published August 23, 2015
Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics MCTV, Cable Access TV Show, MNN Channel 1, Preview, 08/29, Jon Hammond, #JoeFranklin #HammondOrgan #MecklenburgVorpommern #Bigband

Jon Hammond Show Cable Access Preview 08/29 Zeughaus Wismar MCTV 1 air time 1:30 AM with recent performance in Mecklenburg Vorpommern with LaJazzO MV in Zeughaus Wismar, ‘Band within a Bigband’ musical history, the classic MCTV 1, 32nd year on New York Manhattan Cable TV stations, now MNN Channel 1 very special show which got written up in Billboard Magazine by Kim Freeman #Billboard #CableAccess #HammondOrgan #MecklenburgVorpommern http://www.HammondCast.com same original time slot folks – outro by the late great Joe Franklin R.I.P. – *Note every frame of this show is embedded with i.d. information and copyrighted ©JON HAMMOND International

MNN Channel 1, Public Access Program, 28 minutes, Preview, Stevie Wonder, Meetinghouse, Big Band, Jazz Orchestra, Sennheiser, Stevie Wonder, Jon Hammond, #HammondOrgan #B3 #Sk1 #Funky #Jazz

HEAD PHONE Podcast Meetinghouse Jazz Orchestra Session

October 24, 2015

*WATCH THE MOVIE HERE: HEAD PHONE Podcast Meetinghouse Jazz Orchestra Session

Jon’s archive https://archive.org/details/HEADPHONEPodcastMeetinghouseJazzOrchestraSession

by Jon Hammond

Published October 23, 2015
Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics Head Phone, Sennheiser, Superlux, Meetinghouse Jazz Orchestra, Todd Anderson, Bob Rosen, Jon Hammond, Horn Section, Funky Jazz, Friends Seminary, #HammondOrgan #HeadPhones

CNN iReport http://ireport.cnn.com/docs/DOC-1278572

Vimeo https://vimeo.com/143461502

Youtube https://youtu.be/c57WST4w-qQ

Facebook Video Vers. 2.0 Ultra HighDef HEAD PHONE Podcast Meetinghouse Jazz Orchestra + #HammondOrgan Hammond Organist Jon Hammond covering bass: https://www.facebook.com/jonhammondband/videos/1148019035226892/

“Head Phone” was written by organist Jon Hammond and Arranged by Todd Anderson – Podcast of Session with Meetinghouse Jazz Orchestra from the inner sanctum of Friends Seminary, 230 year old school K-12 on Manhattan’s East Side – Bob Rosen presiding over the Music Department. On guitar David Acker, drums Mike Campenni, Greg Ruvolo trumpet, Jim Piela saxophone, Jon Hammond organ & bass, Pat Hall, Art Baron, Alfredo Marques trombones, Charles Lee alto, more names coming! ©JON HAMMOND International ASCAP http://www.HammondCast.com – Associated Musicians of Greater New York, Local 802 AFM – AFM Local 6 – TV Producers of Manhattan Neighborhood Network [MNN] Manhattan Neighborhood Network
Published October 24, 2015
Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics Head Phone, Sennheiser, Superlux, Meetinghouse Jazz Orchestra, Todd Anderson, Bob Rosen, Jon Hammond, Horn Section, Funky Jazz, Friends Seminary, ‪#‎HammondOrgan‬ ‪#‎HeadPhones‬
Producer Jon Hammond
Language English

This is my Lucky Day folks…I just had breakfast in Manhattan with Lee Houskeeper, friends from ‘real San Francisco CA’! Lee knows everybody worth knowing and is Chief Editor San Francisco Stories – Press Agent extraordinaire! Great to see you on this side of the good ol’ US of A Lee!

Jon Hammond *Note: Folks, Lee worked with some of my all-time favorite musical and political activist heroes including the late great Phil Ochs who was a huge inspiration to me, greatly missed! *Wiki:”Kansas City Bomber” is a song by Phil Ochs, a U.S. singer-songwriter best known for the protest songs he wrote in the 1960s.
In 1972, record producer Lee Housekeeper asked Ochs to write the theme song for the film Kansas City Bomber, a film about roller derby starring Raquel Welch.[1][2] Although Ochs enjoyed watching the sport on television, composing the song proved difficult, as Ochs was suffering from writer’s block.[1][2] At last, he made a demo, on which Micky Dolenz of The Monkees sang back-up vocals.[3]
Months later, Ochs was traveling in Australia. Housekeeper told him the film’s producers liked his demo, but it was not exactly what they were looking for. Ochs decided to make a new recording of the song, backed by the Australian rock band Daddy Cool.[4][5]
Ultimately, the film’s producers chose not to use the Ochs song in the soundtrack.[6] Nevertheless, he convinced his record company, A&M Records, to release it as a single. The record sold poorly.[6]
In the only known review of “Kansas City Bomber (song)”, Record World wrote that “progressives will find this a moody change of pace.”[7] Billboard included the single in its “Also Recommended” column.[8]
In 2001, writer Mark Brend described “Kansas City Bomber” as “unremarkable”.[9] Biographer Michael Schumacher wrote in 1996 that the song “was neither an admirable work nor an embarrassment”.[10]
Many Ochs fans never heard “Kansas City Bomber” before it was included in 1988’s The War Is Over: The Best of Phil Ochs. The song was also included in the 1997 collection American Troubadour.”

