Posts Tagged ‘Sk1’

Mothertone Mother Of All Hangs First Night POCKET FUNK

July 21, 2017

#WATCHMOVIE HERE: Mothertone Mother Of All Hangs First Night POCKET FUNK

Jon’s archive https://archive.org/details/MothertoneMotherOfAllHangsFirstNightPOCKETFUNK

Youtube https://youtu.be/y-qMlMsQnMI


Publication date 2017-07-20
Language English
Mothertone Mother of All Hangs first night POCKET FUNK – Jon Hammond BandJoe Berger guitar, Chuggy Carter percussion, Kayleigh Moyer drums, Jon Hammond organ – MC: Apolonia Davalos – special thanks Michael Turner for having us back for 3rd annual Mothertone event during Summer NAMM Show Nashville “Mother of All Hangs” in Big Shotz Nashville, and Dawn Moyer – Dawn can out-hang us all! All the Mothertone Artists, more videos coming! Mix by Skylar Leigh Duval – Jon Hammond — ‘Mother of all Hangs’ SummerNAMM ’17
Public · Hosted by Mothertone EVENT https://www.facebook.com/events/117740542147224/?active_tab=about #Mothertone #ApoloniaDavalos #BigShotzNashville #SummerNAMM #NAMMShow #Funk #SleishmanDrums 

Mother of All Hangs, Big Shotz Nashville Party, Hammond Organ, Sk1, Kayleigh Moyer, Sleishman drums, Summer NAMM, NAMM Show, Michael Turner, Funky, Nashville Tennessee #Mothertone #HammondOrgan

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Tokyo Big Sight: Hammond B3 of The Future XK-5 Made Daily Appearances Suzuki Musical Instruments

March 7, 2017

Tokyo Big Sight: Hammond B3 of The Future XK-5 Made Daily Appearances Suzuki Musical Instruments

Jon Hammond Organ Demo Hammond B3 of The Future XK-5 as seen at Tokyo Big Sight Japan Musical Instruments Fair

#WATCHMOVIE HERE: Jon Hammond Show Preview 11 26 From Tokyo Japan Funk Soul Music New XK-5 Hammond Organ And B3

Jon’s archive https://archive.org/details/JonHammondShowPreview1126FromTokyoJapanFunkSoulMusicNewXK5HammondOrganAndB3

Youtube https://youtu.be/uY7y-uLol2o

Facebook video https://www.facebook.com/hammondcast/videos/10153902968662102/

Tokyo Japan — Jon Hammond Broadcast for MNN TV Cable Access, 34th year Friday nights at 01:30AM (Sat.) Channel 1 – first segment
from Tokyo Big Sight Japan — Very special dedication at Musical Instruments Fair Japan Second Day to my good friend Waichiro Tachikawa aka Tachi – reprising 10 years later Mercy Mercy with the great Suzuki Chromatic harmonica masters Koei Tanaka and Tokuichi Inoue (Stevie Wonder’s friends and harmonica makers!), Joe Berger playing custom guitar built by Tor Arne Engdal and Jon Hammond at the exciting new Hammond organ product, the XK-5 aka XK5 presented in the full blown version Heritage Pro System with high power model 3300 Leslie Speaker daily onstage in the Suzuki Musical Instruments stand – enjoy this Full High Definition Film that will bring you right there to the bi-annual fair in the Big Sight convention and exhibition center in Tokyo, Japan – the largest one in the country! See you again in 2018 folks! These instruments are available now from your local Hammond Suzuki representitives – Jon Hammond
*Note: We will also be appearing at Winter NAMM Show, Frankfurt musikmesse Prolight + Sound and Summer NAMM Show 31st year – this is the New B3 of the Future, now! “The New Original” – JH
Jon Hammond is playing the New Hammond XK-5 Organ product from Suzuki Musical Instruments with “Modelled Tone Wheel 1” (MTW1)
Tone Generator. MTW™ (Modeled Tone Wheels)
Second segment: Japan Music Fair LIVE Get Back in The Groove XK5 featuring Koei Tanaka and Joe Berger plus special guest Tokuichi Inoue chromatic Harmonica Masters from Suzuki Musical Instruments – Jon Hammond is playing the new XK-5 Hammond organ and high power Leslie Speaker, the new standard in Hammond B3 digital organ, best modern Hammond organ in history, enjoy! Jon Hammond photo Steve aka Shunichi Horiuchi!

Third segment: Shinjuku-ku, Tokyo — LATE RENT Theme Song in famous Hammond orgasm​ #Hammondorgasm Rock Club Tokyo Japan – Hammond B3 organ lounge where the late great Keith Emerson used to hang out – MUSICIANS: KOEI TANAKA harmonica, – Koei Tanaka​ JOE BERGER guitar, – Joe Berger​ KIMIAKI TOBE drums, – Kimiaki Tobe​ JON HAMMOND B3 organ – Jon Hammond


Special thanks: George Massahillo Oya​ & Atsuko Oya​ – Hammond orgasm Team – Shinjuku Tokyo – “Shinjuku is a special ward in Tokyo, Japan. It is a major commercial and administrative centre, housing the busiest railway station in the world and the Tokyo Metropolitan Government Building,”
Producer: Jon Hammond ©JON HAMMOND Intl.
http://www.HammondCast.com

Producer Jon Hammond
Language English

Announcing Special Guest Lee Oskar for big Center Stage at musikmesse First Day 1 PM on Jon Hammond AllStar Band

Folks, I’m happy to announce that our friend Lee Oskar will be joining us onstage on the big Center Stage at musikmesse first day Wednesday April 5th with Joe Berger, Peter Klohmann Giovanni Totò Gulino! See you there, my 31st consecutive year – Jon Hammond
*Showtime: High Noon 1PM!

http://jonhammondband.com/blog.html/jon_hammond_all_star_band_at_the_musikmesse_2017_center_stage_wednesday_april_5_at_12_noon/

Jon’s archive https://archive.org/details/WhiteOnionsInstrumentalWithSpecialGuestLeeOskar

Youtube http://youtu.be/zy8OSck8_TA

Jon Hammond Band original “White Onions” with special guest Lee Oskar harmonica – Jon’s annual musikmesse Warm Up Party in the famous Jazzkeller Frankfurt – Joe Berger on guitar playing his custom JJ Guitars, Tony Lakatos tenor saxophone by PMauriat Saxophones Pmauriat Albest, Giovanni Totò Gulino drums, Jon Hammond at the organ ©JON HAMMOND International ASCAP

Hammond B3 Of The Future XK5 Slated to Make Daily Appearances Jon Hammond Organ Group Winter NAMM Musikmesse ProLight + Sound

B3 of The Future, XK-5 Slated Appearances, #JonHammond #NAMM #Musikmesse #HammondOrgan #XK5

Cookin’ At The Arcada Theatre Jon Hammond Band Playing Benefit For Gregg Gronowski Family On Sound Soul Summit Hammond Extravaganza

Jon’s archive https://archive.org/details/CookinAtTheArcadaTheatreJonHammondBandPlayingBenefitForGreggGronowskiFamilyOnSou

Sending it straight up to Gregg — St. Charles, Illinois

— Cookin’ at The Arcada Theatre Jon Hammond Band Playing Benefit for Gregg Gronowski Family on Sound Soul Summit Hammond Extravaganza
Gig for Gregg Gregory Gronowski – Remarks about Gregg from Jon Hammond and “Cookin’ at The Arcada Theatre” – tenor saxophonist Steve Eisen, Samuel Jewell drums, Joe Berger guitar, Jon Hammond at the Hammond XK-5 Hammond Organ – dedicated to the Gronowski Family – Thanks Ron Onesti Onesti Entertainment for this beautiful venue and Team – we mourn the passing of Gregg Gronowski on Friday, August 19th 2016 and celebrate his life in music! Jon Hammond

Hammond choking back the tears – mourning a friend

Joe Berger ripping a solo for Gregg

Cookin’ at The Arcada Theatre – Jon Hammond

Group Shot — St. Charles, Illinois Hammond Extravaganza #HammondExtravaganza Arcada Theatre

St. Charles, Illinois — Cookin’ at The Arcada Theatre Jon Hammond Band Playing Benefit for Gregg Gronowski Family on Sound Soul Summit Hammond Extravaganza

Gig for Gregg Gregory Gronowski — with Gregory Gronowski and Hammond Organ USA at Arcada Theatre

Jon Hammond and Gregg Gregory Gronowski

Incredible Program Hammond Extravaganza #HammondExtravaganza #GreggGronowski

Jon Hammond shaking Steven Eisen’s hand after performance – mahzel tov Steve! Beautiful player!! Steve Eisen tenor saxophone of Chicago IL

Youtube https://youtu.be/QgNXszsRpaY

Vimeo https://vimeo.com/205695306

Facebook video https://www.facebook.com/hammondcast/videos/10154156719462102/

Cookin’ at The Arcada Theatre Jon Hammond Band Playing Benefit for Gregg Gronowski Family at Arcada Theatre
from Jon Hammond 1 hour ago

Cookin’, Blues, Mourning a friend, Arcada Theatre, Hammond Organ, Leslie Speaker model 3300W, St. Charles Illinois

Next Stop: Frankfurt Germany!

L to R Jon Hammond, Lee Oskar, Joe Berger – Frankfurt musikmesse ProLight + Sound

Musikmesse ProLight + Sound, B3 of the Future, Sk1, #XK5 #Harmonica #Blues #Jazz #HammondOrgans #NAMM #Musikmesse #Frankfurt

Party Celebrating 30 Years Musikmesse Warm Up in Famous Jazzkeller Massive Chocolate Cake

September 23, 2016

#WATCHMOVIE HERE: Party Celebrating 30 Years Musikmesse Warm Up in Famous Jazzkeller Massive Chocolate Cake

Jon’s archive https://archive.org/details/JonHammondBand2ndSetAfterBirthdayCakeBreak

Views
45
#45

Youtube https://youtu.be/o2–TIC-frk

24 views
#24

Usage Attribution-Noncommercial-No Derivative Works 3.0
Jazzkeller, Frankfurt, Musikmesse, Warm Up Party, Hammond Organ, Jon Hammond Band, Jazz, Blues

Note from Jon Hammond
Video: Tino Pavlis​
https://www.facebook.com/notes/jon-hammond-band/best-party-of-the-year-jon-hammonds-annual-musikmesse-warm-up-party-in-jazzkelle/1107482975950736
Best Party of The Year! Jon Hammond’s annual musikmesse​ Warm Up Party in Jazzkeller​ Tuesday April 5th 2016 celebrating 30 years
Jon Hammond​ – organ Joe Berger​ – guitar Peter Klohmann​ – saxophone Giovanni Totò Gulino​ – drums Mr. Hammond has toured worldwide since 1991 using the incredible Sk1 organ by Hammond Suzuki..™ “Classic Hammond Sound…In A Suitcase!” The Jon Hammond Show is a funky swinging instrumental revue, featuring top international soloists. The show has universal appeal. Big Hammond orgel sound – 100% organic – Jon’s birthday cake by Saray Pastanesi​ Jon Hammond Band​

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Producer Jon Hammond
Language English

Bringing Back Sony Tape Recorder Audio Transfer Project Jon Hammond rock band Hades 1971 recordings Archive at CHRS

Radio Clinic at California Historical Radio Society, Elmo disassembles Jon Hammond’s TC-366 tape deck on the bench from Kozo Ohsone Sony Tape Recorder

Division to play back 40 year old archive recording Berkeley El Cerrito based band HADES recorded live at Provo Park in Berkeley and at rehearsal garage

on Carlson Blvd. Richmond recorded on a TC-366 sound on sound reel to reel tape deck, here is the machine on the bench with Elmo:

Elmo discussing remedy for glazed pinch roller with radio engineer Art Lieberman:

AMPEX 354 Tape Deck in KRE dubbing studio:

CHRS President Steve Kushman at the GATES Audio Board transferring from Analog to Digital:

Sony TC-366 project machine:

http://www.archive.org/details/HammondCast_19_1

HammondCast 19 starts out in Frankfurt Germany recording in AFN Europe Headquarters on one big tube microphone featuring Hungarian tenor saxophone star TONY LAKATOS, now a member of the HR Radio Big Band. And a slow rainy day Blues featuring guitarist JOE BERGER and RAY GRAPPONE drums, Jon on the XB-2 organ/bass. Also a 35 year-old recording of my old rock band HADES and a shout out to the bass player STEVE WRIGHT who is recuperating from a stroke and heart attack but is now starting to speak again, get better Steve! From there to 1995 recording in LE BAR BAT NYC playing Jon’s tune “Pocket Funk”. A song I recorded with Eddie Money that is close to Eddie’s heart: “I’ve Been Lovin’ You Too Long” for all the Eddie Money freaks out there. I just saw Eddie in NY and he’s doin’ fine, still touring in a city near you! And finally ending up back in AFN Europe Headquarters playing Jon Hammond’s theme song: “LATE RENT”, dedicated to YOU of KYOU the your Rent will never be Late! http://www.HammondCast.com

HADES R to L: Steve Wright bass vocals, Jimmy Thorsen guitar vocals, Dave Danza drums, Jon Hammond organ electric piano

Earlier version of Hades Blues Works L to R: Jim Thorsen, Jon Hammond Greg Boykin drums R.I.P. Eddie Sanchez, Steve Wright picture outside Carlson Blvd. Richmond rehearsal space, Jerry Figone was manager at that time, road crew – Kent & Gary Leone:

http://blip.tv/scripts/pokkariPlayer.js?ver=d0f9134 http://blip.tv/syndication/write_player?skin=js&posts_id=5313804&source=3&autoplay=true&file_type=flv&player_width=&player_height=

Sk1 James and Wes Blues Jon Hammond Band Jon Hammond on Hammond Sk1 World’s First Road Test of ultra-portable Hammond Sk1 with Jon Hammond Band in Germany at Jon’s annual Musikmesse-Session in Jazzkeller Hofheim April 8, 2011 Special Thanks Suzuki Musical Instruments, Ken Atsumi, Waichiro ‘Tachi’ Tachikawa, Hiromitsu Ono, Yu Beniya, Shigeyuki Ohtaka, Shuji Suzuki, Bernie Capicchiano, Malc Deakin Hammond Suzuki UK Europe, Michael Falkenstein Hammond Suzuki Germany, camera: Jennifer Joe Berger guitar, Giovanni Gulino drums, Peter Klohmann tenor sax, Jon Hammond Sk1 Hammond Stage Keyboard http://www.jonhammondband.com Sk1 Sk2 Hammond Suzuki Musikmesse Blues Organ Hofheim Hamamatsu Japan Category: Music Tags: Sk1 Sk2 Hammond Suzuki Musikmesse Blues Organ Hofheim Hamamatsu Japan

*WATCH THE VIDEO: Sk1 James and Wes Blues Jon Hammond Band

http://www.archive.org/details/JonHammondSk1JamesandWesBluesJonHammondBand/

http://www.youtube.com/watch?v=o8tItPfKVOQ

Jon’s archive https://archive.org/details/HammondPartyNightPocketFunkShakingOutTheNewXK5OrganInNashville

Vimeo https://vimeo.com/hammondcast

Jon Hammond Band at the Hammond Party for the new XK-5 Hammond organ, playing Jon’s tune Pocket Funk in Full HighDef on the new prototype organ with Kayleigh Moyer on the Sleishman Drum Co Mothertone drums, Chuggy Carter congas GON BOPS, Joe Berger guitar, Jon Hammond at the XK5 (plays just like a B3 with Multi Contact keys!)

first night of Summer NAMM Show Nashville, Tennessee at the famous studios of SoundCheck Nashville- Pocket Funk as seen on Jon’s TV show Jon Hammond Show 34 years on Manhattan Neighborhood Network channel 1 – special thanks to Hammond Organ USA Gregory Gronowski & Scott May, Ray Gerlich long-time Hammond Technical Supervisor since 1976! also Mark Prentice M.D. for the evening, known as “Sound Soul Summit V” fine players all night long on the new org – Thanks to my friend Chuck Rainey the great studio bassist for coming and hanging with us all night long! And the Suzuki Musical Instruments Team makers of Hammond Organs and Leslie Speakers *from Hamamatsu-shi, Shizuoka, Japan http://www.HammondCast.com ‪#‎XK5‬ ‪#‎NAMMShow‬ ‪#‎Nashville‬ ‪#‎SummerNAMM‬ ‪#‎HammondOrgan‬

Producer Jon Hammond
Language English

Youtube https://youtu.be/Ng5WijIR7h8

Facebook video https://www.facebook.com/hammondcast/videos/10153597145217102/

Jon’s archive https://archive.org/details/JonHammondShowPreview0709

FaceBook Video https://www.facebook.com/hammondcast/videos/10153555094272102/

‪NAMM Show, Summer NAMM, Hammond Organ, XK-5 Hammond, Funk Band, Kayleigh Moyer, drums, SoundCheck Nashville, Hammond Organ USA #‎SummerNAMM‬ ‪#‎NAMMShow‬ ‪#‎HammondOrgan‬ #XK5

L to R Jon Hammond, Kayleigh Moyer, Frank Alkyer, Joe Berger – Summer NAMM Show Nashville

Pocket Funk!