Jon’s archive https://archive.org/details/LYDIASTUNEMeetinghouseJazzOrchestraPodcast

by Jon Hammond

Published October 22, 2015
Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics Lydia’s Tune, Meetinghouse Jazz Orchestra, Todd Anderson Arrangement, Hammond Organist, Jon Hammond, Friends Seminary, 230 year old school, Manhattan, Paris France, Jon Hammond, #HammondOrgan

Jon Hammond Funk Unit
https://www.namm.org/thenammshow/2016/events/jon-hammond-funk-unit-0
Artist Info
Jon
Jon Hammond
Organ / Organist Leader
Joe
Berger
guitar / guitarist
Dom
Famularo
drums / drummer
Alex
Budman
Tenor Saxophone / Saxophonist
Koei
Tanaka
Chromatic Harmonica / Master Chromatic Harmonica Player
Chuggy
Carter
Percussion / Percussionist
Genre:
Rock
Website:
http://www.jonhammondband.com
Facebook:
http://www.facebook.com/jonhammondband
Endorsed By:
Hammond Suzuki
Artist Bio:
*WATCH THE VIDEO HERE: #TheNAMMShow “White Onions” Jon Hammond Funk Unit NAMM Showcase Jon’s archive https://archive.org/details/TheNAMMShowWhiteOnionsJonHammondFunkUnitNAMMShowcase

Youtube http://youtu.be/EKavYAXYYw4

#TheNAMMShow “White Onions” Jon Hammond Funk Unit NAMM Showcase lunch set https://www.namm.org/thenammshow/2015/events/jon-hammond-funk-unit 23rd 2015 reprising 1989 Late Rent Sessions recording ©JON HAMMOND International ASCAP with special guest Bernard Purdie drums, Leslie J. Carter percussion Jon Hammond organ (original members on record) featuring Koei Tanaka chromatic harmonica from Tokyo Japan Suzuki world star, Joe Berger guitar JJ guitars, Alex Budman tenor saxophone Dom Famularo returning to the NAMM Stage – special thanks NAMM President CEO Joe Lamond, KHS Hercules folding stands – congratulations KHS America: Announces Acquisition of Hohner Inc. USA KHS America, Inc. has announced plans to acquire Hohner Inc. from Matth. Hohner GmbH in Trossingen, Germany. Hohner, Inc. is the exclusive North American provider of Hohner branded Harmonicas, Accordians, Melodicas, Guitars and Bluegrass Instruments; SONOR Drums and Orff Instruments, Lanikai and Kohala Ukuleles, H. Jimenez Guitars, Hohner Airboard, as well as Hohner Kids and Greentones children’s instrument brands. Transfer of ownership will take place today, January 12, 2015 – Jupiter Wind Instruments, XO Professional Brass, Mapex Drums, Majestic Concert Percussion, Hercules Stands and Aaltus Professional Flutes, the new KHS America Vimeo http://vimeo.com/117661543

CNN iReport http://ireport.cnn.com/docs/DOC-1208955

Jon Hammond Funk Unit Facebook https://www.facebook.com/video.php?v=10152557856517102

FOR IMMEDIATE RELEASE: Hammond Organ NAMM Extravaganza to take place Friday January 23 2015 Center Stage 12 Noon All Star Band Anaheim Convention Center

Organist Jon Hammond composed this song in Paris France after flying there aboard Air France Concorde​ in year 1981, played here now with Meeting House Jazz Orchestra – Arranged and Conducted by tenor saxophonist Todd Anderson​. Bob Rosen​ (tenor) presiding over the Music Program at Friends Seminary​ 230 year old school on Manhattan’s East Side – Greg Ruvolo​ takes the flugelhorn solo, Jim Piela saxophone, Pat Hall, Art Baron​, Alfredo Marques​ trombones, David Acker​ guitar, Mike Campenni drums, Charles Lee alto, more names coming! Thank you for playing my song and those listening and watching this Podcast folks! Jon Hammond​ ©JON HAMMOND International ASCAP http://www.HammondCast.com
TV Producers of Manhattan Neighborhood Network [MNN]​ – Manhattan Neighborhood Network​ – Associated Musicians of Greater New York, Local 802 AFM​ AFM Local 6​ PROFILE http://afm6.org/member-profile/jon-hammond-wheres-the-gig/

Producer Jon Hammond
Language English

Youtube https://youtu.be/idKeKk2v_xU

CNN iReport http://ireport.cnn.com/docs/DOC-1278353

Vimeo https://vimeo.com/143381440

Facebook Video https://www.facebook.com/jonhammondband/videos/vb.133709526657853/1147576505271145/?type=3&theater

*Photos courtesy of Elmar Lemes ©Elmar Lemes / Jon Hammond — with Jon Hammond at Friends Seminary.