Jon’s archive https://archive.org/details/2PMKickOffNissanStageSummerNAMMShow

Famous Jazzkeller, 30 Year Celebration, Sk1, XK5, Jon Hammond, #Musikmesse #NAMM #ChocolateCake #Jazzkeller #HammondOrgan

Yachtklub Life Czechoslovakian Salsa Song by Jon Hammond Band

April 14, 2016

*WATCH THE FILM HERE: Yachtklub Life Czechoslovakian Salsa Song

Jon’s archive https://archive.org/details/YachtklubLifeCzechoslovakianSalsaSong

by Jon Hammond

Published April 13, 2016
Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics Yachtklub, Hans Romanov, Frankfurt, Jon Hammond, Hammond Organ, Jj Guitars, Electro-Voice Speakers, Funky Jazz

Hans Romanov​ Presents: Jon Hammond Band Funk Sesion in Yachtklub​ Life “Czechoslovakian Salsa Song” by Jon Hammond – *Note: The Lutz Büchner Memorial Candle is burning onstage between Peter and Jon: video: Tino Pavlis​ – Joe Berger​ guitar, Peter Klohmann​ tenor sax, Giovanni Totò Gulino​ drums, Jon Hammond​ at the Hammond Sk1 organ – Audio: Johannes Napp​, Silvio Cappucci​ http://www.HammondCast.com/

Facebook Video https://www.facebook.com/jonhammondband/videos/1262080913820703/

Producer Jon Hammond
Language English

Vimeo https://vimeo.com/162798727

Youtube https://youtu.be/TuyjI5e92G0

Jon Hammond Alpha Experimentál

Jon Hammond with New Hammond XK-5 Top Secret Flexi-B at Frankfurt Musikmesse – Suzuki Musical Instruments Team

Hammond Flexi-B Top Secret Organ
with 9 contact keyboards! – Jon Hammond at musikmesse with Suzuki Musical Instruments Prototype Debut

Jon’s archive https://archive.org/details/MichaelFalkensteinAndJonHammondMusikmesse

Jon’s archive https://archive.org/details/TopSecretHeadPhoneLiveInJazzkeller

Youtube https://youtu.be/VF7WXWHv1a4

Jon Hammond Band​ getting funky with Head Phone Live in Jazzkeller​ – Jon’s annual musikmesse​ Warm Up Party

Suzuki “The Name You Know” – Jon Hammond: L to R Shigeyuki Ohtaka, Masato Tomie (Suzuki Engineer / Guitarist of Black Market Band), Kiyota Yamauchi – Suzuki Musical Instruments

Frankfurt Magic Bus – VW Love Bus Green – Jon Hammond

Jon Hammond with Jan Kok – Hammond Europe

Jon Hammond with Alex Mingmann Hsieh – pmauriat Albest aka P.Mauriat saxophones trumpets of Taipei Taiwan

Go For The Sound – David and Eric P.Mauriat Music Team

Jon Hammond, Lee Oskar, Joe Berger

Jon Hammond, Roby Lakatos, Tony Lakatos, Joe Berger – Musikmesse 2016

Jon Hammond with Mrs. Suzuki

L to R Michael Falkenstein Hammond Germany, Bernie Capicchiano Bernies Music Land, Barrie Freeman Hammond Europe, Jon Hammond USA at han Mei Leng’s Selera Malaysian Restaurant Frankfurt am Main

Yücel Atiker and Hans Romanov Yachtklub Life – Jon Hammond

Jon Hammond – Yachtklub Life

Yachtklub, Hans Romanov, Jon Hammond, Top Secret Organ, XK-5, Flexi-B, Sk1, #Frankfurt #HammondOrgan #CNNiReport

Head Phone Newessbar Hamburg Jon Hammond Band Jon’s Journal

November 12, 2015

*WATCH THE MOVIE HERE: Head Phone Newessbar Hamburg Jon Hammond Band

Jon’s archive https://archive.org/details/HeadPhoneNewessbarHamburgJonHammondBand

by Jon Hammond
Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics Newessbar, Lutz Büchner, Heinz Lichius, Head Phone, Hamburg, Hammond, Funky, Joe Berger, Sk1, Organ

Jon Hammond Band in Hamburg at Newessbar performing funky original composition “Head Phone”
Lutz Büchner tenor sax
Heinz Lichius drums
Joe Berger guitar
Jon Hammond Sk1 Hammond organ and bass
Special thanks Roman Kumutat sound engineer, Olaf Gödecke, Knut Benzner NDR Radio, Jens Borgmann and Sabine Borgmann Route 66 Hamburg *see Jon’s T-Shirt http://www.HammondCast.com

Run time 11 minutes 7 seconds
Producer Jon Hammond
Audio/Visual sound

Jon Hammond framed by Alex Foster’s tenor saxophone on the gig at Mikell’s – 760 Columbus Avenue New York City

Youtube http://youtu.be/B5WTysuxjn8
*Note: This is a Must See for Fans of Bernard Purdie and Fans of The Jon Hammond Show TV Show!
The original Jon Hammond and The Late Rent Session Men as seen on MCTV MNN TV The Jon Hammond Show now in 27th year:
This classic film Jazz Funk Movie from August 28, 1989 shot at the legendary Mikell’s in New York City at Columbus & W.97th St. of JON HAMMOND Band playing first time with the great studio drummer Bernard Purdie Fatback drums along with Alex Foster on sax, Chuggy Carter percussion, Barry Finnerty guitar and Jon Hammond at his mint 1959 Hammond B3 Organ (& bass). Playing Jon’s funky composition: “Pocket Funk” featuring this fine rhythm section. This film SMOKES! Musicians playing FOR Musicians..in the house was Hugh Masakela all night long. Mikell’s was the traditional Hang for NY Studio Musicians. Enjoy!
Camera: Joe Berger – Panasonic PV-430

This radio has kept me company on many a lonely night – the last Zenith Trans-Oceanic made in year 1981, 12 Band – Jon Hammond

http://en.wikipedia.org/wiki/Trans-Oceanic
The Trans-Oceanic (abbreviated T/O) was the name given to a series of portable radios produced from 1942 to 1981 by Zenith Radio. They were characterised by their heavy-duty, high-quality construction and their performance as shortwave receivers
Zenith’s founder, Commander Eugene F. McDonald, was a great admirer of advanced technological development and believed that his company’s products should include the latest, most practical advances in a well-built product that continued to enhance the company’s reputation. Of the many products of Zenith Radio, the ‘Trans-Oceanic’ series of portable radios were amongst the most famous.
McDonald was a keen yachtsman and outdoorsman and wished for a portable radio that would provide entertainment broadcasts as well as being able to tune into weather, marine and international shortwave stations too. He asked his company’s engineers to develop prototypes to meet his criteria and by 1940 they had concept sets that were ready for production.
The Zenith ‘T/O’ began life in 1942 as the Model 7G605 ‘Trans-ocean Clipper’. Priced at $75, it was released in January but ceased production in April as Zenith shifted their production to war-related equipment. During this short production run, some 35,000 units were produced and sales data showed that many were sold to customers in the ‘above average’ income group. However, many also found their way into various theatres of war and in to the hands of appreciative servicemen—demand for a resumption of production at war’s end was kept high.
The T/O was a dual-powered radio receiver; it could operate from electrical service AC or DC and via a pair of “A” and “B” dry cell batteries for portability. The batteries are obsolete but the early T/O models live on either due to the ability to use mains line power to operate or by enthusiasts who fabricate a battery supply from modern cells (six “D” cells for the filaments and either ten 9-volt or sixty “AA” cells for the plates). Also notable was the lack of a vacuum tube or valve as a rectifier. Zenith used a selenium rectifier in the T/O. Inserting the power plug into a socket on the chassis or the side of the radio (depending on model) switched the T/O to battery operation.
The first post-war T/O was the 8G005Y, designed by Robert Davol Budlong, an industrial design consultant responsible for many of the Zenith radio products. Priced at $125, it was in production from 1946 to 1949. This was replaced in December 1949 by the G500—a ‘changeover’ model that had updated electronics but the same appearance. The G500 held its price at less than $100 until it was withdrawn in mid-1951.
The H500 ‘Super Trans-Oceanic’ was introduced in May 1951 at an initial price of $99.95. It had a redesigned front face and incorporated many frequency coverage and electronic changes ordered by McDonald. There also was a small production run of “militarized” Trans-Oceanic’s, ordered by the U.S. government.
After 1953, there was competition to the Trans-Oceanic from both Hallicrafters, with their ‘Trans-World’ series sets, and RCA, with their ‘Strato-World’ models.
In the spring of 1954, the 600 series was introduced with its ‘slide-rule’ type dial and a mains supply cord which coils inside the set on a spring-loaded reel. This model stayed in production, with minor changes, until the end of the T/O tube era in 1962.
During the tube or valve T/O model run, this receiver did not include an 88-108 MHz FM radio band.
Eugene McDonald died in 1958, but he was personally involved in the design changes to ‘his’ radio to the very end. In November 1957, Zenith introduced the all-new, nine transistor solid state Trans-Oceanic. The older tube-based Trans-Oceanic was continued in production until 1962…

Bicycle Boy – circa 1982

– Jon Hammond New York NY – yes and for short time I was a bicycle messenger, until the dispatcher wanted to dispatch me to Brooklyn on the hottest day in history, then I quit – JH

We are in London England here with Gregg Parker and another cat — Jon Hammond and Joe Berger

at London/England

Vers. 1.1 Full HD – Jon Hammond Session Taipei Jazz Spot Swing

https://www.facebook.com/hammondcast/videos/10153106728327102/

– Kenichi Toyoda – p – Jon Hammond o – Taipei Taiwan Jazz Spot Swing Club in Taipei

I agreed to hold the stupid sign

– 10 years I’ve been going to this show, I’ll be back in Hollywood CA April 28th – 30th, 2016 for ASCAP’s ASCAP “I Create Music” EXPO – Jon Hammond — in West Hollywood, California

“Early Bird Gets the Worm…2nd Mouse Gets The Latté!”™ ©JON HAMMOND International

– Starbucks At Taipei Taoyaun International Airport , Taipei, Taiwan – Jon Hammond — at Starbucks At Taipei Taoyaun International Airport

Jon’s archive https://archive.org/details/LYDIASTUNEMeetinghouseJazzOrchestraPodcast

by Jon Hammond

Published October 22, 2015
Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics Lydia’s Tune, Meetinghouse Jazz Orchestra, Todd Anderson Arrangement, Hammond Organist, Jon Hammond, Friends Seminary, 230 year old school, Manhattan, Paris France, Jon Hammond, #HammondOrgan

Organist Jon Hammond composed this song in Paris France after flying there aboard Air France Concorde​ in year 1981, played here now with Meeting House Jazz Orchestra – Arranged and Conducted by tenor saxophonist Todd Anderson​. Bob Rosen​ (tenor) presiding over the Music Program at Friends Seminary​ 230 year old school on Manhattan’s East Side – Greg Ruvolo​ takes the flugelhorn solo, Jim Piela saxophone, Pat Hall, Art Baron​, Alfredo Marques​ trombones, David Acker​ guitar, Mike Campenni drums, Charles Lee alto, more names coming! Thank you for playing my song and those listening and watching this Podcast folks! Jon Hammond​ ©JON HAMMOND International ASCAP http://www.HammondCast.com
TV Producers of Manhattan Neighborhood Network [MNN]​ – Manhattan Neighborhood Network​ – Associated Musicians of Greater New York, Local 802 AFM​ AFM Local 6​ PROFILE http://afm6.org/member-profile/jon-hammond-wheres-the-gig/

Producer Jon Hammond
Language English

Youtube https://youtu.be/idKeKk2v_xU

CNN iReport http://ireport.cnn.com/docs/DOC-1278353

Vimeo https://vimeo.com/143381440

Facebook Video https://www.facebook.com/jonhammondband/videos/vb.133709526657853/1147576505271145/?type=3&theater

*Photos courtesy of Elmar Lemes ©Elmar Lemes / Jon Hammond — with Jon Hammond at Friends Seminary.

Jon’s archive https://archive.org/details/FirstPlayDownOfLATERENTMeetinghouseJazzOrchestra

Jon’s Journal, Hamburg Altona, Funky Head Phone, Midnight Show, Sk1, Lutz Büchner, Heinz Lichius, Joe Berger, Jon Hammond, #Headphones #HammondOrgan #Newessbar

Tino’s Hammond Organ 80th Anniversary Film Documentary Trailer

August 14, 2015

*WATCH THE FILM HERE: Tino’s Hammond Organ 80th Anniversary Film Documentary Trailer

Jon’s archive https://archive.org/details/TinosHammondOrgan80thAnniversaryFilmDocumentaryTrailer

CNN iReport http://ireport.cnn.com/docs/DOC-1263982

Youtube https://youtu.be/2AX5CRnBWkA

Producer Tino’s Hammond Organ 80th Anniversary Film Documentary Trailer: Tino Pavlis – by Jon Hammond

Published August 13, 2015
Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics Hammond Organs, 80th Anniversary Hammond Organ, Tino Pavlis, Producer, Co-Producer, Joe Berger, Jon Hammond, NAMM Show, musikmesse, Suzuki Musical Instruments, Hamamatsu, B3, New B3mk2, Sk1, #HammondOrgan #80thAnniversary

Tino’s Hammond Organ 80th Anniversary Film Documentary Trailer with cameo appearances Michael Falkenstein, Joe Berger, Jon Hammond, Shuji Suzuki and Suzuki Musical Instuments Hammond Organ Team, Bernie Capicchiano Bernies Music Land Australia Hammond Distributor, Jon Hammond’s annual musikmesse Warm Up Party in world famous historic jazzkeller Frankfurt – Outro music “Organ Meets Bigband” Jon Hammond with Landesjugendjazzorchester LaJazzO MV orchestra – Director/Producer: Tino Pavlis, co-producer Joe Berger http://www.HammondCast.com

Producer Jon Hammond
Language English

Jon’s archive https://archive.org/details/OrganMeetsBigbandRostockKlostergarten

by Jon Hammond

Published August 8, 2015
Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics LaJazzO MV, Organ Meets Bigband, Klostergarten, Rostock, Jazz Orchestra, Jimmy Smith, Steve Gray, Michael Leuschner, Landesjugendorchester Mecklenburg-Vorpommern, #HammondOrgan #Jazz #Blues

„Organ meets Bigband“ das LaJJazzO M-V LandesJugendJazzOrchester Mecklenburg-Vorpommern https://www.facebook.com/events/846845685410695/ Am 01.08.2015 ist das Landesjugendjazzorchester Mecklenburg-Vorpommern (LaJazzO MV) mit seinem diesjährigen Solisten Jon Hammond wieder im Klostergarten Rostock zu Gast. Covering Jimmy Smith’s Back at The Chicken Shack and The Sermon – Nachdem sich in den vergangenen Jahren das LaJazzO MV mit den in der Big Band vorkommenden Instrumenten musikalisch auseinandersetzte, wird in 2015 die Jazzorgel musikalisch thematisiert werden. Unter dem Titel “Organ meets Big Band” wird dieses sehr traditionsreiche Instrument der Jazzgeschichte in den Mittelpunkt der Konzertreihe im folgenden Jahr gestellt. Als Jazzinstrument wurde es von Fats Waller in den 30er Jahren eingeführt und hatte seine Hochzeit in den 50er Jahren durch seine Vertreter wie Jimmy Smith. Der international renommierte New Yorker Jazzorganist Jon Hammond wird zusammen mit dem LaJazzO MV unter der Leitung von Michael Leuschner den besonderen Charme dieses Instrumentes wieder zum Leben erwecken. Im Programm sind unter anderem Titel von Jimmy Smith, arrangiert von Steve Gray – eine Leihgabe aus dem Archiv der NDR-Bigband.