Jon’s archive https://archive.org/details/FirstPlayDownOfLATERENTMeetinghouseJazzOrchestra

Topics Head Phone, Sennheiser, Superlux, Meetinghouse Jazz Orchestra, Todd Anderson, Bob Rosen, Jon Hammond, Horn Section, Funky Jazz, Friends Seminary, #HammondOrgan #HeadPhones

JOHNNY DEPP, ALICE COOPER AND JOE WALSH ROCKED NAMM

February 2, 2015

JOHNNY DEPP, ALICE COOPER AND JOE WALSH ROCKED NAMM

From Australian Musician Magazine – LINK: http://www.australianmusician.com.au/johnny-depp-alice-cooper-joe-walsh-rocked-namm/



JOHNNY DEPP, ALICE COOPER AND JOE WALSH ROCKED NAMM

depp
One of the less-covered gigs at NAMM this year was the Duesenberg party featuring Johnny Depp and friends, partly due to the “no pro camera” policy I guess. Depp has become somewhat of a regular at NAMM and last year jammed with Aerosmith. This year Alice Cooperand Joe Walsh teamed up with Depp to deliver the most rockin’ event of the trade show.
depp2
Beginning the night was Brian Ray’s band The Bayonettes, who played an hour of original and cover material. Brian has been a regular member of Paul McCartney’s band for over a decade. Next up was Johnny Depp himself, together with some old friends bassist Bruce Witkin and guitarist Joey Malone, and yet another member of Paul McCartney’s band, resident drummer Abe Laborial Jr. The band was introduced as the “No Name Band”, probably because they are a loose bunch of players and not a serious project. The boys played two original songs before introducing legendary musician Joe Walsh who sat in for the rest of their set. Together the band performed Funk 49, Rocky Mountain Way, Walk Away and a cover of Search And Destroy. Not to be outdone, Alice joined the core band for a swift and merciless run through of true rock n roll classics – Brown Sugar, Revolution, I’m Eighteen, School’s Out, Come Together and My Generation.
deppguitar

The guitar played by Depp auctioned for charity. Pic by Jon Hammond
Two charities benefitted from the night’s gig via the auction of a Duesenberg guitar signed by the artists on the night. One of those charities is a foundation which was founded by Italian master chef Bruno Serato. Bruno feeds around 1,200 hungry impoverished children every day with Pasta via his charity called “Caterina’s Club”. The other charity is Alice Cooper’s Solid Rock Teen Center, saving kids one guitar at a time from going into gang life.
Internationally renown Hammond organ player and friend to Australian Musician, Jon Hammond captured some footage of the night. You can watch it here.
There are also some photos courtesy of Jon and also by Kyler Clark, @CerealKyler from Alice Cooper’s website
Learn more about Jon Hammond here

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*WATCH THE VIDEO HERE: Johnny Depp And Friends Alice Cooper Imperial Ball sponsored by Sennheiser

Jon’s archive https://archive.org/details/JohnnyDeppAndFriendsAliceCooperImperialBall

Jon’s archive https://archive.org/details/TheNAMMShowWhiteOnionsJonHammondFunkUnitNAMMShowcase

Youtube http://youtu.be/EKavYAXYYw4

‪#‎TheNAMMShow‬ “White Onions” Jon Hammond Funk Unit NAMM Showcase lunch set https://www.namm.org/thenammshow/2015/events/jon-hammond-funk-unit
23rd 2015 reprising 1989 Late Rent Sessions recording ©JON HAMMOND International ASCAP with special guest Bernard Purdie drums, Leslie J. Carter percussion Jon Hammond organ (original members on record) featuring Koei Tanaka chromatic harmonica from Tokyo Japan Suzuki world star, Joe Berger guitar JJ guitars, Alex Budman tenor saxophone Dom Famularo returning to the NAMM Stage – special thanks NAMM President CEO Joe Lamond, KHS Hercules folding stands – congratulations KHS America: Announces Acquisition of Hohner Inc. USA

Vimeo http://vimeo.com/117661543

CNN iReport http://ireport.cnn.com/docs/DOC-1208955

Jon Hammond Funk Unit Facebook https://www.facebook.com/video.php?v=10152557856517102

duesenberg, johnny depp, jon hammond, namm 2015, Joe Walsh, Alice Cooper, Servite, Caterina’s Club