Jon Hammond studierte in den siebziger Jahren am Berklee College of Music und am City College San Francisco. Konzertreisen führten ihn quer durch die Vereinigten Staaten und Kanada. In seiner eigenen ‘Jon Hammond Show’ spielte er mit Musikern wie Dizzy Gillespie, Paul Butterfield, Jaco Pastorius, John Entwistle, Sammy Davis Jr., Percy Sledge und vielen anderen. Auch in Europa fand und findet seine Musik unverändert viele Anhänger. Die Medien berichten wiederholt von einem unverwechselbaren und prägenden Sound. Jon Hammond hat u.a. auf der 20. Frankfurter Musikmesse mitgewirkt und tritt vornehmlich in Hamburg auf. “The Jon Hammond Show” is a funky, swinging Jazz instrumental revue, featuring notable international soloists and reflecting the influences of Miles Davis, The Crusaders and Jimmy Smith.
http://www.HammondCast.com
Programm: “Organ meets Bigband”
Leitung: Michael Leuschner
Samstag, d. 01.08.2015, 20:30 Klostergarten Rostock

Producer Jon Hammond
Language English

Facebook video https://www.facebook.com/jonhammondband/videos/vb.133709526657853/1105371389491657/?type=3&theater

Youtube https://youtu.be/gX-6UczeyII

Vimeo https://vimeo.com/135785907

CNN iReport http://ireport.cnn.com/docs/DOC-1262828

Leader Michael Leuschner and Jon Hammond with the famous poster for “Organ Meets Bigband” – NDR Jazz archives special arrangements of Steve Gray come back to life here:

Jon’s archive https://archive.org/details/MNNCh.1BroadcastOnPublicAccessTVJonHammondShow

Youtube https://youtu.be/zw2VOfpHEJ8

Published July 24, 2015
Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics Broadcasting, Public Access, Cable Access, MCTV, Manhattan Neighborhood network, #HammondOrgan Dave Van Ronk, Michael Brecker #MichaelBrecker #BarryFinnerty #musikmesse Alan Pasqua

The Tubes – Band Tonight in Bremen Germany ladies and gentlemen! – Coffee Time with The Tubes’ Rick Anderson and Prairie Prince – Jon Hammond
https://en.wikipedia.org/wiki/The_Tubes
L to R Rick Andrson, Jon Hammond, Prairie Prince
Wiki:
The Tubes is a San Francisco-based rock band whose 1975 debut album included the hit single “White Punks on Dope”. During its first fifteen years or so, the band’s live performances combined quasi-pornography with wild satires of media, consumerism, and politics.[citation needed] They are perhaps best remembered for their 1983 single “She’s a Beauty”, a top 10 U.S. hit with a frequently-played music video in the early days of MTV; and in the 1980 film Xanadu singing the rock portion of the cross-genre song “Dancin'” opposite a big band.
Phoenix, Arizona, United States
Genres Rock, punk, hard rock
Years active 1972–present
Labels A&M, Capitol
Website Official website
Members Roger Steen
Prairie Prince
Rick Anderson
Fee Waybill
David Medd
Past members Vince Welnick†
Bill Spooner
Michael Cotten
Bob Mcintosh
Re Styles
Mingo Lewis
Jane Dornacker†
David Killingsworth
Gary Cambra
The Tubes started as a group of high school friends from Phoenix and Scottsdale, Arizona. Two Phoenix bands, the Beans and The Red, White and Blues Band, both relocated to San Francisco in 1969 and eventually merged. The new band’s core membership remained largely intact for more than a decade: Fee Waybill (real name John Waldo Waybill) (vocals), Bill “Sputnik” Spooner (guitar, vocals), Roger Steen (guitar), Prairie Prince (real name Charles L. Prince) (drums), Michael Cotten (synthesizer), Vince Welnick (piano), and Rick Anderson (bass). Singer Re Styles (born Shirley Marie MacLeod) (vocals) and ex-Santana percussionist Mingo Lewis were also fixtures for much of the band’s early history.[1]

Show business excess was a common theme of the band’s early work, with Waybill sometimes assuming the onstage persona of “Quay Lewd” (a pun on Quaalude), a drunk, drugged out, barely coherent lead singer, wearing flashing glasses and stilt-like tall platform shoes.

Debut album[edit]
The Tubes’ first self-titled album, The Tubes (1975), was produced by Al Kooper. The track “White Punks on Dope” was an “absurd anthem of wretched excess” and a tribute to their rich, white teenage fan base in San Francisco.[citation needed] Since then the song has been covered by Mötley Crüe, and the German rock musician Nina Hagen took the tune and set new lyrics to it (not a translation of the original lyrics), titled her work TV-Glotzer (“Couch Potato”), and used this song as the opening track of her own debut album Nina Hagen Band, released 1978 on CBS/Germany Records. The album track “What Do You Want from Life?”, which became another of the Tubes’ signature songs, satirizes consumerism and celebrity culture and climaxes in a “hard-sell” monologue by Waybill, which name-checks celebrities such as Bob Dylan, Paul Williams and Randolph Mantooth, as well as well-known products of the period, including the Dynagym exercise machine and a host of American vehicles such as the Winnebago and the Mercury Montclair.

Second album[edit]
The Tubes’ second album, Young and Rich (1976) on A&M Records, was produced by Ken Scott. It featured “Don’t Touch Me There”, a suggestive duet between Waybill and Re Styles, which was arranged in classic “Wall of Sound” style by Jack Nitzsche. The song was co-written by Ron Nagle and Tubes dancer/vocalist Jane Dornacker, who died in a helicopter crash in 1986.

Third album, a live album, fourth album[edit]
The Tubes’ third album gave way to thematic experimentation with Now (1977) and after their live record What Do You Want from Live (1978), recorded during their record breaking run at the Hammersmith Odeon, London, England, the fourth album for A&M, Remote Control (1979) was a concept album produced by Todd Rundgren about a television-addicted idiot-savant. The cover of Remote Control (1979) shows a baby watching American panel game show Hollywood Squares in a specially made “Vidi-Trainer”.

Music videos[edit]
John Tobler opined that with their media savvy and theatrical skills, The Tubes were born to create rock video, but arrived several years too early.[2] However, the band did produce at least one collection of music videos, which were issued on the 1982 Pioneer Artists laserdisc “The Tubes Video” (this videodisc contained versions of twelve of the band’s hits, including “White Punks on Dope”, “Mondo Bondage”, “Talk to Ya Later”, and several others from yet-to-be-completed “The Completion Backwards Principle” album, in slickly produced music videos based on the group’s stage shows).

Live shows[edit]
The Tubes put their creativity and art skills mainly into their live performances, in which songs could be full-fledged production numbers, from a beach movie parody for “Sushi Girl”, to leather clad S&M hijinks in “Mondo Bondage”, to the game show antics of “What Do You Want from Life?” At their peak, their live act featured dozens of other performers, including tap dancers and acrobats. The Tubes’ stage productions were choreographed by Kenny Ortega and featured cast members Jane Dornacker, LeRoy Jones, Michael Holman, Michael Springer, Cindi Osborn, Heline Gouax, and Mary Niland from 1975-1977. From 1978-1979, the cast included Sharon Collins, Caty Bevan, and Loryanna Catalano. The Completion Backward tour featured Shelly Pang, Cheryl Hangland, Joey Richards, and Cynthia Rhodes. From 1983-1985, Michelle Gray (who later married Todd Rundgren) and Cheryl Hangland were principal dancers. Several crew members — including Tour Manager Steve “Chopper” Borges, Lee Collins, and Gail Lowe — made frequent appearances on stage in various roles as well.[citation needed]

The Tubes’ live shows in the late 1970s and early 1980s were rife with allusions to mainstream film [Dr. Strangelove (1964), Rollerball (1975), Saturday Night Fever (1977), Grease (1978)] then-forgotten B-movies [Wild Women of Wongo (1958), Attack of the 50 Foot Woman (1958)], music (Tom Jones, punk rock, a medley of Nelson Riddle television themes), contemporary pop culture (Patty Hearst, the Viking program), television (Let’s Make a Deal, Fernwood 2Nite, the anime Raideen), and literature (Nelson Algren’s A Walk on the Wild Side), presaging the subcultural reverence and over-the-top theatricality of later groups like The World/Inferno Friendship Society.[citation needed]

These shows were expensive to produce, however, and while they earned the band a reputation for being one of the most entertaining live acts of the time, by the early 1980s, they found themselves short of money.

Departure from A&M Records and tenure with Capitol Records[edit]
Their fifth studio album, the self-produced Suffer for Sound, was meant to complete the group’s contract with A&M. As its style marked a radical new direction for the band, A&M opted for a more conservative outtakes / B-sides / oddities selection titled T.R.A.S.H. (Tubes Rarities and Smash Hits) (1981).[3] The band was signed to Capitol Records by Bruce Garfield and Bobby Colomby, scaling back the live shows to cut costs and redesigning itself as a leaner ensemble with a view to release more accessible hits.

Fifth and sixth albums[edit]
Suffer For Sound was not released, so their fifth album release was The Completion Backward Principle (1981), another concept album, featuring the classic rock staple “Talk to Ya Later”. The album presented itself as a motivational business document, complete with shocking pictures of the band members cleaned up and wearing suits.[citation needed] The band also had their first Top 40 hit in the United States in 1981, “Don’t Want to Wait Anymore” (recorded almost entirely by Spooner, without Waybill’s participation). The sixth studio album, Outside Inside (1983), followed a few years later and yielded a few hits, including the number 10 (USA) hit “She’s a Beauty”.

Seventh album and departure from Capitol Records[edit]
In 1985, the band teamed up with Todd Rundgren again for their seventh album, Love Bomb. With Bruce Garfield and Bobby Colomby dropped by Capitol in the company-wide layoffs that took place pre-reorganization, like many of their label mates The Tubes also were released, however, this occurred just as they were going on tour in support of the album. The band found it necessary to self-finance the tour as a matter of respect to honor their commitment to their fans. Between this tour’s self-financing and the band’s continued self-financing of their San Francisco recording studio built in 1980, the tour left the band in a half million dollars in debt, obliging them to play lesser expensive and smaller venues for a year to pay off their financial commitments.[3]

Waybill departs[edit]
Fee Waybill had already released an unsuccessful solo album (Read My Lips, Capitol Records) in 1984, but during this time, he had also happily enjoyed a fruitful writing partnership with fellow Capitol Records label mate Richard Marx, their most popular and well known collaboration being “Edge of a Broken Heart”, recorded by the female band Vixen. Waybill left the band in 1986 [“Fee broke up”, one band member said],[citation needed] leaving the band without a lead singer.

Personnel changes[edit]
Later in the year the remaining members of the band took on a longtime friend from Phoenix, Arizona, David Killingsworth, as lead vocalist. Killingsworth was the singer in the Red and White Blues Band with Prairie and Roger. Michael Cotten relocated to New York to pursue a career based on his artwork, stage design and production, and is considered one of the country’s top production designers. In the fall of 1988, Bill Spooner traveled his final tour with the band and left in early 1989. Vince Welnick departed as well to take to the road with Todd Rundgren in 1989 and then joined the Grateful Dead in 1990. Gary Cambra joined on keyboards and guitar in 1989. He and Roger Steen took over most the lead vocal duties after Killingsworth left in early 1990.

Waybill returns[edit]
In 1993, Fee Waybill rejoined the band. This lineup toured Europe and released two albums, a compilation and the 1996 album Genius of America. David Medd joined in 1996 to play keyboards alongside Cambra. In 2001, the band released a live CD, The Tubes World Tour 2001, and continued to tour.

Reunions[edit]
On April 22, 2005, a reunion show took place at the Rio Theater in Santa Cruz, CA, with Waybill, Steen, Anderson, Spooner, Welnick and Cotten. 2005 also saw the release of their live album Wild in London.

In July 2015, the Tubes started a European and U.S. tour, including dates in Germany, Sweden, the UK and the United States and featured 5 band members (Fee Waybill, Roger Steen, Prairie Prince, Rick Anderson & David Medd).

The Tubes Project and other milestones[edit]
Michael Cotten started “The Tubes Project” in 2005, to save and digitize the band’s reel to reel and video tape archive. The collection had been kept in the closet of Tubes fan club president Marylin Wood’s son after being discarded in the late 1980s. Included in the vault are full color shows taped for TV at Bimbos in San Francisco, 1975 and VARA TV from the 1977 European tour. Over 70 interviews were conducted with band members, crew, managers, cast and colleagues such as Re Styles, Todd Rundgren, Al Kooper, Devo and David Foster. Hundreds of photos were scanned and compiled from band members and fan collections for use in the hour and half documentary.

After leaving the band, Jane Dornacker formed the band Leila and the Snakes and later worked as a traffic reporter. She was killed in a helicopter crash in 1986, whilst giving a live report.

In April 2005, the band reunited for a concert at the Rio Theatre in Santa Cruz, California. It would be the last performance of The Tubes to include Vince Welnick, and the last time the full line up appeared in public.

Pianist Vince Welnick, who suffered from depression, committed suicide on June 2, 2006.

Gary Cambra left the band in 2006 leaving David Medd as their sole keyboardist.

On September 23, 2007, the remaining members of the Tubes reunited in Phoenix for their induction into the Arizona Music & Entertainment Hall of Fame.

On November 10, 2009, “Mondo Birthmark” a CD of previously unreleased rarities was released through the label Fuel 2000. The package was designed by Michael Cotten and Prairie Prince with rare photos and interviews of the group. The demos also feature former member Bob Macintosh on drums.
1972: Tubes appear in Mitchell brothers pornographic film Resurrection of Eve as Jesus Bongo and the Millionaires.
1973: Opened for the New York Dolls at the Matrix, Iggy Pop at Bimbos, and Led Zeppelin at Kezar Stadium in San Francisco.
1974: Tubes shoot “video demo” at California Hall, which lands a record deal at A&M Records, Cotten/Prince paint “Flying Record” mural on A&M sound stage.
1975: Tubes play for two weeks of shows at David Allen’s nightclub The Boarding House in San Francisco, several sell-out dates at The Roxy in Los Angeles and The Bottom Line in New York. On December 31, they sell out Bill Graham’s Winterland Ballroom.[4]
1976: Held residency at Bimbos in San Francisco for one month, Prairie Prince dubbed “The One, The Only” by columnist Herb Caen. Tubes hold “Talent Hunt” at the Boarding House hosted by Martin Mull; Robin Williams is contestant but loses.
1977: Held residency at the Palace of Fine Arts in San Francisco for one month, the Whisky a Go Go nightclub in Los Angeles for two shows a night for one month, and Hammersmith Odeon in London for a week.
1978: Headlined the Knebworth Festival with Frank Zappa and Peter Gabriel. On April 3, The Tubes performed live with Dolly Parton on Cher… Special, in the “Musical Battle to Save Cher’s Soul Medley”. As the title would imply, the performance was a duel between the forces of good and evil to determine where Cher would spend her eternal destiny. Dolly Parton was dressed in white and, with a team of brightly clad singers, portrayed an angelic host while The Tubes, dressed in black leather and performing “Mondo Bondage”, battled to send Cher’s soul into eternal damnation. The band also performed the song “Smoke (La Vie en Fumér)”, about a guy in a trenchcoat winning over a girl at a bar with his cigarette smoking technique, which employed giant, twelve-foot inflatable cigarettes. At the end of the number the dancers would bash singer Waybill with the giant cigarettes until he was crushed into the ground.[5]
1979: Tubes play Japan; Cotten/Welnick/Prince/Styles appear on Japanese soap opera. Tubes appear in Andy Warhol’s Interview magazine.
1980: Made an appearance in the film Xanadu singing the rock portion of the cross-genre song “Dancin'” opposite a big band.
1980: Sold out the Roxy Theatre for 12 shows
1981: Record Grammy nominated “The Tubes Video” at Shepperton Studios, one of the first long form video discs.
1981: Sang “Sushi Girl” and “Talk to Ya Later” on the television sketch comedy program SCTV, Episode #86 airing July 24.
1981: Appeared and sang, “Sushi Girl” and “Don’t Want to Wait Anymore” on Tomorrow with Tom Snyder.
1981: Compose the song “Road Map of My Tears” for the film Ladies and Gentlemen, The Fabulous Stains, in which Waybill and Welnick appear, among other musicians, as the fictional rock group The Metal Corpses.
1982: Appeared in a commercial for Activision’s video game Megamania.
1983: Opened several dates for David Bowie on the Serious Moonlight tour and on this tour, among other highlights, they were the first artists to ever play the newly opened Tacoma Dome in Tacoma, Washington. At the end of the Bowie tour, they played a few shows featuring their classic no-holds-barred theatrics in Portland, Oregon, and other west-coast cities.
1985: Tour with Todd Rundgren’s Utopia, play Radio City Music Hall.
1975 The Tubes
Released:
Label: A&M
Format:
113 —
1976 Young and Rich
Released:
Label: A&M
Format:
46 —
1977 Now
Released: May 1977
Label: A&M
Format:
122 —
1979 Remote Control
Released:
Label: A&M
Format:
46 40
1981 The Completion Backward Principle
Released:
Label: Capitol
Format:
36 — CAN: Gold[6]
1983 Outside Inside
Released:
Label: Capitol
Format:
18 77
1985 Love Bomb
Released:
Label: Capitol
Format:
87 —
1996 Genius of America
Released: October 15, 1996
Label: Critique
Format:
— —
2002 Hoods from Outer Space
Released: May 22, 2002
Label: Brilliant
Format: 1 Audio CD
— —
2003 White Punks on Dope
Released: November 24, 2003
Label: Acadia Records (UK)
Budget re-release of The Tubes and Young and Rich
Format: 1 Audio CD
— —
2009 Mondo Birthmark
Released: November 10, 2009
Label: Fuel
Format: Audio CD
1981 T.R.A.S.H. (Tubes Rarities and Smash Hits)
Released:
Label: A&M
Format:
148 —
1992 The Best of the Tubes
Released: November 17, 1992
Label: Capitol
Format: 1 Audio CD
— —
2000 Millennium Collection: The Tubes
Released: October 17, 2000
Label: [A&M]
Format: 1 Audio CD
1978 What Do You Want from Live
Released:
Label:A&M
Format:
82 38
2001 The Tubes World Tour 2001 (live)
Released: October 10, 2000
Label: CMC
Format: 1 Audio CD; 1 Cassette
— —
2005 Wild in London
Released: October 2, 2006
Label: Snapper
Format:
— —
2006 Alive in America
Released: ’76 live broadcast from LA Shrine
Label: (unsanctioned) Renaissance
Format: Audio CD
— —
Singles[edit]
Year Song Peak chart positions Album
US US
Main.
Rock UK
[7]
1976 “Don’t Touch Me There” 61 — — Young and Rich
1977 “White Punks on Dope” — — 28 The Tubes
1979 “Prime Time” — — 34 Remote Control
1981 “Don’t Want to Wait Anymore” 35 22 60 The Completion Backward Principle
“Talk to Ya Later” 101 7 —
“Gonna Get It Next Time” — — — Sports Fans
1983 “She’s a Beauty” 10 1 79 Outside Inside
“Tip of My Tongue” 52 — —
“The Monkey Time” 68 16 —
1985 “Piece by Piece” 87 25 — Love Bomb
“—” denotes releases that did not chart.
Video albums[edit]
Year Video details
1981 The Tubes Video
Released: November 15, 1981
Label: Thorn EMI Video (Betamax and VHS), Pioneer Artists (LaserDisc), RCA Corporation (CED)
Format: Betamax, VHS, LaserDisc, CED
Nominated for a Grammy
1982 The Tubes: Live at the Greek
Released: November 1982
Label: Monterey Home Video
Format: Betamax, VHS

MNN Ch 1 Broadcast on Public Access TV Jon Hammond Show preview air time 08/01 1:30 AM Original Music Travel and Soft News long running cable access on Manhattan Neighborhood Network 32nd year, this episode classic Jon Hammond Show opening with Lloyd Lindsay Young then weather man on WOR, followed by a spirited performance of Jon Hammond Band “Get Back in The Groove” in world famous jazzkeller Frankfurt for Jon’s annual musikmesse Warm Up Party with Joe Berger guitar, Heinz Lichius drums, Tony Lakatos tenor saxophone, Jon Hammond at the organ – then the late great Dave Van Ronk exclusive on Jon Hammond Show from days of MCTV Manhattan Cable TV, interview with Alan Pasqua – pianist: Alan speaks about playing with ALLAN HOLDSWORTH & TONY WILLIAMS, studying at New England Conservatory with JAKI BAYARD and studio work with numerous artists including KENNY ROGERS, EDDIE MONEY and many more. Currently on-tour with guitarist ALLAN HOLDSWORTH, bassist JIMMY HASLIP and drummer CHAD WACKERMAN – then back in time to a 1984 performance of Barry Finnerty band with the late great tenor saxophonist Michael Brecker in the club “Seventh Avenue South” that was owned by Michael and his brother Randy Brecker in Greenwich Village. Followed by Joe Franklin king of Radio and TV recently sadly passed away promoting Jon Hammond Show HammondCast ©JON HAMMOND International http://www.HammondCast.com

Producer Jon Hammond
Language English

Jon’s archive https://archive.org/details/GetBackInTheGrooveJonHammondFunkUnitAcousticNationNAMMConcert1

by Jon Hammond

Published July 12, 2015
Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics Groove Music, Soul Music, Nashville Tennessee, NAMM Show, Roland Barber, Trombone, Cord Martin, Tenor saxophone, Guitar, Joe Berger, #HammondOrgan #Sk1 Jon Hammond #ASCAP

Get Back In The Groove by Jon Hammond Funk Unit on the Acoustic Nation NAMM Stage in Concert – Artist Info
https://www.namm.org/summer/2015/events/jon-hammond-funk-unit
Joe Berger: Guitar
Roland Barber: Trombone
Louis Flip Winfield: Percussion
Jon Hammond: Organ
Cord Martin : Tenor Saxophone
Genre:
Jazz JON HAMMOND Instruments: Organ, Accordion, Piano, Guitar Attended: Berklee College of Music 1974, City College San Francisco Languages: English, German Jon is closely identified with the two main products of his career, the Excelsior Accordion and the Hammond Organ. Musician: Jon Hammond is one of the premier B3 PLAYERS in the world. Jon has played professionally since age 12. Beginning as a solo accordionist, he later played Hammond B3 organ in a number of important San Francisco bands. His all original group HADES opened shows for Tower of Power, Quicksilver Messenger Service and Michael Bloomfield. Eddie Money and Barry Finnerty became musical associates. Moving East he attended Berklee College of Music and played venues as diverse as Boston’s “Combat Zone” in the striptease clubs during the ’70’s and the exclusive Wychmere Harbor Club in Cape Cod, where he was house organist with the late great trumpet player Lou Colombo and developed a lasting friendship with House Speaker Tip O’Neill. He also toured the Northeast and Canada with the successful show revue “Easy Living”, and continued his appearances at nightclubs in Boston and New York. Subsequently Hammond lived and traveled in Europe, where he has an enthusiastic following. TV/Video Producer: In 1981 Jon formed BackBeat Productions. Assisted by Lori Friedman (Video by LORI), the innovative TV show “The Jon Hammond Show” became a Manhattan Cable TV favorite. Jon’s “Live on the street” video style included news events, as well as live music/video clips of Dizzy Gillespie, Paul Butterfield, Jaco Pastorius, John Entwistle, Sammy Davis Jr., Percy Sledge and many others. The weekly show is now in it’s 32ns year and has influenced the broadcasts of David Letterman and others. Billboard Magazine hailed Jon’s show as “The Alternative to MTV”

CNN iReport http://ireport.cnn.com/docs/DOC-1257128

Youtube https://youtu.be/cwRgiMGhyUc

Vimeo https://vimeo.com/133350902

Jon Hammond Band Facebook Video https://www.facebook.com/jonhammondband/videos/vb.133709526657853/1090842704277859/?type=3&theater

Jon’s archive https://archive.org/details/JonHammondBandThemeSongLateRent

Tino Pavlis, Director, 80th Anniversary Hammond Organ, Film, musikmesse, NAMM Show, Jon Hammond Band, B3 organ, Sk1, New B3mk2, Jazz, Blues, Suzuki Musical Instruments, Hamamatsu, #HammondOrgan #80th Anniversary

Alex Mingmann Hsieh: See you soon! By the Midnight flight tonight to Frankfurt!

April 12, 2015

Alex Mingmann Hsieh: “See you soon! By the Midnight flight tonight to Frankfurt!”

Jon Hammond: “Have a safe / smooth enjoyable flight Alex! See you in a minute, Jon”

Frankfurt Germany — Nice to walk in to the famous Jazzkeller Frankfurt days before our musikmesse Warm Up Party and see the poster featured on the wall! We’re going to have a real good time this Tuesday night folks, Jon Hammond Band​ 14 April Dienstag abend (Tuesday night)
Journal Frankfurt http://www.journal-kalender.de/kalender_event_einzel/Jon-Hammond-Band-Jazzkeller-14-04-2015-21-00-65868133.html?was=150&ubersicht=src%3Dkalender%26stichwort%3DJon%2520Hammond%2520

Rock / Pop / Jazz
Journal Frankfurt Kalender Rock / Pop / Jazz Ihre Auswahl Jazzkeller Jon Hammond​ & Band
JAZZ
JON HAMMOND & BAND
Wer zählt noch mit … Mal ernsthaft: der Mann, der so heißt wie sein Instrument, ist zum 29. Mal zur musikmesse​ “Warm Up Party”.
Genre: Jazz
Location: Jazzkeller​
Adresse: Frankfurt am Main, Kleine Bockenheimer Straße 18
Mit dem RMV zu dieser Veranstaltung
Dienstag, 14.4.2015, 21:00 Uhr

DIENSTAG, 14.4. ROCK | POP | JAZZ Journal Frankfurt im aktuellen Journalkalender

1 JAZZ/BLUES/FOLK Jon Hammond & Band Wer zählt noch mit … Mal ernsthaft: der Mann, der so heißt wie sein Instrument, ist zum 29. Mal zur Musikmesse „Warm Up Party”.
21:00, Ffm: Jazzkeller, Kleine Bockenheimer Straße 18a

Facebook https://www.facebook.com/events/955188417848638/

Jon Hammond – organ
Joe Berger – guitar
Peter Klohmann – saxophone
Giovanni Gulino – drums

Mr. Hammond has toured worldwide since 1991 using the incredible Sk1 organ by Hammond Suzuki..™ “Classic Hammond Sound…In A Suitcase!”
The Jon Hammond Show is a funky swinging instrumental revue, featuring top international soloists. The show has universal appeal. Big Hammond orgel sound – 100% organic http://www.jonhammondband.com/music.html
More Jon Hammond, klick: http://www.ascap.com/audioportraits/h/jon_hammond_rent.aspx

*WATCH THE VIDEO HERE: jazzkeller Programm: “The FINGERS…are the SINGERS!” Musikmesse “Warm Up Party” Jon Hammond & Band

Jon’s archive https://archive.org/details/LateRent2013MusikmesseWarmUpPartyJonHammondBand

#Jazzkeller #Musikmesse #Party #HammondOrgan #P.Mauriat #Saxophone #drums #guitar #Jazz #Blues #News #Frankfurt

Jon’s archive https://archive.org/details/LateRent2013MusikmesseWarmUpPartyJonHammondBand

http://www.jazzkeller.com/programm/nextmonth.htm

Di. 14.04. 
“The FINGERS…are the SINGERS!”
Musikmesse “Warm Up Party”
Jon Hammond & Band

Jon Hammond – organ
Joe Berger – guitar
Peter Klohmann – saxophone
Giovanni Gulino – drums

Mr. Hammond has toured worldwide since 1991 using the incredible Sk1 organ by Hammond Suzuki..™ “Classic Hammond Sound…In A Suitcase!”
The Jon Hammond Show is a funky swinging instrumental revue, featuring top international soloists. The show has universal appeal. Big Hammond orgel sound – 100% organic 
jonhammondband.com/music

More Jon Hammond, klick: http://behindthebeat

 

Poster: “The FINGERS…are the SINGERS!” Musikmesse “Warm Up Party” Jon Hammond & Band

Jon’s archive https://archive.org/details/BluesExtravaganzafastSlowMusikmesseSessionForMobile

http://jazzkeller-hofheim.de/veranstaltungen/musikmessesession-mit-jon-hammond/                           

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Musikmessesession mit Jon Hammond

Fr 17. April 2015

11013021_10152646181222102_8634071420054833094_n
Schon traditionell findet bei uns zur Frankfurter Musikmesse ein Treffen hochkarätiger Musiker statt. Wie auch in den vergangenen Jahren ist der aus New York stammende Orgelspieler Jon Hammond, mit Joe Berger „Berger-meister“, Peter Klohmann und Giovanni Gulino, angesagt. Im Spiel geht Jon Hammond absolut in seiner Musik und seiner Leidenschaft für den guten alten Hammond-Sound auf.
Mit 18 Jah-ren kaufte er sich seine erste Hammond B3 und tourte mit der Rockband Hades im Vorprogramm von Tower Of Power oder Michael Bloomfield. Der Gitarrist Joe Berger gleicht einem Saiten-Hasardeur. Er spielte bereits mit Who-Bassist John Entwistle und sorgte in dessen Band für den Studiomix. Peter Klohmann ist ein junger talentierter Tenorsaxophonist. Giovanni Gulino ziseliert an den Becken, setzt Akzente auf der Fußtrommel und spielt leichte, luftige Melodien auf der Snare.
……………………………………………………………………………………
Einlass: 21:00 Uhr, Beginn: 21:30 Uhr, Eintritt: 7,-/5,- €
…………………………………………………………………………………………………….
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Blues Extravaganza 18th consecutive year Musikmesse-Session for an enthusiastic crowd in Jazzkeller Hofheim – Jon Hammond Band closing out the night with an uptempo blues and a slow blues
Joe Berger aka The Berger-Meister guitar
Peter Klohmann tenor sax
Totó Giovanni Gulino drums
Jon Hammond organ
Continuing the tradition, next year the date will be
14th of March 2014 – special thanks to the newly re-elected Mayor / Bürgermeisterin von Hofheim Gisela Stang for joining us on this very special evening and thank you / dankeschön to all the people of Hofheim am Taunus and the Team at Jazzkeller Hofheim!
Sincerely,
Jon Hammond and Band http://www.jonhammondband.com

Jon’s archive https://archive.org/details/JonHammondCakeFlowersandLateRent25YearsMusikmesseWarmUpPartyinJazzkeller

Youtube http://youtu.be/hozrJpHvV-4

Jon Hammond Band Facebook https://www.facebook.com/video.php?v=1011779378850859&pnref=story

Dankeschön / Thanks for the flowers Musikmesse Team! and all my friends who came out for this very special evening – Jon Hammond
Chocolate on Chocolate Cake at Jon Hammond’s annual musikmesse Warm Up Party in jazzkeller Frankfurt with Jon Hammond Band and special guests for this special occasion celebrating 25 years in Musikmesse. Special acknowledgement of Wilhelm P. “Charly” Hosenseidl R.I.P. who was the Director of musikmesse years 1989-2008 now Directed by Wolfgang Luecke, special thanks to Messe Frankfurt Projekt and Presse Team!
Jon Hammond Band:
Joe Berger guitar
Tony Lakatos tenor saxophone
Giovanni Totò Gulino drums
Jon Hammond – XB-2 Hammond Organ – special thanks Hiromitsu Ono Chief Engineer Suzuki Musical Instruments designed my instrument which took me all around the world many times

“Late Rent” Jon Hammond theme song for Jon Hammond Show MNNTV and HammondCast Show KYOU Radio San Francisco CBS Radio Network
Thanks Joe Lamond President CEO NAMM, TecAmp Jürgen Kunze and Thomas Eich – Puma Combo bass amp powering Jon Hammond’s organ
Dankeschoen to Yücel Atiker, Tino Pavlis, Poehl, Bernie Capicchiano, Michael Falkenstein Hammond Suzuki Deutschland, Peggy Behling, Christine Vogel Messe Frankfurt,
Saray Pastanesı Baeckerei & Konditorei for Chocolate on Chocolate
25 Years Musikmesse Celebration Cake – Mainzer Landstrasse 131, 60327 Frankfurt am Main, Eugen Hahn Jazzkeller Frankfurt Team Kleine Bockenheimerstr. 18a Frankfurt
http://www.HammondCast.com/

Journal Frankfurt Article by Detlef Kinsler, LINK: http://journal-frankfurt.de/funkyjazz

Kultur
StartseiteAlle NachrichtenKultur

My home away from home 
 
MY HOME AWAY FROM HOME 

0
Jon Hammond zum 27. Mal auf der Musikmesse
Nomen est omen. Der Mann heißt Hammond und spielt eine Hammond. Der Organist aus New York freut sich auf Frankfurt und lädt zur Musikmesse Warm Up Party am 9.4. in den Jazzkeller ein.
JOURNAL FRANKFURT: Was war für Sie zuerst da – die Frankfurter Musikmesse oder Auftritte im Jazzkeller?
Jon Hammond: Die Musikmesse. Ich kam 1987 zum ersten Mal nach Frankfurt, zusammen mit Joe Berger, der auf der Messe für Engl Amplifiers spielte. Wir flogen mit der Lufthansa ein und teilten uns ein Zimmer im berühmten Prinz Otto Hotel am Hauptbahnhof. Schon in der ersten Nacht stellte mir Joe den großen John Entwistle, den Bassisten von The Who vor. Es wurde eine lange Nacht, in der wir Cognac tranken und Erdnüsse knabberten in eiern Suite des Marriott Hotels. Ich habe Joe bei einer Session mit John und Ringo Starrs Sohn Zak Starkey im Dorian Grey Club gefilmt bei einer Soundcheck Party. In den ersten paar Jahren spielte ich nicht oft live weil ich noch keine transportierbare Hammond Orgel hatte vor 1991 als ich den Prototyp einer XB-2 Hammond Orgel bekam mit der ich dann um die Welt reiste. Hauptsächliche dokumenierte ich aber die Messe für meine Cable TV Show in New York, die inzwischen im 29. Jahr als The Jon Hammond Show — Music, Travel and Soft News präsentiert. Die harten Nachrichten überlasse ich CNN und den großen Networks (lacht). Vom ersten Jahr an fühlten wir uns der Musikmesse eng verbunden, haben seitdem eine tolle Zeit hier, kommen jedes Jahr wieder bis wir kleine, alte Männer sind.

Das Jazzkeller-Konzert am Vorabend der Musikmesse ist zu einer netten Tradition geworden – wie kam es dazu, was bedeutet es Ihnen und wir werden Sie dieses Jahr diesen Abend im Jazzkeller zelebrieren?
Ab 1991 lernte ich mehr und mehr Musikmesse-Menschen kennen und die mich und auch einiges von meiner Musik. Einige von ihnen ermunterten mich, doch auch für Auftritte nach Deutschland zu kommen weil es hier doch ein Interesse an Hammond-Orgel-Groove-Music gab. Mit der schon erwähnten, kleinen, kompakten aber sehr kraftvollen Orgel war das alles möglich. Zudem machte ich in New York gerade eine schwere Zeit durch, mein Vater war gestorben und ich hatte das Gefühl, einige Veränderungen könnten meinem Leben gut tun. Also kam ich nach Frankfurt mit meiner XB-2, allerdings mit einem Rückflugticket falls etwas schief gehen würde. Ich rief viele Musiker an, ließ sie wissen, ich bin jetzt da, lasst uns zusammen spielen. Das war für mich der Anfang einer langen, sehr speziellen Beziehung, vor allem zum Frankfurter Publikum nach ersten kleinen erfolgen im Jazzkeller und einer kurzen Auftritt im Hessen Report im Fernsehen. Beatrix Rief verdanke ich dieses “lucky light on me”, eine tolle Erfahrung. Seitdem nenne ich Frankfurt “My Good Luck City” und im Jazzkeller begann auch alles für mich als Musiker. Deshalb liegt mir der Club auch so nah am Herzen, deshalb hatte ich auch die Idee, meine “Musikmesse Warm Up Party” dort zu realisieren, immer in der Nacht bevor die Messe startet was zu einer schönen Tradition wurde. Im ersten Jahr, in dem ich dann auch ein wenig Sponsoring von Philip Morris bekam, konnte ich damit einige Flugtickets für befreundete Musik bezahlen. Darüber war ich sehr glücklich. Dabei rauche ich selbst gar nicht.

Wie würden Sie Ihr persönliches Verhältnis zu Deutschland und Frankfurt beschrieben?
Lassen Sie es mich so sagen: ich liebe Frankfurt und die Frankfurter waren immer gut zu mir in all den Jahren. Ich könnte ein ganzes Buch über die Zeit schreiben, in der ich in Bornheim wohnte und Nacht für Nacht in der alten Jazzkneipe in der Berliner Straße auftrat. Das war der Treffpunkt, wo auch die Musiker der HR Bigband hinkamen und es gab eine generöse Chefin in der kleinen Kneipe. Auch Regine Dobberschütz und Eugen Hahn im Jazzkeller waren wahre Jazzengel für mich, die mir so vieles ermöglichten in der Zeit. Wir konnten auch in den Studios von AFN Radio spielen, waren die einzigen Musiker, die das – mit einer Sondergenehmigung des US Militärs – durften. Für ein wenig Promotion für die Musikmesse. Wir nannten das Programm für die AFN “Profile TV “-Show “Sound Police”. Wir hatten viel Spaß. Kein Wunder also, dass ich Frankfurt als my home away from home begreife und ich mich jedes Mal wieder freue zur Musikmesse zu reisen, in diesem Jahr übrigens zum 27. Mal in Folge. Und ich bin diesmal besonders aufgeregt, heim nach Frankfurt zu kommen weil ich gerade 60 Jahre alt geworden bin.

Wer wird in diesem Jahr zum Gelingen des Konzertes mit teils komponierter, teils improvisierter Musik, so nehme ich an, beitragen und was für einen Sound wird die Band präsentieren?
Ich habe etwa 90% der Kompositionen geschrieben, die wir spielen werden. Es ist die Musik, die man auch in meiner New Yorker TV-Show hören kann und die mich mehrmals um die Welt getragen hat. Meinen Stil nenne ich “Swinging Funky Jazz and Blues” und featurert die ganz wunderbaren Solisten in meine Band: Tony Lakatos, den großen ungarischen Tenorsaxophonisten, der auch Mitglied in der hr Bigband ist, dann meinen alten Freund Giovanni Gulino, diesen tollen Schlagzeuger, der schon für fast alle Großen der Szene getrommelt hat. Ich liebe diese Jungs. Als Gitarrist ist mein alten Freund und Kollege Joe Berger dabei, den man auch als The Berger-Meister kennt. Auf diese Formation bin ich wirklich stolz.

Werden Sie im Jazzkeller wieder eine Hammond Orgel spielen?
Ja, sicher, das neueste Modell, eine Sk1, die exakt so klingt wie die legendäre B3. Ich liebe sie. Und sie wiegt nur noch sieben Kilo (Anm. des Autors: Das Original, ein echtes Möbel mit viel Holz, mussten immer zwei Menschen mit viel Muskelkraft die Treppen rauf und runter hieven), ein deutliches Indiz, dass wir in der Zukunft angekommen sind. Da stecken viele Jahre Forschung und Entwicklung drin, auch Bühnenerprobungen. Ich ziehe den Hut vor den Ingenieuren von Suzuki, ein unverwüstliches Instrument erschaffen zu haben. Und das unterziehe ich jetzt einen echten Härttest (lacht).

27. März 2013
Interview: Detlef Kinsler

Briggs & Riley Travelware added 2 new photos – https://www.facebook.com/BriggsandRiley/posts/10153116135768914

Iconic jazz and blues keyboardist and television/music radio show host and producer (CBS’s “Jon Hammond’s Afternoon Slide” on KYCY 1550 AM) Jon Hammond writes us: “Nothing like riding the old S-Bahn with my Briggs & Riley Travelware.” We do love hearing from you, Mr. Hammond. Happy travels on tour and keep on tinkling those ivories!!

Midnight Flight, Frankfurt, FRA, Blues Jazz, Soft News, Musikmesse, P.Mauriat, Jazzkeller, Jon Hammond, Party, 29th Year, Musicians Union, Local 802, Hammond Organs, Sk1

#ElectricGuitar, #HammondOrgan, #musikmesse, #NAMM, #SoulMusic, ASCAP Composer, Cable Access, Carvin Speakers, Local 802, Musicians Union, NAMM Show, Pro Audio, Sk1

March 28, 2015

*WATCH THE VIDEO HERE: Pro Audio: Carvin Audio NAMM Session Get Back In The Groove

Jon’s archive https://archive.org/details/CarvinAudioNAMMSessionGetBackInTheGroove

Youtube https://youtu.be/W-Pwk58M5Ns

CNN iReport Anaheim California — Carvin Audio NAMM Session with Joe Berger guitar and Jon Hammond at the Sk1 Hammond organ playing through Carvin powered speaker system, Jon Hammond’s “Get Back in The Groove” ‘Tribute to 9/11’ – special thanks Carson Kiesel and Carvin Audio Team, HERCULES STANDS ©JON HAMMOND International ASCAP http://www.HammondCast.com Associated Musicians of Greater New York, Local 802 AFM Manhattan Neighborhood Network TV Producers of Manhattan Neighborhood Network [MNN] – Jon Hammond Band / Jon Hammond Organ Group

Vimeo https://vimeo.com/123500759

Jon Hammond Band Facebook https://www.facebook.com/video.php?v=1023843857644411&set=vb.133709526657853&type=3&theater

Dailymotion http://www.dailymotion.com/video/x2kxmbv_carvin-audio-namm-session-get-back-in-the-groove_music

Jon’s archive https://archive.org/details/6842260328

Jon Hammond Show cable access TV show broadcast for 03/28/2015, Jon’s band performing in jazzkeller Frankfurt original composition “Get Back in The Groove” – exclusive footage from Jon Hammond Show of the late great Dave Van Ronk followed by radio interview footage with Alan Pasqua and Jon Hammond just before Alan’s concert with Allan Holdsworth recorded for DVD, then never-before-seen footage Jon filmed of Michael Brecker, the late great jazz tenor saxophonist in performance with Barry Finnerty’s band in Michael’s club Seventh Avenue South he co-owned with his brother Randy Brecker in Greenwich Village – wrapping up the show, a wonderful segment of Joe Franklin on mic with Jon Hammond, Joe Franklin was the King of Radio & TV

– 32nd year Jon Hammond Show, FSB, Funk Soul Blues and soft news – enjoy folks http://www.HammondCast.com

Youtube https://youtu.be/pafohvr4CGE

CNN iReport http://ireport.cnn.com/docs/DOC-1226569

Dailymotion http://www.dailymotion.com/video/x2k4t4c_jon-hammond-show-mnn-ch-1-broadcast-03-28-2015-funk-soul-blues-soft-news_music

Vimeo https://vimeo.com/122796412

Jon Hammond Band Facebook http://www.facebook.com/jonhammondband

Jon’s archive https://archive.org/details/JonHammondCakeFlowersandLateRent25YearsMusikmesseWarmUpPartyinJazzkeller

Youtube http://youtu.be/hozrJpHvV-4

Jon Hammond Band Facebook https://www.facebook.com/video.php?v=1011779378850859&pnref=story

Dankeschön / Thanks for the flowers Musikmesse Team! and all my friends who came out for this very special evening – Jon Hammond
Chocolate on Chocolate Cake at Jon Hammond’s annual musikmesse Warm Up Party in jazzkeller Frankfurt with Jon Hammond Band and special guests for this special occasion celebrating 25 years in Musikmesse. Special acknowledgement of Wilhelm P. “Charly” Hosenseidl R.I.P. who was the Director of musikmesse years 1989-2008 now Directed by Wolfgang Luecke, special thanks to Messe Frankfurt Projekt and Presse Team!
Jon Hammond Band:
Joe Berger guitar
Tony Lakatos tenor saxophone
Giovanni Totò Gulino drums
Jon Hammond – XB-2 Hammond Organ – special thanks Hiromitsu Ono Chief Engineer Suzuki Musical Instruments designed my instrument which took me all around the world many times

“Late Rent” Jon Hammond theme song for Jon Hammond Show MNNTV and HammondCast Show KYOU Radio San Francisco CBS Radio Network
Thanks Joe Lamond President CEO NAMM, TecAmp Jürgen Kunze and Thomas Eich – Puma Combo bass amp powering Jon Hammond’s organ
Dankeschoen to Yücel Atiker, Tino Pavlis, Poehl, Bernie Capicchiano, Michael Falkenstein Hammond Suzuki Deutschland, Peggy Behling, Christine Vogel Messe Frankfurt,
Saray Pastanesı Baeckerei & Konditorei for Chocolate on Chocolate
25 Years Musikmesse Celebration Cake – Mainzer Landstrasse 131, 60327 Frankfurt am Main, Eugen Hahn Jazzkeller Frankfurt Team Kleine Bockenheimerstr. 18a Frankfurt
http://www.HammondCast.com/

Journal Frankfurt Article by Detlef Kinsler, LINK: http://journal-frankfurt.de/funkyjazz

Kultur
StartseiteAlle NachrichtenKultur

My home away from home 
 
MY HOME AWAY FROM HOME 

0
Jon Hammond zum 27. Mal auf der Musikmesse
Nomen est omen. Der Mann heißt Hammond und spielt eine Hammond. Der Organist aus New York freut sich auf Frankfurt und lädt zur Musikmesse Warm Up Party am 9.4. in den Jazzkeller ein.
JOURNAL FRANKFURT: Was war für Sie zuerst da – die Frankfurter Musikmesse oder Auftritte im Jazzkeller?
Jon Hammond: Die Musikmesse. Ich kam 1987 zum ersten Mal nach Frankfurt, zusammen mit Joe Berger, der auf der Messe für Engl Amplifiers spielte. Wir flogen mit der Lufthansa ein und teilten uns ein Zimmer im berühmten Prinz Otto Hotel am Hauptbahnhof. Schon in der ersten Nacht stellte mir Joe den großen John Entwistle, den Bassisten von The Who vor. Es wurde eine lange Nacht, in der wir Cognac tranken und Erdnüsse knabberten in eiern Suite des Marriott Hotels. Ich habe Joe bei einer Session mit John und Ringo Starrs Sohn Zak Starkey im Dorian Grey Club gefilmt bei einer Soundcheck Party. In den ersten paar Jahren spielte ich nicht oft live weil ich noch keine transportierbare Hammond Orgel hatte vor 1991 als ich den Prototyp einer XB-2 Hammond Orgel bekam mit der ich dann um die Welt reiste. Hauptsächliche dokumenierte ich aber die Messe für meine Cable TV Show in New York, die inzwischen im 29. Jahr als The Jon Hammond Show — Music, Travel and Soft News präsentiert. Die harten Nachrichten überlasse ich CNN und den großen Networks (lacht). Vom ersten Jahr an fühlten wir uns der Musikmesse eng verbunden, haben seitdem eine tolle Zeit hier, kommen jedes Jahr wieder bis wir kleine, alte Männer sind.

Das Jazzkeller-Konzert am Vorabend der Musikmesse ist zu einer netten Tradition geworden – wie kam es dazu, was bedeutet es Ihnen und wir werden Sie dieses Jahr diesen Abend im Jazzkeller zelebrieren?
Ab 1991 lernte ich mehr und mehr Musikmesse-Menschen kennen und die mich und auch einiges von meiner Musik. Einige von ihnen ermunterten mich, doch auch für Auftritte nach Deutschland zu kommen weil es hier doch ein Interesse an Hammond-Orgel-Groove-Music gab. Mit der schon erwähnten, kleinen, kompakten aber sehr kraftvollen Orgel war das alles möglich. Zudem machte ich in New York gerade eine schwere Zeit durch, mein Vater war gestorben und ich hatte das Gefühl, einige Veränderungen könnten meinem Leben gut tun. Also kam ich nach Frankfurt mit meiner XB-2, allerdings mit einem Rückflugticket falls etwas schief gehen würde. Ich rief viele Musiker an, ließ sie wissen, ich bin jetzt da, lasst uns zusammen spielen. Das war für mich der Anfang einer langen, sehr speziellen Beziehung, vor allem zum Frankfurter Publikum nach ersten kleinen erfolgen im Jazzkeller und einer kurzen Auftritt im Hessen Report im Fernsehen. Beatrix Rief verdanke ich dieses “lucky light on me”, eine tolle Erfahrung. Seitdem nenne ich Frankfurt “My Good Luck City” und im Jazzkeller begann auch alles für mich als Musiker. Deshalb liegt mir der Club auch so nah am Herzen, deshalb hatte ich auch die Idee, meine “Musikmesse Warm Up Party” dort zu realisieren, immer in der Nacht bevor die Messe startet was zu einer schönen Tradition wurde. Im ersten Jahr, in dem ich dann auch ein wenig Sponsoring von Philip Morris bekam, konnte ich damit einige Flugtickets für befreundete Musik bezahlen. Darüber war ich sehr glücklich. Dabei rauche ich selbst gar nicht.

Wie würden Sie Ihr persönliches Verhältnis zu Deutschland und Frankfurt beschrieben?
Lassen Sie es mich so sagen: ich liebe Frankfurt und die Frankfurter waren immer gut zu mir in all den Jahren. Ich könnte ein ganzes Buch über die Zeit schreiben, in der ich in Bornheim wohnte und Nacht für Nacht in der alten Jazzkneipe in der Berliner Straße auftrat. Das war der Treffpunkt, wo auch die Musiker der HR Bigband hinkamen und es gab eine generöse Chefin in der kleinen Kneipe. Auch Regine Dobberschütz und Eugen Hahn im Jazzkeller waren wahre Jazzengel für mich, die mir so vieles ermöglichten in der Zeit. Wir konnten auch in den Studios von AFN Radio spielen, waren die einzigen Musiker, die das – mit einer Sondergenehmigung des US Militärs – durften. Für ein wenig Promotion für die Musikmesse. Wir nannten das Programm für die AFN “Profile TV “-Show “Sound Police”. Wir hatten viel Spaß. Kein Wunder also, dass ich Frankfurt als my home away from home begreife und ich mich jedes Mal wieder freue zur Musikmesse zu reisen, in diesem Jahr übrigens zum 27. Mal in Folge. Und ich bin diesmal besonders aufgeregt, heim nach Frankfurt zu kommen weil ich gerade 60 Jahre alt geworden bin.

Wer wird in diesem Jahr zum Gelingen des Konzertes mit teils komponierter, teils improvisierter Musik, so nehme ich an, beitragen und was für einen Sound wird die Band präsentieren?
Ich habe etwa 90% der Kompositionen geschrieben, die wir spielen werden. Es ist die Musik, die man auch in meiner New Yorker TV-Show hören kann und die mich mehrmals um die Welt getragen hat. Meinen Stil nenne ich “Swinging Funky Jazz and Blues” und featurert die ganz wunderbaren Solisten in meine Band: Tony Lakatos, den großen ungarischen Tenorsaxophonisten, der auch Mitglied in der hr Bigband ist, dann meinen alten Freund Giovanni Gulino, diesen tollen Schlagzeuger, der schon für fast alle Großen der Szene getrommelt hat. Ich liebe diese Jungs. Als Gitarrist ist mein alten Freund und Kollege Joe Berger dabei, den man auch als The Berger-Meister kennt. Auf diese Formation bin ich wirklich stolz.

Werden Sie im Jazzkeller wieder eine Hammond Orgel spielen?
Ja, sicher, das neueste Modell, eine Sk1, die exakt so klingt wie die legendäre B3. Ich liebe sie. Und sie wiegt nur noch sieben Kilo (Anm. des Autors: Das Original, ein echtes Möbel mit viel Holz, mussten immer zwei Menschen mit viel Muskelkraft die Treppen rauf und runter hieven), ein deutliches Indiz, dass wir in der Zukunft angekommen sind. Da stecken viele Jahre Forschung und Entwicklung drin, auch Bühnenerprobungen. Ich ziehe den Hut vor den Ingenieuren von Suzuki, ein unverwüstliches Instrument erschaffen zu haben. Und das unterziehe ich jetzt einen echten Härttest (lacht).

27. März 2013
Interview: Detlef Kinsler

Briggs & Riley Travelware added 2 new photos – https://www.facebook.com/BriggsandRiley/posts/10153116135768914

Iconic jazz and blues keyboardist and television/music radio show host and producer (CBS’s “Jon Hammond’s Afternoon Slide” on KYCY 1550 AM) Jon Hammond writes us: “Nothing like riding the old S-Bahn with my Briggs & Riley Travelware.” We do love hearing from you, Mr. Hammond. Happy travels on tour and keep on tinkling those ivories!!

Musician and media personality Jon Hammond in Frankfurt photographing his Briggs & Riley bags.

Keyboard master Jon Hammond on tour.

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Jon Hammond Band http://www.facebook.com/jonhammondband

Dailymotion http://www.dailymotion.com/video/x1skk2s_train-song-musikmesse-warm-up-party-jon-s-journal_music

Jon’s archive https://archive.org/details/LateRent2013MusikmesseWarmUpPartyJonHammondBand

http://www.jazzkeller.com/programm/nextmonth.htm

Di. 14.04. 
“The FINGERS…are the SINGERS!”
Musikmesse “Warm Up Party”
Jon Hammond & Band

Jon Hammond – organ
Joe Berger – guitar
Peter Klohmann – saxophone
Giovanni Gulino – drums

Mr. Hammond has toured worldwide since 1991 using the incredible Sk1 organ by Hammond Suzuki..™ “Classic Hammond Sound…In A Suitcase!”
The Jon Hammond Show is a funky swinging instrumental revue, featuring top international soloists. The show has universal appeal. Big Hammond orgel sound – 100% organic 
jonhammondband.com/music

More Jon Hammond, klick: http://behindthebeat

 

Poster: “The FINGERS…are the SINGERS!” Musikmesse “Warm Up Party” Jon Hammond & Band

Cable Access: Jon Hammond Show Broadcast 03/14/2015 MNN Channel 1

Jon’s archive https://archive.org/details/6842260314

Pro Audio, NAMM Show, #HammondOrgan, #musikmesse, #SoulMusic, Sk1, Cable Access, Carvin Speakers, #ElectricGuitar, #NAMM, ASCAP Composer, Musicians Union, Local 802

Public Access TV: Jon Hammond Show MNN Community Channel 1, Funk Soul Blues and Soft News

March 18, 2015

*WATCH THE VIDEO HERE: Public Access TV: Jon Hammond Show MNN Community Channel 1, Funk Soul Blues and Soft News

Jon’s archive https://archive.org/details/6842260110

MNN Streaming Link – New York Time: 1:30AM every Saturday morning http://www.mnn.org/live/1-community-channel

Youtube https://youtu.be/IQ_MDZ0v0dE

With San Francisco City Hall outdoor concert – special thanks Lexi Peyer, Mayor Willie Brown, Local 6 Musicians Union

*note: Drummer James Preston here on Pocket Funk has sadly passed away, one of the finest Bay Area funk drummers – long-time band member with

Jon Hammond and Sons of Champlin, Hot Mush, Beefy Red, Cold Blood with Lydia Pense, Maria Muldaur, Dr. John etc.

with Steve Campos flugel horn, Harvey Wainapel tenor, Barry Finnerty guitar, James Preston drums, Jon Hammond at his 1965 Hammond B3 organ –

then to Hamburg Eimsbüttel club Auster Bar, Jon Hammond Band plays a tribute to Cannonball Adderley with Michael Leuschner trumpet,

Ernst-Friedrich Fiete Felsch alto saxophone, Heinz Lichius drums, Joe Berger guitar, Jon Hammond at the Sk1 Hammond organ

special thanks to our friend and excellent drummer Nicolai Ditsch for operating the camera! & Auster Bar Team Frank Blume & Torsten Wendt

Then to Nashville Tennessee to the Summer NAMM Show in Music City Convention Center, special show on the Acoustic Nation Stage

Jon Hammond Organ Group performs original theme song “Late Rent” at Summer NAMM Show Nashville Tennessee on the Acoustic Nation Stage. Musicians: Roland Barber – trombone, Evan Cobb – tenor sax, Joe Berger – guitar, Louis Flip Winfield – drums, Jon Hammond – organ
http://www.jonhammondband.com/
special thanks to Nickolas Butterfield camera, JC Clifford & Michael Turner Mothertone crew for Louis and the fine Sleishman Drum Co drums you hear here – JH

*Note: Joe Berger plays JJ Guitars UK and Futhark guitars from Norway

New York NY — One of my last shots of my good friend, the late great Joe Franklin​! King of Radio & TV folks, somewhere in there are some of my CD’s – RIP Joe!
Jon Hammond​

*LINK: https://youtu.be/NEWGszvpduU Joe Franklin Up Late HammondCast KYOU Radio
Joe Franklin “King Of Nostalgia” Host of Radio & TV who’s guests have been entertainers like Bill Cosby to legends like Bing Crosby, Charlie Chaplin,
John Wayne, Marilyn Monroe, Cary Grant, John Lennon, here with Jon Hammond on Jon’s daily HammondCast Show on KYOU Radio live in Joe
Franklin’s office known as “Memory Lane”. Enjoy! ©JON HAMMOND International

Some of the best money I ever spent – original invoice for my Late Rent Sessions in the same recording studio where the late great John Lennon​ recorded – Stephen Ferrone​ was the drummer, my music teacher from Berklee College of Music​ for arranging & composition – Todd Anderson​ on tenor, Barry Finnerty​ and myself on the B3 organ. We cut my theme tune “Late Rent” that night, as well as “Pocket Funk” and Lydia’s Tune” – Jeff Jones​ was the engineer, nice job Jeff! – Jon Hammond​ / Jon Hammond Band​ – Intergalactic Music Inc. Studios

*From the good folks at ASCAP – http://www.ascap.com/audioportraits/h/jon_hammond_rent.aspx
ASCAP Audio Portrait: Jon Hammond Organ Group​
Jon Hammond says “the fingers are the singers.'” The latest CD from this exceptional and soulful Hammond organist is the proof. “Late Rent” draws on decades of great recording sessions and top live performances to showcase his own playing and many top jazz and funk artists. It shows why the Hammond organ is one of the most enduring electric instruments and why Hammond is one of its best players.

Jeff Jones: “Ahhhh yes – Now that was a good session!”

Jon Hammond: “Thanks a million Jeff! It’s about time we do it again I should say! I took that recording all over the world so many times – and on many broadcasts – golden touch Jeff! merci beaucoup, Jon *audio story from Steve Rosenfeld at ASCAP: http://www.ascap.com/audioportraits/h/jon_hammond_rent.aspx – thanks for the great sound Jeff!
ASCAP Audio Portrait: Jon Hammond”
Jon Hammond says “the fingers are the singers.'” The latest CD from this exceptional and soulful Hammond organist is…

Robert Manning: “Woo!”

That was after I painted my 1968 Buick Wildcat White – I downsized from the Silver Streak trailer to a clean 1967 Shasta Trailer, was nice! Trailers for sale or rent…rooms to lent 50 cent! – that was my BMW R650LS motorcycle (Silver) my first Beemer on the right, cool scooter!

– Jon Hammond

Pebble Beach CA – That’s Kathryn Crosby (Bing Crosby’s wife) standing next to Pat Boone and her son Nathaniel Crosby – we’re at the Bing Crosby Golf Tournament on the stunning grounds of Pebble Beach overlooking the Pacific Ocean – Jon Hammond​ – star studded event folks! – aka Olive, as in Olive Oil!

http://en.wikipedia.org/wiki/Kathryn_Crosby
Kathryn Crosby (born November 25, 1933) is an American actress and singer who performed in films under the stage-names Kathryn Grant and Kathryn Grandstaff.
Olive Kathryn Grandstaff
November 25, 1933 (age 81)
Houston, Texas, U.S.
Other names Kathryn Grandstaff
Kathryn Grant
Kathryn Crosby
Years active 1953–2009
Spouse(s) Bing Crosby (1957–1977) (his death) 3 children
Maurice William Sullivan (2000–2010) his death
Children Harry Crosby
Nathaniel Crosby
Mary Crosby
Born Olive Kathryn Grandstaff in Houston, Texas, she graduated from the University of Texas at Austin with a Bachelor of Fine Arts in 1955. Two years later she became Bing Crosby’s second wife, being more than thirty years his junior. The couple had three children, Harry, Mary Frances, and Nathaniel.[2] She appeared as a guest star on her husband’s 1964–1965 ABC sitcom The Bing Crosby Show.

She largely retired after their marriage, but did have a featured role in the courtroom drama Anatomy of a Murder (1959). She also played the part of “Mama Bear” alongside her husband and children in Goldilocks and co-starred with Jack Lemmon in the comedy Operation Mad Ball (1957), with Tony Curtis in the drama Mister Cory (1957) and as a trapeze artist in The Big Circus (1959).

In the mid-1970s, she hosted The Kathryn Crosby Show, a 30-minute local talk-show on KPIX-TV in San Francisco. Husband Bing appeared as a guest occasionally.

Since Bing Crosby’s death in 1977, she has taken on a few smaller roles and the lead in the short-lived 1996 Broadway musical State Fair.

For 16 years ending in 2001, Crosby hosted the Crosby National Golf Tournament at Bermuda Run Country Club in Bermuda Run, North Carolina. A nearby bridge carrying U.S. Route 158 over the Yadkin River is named for Kathryn Crosby.[3]

On November 4, 2010, Crosby was seriously injured in an automobile accident in the Sierra Nevada that killed her 85-year-old second husband, Maurice William Sullivan, whom she had married in 2000.
So This Is Love (1953)
Arrowhead (1953)
Forever Female (1953)
Casanova’s Big Night (1954)
Living It Up (1954)
Rear Window (1954)
Unchained (1955)
Tight Spot (1955)
Cell 2455 Death Row (1955)
5 Against the House (1955)
My Sister Eileen (1955)
The Phenix City Story (1955)
Storm Center (1956)
Reprisal! (1956)
The Wild Party (1956)
Mister Cory (1957)
The Guns of Fort Petticoat (1957)
The Night the World Exploded (1957)
Operation Mad Ball (1957)
The Brothers Rico (1957)
Gunman’s Walk (1958)
The 7th Voyage of Sinbad (1958)
Anatomy of a Murder (1959)
The Big Circus (1959)
1001 Arabian Nights (1959) (voice)

That was my first of 2 Silver Streak Trailers I lived in, with my 1968 Buick Wildcat before I painted the mighty Wildcat White – the trailer was a 1968 also – I bought it right off the used lot from Lee Peterson Motors San Leandro CA, they had taken it in on trade – it was a great old trailer, all wood inside – my neighbor Curt next door in the Fifth Wheel trailer was a car racer and he had a DeLorean all aluminum car, nice cat – Jon Hammond

This was a nice gig I played the night before I took the Greyhound Bus to Nashville Tennessee – at Zanzibar & Grill, with Bernard Purdie drums, Big Ed on alto, that’s my favorite setup, 2 Leslie 122’s stacked with the B3, circa 1990 – Jon Hammond / Jon Hammond Band
— with Bernard Purdie.

HADES Jon Hammond’s Rock Band 1971 Best Band out of East Bay Area http://kernelpanichammondcast.blogspot.com/2012/12/jon-hammond-1971-recording-hades-rock.html *NOTE: I’m wearing my super bad custom leather jacket from North Beach Leathers…I kept that jacket for years hoping I could fit in to it again, but alas I was never that skinny again! – wishing Steve Wright a recovery (standing next to me on the rock, bass & vocal) – Jim Thorsen guitar & vocal far left, Dave Danza aka D.A. drums in white shirt next to Jimmy – JH
http://www.numubu.com/main.cfm?l=en&p=07_500&id1=0&id2=254743
“Numubu Daily NMB Live Presents… ,It’s playing fine for us.”
merci cats, playing back A-OK here in California – HADES lives 44 years later! We rehearsed 5 days a week, had our own big time sound system, 2 roadies and a van with HADES license plates – enjoy, Jon Hammond​

Trio edition of Jon Hammond​ and The Late Rent Session Men (because the tenor player nutted on us right before the gig) – Trio Hip Hop Chitlins
WATCH THE VIDEO: http://ia600505.us.archive.org/15/items/JonHammondFillmoreJonHammondTrioHipHopChitlins/FillmoreJonHammondTrioHipHopChitlins.m4v

http://www.archive.org/details/JonHammondFillmoreJonHammondTrioHipHopChitlins

Jon Hammond and The Late Rent Session Men (Trio) special edition opening for Sons of Champlin​ at Fillmore Auditorium
San Francisco June 4, 1999 original composition Hip Hop Chitlins Jon Hammond organ and bass, Barry Finnerty​ guitar, James Preston​ of Sons of Champlin band drums special thanks Bob Barsotti

Photograph from stage of The Fillmore by Jon Hammond – The Fillmore Auditorium Jon Hammond Trio Hip Hop Chitlins

Pebble Beach — The great Glen Campbell on the golf course folks – Photo © Jon Hammond​ International – Bing Crosby Tournament some years back – Glen is hanging tough in spite of his health challenges – one of my heroes!
http://en.wikipedia.org/wiki/Glen_Campbell

Glen Travis Campbell (born April 22, 1936) is an American country music singer, guitarist, television host, and occasional actor. He is best known for a series of hits in the 1960s and 1970s, and for hosting a variety show called The Glen Campbell Goodtime Hour on CBS television.

During his 50 years in show business, Campbell has released more than 70 albums. He has sold 45 million records and accumulated 12 RIAA Gold albums, 4 Platinum albums and 1 Double-Platinum album. He has placed a total of 80 different songs on either the Billboard Country Chart, Billboard Hot 100, and/or the Adult Contemporary Chart, of which 29 made the Top 10 and of which nine reached number one on at least one of those charts. Campbell’s hits include his recordings of John Hartford’s “Gentle on My Mind”, Jimmy Webb’s “By the Time I Get to Phoenix”, “Wichita Lineman”, and “Galveston”, Larry Weiss’s “Rhinestone Cowboy”, and Allen Toussaint’s “Southern Nights”.

Campbell made history in 1967 by winning four Grammys total, in the country and pop categories.[2] For “Gentle on My Mind” he received two awards in country and western, “By the Time I Get to Phoenix” did the same in pop. Three of his early hits later won Grammy Hall of Fame Awards (2000, 2004, 2008), while Campbell himself won the Grammy Lifetime Achievement Award in 2012. He owns trophies for Male Vocalist of the Year from both the Country Music Association (CMA) and the Academy of Country Music (ACM), and took the CMA’s top award as 1968 Entertainer of the Year. In 1969 actor John Wayne picked Campbell to play alongside him in the film True Grit, which gave Campbell a Golden Globe nomination for Most Promising Newcomer. Campbell sang the title song which was nominated for an Academy Award.
Glen Travis Campbell
Born April 22, 1936 (age 78)
Delight, Arkansas, U.S.
Genres Country, rock, folk, pop, folk rock, gospel
Occupation(s) Musician, songwriter, actor
Instruments Vocals, guitar, banjo, bass, bagpipes[1]
Years active 1958–2013
Labels Capitol, Atlantic, MCA, Liberty, Surfdog Records, New Haven
Associated acts The Champs, The Beach Boys, Bobbie Gentry, Anne Murray, Jimmy Webb, John Hartford, Jerry Reed
Glen Campbell was born in Billstown, a tiny community near Delight in Pike County, Arkansas, the son of Carrie Dell (Stone) and John Wesley Campbell.[3] He was the seventh son of 12 children. His father was a sharecropper of Scottish descent.[4][5] He started playing guitar as a youth without learning to read music and credits his uncle Boo for teaching him the guitar.[6]

In 1954 Campbell moved to Albuquerque to join his uncle’s band known as Dick Bills and the Sandia Mountain Boys.[7] There he also appeared on his uncle’s radio show[6] and on K Circle B Time, the local children’s program on KOB television.[8] In 1958 Campbell formed his own band, the Western Wranglers.[7]

Career[edit]
1960–66: Early career[edit]
In 1960, Campbell moved to Los Angeles to become a session musician.[9][10] Around this time he was part of the group The Champs. Soon, Campbell was in great demand as a session musician. He was part of a group of studio musicians who became known as The Wrecking Crew.[10][11] During this period he played on recordings by Bobby Darin, Ricky Nelson, Dean Martin, Nat King Cole, The Monkees, Nancy Sinatra, Merle Haggard, Jan and Dean,[9] Elvis Presley,[12] Frank Sinatra and Phil Spector.[10][11]

By January 1961[13] Campbell had found a daytime job at publishing company American Music, writing songs and recording demos.[6] In May 1961 he left The Champs[14] and was subsequently signed by Crest Records, a subsidiary of American Music. His first solo release, “Turn Around Look At Me”, was a moderate success, peaking at number 61 on the Billboard Hot 100.[15] He also formed The Gee Cees with former bandmembers from The Champs, performing at The Crossbow Inn in Van Nuys, a Los Angeles suburb.[16] The Gee Cees too released a single on Crest, instrumentals “Buzz Saw” b/w “Annie Had A Party”, which did not chart.

In 1962 Campbell signed with Capitol records.[17] After minor initial success with “Too Late to Worry, Too Blue to Cry”, his first single for the label, and “Kentucky Means Paradise”, released by The Green River Boys featuring Glen Campbell, a string of unsuccessful singles and albums followed.

From 1964 on Campbell began to appear on television as a regular on Star Route, a syndicated series hosted by Rod Cameron,[18] ABC’s Shindig! and Hollywood Jamboree.[19]

From December 1964 to early March 1965, Campbell was a touring member of the Beach Boys, filling in for Brian Wilson.[9] He also played guitar on the group’s Pet Sounds album, among other recordings. On tour, he played bass guitar and sang falsetto harmonies. In April 1966, he joined Ricky Nelson on a tour through the Far East, again playing bass.[20]

In 1965 he had his biggest solo hit yet, reaching number 45 on the Hot 100 with a version of Buffy Sainte-Marie’s “Universal Soldier”. Asked about the pacifist message of the song, he elected to assert that “people who are advocating burning draft cards should be hung.”[21]

1967–72: Burning Bridges to The Goodtime Hour[edit]
When follow-up singles didn’t do well, and Capitol was considering dropping Campbell from the label in 1966, he was teamed with producer Al De Lory.[22] Together they first collaborated on “Burning Bridges” which became a top 20 country hit in early 1967,[23] and the album of the same name. Campbell and De Lory collaborated again on 1967’s “Gentle on My Mind”, written by John Hartford, which was an overnight success. The song was followed by the bigger hit “By the Time I Get to Phoenix” later in 1967, and “I Wanna Live” and “Wichita Lineman” in 1968. Campbell won four Grammy Awards for his performances on “Gentle on My Mind” and “By the Time I Get to Phoenix”.

In 1967, Campbell was also the uncredited lead vocalist on “My World Fell Down” by Sagittarius, a studio group. The song reached No. 70 on the Billboard Hot 100.[24]

The 1969 song “True Grit” by composer Elmer Bernstein and lyricist Don Black, and sung by Campbell, who co-starred in the movie, received nominations for the Academy Award for Best Song and the Golden Globe.

His biggest hits in the late 1960s were the songs written by Jimmy Webb: “By the Time I Get to Phoenix,” “Wichita Lineman”, “Galveston”, and “Where’s the Playground Susie”. An album of mainly Webb-penned compositions, Reunion: The Songs of Jimmy Webb, was released in 1974, but it produced no hit single records. “Wichita Lineman” was selected as one of the greatest songs of the 20th century by Mojo magazine in 1997 and by Blender in 2001.

After he hosted a 1968 summer replacement for television’s The Smothers Brothers Comedy Hour variety show, Campbell hosted his own weekly variety show, The Glen Campbell Goodtime Hour, from January 1969 through June 1972. At the height of his popularity, a 1970 biography by Freda Kramer, The Glen Campbell Story, was published.

Campbell performing at the Michigan State Fair, circa 1970
With Campbell’s session-work connections, he hosted major names in music on his show, including the Beatles (on film), David Gates and Bread, the Monkees, Neil Diamond, Linda Ronstadt, Johnny Cash, Merle Haggard, Willie Nelson, Waylon Jennings, Roger Miller, and Mel Tillis. Campbell helped launch the careers of Anne Murray and Jerry Reed who were regulars on his Goodtime Hour program.

During the late 1960s and early 1970s, Campbell released a long series of singles and appeared in the movies True Grit (1969) with John Wayne and Kim Darby and Norwood (1970) with Kim Darby and Joe Namath.

1973–79: “Rhinestone Cowboy” and “Southern Nights”[edit]
After the cancellation of his CBS series in 1972, Campbell remained a regular on network television. He co-starred in a made-for-television movie, Strange Homecoming (1974), with Robert Culp and up-and-coming teen idol, Leif Garrett. He hosted a number of television specials, including 1976’s Down Home, Down Under with Olivia Newton-John. He co-hosted the American Music Awards from 1976–78 and headlined the 1979 NBC special, Glen Campbell: Back To Basics with guest-stars Seals and Crofts and Brenda Lee. He was a guest on many network talk and variety shows, including: Donny & Marie, The Tonight Show Starring Johnny Carson, Cher, the Redd Foxx Comedy Hour, Merv Griffin, The Midnight Special with Wolfman Jack, DINAH!, Evening at Pops with Arthur Fiedler and the Mike Douglas Show. From 1982 to 1983 he hosted a 30-minute syndicated music show on NBC, the Glen Campbell Music Show.

In the mid-1970s, he had more hits with “Rhinestone Cowboy”, “Southern Nights” (both U.S. No. 1 hits), “Sunflower” (U.S. No. 39) (written by Neil Diamond), and “Country Boy (You Got Your Feet in L.A.).” (U.S. No. 11).

“Rhinestone Cowboy” was Campbell’s largest-selling single, initially with over 2 million copies sold. Campbell had heard the songwriter Larry Weiss’ version while on tour of Australia in 1974. The song was included in Dickie Goodman’s Jaws movie parody song “Mr. Jaws”; both songs were on October 4, 1975 Hot 100 top 10. “Rhinestone Cowboy” continues to be used in TV shows and films, including Desperate Housewives, Daddy Day Care, and High School High. It was the inspiration for the 1984 Dolly Parton/Sylvester Stallone movie Rhinestone. Campbell also made a techno/pop version of the song in 2002 with UK artists Rikki & Daz and went to the top 10 in the UK with the dance version and related music video.

“Southern Nights,” by Allen Toussaint, his other No. 1 pop-rock-country crossover hit, was generated with the help of Jimmy Webb, and Jerry Reed, who inspired the famous guitar lick introduction to the song, which was the most-played jukebox number of 1977.

From 1971 to 1983, Campbell was the celebrity host of the Los Angeles Open, an annual professional golf tournament on the PGA Tour.

1980–present: Later career and Country Music Hall of Fame induction[edit]
Campbell made a cameo appearance in the 1980 Clint Eastwood movie Any Which Way You Can, for which he recorded the title song.

In 1991, he provided the voice of the Elvis Presley sound alike rooster Chanticleer in the Don Bluth film “Rock-A-Doodle.”

In 1999, Campbell was featured on VH-1’s Behind the Music, A&E Network’s Biography in 2001, and on a number of CMT programs. Campbell ranked 29th on CMT’s 40 Greatest Men of Country Music in 2003.

Campbell in 2004
He is also credited with giving Alan Jackson his first big break. Campbell met Jackson’s wife (a flight attendant with Piedmont Airlines) at Atlanta Airport and gave her his publishing manager’s business card. Jackson went to work for Campbell’s music publishing business in the early 1990s and later had many of his hit songs published in part by Campbell’s company, Seventh Son Music.[25] Campbell also served as an inspiration to Keith Urban, who cites Campbell as a strong influence on his performing career.[26][27]

In 2005, Campbell was inducted into the Country Music Hall of Fame.[28]

It was announced in April 2008 that Campbell was returning to his signature label, Capitol, to release his new album, Meet Glen Campbell.[29] The album was released on August 19. With this album he branched off in a different musical direction, covering tracks from artists such as Travis, U2, Tom Petty and the Heartbreakers, Jackson Browne and Foo Fighters. It was Campbell’s first release on Capitol in over 15 years. Musicians from Cheap Trick and Jellyfish contributed to the album as well. The first single, a cover of Green Day’s “Good Riddance (Time of Your Life)”, was released to radio in July 2008. In March 2010, a farewell album titled Ghost on the Canvas was announced which served as a companion to Meet Glen Campbell.[30]

Ghost on the Canvas was released on August 30, 2011, with collaborations that include Paul Westerberg (writer of the title track), The Wallflowers singer Jakob Dylan, Chris Isaak, Rick Nielsen and Billy Corgan of the Smashing Pumpkins.[citation needed]

In Los Angeles in January 2013, Campbell recorded his final song, titled “I’m Not Gonna Miss You”. The song, which is featured in a new documentary, “Glen Campbell: I’ll Be Me”, was released on September 30, 2014, with the documentary following on October 24.[31][32] On January 15, Campbell and fellow songwriter Julian Raymond were nominated for Best Original Song at the 87th Academy Awards.

Personal life[edit]
Relationships and children[edit]
Campbell has been married four times and is the father of five sons and three daughters, ranging in year of birth from 1956 to 1986. Campbell’s eldest daughter is Debby, from his marriage (1955–59) to Diane Kirk.[33] After divorcing Kirk, Campbell married Billie Jean Nunley, a beautician from Carlsbad, New Mexico, who gave birth to Kelli, Travis, and Kane. They divorced in 1975. Shortly after that, he had an affair with and later married singer Mac Davis’s second wife, Sarah Barg, in 1976. They had one child together (Dillon) and then divorced in 1980, three weeks after Dillon’s birth.[34]

From 1980 to 1981 Campbell had a very public relationship with then 21-year-old country star Tanya Tucker that was the subject of supermarket tabloids for months.[35] Campbell has been married to Kimberly “Kim” Woollen since 1982.[36][37] Woollen was a Radio City Music Hall “Rockette” when she and Glen met on a blind date in 1981. They have three children together, Cal, Shannon and daughter Ashley[38] who have joined their father on stage since 2010 as part of his touring band.[39] Campbell, who was raised in the Church of Christ,[40] and Woollen both joined a Baptist church in Phoenix.[41] In a 2008 interview they said that they have been adherents of Messianic Judaism for two decades.[42]

Political views[edit]
On The Glen Campbell Goodtime Hour, Campbell avoided political topics.[43][44][45] Around this time period he described himself in interviews as “a registered Democrat but I voted Republican a few times” [46][47][48] and he performed in support of both Republican and Democratic politicians.[47][49][50] Campbell performed the National Anthem at the 1980 Republican National Convention[51] and continued to make a number of campaign appearances for Republican candidates during the 1980s and 1990s.[52][53][54]

Alzheimer’s diagnosis[edit]
In June 2011, Campbell announced he had been diagnosed with Alzheimer’s disease six months earlier.[55]

Campbell went on a final “Goodbye Tour”, with three of his children joining him in his backup band;[56][57] his last show was on November 30, 2012, in Napa, California.[58] Campbell sang “Rhinestone Cowboy” as a goodbye at the 2012 Grammy Awards ceremony held on February 12, 2012.[59]

In April 2014, news reports indicated the 78-year-old Campbell had become a patient at an Alzheimer’s long-term care and treatment facility.[60][61] On March 10, 2015, NBC News reported that Campbell could no longer speak for himself and that two of his children had sought legal action against Campbell’s wife Kim, with the assertion that she had “secluded” the singer and prevented them from “participating” in the 78-year-old’s medical care.
1965 Baby the Rain Must Fall Band Member (uncredited)
1967 The F.B.I. Larry Dana Episode: “Force of Nature”
1967 The Cool Ones Patrick
1969 True Grit La Boeuf
1969–72 The Glen Campbell Goodtime Hour Host
1970 Norwood Norwood Pratt
1976/77/78 American Music Awards Host
1980 Solid Gold Co-host 2 episodes
1980 Any Which Way You Can Singer at Lion Dollar Cowboy Bar
1982 The Glen Campbell Music Show Host 24 episodes
1986 Uphill All the Way Capt. Hazeltine
1991 Rock-A-Doodle Chanticleer (voice)
1997 Players Jesse Dalton Episode: “In Concert”
2014 I’ll Be Me Documentary subject
Awards and honors[edit]
Grammy Awards

Year Category Work Result
1967 Best Male Country Vocal Performance “Gentle on My Mind” Won
Best Country & Western Recording “Gentle on My Mind” Won
Best Vocal Performance, Male “By the Time I Get to Phoenix” Won
Best Contemporary Group Performance (Vocal Or Instrumental) “By the Time I Get to Phoenix” Won
1968 Album of the Year By the Time I Get to Phoenix Won
Best Country Vocal Performance, Male “I Wanna Live” Nominated
Best Contemporary-Pop Vocal Performance, Male “Wichita Lineman” Nominated
Record of the Year “Wichita Lineman” Nominated
1976 Best Country Vocal Performance, Male “Country Boy (You Got Your Feet in L.A.)” Nominated
Best Pop Vocal Performance, Male “Rhinestone Cowboy” Nominated
Record of the Year “Rhinestone Cowboy” Nominated
1981 Best Country Vocal Performance by a Duo or Group “Dream Lover” (duet with Tanya Tucker) Nominated
1982 Best Recording for Children Sesame Country (various artists) Won
1986 Best Inspirational Performance No More Night Nominated
1988 Best Country & Western Vocal Performance – Duet “The Hand That Rocks the Cradle” (with Steve Wariner) Nominated
Best Country & Western Vocal Performance – Duet “You Are” (with Emmylou Harris) Nominated
2000 Grammy Hall of Fame Award “Wichita Lineman” Won
2004 Grammy Hall of Fame Award “By the Time I Get to Phoenix” Won
2008 Grammy Hall of Fame Award “Wichita Lineman” Won
2012 Grammy Lifetime Achievement Award[65] Won
2015 Best Country Song “I’m Not Gonna Miss You” (shared with co-writer Julian Raymond) Won
Best Song Written for Visual Media “I’m Not Gonna Miss You” Nominated
Academy of Country Music[66]

Year Category Work Result
1967 Single of the Year “Gentle on My Mind” Won
Album of the Year Gentle on My Mind Won
Top Male Vocalist Gentle on My Mind Won
1968 Album of the Year Bobbie Gentry & Glen Campbell Won
Top Male Vocalist Won
TV Personality of the Year Won
1971 TV Personality of the Year Won
1975 Single of the Year “Rhinestone Cowboy” Won
1998 Pioneer Award Won
2015 Video of the Year “I’m Not Gonna Miss You”[67] Pending
American Music Awards
1976: Favorite Pop/Rock Single – “Rhinestone Cowboy”
1976: Favorite Country Single – “Rhinestone Cowboy”
1977: Favorite Country Album – Rhinestone Cowboy
Country Music Association Awards
1968: Entertainer of the Year
1968: Male Vocalist of the Year
GMA Dove Awards[68]
1986: Album by a Secular Artist – No More Night
1992: Southern Gospel Recorded Song of the Year – “Where Shadows Never Fall”
2000: Country Album of the Year – A Glen Campbell Christmas
Other honors
1974: Country Music Association of Great Britain’s Entertainer of the Year[69]
2005: Country Music Hall of Fame induction[citation needed]
2007: Musicians Hall of Fame induction (as a member of The Wrecking Crew)[citation needed]
2008: Q Legend Award[70]
2012: Country Radio Broadcasters, Inc. Career Achievement Award[71]
2014: HMMA Lifetime Achievement Award[72]
2015: Academy Award nomination for “I’m Not Gonna Miss You” (co-writer); sung by Tim McGraw

Alice Cooper looking good on the band with Johnny Depp, Abe Laboriel Jr. and friends at #imperialball2015 ! – Jon Hammond

LINK: https://vimeo.com/117894281
A taste of the great Alice Cooper doing his tune “School’s Out” with Johnny Depp and Friends as seen by Jon Hammond from VIP seating area row E in Orchestra Center – very special annual benefit concert #imperialball2015 Very Important I want to clarify that the proceeds of this concert went to help feed hungry children 1200 daily “Caterina’s Club” from Sir Chef Bruno Serato and also Alice Cooper’s Solid Rock Teen Center saving kids one guitar at a time from going in to gang life – god bless their beautiful work sponsored by the good folks at Sennheiser electronic and recorded with their very best microphones and also Duesenberg Guitars A production version guitar will be released later, with a portion of the proceeds going to Johnny’s charities. by the good folks at Sennheiser electronic and recorded with their very fine microphones – Jon shot this with a little camera for posterity
special thanks Sennheiser, 100.3 FM The Sound, Gallery 319 *Note: The drummer is Abe Laboriel Jr. (Paul McCartney’s long-time drummer, son of the great bassist Abraham LaBoriel – Johnny Depp’s guitar was signed by all the artists and auctioned off at end of the show with proceeds going to above mentioned charities – JH #TheNAMMShow — with Alice Cooper and Abe Laboriel jr. at Anaheim Center for the Performing Arts At Servite

Jon’s archive https://archive.org/details/6842260214

Vimeo http://vimeo.com/119225355

Youtube http://youtu.be/fgVsJt4KIIw

CNN iReport http://ireport.cnn.com/docs/DOC-1214567

Dailymotion http://www.dailymotion.com/video/x2gvvy7_jon-hammond-show-mnn-tv-channel-1-02-14-2015-32nd-year_music

Jon Hammond Show for broadcast 02/14/2015 on MNN TV Channel 1 Community Channel, 32nd year on Cable Access TV – Funk Soul Blues and Soft News – just back from NAMM Show, Jon Hammond Show with Bernard Purdie and Jon’s coverage of annual NAMM Memorial Tribute to industry leaders lost last year including Jeff Golub, Joe Wilder, Gerald Wilson, Johnny Winter, with original music from Jon Hammond “Lydia’s Tune” Jon Hammond Band in Hilton Hotel Lobby “Head Phone” Sound Soul Summit Funk Masterpiece Jon Hammond Band in jazzkeller Frankfurt Jon’s annual musikmesse Warm Up Party and more – ©JON HAMMOND International ASCAP

http://www.HammondCast.com

Jon’s archive https://archive.org/details/JonHammondAndFriendsJazzSpotSwing

Youtube http://youtu.be/x6a8MHYESqc

Jon Hammond and Friends drop in to Taipei night spot JAZZ SPOT SWING organ lounge,

Jon at Mr. Nobuki Kuwahara’s Hammond Sk2 organ with house musicians – Kenichi Toyoda piano

– special thanks to Nico, Shannon, Letitia – Superlux Taiwan,

P. Mauriat Europe Pmauriat Albest Team!

http://www.HammondCast.com/ – Jazz Spot Swing

Vimeo http://vimeo.com/110027287

CNN iReport http://ireport.cnn.com/docs/DOC-1182889

Jon Hammond Band Facebook https://www.facebook.com/video.php?v=924772564218208

Jon’s archive https://archive.org/details/LateRentJonHammondThemeSong2014

Jon Hammond theme song Late Rent on the occasion of 28th annual musikmesse Warm Up Party in the world famous jazzkeller Frankfurt and Jon’s birthday

with Peter Klohmann tenor saxophone, Giovanni Totò Gulino drums, Joe Berger guitar and Jon Hammond at the Sk1 Hammond organ – Late Rent is the theme song for Jon’s long-running cable TV show in New York City The Jon Hammond Show and HammondCast radio program http://www.HammondCast.com – special thanks to Frank Poehl for operating the camera – Jon Hammond Band

Jon’s archive https://archive.org/details/LateRentJonHammondThemeSong2014

Jon Hammond theme song Late Rent on the occasion of 28th annual musikmesse Warm Up Party in the world famous jazzkeller Frankfurt and Jon’s birthday

with Peter Klohmann tenor saxophone, Giovanni Totò Gulino drums, Joe Berger guitar and Jon Hammond at the Sk1 Hammond organ – Late Rent is the theme song for Jon’s long-running cable TV show in New York City The Jon Hammond Show and HammondCast radio program http://www.HammondCast.com – special thanks to Frank Poehl for operating the camera – Jon Hammond Band

Youtube http://youtu.be/5shPL3IOYlU

NuMuBu http://www.numubu.com/153010-videos.html?VIDEO_ID=23971

CNN iReport http://ireport.cnn.com/docs/DOC-1117717

Vimeo http://vimeo.com/91332204

Dailymotion http://www.dailymotion.com/video/x1mn3pb_late-rent-jon-hammond-theme-song-2014_music

Jon Hammond Band Facebook http://www.facebook.com/photo.php?v=806846682677464

Blip TV http://blip.tv/jon-hammond/late-rent-jon-hammond-theme-song-2014-6818982

“The FINGERS…are the SINGERS!”
Musikmesse “Warm Up Party”
Jon Hammond & Band

Jon Hammond (aus New York City) – organ
Joe Berger – guitar
Peter Klohmann – saxophone
Giovanni Gulino – drums

Mr. Hammond has toured worldwide since 1991 using the incredible Sk1 organ by Hammond Suzuki..™ “Classic Hammond Sound…In A Suitcase!”
The Jon Hammond Show is a funky swinging instrumental revue, featuring top international soloists. The show has universal appeal. Big Hammond orgel sound – 100% organic

Jon Hammond in P.Mauriat Pmauriat Albest Pro Shop Taipei Taiwan

Journal Frankfurt article by Detlef Kinsler

LINK: http://journal-frankfurt.de/funkyjazz

Kultur

MY HOME AWAY FROM HOME

Nomen est omen. Der Mann heißt Hammond und spielt eine Hammond. Der Organist aus New York freut sich auf Frankfurt und lädt zur Musikmesse Warm Up Party am 9.4. in den Jazzkeller ein.
JOURNAL FRANKFURT: Was war für Sie zuerst da – die Frankfurter Musikmesse oder Auftritte im Jazzkeller?
Jon Hammond: Die Musikmesse. Ich kam 1987 zum ersten Mal nach Frankfurt, zusammen mit Joe Berger, der auf der Messe für Engl Amplifiers spielte. Wir flogen mit der Lufthansa ein und teilten uns ein Zimmer im berühmten Prinz Otto Hotel am Hauptbahnhof. Schon in der ersten Nacht stellte mir Joe den großen John Entwistle, den Bassisten von The Who vor. Es wurde eine lange Nacht, in der wir Cognac tranken und Erdnüsse knabberten in eiern Suite des Marriott Hotels. Ich habe Joe bei einer Session mit John und Ringo Starrs Sohn Zak Starkey im Dorian Grey Club gefilmt bei einer Soundcheck Party. In den ersten paar Jahren spielte ich nicht oft live weil ich noch keine transportierbare Hammond Orgel hatte vor 1991 als ich den Prototyp einer XB-2 Hammond Orgel bekam mit der ich dann um die Welt reiste. Hauptsächliche dokumenierte ich aber die Messe für meine Cable TV Show in New York, die inzwischen im 29. Jahr als The Jon Hammond Show — Music, Travel and Soft News präsentiert. Die harten Nachrichten überlasse ich CNN und den großen Networks (lacht). Vom ersten Jahr an fühlten wir uns der Musikmesse eng verbunden, haben seitdem eine tolle Zeit hier, kommen jedes Jahr wieder bis wir kleine, alte Männer sind.

Das Jazzkeller-Konzert am Vorabend der Musikmesse ist zu einer netten Tradition geworden – wie kam es dazu, was bedeutet es Ihnen und wir werden Sie dieses Jahr diesen Abend im Jazzkeller zelebrieren?
Ab 1991 lernte ich mehr und mehr Musikmesse-Menschen kennen und die mich und auch einiges von meiner Musik. Einige von ihnen ermunterten mich, doch auch für Auftritte nach Deutschland zu kommen weil es hier doch ein Interesse an Hammond-Orgel-Groove-Music gab. Mit der schon erwähnten, kleinen, kompakten aber sehr kraftvollen Orgel war das alles möglich. Zudem machte ich in New York gerade eine schwere Zeit durch, mein Vater war gestorben und ich hatte das Gefühl, einige Veränderungen könnten meinem Leben gut tun. Also kam ich nach Frankfurt mit meiner XB-2, allerdings mit einem Rückflugticket falls etwas schief gehen würde. Ich rief viele Musiker an, ließ sie wissen, ich bin jetzt da, lasst uns zusammen spielen. Das war für mich der Anfang einer langen, sehr speziellen Beziehung, vor allem zum Frankfurter Publikum nach ersten kleinen erfolgen im Jazzkeller und einer kurzen Auftritt im Hessen Report im Fernsehen. Beatrix Rief verdanke ich dieses “lucky light on me”, eine tolle Erfahrung. Seitdem nenne ich Frankfurt “My Good Luck City” und im Jazzkeller begann auch alles für mich als Musiker. Deshalb liegt mir der Club auch so nah am Herzen, deshalb hatte ich auch die Idee, meine “Musikmesse Warm Up Party” dort zu realisieren, immer in der Nacht bevor die Messe startet was zu einer schönen Tradition wurde. Im ersten Jahr, in dem ich dann auch ein wenig Sponsoring von Philip Morris bekam, konnte ich damit einige Flugtickets für befreundete Musik bezahlen. Darüber war ich sehr glücklich. Dabei rauche ich selbst gar nicht.

Wie würden Sie Ihr persönliches Verhältnis zu Deutschland und Frankfurt beschrieben?
Lassen Sie es mich so sagen: ich liebe Frankfurt und die Frankfurter waren immer gut zu mir in all den Jahren. Ich könnte ein ganzes Buch über die Zeit schreiben, in der ich in Bornheim wohnte und Nacht für Nacht in der alten Jazzkneipe in der Berliner Straße auftrat. Das war der Treffpunkt, wo auch die Musiker der HR Bigband hinkamen und es gab eine generöse Chefin in der kleinen Kneipe. Auch Regine Dobberschütz und Eugen Hahn im Jazzkeller waren wahre Jazzengel für mich, die mir so vieles ermöglichten in der Zeit. Wir konnten auch in den Studios von AFN Radio spielen, waren die einzigen Musiker, die das – mit einer Sondergenehmigung des US Militärs – durften. Für ein wenig Promotion für die Musikmesse. Wir nannten das Programm für die AFN “Profile TV “-Show “Sound Police”. Wir hatten viel Spaß. Kein Wunder also, dass ich Frankfurt als my home away from home begreife und ich mich jedes Mal wieder freue zur Musikmesse zu reisen, in diesem Jahr übrigens zum 27. Mal in Folge. Und ich bin diesmal besonders aufgeregt, heim nach Frankfurt zu kommen weil ich gerade 60 Jahre alt geworden bin.

Wer wird in diesem Jahr zum Gelingen des Konzertes mit teils komponierter, teils improvisierter Musik, so nehme ich an, beitragen und was für einen Sound wird die Band präsentieren?
Ich habe etwa 90% der Kompositionen geschrieben, die wir spielen werden. Es ist die Musik, die man auch in meiner New Yorker TV-Show hören kann und die mich mehrmals um die Welt getragen hat. Meinen Stil nenne ich “Swinging Funky Jazz and Blues” und featurert die ganz wunderbaren Solisten in meine Band: Tony Lakatos, den großen ungarischen Tenorsaxophonisten, der auch Mitglied in der hr Bigband ist, dann meinen alten Freund Giovanni Gulino, diesen tollen Schlagzeuger, der schon für fast alle Großen der Szene getrommelt hat. Ich liebe diese Jungs. Als Gitarrist ist mein alten Freund und Kollege Joe Berger dabei, den man auch als The Berger-Meister kennt. Auf diese Formation bin ich wirklich stolz.

Werden Sie im Jazzkeller wieder eine Hammond Orgel spielen?
Ja, sicher, das neueste Modell, eine Sk1, die exakt so klingt wie die legendäre B3. Ich liebe sie. Und sie wiegt nur noch sieben Kilo (Anm. des Autors: Das Original, ein echtes Möbel mit viel Holz, mussten immer zwei Menschen mit viel Muskelkraft die Treppen rauf und runter hieven), ein deutliches Indiz, dass wir in der Zukunft angekommen sind. Da stecken viele Jahre Forschung und Entwicklung drin, auch Bühnenerprobungen. Ich ziehe den Hut vor den Ingenieuren von Suzuki, ein unverwüstliches Instrument erschaffen zu haben. Und das unterziehe ich jetzt einen echten Härttest (lacht). — Interview: Detlef Kinsler

P.Mauriat Action Blues With Jon Hammond Pmauriat / Albest Music

Jon’s archive https://archive.org/details/P.MauriatActionBluesWithJonHammond

(Higher Quality) P.Mauriat HQ / Pmauriat Albest action with Jon Hammond Blues All Afternoon at The NAMM Show with P.Mauriat Artists and guests Arno Haas, Hailey Niswanger, James Carter, Joshua Quinlan, Juan Alzate, Ryan Montano – Jon Hammond at the Sk1 organ http://www.HammondCast.com/

Public Access TV, Community Channel, Funk Soul Blues, Soft News, Hammond Organ, B3, Sk1, Suzuki Musical Instruments, NAMM Show, musikmesse, Nashville Music City, Jon Hammond, ASCAP, Musicians Union, Local 802

VIDEO: Jon Hammond Funk Unit with Bernard Purdie Book Commercial and funky Head Phone

March 9, 2015

*WATCH THE VIDEO HERE: VIDEO: Jon Hammond Funk Unit with Bernard Purdie Book Commercial and funky Head Phone

Jon’s archive https://archive.org/details/JonHammondFunkUnitHEADPHONE

Jon Hammond Band Facebook https://www.facebook.com/video.php?v=1012367882125342

Jon Hammond Funk Unit – NAMM Center Stage, and Bernard Purdie Commercial for his newly released book
https://www.namm.org/thenammshow/2015/events/jon-hammond-funk-unit “Let The Drums Speak” with illustrations
Performance Info
Location/Stage:
Anaheim C.C.
CenterStage The NAMM Show
Artist Info
Joe Berger: Guitar/Guitarist
Dom Famularo: Drums/Drummer
Alex Budman: Tenor Saxopohone/Saxophonist
Koei Tanaka: Harmonica
Jon Hammond: Organ / Leader
Genre:
Rock
Website:
http://www.jonhammondband.com
Facebook:
http://facebook.com/jonhammondband
Artist Bio:
*WATCH THE VIDEO HERE: Dom Famularo Feature On Jon Hammond Band NAMM Show Jon’s archive: https://archive.org/details/DomFamularoFeatureOnJonHammondBandNAMMShow1 On the Youtube http://youtu.be/0656E-IWDn8 Center Patio Stage The NAMM Show feature Dom Famularo Power Funk Supreme drums on Jon’s tune “Head Phone” – Alex Budman tenor sax, Joe Berger guitar, Koei Tanaka / 田中光栄 – fan site harmonica, Jon Hammond organ – special thanks Sabian, JJ Guitars, Suzuki Musical Instruments Instruments, Bespeco Accessori, Alex Mingmann Hsieh Hsieh, Pmauriat Albest – stage crew Evan, Jennifer, April, cameo appearance by Wolfgang Lücke Director musikmesse Frankfurt am Main Greg Herreman Productions NAMM Organization – #NAMMShow #HammondOrgans #Lunch #Sabian #Pmauriat #ASCAP #BernardPurdie #CableAccess

Jon’s archive https://archive.org/details/TrainSongMusikmesseWarmUpParty

CNN iReport http://ireport.cnn.com/docs/DOC-1170664

Youtube http://youtu.be/ibPxc0shd8Y

Jon Hammond original composition “Train Song” performed at Jon’s annual musikmesse Warm Up Party in the world famous jazzkeller Frankfurt – Jon Hammond Band: Giovanni Totò Gulino drums, Peter Klohmann tenor saxophone, Joe Berger guitar, Jon Hammond Sk1 Hammond organ – special thanks to Frank Poehl for operating the camera – http://www.HammondCast.com ©JH INTL ASCAP Publishing JON HAMMOND International

Briggs & Riley Travelware added 2 new photos – https://www.facebook.com/BriggsandRiley/posts/10153116135768914

Iconic jazz and blues keyboardist and television/music radio show host and producer (CBS’s “Jon Hammond’s Afternoon Slide” on KYCY 1550 AM) Jon Hammond writes us: “Nothing like riding the old S-Bahn with my Briggs & Riley Travelware.” We do love hearing from you, Mr. Hammond. Happy travels on tour and keep on tinkling those ivories!!

Musician and media personality Jon Hammond in Frankfurt photographing his Briggs & Riley bags.

Keyboard master Jon Hammond on tour.

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Jon Hammond Band http://www.facebook.com/jonhammondband

Dailymotion http://www.dailymotion.com/video/x1skk2s_train-song-musikmesse-warm-up-party-jon-s-journal_music

Jon’s archive https://archive.org/details/LateRent2013MusikmesseWarmUpPartyJonHammondBand

http://www.jazzkeller.com/programm/nextmonth.htm

Di. 14.04. 
“The FINGERS…are the SINGERS!”
Musikmesse “Warm Up Party”
Jon Hammond & Band

Jon Hammond – organ
Joe Berger – guitar
Peter Klohmann – saxophone
Giovanni Gulino – drums

Mr. Hammond has toured worldwide since 1991 using the incredible Sk1 organ by Hammond Suzuki..™ “Classic Hammond Sound…In A Suitcase!”
The Jon Hammond Show is a funky swinging instrumental revue, featuring top international soloists. The show has universal appeal. Big Hammond orgel sound – 100% organic 
jonhammondband.com/music

More Jon Hammond, klick: http://behindthebeat

 

Poster: “The FINGERS…are the SINGERS!” Musikmesse “Warm Up Party” Jon Hammond & Band

Cable Access: Jon Hammond Show Broadcast 03/14/2015 MNN Channel 1

Jon’s archive https://archive.org/details/6842260314

Youtube http://youtu.be/ElPht5F81xA

Jon Hammond Show Broadcast 03/14/2015 MNN Channel 1- (Mikell’s circa 1989) – Blues In Mikell’s Night – Jon Hammond Late Rent Session Men
Blues In Mikell’s Night – vintage gig in NYC’s premier nightspot Mikell’s at 760 Columbus Avenue – The Musicians: Leslie J. Carter Chuggy Carter percussion
Bernard Purdie drums
Barry Finnerty guitar
Jon Hammond 1959 B3 organ
camera Joe Berger

http://www.jonhammondband.com/ — Opening Party for The Australian Music Association Convention – AMAC back in Gold Coast Australia, The Jon Hammond Trio with Kerry Jacobson drums, Neil Wickham tenor saxophone, Jon Hammond New B3 organ – opening introduction by Bernie Capicchiano with many special guest in the house, including Larry Morton Chairman of NAMM Show in the USA Delegation and member exhibitors of AMA in Jupiters Casino Hotel Broadbeach Gold Coast AU – AMAC Convention Back In Gold Coast for 2014 – Jon Hammond Organ Group – special thanks Bernies Music Land Team / Musico, Rob Walker, Greg Phillips, Tony Burn – and all the great people of The AMAC!

– The Late Great Joe Franklin with Jon Hammond: Joe Franklin “King Of Nostalgia” Host of Radio & TV who’s guests have been entertainers like Bill Cosby to legends like Bing Crosby, Charlie Chaplin,
John Wayne, Marilyn Monroe, Cary Grant, John Lennon, here with Jon Hammond on Jon’s daily HammondCast Show on KYOU Radio live in Joe
Franklin’s office known as “Memory Lane”. Enjoy! ©JON HAMMOND International

CNN iReport http://ireport.cnn.com/docs/DOC-1220892

Vimeo https://vimeo.com/120964118

Dailymotion http://www.dailymotion.com/video/x2ifbmt_jon-hammond-show-broadcast-03-14-2015-mnn-channel-1_music

Jon’s archive https://archive.org/details/LATERENTSundayMorningNAMMSession

Jon Hammond and Friends playing Jon’s theme song “Late Rent” at The NAMM Show, Jon’s annual Sunday Morning NAMM Session in the Hammond Suzuki NAMM Booth – Joe Berger guitar, Koei Tanaka chromatic Suzuki harmonica, Chuggy Carter percussion, Jon Hammond at the Sk1 Hammond organ *Note Jon is playing through a new stationary Leslie speaker product which I’ve been told not to mention the model number but you can find it for sale already at B3 Guys and some other Hammond dealers folks – 32nd year of The Jon Hammond Show on cable access TV and 29th NAMM Show, Joe Berger has done more than 29 – next stop: Frankfurt musikmesse http://www.HammondCast.com #NAMMShow #HammondOrgan Leslie L-2215, Hammond Digital Leslie pedal, G Pedal, ©JON HAMMOND International ASCAP

Youtube http://youtu.be/R6Ls3-gkxT0

Dailymotion http://www.dailymotion.com/video/x2h9afi_late-rent-sunday-morning-namm-session_music

NAMM Show, Lunch, Hammond Organs, Public Access, MNN TV Show, Jon Hammond, Bernard Purdie, Suzuki Musical Instruments, Sk1, ASCAP, KHS America, Carvin Corporation, Carson Kiesel, Pro Audio, musikmesse